WYSO Audition Workshop March 14, 2015 “Enriching lives by providing transformational musical experiences and opportunities”
Transcript
Slide 1
WYSO Audition Workshop March 14, 2015 Enriching lives by
providing transformational musical experiences and
opportunities
Slide 2
Welcome Overview of WYSO Application Process Eligibility
Audition Dates Audition Requirements Audition Day Audition Criteria
Results Notification Membership Acceptance Questions
Slide 3
HarpPercussionBrass ChoirChamber Music Entering our 50 th
season! WYSO Organization
Slide 4
WYSO Paper Application
Slide 5
Apply On-line!
Slide 6
Seat Reservation Current WYSO string players may reserve their
seat Non-refundable $50 reservation fee applied to 2015-16
tuition
Slide 7
WYSO Eligibility Youth Orchestra 13-18 years old on Sep. 1,
2015 Performs advanced orchestral repertoire Applicants should have
several years of ensemble experience Philharmonia Orchestra 12-18
years old on Sep. 1, 2015 Performs orchestral repertoire at the
advanced HS and college level Applicants should perform at an
advanced HS level
Slide 8
WYSO Eligibility Concert Orchestra 12-18 years old on Sep. 1,
2015 Performs orchestral repertoire at the HS and advanced MS level
Sinfonietta 10-16 years old on Sep. 1, 2015 Performs various levels
of string orchestra repertoire from MS to HS level Applicants who
will be nine years old on Sep. 1, 2015 may apply based on
recommendation from a private teacher. They must also meet with the
Sinfonietta conductor prior to auditioning.
Slide 9
Orchestra Proficiencies Youth Orchestra: Violin/Viola Facility
in advanced positions Established Vibrato Violists should have
knowledge of Treble Clef Cello Facility in 1st through Thumb
Position Established Vibrato Knowledge of Tenor Clef and
Acquaintance with Treble Clef String Bass Facility in Half through
Thumb Position Knowledge of Tenor Clef
Slide 10
Orchestra Proficiencies Philharmonia Orchestra: Violin/Viola
Facility in 1st through 5th Position Intermediate Level Vibrato
Violists should have experience with playing in Treble Clef Cello
Facility in 1st through 4th position, experience with playing in
Thumb Position Intermediate Level Vibrato Experience playing in
Tenor Clef String Bass Facility in Half through Thumb Position
Developing Vibrato
Slide 11
Orchestra Proficiencies Concert Orchestra and Sinfonietta: RH
position established, with finger flexibility. Arm drawing the bow
straight and using the hand, wrist and forearm together. Good LH
position, hand/wrist and forearm in alignment, and flexible
fingers. Produce a clean, clear, centered pitch with an established
bow stroke and good left hand finger placement. Show signs of
vibrato to improve and warm tone production. Ability to perform
basic bow style, legato, staccato, marcato, and spiccato along with
accented notes. Ability to perform a good pizzicato sound. A basic
ability to play in position, especially third position. (Important
to know for all Concert Orchestra/ Sinfonietta violins and Concert
Orchestra violas.)
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Orchestra Proficiencies Concert Orchestra and Sinfonietta
continued: Cellos need to know forward and backward extensions,
with an ability to play in second, third, and fourth positions.
Concert Orchestra cellos a basic knowledge of thumb position.
Basses need to know half, second, fourth positions and Concert
Orchestra basses a basic knowledge of thumb position
Slide 13
Bypassing Orchestras No prelim audition needed for
non-violinists Sinfonietta to Philharmonia Orchestra VIOLINISTS
Concert Orchestra to Youth Orchestra VIOLINSTS Pre-audition for two
conductors Excerpts from current repertoire Sight-reading from
auditioning orchestra Sinfonietta members are not allowed to
audition directly for Youth Orchestra Sinfonietta Concert Orchestra
Philharmonia Orchestra Youth Orchestra
Slide 14
Audition Dates Sunday, April 12, 2015 Youth Orchestra Violin,
Viola, Cello Sunday, April 19, 2015 Philharmonia Violin, Viola,
Cello All String Bass, Woodwinds Sunday, May 3, 2015 Concert
Orchestra Violin, Viola, Cello Sinfonietta Viola, Cello All Brass,
Percussion Saturday, May 9, 2015 Sinfonietta Violin
Slide 15
Audition Requirements (Or, what to prepare!) Solo of your
choice Approx. 2 minutes Scales Strings printed Winds/Perc
memorized Excerpts Found online Play ALL for your desired orchestra
Sight-reading Practice sight-reading daily!
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Audition Day What to wear Standard concert appropriate clothes
are recommended. Instrument Make sure its working! Check in at the
WYSO office at least 20 minutes before your audition Find a
practice room and warm up Find your audition room 5 minutes before
Checklist: Solo music (your copy and 2 judges copies) Instrument
and Accessories Printed excerpts and scales for strings Directions
to the UW Humanities Building Re-tune your instrument Ask a judge
to help if needed!
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During the Audition Wait for the judges to get you Introduce
yourself and hand the judges your solo music copies Winds and
Percussion: let the judges know which orchestra requirements youve
prepared Remember, everyone wants you to succeed! Audition order:
Solo Scales You pick one, the judges will pick two Excerpts For
winds and percussion, judges will ask B excerpts first, followed by
A excerpts as needed Sight-reading Take about 20 seconds to look it
over for tempo, key signature, and time signature
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Handling Anxiety Anxious thoughts and worry are natural Allow
yourself a worry time Try to let these thoughts go Worry typically
doesnt last long Keep your thoughts positive Focus on what you know
you will do well Take comfort in knowing youre prepared Relax by
stretching, breathing, and moving Focus on the task at hand, rather
than your anxiety
Slide 19
Judges WYSO Conductors as availability allows Professional
musicians/music educators NO private teachers hearing their
students The judges job: Be welcoming and create a positive
environment Evaluate in an unbiased, honest and consistent manner
Provide auditionee with feedback Provide conductors with
feedback
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Sample Audition
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Audition Criteria Tone Quality Rhythm Intonation Technique/
Fundamentals Interpretation Overall
Slide 23
Orchestra Placement Determined by the conductors, based on
numerous factors Audition Rehearsal/concert attendance
Rehearsal/concert preparation Attitude/behavior/ etiquette Section
numbers for orchestra balance Re-auditions Rare Necessary for
certain instruments Specific auditionees Late auditions Specific
instruments of need Medical or other emergency conflicts
Slide 24
Notification All results will be mailed Results cannot be given
on the phone STRINGS: typically by following Thursday Basses may
take up to a week longer WINDS/PERC: Wed. May 20 Membership Packets
Letter of offer Audition feedback Member agreement/info forms
Tuition invoice Family Guide Chamber Music app. Scholarship
information Tour information Violin Sectional Audition info
Slide 25
Violin Sectional Auditions Youth Orchestra All 2 nd violinists
and new violinists Optional, but required to be considered for 1 st
violin section Monday, May 18, 4pm-9pm Philharmonia Orchestra All 2
nd violinists and new violinists Optional, but required to be
considered for 1 st violin section Tuesday, May 19, 4pm-9pm Concert
Orchestra All violinists Optional, but required to be considered
for 1 st violin section Tuesday, June 2, 4:15pm- 9pm
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After the Audition Time for self-reflection! Did you play your
best and make it into the ensemble you were hoping for? Great! If
not, contemplate what you could do differently for future auditions
Remember: The result of one audition does not define the player. An
audition is a tiny snapshot of your playing There are many factors
influencing the audition process and predicting results is nearly
impossible Disappointment can be a natural part of the process If
things dont go the way you had planned, dont let that diminish what
music and playing your instrument brings to your life!
Slide 27
Return your forms! By Friday June 5 th Member info/agreement
Chamber application First tuition payment or, Scholarship
application Italy Tour Registration and deposit (to Encore)
Slide 28
School Music Participation Policy WYSO membership should be
supplemental to school music programs All members are expected, and
strongly encouraged, to participate in their school orchestra,
band, or strings program Participation in scheduled school
orchestra or band performances always takes precedence over
WYSO
Slide 29
50 th Anniversary Season Overture Center Concert Features all
four orchestras and all ensembles Philharmonia Orchetra Community
Outreach Early Childhood Concert Italy Tour