+ All Categories
Home > Education > Visual Composition

Visual Composition

Date post: 16-Jan-2017
Category:
Upload: john-grace
View: 159 times
Download: 0 times
Share this document with a friend
45
Visual Composition Visual Composition When Framing your Shots: When Framing your Shots: Avoid Unnecessary Elements Avoid Unnecessary Elements Observe the Rule of Thirds Observe the Rule of Thirds Balance Balance the Frame the Frame Maintain Maintain Simple Simple Composition Composition Keep Elements Keep Elements Orderly Orderly Composition is the visual organization of the objects in a defined area
Transcript
Page 1: Visual Composition

Visual CompositionVisual Composition

When Framing your Shots:When Framing your Shots: Avoid Unnecessary ElementsAvoid Unnecessary Elements Observe the Rule of ThirdsObserve the Rule of Thirds BalanceBalance the Frame the Frame Maintain Maintain SimpleSimple Composition Composition Keep Elements Keep Elements OrderlyOrderly

Composition is the visual organization of the

objects in a defined area

Page 2: Visual Composition

Visual CompositionVisual Composition

Dominant Quadrants Leading Lines

Page 3: Visual Composition

Visual CompositionVisual Composition

Size Size of the elementof the element Shape Shape of the of the

elementelement BrightnessBrightness of the of the

elements elements Color Color of the elementof the element

Visually emphasize one element over others by using contrast in the:

Page 4: Visual Composition

Visual CompositionVisual Composition

Depth of Field Variables:Depth of Field Variables: FFrame Raterame Rate AAperture of Lensperture of Lens LLens Focal Lengthens Focal Length SSpeed of Filmpeed of Film EExposurexposure

Use Select Focus to emphasize one element

over other elements

Page 5: Visual Composition

Visual CompositionVisual Composition

Asymmetrical Balance is more visually interesting

Page 6: Visual Composition

Visual CompositionVisual Composition

Contrast and Color are ways to emphasize elements

Page 7: Visual Composition

Visual CompositionVisual Composition

Contrast and Color are ways to emphasize elements

Page 8: Visual Composition

Visual CompositionVisual Composition

The Rule of Thirds helps to emphasize elements

Page 9: Visual Composition

Visual CompositionVisual Composition

The Rule of Thirds helps to emphasize elements

Page 10: Visual Composition

Visual CompositionVisual Composition

Crop These Photos by Applying the Rule of Thirds

Page 11: Visual Composition

Visual CompositionVisual Composition

Crop These Photos by Applying the Rule of Thirds

Page 12: Visual Composition

Visual CompositionVisual Composition

Crop These Photos by Applying the Rule of Thirds

Page 13: Visual Composition

Visual CompositionVisual Composition

Aspect Ratio is the ratio of Horizontal vs. Vertical

Page 14: Visual Composition

Aspect RatiosAspect Ratios

TIP

Page 15: Visual Composition

Aspect RatiosAspect Ratios

TIP Always protect for other aspect ratios.

The boom mic that doesn’t show in 1.85 : 1 will be clearly

visible in 1.33 : 1

Page 16: Visual Composition

Aspect RatiosAspect Ratios

TIP Always protect for other aspect ratios.

The boom mic that doesn’t show in 1.85 : 1 will be clearly

visible in 1.33 : 1

Page 17: Visual Composition

Aspect RatiosAspect Ratios

TIP Always protect for other aspect ratios.

The boom mic that doesn’t show in 1.85 : 1 will be clearly

visible in 1.33 : 1

Page 18: Visual Composition

Aspect RatiosAspect Ratios

TIP Always protect for other aspect ratios.

The boom mic that doesn’t show in 1.85 : 1 will be clearly

visible in 1.33 : 1

Page 19: Visual Composition

Visual CompositionVisual Composition

Compose your frame for the correct Aspect Ratio

Page 20: Visual Composition

Visual CompositionVisual Composition

Special care needs to be taken when framing widescreen images

Page 21: Visual Composition

Visual CompositionVisual CompositionPan and Scan is the technique of adapting 16x9 video to fit a 4x3 monitor.

Often, it is possible to crop the 16x9 frame into two 4x3 medium closeups.

Page 22: Visual Composition

Visual CompositionVisual Composition

The Rule of Thirds applies to 16x9 frames as well

Page 23: Visual Composition

Visual CompositionVisual CompositionPlacing

important picture

elements near the edge of

the frame can be an

effective compositional

tool.

Page 24: Visual Composition

Visual CompositionVisual Composition

Allow ample leading room for moving subjects

Page 25: Visual Composition

Visual CompositionVisual Composition

Leading Lines help direct the viewer’s attention

Page 26: Visual Composition

Visual CompositionVisual Composition

Leading Lines help direct the viewer’s attention

Page 27: Visual Composition

Visual CompositionVisual Composition

A combination of composition techniques can be used in a single image

Page 28: Visual Composition

Visual CompositionVisual Composition

In video, “Staging” is known as “Camera Blocking” and it applies to the relative placement of the actors

Page 29: Visual Composition

Visual CompositionVisual Composition

In video, “Staging” is known as “Camera Blocking” and it applies to the relative placement of the actors

Page 30: Visual Composition

Visual CompositionVisual Composition

There are several ways to create the illusion of depth

Page 31: Visual Composition

Visual CompositionVisual Composition

The illusion of depth can be created by shooting with a wide lens and from a low camera angle

Page 32: Visual Composition

Visual CompositionVisual Composition

Framing with foreground elements also helps to create the illusion of depth

Page 33: Visual Composition

Visual CompositionVisual Composition

Framing with architectural elements also helps to create the illusion of depth

Page 34: Visual Composition

Visual CompositionVisual Composition

Windows can be used to frame a scene and to help create the illusion of depth

Page 35: Visual Composition

Visual CompositionVisual Composition

The opposite effect is created by using a telephoto lens which flattens the image

Page 36: Visual Composition

Visual CompositionVisual Composition• A A FrameFrame is like a unit of sound – an is like a unit of sound – an essential building block of languageessential building block of language that is usually too small to deliver athat is usually too small to deliver a message by itselfmessage by itself• An An ImageImage is like a word is like a word• A A ShotShot (a continuously evolving stream (a continuously evolving stream of images) is like a sentenceof images) is like a sentence• A A SceneScene is like a paragraph – It is is like a paragraph – It is composed of several shots andcomposed of several shots and conveys meaning about a single topicconveys meaning about a single topic

Page 37: Visual Composition

Visual CompositionVisual Composition

The Extreme Long Shot is usually referred to as The Extreme Long Shot is usually referred to as an Establishing Shotan Establishing Shot

Shot Types

Long Shot Long ShotExtreme Long Shot

Page 38: Visual Composition

Visual CompositionVisual Composition

The Full Shot is also known as a Wide ShotThe Full Shot is also known as a Wide Shot

Shot TypesFull ShotMedium Long Shot

Page 39: Visual Composition

Visual CompositionVisual Composition

Shot Types

Medium ShotThree Quarter Shot

The Medium Shot is also known as a Waist-up ShotThe Medium Shot is also known as a Waist-up Shot

Page 40: Visual Composition

Visual CompositionVisual Composition

Shot Types

CloseupMedium Closeup

The Medium Closeup is also known as a Bust ShotThe Medium Closeup is also known as a Bust Shot

Page 41: Visual Composition

Visual CompositionVisual Composition

Shot Types

Extreme CloseupBig Closeup

The Big Closeup is also known as a ChokerThe Big Closeup is also known as a Choker

Page 42: Visual Composition

Visual CompositionVisual Composition

Shot Types

This shows the frames of the assorted shots

Page 43: Visual Composition

Visual CompositionVisual Composition

Shot Types

Bird’s-Eye ViewVertical Angle Shot Names

Relation of the Camera to the Subject on Y AxisRelation of the Camera to the Subject on Y Axis

Page 44: Visual Composition

Visual CompositionVisual Composition

Shot Types

Neutral AngleHigh Angle

Neutral Angle should always be used unless requested by Neutral Angle should always be used unless requested by the DP or Director to convey a message about the talentthe DP or Director to convey a message about the talent

Page 45: Visual Composition

Visual CompositionVisual Composition

Shot Types

Worms-Eye ViewLow Angle

Low angle conveys a message of admirationLow angle conveys a message of admiration


Recommended