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Web Typography Fundamentals

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Web Typography Fundamentals Mark Boulton
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Page 1: Web Typography Fundamentals

Web Typography FundamentalsMark Boulton

Page 2: Web Typography Fundamentals

1. What is Typography?

2. Typographic Structure

3. Macro Typography

4. Micro Typography

Page 3: Web Typography Fundamentals

W H A T I S T Y P O G R A P H Y ?

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A world of Verdana and Arial

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typography1 the art or process of setting and arranging types and printing from them. 2 the style and appearance of printed matter. 2

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typography1 the mechanical notation and arrangement of language.

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...deciding which is best, Verdana or Arial.

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T Y P O G R A P H I C S T R U C T U R E

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‘Typography has one plain duty before it and that is to convey information in writing.’

Emil Ruder

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Language is information

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words → sentencessentences → paragraphsparagraphs → groupings

groupings → sectionssections → document

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Documents have a conceptual structure.

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Author’sConceptual

Structure

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Author’sConceptual

Structure

Reader’sConceptual

Structure

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Designer

Author’sConceptual

Structure

Reader’sConceptual

Structure

Page 22: Web Typography Fundamentals

Designer

Author’sConceptual

Structure

Reader’sConceptual

Structure

Brand valuesArt direction

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Designer

Brand valuesArt direction

M A R K U P !

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BASE CAMP

CAMP #1

CAMP #2

CAMP #3

CAMP #4

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LAYOUT COLOUR CONTENT

HIERARCHY FONT RHYTHM

LANGUAGE TYPESETTING GRID

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LANGUAGE

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TYPESETTING

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GRID

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HIERARCHY

Heading 1Heading 2

Heading 3

‘web sites should not look the same in every browser’

Designing in the browser is good because:

• It’s quick to make changes

• It’s the right thing to do

• Malarkey will be chuffed

Page 31: Web Typography Fundamentals

FONT

Page 32: Web Typography Fundamentals

RHYTHM

Page 33: Web Typography Fundamentals

LAYOUT

Page 34: Web Typography Fundamentals

COLOUR

Page 35: Web Typography Fundamentals

CONTENT

Page 36: Web Typography Fundamentals

LAYOUT COLOUR CONTENT

HIERARCHY FONT RHYTHM

LANGUAGE TYPESETTING GRID

Page 37: Web Typography Fundamentals

LAYOUT COLOUR CONTENT

HIERARCHY FONT RHYTHM

LANGUAGE TYPESETTING GRIDFUNCTION

FORM

ATTRIBUTES

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LAYOUT COLOUR CONTENT

HIERARCHY FONT RHYTHM

LANGUAGE TYPESETTING GRID

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LAYOUTCOLOUR

CONTENT

HIERARCHY RHYTHM

LANGUAGETYPESETTING

GRID

FONT

Page 42: Web Typography Fundamentals

LAYOUT COLOURCONTENT

HIERARCHYRHYTHM

LANGUAGE TYPESETTING GRID

FONT

Page 43: Web Typography Fundamentals

LAYOUT COLOUR

HIERARCHYRHYTHM

LANGUAGE TYPESETTING GRID

Page 44: Web Typography Fundamentals

M A C R O T Y P O G R A P H Y

Page 45: Web Typography Fundamentals

The big stuff

Page 46: Web Typography Fundamentals

Creating spacial relationships

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Golden Section

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a

b

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Page 55: Web Typography Fundamentals

a b

Page 56: Web Typography Fundamentals

a b

Page 57: Web Typography Fundamentals

a a a

Page 58: Web Typography Fundamentals

a a a

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a a a

Page 60: Web Typography Fundamentals

Grids

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A way of organising stuff

Page 62: Web Typography Fundamentals

Provide a visual language

Page 63: Web Typography Fundamentals

Answer layout questions

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Editor’s picksBlogs

Home This week Contributors Subjects A-Z Editor’s blog Dan Chung Steve Bell About us Audio Webfeeds Other blogs

Sign in • Register • Read today’s paper • Jobs

Searchcomment is free...

Space cadets

Dan Kennedy05:00pm: Is seeing a UFO anymore crazy than believing GodCreated the universe in six days> Itis if you are running to bepresident of the United States.Comments

Ed Vaizey Nov 06 07, 04:40pmThe Queen’s speech: Big onshort-term tricks, and lacking inlong-term vision just about sumsup the government’s new legislationComments

A bankrupt hotchpotch

End of mutual respect

Derek Wall Nov 06 07, 04:20pmAs the Respect party splits in two

State of emergency by Steve Bell

If Ball wants better schools, hemust scrap faith selection

Page 70: Web Typography Fundamentals

Editor’s picksBlogs

Sign in • Register • Read today’s paper • Jobs

Searchcomment is free...

Space cadets

Dan Kennedy05:00pm: Is seeing a UFO anymore crazy than believing GodCreated the universe in six days> Itis if you are running to bepresident of the United States.Comments

Ed Vaizey Nov 06 07, 04:40pmThe Queen’s speech: Big onshort-term tricks, and lacking inlong-term vision just about sumsup the government’s new legislationComments

A bankrupt hotchpotch

End of mutual respect

Derek Wall Nov 06 07, 04:20pmAs the Respect party splits in two

State of emergency by Steve Bell

If Ball wants better schools, hemust scrap faith selection

Home This week Contributors Subjects A-Z Editor’s blog Dan Chung Steve Bell About us Audio Webfeeds Other blogs

Page 71: Web Typography Fundamentals
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Page 73: Web Typography Fundamentals
Page 74: Web Typography Fundamentals
Page 75: Web Typography Fundamentals

Vertical Rhythm

Page 76: Web Typography Fundamentals

Aboard Minerva off the Coast of New England

Daniel is roused by a rooster on the forecastledeck† that is growing certainit’s not just imagining that light in the eastern sky. Unfortunately theeastern sky is off to port this morning. Yesterday it was starboard.Minerva has been sailing up and down the New England coast for thebetter part of a fortnight, trying to catch a wind that will decisively takeher out into deep water, or “off soundings,” as they say. They are probablynot more than fifty miles away from Boston.

Contrary Winds

Daniel goes back and sits by one of the windows – these are undershot sothat he can look straight down and see Minerva’s wake being born in afoamy collision around the rudder. He opens a small hatch below awindow and drops out a Fahrenheit thermometer on a string. It is the verylatest in temperature measurement from Europe – Enoch presented it tohim as a sort of party favour. He lets it bounce through the surf for a fewminutes, then hauls it in a takes a reading.

He’s been trying to perform this ritual every four hours – the objectivebeing to see if there’s any rumour that the North Atlantic is striped withcurrents of warm water. He can present the data to the Royal Society ifGod-willing he reaches London.

Text taken from Quicksilver by Neal Stephenson.

† The forecastledeck is theshort deck that, towardsthe ship’s bow, is builtabove the upperdeck.

Page 77: Web Typography Fundamentals

Aboard Minerva off the Coast of New England

Daniel is roused by a rooster on the forecastledeck† that is growing certain

it’s not just imagining that light in the eastern sky. Unfortunately the

eastern sky is off to port this morning. Yesterday it was starboard.

Minerva has been sailing up and down the New England coast for the

better part of a fortnight, trying to catch a wind that will decisively take

her out into deep water, or “off soundings,” as they say. They are probably

not more than fifty miles away from Boston.

Contrary Winds

Daniel goes back and sits by one of the windows – these are undershot so

that he can look straight down and see Minerva’s wake being born in a

foamy collision around the rudder. He opens a small hatch below a

window and drops out a Fahrenheit thermometer on a string. It is the very

latest in temperature measurement from Europe – Enoch presented it to

him as a sort of party favour. He lets it bounce through the surf for a few

minutes, then hauls it in a takes a reading.

He’s been trying to perform this ritual every four hours – the objective

being to see if there’s any rumour that the North Atlantic is striped with

currents of warm water. He can present the data to the Royal Society if

God-willing he reaches London.

Text taken from Quicksilver by Neal Stephenson.

† The forecastledeck is the

short deck that, towards

the ship’s bow, is built

above the upperdeck.

Page 78: Web Typography Fundamentals

Aboard Minerva off the Coast of New England

Daniel is roused by a rooster on the forecastledeck† that is growing certain

it’s not just imagining that light in the eastern sky. Unfortunately the

eastern sky is off to port this morning. Yesterday it was starboard.

Minerva has been sailing up and down the New England coast for the

better part of a fortnight, trying to catch a wind that will decisively take

her out into deep water, or “off soundings,” as they say. They are probably

not more than fifty miles away from Boston.

Contrary Winds

Daniel goes back and sits by one of the windows – these are undershot so

that he can look straight down and see Minerva’s wake being born in a

foamy collision around the rudder. He opens a small hatch below a

window and drops out a Fahrenheit thermometer on a string. It is the very

latest in temperature measurement from Europe – Enoch presented it to

him as a sort of party favour. He lets it bounce through the surf for a few

minutes, then hauls it in a takes a reading.

He’s been trying to perform this ritual every four hours – the objective

being to see if there’s any rumour that the North Atlantic is striped with

currents of warm water. He can present the data to the Royal Society if

God-willing he reaches London.

Text taken from Quicksilver by Neal Stephenson.

† The forecastledeck is the

short deck that, towards

the ship’s bow, is built

above the upperdeck.

Page 79: Web Typography Fundamentals

Aboard Minerva off the Coast of New England

Daniel is roused by a rooster on the forecastledeck† that is growing certain

it’s not just imagining that light in the eastern sky. Unfortunately the

eastern sky is off to port this morning. Yesterday it was starboard.

Minerva has been sailing up and down the New England coast for the

better part of a fortnight, trying to catch a wind that will decisively take

her out into deep water, or “off soundings,” as they say. They are probably

not more than fifty miles away from Boston.

Contrary Winds

Daniel goes back and sits by one of the windows – these are undershot so

that he can look straight down and see Minerva’s wake being born in a

foamy collision around the rudder. He opens a small hatch below a

window and drops out a Fahrenheit thermometer on a string. It is the very

latest in temperature measurement from Europe – Enoch presented it to

him as a sort of party favour. He lets it bounce through the surf for a few

minutes, then hauls it in a takes a reading.

He’s been trying to perform this ritual every four hours – the objective

being to see if there’s any rumour that the North Atlantic is striped with

currents of warm water. He can present the data to the Royal Society if

God-willing he reaches London.

Text taken from Quicksilver by Neal Stephenson.

† The forecastledeck is the

short deck that, towards

the ship’s bow, is built

above the upperdeck.

Page 80: Web Typography Fundamentals

Aboard Minerva off the Coast of New England

Daniel is roused by a rooster on the forecastledeck† that is growing certain

it’s not just imagining that light in the eastern sky. Unfortunately the

eastern sky is off to port this morning. Yesterday it was starboard.

Minerva has been sailing up and down the New England coast for the

better part of a fortnight, trying to catch a wind that will decisively take

her out into deep water, or “off soundings,” as they say. They are probably

not more than fifty miles away from Boston.

Contrary Winds

Daniel goes back and sits by one of the windows – these are undershot so

that he can look straight down and see Minerva’s wake being born in a

foamy collision around the rudder. He opens a small hatch below a

window and drops out a Fahrenheit thermometer on a string. It is the very

latest in temperature measurement from Europe – Enoch presented it to

him as a sort of party favour. He lets it bounce through the surf for a few

minutes, then hauls it in a takes a reading.

He’s been trying to perform this ritual every four hours – the objective

being to see if there’s any rumour that the North Atlantic is striped with

currents of warm water. He can present the data to the Royal Society if

God-willing he reaches London.

Text taken from Quicksilver by Neal Stephenson.

† The forecastledeck is the

short deck that, towards

the ship’s bow, is built

above the upperdeck.

Page 82: Web Typography Fundamentals

M I C R O T Y P O G R A P H Y

Page 83: Web Typography Fundamentals

The little stuff

Page 84: Web Typography Fundamentals

10. Text numerals in tables

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Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

Page 86: Web Typography Fundamentals

Text numerals like these—23, 48, 192 and 2096—belong in text

Lining numerals like these—23, 48, 192 and 2096—are better in tables.

Page 87: Web Typography Fundamentals

Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

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9. Framing

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Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

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Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

Page 91: Web Typography Fundamentals

Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

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Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

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Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

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Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

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Barry Island 0533 0600 0600

Rhoose 0540 0610 0612

Llantwit Major 0550 0612 0622

Bridgend 0552 0620 0648

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Framing navigation

Page 97: Web Typography Fundamentals

Schedule

Community

Practical

Partners

Page 98: Web Typography Fundamentals

Schedule

Community

Practical

Partners

Page 99: Web Typography Fundamentals

Schedule

Community

Practical

Partners

Page 100: Web Typography Fundamentals

Schedule

Community

Practical

Partners

Page 101: Web Typography Fundamentals

8. Ampersands in titles

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H E A D I N G S & S U B H E A D I N G S

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{ H O M E } N O T E B O O K W O R K P U B L I C A T I O N S I C O N S H O P A B O U T C O N T A C T

Hand-crafted pixels & text.SimpleBits is a tiny web design studio founded by

designer and author Dan Cederholm. We create simple,

readable interfaces balanced with a standards-based

methodology. Learn more

Planet Microformats

A giant master feed of anything and everything tagged with “microformats”

from Brian Suda. {02.20.07}

Web Directions North

I’ve returned from several days in Vancouver, and the first-ever Web

Directions North. It was a great trip, a great conference, and my second

attempt at snowboarding in the last 20 years.

I’ll first say congrats to Maxine, John, Dave and

Derek for putting on what was an oustanding

L A T E S T F E A T U R E D W O R K

MTV.com

XHTML/CSS development

Cork’d

Creative Director

TravelPost.com

Logo + interface design

S P E A K I N G E V E N T S

SXSW Interactive

March 9-13, 2007 ~ Austin, TX

An Event Apart Boston

March 26-27, 2007 ~ Boston

@media 2007 (America)

May 24-25, 2007 ~ San Francisco

@media 2007 (Europe)

June 7-8, 2007 ~ London

R E C E N T N O T E B O O K A R T I C L E S & Q U I C K B I T S

www.simplebits.com

Page 104: Web Typography Fundamentals
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<h1>Hand-crafted pixels<span class="amp">&amp;</span> text.</h1>

span.amp { font-family: "Goudy Old Style", "Palatino", "Book Antiqua", serif; font-style: italic; font-size: 110%; }

Page 106: Web Typography Fundamentals

7. Too many typefaces

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Mix Sans Serif and Serif typefaces

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Georgia HeadingsVerdana body

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Georgia HeadingsTimes Body

Page 110: Web Typography Fundamentals

6. Typesetting lists

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• Barry Island• Rhoose• Llantwit Major• Bridgend

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Praesent pharetra feugiat nulla. Mauris eget purus. Lorem ipsum dolor sit amet, consectetuer adipiscing elit.

Nullam ac turpis. Curabitur ut nisl eget nulla molestie suscipit. Phasellus nibh purus, posuere in, suscipit ac, pharetra ac, ligula.

Page 112: Web Typography Fundamentals

• Barry Island• Rhoose• Llantwit Major• Bridgend

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Praesent pharetra feugiat nulla. Mauris eget purus. Lorem ipsum dolor sit amet, consectetuer adipiscing elit.

Nullam ac turpis. Curabitur ut nisl eget nulla molestie suscipit. Phasellus nibh purus, posuere in, suscipit ac, pharetra ac, ligula.

Page 113: Web Typography Fundamentals

• Barry Island• Rhoose• Llantwit Major• Bridgend

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Praesent pharetra feugiat nulla. Mauris eget purus. Lorem ipsum dolor sit amet, consectetuer adipiscing elit.

Nullam ac turpis. Curabitur ut nisl eget nulla molestie suscipit. Phasellus nibh purus, posuere in, suscipit ac, pharetra ac, ligula.

Page 114: Web Typography Fundamentals

• Barry Island• Rhoose• Llantwit Major• Bridgend

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Praesent pharetra feugiat nulla. Mauris eget purus. Lorem ipsum dolor sit amet, consectetuer adipiscing elit.

Nullam ac turpis. Curabitur ut nisl eget nulla molestie suscipit. Phasellus nibh purus, posuere in, suscipit ac, pharetra ac, ligula.

Page 115: Web Typography Fundamentals

• Barry Island• Rhoose• Llantwit Major• Bridgend

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Praesent pharetra feugiat nulla. Mauris eget purus. Lorem ipsum dolor sit amet, consectetuer adipiscing elit.

Nullam ac turpis. Curabitur ut nisl eget nulla molestie suscipit. Phasellus nibh purus, posuere in, suscipit ac, pharetra ac, ligula.

Page 116: Web Typography Fundamentals

5. Incorrect letterspacing

Page 117: Web Typography Fundamentals

Never negatively space lowercase

Page 118: Web Typography Fundamentals

Y O U C A N S P A C E C A P S

Page 119: Web Typography Fundamentals

4. The wrong quotation marks

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' "

Page 121: Web Typography Fundamentals

6'10"

Page 122: Web Typography Fundamentals

"It's a bloody aardvark!"

Page 123: Web Typography Fundamentals

“It’s a bloody aardvark!”

Page 124: Web Typography Fundamentals

“ ”

Page 125: Web Typography Fundamentals

3. Hyphens instead of dashes

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Hyphens are not dashes

Page 127: Web Typography Fundamentals

Britain’s workers improve their lives - by doing nothing

Page 128: Web Typography Fundamentals

Britain’s workers improve their lives -- by doing nothing

Page 129: Web Typography Fundamentals

Britain’s workers improve their lives—by doing nothing

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Britain’s workers improve their lives – by doing nothing

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- hyphen Müller-Brockmann

– en dash 3–6 April; 25–30 mm a phrase marker – thus – with spaces

— em dash a phrase marker—thus—with no spaces — Doesn’t sound much like a bee to me. — It’s a bloody aardvark!

− minus 4−1=3

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2. Incorrect markup

Page 133: Web Typography Fundamentals

<q> <cite> <address> <dl> <em>

<h#> <blockquote> <ul> <ol>

Page 134: Web Typography Fundamentals

1. Sticking to what you know

Page 135: Web Typography Fundamentals

body { font-family: Verdana, Arial, sans-serif; }

Page 136: Web Typography Fundamentals

body { font: 1em/1.4 Cambria, "Lucida Fax", "Palatino Linotype", "Hoefler Text", Rockwell, Serifa, Baskerville, "Lucida Sans", Georgia, "Trebuchet MS", "Bitstream Vera Serif", serif;}

Styles from Joe Clark’s weblog (http://fawny.org/blog/)

Page 137: Web Typography Fundamentals

/* Headings */h1, h1 a.permalink:link, h1 a.permalink:visited{ font-family: Zapfino, "Zapfino One", "Zapfino Two", "Zapfino Three", "Apple Chancery", "Segoe Script", "Lucida Handwriting", "Lucida Calligraphy", "Caflisch Script", "Poetica",

Styles from Joe Clark’s weblog (http://fawny.org/blog/)

Page 138: Web Typography Fundamentals

"Sanvito", "Ex Ponto", "Snell Roundhand", "Nuptial Script", "Palace Script", "Park Avenue", "Poetica", "Shelley", "Kaufmann", "Zapf Chancery", "Zapf Chancery Medium Italic", "ITC Zapf Chancery", "ITC Zapf Chancery Medium Italic",

Styles from Joe Clark’s weblog (http://fawny.org/blog/)

Page 139: Web Typography Fundamentals

"Monotype Corsiva", Corsiva, "Zurich Calligraphic", "Chancery", Sand, Textile, Mead, Script, "URW Chancery L", "URW Chancery L Medium Italic", cursive; }

Styles from Joe Clark’s weblog (http://fawny.org/blog/)

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Watch out for:

HTML 5Maybe. Eventually. One day.

CSS3Maybe. Eventually. One day.

@font-faceMaybe. Eventually. One day. It’s already happening: Fontdeck, Typekit.

Page 141: Web Typography Fundamentals

‘...It is not surface, it is not an extra, it is the thing itself’

Stephen Fry

Page 142: Web Typography Fundamentals

Thank you

markboulton.co.uk markboultondesign.com twitter.com/markboulton


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