fromA BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.htmlby José Ángel GARCÍA LANDA(University of Zaragoza, Spain)

WILLIAM FAULKNER (1897-1962)

(US southern writer, major modernist novelist and story writer; b. William Harrison Falkner in New Albany, Mississippi; l. Oxford, Lafayette county; Nobel Prize for Literature 1949; Pulitzer Prize 1955, 1962; d. Byhalia, Mississipi.)

Works

Faulkner, William. Soldiers' Pay. Novel. 1926._____. Soldiers' Pay. (Penguin Modern Classics). Harmondsworth:

Penguin._____. Mosquitoes. 1927._____. Sartoris. Novel. 1929._____. The Sound and the Fury. Novel. 1929._____. The Sound and the Fury. New York, 1931._____. The Sound and the Fury. (Penguin Modern Classics).

Harmondsworth: Penguin._____. The Sound and the Fury. Ed. David Minter. (Norton Critical

Edition). New York: Norton, 1988._____. The Sound and the Fury. London: Vintage Books, 1995._____. The Sound and the Fury. New York: Random House-Vintage

International._____. El ruido y la furia. (Narrativa actual: Clásicos del siglo XX;

Literatura norteamericana). Barcelona: RBA, 1995.*_____. El ruido y la furia. Trans. Ana Antón-Pacheco. (Clásicos del

siglo XX, 18). Madrid: El País, 2002.*_____. As I Lay Dying. Novel. 1930. _____. As I Lay Dying. Harmondsworth: Penguin, 1986._____. As I Lay Dying. New York: Vintage, 1987._____. As I Lay Dying. New York: Random House-Vintage

International._____. "A Rose for Emily." Forum 30 April 1930._____. "A Rose for Emily." In Faulkner, These 13. Stories. 1931.

_____. "A Rose for Emily." In Faulkner, Collected Stories. 1950._____. "A Rose for Emily." Online at English Literature Databank, Fu

Jen University:http://www.eng.fju.edu.tw/English_Literature/Rose/el-text-E-Rose.htm2012

_____. "A Rose for Emily." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 69-76.*

_____. "A Rose for Emily." 1930. In The Oxford Book of Gothic Tales. Ed. Chris Baldick. Oxford: Oxford UP, 1992. 1993. 322-30.*

_____. "A Rose for Emily." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 281-90.*

_____. "Una rosa para Emily." In Los cuentos de una vida: Antología del cuento universal. Ed Sergio Pitol. Barcelona and México: Plaza & Janés, 2002. 318-28.*

_____. Sanctuary. Novel. New York: Random House, 1931._____. Sanctuary. (Penguin Modern Classics). Harmondsworth:

Penguin._____. Sanctuary. New York: Vintage, 1987._____. Pylon. Novel. 1935. New York: Vintage, 1987.*_____. Absalom, Absalom! Harmondsworth: Penguin, 1936._____. Absalom, Absalom! (Penguin Modern Classics).

Harmondsworth: Penguin._____. Absalom, Absalom! Introd. Harvey Breit. New York: Modern

Library, 1951._____. Absalom, Absalom! London, 1995._____. Absalom, Absalom! New York: Random House-Vintage

International._____. Light in August. Novel. 1932._____. Light in August. (Penguin Modern Classics). Harmondsworth:

Penguin._____. Light in August. New York: Random House-Vintage

International._____. The Wild Palms. Novel. 1939. _____. The Wild Palms. New York: Vintage, 1949._____. The Wild Palms. Harmondsworth: Penguin, 1961._____. The Wild Palms. New York: Modern Library, 1984.* _____. Les Palmiers sauvages. Trans. Maurice-Edgar Coindreau. Paris:

Gallimard, 1952._____. "Old Man." From The Wild Palms. In Three Famous Short

Novels by William Faulkner. New York: Random House-Vintage, 1961. 77-184.*

_____. The Hamlet. Novel. 1940. (Vol. 1 of the Snopes trilogy)._____. The Hamlet. New York: Random House-Vintage International._____. "Spotted Horses." From The Hamlet. In Three Famous Short

Novels by William Faulkner. New York: Random House-Vintage, 1961. 3-76.*

_____. "The Bear." In Three Famous Short Novels by William Faulkner. New York: Random House-Vintage, 1961. 185-316.*

_____. To Have and Have Not. Film script based on Hemingway's novel. 1945.

_____. The Big Sleep. Film script based on Raymond Chandler's novel. 1946.

_____. The Portable Faulkner. Ed. Malcolm Cowley. New York: 1946. 1954.

_____. Intruder in the Dust. Novel. 1948._____. Intruder in the Dust. (Penguin Modern Classics).

Harmondsworth: Penguin._____. The Unvanquished. (Penguin Modern Classics).

Harmondsworth: Penguin._____. The Unvanquished. New York: Random House-Vintage

International._____. Go Down, Moses. Stories / novel. 1942. New York: Random

House-Vintage, 1973._____. Go Down, Moses. New York: Random House-Vintage

International._____. Intruder in the Dust. New York: Random House-Vintage

International._____. "Barn Burning." Story. In The Norton Introduction to

Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 316-34.

_____. Collected Stories of William Faulkner. New York: Random House, 1950.

_____. Requiem for a Nun. Novel. 1951._____. Requiem for a Nun. (Penguin Modern Classics).

Harmondsworth: Penguin._____. "Nobel Prize Award Speech." 1949. In The Norton Reader. 8th

ed. New York: Norton, 1992. _____. A Fable. Novel. 1954. _____. The Town. Novel. 1957. (Vol. 2 of the Snopes trilogy)._____. La ciudad. Trans. José Luis López Muñoz. (Literatura

Alfaguara). Madrid: Alfaguara, 1988.*_____. The Mansion. Novel. 1959. (Vol. 3 of the Snopes trilogy)._____. The Reivers. Novel. 1962.

_____. The Reivers. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. The Reivers. New York: Random House-Vintage International._____. Essays, Speeches and Public Letters. London: Chatto, 1967._____. Mayday. Notre Dame: U of Notre Dame P, 1978._____. Selected Letters. Ed. Joseph Blotner. New York: Vintage, 1978._____. "12 poemas." Trans. Javier Marías. Poesía 5-6 (Madrid, 1979-

80)._____. "Delta Autumn." In Reading Narrative Fiction. By Seymour

Chatman with Brian Attebery. New York: Macmillan, 1993.* _____. "El otoño del delta." In Antología del cuento norteamericano.

Ed. Richard Ford. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2002. 494-510.*

_____. "All the Dead Pilots." In Women, Men, and the Great War: An Anthology of Stories. Ed. Trudi Tate. Manchester: Manchester UP, 1995. 29-44.*

_____. Helen: A Courtship and Mississippi Poems. New Orleans: Tulane University / Yoknapatawpha Press, 1981.

_____. Humo. Madrid: Alianza (Alianza Cien)._____. Obras completas. Madrid: Aguilar-Santillana, 2004._____. Ensayos y discursos. Capitán Swing, 2012.Watson, James G, ed. Thinking of Home: William Faulkner's Letters to

His Mother and Father, 1918-1925. New York: Norton, 1992.

Biography

Blotner, Joseph. Faulkner: Una biografía. Barcelona: Destino, 1994. (Excerpt in Quimera 125/6 (1994): 18-23.

Faulkner, John. My Brother Bill. London: Gollancz, 1964.Gray, Richard. The Life of William Faulkner: A Critical Biography.

Oxford: Blackwell, 1994. 1996.Hart, J. D., and William Leininger. "William Faulkner." From The

Oxford Companion to American Literature. In García Landa, Vanity Fea 8 Jan. 2015.*http://vanityfea.blogspot.com.es/2015/01/william-faulkner.html2015

Millgate, Michael. William Faulkner. Barcelona: Barral, 1972.Wolff, Sally. Talking about William Faulkner: Interviews with Jimmy

Faulkner and Others.

Criticism

Abad, Pilar. "Intertextual Interpretation: Faulkner's Waste Land: A Rhetorical Reading of As I Lay Dying." ES: Revista de Filologia Inglesa 19 (1996): 45-60.*

Adamowski, T. H. "Isaac McCaslin and the Wilderness Imagination." (Faulkner). Centennial Review 17 (1973): 92-112.

Adams, Richard. Faulkner: Myth and Motion. Princeton (NJ): Princeton UP, 1968.

Alvarez Calleja, Mª Antonia. "El declinar del Sur en 'A Rose for Emily', de William Faulkner." Epos 11 (1995): 345-54.*

Arend, Mary Kate. "Perhaps the Narrator Protests Too Much: Conditional Narration in Light in August." The Journal of Narrative Technique 25.3 (Fall 1995): 285-300.

Aswell, Duncan. "The Puzzling Design of Absalom, Absalom!" Kenyon Review 30 (1963): 67-84.

Barth, J. Robert. "Faulkner and the Calvinist Tradition." In Religious Perspectives in Faulkner's Fiction: Yoknapatawpha and Beyond. Ed. J. Robert Barth. Notre Dame: U of Notre Dame P, 1972. 11-34.

Benito Cardenal, L. C. "W. Faulkner, el discurso narrativo como práctica semiótica poética." In Actas del Primer Congreso de la Asociación Española de Estudios Anglo-Norteamericanos: Granada 15 al 17 de diciembre 1977. Granada: U de Granada, Facultad de Filosofía y Letras, Departamento de Filología Inglesa, 1978. 169-83.*

Bessière, Jean. "Carlos Fuentes Vis-à-Vis William Faulkner: Novel, Tragedy, History." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 33-42.*

Blanco Outón, Cristina. "William Faulkner's 'Wash': A Study of the Last Days of the Old South." Revista de Estudios Norteamericanos (U of Sevilla) 4 (1995): 175-82.*

_____. "El tema de la soledad en la narrativa breve de William Faulkner: hacia una poética de Collected Stories." In The American Short Story: New Perspectives. Ed. C. González Groba et al. Universidade de Santiago de Compostela, 1997. 129-33.*

_____. "La maldición de Prometeo: Abner Snopes y otros rebeldes solitarios." In Actas del XXI Congreso Internacional AEDEAN. Ed. Fernando Toda et al. Sevilla: U de Sevilla, 1999. 127-33.*

_____. Introducción a la narrativa breve de William Faulkner. Santiago de Compostela: Universidad de Santiago de Compostela, Servicio de Publicaciones, 1999.

_____. "The Conflict between Woman and Community in Two Short Stories by William Faulkner." REDEN 8.14 (1997): 39-54.*

Bleikasten, A. The Ink of Melancholy: Faulkner's Novels from THE SOUND AND THE FURY to LIGHT IN AUGUST. 1990.

Blum, Irving B. "The Parallel Philosophy of Emerson's Nature and Faulkner's The Bear." ESQ: A Journal of the American Renaissance 13 (1958): 22-5.

Bockting, Ineke. "The Importance of Deixis and Attributive Style for the Study of Theory of Mind: The Example of William Faulkner’s Disturbed Characters." In Theory of Mind and Literature. Ed. Paula Leverage et al. Purdue UP, 2011. 175-86.

Boone, Joseph A. "Creation by the Father's Fiat: Paternal Narrative, Sexual Anxiety, and the Deauthorizing Designs of Absalom, Absalom!" 1989. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 1068-86.*

Borges, Jorge Luis. "¡Absalom, Absalom! de William Faulkner." 1937. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

_____. "The Unvanquished, de William Faulkner." 1938. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

_____. "The Wild Palms, de William Faulkner." 1939. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

_____. "An Unsigned Prologue." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 11-12.*

Boyd, Michael. "William Faulkner's Absalom, Absalom!: Fiction as History." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 66-91.

Bradford, M. E. "Faulkner and the Jeffersonian Dream: Nationalism in 'Two Soldiers' and 'Shall Not Perish'." Mississippi Quarterly 18 (1965): 94-100.

Branny, Grazyna. "The Sound and the Fury and the Fear of Miscegenation: Re-Defining the Theme of the Novel." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui.

Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 537-42.*

Bravo, María Elena. Faulkner en España. Barcelona: Península, 1985.Brodhead, Richard H., ed. Faulkner: A Collection of Critical Essays.

Englewood Cliffs (NJ): Prentice, 1983.Brogunier, Joseph. "A Source for the Commissary Entries in Go Down,

Moses." Texas Studies in Literature and Language 14 (1972): 545-54.

Brooks, Cleanth. The Hidden God: Studies in Hemingway, Faulkner, Eliot, and Warren. 1963.

_____. William Faulkner: The Yoknapatawpha Country. New Haven: Yale UP, 1963.

_____. "Faulkner's Vision of Good and Evil." In Religious Perspectives in Faulkner's Fiction: Yoknapatawpha and Beyond. Ed. J. Robert Barth. Notre Dame: U of Notre Dame P, 1972.

_____. William Faulkner: Toward Yoknapatawpha and Beyond. 1978. _____. On the Prejudices, Predilections, and Firm Beliefs of William

Faulkner.Brumm, Ursula. "Some Thoughts on Faulkner's 'Racism'."

Connotations 6.1 (1996-97): 98-102.*Caracciolo, Marco. "5. Fictional Consciousness: From Attribution to

Enactment." In Caracciolo, The Experientiality of Narrative. Berlin and Boston: De Gruyter, 2014. 110-30.* (Consciousness Attribution; Enacting Benjy: A Slow-Motion Analysis; Consciousness Enactment)

Caraher, Brian. "Southern Gothic, Hypocrisy and Modernist Melodrama: William Faulkner's As I Lay Dying and Flannery O'Connor's Wise Blood." In Caraher, Trespassing Tragedy: Melodramas of Horror. Houndmills: Macmillan, 2000.

Carothers, James B. William Faulkner's Short Stories. Ann Arbor: UMI Research Press, 1985.

Chase, Richard. "Faulkner: The Great Years." In Chase, The American Novel and Its Tradition. Garden City (NY): Doubleday-Anchor, 1957. 205-36.*

_____. "Sanctuary vs. The Turn of the Screw." In Chase, The American Novel and Its Tradition. Garden City (NY): Doubleday-Anchor, 1957. 237-42.*

Cleman, John L. "'Pantaloon in Black': Its Place in Go Down, Moses." Tennessee Studies in Literature 22 (1977): 170-81.

Coffee, Jessie McGuire. Faulkner's Un-Christianlike Christians: Biblical Allusion in the Novels. Ann Arbor: UMI Research Press, 1971.

Cohen, Tom. "Miss Emily, c'est moi: The Defacement of Modernism in Faulkner (Inscription and Social Form)." In Cohen, Anti-Mimesis from Plato to Hitchcock. Cambridge: Cambridge UP, 1994. 208-26.*

Couturier, Maurice. La Figure de l'auteur. Paris: Seuil, 1995.* Cowley, Malcolm. "William Faulkner: His Saga." Introd. to The

Portable Faulkner. 1946, In The Portable Malcolm Cowley. New York: Viking Penguin, 1990. 327-47.*

_____. "William Faulkner: An Afterword." 1966. In The Portable Malcolm Cowley. New York: Viking Penguin, 1990. 348-65.*

_____. "Faulkner, William." Encyclopaedia Britannica.Cox, Leland H., ed.William Faulkner: Critical Collection. Detroit: Gale

Resarch, 1982.Cowley, Malcolm. The Faulkner-Cowley File: Letters and Memories

1944-1962. New York: Viking, 1966._____. The Faulkner / Cowley File: Letters and Memories, 1944-1962.

Harmondsworth: Penguin, 1978.Crabtree, Claire. "Interior Frontiers in Faulkner's The Bear and Toni

Morrison's Beloved." BAS (1997): 132-38.*Creighton, Joanne V. William Faulkner's Craft of Revision: The Snopes

Trilogy, The Unvanquished, and Go Down, Moses. Detroit: Wayne State UP, 1977.

Dahlgren Thorsell, Marta. "From Narratology to Pragmatics: Narrators, Focalizers and Reflectors in some Works by William Faulkner." Babel-afial: Aspectos de filología inglesa y alemana 2 (1993): 89-99.*http://dialnet.unirioja.es/servlet/articulo?codigo=30499662009

Davis, Thadious M. Faulkner's 'Negro': Art and the Southern Context. Baton Rouge: Louisiana State UP, 1983.

Davis, Walter S. The Act of Interpretation. 1978. ("The Bear").Delay, Florence, and Jacqueline de Labriolle. "Is García Márquez the

Colombian Faulkner?" The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 119-38.*

Denniston, Dorothy L. "Faulkner's Image of Blacks in Go Down, Moses." Pylon 44 (1983): 33-43.

Derrick, Paul Scott. "Go Down, Moses: An Essay in (Extended) Coherence." Revista de Estudios Norteamericanos (U of Sevilla) 4 (1995): 358-80.*

DeShong, Scott. "Toward and Ethics of Reading Faulkner's Sanctuary." The Journal of Narrative Technique 25.3 (1995): 238-257.*

Díaz, Mª Eugenia. "The Novel Ahead of Its Time: Absalom, Absalom! on the Boundary of Anti-Realism." In Studies in American

Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 137-56.*

_____. "The significance of Adamic Analogies in the Interpretation of Sutpen's Design." In Critical Essays on the Myth of the American Adam. Ed. Viorica Patea and Maria Eugenia Díaz. Salamanca: Ediciones U de Salamanca, 2001. 181-94.*

Dunleavy, Linda. "Sanctuary, Sexual Difference and the Problem of Rape." Studies in American Fiction 24.2 (1996): 171-92.*

Eguíluz, Federico. "The Sound and the Fury: Algunas claves para su lectura." REDEN 6 (1993): 5-20.*

Everett, Walter K. Faulkner's Art and Characters. New York: Barron's Educational Series, 1969.

Faber, Pamela. "Narrative Photography in Faulkner's 'A Rose for Emily'." XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 189-96.

Ferguson, James B. Faulkner's Short Fiction. Knoxville: Tennessee UP, 1991.

Foster, Dennis A. "Love's Androgynous Advocates: Design and Desire in Absalom, Absalom!" In Foster, Confession and Complicity in Narrative. Cambridge: Cambridge UP, 1987. 78-104.*

Foster, G. "Freud, Faulkner, Caruth: Trauma and The Politics of Literary Form." Narrative 15.3 (2007): 259-285.

Fowler, Doreen. Faulkner’s Changing Vision: From Outrage to Affirmation.

_____. Faulkner: The Return of the Repressed. Charlottesville: UP of Virginia, 1997. 2000.*

Frisch, Mark. "Nature, Postmodernity, and Real Marvelous: Faulkner, Quiroga, Mallea, Rulfo, Carpentier." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 67-82.*

Frohriep, Susanne. Innovation und Tradition: Stilistische Kreativität in der Erzählkunst William Faulkners. (Kieler Beiträge zur Anglistik und Amerikanistik, neue Folge, 15). Würzburg: Verlag Königshausen & Neumann.

Fuentes, Carlos. "The Novel as Tragedy: William Faulkner." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 13-32.*

García Díez, Enrique. "Mink's Sense of Honour in Faulkner's The Mansion." Atlantis 2.2 (1981).

García Landa, José Angel. "Reflexivity in the Narrative Technique of As I Lay Dying." English Language Notes 27.4 (Boulder, Colorado, 1990): 63-72. * http://www.colorado.edu/journals/eln/

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." iPaper at Academia.edu 17 April 2010.*http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/163220/Reflexivity-in-the-Narrative-Technique-of-AS-I-LAY-DYING2010

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at Social Science Research Network 17 April 2010.*http://ssrn.com/abstract=15913642010

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at Zaguán 17 April 2010.*http://zaguan.unizar.es/record/45472010

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." In García Landa, Vanity Fea 17 April 2010.*http://vanityfea.blogspot.com/2010/04/reflexivity-in-narrative-technique-of.html2010

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at ResearchGate 3 Oct. 2011.*

http://www.researchgate.net/publication/44277556_Reflexivity_in_the_Narrative_Technique_of_AS_I_LAY_DYING2011

García Mainar. "William Faulkner's The Sound and the Fury: The Status of the Popular in Modernism." Revista Alicantina de Estudios Ingleses 12 (Nov. 1999): 61-74.*

García Márquez, Gabriel. "Gabriel García Márquez on William Faulkner." In Mutual Impressions: Writers from the Americas Reading One Another. Ed. Ilan Stavans. Durham (NC): Duke UP, 1999. 85-86.*

Ginés, Montserrat. The Southern Inheritors of Don Quixote. Baton Rouge: Louisiana State UP, 2000. (Faulkner, Twain, etc.)

Godden, Richard. "Absalom Absalom!, Haiti and Labor History: Reading Unreadable Revolutions." ELH (1994).*

_____. Fictions of Labor: William Faulkner and the South's Long Revolution. (Cambridge Studies in American Literature and Culture, 108). Cambridge: Cambridge UP, c. 1998.

Goellner, Ellen "By Word of Mouth: Narrative Dynamics of Gossip in Faulkner's Light in August." Narrative 1.2 (1993): 105-123.*

Gray, Richard. "Hemingway and Faulkner." (From Richard Gray, A History of American Literature). In García Landa, Vanity Fea 18 Dec. 2012.*http://vanityfea.blogspot.com.es/2012/12/hemingway-and-faulkner.html2012

Gresset, Michel. "Le 'parce que' chez Faulkner et le 'donc' chez Beckett." Les Lettres nouvelles 19 (Nov. 1961).

_____. Fascination: Faulkner's Fiction 1919-1936. Trans. Thomas West. Durham: Duke UP, 1989.

Guerard, Albert J. The Triumph of the Novel: Dickens, Dostoievsky, Faulkner. New York: Oxford UP, 1976.

Hahn, Stephen, and Arthur F. Kinney, eds. Approaches to Teaching Faulkner's THE SOUND AND THE FURY. New York: MLA, 1996.

Harrington, Evan, and Ann J. Abadie, eds. The South and Faulkner's Yoknapatawpha: The Actual and the Apocryphal. Jackson: UP of Mississippi, 1979.

Harris, Paul A. "Fractal Faukner: Scaling Time in Go Down, Moses. " Poetics Today 14.4 (1993): 625-652.*

Harrison, R. Aviation Lore in Faulkner. 1985.Hays, Peter L. "Racial Predestination: The Elect and the Damned in

Light in August." ELH 23.2 (December 1995): 62-69.*Hlavsa, V. V.  "The Mirror, the Lamp, and the Bed: Faulkner and the

Modernists." American Literature 57.1 (1985): 23-43.Hochberg, Mark R. "The Unity of Go Down, Moses." Tennessee

Studies In Literature 21 (1976): 58-67.Hoffman, Daniel. "William Faulkner: 'The Bear'." In Landmarks of

American Writing. Ed. Hennig Cohen. Washington: Voice of America (Forum Series), 1969. 383-96.*

Hoffman, Frederick J., and Olga W. Vickery, eds. William Faulkner: Three Decades of Criticism. Ann Arbor: Michigan State UP, 1960.

Holland, Norman. 5 Readers Reading. New Haven: Yale UP, 1975. Holman, C. Hugh. Three Modes of Modern Southern Fiction: Ellen

Glasgow, William Faulkner, Thomas Wolfe. Athens: U of Georgia P, 1966.

Hönnighausen, Lothar. "Myhtic Sex in Mississippi: Eula and Ike Snopes." Connotations 5.2/3 (1995/96): 276-83.*

_____, ed. Faulkner's Discourse: An International Symposium. Tübingen: Niemeyer, 1989.

Howe, Irving. William Faulkner: A Critical Study. 1952. New York: Vintage, 1962.

_____. "Faulkner and the Negroes." In Faulkner: A Collection of Critical Essays. Ed. Richard H. Brodhead. Englewood Cliffs (NJ): Prentice, 1983.

Hunt, John W. William Faulkner: Art in Theological Tension. Syracuse: Syracuse UP, 1965.

Irwin, John T. Doubling and Incest / Repetition and Revenge: A Speculative Reading of Faulkner. Baltimore: Johns Hopkins UP, 1975.

Iser, Wolfgang. "Perception, Temporality, and Action as Modes of Subjectivity. W. Faulkner: The Sound and the Fury." In Iser, The Implied Reader. Baltimore: Johns Hopkins UP, 1974. 136-51.

James, Stuart. "The Ironic Voices of Faulkner's Go Down, Moses." South Dakota Review 16 (1978): 80-101.

Jehlen, Myra. Class and Character in Faulkner's South. New York: Columbia UP, 1976.

Johnson, Roberta. "William Faulkner and Miguel Delibes: The Art of the Story Teller." ES 2 (1972): 93-111.

Kang, Hee. "A New Configuration of Faulkner's Feminine: Linda Snopes Kohl in The Mansion." Faulkner Journal 8.1 (1992): 21-42.

Kartiganer, Donald M. The Fragile Thread: The Meaning of Form in Faulkner's Novels. Amherst: U of Massachusetts P, 1979.

Kazin, Alfred. "William Faulkner: The Stillness of Light in August." 1957. In Kazin, Contemporaries. London: Secker, 1963. 130-50.

_____. "William Faulkner: More Snopeses." 1957. In Kazin, Contemporaries 150-5.

_____. "William Faulkner: The Short Stories." 1961. In Kazin, Contemporaries 154-8.

_____. "The Secret of the South: Faulkner to Percy." In Kazin, Bright Book of Life: American Novelists and Storytellers from Hemingway to Mailer. (An Atlantic Monthly Press Book). Boston: Little, Brown, 1973. 21-68.*

Kinney, Arthur F. Faulkner's Narrative Poetics: Style as Vision. Amherst: U of Massachusetts P, 1978.

_____. "Faulkner and Racial Mythology." Connotations 5.2/3 (1995/96): 259-75.*

Ladd, Barbara. Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner. Baton Rouge: Lousiana State UP, 1997.

Lamarca Margalef, Jordi. William Faulkner: Movimiento, cambio y modificación. Barcelona: PPU, 1989.

_____. "Consideraciones en torno a la semblanza biográfica de William Faulkner en España." Bells 1 (1989): 105-16.*

Larbaud, Valery. "Un roman de William Faulkner." In Larbaud, Ce vice impuni, la lecture… Domaine anglais. Paris: Gallimard-NRF, 1936. 218-20.*

Lester, C. "From Place to Place in The Sound and the Fury: The Syntax of Interrogation." MFS: Modern Fiction Studies 34.2 (1988): 141-55. http://muse.jhu.edu/journals/mfs/summary/v034/34.2.lester.html 2014

Liu, Li-Hsion Amanda. "Take the Law into Your Own Hands: Modernist and Detective Fiction in William Faulkner's Intruder in the Dust and Light in August." Miscelánea 54 (2016): 69-91.*

Lombardo, A., ed. The Artist and His Masks: William Faulkner's Metafiction. 1991.

Lind, Ilse Dusoir. "Design and Meaning in Absalom, Absalom!" In William Faulkner: Three Decades of Criticism. Ed. Frederick J. Hoffman and Olga Vickery.  New York: Harcourt, 1963. 278-304.

Lucente, Gregory. The Narrative of Realism and Myth: Verga, Lawrence, Faulkner, Pavese. Baltimore: Johns Hopkins UP, 1981.

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Bibliography

García Landa, José Angel. "William Faulkner." From A Bibliography of Literary Theory, Criticism and Philology. Online at Smart Whad (2015).*http://smart.whad.org/a-bibliography-of-literary-theory-criticism-and-philology-v82015

Films

The Big Sleep. Dir. Howard Hawks. Cast: Humphrey Bogart, Lauren Bacall, John Ridgely, Martha Vickers, Louis Jean Heydt, Regis Toomey, Peggy Knudsen, Dorothy Malone, Bob Steele, Elisha Cook, Jr. Screenplay by William Faulkner, Jules Furthman and Leigh Brackett. B/w. USA, 1946. Reissued in computer-colored version.

Internet resources

"The Sound and the Fury." Wikipedia: The Free Encyclopedia.*https://en.wikipedia.org/wiki/The_Sound_and_the_Fury2015

Journals

The Faulkner JournalDawn Trouard, Managing EditorDepartment of EnglishBuchtel College of Arts and SciencesAkron, OH 44325-1906USATel. 216-972-7470Fax 216-972-6990

Video

Dimock, Wai Chee. Hemingway, Fitzgerald, Faulkner. Video lecture courses at YouTube (Yale Courses).*http://www.youtube.com/playlist?list=PL84C3A4DD9C263D792012

_____. "3. Faulkner – As I Lay Dying." Video lecture. YouTube (YaleCourses) 5 April 2012.*http://youtu.be/ax1QzmclDT02012