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Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette...

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Wassily Kandinsky 1866-1944
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Page 1: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky1866-1944

Page 2: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could

Color is the keyboard , the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.

Wassily Kandinsky

Page 3: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

• Born in Moscow, Russia in 1866.

• Was a lecturer in Law at University,(1895) in Russia but gave up his job to study painting in Munich.

• He was a member of the avante-garde painting group called the Blue Rider. Show his abstract style of paintings with the group.

Page 4: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

The Industrial Revolution was the transition to new manufacturing processes in the period from about 1760 to sometime between 1820 and 1840.

During the Industrial Revolution the camera was invented. People questioned why needed artists, when you could just take a picture.

Page 5: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

The Blue Riders were a group of artist that tired to tell people that art was not about replicating something. It is about emotion, feeling, spirit and meaning. The started to create pieces of artwork that did not resemble anything.

This type of art become known as abstract art. As more artists started to make abstract art, they began to believe that only people educated in art had an opinion. This mind set brought on an era of art known as MODERNISM.

Page 6: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

People had a hard time discussing and

critiquing abstract art.

A group of people called the

FORMALISTS create 15 vocabulary terms

known as the ELEMENTS &

PRINCIPLES OF ART to help critique art.

Page 7: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

• Kandinsky carefully plans each painting to express, through the colors and abstract forms, exactly the feelings and spiritual ideas he wishes to communicate.

Page 8: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Old Town II

Page 9: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Gabriele Munter

Page 10: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Gabriele Munter Painting in Kallmunz

Page 11: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Cemetery and Vicarage in Kochel

Page 12: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Picture XVI; The Great Gate of Kiev

Page 13: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Improvisation 26 (Oars) Oil on canvas, 1912 42.1" x 38.2

Page 14: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Study for Painting with White Lines (Bild mit weissen Linien), 1913. Watercolor, india ink, and pencil on paper, 15 11/16 x 14 1/8 inches

Page 15: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Improvisation 31 (Sea Battle)

1913; Oil on canvas, 145 x 119.7cm (57 x 47 in);

Page 16: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Small Pleasures 1913

Page 17: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Composition VII

Page 18: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

To The Unknown Voice

Page 19: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, White Line, No. 232, oil on canvas, 1920.

Page 20: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Composition VIII 1923

Page 21: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

On White II 1923

Page 22: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Black and Violet, oil on canvas, 1923.

Page 23: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Contrasting Sounds

1924

Page 24: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Yellow, Red, Blue 1925

Page 25: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Several Circles, oil on canvas, 1926.

Page 26: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Softened Construction, oil on canvas, 1927.

Page 27: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.
Page 28: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.
Page 29: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Red Oval

Page 30: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

On Points

Page 31: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Dominant Curve

Page 32: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Decisive Pink

Page 33: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Capricious

Page 34: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Around the Circle

Page 35: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Composition X, oil on canvas, 1939.

Page 36: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colors onto the canvas with a palette knife and made them sing with all the intensity I could.

Composition: Storm Guided student questions

What colors do you see?

What colors do you see the most of?

What types of lines do you see?

Does anything in this painting remind you of a storm?

How does this painting make you feel?

Is there any place in this painting that seems restful to you? How?

Would you like to be standing in the middle of this painting?

What do you think it would feel like? Why?


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