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WARNING:
THE VENOM IN THE FANGS/MOUTH/GLANDS WILL STILL BE
POTENT AFTER THE SNAKE HAS DIED FOR UP TO TWENTY
YEARS!
IT IS POSSIBLE FOR THE POISON TO ENVENOMATE YOU
AFTER THE SNAKE HAS DIED, SO IF YOU ARE NOT
ABSOLUTELY SURE HOW TO HANDLE POISONOUS REPTILES
THEN PLEASE DO NOT ATTEMPT THIS COURSE.
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Part One: Skinning
First we need a serpentine volunteer, preferably one that has shuffled off this mortal coil via natural causes (as is the
case of the Ball Python and Rosy Boa that I will be using in the photos), or was the victim of vehicular tread
compression syndrome (roadkill). Obviously there are areas of the country where the hunting of snakes is legal and
encouraged due to overpopulation, but please remember that snakes do perform a valuable service to the
environment and keep rodent populations in check, so I don't encourage the over harvesting of these animals any
more than I condone the poaching of game animals.
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Now that we have our volunteer, a good washing of the skin
in warm water and dish soap will be an optional first step to
remove any foreign matter or possible mites that may have
attached themselves to the skin.
Step one: Place the snake on the cutting board and remove
the head as far up on the neck as possible. In the case of
venomous snakes remove the head and at least one inch of
the neck below the head for safety. The venom glands of
the vipers are located inside the head (as they are modified
salivary glands) and the removal of the extra one-inch of
neck will help to ensure that these glands, as well as the
venom, have been removed.
WARNING: THE VENOM IN THE FANGS/MOUTH/GLANDS
WILL STILL BE POTENT AFTER THE SNAKE HAS DIED FOR UP
TO TWENTY YEARS! IT IS POSSIBLE FOR THE POISON TO
ENVENOMATE YOU AFTER THE SNAKE HAS DIED, SO IF
YOU ARE NOT ABSOLUTELY SURE HOW TO HANDLE
POISONOUS REPTILES THEN PLEASE DO NOT ATTEMPT TO
HANDLE THE CARCASSES IN ANY WAY.
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Step two: Once the head is removed I make a
vertical slit in the center of the belly scales and,
while trying to stay as superficial as possible
continue the cut the entire length of the animal.
TIP: try to stay as midline as possible while
making your cut as the scale side is usually the
least interesting, pattern wise, and will be the
excess area that is to be pinned down and cut
away later.
Optional Step: At this point you can remove the
internal organs if you wish to get them out of
the way, but it isn't really necessary unless you
plan on utilizing another part of the snake.
WARNING: THE VENOM IN THE FANGS/
MOUTH/GLANDS WILL STILL BE POTENT AFTER
THE SNAKE HAS DIED FOR UP TO TWENTY
YEARS! IT IS POSSIBLE FOR THE POISON TO
ENVENOMATE YOU AFTER THE SNAKE HAS
DIED, SO IF YOU ARE NOT ABSOLUTELY SURE
HOW TO HANDLE POISONOUS REPTILES THEN
PLEASE DO NOT ATTEMPT TO HANDLE THE
CARCASSES IN ANY WAY.
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Step three: At the neck use a sharp knife or razor
to separate the skin from the meat. Work slowly
and carefully here taking care to make your cut so
that it leaves as little meat on the skin as possible.
However, it is better to leave a little meat on the
skin than to penetrate the skin with your knife. I
like using a paring knife or a rounded Xacto razor
blade for this process.
Step four: Work the skin away from the meat all
the way around the neck and make sure you have
separated enough to get a good pinch grip
between your fingers for the next step.
Step five: Slowly and carefully peel the skin away from the body. If you made some good separation in the beginning
it should peel away easily, kind of like peeling a banana (although there is a little more effort involved). I like to use a
paper towel to help with the gripping of the carcass and/or the skin. Be careful as it is easy to try to peel too quickly
here and tear the skin if you should encounter an area of resistance, so go slow and feel for anything that interrupts
the smoothness of the peel. Carefully use your knife and work the area until it releases.
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If you are careful, the skin will come off in one beautiful piece with little to no flesh still attached to it. The skin will
be soft and rubbery and is ready for the drying process.
Part Two: Drying
Step six: Now it's time to pin the skin to a platform. I like to use a long mailing tube, but any piece of cardboard or
wood will work. Start with the skin, scale side down, and place the first pin (or nail) in the point nearest the edge of
the belly scale by the neck. Take the opposite side of the neck and stretch it as far as it will comfortably go, don't
force it of the pinned part will tear free, and pin that side down. Repeat this step every inch or so until the entire
length of the snake skin is pinned to the platform.
Once pinned you may notice a couple of things about the skin:
1. It is significantly longer and wider than you thought it was going to be.
2. The flesh side has a cloudy, semi-opaque appearance to it. This is not extra flesh or membrane that needs to be
removed, so leave it alone.
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Step seven: Air drying means exactly that. assuming you took your time and worked the skin around the neck away
without a lot of meat adhering to it you probably don't need to worry about fleshing the skin; regardless, I never add
salt...it really isn't necessary. I also never add any other tanning products to the skin as I want the skins to be air-
dried as opposed to tanned. The process of tanning a skin is great for making wallets or other applications where the
leather is going to be used in some kind of garment; however, we are going to be gluing it to a bow limb and, the less
chance of the glue interacting badly with a tanning product, the better.
The drying process can take a couple hours to a couple days depending on where you live. I live in the desert where
there is very little humidity, so a smaller skin (like these pictured) take about an hour, but the larger the snake the
longer the process will take. You can also use a regular fan (not a hair dryer) to speed the drying process if desired.
You will know when the skin is ready by that cloudy, semi-opaque side that is facing up will become completely
transparent. Give the skin a feel at that point, it should feel like dry paper, and at that point just take the pins or nails
out and roll it up until you are ready to use it.
You now have a perfectly air dried and preserved snake skin that you can either cut to size or leave whole as you
wish. I store my surplus skins in a plastic zip bag until I am ready to put one on a bow's limbs.
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Now that we have successfully skinned our
volunteer and air-dried the skin, the next step is
to apply the skin to a bow. The bow I am going
to use is a Penobscot Indian style bow , which
has long been touted as primitive man’s first
maneuver into the realm of compound bows.
Basically, it comprised of a short bow attached
to the back of a longbow and strung tip-to-tip.
As you will see in the following pictures, the bow
isn’t finished and I still have a lot of smooth
sanding/finishing to do; however, the bow is in
as close to perfect tiller that I can get.
Remember snake-skins will not increase
draw weight, performance or in any way
protect the back of a bow the way rawhide,
sinew or other backings can, so make sure you
are happy with the way the bow is performing
before you apply the skins.
(The above statement also means that I don’t
have to worry about the skins taking the bow
out of tiller, which is a good thing.)
The skins I will be using in this case are
going to be from a different snake than I used in
the prep instructions and are from a large
Coachwhip snake that a Texas friend “acquired”
for me. I put the dried skins in a cup of warm
water to get them pliable. The goal here is to
have them nice and loose as opposed to
rehydrated, so it only takes about five minutes
of soak time.
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This skin is a basic white with flecks of brown scattered through it. I really like the coppery brown color the skin has, but I noticed that the space between the scales is very transparent. My thinking is that I have white and brown so maybe a little green would be nice? Maybe dragon-like when it’s all done, which I think will be kind of unique, so I apply a very light coat of Fiebing’s Leather dye “Green” to the back of the short bow (Pic #3). I like this brand of dye because it dries in minutes as opposed to wood stains that generally have oil bases and take forever to dry.
Once the dye is dry, about 2 minutes, I take the
skins out of the water, place them scale side down on a
paper towel and pat them dry .
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Now we are ready to start the glue up. First I apply a thin
coat of Titebond Liquid Hide Glue to the back of the bow,
the sides of the bow and to the skins. This process in
woodworking is called “sizing” the wood. Basically it is used
when gluing raw wood because the wood will absorb a
certain amount of the glue and draw it into itself and away
from the surface of the wood. This leaves bare spots that
are basically glue-less and can cause the skin to lift off the
bow.
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Now we are ready to start the glue up. First I apply a thin
coat of Titebond Liquid Hide Glue to the back of the bow,
the sides of the bow and to the skins. This process in
woodworking is called “sizing” the wood. Basically it is used
when gluing raw wood because the wood will absorb a
certain amount of the glue and draw it into itself and away
from the surface of the wood. This leaves bare spots that
are basically glue-less and can cause the skin to lift off the
bow.
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Once this layer of glue is ALMOST dry I apply a heavier layer
of glue to the back and sides of the bow and apply the
skins. Once the skins are lying on top of the bow then you
can make any adjustments to take out the wrinkles or
adjust the orientation of the skin’s pattern by simply
shifting the skin over the bow back as desired. This skin has
little pattern, so I just make sure the skin is lying flat and is
wrinkle free .
A helpful tip at this point is to roll your finger over the skin
in one direction (from the riser to the tip) in order to help
remove any excess glue or air bubbles from under the
skin. I say “roll” your finger, because sliding your finger
over the skin can cause wrinkles or otherwise disrupt the
alignment of the pattern in the skin.
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I like to give the glue 48 hours to dry before moving on to
the next step, which is to cut the excess skin away. I take a
utility knife/razor to the belly edge of the bow and remove
the excess skin not attached to the wood. This is why I glue
the sides of the bow as well as the back (even if I am not
going to leave the skin on the sides) because it holds the
skin in place very well for the cutting.
Once the excess is removed, I take a sanding block
with #60 grit sandpaper and sand the skin on the sides of
the bow off leaving a nice straight, clean edge off the back
of the bow. Only sand in one direction , which would be
perpendicular to the bow and pushing away from the skin
(pulling toward the skin can cause even the best glue up to
lift).
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Now the only thing left is to remove the scales. There are many ways to do this, but I find the best way to do it
without potentially damaging the skin is to use a piece of soft scrap leather and rub the scales off . The scales on this
skin came off pretty easy, but there are some skins that are stubborn in giving up the scales. In those cases I would
use a piece of fine steel wool but, rather than just rubbing back and forth, I rub the skin lightly and only in the
direction of the scales (head to tail).
Optional step: If you have any issues with the edge of the skin coming up, then apply a small bead of crazy/super
glue to the edge of the skin and (while wearing a rubber glove) smooth the bead of glue along the edge of the skin
and wood to help it adhere.
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Finished! We have successfully applied the snakeskin
to the back of a bow . The only thing left to do now is
finish the rest of the bow and seal the entire thing,
skins and all, in Polyurethane, Tru-oil, Tung-oil or your
favorite finish.
Stay strong, shoot straight and for more information
and many other archery related build- a-longs visit
my YouTube channel:
www.youtube.com/user/BoarriorBows
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Traditional Archery Academy
The Traditional Archery Academy was born out of a
need for high quality resources for those interested in
learning more about Traditional Bow building, arrow
building, archery leather work and Instinctive shooting.
Our goal is to provide courses and guides to help the
traditional archery community learn and have fun.
Crows Head Archery
My wife Marlana and I started Crow’s Head Archery in
2006 to offer unique bows and well known brands to
the world, but my passion for Traditional Archery
started years before. When I watched the Lord of the
Rings: Fellowship of the Ring in 2002 I was completely
obsessed over the bows and arrows that were used in
the film. All I wanted to do was make and shoot one of
those bows. But I needed to learn the basics of building
a bow first. A so the adventure began....
My Father Perry Miller and I took a simple board bow
building class and this lit a fire in me to continue
building and designing my own bows. The learning
process took time, blood, sweat and tears. I worked out
of my one car garage on a make shift work bench until I
was able to design and build my first bow - the Heritage
Longbow. This bow continues to be one of our best
selling bows.
During this time, Marlana and I had 3beautiful children,
moved into a new house and built a life together.
While I was working on building and designing bows,
Crow’s Head Archery was also selling some of the best
brands we could find to go along with our own product
mix. As our business grew I asked my Father to join me
in building bows and he agreed to become part of the
team.
Eventually we were able to build a full range of
Traditional Bows and started building bows for dealers.
One problem....We never gave the bows a proper Brand
Name and in 2015 that would all change.
In the Fall of 2015 Marlana and I decided to give the
bows a name that incorporated the names of our 3
children and GRAYVN TRADITIONAL BOWS was born.
OUR TEAM
Marlana Miller—Owner
Ned Miller—Owner
Perry “Papa” Miller—Craftsman
OUR ACCOMPLISHMENTS
Crow’s Head Archery has built original designs for use
on TV, Film and Web Series. Projects for which we have
built bows and arrows:
AMC: Turn
The Hunt for Gollum
Born of Hope
Rangers Web Series
Once Upon a Time
The Ren Series
Thank you for being part of the Traditional Archery
Academy
Ned Miller
814-515-9501