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Volume Information Source: Leonardo Music Journal, Vol. 18, Why Live? Performance in the Age of Digital Reproduction (2008) Published by: The MIT Press Stable URL: http://www.jstor.org/stable/25578106 . Accessed: 16/06/2014 15:14 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Leonardo Music Journal. http://www.jstor.org This content downloaded from 185.2.32.121 on Mon, 16 Jun 2014 15:14:58 PM All use subject to JSTOR Terms and Conditions
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Page 1: Why Live? Performance in the Age of Digital Reproduction || Volume Information

Volume InformationSource: Leonardo Music Journal, Vol. 18, Why Live? Performance in the Age of DigitalReproduction (2008)Published by: The MIT PressStable URL: http://www.jstor.org/stable/25578106 .

Accessed: 16/06/2014 15:14

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Leonardo Music Journal.

http://www.jstor.org

This content downloaded from 185.2.32.121 on Mon, 16 Jun 2014 15:14:58 PMAll use subject to JSTOR Terms and Conditions

Page 2: Why Live? Performance in the Age of Digital Reproduction || Volume Information

2008 Author Index

Leonardo Volume 42 and Leonardo Music JournalVolume 18

ADAMS, KATHRYN. Review of Prisoners

of Beckett, directed by Michka Saal,

Leonardo 41, No. 4 (2008).

ADAMS, KATHRYN. Review of The Secret

Life of Babies, Parts 1 & 2, directed by Bernard George, Leonardo 41, No. 1

(2008). ARNOLD, WILFRED NIELS. Review of

The Animated Man: A Life of Walt Dis

ney by Michael Barrier, Leonardo 41,

No. 4(2008). ASCOTT, ROY. Editorial: "Cybernetic,

Technoetic, Syncretic: The Prospect for Art," Leonardo 41, No. 3 (2008).

AUCOUTURIER, JEAN-JULIEN. "The

Hypothesis of Self-Organization for

Musical Tuning Systems," Leonardo

Musicfournal 18 (2008). AYCOCK, JOHN. "Painting the Inter

net," in Special Section "Transac

tions," Leonardo 41, No. 2 (2008).

BAETENS, JAN. Review of Beyond the Soundtrack: Representing Music in

Cinema, edited by Daniel Goldmark,

Lawrence Kramer and Richard Lep

pert, Leonardo 41, No. 4 (2008).

BAETENS, JAN. Review of Cartographic Cinema by Tom Conley, Leonardo 41,

No. 3 (2008). BAETENS, JAN. Review of Collectiv

ism after Modernism: The Art of Social

Imagination after 1945, edited by Blake Stimson and Gregory Sholette,

Leonardo 41, No. 3 (2008).

BAETENS, JAN. Review of The Hidden Sense: Synesthesia in Art and Science by Cretien van

Campen, Leonardo 41,

No. 4(2008). BAETENS, JAN. Review of The Mate

rial Image: Art and the Real in Film by

Brigitte Peucker, Leonardo 41, No. 1

(2008). BAETENS, JAN. Review of Mechanisms:

New Media and the Forensic Imagina tion by Matthew G. Kirschenbaum,

Leonardo 41, No. 5 (2008).

BAETENS, JAN. Review of The New

Typography by Jan Tschichold, Leo nardo 41, No. 1 (2008).

BAETENS, JAN. Review of PopModern ism: Noise and the Reinvention of the

Everyday by Juan A. Suarez, Leonardo

41, No. 2(2008). BAETENS, JAN. Review of Shigeru Ban:

An Architect for Emergencies, directed

by Michel Quinejure, Leonardo 41,

No. 3 (2008).

BALOGH, BRETT IAN. "Travelers

inside Pianos: Spurious Landscapes, "

Leonardo Music fournal 18 (2008). BARBER, JOHN F. Review of The Archi

tecture of Madness: Insane Asylums in

the United States by Carla Yanni, Leo

nardo 41, No. 4 (2008).

BARBER, JOHN F. Review of Design Anarchy by Kalle Lasn, Leonardo 41,

No. 2 (2008). BARNWAVE (Kevin Blechdom and

Christopher Fleeger), "Prancing,"

LMJ18 CD Contributor's Note, Leo

nardo Music fournal 18 (2008). BEARINGER, JANE. "Chaos Control on

the Nanoscale," in Special Section

"Nanotechnology, Nanoscale Science

and Art," Leonardo 41, No. 4 (2008).

BEHRENS, ROYR. Review of Forever,

directed by Heddy Honigann, Leo

nardo 41, No. 3 (2008).

BELL, NATALIE. "On Missing the Live of the Everyday Ambient," Leonardo

Music fournal 18 (2008). BING, RICHARD J. "Composing Music

and the Science of the Heart: How

to Serve Two Masters," in Special Section "ArtScience: The Essential

Connection," Leonardo 41, No. 4

(2008). BLASSNIGG, MARTHA. Review of

Traces of Light: Absence and Presence in

the Work of Loie Fuller by Ann Cooper Albright, Leonardo 41, No. 5 (2008).

BOHLEN, MARC. "Robots with Bad

Accents: Living with Synthetic

Speech," Leonardo 41, No. 3 (2008).

BOHLEN, MARC, and RINKER, JT. "Universal Whistling Machine,

" The

VIDA Gallery, Leonardo 41, No. 1

(2008). BOUCHAUD, JEAN-PHILIPPE. "Mod

els of Randomness and Complexity, From Turbulence to Stock Markets,"

in Special Section "The Physics of Aesthetics," Leonardo 41, No. 3

(2008). BURGESS, LOWRY. Introduction to

Otto Piene with Robert Russert, "Sky, Scale and Technology in Art," in

Special Section "From the Leonardo

Archive," Leonardo 41, No. 5 (2008).

CADET, FRANCE. uDog [LAB]01, "The VIDA Gallery, Leonardo 41, No. 1

(2008). CARERI, GIORGIO. Editorial: "Artists

and Scientists: Open and Hidden

Connections," Leonardo 41, No. 5

(2008). CARRIER, DAVID. Introduction: "Leo

nardo and Leonardo da Vinci," in

Special Section "Leonardo Celebrates

Leonardo da Vinci," Leonardo 41, No.

1 (2008). CHANGCUN, WANG. "2008020912,"

LMJ18 CD Contributor's Note, Leo

nardo Music Journal 18 (2008). CHAPPLE, BOO, with WONG, WIL

LIAM. "Can You Hear the Femur

Play? Bone Audio Speakers at the

Nanoscale," in Special Section

"Nanotechnology, Nanoscale Science

and Art," Leonardo 41, No. 4 (2008).

CHESSA, LUCIANO. "LArte dei 'Romori': Leonardine Devotion in

Luigi Russolo's Oeuvre, "in Special Section "Leonardo Celebrates Leo

nardo da Vinci," Leonardo 41, No. 1

(2008). CHOW, KENNY K.N. "Operating Text

and Transcending Machine: Toward

an Interdisciplinary Taxonomy of

Media Works," Leonardo 41, No. 4

(2008). CLOTHIER, IAN M. "Leonardo, Non

linearity and Integrated Systems," in

Special Section "Leonardo Celebrates

Leonardo da Vinci," Leonardo 41, No.

1 (2008). COLLINS, NICOLAS. Introduction:

"Why Live? Performance in the Age of Digital Reproduction," Leonardo

Music Journal 18 (2008). CORBY, TOM. "Landscapes of Feeling,

Arenas of Action: Information Visu

alization as Art Practice," Leonardo

41, No. 5 (2008). CORNESS, GREG. "The Musical Expe

rience through the Lens of Embodi

ment," Leonardo Music Journal 18

(2008). COX, DONNA. "Using the Supercom

puter to Visualize Higher Dimen

sions: An Artist's Contribution to

Scientific Visualization," in Special Section "From the Leonardo

Archive," Leonardo 41, No. 4

(2008). COX, GEOFF. Review of Organized Net

works: Media Theory, Creative Labour,

New Institutions by Ned Rossiter, Leo

nardo 41, No. 1 (2008).

CRONBACH, NICK. Review of Pretend

We're Dead: Capitalist Monsters in Amer

?2008 ISAST LEONARDO MUSIC JOURNAL, Vol. 18, pp. 97-101,2008 97

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Page 3: Why Live? Performance in the Age of Digital Reproduction || Volume Information

ican Pop Culture by Annalee Newitz,

Leonardo 41, No. 1 (2008).

DAVIS, JULIET. "Fractured Cybertales:

Navigating the Feminine," Leonardo

41, No. 1 (2008). DAWSON, PAULA. "Holographic

Chiaroscuro: Figures in Virtual and

Pseudoscopic Space," in Special Sec

tion "Transactions," Leonardo 41, No.

3(2008). DRAPE, ROHAN, "piano 6s sine tones

#15, "LMJ18 CD Contributor's Note,

Leonardo Music fournal 18 (2008).

DRAVES, SCOTT. "ElectricSheep,"The VIDA Gallery, Leonardo 41, No. 1

(2008). DRUCKER, JOHANNA. "Letterpress

Language: Typography as a Medium

for the Visual Representation of Lan

guage," in Special Section "From the

Leonardo Archive," Leonardo 41, No.

1 (2008). ENNS, ANTHONY. Review of Constant,

Avant le Depart, directed by Maarten

Schmidt and Thomas Doebele, Leo

nardo 41, No. 2 (2008). FERNANDEZ, MARIA. "Gordon Pask:

Cybernetic Polymath," in Special Section "REFRESH! Conference

Papers," Leonardo 41, No. 2 (2008).

FERRARA, ENZO. Review of Science,

Culture, and Modern State Formation

by Patrick Carroll, Leonardo 41, No.

2 (2008). FERREIRA, PEDRO PEIXOTO. "When

Sound Meets Movement: Perfor

mance in Electronic Dance Music,"

Leonardo Music fournal 18 (2008). FILIMOWICZ, MICHAEL. "Intima

chines," Leonardo Music fournal 18

(2008). FIORANI, FRANCESCA. "The Colors of

Leonardo's Shadows," in Special Sec

tion "Leonardo Celebrates Leonardo

da Vinci," Leonardo 41, No. 3 (2008).

FISHWICK, PAULA. Introduction to

Donna Cox, "Using the Supercom

puter to Visualize Higher Dimen

sions: An Artist's Contribution to

Scientific Visualization," in Special Section "From the Leonardo Archive,"

Leonardo 41, No. 4 (2008).

FONTANA, BILL. "The Relocation

of Ambient Sound: Urban Sound

Sculpture," in Special Section "From

the Leonardo Archive," Leonardo 41,

No. 2 (2008). FRATZESKOU, EUGENIA. "Inventing

new Modes of Digital Visualisation in

Contemporary Art," in Special Sec

tion "Transactions," Leonardo 41, No.

4(2008). FREEMAN, JASON. "Collaborative Cre

ation, Live Performance and Flock,"

Leonardo Music fournal 18 (2008).

FREEMAN, JASON. "Graph Theory: Linking Online Musical Exploration to Concert Hall Performance," in

Special Section "Transactions," Leo

nardo 41, No. 1 (2008).

FRITZ, DARKO. "Vladimir Bonacic:

Computer-Generated Works

Made within Zagreb's New Ten

dencies Network (1961-1973),"

in Special Section "REFRESH! Conference Papers," Leonardo 41,

No. 2 (2008). GABRIEL, MARTHA CARRER CRUZ.

"Voice Mosaic?Talking to the Web,"

in Special Section "Transactions,"

Leonardo 41, No. 2 (2008). GAETANO, PAULA. "Alexitimia, "VIDA

Gallery, Leonardo 41, No. 1, (2008).

GARCIA-SALGADO, TOMAS. "The Reverse Outlining Perspective of

Leonardo's Last Supper and Its Image

Formation," in Special Section

"Leonardo Celebrates Leonardo da

Vinci," Leonardo 41, No. 2 (2008).

GAUME, LUIS ALVAREZ. "Riddles in Fundamental Physics," in Special Section "The Physics of Aesthetics,"

Leonardo 41, No. 3 (2008).

GESSERT, GEORGE. Review of Unnatu

ral Wonders: Essays from the Gap between Art and Life by Arthur C.

Dan to, Leonardo 41, No. 4 (2008).

GIMZEWSKI, JAMES K. "Nanotechnol

ogy: The Endgame of Materialism,"

in Special Section "Nanotechnology, Nanoscale Science and Art," Leo

nardo 41, No. 3 (2008).

GONZALEZ, MARISA. "The Destruc

tion of a Nuclear Plant," Leonardo 41,

No. 2 (2008). GOODYEAR, ANNE COLLINS. "From

Technophilia to Technophobia: The

Impact of the Vietnam War on the

Reception of 'Art and Technology,'" in Special Section "REFRESH! Con

ference Papers," Leonardo 41, No. 2

(2008). GRAUBARD, ALLAN. Review of Ghost

hunter: A Journey through Haunted

France by Simon Marsden, Leonardo

41, No. 1 (2008). GRIGAR, DENE. Review of Digital Per

formance: A History of New Media in

Theater, Dance, Performance Art, and

Installation by Steve Dixon, Leonardo

41, No. 3 (2008). GRIGAR, DENE. Review of Re: Skin,

edited by Mary Flanagan and Austin

Booth, Leonardo 41, No. 4 (2008).

HARGITTAI, ISTVAN. Review of Symme

try: Cultural-Historical and Ontological

Aspects of Science-Arts Relations: The

Natural and Man-Made World in an

Interdisciplinary Approach by Gyorgy Darvas, Leonardo 41, No. 2 (2008).

HARLE, ROB. Review of Art: Key Con

temporary Thinkers, edited by Diar

muid Costello and Jonathan Vickery, Leonardo 41, No. 1 (2008).

HARLE, ROB. Review of Cutting Code:

Software and Sociality by Adrian Mac

kenzie, Leonardo41, No. 1 (2008).

HARLE, ROB. Review of Gerard Cans:

Pentagonismus/Pentagonism, edited

by Gregor Jansen and Peter Weibel;

Gerard Cans: Art and Mathematics by Gerard Caris and Theresia Kiefer;

Tekeningen/Drawings SMA Cahiers;

and Pentagonisme/Pentagonism. SMA

Cahiers by Gerard Caris, Leonardo 41,

No. 4(2008). HARLE, ROB. Review of Processing:

A Programming Handbook for Visual

Designers and Artists by Casey Reas

and Ben Fry, Leonardo 41, No. 4

(2008). HARLE, ROB. Review of Science as a

Spiritual Practice by Imants Baruss,

Leonardo 41, No. 3 (2008).

HARLE, ROB. Review of When Walls

Become Doorways: Creativity and the

Transforming Lllness by Tobi Zausner,

Leonardo 41, No. 5 (2008).

HARLE, ROB. Review of YLEMJournal: Artists Using Science and Technology, edited by Loren Means, Leonardo 41,

No. 5 (2008). HEARST, JOHN E. Introduction to

Jonas Salk, "The Next Evolutionary

Step in the Ascent of Man in the

Cosmos," in Special Section "From

the Leonardo Archive," Leonardo 41,

No. 3 (2008). HECKER, TIM. "Glenn Gould, the Van

ishing Performer and the Ambiva

lence of the Studio," Leonardo Music

Journal 18 (2008). HERTZ, PAUL. Review of From Techno

logical to Virtual Art by Frank Popper, Leonardo 41, No. 2 (2008).

HESS, SALLY, and NAPOLI, DONNA

JO. "Energy and Symmetry in Lan

guage and Yoga," Leonardo 41, No. 4

(2008). HILTON, CRAIG. Review of Sensorium:

Embodied Experience, Technology, and

Contemporary Art, edited by Caroline

A.Jones, Leonardo4\, No. 1 (2008).

HSIEH, CHI-MIN. "Fluente: A Virtual

Choreography," in Special Section

"Transactions," Leonardo 41, No. 4

(2008). IONE, AMY. Review of Bernie Boston:

American Photojournalist by Therese

Mulligan, Leonardo 41, No. 1 (2008).

IONE, AMY. Review of A Culture of

Improvement: Technology and the West

ern Millennium by Robert Friedel,

Leonardo 41, No. 5 (2008).

IONE, AMY. Review of Laws of Seeing by

98 2008 Leonardo and LMJ Author Index

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Page 4: Why Live? Performance in the Age of Digital Reproduction || Volume Information

Wolfgang Metzger, Leonardo 41, No.

3(2008). IONE, AMY. Review of Scientific

Pluralism, edited by Stephen H.

Keller, Helen E. Longino and C.

Kenneth Waters, Leonardo 41,

No. 1 (2008). IONE, AMY. Review of Too Beautiful to

Picture: Zeuxis, Myth, and Mimesis by Elizabeth C. Mansfield, Leonardo 41,

No. 2 (2008).

JARDINE, BORIS. Review of From Agit Prop to Free Space: The Architecture of Cedric Price by Stanley Matthews,

Leonardo 41, No. 5 (2008).

JARDINE, BORIS. Review of Colin St

John Wilson: Buildings and Projects by Roger Stonehouse, Leonardo 41, No.

5 (2008).

JOHNSON, CAROL SIRI. "The Evolu tion of Illustrated Texts and Their

Effect on Science: Examples from

Early American State Geological

Reports," Leonardo 41, No. 2 (2008).

JOHNSTON, SEAN F. "A Cultural His

tory of the Hologram," Leonardo 41,

No. 3(2008).

JONES, CAITLIN, and MULLER, LIZZIE. "Between Real and Ideal:

Documenting Media Art," in Special Section "Transactions," Leonardo 41,

No. 4(2008). KASSEN. "/// at ease at home?"LMJ18 CD

Contributor's Note, Leonardo Music

Journal 18 (2008).

KERBAJ, MAZEN. "VRRRT, "LMJ18 CD Contributor's Note, Leonardo Music

Journal 18 (2008). KNOTTS, SHELLY.

" Chordophonia,"

LMJ18 CD Contributor's Note, Leo

nardo Music Journal 18 (2008). LANDRUS, MATTHEW. "The Propor

tional Consistency and Geometry of Leonardo's Giant Crossbow, "in

Special Section "Leonardo Celebrates

Leonardo da Vinci," Leonardo 41, No.

1 (2008). LAWYER, MATTHEW C. "A Cure for

Musicians Afflicted with Baumol's

Disease: Squeezing More Music out

of Performance in the Age of Digital

Reproduction," Leonardo Music Jour nal 18 (2008).

LEE, SOO-JIN, and KWANG-YUN WOHN. "The Media-Art Exhibition

Ten YearsAfter_v4.0_OuterSpace," Leonardo 41, No. 5 (2008).

LEGGETT, MIKE. Review of Salvador

Allende, directed by Patricio Guzman,

Leonardo 41, No. 1 (2008).

LISSEL, EDGAR. "The Return of

Images: Photographic Inquiries into

the Interaction of Light," Leonardo

41, No. 5 (2008). MAGNUSSON, THOR, and RUNAR

MAGNUSSON, "giooia?a variation

of SameSameButDifferent v. 02?Ice

land, "LMJ18 CD Contributor's Note,

Leonardo Music fournal 18 (2008). MALINA, ROGER F. Editorial: "A Call

for New Leonardos," Leonardo 41,

No. 1 (2008). MARMOR, KATHY. "Bird Watching: An

Introduction to Amateur Satellite

Spotting," Leonardo 41, No. 4 (2008).

MARSHALL, JOE; BENFORD, STEVE; and PRIDMORE, TONY. "Eye-Balls:

Cheap and Cheerful Interactive

Performance," in Special Section

"Transactions," Leonardo 41, No. 3

(2008). MIDDLETON, JONATHAN N., and

DOWD, DIANE. "Web-Based Algo rithmic Composition from Extra

musical Resources," Leonardo 41,

No. 2 (2008). MILLS, ALLAN A. "Leonardo da Vinci

and Perpetual Motion," in Special Section "Leonardo Celebrates Leo

nardo da Vinci," Leonardo 41, No. 1

(2008). MILUTIS, JOE. "The Biography of the

Sample: Notes on the Hidden Con

texts of Acousmatic Art," Leonardo

Music Journal IS (2008). MORRIS, JEFFREY M. "Structure in the

Dimension of Liveness and Media

tion," Leonardo Music Journal 18

(2008). MOSCOW LAPTOP CYBER ORCHES

TRA. "Cyberjam0307, "LMJ18 CD Contributor's Note, Leonardo Music

Journal 18 (2008). MOSHER, MICHAEL R. Review of

Adorno in America by David Jene

mann, Leonardo41, No. 4 (2008).

MOSHER, MICHAEL R. Review of

Beautiful/Ugly: African and Diaspora

Aesthetics, edited by Sara Nuttall,

Leonardo 41, No. 2 (2008).

MOSHER, MICHAEL R. Review of

Building a Century of Progress: The

Architecture of Chicago s 1933-34

Worlds Fair by Lisa D. Schrenk,

Leonardo 41, No. 3 (2008).

MOSHER, MICHAEL R. Review of The

Cry at Zero by Andrew Joron, Leonardo

41, No. 5 (2008). MOSHER, MICHAEL R. Review of Full

Metal Apache: Transactions between

Cyberpunk Japan and Avant-Pop Amer

ica by Takayuki Tatsumi, Leonardo 41,

No. 1 (2008). MOSHER, MICHAEL R. Review of

Salvador Allende, directed by Patricio

Guzman, Leonardo 41, No. 2 (2008).

MOSHER, MICHAEL R. Review of The Sixth Side of the Pentagon, directed by Chris Marker and Francois Reichen

bach, and The Embassy, directed by

Chris Marker, Leonardo 41, No. 5

(2008). MUELAS, FEDERICO. "Dripping

Sounds, " The VIDA Gallery, Leonardo

41, No. 1 (2008). MUSHKIN, HILLARY, and BARNET,

S.E. "Mario's Furniture: A Wireless

Interactive Video Installation and

Game," in Special Section "Trans

actions," Leonardo 41, No. 3 (2008).

NARUSHIMA, TERUMI. "He resonates

five toes... "LMJ 18 CD Contribu

tor's Note, Leonardo Music Journal 18

(2008). NELSON, CHRIS. "TheSeven Valleys:

Capturing the Numinous in a 3D

Computer Game Engine," in Special Section "Transactions," Leonardo 41,

No. 1 (2008). NIELSEN, KRISTIAN HVIDTFELT.

"Nanotech, Blur and Tragedy in

Recent Artworks by Gerhard Rich

ter," in Special Section "Nanotech

nology, Nanoscale Science and Art,"

Leonardo 41, No. 5 (2008).

NILSON, CLICK. LMJ18 CD Compan ion Introduction, Leonardo Music

Journal 18 (2008).

NISHIJIMA, HARUKI. "Remain in

Light, " The VIDA Gallery, Leonardo

41, No. 1 (2008). OCAK, ERSAN, and UYSAL, SAFAK.

"Obliterated Bodies: An Installa

tion," in Special Section "Transac

tions," Leonardo 41, No. 1 (2008).

OLIVER, MARILENE, and WELLS, FRANCIS. "Resurrecting Leonardo's

Great Lady: A Collaboration," in

Special Section "Leonardo Celebrates

Leonardo da Vinci," Leonardo 41, No.

5 (2008). PACKER, RANDALL. "Artist as

Mediator: The History of the US

Department of Art & Technology

(2000-2005)," Leonardo41, No. 4

(2008). PAYNE, SIMON. "Full Color Video," in

Special Section "Transactions," Leo

nardo 41, No. 5 (2008).

PEPPERMINT, CARY. "Performing the

Network: Information for the Other

Sides of Here," Leonardo 41, No. 4

(2008).

PERELLOJOSEP, and ALTAIO, VICENg. "Physics of Aesthetics:

A Meeting of Science, Art and

Thought in Barcelona," in Special Section "The Physics of Aesthetics,"

Leonardo 41, No. 3 (2008).

PERLOVSKY, LEONID. "Music and

Consciousness," in Special Section

"Transactions," Leonardo 41, No. 4

(2008). PIENE, OTTO, with RUSSERT, ROB

ERT. "Sky, Scale and Technology in

2008 Leonardo and LMJ Author Index 99

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Page 5: Why Live? Performance in the Age of Digital Reproduction || Volume Information

Art," in Special Section "From the

Leonardo Archive," Leonardo 41, No.

5 (2008). POWERBOOKSJJNPLUGGED.

"globophagia no 1., "LMJ 18 CD Con

tributor's Note, Leonardo Music Jour nal 18 (2008).

PUNCER, MOJCA. "Artistic Research

on Life Forms: Exploring the Inter

sections of Science, Art and Life in

the Context of Globalization," Leo

nardo 41, No. 5 (2008).

RAMIREZ-GASTON, JOSE IGNACIO LOPEZ (El Lazo Invisible). "Madrid 5 No Espera a Nadie, "LMJ18 CD Contributor's Note, Leonardo Music

Journal 18 (2008). RAMIREZ GAVIRIA, ANDRES. "When

Is Information Visualization Art?

Determining the Critical Criteria,"

Leonardo 41, No. 5 (2008). RAND, HARRY. "The Other Side of

Digital Art," Leonardo 41, No. 5

(2008). REBER, ROLF. "Art in Its Experience:

Can Empirical Psychology Help Assess Artistic Value?" in Special Sec

tion: "ArtScience: The Essential Con

nection," Leonardo 41, No. 4 (2008).

RICHARDS, JOHN. "Getting the Hands

Dirty," Leonardo Music Journal 18

(2008). ROCHA DA SILVA, FILIPE. "Nanoscale

and Painting," in Special Section,

"Nanotechnology, Nanoscale Science

and Art," Leonardo 41, No. 4 (2008).

ROEBROEKS, ERWIN. "Stage, A Final

Frontier," Leonardo Music Journal 18

(2008). ROOT-BERNSTEIN, MEREDITH. "A

Bird in the Microcosm: An Environ

ment of Found Objects Constructed

to Create Arbitrary Preferences in

Starlings," in Special Section "Art

Science: The Essential Connection,"

Leonardo 41, No. 5 (2008).

ROSE, JON. "Listening to History: Some Proposals for Reclaiming the

Practice of Live Music," Leonardo

Music Journal IS (2008). ROTHENBERG, DAVID. "Whale Music:

Anatomy of an Interspecies Duet,"

Leonardo Music Journal 18 (2008). RUBIN, HARRY. "Art Can Bring Out

the Best in Science," in Special Sec

tion "ArtScience: The Essential Con

nection," Leonardo 41, No. 3 (2008).

SALK, JONAS. "The Next Evolutionary Step in the Ascent of Man in the

Cosmos," in Special Section "From

the Leonardo Archive," Leonardo 41,

No. 3 (2008). SANTONE, JESSICA. "Marina

Abramovic's Seven Easy Pieces: Criti

cal Documentation Strategies for

Preserving Art's History," in Special Section "Archiving, Collecting, Doc

umenting and Conserving the Media

Arts," Leonardo 41, No. 2 (2008).

SCARUFFI, PIERO. Editorial: "Restor

ing the Continuum," Leonardo 41,

No. 2 (2008). SCHILLER, GRETCHEN. "From the

Kinesphere to the Kinesfield: Three

Choreographic Interactive Art

works," Leonardo 41, No. 5 (2008).

SCHUMACHER, FEDERICO. "Print... ?"LMJ18 CD Contribu

tor's Note, Leonardo Music Journal 18

(2008). SECRETAN, JIMMY; BEATO, NICHO

LAS; D'AMBROSIO, DAVID B.; RODRIGUEZ, ADELEIN; CAMP

BELL, ADAM; and STANLEY, KEN NETH O. "Picbreeder: Collaborative

Interactive Evolution of Images," in

Special Section "Transactions," Leo

nardo 41, No. 1 (2008).

SELAN, JURIJ. "Who's Afraid of Picasso's Tie, or Do You See the

Catch in Hypothetical Art?," in

Special Section "Transactions,"

Leonardo 41, No. 5 (2008).

SHANKEN, EDWARD. Introduction:

"The Reception and Rejection of

Art and Technology: Exclusions

and Revulsions," in Special Section

"REFRESH! Conference Papers," Leonardo 41, No. 2 (2008).

SHORTESS, GEORGE. Review of Opti cal Illusions: The Science of Visual Per

ception by Al Seckel, Leonardo 41, No.

1 (2008). SIMON, SCOTT J. "Antecedents of

Digital Reproduction in Jazz Impro

visation," Leonardo Music Journal 18

(2008). SLUB. "PhoneJAr_Biskov, "LMJ18 CD

Contributor's Note, Leonardo Music

Journal 18 (2008). SOLE, RICARD. "On Networks and

Monsters: The Possible and the

Actual in Complex Systems," in Spe cial Section "The Physics of Aesthet

ics," Leonardo 41, No. 3 (2008).

SPECTOR, TAMI I. "Special Section Introduction: Nanotechnology,

Nanoscale Science and Art," Leo

nardo 41, No. 4 (2008).

SPIELMANN, YVONNE. Review of La Biennale di Venezia, Leonardo 41,

No. 2(2008). STERMITZ, EVELIN. "World of Female

Avatars: An Artistic Online Survey on the Female Body in Times of

Virtual Reality," in Special Section

"Transactions," Leonardo 41, No. 5

(2008). STOCKHOLM, JACK "Eavesdropping.

Network-Mediated Performance in

Social Space," Leonardo Music Journal

18(2008). STORK, DAVID G. Review of ART

SCLENCE: Creativity in the Post-Google Generation by David Edwards, Leo

nardo 41, No. 4 (2008).

TENHAAF, NELL. Special Section introduction: "Art Embodies A-Life:

The VIDA Competition, Leonardo 41,

No. 1 (2008). TERAN, MICHELLE, and MANN, JEFF.

"LiveForm: Telekinetics (LF.TK), "The

VIDA Gallery, Leonardo 41, No. 1

(2008). THACKER, EUGENE. Review of Listen

How They Talk: Chamber Music 1998

2001 by Hilda Paredes, performed

by Arditti Quartet, Leonardo 41, No.

4(2008). THACKER, EUGENE. Review of

Problematizing Global Knowledge: The Theory, Culture &f Society Encyclo

pedia Project, edited by Mike Feath erstone et al., Leonardo 41, No. 2

(2008). THACKER, EUGENE. Review of Stnng

Quartet No. 2 by Morton Feldman,

performed by Flux Quartet, Leonardo

41, No. 3 (2008). THECONCATENATOR. "Placard XP

edit, "LMJ18 CD Contributor's Note,

Leonardo Music Journal 18 (2008). THOMAS, ROGER; TAN, K.C.; et al.,

"Metazoa Ludens: Mixed Reality Interactions and Play for Small Pets

and Humans," in Special Section

"Transactions," Leonardo 41, No. 3

(2008). TREFZ, ELMAR. "Wave Pillow," Leo

nardo 41, No. 3 (2008).

VAN RYSSEN, STEFAAN. Review of The Atlas of Climate Change: Mapping the World s Greatest Challenge by Kirstin

Dow and Thomas E. Downing, Leo

nardo 41, No. 2 (2008).

VAN RYSSEN, STEFAAN. Review of Dub: Soundscapes and Shattered Songs

in Jamaican Reggae by Michael E.

Veal, Leonardo 41, No. 3 (2008).

VAN RYSSEN, STEFAAN. Review of

Making Easy Listening: Material Cul

ture and Postwar American Recording by Tim J. Anderson, Leonardo 41, No. 1

(2008). VAN RYSSEN, STEFAAN. Review of

Ohne Schnur: Kunst und Drahtlose

Kommunikation, edited by Katja

Kwastek, Leonardo 41, No. 3 (2008).

VELDEMAN, JOHAN. "Reconsidering Pictorial Representation by Recon

sidering Visual Experience," Leo

nardo 41, No. 5 (2008).

VELTMAN, KIM H. "Leonardo

da Vinci: A Review," in Special Section "Leonardo Celebrates

100 2008 Leonardo and LMJ Author Index

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Page 6: Why Live? Performance in the Age of Digital Reproduction || Volume Information

Leonardo da Vinci," Leonardo 41,

No. 4 (2008). VERSTAPPEN, MARIA, and DRIES

SENS, ERWIN. "Tickle, "The VIDA

Gallery, Leonardo 41, No. 1 (2008).

VERSTEGEN, IAN. Review of The Vir tual Window: From Alberti to Microsoft

by Ann Friedberg, Leonardo 41, No.

2 (2008). WALLRAVEN, CHRISTIAN; KAU

LARD, KATHRIN; KURNER, CORA; and PEPPERELL, ROBERT. "In the

Eye of The Beholder: The Percep tion of Indeterminate Art," in Spe cial Section "Transactions," Leonardo

41, No. 2 (2008).

WOODS, ARTHUR. Editorial: "The

Space Option," Leonardo 41, No. 4

(2008). YAMAUCHI, TAKUYA, and IWATAKE,

TORU. "Sound Jewelry," Leonardo

Music Journal 18 (2008). YUNASI. "KumbeKumbe,"UA]\S CD

Contributor's Note, Leonardo Music

Journal 18 (2008). ZILBERG, JONATHAN. Review of

All Creatures: Naturalists, Collectors,

and Biodiversity, 1850-1950 by Robert E. Kohler, Leonardo 41,

No. 2 (2008). ZILBERG, JONATHAN. Review of

Museum Frictions: Public Cultures/

Global Transformations, edited

by Ivan Karp, Leonardo 41, No. 3

(2008). ZILBERG, JONATHAN. Review of

Native Moderns: American Indian

Painting, 1940-1960 by Bill Anthes, Leonardo 41, No. 3 (2008).

ZILBERG, JONATHAN. Review of On the Rumba River, directed by

Jacques Sarasin, Leonardo 41,

No. 4(2008). ZILBERG, JONATHAN. Review of

Shimmering Screens: Making Media

in an Aboriginal Community by Jennifer Deger, Leonardo 41,

No. 5 (2008).

2008 Leonardo and LMJ Author Index 101

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2008 LEA Author Index

Leonardo Electronic Almanac Volume 16

(January-August 2008)

For over a decade, Leonardo Electronic Al

manac (LEA) (ISSN No: 1071-4391) has thrived as an international peer-reviewed elec

tronic journal and web archive covering the

interaction of the arts, sciences and technology. LEA emphasizes rapid publication of recent

work and critical discussion on topics of cur

rent interest, with a slant toward shorter, less

academic texts. Many contributors are younger

scholars, artists, scientists, educators and de

velopers of new technological resources in the

media arts. Contents include profiles of media

arts facilities and projects, insights of artists

using new media and feature articles compris

ing theoretical and technical perspectives. Cu

rated galleries of current new media artwork

are also a regular feature, and LEA publishes

occasional special issues on topics such as

locative media, new media poetics, and wild

nature and the digital life. LEA is produced

by Leonardo/The Lntemational Society for the

Arts, Sciences and Technology (ISAST) under

the editorship ofNisar Keshvani.

This index covers the period of January 2008 through August 2008. Due to dif

fering production schedules, LMJ can

not include the full 2008 LEA index; however, the index will be posted online

and updated through the rest of the year at <leoalmanac.org>, with links to the ar

ticles.

ALLEN, J. ANTHONY. "Expectations of

Virtuosity: Thoughts on Longevity in Electronic Instrument Design," in

LEA-LMJ Special Issue "My Favorite

Supplement: The Joy of the Gizmo,"

Leonardo Electronic Almanac 15, No.

11/12 (2007). BENTSON, PATRICIA. "Introduction:

LEA?My Favorite Supplement: The

Joy of the Gizmo," in LEA-LMJ Spe cial Issue "My Favorite Supplement:

The Joy of the Gizmo," Leonardo Elec

tronic Almanac 15, No. 11/12 (2007).

CHATELAINJULIANNE. "'Where's

The Party?' Multi-Subject Experi ences and Intellectual Property," in

LEA-DAC Special Issue "Embodi

ment and Presence," Leonardo Elec

tronic Almanac 16, No. 5/6 (2008).

DENA, CHRISTY "The Future of

Digital Media Culture is All in Your Head: An Argument for

Integration Cultures," in LEA

DAC Special Issue "Social Media: Narrative and Literacy in Digital

Culture," Leonardo Electronic Almanac

16, No. 2/3(2008). FERGUSON, JOHN, and BELL, PAUL.

"The Role of Ambiguity within Musi

cal Creativity," in LEA-LMJ Special Issue "My Favorite Supplement: The

Joy of the Gizmo," Leonardo Electronic

Almanac 15, No. 11/12 (2007). FLANAGAN, MARY. "Locating Play

and Politics: Real World Games

& Activism," in LEA-DAC Special Issue "Social Media: Narrative and

Literacy in Digital Culture," Leo

nardo Electronic Almanac 16, No.

2/3 (2008). FREEMAN, JASON. "Glimmer:

Lights, Orchestral Performance,

and Audience Participation," in

LEA-LMJ Special Issue "My Favorite

Supplement: The Joy of the Gizmo,"

Leonardo Electronic Almanac 15,

No. 11/12 (2007). HUTCHISON, ANDREW, and

RICHARDSON, INGRID. "Intro

duction," in LEA-DAC Special Issue

"Embodiment and Presence," Leo

nardo Electronic Almanac 16, No.

5/6(2008). HUTCHISON, ANDREW, and RICH

ARDSON, INGRID. "Introduction,"

in LEA-DAC Special Issue "Social

Media: Narrative and Literacy in

Digital Culture," Leonardo Electronic

Almanac 16, No. 2/3 (2008).

KATAN, SIMON. "Towards a Junk Aes

thetic: On the Advantages of Junk Instruments for the Performance

of Indeterminate Compositions," in

LEA-LMJ Special Issue "My Favorite

Supplement: The Joy of the Gizmo,"

Leonardo Electronic Almanac 15, No.

11/12 (2007). KLASTRUP, LISBETH. "Telling 8c Shar

ing? Understanding Mobile Stories

8c the Future of Narratives," in LEA

DAC Special Issue "Social Media: Narrative and Literacy in Digital Cul

ture," Leonardo Electronic Almanac 16,

No. 2/3(2008). KUDLA, ALLISON NICOLE. "Bio

logical Agency in Art," in LEA-DAC

Special Issue "Embodiment and

Presence," Leonardo Electronic Alma

nac 16, No. 5/6 (2008).

MCGUIRE, MARK "Virtual Communi

ties and Podcasting: the emergence and transformation of public elec

tronic space," in LEA-DAC Special Issue "Social Media: Narrative and

Literacy in Digital Culture," Leo

nardo Electronic Almanac 16, No.

2/3 (2008). PARK, HAN-EARL. "In Conversation

with an Automaton: Identities and

Agency in a Heterogeneous Social

and Musical Network," in LEA-LMJ

Special Issue "My Favorite Supple ment: The Joy of the Gizmo," Leo

nardo Electronic Almanac 15, No.

11/12 (2007). PARKER, MARTIN. "Joys of Travel:

Introducing the Spectral Tourist," in

LEA-LMJ Special Issue "My Favorite

Supplement: The Joy of the Gizmo,"

Leonardo Electronic Almanac 15, No.

11/12 (2007). RETTBERG, JILL WALKER. "Blogs, Lit

eracies and the Collapse of Private

and Public," in LEA-DAC Special Issue "Social Media: Narrative and

Literacy in Digital Culture," Leo

nardo Electronic Almanac 16, No.

2/3 (2008). RICHARDS, JOHN. "Lost and Found:

The Mincer," in LEA-LMJ Special Issue "My Favorite Supplement: The

Joy of the Gizmo," Leonardo Electronic

Almanac 15, No. 11/12 (2007). STAPLETON, PAUL. "Dialogic Instru

ments: Virtuosity (Re) Located in

Improvised Performance," in LEA

LMJ Special Issue "My Favorite

Supplement: The Joy of the Gizmo,"

Leonardo Electronic Almanac 15, No.

11/12 (2007). TRONSTAD, RAGNHILD. "The

Uncanny in New Media Art," in

LEA-DAC Special Issue "Embodi

ment and Presence," Leonardo Elec

tronic Almanac 16, No. 5/6 (2008).

TRUNA (A.KA.J.TURNER); BROWN

ING, DAVID; and BIDWELL, NICOLA J. "Wanderer Beyond Game Worlds," in LEA-DAC Special Issue "Embodiment and Presence,"

Leonardo Electronic Almanac 16, No.

5/6 (2008). TYCHSEN, ANDERS, and HITCHENS,

MICHAEL. "Interesting Times?

Modelling Time in Multi-Player and

102 LEONARDO MUSIC JOURNAL, Vol. 18, pp. 102-103,2008 ?2008 ISAST

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Massively Multi-player Role Playing

Games," in LEA-DAC Special Issue

"Embodiment and Presence," Leo

nardo Electronic Almanac 16, No.

5/6 (2008). VAN HORRIK, MARIO. "The Miracles

of Feedback," in LEA-LMJ Special Issue "My Favorite Supplement: The

Joy of the Gizmo," Leonardo Electronic

Almanac 15, No. 11/12 (2007). WOODS, STEWART. "Last Man Stand

ing: Risk and Elimination in Social Game Play," in LEA-DAC Special Issue "Embodiment and Presence,"

Leonardo Electronic Almanac 16, No.

5/6(2008).

WORDEN, SUZETTE. "Visiting the Past as a Way to the Future: Virtual

Environments for Social Memory

Construction," in LEA-DAC Special Issue "Social Media: Narrative and

Literacy in Digital Culture," Leo

nardo Electronic Almanac 16, No.

2/3 (2008).

2008 LEA Author Index 103

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