K.V. Venugopal
amil Nadu politics has taken a
dramatic turn when V.K.
Sasikala, who was released from
the Bangalore prison after her
imprisonment in the dispropor-
tionate assets case during the
tenure of the late Jayalalithaa,
sprang a surprise by announcing
her retirement from politics. The
suspicion is gaining ground that
the BJP was behind her move, as
the AIADMK led by its chief min-
ister, Edapaddi Palanisami has
ruled out any truck with Sasikala,
despite her assurance that she
would leave no stone unturned to
defeat their common enemy, the
DMK, at the hustings. However,
the chief minister was not
impressed by convincing of the
Union Home Minister Amit Shah
that the division in the AIADMK
votes would favour the DMK as
their goal to oppose their common
enemy would get defeated.
A section of the AIADMK and
the AMMK functionaries and
cadres are disillusioned that con-
testing against each other would
mar their prospects. What is caus-
ing considerable concern to the
BJP circle is that the AMMK has
secured about ten per cent of seats
in the last Lok Sabha election and
its progress is bright in about 44
constituencies for the ensuing
assembly poll. Some AIADMK
functionaries assert that the deci-
sion to sideline the AMMK might
not work out for their party, as the
last assembly poll had indicated
that many candidates had scraped
through by a slender margin.
Hence, the need to avert splitting
the anti-DMK votes is what the
BJP is insisting on its major
alliance partner.
The BJP had asked the
AIADMK to allot about 30 seats
for them with a suggestion that
they, in turn, would allot some
constituencies to the AMMK to
avoid the split in votes and see to
it that they would not involve the
ruling party directly in the alliance
matter. But, the chief minister
made it crystal clear that his party
would offer them only 20 seats,
apart from the Kanyakumai Lok
Sabha by-election, the seat that
was represented by the late
Congress candidate, Vasant
Kumar, which the BJP accepted,
as the party’s ploy is to make an
inroad into Tamil Nadu and
Kerala before asserting their clout.
It may be recalled that the BJP had
scaled down from its earlier
demand of 60 seats to 20 now.
The seat sharing allocation is
crippling the AIADMK further
when it refused to allocate 25
seats as demanded by the DMDK
led by its actor-politician
Vijaykant and his wife, Premalata,
who is the presidium chairman of
the party. The party treasurer and
brother-in-law of Vijaykant,
Sudish directed his anger towards
the AIADMK on the issue and vir-
tually threatened them that they
would not settle for 15 seats
offered by them. The party, how-
ever, had reduced its demand to
23 seats, according to its
spokesman, Parthasarathy. and is
likely to settle for 20 seats. The
AIADMK would love to contest in
minimum 160 to 170 seats, but
since they have already allotted
23 seats to the PMK, after its gov-
ernment provided 10.5 per cent
reservation for Vanniyar commu-
nity, which is the major vote bank
of the PMK, they do not have
much option left.
The DMK is acting as per the
instructions of their political advis-
er Prashant Kishor, who it is being
alleged has created an impression
that unless the party contested in
minimum 180 seats their majority
is not assured and accordingly
asked them to offer a barest mini-
mum of seats to their allied part-
ners. Bearing this in mind, the
DMK has offered only six seats to
its partners, VCK, MDMK and the
CPI, although, the CPI(M) is insist-
ing on double digits. The surpris-
ing aspect, however, was its deal-
ing with the Congress, as the DMK
stuck to its offer of 18 seasts,
whereas the Congress was
demanding 31 seats, especially
after the visit of
Vol: 02 Issue-22 March-2021 (1-15)
Contd... page - 5
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2www.iasianews.net1_March-2021
www.facebook.com/iasianewsmusicc
Collaborated & Special Events@ iAsiaNewsMusic
As always, iAsiaNewsMusic
continues to bring exceptional con-
certs & concepts to Music Lovers
Worldwide...
This fortnight is mostly about
Collaborated Events with National
& International Platform and
Artistes...
While Teen Sensation
Tanushree R And Zabardast
Jodi - Praveen-Vaishali performed
sensationally for CoreDesi (UK),
iAsiaNewsMusic celebrated
"Women's Day" with USA's Raji
Sriram
Namma Bengaluru's
Talented Women
Vismaya Bavikatti
Chinmay Mahesh
Vani Naik
Vasuki Prasad
Mamatha N S
Bhagya Kabbur
Compered by
Rajeshwari Ramesh
Old and Ever Hit Songs Group
With Karaoke Junction-Mumbai
(KJM) brought in Mushy & Manisha
with an amazing "Lyricists Special"
Odhisha's Singing
Angel Sharmila Singh Pati, from
the Music Sizzlers Studio.
Lovely concerts this fortnight
Dr.Ramkumar & Mrs.Anitha
Meenakshi, Mamta Rajput from
Mumbai, Sonia Manish from Kerala
The highlight as always are per-
formances by International
Artistes..
Iqbal Qazi from Kuwait
Micky Sethi from UK
In Collaboration with Toronto
Music Delights
And
Sanjay Paul from UK
In Collaboration with Music in
Me Live Shows
3 www.iasianews.net 1_March-2021
THIS WAS A CHARITY
MUSICAL EVENT FOR THE
SAIBABA TEMPLE - EAST-
HAM LONDON
This Mega "Live" Facebook
featured a Gamut of 13
Worldwide Famous
Performers !
From INDIA :
Nandini Rao Gujar
Yogesh - Ranjita
Bhavesh - Jigna
Sagarika Deb
From CANADA :
Fakhar Gill
From UK :
Jatin - Sejal
Bhagwati - Roshni
Nimesh Sanghoi
AND THE SUPER STAR
NAVIN KUNDRA
If you have missed it.. Please do watch it on...
https://fb.me/e/3BloIbGUPhttps://youtube.com/channel/UCa0nb3yc3OAgJkQCilGvYXg
This Musical Marathon had a whopping 81K views on Facebook itself..
iAsiaNewsMusic proudly Co-Hosted a Successful 12
Hour Musical Marathon - presented by 13 Globally
acclaimed artistes, on CoreDesi (UK) - Conceptualised &
Executed by - Joe Estibeiro on
Musical Marathon
enthralls audience
28th February 2021
9AM - 9PM (GMT)
41_March-2021
TSV
Andhra's Sentimental
Temple
Located on a small hillock
surrounded by the Godavari, the
Pattiseema temple attracts the
tourists and film units and also
gives a divine feel to the devo-
tees. Film shootings are a regular
feature at the temple which is sit-
uated on an island in Godavari
river. Even in the present days of
fast track roads and bridges, one
has to take a boat to reach the
island and walk in the sandy
stretch for at least a kilometre to
reach the temple. When the
Godavari is in spate, the water
touches the temple steps.
Constructed during the Chola
period, the temple is an abode
for both Lord Shiva and Lord
Vishnu. Every year at least two to
three film shoots take place in
the temple and during those
times, along with the film crew,
people in large numbers gather
to watch the shoot. For some
film units, shooting at least a
couple of scenes here is a senti-
ment. ‘Megha Sandesam,’
‘Bhakta Kannappa,’ ‘Tholikodi
Koosindi,’ ‘Janaki Ramudu,’
‘Aayanaki Iddaru’ and ‘Ninne
Premista’ are a few films to name
that were shot at the temple. This
temple can be seen in most of
director Vamsy's movies because
of his love for Godavari river.
'Cinema Gudi'
Over four hundred Telugu
movies and a few Tamil and
Hindi films have been shot here,
in the Sri Seetha Ramachandra
Swamy Temple in Ammapalli.
For there is a sentiment among
the Tollywood fraternity that a
movie with even one scene shot
here at this temple, will surely
have a successful run at the box
office and for a hundred days at
the least. And, if there was one
movie that would immediately
bring to mind this beautiful tem-
ple it is the 2001 blockbuster
‘Murari’. For long it was popular
as ‘Cinema Gudi’ due to
Tollywood's tryst with the tem-
ple. Sr. NTR's 'Srimad Virat
Pothuluri Veerabrahmend
Swamy Charitra' was the first
film to be shot at this place. A
few scenes from movies like
'Teenmaar', 'Veera', 'Eega', 'Mr.
Perfect' and 'Poola Rangadu'
have been shot in this ancient
temple. A part of the temple’s
outer structure was damaged
during a Telugu film shooting
where an exploding car in a fight
sequence crashed on the left side
of gali gopuram. Since then, the
temple has been out of bounds
for film shootings.
Located 31 km from
Hyderabad and 12 km from the
Rajiv Gandhi International
Airport (RGIA) at Shamshabad, is
the centuries-old Ammapalli
temple which is spread over 250
crores. It is said to have been
built by Chalukyas of Vengi
sometime between the 7th and
12th centuries and it is believed
that Lord Rama stopped to rest
here during his journey to
Dandakaranya forest. The 80 feet
unique ‘gali gopuram’ with
beautiful carvings, an age-old
step well spread over an acre of
land with a walkway around it
and the decorative walls with
sculptural representations is a
treat to the eye. The 12th-centu-
ry idols of Kodandarama, Sita
and Lakshmana and also the
‘makarathoranam’ over the idols
here are carved out of a single
stone. Interestingly, the idol of
Hanuman, usually seen next to
Rama, is not seen in the inner-
most sanctuary here. Instead, it is
at the base of the ‘dhwaja stamb-
ha’ (flag pole) facing Rama.
According to the priest, the tem-
ple dates back to a time when
Rama hadn’t yet met Hanuman
and this probably explains the
placement of the idol.
Other mentionables
Temples are often seen in
Telugu movies and there are
many temple locations in
Telangana and Andhra Pradesh
which are used for film shoot-
ings. The 1000 pillar temple
located in Warangal, Telangana
is often seen in Telugu movies. It
is famous for its Chalukya style
architecture and the sculptures
made by the Kakatiyas. The rich-
ly carved pillars and the huge
black basalt single stone carved
Nandi attract tourists and film-
makers. The temple can be seen
in movies like 'Varsham' and
'Rudramadevi'. The local tem-
ples in Hyderabad like Film
Nagar Daiva Sannidhanam,
Jubilee Hills Balaji temple and
Manikonda Shivalayam can be
frequently seen in Telugu
movies. The pooja ceremony of
many movies take place in the
aforementioned temples.
The Yaganti cave near the
famous Sri Yaganti Uma
Maheswara Temple was depict-
ed as a Kerala cave temple in
'Ekkadiki Pothavu Chinnavada'
movie. Lord Shiva is manifested
as Arthanareeshwara in this 5th
century temple. It is located in
the Kurnool district in Andhra
Pradesh, approximately 75 km
from the city of Kurnool. The
devotees believe that the Nandi
idol in front of the temple is con-
tinuously increasing its size. A
feature of this temple is its
Pushkarini, a small pond of
water on the temple premises.
Water flows into this Pushkarini
from the bottom of hill through
the mouth of Nandi idol. No one
knows how the water reaches
the pond all year round and this
temple architecture in terms of
its sculpture shows the skills of
ancient Viswakarma Sthapathis.
Another temple in the West
Godavari district named
Goshpada Kshetram can be fre-
quently seen in Tollywood
movies. It is situated in Kovvur in
the banks of river Godavari and
is famous for its Teerthayatra. It
can be seen in films like 'Kathi
Kantha Rao', 'Andala Ramudu'
and 'Shatmanam Bhavati'.
Tollywood'sdivine favourites
www.iasianews.net
Telugu movie
buffs can identify
at least half-a-
dozen temples at the very first
glimpse of them in a scene from a movie.
This shows the role temples play in
Tollywood movies. The temples that are
most frequently sought after for Telugu
movie shootings are located in and around
the Telugu states.
Spiritual
The enchanting Sanghi
temple is located in Sanghi
Nagar, 35 kms from
Hyderabad city. It is situated in
a hillock called as
Paramananda Giri, as one
enters a huge Maha Dwaram or
gateway welcomes the visitors.
The Raja Gopuram can be seen
from several kilometers away
which is very tall. A little fur-
ther away, a long flight of steps
leads to the entrance of the
temple complex. The majestic
temple complex hosts all
important Hindu God idols
and there are three Gopurams
seen at the foot of the hillock
which are so tall and seen as if
entering into the heavens. In
this famous temple situated
inside the Ramoji Film City the
Presiding Deity Lord
Venkateshwara inside the sanc-
tum sanctorum is 9 feet tall and
is same as the one at Tirumala.
To the right is the abode of
Goddess Padmavathi, the con-
sort of Lord Venkateswara.
Close to the shrine of Lord
Venkateshwara, is the temple
of Lord SriRama, the symbol of
man's conquest over evil.
Accompanying the Lord are his
faithful consort Sita, devoted
brother Lakshmana and fervent
devotee Hanuman, who is
seated at the feet of the Lord
with folded hands. The temples
of Lord Vijayganapathi, Lord
Shiva, Goddess Durga and
Lord Karthikeya are located
next to the Sri Rama temple.
The Navagraha deities are the
only ones that are in an open
temple. There is also a Pavitra
Vanam or a Holy Garden in the
temple complex where special
leaves and flowers are grown
for performing poojas. Telugu
movies 'Bommana Brothers
Chandana Sisters',
'Mirapakaay', 'Chinnadana
Nee Kosam' and 'Evandoi
Srivaru' were shot here.
Temple at Ramoji Film City
Sanghi temple
5 www.iasianews.net 1_March-2021
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Email: [email protected]
Will AIADMK, LDF
win in T.N., Kerala?its president Rahul Gandhi recently to Tamil Nadu and Puducherry.
Tamil Nadu Congress Committee president K.S. Alagiri burst into tears
and regretted that the DMK is humiliating them, much to the chagrin
and discomfiture of his party colleagues.
Kerala battle
The CPI(M)-led Left Front is expecting to retain power in Kerala,
though the State has voted for the Congress-led United Democratic
Front and the CPI(M)-led Left Democratic Front alternatively, similar to
Tamil Nadu. The Congress was rated as the winner earlier after their tru-
imphant victory in the last Lok Sabha poll when it romped home with
20 out of 21 seats. However, the recent corporation election was a set-
back for them as the Left Parties swept the poll. The BJP’s strategy is to
occupy the opposition slot in Tamil Nadu and Kerala and to establish
their base before the next Lok Sabha election slated for 2024. Keeping
this in mind, the party has fielded the 88-year-old technocrat E.
Sreedharan considering his stupendous performance at Delhi Metro, as
well as at Konkan Metro.
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8www.iasianews.net1_March-2021
Vol: 02Issue: 22
March 2021 (1-15)
Editor, Publisher
Dr. Krishna Puttaparthi
News Editor
Raja
Graphics & Layout
AdvisorsSubramanyam JonnalagaddaDr. Urimindi Narasimha Reddy
Dr. Ismail PenukondaMs. Anu BenakattiMs. Hyma Reddy
Ms Gomathy PeriathiruvadiPhanindra Gollapalli
Dr. Pankaj Jain
Bedford,TX.USA 76021Email: [email protected]
Address India12-5-59, Padmaraag Apts.Vijayapuri Colony, Tarnaka,
Secunderabad - 500017.
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9 www.iasianews.net 1_March-2021
T. Venkatesh
Indian cricket team captain Virat Kohli on
March 1, 2021 recorded another century,
albeit not on the pitch this time, as he
became the first cricketer to get 100 million
followers on Instagram. The 32-year-old
cricketer is also the first person in the Asia-
Pacific region to achieve the feat. The Delhi
batsman has been one of India's most pro-
lific run-getters in the past few years and his
popularity has grown in leaps and bounds.
For over two years until now, Virat has
been the most followed person on
Instagram in India.
Kohli is also the fourth most followed
sports person on Instagram. Portugal foot-
ball player Cristiano Ronaldo tops the chart
of most followers for a sports star with 265
million followers, ahead of FC Barcelona
legend Lionel Messi and Brazil's Neymar,
who are second and third in the list with
186 million and 147 million followers
respectively. A few others in the 100 million
club are Hollywood actor Dwayne Johnson
(The Rock), American singer Beyonce and
Ariana Grande. Earlier, the Indian skipper
had become the first Asian to hit 75 million
followers on the social media platform
owned by Facebook. Former India captain
MS Dhoni is the second most-followed
cricket star on Instagram with over 30 mil-
lion followers. Apart from Instagram, Kohli
also has a staggering following on Twitter
where he has 40.8 million followers.
Virat Kohli, who enjoys massive fan fol-
lowing across all social media platforms,
beat the likes of Priyanka Chopra (60.8 mil-
lion), Shraddha Kapoor (58.1 million),
Deepika Padukone (53.3 million), Alia
Bhatt (51 million) and Akshay Kumar (48.3
million) to become the first Indian to gain as
many as 100 million Instagram followers.
Just like his batting and captaincy records
where he beats his rivals by massive mar-
gins, Kohli has trounced second-placed
Priyanka Chopra by almost 40 million fol-
lowers. It is worth mentioning that a few
months ago, the cricketer was lagging
behind Chopra in the race to reach 100 mil-
lion followers. Also, he is the only cricketer
in the world’s top 10 highest-earning ath-
letes through sponsored posts on Instagram.
According to a Hopper HQ's list, Kohli
made $296,000 ('2.2 crore approximately)
per post in 2020 and was the only Indian
besides Priyanka Chopra to feature on the
Instagram Rich List. Virat holds the top posi-
tion as the country's most valuable celebri-
ty brand with a brand value of $237.7 mil-
lion, according to a leading brand valua-
tion.
Virat Kohli took to Instagram, after
reaching the feat, to thank his fans for mak-
ing his journey beautiful. He shared a video
highlighting some of his favourite posts on
the digital platform that also marked the
important landmarks in his life. The
International Cricket Council (ICC) also
took to social media to honour the Indian
skipper for the special record. Being one of
the best batsmen in the world at present,
the run machine enjoys massive popularity
around the globe and has been a force to
reckon with for Team India across formats.
Kohli has 27 centuries in Test matches and
43 tons in ODI cricket under his belt. He is
also India's most successful Test captain
already with 35 wins in 59 matches. And
recently, Anushka Sharma-Virat Kohli cou-
ple was blessed with a baby girl and they
have named her as Vamika.
I
Kohli hits a century onInstagram
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10www.iasianews.net1_March-2021
T Venkatesh
or the last few years, Telugu Film
Industry (TFI) has been on the rise with
a number of National Awards and global
reach. Tollywood is also experiencing a
new trend of content-rich films dominating
the box-office where the low-budget films
dealing with newer themes, stories and
landscapes are proliferating. In the post-
Baahubali era, there’s no denying that
Telugu filmmakers and producers have set
their eyes on expanding the market for
Telugu films.
Following the Bollywood style
It is a known fact that about 100 movies
will get released in Tollywood every year.
Out of them, around 20% will be either
mega budget films or films of superstars. It
is generally difficult to announce the
release dates much in advance. But in
Hollywood and Bollywood, the situation
has been different. They fix the date even
before the beginning of the shoot. They
announce the date of release and start the
shoot. With this the other filmmakers can
plan their releases without any clash. Such
discipline was never there in TFI. But after
the Corona period, the situation seems to
be changing. The release dates are fixed
months before. But it is to be seen how
many of the films would release as per the
fixed date and how many would get
delayed.
Next year's biggies
Until recently, Tollywood filmmakers
were in a mad rush to announce the release
dates for their upcoming films in 2021. But,
the makers of some upcoming big budget
flicks starring top Tollywood stars like
Prabhas, Mahesh Babu and Pawan Kalyan
have gone a notch higher and already
sealed a few festive dates in 2022. Firstly, it
was pan-India star Prabhas’ 'Adipurush' that
sealed the 2022 berth a couple of months
ago. 'Adipurush', an epic magnum opus
based on the Ramayana, will be having a
humongous pan-international release on
August 11, 2022, to cash in on the
Independence Day week advantage. And a
few weeks ago, Mahesh Babu’s
'Sarkaru Vaari Paata' was confirmed
for a Sankranthi, 2022 release. The
film is currently under production
and it has wrapped up two crucial
schedules in Hyderabad and Dubai.
Recently, the makers of Pawan
Kalyan’s keenly awaited period
action drama with the working title
of 'PSPK27' too have locked a
Sankranthi, 2022 release for their
film. In this 15th century film with a
Mughal India era backdrop, Pawan
plays a Robinhood-like role. Also,
this Krish directorial will be Pawan’s
first pan-India film. Akkineni
Nagarjuna is also planning to release
his upcoming film, 'Bangarraju', the
sequel to his 2016 hit 'Soggade
Chinni Nayana', in theatres for 2022
Sankranti. With this announcement it
is evident that Tollywood is set to
witness a high octane clash among
biggies next Sankranti. And the latest to add
to the list is Prabhas' 'Salaar'. This
Prashanth Neel pan-India gangster drama
will be releasing on April 14th next year
and has a huge initial advantage at the box-
office, as the release date is followed by a
Good Friday long weekend.
Battle with Bollywood
The 2021 films release calendar is play-
ing out exactly as analysts had feared. There
are several impending big clashes at the
box office on crucial National holidays.
Given the delayed status of the entire slate
of 2020 film releases, high profile clashes at
the box office are bound to happen. The
biggest clashes are always around impor-
tant public holidays – Independence Day,
Dussehra and Diwali. This year, all three
national holidays will see the clash of the
biggies as they are the days when filmmak-
ers are preferring to release their films. The
clash between 'RRR' and 'Maidaan' is an
example of release clashes between
Tollywood and Bollywood projects.
Though the producers of 'Maidaan' had
decided October 15, 2021 as the release
date six months ago, 'Baahubali' director SS
Rajamouli recently announced that his
upcoming movie 'RRR' would release on
October 13 this year, resulting in a clash.
Boney Kapoor has expressed his displeas-
ure with the makers of the pan-India movie
'RRR' for setting up a clash with his movie
'Maidaan' in October on the occasion of
Dussehra. Both the Tollywood and
Bollywood filmmakers have had a rift since
the making of Baahubali following a con-
troversy that was led by financial reasons
and late actor Sridevi not being a part of it.
Interestingly, both the films feature Ajay
Devgn. While he plays the lead role in
'Maidaan', the 'Tanhaji' actor also has an
important character to play in 'RRR'.
Along the same lines, Prabhas's 'Radhe
Shyam' will clash with Alia Bhatt's
'Gangubai Kathiawadi' at the box-office.
Both the films are set to release on July 30.
Alia Bhatt announced the film's release date
on the occasion of the movie director
Sanjay Leela Bhansali's birthday. The movie
showcases the story of mafia queen
Gangubai Kathiawadi and it will be Alia's
first project with Bhansali. The makers of
'Radhe Shyam' released the film's teaser on
Valentine's Day this year. Directed by
Radha Krishna Kumar and produced by UV
Creations, the film will also release in
Hindi, Telugu, Tamil and Malayalam. Next
in line, Saif Ali Khan and Vijay
Devarakonda will be locking horns for the
first time as 'Bhoot Police' is set to release
on September 10 while 'Liger' will be hit-
ting the screens on September 9 this year.
Saif Ali Khan and Arjun Kapoor starrer
'Bhoot Police' happens to be a horror com-
edy while Puri Jagannadh’s pan-India proj-
ect 'Liger' features Vijay, Ananya Pandey
and Ramya Krishna in lead roles.
'Pushpa' and 'Attack' are the next to
jump on the box-office clash bandwagon.
Both these movies are slated for an
Independence Day week release. 'Pushpa'
features Stylish Star Allu Arjun, Rashmika
Mandana, Jagapathi Babu, Prakash Raj and
Sunil. Ever since 'Ala Vaikuntha purramu-
loo' became a pan-India blockbuster hit,
Allu Arjun has become hot property for
filmmakers and this has added craze to the
Sukumar directorial. It is a hard-hitting film
on the sandalwood smuggling rampant in
the jungles of the South. On the other side,
'Attack' stars John Abraham in the lead role,
alongside Jacqueline Fernandez, Rakul
Preet Singh and Babrak Akbari. The film is
based on the hostage crisis and acts of ter-
rorism – a prime and juicy plot ideal for
Independence Day.
The first week of July 2021 will see
another such clash. Two great military
heroes of our country, Captain Vikram
Batra and Major Sandeep Unnikrishnan are
getting their biopics, respectively titled,
'Shershaah' and 'Major'. Both of them are
planning to get released on 2nd of July.
Siddharth Malhotra is going to portray the
Kargil war hero and
Paramveer Chakra win-
ner Captain Vikram
Batra in Karan Johar's
production, 'Shershaah'
while Tollywood actor
and writer Adivi Sesh is
going to play Major
Sandeep Unnikrishnan
who sacrificed his life
during the 2008
Mumbai attacks. It
would be a happy week-
end for patriotic movie
fans but both the films
might suffer commercial
disadvantage due to the
clash. The film industry
has already been facing
the brunt of a deadly
pandemic, over which
big box-office clashes
would mean brutal.
F
Clash of the Titans
11 www.iasianews.net 1_March-2021
The economic viability and
growth of AI in the Energy indus-
try can be attributed to a variety of
reasons, which include:
The demand for improving
operational efficiency
Rising interest in energy
efficiency
Expanding decentralised
power generation
Growing interest in battery
storage systems
There are many investment
options when it comes to AI in
the energy industry, owing to
AI having a variety of applica-
tions.
AI and Grid Management
One of the most interesting
uses of AI in energy is grid
management.
Electricity is delivered to cus-
tomers through a complex net-
work (also known as the power
grid). The tricky thing about the
power grid is that power gener-
ation and power demand must
match at all times. Otherwise,
issues like blackouts and sys-
tem failures can arise.
When dealing with renewable
energy, it is difficult to predict
the grid’s electricity production
capacity. After all, it depends
on several factors such as sun-
light and wind.
Demand Response
When large swings in demand
occur, it can be very expensive for
countries which produce most of
their energy through renewable
energy sources. With most coun-
tries shifting towards green ener-
gy, responding effectively to
swings in demand is becoming
even more difficult.
Solving Demand Response
Aims at forecasting how much
wind and solar energy to expect at
a given time. This allows the
country to make up for excess
electricity demand by using non-
renewable energy whenever nec-
essary.
In order to accurately match
supply and demand, they use
large historical data sets to train
their machine learning algorithms
– as well as data collected from
the wind turbines or solar panels –
to effectively forecast weather and
power changes.
Predictive Maintenance
Aside from helping to match
energy production with energy
consumption, AI is becoming a
major driver in assuring the relia-
bility and robustness of power
grids.
Where AI and Internet of
Things (IoT) Step In
Machine learning techniques
can be used to implement predic-
tive maintenance. In essence,
power lines, machinery, and sta-
tions are equipped with sensors
that collect operational time series
data (data accompanied by a time-
stamp).
From there, machine learning
algorithms can predict whether a
component can fail in X amount
of time (or n-steps). Additionally,
it can also predict the Remaining
Useful Life of machinery, or when
the next failure may occur.
For any further queries regard-
ing Career Planning /Consulting
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12www.iasianews.net1_March-2021
KV Venugopal
ndia won the fourth and last
test at Ahmedabad against
England by an innings and 135
runs. The team led by Virat Kohli
won the series 3-1 convincingly
against the visiting team led by Joe
Root after losing the first test at
Chennai. Tamil Nadu all-rounder
Ravichandran Ashwin was award-
ed the player of the series, where-
as the man of the match award
went to the dynamic and budding
wicketkeeper Rishab Pant. The
England batsmen were all at sea
against the Indian spinners Ashwin
as well as the home town boy Axar
Patel. Though the battery of
English pacers led by Anderson
did a magnificent job, their spin-
ners, especially the bowling all-
rounder Bess disappointed the
connoisseurs of the game,
although Leach did more than
adequate justice in containing the
batsmen, but his wicket taking
ability was in question.
Embarrassed over the performance
of his spinners, Root had to roll
over his arm to purchase some
important wickets in the last test at
Ahmedabad, but this time around
even with Bess around, the visitors
could not create a positive impact
on their strong batting line-up.
India outplayed England in bat-
ting, bowling and fielding. The vis-
itors regretted playing on turning
tracks and a section of former
cricket players from the visiting
team felt that the hosts must pre-
pare sporting wickets that assist
the batsmen as well as the
bowlers. They are perhaps right, as
the third test at Ahmedabad ended
within two days and the last test at
the same lasted only three days.
But the experts in the game opine
that England needs to be blamed
squarely for their batting mishap,
more than the pitch. Their views
were echoed by our Indian open-
ing batsman Rohit Sharma, who
made it clear that both the teams
did not play well in the third test,
but Indian players used their foot-
work and played the spinners bet-
ter than the visitors. The England
captain Root agreed with the opin-
ion of Rohit and said without
mincing words that there is no
excuse for his team’s defeat, as
they played below par whenever
the crunch situation occurred.
Root is perhaps right as
England let down the advantage
when the last two tests appeared
to be on balance, but India proved
beyond doubt that their lower-
middle-order, too, can rise to the
occasion when the situation war-
ranted. For instance, when the
hosts lost early wickets in quick
succession, Rishabh Pant,
Washington Sundar and Ashwin
proved their mettle with their wil-
low. As Kohli always stressed,
India needs more of either batting
or bowling all-rounders.
Importantly, Sundar needs to
improve his bowling skill.
Though both the teams tried
their level best, India had shown
more intent and especially in rotat-
ing the strike and concentrating on
session-to-session basis, even
though players of the calibre of
Rahane and Pujara disappointed
the connoisseurs of the game with
their poor display. The opener Gill
has created an impression that he
is going to stay in the team for a
long time to come, and if K.L.
Rahul is unable to sustain his form,
either due to injury or for other
reasons, the team India has decid-
ed to give an additional rope to the
swashbuckling Gill. However, it
is time for India to introspect their
strength and weaknesses and any
sort of complacency would mar
the performance and oneness of
the team in future. The lovers of
the game would be gladdened that
India found an able wicketkeeper
batsman Rishab Pant after the exit
of M.S. Dhoni.
India more or less retained the
same team, but England’s rotation
policy did not work, as pointed
out by Root, due to adhering to
bio-bubble syndrome owing to
COVID-19 pandemic. This did
upset the rhythm of the players
and it was reflected during their
practice sessions, too. Moreover,
the departure of their wicketkeep-
er Butler and their all-rounder
Moen Ali had created problems for
the visitors, as the substitute wick-
etkeeper Foakes, though was not
found wanting behind the wicket,
as well as smothering the spin,
could not accelerate the proceed-
ings when the need arose. The vis-
iting team’s decision to strengthen
their batting line-up with Bairstow,
Pope and Lawrence did not mate-
rialise, although the last two bats-
men appeared to use their crease
while negotiating our spinners bet-
ter than the other batsmen.
The Indian coach Ravi Shastri
was apt in mentioning that the
team’s meritorious performance
after their victory against Australia
recently in their soil proved
beyond doubt that India has come
of age in test cricket over the last
couple of years. The team led by
Kohli is looking forward to the
inaugural World Test
Championship final against New
Zealand on June 18, 2021 and the
venue is Southampton's Ageas
Bowl Stadium. The visitors shoddy
display in the last three tests indi-
cated that they were left in tatters
on a wicket where most of their
players, touring India for the first
time, had no idea of how to tackle
the conditions abroad, but Kohli
made it crystal clear that murmur-
ing about the pitch conditions
would not help, as India faced
bouncy tracks in other countries
often and were expected to adjust
to the deteriorating wickets.
However, success should not
go to the head of the Indian team,
says the former captain and the
present commentator, Sunil
Gavaskar. The master blaster
Gavaskar celebrated his 50th
anniversary of his India debut on
March 6, 2021, the day India got
qualified to the World Test cham-
pionship final, by making his
debut on social media by joining
Instagram. On the special occa-
sion, he got felicitated by the
BCCI’s secretary Jay Shah at the
Narendra Modi Stadium in
Ahmedabad and was awarded
with a special cap. Now, it is time
for the players to concentrate on
sticking to their performances
against the coming one-day match-
es. A hectic schedule is ahead of
India, as IPL will be followed soon
after. India will be expected to
tour England in summer and most
importantly, the preparation has to
be made for the World Test cham-
pionship final in June, this year.
The players should not neglect the
importance of domestic tourna-
ments like Ranji Trophy and Vijay
Hazare, as it has become a step-
ping stone for their career.
.
I
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Email: [email protected]
India outgunsEngland in test series