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· Web viewBIBLE S MORALISÉE S C. 1225-12 45 GOTHIC EUROPE 2 images- Dedication page...

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1. IDENTIFICATION: (Artist, title, date, size, country of origin, period/style) 061. BIBLES MORALISÉES C. 1225-1245 GOTHIC EUROPE 2 images- Dedication page with Blanche of Castile and King Louis IX 2. FORM: (use of design elements/ principles: color, shape, value, texture, line, space; balance, contrast, emphasis, movement, etc.) 3. MATERIALS AND TECHNIQUE: (art making processes) ILLUMINATED MANUSCRIPT (INK, TEMPERA, AND GOLD LEAF ON VELLUM) 4. CONTENT: (subject & genre: iconography, symbolism, the story) 5. ORIGINAL CONTEXT/ SITE/ INTENDED FUNCTION OF THE WORK: (Overlap to #6) 6. INTENDED PURPOSE & MOTIVATION (why was it made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING: 7. INNOVATION/ CHANGE(S ): CONVENTION/ TRADITION(S ): 8. THEME(S) : COMPARE TO ANOTHER WORK :
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Page 1: · Web viewBIBLE S MORALISÉE S C. 1225-12 45 GOTHIC EUROPE 2 images- Dedication page with Blanche of Castile and King Louis IX of France (L) and Scenes from the Apocalypse (R) 4.

1. IDENTIFICATION: (Artist, title, date, size, country of origin, period/style)

061. BIBLES MORALISÉESC. 1225-1245GOTHIC EUROPE

2 images- Dedication page with Blanche of Castile and King Louis IX of France (L) and Scenes from the Apocalypse (R)

2. FORM: (use of design elements/ principles: color, shape, value, texture, line, space; balance, contrast, emphasis, movement, etc.)

3. MATERIALS AND TECHNIQUE: (art making processes)

ILLUMINATED MANUSCRIPT (INK, TEMPERA, AND GOLD LEAF ON VELLUM)

4. CONTENT: (subject & genre: iconography, symbolism, the story)

5. ORIGINAL CONTEXT/ SITE/ INTENDED FUNCTION OF THE WORK: (Overlap to #6)

6. INTENDED PURPOSE & MOTIVATION (why was it made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:

7. INNOVATION/ CHANGE(S):

CONVENTION/ TRADITION(S):

8. THEME(S):

COMPARE TO ANOTHER WORK:

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