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Word and Book related Works Made by Artists for Parkett since 1984 This group presents works made by artists for Parkett that directly refer or relate to words, texts or books August 2017
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Page 1: View works from Word and Book Related Works (PDF) - … · Word and Book related Works Made by Artists for Parkett since 1984 This group presents works made by ... Booklet with 17

Word and Book related Works Made by Artists for Parkett since 1984

This group presents works made by artists for Parkett that directly refer or relate to words, texts or books

August 2017

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ALIGHIERO BOETTI CHRISTIAN BOLTANSKI KERSTIN BRÄTSCH + DAS INSTITUT SOPHIE CALLE PAUL CHAN FRANCESCO CLEMENTE ABRAHAM CRUZVILLEGAS ENZO CUCCHI TACITA DEAN TRISHA DONNELLY ROBERT GOBER DOMINIQUE

GONZALEZ-FOERSTER KATHARINA GROSSE JENNY HOLZER REBECCA HORN RONI HORN CHRISTIAN JANKOWSKI ILYA KABAKOV MIKE KELLEY MARTIN KIPPENBERGER HELEN MARTEN SARAH MORRIS ALBERT OEHLEN PHILIPPE PARRENO

RAYMOND PETTIBON SIGMAR POLKE RICHARD PRINCE TIM ROLLINS + K.0.S. ED RUSCHA WILHELM SASNAL JOSH SMITH FRANCES STARK RUDOLF STINGEL DANH VO LAWRENCE WEINER FRANZ WEST

Word and Book Related Works Made by Artists for Parkett (1984-2017 / Vol. 1-101)

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“If asked to choose a favorite among Parkett’s artist editions over the past 33 years, my definitive answer would be 'All of them.' The individual editions are wonderful, but collectively they form an extraordinary research collection that charts a vast array of changes that have swept through the art world since the 1980s. This includes … the inevitable march of new and old ideas that always surrounds contemporary art …, the impact of new technologies on artmaking, the increasing interconnectedness of artistic centers across the globe ... the Parkett editions influence artists in ways that stretch far beyond exhibition and publishing, and this influence will likely continue well into the future.” Glenn Phillips, Curator and Head of Modern & Contemporary Collections, Getty Research Institute, Santa Monica, California “… the diversity of works on view offer a sense of what artists can do with the challenge of how to distill their multivalent practices into a single, compact object or image …“ Philip Tinari, Director, Ullens Center for Contemporary Art, Beijing “A source of inspiration, reflection, revelation and delight … the multi-perspectival approach to writing; the puzzle-book spines; the finger on the pulse choice of artists; and the alluring programme of editions: these are the ingredients that make Parkett one of the most influential forces in post war art…” “… the most important artists of our time have created works for PARKETT that represent the essence of their art or reveal an unexpected dimension.” Iwona Blazwick, Director, Whitechapel Art Gallery, LondonIwona Blazwick, Director, The Whitechapel Art Gallery, London

“The MoMA collection contains numerous examples of editions by the most significant artists of the modern period ... the editions made for PARKETT carry on this rich tradition.” Deborah Wye, Chief Curator emerita, Prints and Illustrated Books, Museum of Modern Art, New York “A show of the work produced for a revolutionary magazine functions as a mini-museum of the recent time.” Financial Times, London “... A catalyst for invigorating change whilst always producing the harvest of the quiet eye” Hans-Ulrich Obrist, Co-Director, Serpentine Gallery, London “... a wonderland of sometimes fantastical treasures ... the scope and quality of what is on display, not to mention the artists involved … make this show one of the strongest so far this year” Time-Out, Beijing “… PARKETT’s editions highlight the Zeitgeist, the hopes and fears of artists in the globalized world, their questions of identity, of past and future, their zest for life, and their creation of new utopias...” Neue Zürcher Zeitung, Zurich “Congratulations on three decades of exceptional publishing.” Sir Nicholas Serota, Director , Tate, London

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40 41

Parkett Exhibitions in Public Institutions

Taipei

Taipei Fine Arts Museum (May – August 2013)

“Inside a Book a House of gold – Artists’ Editions for Parkett”

The most complete exhibition to date presents all 220 works made by artists for Parkett,

with catalogue in Chinese and English.

Beijing

Ullens Center for Contemporary Art (February – April, 2012)

“Inside a Book a House of gold – Artists’ Editions for Parkett”

Catalogue in Chinese and English, edited by Phil Tinari.

Seoul

Seoul Arts Center / Hangaram Museum (December 2010 – March 2011)

“200 Artworks – 25 Years. Artists’ Editions for Parkett”

Curated by Honki Chae and Shim Chung, with catalogue in Korean and English.

Singapore

STPI (May – July 2010)

“200 Artworks – 25 Years. Artists’ Editions for Parkett”

In collaboration with Emi Eu and Ong Boo Chai.

Kanazawa

21st Century Museum of Contemporary Art (September 2009)

“200 Art Works – 25 Years”

The most complete museum exhibition to date presents all 200 works

made by artists for Parkett since 1984, with catalog.

Zurich

Kunsthaus (November, 2004 – February, 2005)

“Parkett – 20 Years of Artists’ Collaborations”

curated by Miriam Varadinis, with catalog.

Venice

Palazzo Remer (June – October, 2003)

At the occasion of the Biennale this exhibition presented

all Parkett editions in Venice.

“Parkett – 20 Years of Artists’ Collaborations”, Kunsthaus Zürich 2004

“Collaborations with Parkett”, Exhibition at MoMA, New York, 2001

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42 43

Dublin

Irish Museum of Modern Art (June – October, 2002)

“Beautiful Productions”

London

Whitechapel Art Gallery (July – August, 2001)

In its Centenary the Whitechapel Gallery presented a Parkett exhibition entitled

“Beautiful Productions: Art to Play, Art to Wear, Art to Own”,

curated by Iwona Blazwick.

New York

Museum of Modern Art (April – June, 2001)

“Collaborations with Parkett: 1984 to Now”,

curated by Deborah Wye, with catalog.

Geneva

Centre d’Art Contemporain (November, 1999)

Siena

Palazzo delle Papesse (June – October, 1999)

Cologne

Museum Ludwig (November 1998 – January, 1999),

curated by Reinhold Misselbeck, with catalog.

Humlebaek, Denmark

Louisiana Museum (September – October, 1996)

Curated by Lars Grambye

Los Angeles

MAK-Center at the Schindler House (March – June, 1995)

Catalog “Silent & Violent” edited by Peter Noever.

Geneva

Centre de Gravure Contemporaîne (April – May, 1992)

Marseille

Centre de la Vieille Chariteé, Museés de Marseille (February – March, 1991)

Zurich

Helmhaus (January – February, 1989)

Frankfurt

Portikus (September – October, 1988)

Paris

Centre Georges Pompidou (April – June, 1987)

“Inside a Book a House of Gold”, Exhibition at UCCA, Beijing, 2012

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THE COLLECTION OF ALL PARKETT BOOKS

SET OF ALL 60 AVAILABLE VOLUMES COLLECTION OF ALL 101 VOLUMES (VOL. 1-101)

We gladly assist you in finding missing, out-of-print Volumes and completing your collection of Parkett Books. Please email or call Emma Whisler, New York, [email protected], or Nicole Stotzer, Zurich, [email protected]

www.parkettart.com

o 60 volumes in Parkett’s signature book design o 155 artists monographic collaborations,

each with 3-5 texts o 850 texts by compelling and renown authors

and writers o More than 4000 color illustrations

o 101 volumes in Parkett’s signature book design (incl. 36 out-of-print volumes)

o 270 artists monographic collaborations, each with 3-5 texts

o 1500 texts by compelling authors and writers o More than 8000 color illustrations

“... a catalyst for invigorating change whilst always producing the harvest of the quiet eye” Hans-Ulrich Obrist, Co-Director, Serpentine Gallery, London

“Congratulations on three decades of exceptional publishing.” Nicholas Serota, Director , Tate, London

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112 113

Collotype (Granolitho), overpainted by hand in red, 19 5/8 x 27 1/2” (49,8 x 69,8 cm), printed by Lichtdruck AG, Dielsdorf, Switzerland, Ed. 100/XX, signed and numbered

ALIGHIERO E BOETTI

Probing the Mysteries of a Double Life, 1990

For Parkett 24

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114 115

Booklet with 17 photographs, 2 x 3 1/8” (5 x 8 x 0,6 cm), Ed. 80/XX, signed and numbered

CHRISTIAN BOLTANSKI

El Caso, 1989

For Parkett 22

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126 127

In 4 versions each with 4 design layers (Nothing Nothing / Thus / Ä / Ö). Knitted textile patch with 4 design layers,made of custom dyed yarns, each layer 15 x 12“ (38 x 30,5 cm). Designed by DAS INSTITUT(Kerstin Brätsch, Adele Röder). Program and digital knitwear by Stoll, New York. Cotton yarn by Filartex, Italy, silk/merino yarn by Cariaggi and Filipucci, Italy. To be individually attached to clothes with three snap buttons. The parasite patch can be worn displaying each of the 4 different design layers. Ed. 18/X for each patch version, with signed and numbered certificate

KERSTIN BRÄTSCH AND DAS INSTITUT

Parasite Patch, from Schröderline, 2011

For Parkett 88

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136 137

Pure silk crêpe-de-chine man’s tie, printed with an autobiographical story, 56 5/8 x 3 3/8” (70,7 x 21,2 cm), produced by Fabric Frontline, Zurich, Ed. 150/LX, signed and numbered

SOPHIE CALLE

The Tie, 1993

For Parkett 36

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146 147

Silkscreen on natural woven rayon cloth, with foil stamping, on wooden frame, 25 x 16 1/2 x 3/4“ (63,5 x 42, 1,9 cm). Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed.35/XX, signed and numbered certificate.

PAUL CHAN

The Libertine Reader, 2011

For Parkett 88

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150 151

Photo-etching, printed by Peter Kneubühler, Zurich, on handmade vellum paper, 11 4/8 x 8 1/8” (29,8 x 21 cm), Ed. 60/XX, signed and numbered

FRANCESCO CLEMENTE

Sorrow, 1994

For Parkett 40/41

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78 79

Wooden briefcase, with 34 bamboo wood sticks in 34 different colors, with a separate 7-color silkscreen included in the briefcase, briefcase interior lined with canvas, briefcase custom made from larch wood and MDF by Stiftung St. Jakob, 13 1/8 x 21 x 1 3/4”, 7.2 lb, silkscreen printed by Atelier für Siebdruck, Lorenz Boegli on Bütten 250 g/m2 paper, 12 x 19 1/2”.Ed. 35/XX, signed and numbered certificate.

ABRAHAM CRUZVILLEGAS

Autoconclusión, 2015

For Parkett 97

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154 155

Aquatint and drypoint on Vélin d’Arches, bound in the magazine, 10 x 16 1/2” (25,5 x 42 cm), printed by Peter Kneubühler, Zurich, Ed. 80/XVIII, signed and numbered

ENZO CUCCHI

Elegy and Etching, 1983

For Parkett 1

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158 159

Color postcard, 4 1/8 x 5 4/5“ (10,5 x 14,8 cm), printed by Steidl Verlag, Göttingen, Germany, Ed. 100/XL, signed, numbered, stamped and posted in Morombe, Western Madagascar

TACITA DEAN

The Green Ray, 2001

For Parkett 62

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170 171

Edition in 10 installments made and delivered every 1–2 months over a period of one year, varied media, each approx. 8 x 10” (20 x 25 cm), Ed. 45/XXV, signed and numbered certificate

TRISHA DONNELLY

The Dashiell Delay – an Edition Subscription, 2006

For Parkett 77

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172 173

Triptych printed by Marcel Kalksma, Amsterdam, in three processes on 250g/m2 Arches: blockprint in one color, two transfer lithographs from one stone rendered in two colors, inked and inscribed by hand, with eyes and organs scratched out, folded zigzag, 10 x 24 1/4” (25,5 x 63 cm), Ed. 60/XX, signed and numbered

MARLENE DUMAS

The Black Man, the Jew, and the Girl, 1993

For Parkett 38

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206 207

Aluminum sculpture with 7-color silkscreen print, 8 7/8 x 4 x 14 1/8”, printed by Atelier für Siebdruck, Lorenz Boegli, Zurich.Ed. 35 / XX, signed and numbered certificate.

CYPRIEN GAILLARD

An Urgent Message About The Great Organ, 2014

For Parkett 94

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218 219

Lithograph on newsprint with handtorn edges, printed on both sides and folded three times, 22 1/8 x 13 7/8” (56,7 x 35,4 cm), hand-colored with coffee by the artist, printed by Maurice Sanchez & Joe Petruzzelli, Derrière L’Etoile Studio, New York, Ed. 75/XXV unique pieces, signed and numbered

ROBERT GOBER

Untitled, 1991

For Parkett 27

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222 223

Calendar for 12 months in 12 years (January 2008 – December 2019), 14 prints including 2 by Philippe Parreno, color silkscreen on Munken 350g/m2, paper size: 16 1/2 x 19” (42 x 46,6 cm) each, image size: 11 1/2 x 16 3/4” ( 28,6 x 42,6 cm), bound, printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed. 45/XX, numbered and signed

DOMINIQUE GONZALEZ-FOERSTER

Calendario 2020, 2007

For Parkett 80

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KATHARINA GROSSE

Untitled (Painted Parkett Volume), 2017

For Parkett 100/101

Paint, Parkett volume, each object unique, 20 x 20.5 x 2 cm. (8 ¾ x 10 x ¾”) Ed. 25/12 APs, signed and numbered.

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250 251

Silver snake ring with inscription, sterling silver, 925/000, matt, centrifugal cast, hand-finished, felt-lined wooden case, 1 5/8 x 3 3/8 x 2 1/8” (4,1 x 8,8 x 5,5 cm), produced by Patrick Muff, Cologne, Ed. 75/XXV, signed and numbered

JENNY HOLZER

With You Inside Me Comes the Knowledge of My Death, 1994

For Parkett 40/41

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254 255

Swan’s feather in metal-frame box with glass funnel, ink, glass windows front and back, mirror, 12 1/4 x 8 1/4 x 3 1/8” (37,5 x 21 x 8 cm), packed in wooden box with Styrofoam, 18 3/4 x 13 x 8 7/8” (47,5 x 33 x 22,5 cm), Ed. 45/VI, signed and numbered

REBECCA HORN

Swan Ladder, 1994

For Parkett 40/41

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256 257

Two-color silkscreen on Arches, 20 x 24” (50,7 x 60,4 cm), in wooden frame, 20 3/4 x 24 3/4” (54,4 x 64,5 cm), printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed. 60/XX, signed and numbered

RONI HORN

From: You Are the Weather, 1998

For Parkett 54

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262 263

50 unique photographs by 50 photographers, approx. 9 3/4 x 7 3/4” (25 x 20 cm) each, Ed. 1/II, each signed and numbered

CHRISTIAN JANKOWSKI

Christian Jankowski reads 50 Parkett Artists Collaborations, 2007–2008

For Parkett 81

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266 267

Silkscreened acid-free cardboard box with two plastic flies and a paper script (in Russian) attached, English and German translations provided, 2 x 4 1/2 x 5 5/8” (5,2 x 11,5 x 14,4 cm), Ed. 50/XX, signed and numbered

Silkscreened picture and plastic fly mounted on paper and cardboard in hand-printed passe-partout, wood frame with acrylic glass, 13 5/8 x 9 1/2 x 1” (34,7 x 24,2 x 2,5 cm), printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed. 50/XX, signed and numbered

ILYA KABAKOV

Two Friends, 1992 / Citation, 1992

For Parkett 34

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294 295

B/W photograph with silkscreened matin black wooden frame with Plexiglas,25 x 17 1/2” (63,7 x 44,7 cm),Ed. 60/XX, signed and numbered

Mike keLLeY

Goethe Quote, 1992

For Parkett 31

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284 285

Printed in offset, 6 x 3 3/4” (13,2 x 9,5 cm), 260 pages, inserted in the magazine, Ed. 80/XX, signed and numbered

MARTIN KIPPENBERGER

80 Unique Books, 1989

For Parkett 19

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314 315

12 color silkscreen on powder-coated aluminum (printed by K2 Screen, London), with applicated c-print, powder-coated aluminum shelf. Caputo flour bag in hand-stitched plastic sack, cast aluminum olives, cast resin olives, numbered nail (edition number), string, silk thread, leather twine, wire. Print 23 5/8 x 17 3/4, flour bag and components approx. 7 7/8 x 6 x 4”, all in custom-stamped cardboard box, 19 5/8 x 23 5/8 x 6 1/4”, Ed. 35/XX, signed and numbered.

HELEN MARTEN

Gourmet Grandchildren, 2013

FOR PARKETT 92

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336 337

8-color silkscreen on 300 g/m2 Somerset Satin, 60 x 40” (151,4 x 101,4 cm), designed by Sarah Morris/Peter Saville, printed by Coriander Studio Ltd., London, Ed. 70/XX, signed and numbered

SARAH MORRIS

Capital (A Film by Sarah Morris), 2001

For Parkett 61

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352 353

Etching and Charbonnel black ink on Hahnemühle Dürer Etching White 300 g/m2, paper size: 20 3/4 x 26 1/2” (53 x 66,5 cm), image: 13 3/4 x 20 1/4” (35 x 51,5 cm), printed by Greg Burnet, Burnet Editions, New York, Ed. 60/XX, signed and numbered

ALBERT OEHLEN

L. P. A ., 2007

For Parkett 79

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368 369

single pages from a notebook into which the artist hand-wrote and annotated all of the texts on his work that were commissioned for this Parkett issue, black ink on Arches, 16 1/2 x 11 3/4“ (42 x 29,7 cm) frame excl., Ed. 27/V, each unique

PHILIPPE PARRENO

Collaboration Parkett #86 2009

For Parkett 86

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372 373

Silkscreen, handwritten texts by the artist which vary in each edition, pressed flower, on Arches 120g/m2, approx. 9 5/8 x 7 5/8” (24,4 x 19,4 cm), a 10-part foldout, full length 9 5/8 x 76 3/4” (24,4 x 194 cm). Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich.Ed. 60/XX, signed and numbered

RAYMOND PETTIBON

Untitled (Justly Felt and Brilliantly Said), 1996

For Parkett 47

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382 383

Volume of Parkett made of overprint paper, individual sheets bound at random, 10 x 8 1/4” (25,5 x 21 cm), Ed. 25/X, signed and numbered, and Ed. 25/X with an original contribution (gouache), signed and numbered

SIGMAR POLKE

Untitled, 1994

For Parkett 40/41

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384 385

Presentation gold record with engraved plaque mounted on C-print, framed, includes a playable vinyl record by the artist, recorded both sides, “Good Revolution” (1:46) and “Don’t Belong” (1:46), arranged and performed by Richard Prince, recorded and mixed at Harmonic Ranch by Mark Degliantoni, September 1992, 20 1/2 x 16 1/2” (52 x 41,9 cm), Ed. 80/XX, signed and numbered

RICHARD PRINCE

Good Revolution, 1992

For Parkett 34

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408 409

Acryl, mica and offset print on Saunders rag, mounted on rag board, 11 7/8 x 8 15/16” (30,2 x 22,7 cm), Ed. 80/XX A. P., originals, signed and numbered

TIM ROLLINS + K.O.S.

Winterreise – Wasserfluth, 1989

For Parkett 20

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420 421

Lithograph on Rives, 10 x 24” (25,5 x 61 cm), bound in the magazine, printed by Ed Hamilton, Los Angeles, Ed. 100/18 A. P., signed and numbered

EDWARD RUSCHA

Hell ½ Way Heaven, 1988

For Parkett 18

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422 423

Two-color Lithograph on Rives,22 1/4 x 30 1/8” (56,8 x 76,3 cm), printed by Hamilton Press, Venice, California, Ed. of 60/XX, signed and numbered

EDWARD RUSCHA

Vine / Melrose, 1999

For Parkett 55

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426 427

Color contact print from engraved negative on Kodak paper, 12 5/8 x 18 7/8” (31 x 47 cm), Ed. 60/XX, signed and numbered

WILHELM SASNAL

Concorde Is Dead, 2004

For Parkett 70

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448 449

Front Back

Mixed media, ink and collage on wood (front and back),Each work unique, 24 x 18 x 3/4”, (61 x 45,7 x 1,9 cm)Ed. 38/XV, signed and numbered

JOSH SMITH

Parkett Book Collage, 2009

For Parkett 85

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118 119

“The work of artist and writer Frances Stark often centers on an

exploration of language and the written word, translating the process

of writing or creating art into visual form. Working in multiple media,

from works on paper to performance, Stark examines what she

describes as ‘the conditions of creative labor,’ highlighting the aspects

of artistic production that are less frequently acknowledged… Her

elaborate book object for Parkett “Dishonest but Appealing” mimicks

with its title page the picaresque novel, a genre of prose fiction

featuring adventures of roguish heroes or heroines. The book object

comes with a custom made hidden chamber between the pages to

stash away secret things.” (2)

Book with safe, paper pages, hand bound, hardcover with embossed printing, red cloth, silk ribbon, 11 1/2 x 8 1/2 x 2 1/4 ”. Edition of 35/XX, signed and numbered.

FRANCES STARK

Dishonest But Appealing, 2013

For Parkett 93

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454 455

Signet ring, 18 carat gold, approx. 1 x3/4 x 1/2” (2,5 x 2 x 1,5 cm), jewelery box, production by Markus Frühauf, jeweler, Meran, Italy, Ed. 22/XVI, initials engraved and numbered

RUDOLF STINGEL

RS, 2006

For Parkett 77

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490 491

DANH VO

Untitled, 2013

For Parkett 93

Vintage postcard from Ha Long Bay withwriting by Phung Vo (the artist’s father) on the front.3 3/4 x 5 1/2 ” (9,5 x 14 cm), each unique.Ed. 35 / XX

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512 513

Rubber stamp, approx. 7 1/2 x 3 3/4 x 3 1/2” (19 x 10 x 8,8 cm), with red ink pad in silkscreened card-board box printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed. 80/XXV, signed and numbered

LAWRENCE WEINER

Unter den Linden—Under Lime Trees, 1994

For Parkett 42

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518 519

Printed African fabric, chain, 10 5/8 x 9 5/8” (26,2 x 24,5 cm), Ed. 180/XX, signed and numbered

FRANZ WEST

Pouch for Parkett, 1993

For Parkett 37

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520 521

Bookshelf, reinforcing steel, plexiglas, four wheels, 47 1/4 x 23 5/8 x 11 13/16” (120 x 60 x 30 cm), Ed. 99/XX, signed and numbered certificate

FRANZ WEST

2 x 20 Years of Parkett, 2004

For Parkett 70

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4 5

Tomma Abts, 84Franz Ackermann, 68Eija-Liisa Ahtila, 68Ai Weiwei, 81Doug Aitken, 57Jennifer Allora / Guillermo Calzadilla, 80Pawel Althamer, 82Kai Althoff, 75Francis Alÿs, 69El Anatsui, 90Laurie Anderson, 49John Armleder, 50/51Richard Artschwager, 23, 46Ed Atkins, 98Tauba Auerbach, 94 Nairy Baghramian, 100/101 John Baldessari, 29, 86Stephan Balkenhol, 36Matthew Barney, 45Yto Barrada, 91Georg Baselitz, 11Vanessa Beecroft, 56Ross Bleckner, 38John Bock, 67Alighiero e Boetti, 24Christian Boltanski, 22Monica Bonvicini, 72Louise Bourgeois, 27, 82Carol Bove, 86Mark Bradford, 89Kerstin Brätsch and DAS INSTITUT, 88Olaf Breuning, 71

Glenn Brown, 75Angela Bulloch, 66Daniel Buren, 66Andrea Büttner, 97 Sophie Calle, 36Cao Fei, 99 Valentin Carron, 93 Maurizio Cattelan, 59, 100/101Vija Celmins, 44Marc Camille Chaimowicz, 96Paul Chan, 88Francesco Clemente, 9, 40/41Chuck Close, 60Abraham Cruzvillegas, 97Enzo Cucchi, 1John Currin, 65Tacita Dean, 62Jeremy Deller, 95 Thomas Demand, 62Martin Disler, 3Nathalie Djurberg, 90Peter Doig, 67Trisha Donnelly, 77Marlene Dumas, 38, 100/101Jimmie Durham, 92Nicole Eisenman, 91Olafur Eliasson, 64Tracey Emin, 63Omer Fast, 99 Urs Fischer, 72, 94Eric Fischl, 5Peter Fischli /David Weiss, 17, 40/41Sylvie Fleury, 58

Günther Förg, 26, 40/41Robert Frank, 83Tom Friedman, 64Katharina Fritsch, 25, 87, 100/101Bernard Frize, 74Cyprien Gaillard, 94Ellen Gallagher, 73Theaster Gates, 98Isa Genzken, 69Franz Gertsch, 28Adrian Ghenie, 99Gilbert & George, 14Liam Gillick, 61Robert Gober, 27Nan Goldin, 57Dominique Gonzalez- Foerster, 80Felix Gonzalez-Torres, 39Douglas Gordon, 49Dan Graham, 68Rodney Graham, 64Katharina Grosse, 74, 100/101Mark Grotjahn, 80Andreas Gursky, 44Wade Guyton, 83David Hammons, 31Rachel Harrison, 82Camille Henrot, 97 Thomas Hirschhorn, 57Damien Hirst, 40/41Carsten Höller, 77Jenny Holzer, 40/41Rebecca Horn, 13, 40/41Roni Horn, 54Gary Hume, 48

Pierre Huyghe, 66Christian Jankowski, 81Rashid Johnson, 90Ilya Kabakov, 34Anish Kapoor, 69Alex Katz, 21, 72Mike Kelley, 31Ellsworth Kelly, 56Annette Kelm, 87William Kentridge, 63Jon Kessler, 79Karen Kilimnik, 52Martin Kippenberger, 19Lee Kit, 98 Ragnar Kjartansson, 94Imi Knoebel, 32Jeff Koons, 19, 50/51Jannis Kounellis, 6Yayoi Kusama, 59Wolfgang Laib, 39Maria Lassnig, 85Zoe Leonard, 84Sherrie Levine, 32Liu Xiaodong, 91Sarah Lucas, 45Christian Marclay, 70Brice Marden, 7Helen Marten, 92Paul McCarthy, 73Josiah McElheny, 86Lucy McKenzie, 76Julie Mehretu, 76Mario Merz, 15Beatriz Milhazes, 85Marilyn Minter, 79, 100/101Tracey Moffatt, 53Mariko Mori, 54 Malcolm Morley, 52Sarah Morris, 61Juan Muñoz, 43Jean-Luc Mylayne, 50/51, 85, 100/101Bruce Nauman, 10Ernesto Neto, 78Olaf Nicolai, 78Cady Noland, 46

Albert Oehlen, 79Paulina Olowska, 92 Meret Oppenheim, 4Gabriel Orozco, 48Damián Ortega, 92Tony Oursler, 47Laura Owens, 65Jorge Pardo, 56Nicolas Party, 100/101 Philippe Parreno, 86Mai-Thu Perret, 84Raymond Pettibon, 47Elizabeth Peyton, 53Richard Phillips, 71Sigmar Polke, 2, 30, 40/41Richard Prince, 34, 72R.H. Quaytman, 90Michael Raedecker, 65Markus Raetz, 8Charles Ray, 37Jason Rhoades, 58Gerhard Richter, 35Bridget Riley, 61Pipilotti Rist, 48, 71 100/101Matthew Ritchie, 61Tim Rollins & K.O.S., 20Ugo Rondinone, 52Pamela Rosenkranz, 96James Rosenquist, 58Susan Rothenberg, 43Mika Rottenberg, 98Thomas Ruff, 28Edward Ruscha, 18, 55Anri Sala, 73Wilhelm Sasnal, 70Gregor Schneider, 63Thomas Schütte, 47Dana Schutz, 75Richard Serra, 74Shirana Shahbazi, 94Wael Shawky, 95Cindy Sherman, 29Dayanita Singh, 95Roman Signer, 45Andreas Slominski, 55

Josh Smith, 85Monika Sosnowska, 91Frances Stark, 93 Hito Steyerl, 97 Rudolf Stingel, 77Beat Streuli, 54Thomas Struth, 50/51Sturtevant, 88Hiroshi Sugimoto, 46Philip Taaffe, 26Sam Taylor-Wood, 55Diana Thater, 60Wolfgang Tillmans, 53Rirkrit Tiravanija, 44Fred Tomaselli, 67Rosemarie Trockel, 33, 95Oscar Tuazon, 89James Turrell, 25Luc Tuymans, 60Keith Tyson, 71Adrian Villar Rojas, 93 Danh Vo, 93 Cosima von Bonin, 81Charline von Heyl, 89Kelley Walker, 87Kara Walker, 59Jeff Wall, 22, 49Andy Warhol, 12Rebecca Warren, 78John Waters, 96 Gillian Wearing, 70Lawrence Weiner, 42Andro Wekua, 88John Wesley, 62Franz West, 37, 70Rachel Whiteread, 42Sue Williams, 50/51Robert Wilson, 16Jordan Wolfson, 100/101 Christopher Wool, 33, 83Cerith Wyn Evans, 87Yang Fudong, 76Haegue Yang, 89Lynette Yiadom-Boakye, 99 Xu Zhen, 96

Artists’ List alphabeticallyVolume 1–100/101, 1984–2017


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