+ All Categories
Home > Documents > Volume Information

Volume Information

Date post: 11-Jan-2017
Category:
Upload: hoangthu
View: 214 times
Download: 1 times
Share this document with a friend
4
Volume Information Source: The Art Amateur, Vol. 5, No. 1 (Jun., 1881) Published by: Stable URL: http://www.jstor.org/stable/25627417 . Accessed: 21/05/2014 11:11 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . http://www.jstor.org This content downloaded from 195.78.108.33 on Wed, 21 May 2014 11:11:17 AM All use subject to JSTOR Terms and Conditions
Transcript

Volume InformationSource: The Art Amateur, Vol. 5, No. 1 (Jun., 1881)Published by:Stable URL: http://www.jstor.org/stable/25627417 .

Accessed: 21/05/2014 11:11

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

http://www.jstor.org

This content downloaded from 195.78.108.33 on Wed, 21 May 2014 11:11:17 AMAll use subject to JSTOR Terms and Conditions

vo e 0 e va Oil 0 r I 4 e tise 0

ilinp T T I q AT "ON

This content downloaded from 195.78.108.33 on Wed, 21 May 2014 11:11:17 AMAll use subject to JSTOR Terms and Conditions

- ?

. p ., it t: t3 r; * . C. .

/

,,, *

, .- ,. * . .U .. .. . . , ,. a, . .

; . . *. 4 - ! , , . , . 0 - 0 5

* : : . - - -- . ! ; 0 . -, 0 ,, ;

w

t - * ' ; i - t , t - ' t f ' i-,

. ' -'; ', ' . - , . . _, . . .

,

. . . . .. .

, . . , #

s , _ r - ,{4 - L; ,,* , - ,-R}r

.s -

, _ \ - , .: t' :. .

. . z - - . * ' : . s

t

.f

_ * I

9

f '

Copyrighl

$ MONTAGUE MARKS, New York.

./r

rb

0 * / r r

/ / ./ . .

-

. _

?-s I t_ a _ . s _ ! ,, %._ . ._

* L

' ; . ' ,,r

.,, i , ' - I 0x

a f

'M:' rr?>o t

.

. Co CD

0'. . H

*i

This content downloaded from 195.78.108.33 on Wed, 21 May 2014 11:11:17 AMAll use subject to JSTOR Terms and Conditions

Iuh~ o ~oumiz

JUNE. TO.NOVEMBER, 4881..

PAGE

Arnhem FaYence . ................. 40

Art Criticism, Lay ................... ... 46

ART GALLERIES, AMERICAN . ... 29, 70

Cuttings Collection of R. L. 70 Stebbins, Collection of James H . . ..... 29

ART GALLERY, THE ... . ... 4, 26, 48, 70, 92, TI4

Art Instruction for Women .................... 110

Art Literature,. A Loss to . ................... o90 -Art, Moral Influence o ..35 ART NEEDLEWdRK..... I6, 39, 58, 83, 108, 8

''Chtrch EMbioidery ......................II8 D,esigns for Transferring, Perforated . . 17 Eknbroideries, Mediaeval ..................., 58 nEmbroideries, Old;..;o8 Embroidery, Ancient English . ............... ... 83 Embroidery Frame and its Use, The . . 83 Embroidery in' Early Times ......................... 39 Embroidery, Mediaeval Gold . ...................... '17 Lace, Machine versus Hand-made ................... I9 Needlework Notes. ................. 1I20 Needlework Novelties; ................ io8 Oxford Exhibition, An ..9. ..

Art Needleworkers, Notes for . ................. io8

Art Workmen, AnIcient . . 43

Artist Wits, Some Parisian . .................. 26

Artist's Home, An English .............'..... I 3

Artist's Paradise, An . ............... 30

Auction Imposit ons ................... 85

Bartolozzi and his Works ................... 7 I 17

Blue and White China. .................. 41

BOSTON CORRESPONDENCE .4, 30, 49, 72, 92, 114 Three Exhibitions-Paintings-by J. A. Brown, S. S.

Tuckerman and W. E. Norton-Millet ............ 4 Two New Art Galleries-The New House of the

Boston Art Club-The Great Triennial Mechanics' Fair Exhibition of Contemporary Art ............. 3?

New Departure in the Art Museum School-The Pupils for the School, not the School for the Pu

pils-An Eloquent Instructor . ................... 49 Quincy A. Shaw's Collections-A Treasure House of

Miullets, Daubignys, Corots, and Old Masters ...... 72 The Deserted Studio Building-Pictures at the Art

Dealers' Shops-The Mechanics' Association Exhi bition-Dunsmore's " Macbeth "-Other Paintings 92

Pictures from American Artists in France-Works by Bacon, Picknell, Blashfield, Pearce, Blackman,

- Bridgman, and others-Bradford's Arctic and Yo semite Paintings .................................4

Boudoir, Pictures. I28

BRAC-A-BRAC .................. .. 62, 84, 98, 124

British Embassy Rooms at Rome, The .......... 36

Carpet Designing in America.... ; ........... I I

Carpets, Turkey ........................... 42

Ceiling-Paper Designs, New.io6 Ceramic Painting for Decoration ................. 41

CERAMICS ............... I 8, 40, 6o, 81, IoO, 121 Arnhem Faience ................... 40 Blue and White China ................... 41 China of our Grandmothers, The .................. I02 China Painters, Hints for1.02, 122 China Painting, About Colors in .................. 8I China Painting for Beginners ...................i 8, 6o China Painting, The Functions of ................. 6o

China, Sales of Rare . ........................ 99 Cincinnati Pottery Club, Annual Exhibition of the.. i8 Deck Falience ...................0 ...... I Hanging Domestic China, The Folly of ..... 41I Japanesque Decoration ..... 79 Leeds Art Falence, The New ...... lO

Pottery Design, A Swedish ........................ 6i Pottery of India, The.. 6 Sevres Imitation Frauds, The .. I23 S&vres Vase, The Manufacture of a .OI Solon Pilgrim Bottles ........... .. X21 Ulysse Faence. 6o

Chaffagiolo Ware ........... ................. 121

Chateau d'Anet and Diane de-Poitiers, The.. 33 Chicago Exhibition, The Recent.1.6....... II6

China of our Grandmothers, The ............... 102

China Painters,- Hints for... 102, I22

China Painting, About Colors in ................ 8I

China Painting for Begininers ................ I8, 6o

China Painting, The Functions of ............... . 6o

China, Sales of Rare ........................... 99

Church Decoration, Recent..... 127 Church Embroidery ..................I i8 Cincinnati Pottery Club, Annual Exhibition of the I8

Cluny Museum, The .................98 Color, Axioms and Rules of .................,.54 Color, How the Ancie.nts Employed ............. :5 Color in Interior Decoration .............. 13 Color in Relation to Decoration ............. ; Colors, Harmonies in .10............-I4 Colors Women should wear .*............ I30 Corot, Jean Baptiste Camille ............. ..48 CORRESPONDENCE ...........22, 44, 66, 88, I110, 131

Transparent Varnish-il Painting on Silk and Satin -Aniline Photograph Colors-'"Collodio Etching " -Spottiness in Oil Painting-" Bambocciate ".... 22

A Trick of Picture-Cleaner-Some Questions of Color -Origin of the Term " Diaper "-" Antique " and " Medi2val " - Background for Monochrome Plaque-"Amorini "-Embroidery Materials -To Keep Chinese White Moist-An Ebonizing Proc ess-A Photographic Copying Process-Longwy Pottery Decoration-To Restore the Purity of Ivory -To Gild Steel-Color Hints for China Painters -hangeable Carnations and Yellows-" En Ca maieu " and " En Gnisaille " ............:

The Electric Light for Pictures-WMall Colors for

Miahogany-Dead Finish for Black-Wainut-Pa tina on Porcelain-Straightening out Needlework Chemille Embroidery on Satin-Dark or Light Door-Paneis ?-Tempera Colors-Marquetry and

PAGE

Buhl-Painting Houses in Colors-To Restore

Damaged Prints-To Fix a Charcoal Drawing.... 66

Chinese Emblems of Longevity-Water Colors for

Glazing-The Antiquity of Satsuma Ware ........ 88

Lambrequin or No Lambrequin-Compliments and Queries from Scotland-The Height of the Human Figure-Adulterants of- Prussian Blue-Arrange ment of Photographs-Raised Work in Embroidery -" Gemel " Rings-Chinese White-Gilding on

Wood-Correcting Mistakes in Underglaze........ nIo

Furnishing a Study Bedroom-Hints for Bedroom and Sitting-room-Parlor Decoration-Color in

Chamber Furnishing-The " Blue" Copying Proc ess-Decorating Book Edges-To Preserve an

Old Canvas-How to Lay on Gold Leaf-Folding Screen Decoration-A " Concert Grand" Piano Cover-Parchment Injured by Water .............132

Country Home, A Study for a . . 76

Cruikshank Drawings, Some. . i I6 Cut-Metal Work, Decorative . . 57

Cutting, Collection of R. L . . 70

Deck Faience .............................. 100

DECORATION AND FURNITURE II, 33, 54, 76, 104, 127

DECORATIVE ART NOTES ...................... 15

Decorative Art Society's Exhibition, The ....... i6

Decorative Process, A Wonderful . . 1 29

Designs for Transferring, Perforated . . 17

Di Cesnola and his Trustees ..... . 2

Double Sale, Gems from the . . ... 99

Drawing Room Color and Decorationi . .... 37

Enmbroideries, Mediaeval ..... 58

Embroideries, Old ... . . io8

Embroidery, Ancient English... 83 Embroidery Frame and its Use, The . .e. 83

Embroidery in Early Times . . ... 39

Embroidery, Mediaval Gold .. . 17 Enamels, Opaque and Translucent . . I 24

Engravings, Prices of Rare . . .... IO

Etching, A First Lesson in . . 74

Etchings in " L'Art . "....................... i0, 95

Etchings, M6ryon and Turner . .io

Fresco, A NotableEnglish. . 34 Furniture, Domestic Value of Old . .............. 55

Furniture, Italian . ............................. . 8o

Furniture, Some Last Century . . 55

Gilding, Instructions for . . I3

Glass in Home Decoration, Colored . . 14

Glory, Nimbus, and Aureole, The. . g Gray Collection of Engravings, The . . 95

Hanging Domestic China, The Folly of .. 41 Home Decoration, Morality of . ................. o 8

INDUSTRIAL ART . ........... 42, 64, 86

Industrial Art, French Exhibitions of . . 42

Industrial Art in lndia . ........................ 43

" Interior Architects . .......................... 37

Is Graining " Defensible "?.. .05............. I

Is our Art only a Fashion ? ................... 2

Ivories, Curious . ............................ 62, 84

Japanese Art Work, Recent . . 87

Japanesque Decoration ......................... 79

Japan, Home Art in . ..............o........... 80

Jewelry, Some Notable French . . 64

Lace, Machine versus Harnd-made. .1. I9

Leeds Art FaYence, The New . .1 OI

Louis Quinze Bureau, A . ....................... 5 I0

Mantelpiece, The Story of a . .29........... I:

Metal Castings, New Decorative . . 12

Michael Angelo, An Alleged . .I i6

Millet Album, A . .117

Models, Friends as . ........................ 9

Monograms Concerning . ...................... I105

Moran, Percy and Leon ........................ 6

Museum, Our Mismanaged . . 24, 46, 68

MUSICAL AMATEUR, THE . ..I....VI.......IT..`. 20

Music Festival, The ............. 20 MY NOTE BOOK ......3, 25, 47, 69, 90, 112

Needlework Notes . ..... ......I20 Needlework Novrelties ..**@@@vv @@eo****IO8 NEW PUBLICATIONS .......... . 22, 88, I1I7

Ornament should be, What ..1...............,I28 Oxford Exhibition, An ..10..............I9

Painters, Further Hints for Water Color . . .............. 94 Painting in Oil Colors, Landscape . . .............. 6, 50, 73 Painting in Water Colors. Landscape . ............... .26 Panel Paintings, Mediaeval ..1...............I25 Picture Buying, Hints to Novices in . . .............. 68 Picture Collection, An Extraordinary ................ .24 Picture Importations, Recent ..90..............g Pictures, " Bogus " ..................... ......93 Pottery Design, A Swedish .......... ... ........6I Pottery of India, The ........6I Precious Stones, Artistic Use of . . ............64, 86 Print Buyers, Protection for ..... .10...... I Print Collectors, Cautions to .............I I6 PR1NT COLLECTOR, THE .10..........I, 5I, 95, IJ6

Bartolozzi and his Works ...............I I'7 Engravings, Prices of Rare ...............l

PAGE

Etching, A First Lesson n ........... 74 Etchings in II L'Art '..o, 95 Etchings M6ryon and Turner. rO Gray Collection of Engravings, The-95

Prints, Curiosities of .. . 5'

Rock Crystal Ware . .............. - I24

Rugs, The Merits of ............................ 35

Salmagundi Sketch Club, The . ........ 4

Sbvres Imitation Frauds, The . . 123

Sbvres Vase, The Manufacture of a . . ioIO

Sketches and Studies, Some . . 92

ketching from Nature . . 9

Solon Pilgrim Bottles ... ......... 121

Statuary and Pictures, Background fo r 38 Stebbins, Collection of James H .29 Stoves, The Art Possibilities of .128 Style of " The Empire," The.II

Tapestries, Some Famous .63 'Tapestry Painting. I2

Tapestry Painting Competitioni, A . 127

Turner's True Place in Art. 31

Ulysse FaTence ................................. 6o

Union League Club, Draperies of the. 7

Vanderbilt Drawings, The ...... 2

Wall-Paper Designs, A Suggestive E#xhibition of.. 112 Wall-Paper Designs, Recent . . 88

Wall-Papers, The Progress in . . 107

Wood, Staining . . 43

Workwomen Abroad, Training of ... ... 87

Page Illustrations. Bayard, Portrait Studies by Emile ............9 6, 97

Deck Plaque ............................... 89, III

" First Sea-Bath." By Adrien Marie . . 23

French Newpaper Illustrators, Sketches by .. 32 Frieze and Panels. By Walter Crane . . - . 67

Lambert, Sketches by L. Eugetie . . . 71

Landseer, Sketches by,-Sir Edwin . . 53

Paris Salon of i88i, A Glimpse of ...... I

Salmagundi Club Sketches.-.... 5 "St. Thomas's Church." By Hughson Hawley.. 45

Working Designs. CHINA PAINTING.

CIRCULAR PLAQUES: Plate CI.-Maize and Squash. Plate CX.-Cithara Player. Plate CXVII.-House Sparrows. Plate CXXIV.-Chaffinch. Plate CXXXI.-Garden Warbler.

OBLONG PLAQUES, OR PANELS, OR DOUBLE TILES:

Plate CVI.-Female Bull-Fighter. " La Torera." Plate CVII.-Highland Piper. Plate CXXIX.-Figure. " Erato."

EIGHTEEN TILES FOR MANTEL FACING:

Plates CIV., CIX., and CXIII.-Flowers and Birds.

MOTIVES: Plate CXXI.-Birds. By Japanese Artists. Plate CXXVII.-Medley of English Designs.

GENERAL DECORATION. "ETCHING" ON LINEN:

Plate CXXII.-Figures. " eEsthetes." Plate CXXXIII.-Scenes from " The Professor."

FLORAL MOTIVES: Plates CXIX. and CXX.-Wild Plants, Natural and Con

ventionalized. Plate CXXIII.-Convolvulus, Bluebell, Iris, Thistle, Fuchsia,

Lily, Hawthorn, Pansy, and Passion Flower.

PANELS AND BORDERS: Plate CXII.-Conventionalized Blossoming Plant in Vase. Plate CXXVIII.-Conventionalized Floral Designs.

SILHOUETTE D)ESIGNS: Plate CXXV.-Menu Cards.

SKETCHES IN PEN-AND-INK: Plate CXIV.-Birthday Cards. Plate CIII.-Invitation Cards.

SUGGESTIONS FOR ART WORKERS:

Plate CXXX.-Medley.

NEEDLEWOR K. CHRISTHAS EMBROIDERY:

Plate CXXVI.-Monograms, Wreaths, and Holly.

CHURCH EMBROIDERY: Plate CXXXII.-Lamb, Cross, and Monograms.

FLORAL MOTIVES: Plate CII.-Rose-branch. Plate CVIII.-Daisies, Nemophila, Cyclamen. Plate CXI.-Hops and Ox-Eyed Daisies. Plate CXV.-Geraniums.

ORIENTAL DESIGNS: Plate CXVI.-Persian and Indian Ornlament.

OUTLINE EMBROIDERY: Plate CXXII.-Figures. " Aisthetes."

SCREEN PANEL: Plate CV.-Flight of Flamingoes.

This content downloaded from 195.78.108.33 on Wed, 21 May 2014 11:11:17 AMAll use subject to JSTOR Terms and Conditions


Recommended