X50, microX Parameter guide

X50, microX Parameter guideiii
Parameter Guide

OGPG
OG: Operation Guide PG: Parameter GuideCD-ROM

X50: microX:
p. OG p. –

BPM/MIDI Sync
Program CombinationMulti P r o g r a m
CombinationMulti
1
MIDI[ ] 16

( )
PROG 3: Ed–LFOs 1 2 Pitch Filter Amp LFO 2 LFO

LFO
3–1: OS1LFO1 (OSC1 LFO1) 1 1 LFO “OSC1 LFO1”
3–1a
3–1b
3–1c
3–1: UTILITY

Swap LFO 1&2 LFO1 2 LFO1 Freq.Mod 3–1b
“AMS1 Freq. AMS1 ” “AMS2 Freq. AMS2 ” LFO2
LFO1 2 LFO2
OSC1 LFO1 LFO2

PROG PAGE MENU ............................................ 1
PROG 0: Play ....................................................... 1 0–1: Program .................................................... 1 0–2: P.Edit (Performance Editor) .................. 3 0–3: Arp (Arp. Play) .......................................... 5 microX: 0–4: Ext. Control ............................... 5
PROG 1: Ed–Basic .............................................. 6 1–1: Basic (Prog Basic) ................................... 6 1–2: OSC1 ......................................................... 7 1–3: OSC2 ......................................................... 9 1–4: V.Zone (Velocity Zone) ........................... 9 1–5: Audition .................................................... 9
PROG 2: Ed–Pitch ............................................ 10 2–1: OSC1 ...................................................... 10 2–2: OS1lfo (OSC1 LFO) ............................. 11 2–3: OSC2 ...................................................... 12 2–4: OS2lfo (OSC2 LFO) ............................. 12 2–5: EG (Pitch EG) ............................ 12
PROG 3: Ed–LFOs ............................................ 14 3–1: OS1LFO1 (OSC1 LFO1) ......... 14 3–2: 1 LFO2 (OSC1 LFO2) .......................... 15 3–3: 2 LFO1 (OSC2 LFO1) .......................... 15 3–4: 2 LFO2 (OSC2 LFO2) .......................... 15
PROG 4: Ed–Filter1 ......................................... 16 4–1: Basic ....................................................... 16 4–2: Mod.1 (Filter1 Modulation1) .............. 17 4–3: Mod.2 (Filter1 Modulation2) .............. 18 4–4: lfoMod (LFO Modulation) ................... 18 4–5: EG (Filter1 EG) .......................... 19
PROG 5: Ed–Filter2 ......................................... 21 5–1: Basic ....................................................... 21 5–2: Mod.1 (Filter2 Modulation1) .............. 21 5–3: Mod.2 (Filter2 Modulation2) .............. 21 5–4: lfoMod (LFO Modulation) ................... 21 5–5: EG (Filter2 EG) .......................... 21
PROG 6: Ed–Amp1/2 ...................................... 21 6–1: Lvl/Pan (Amp1 Level/Pan) .................. 21 6–2: Mod. (Amp1 Modulation) ................... 22 6–3: EG (Amp1 EG) .......................... 23 6–4: Lvl/Pan (Amp2 Level/Pan) .................. 24 6–5: Mod. (Amp2 Modulation) ................... 24 6–6: EG (Amp2 EG) .......................... 24
PROG 7: Ed–Arp/Ctrl (Arpeggiator/Controls) ................................ 25
7–1: Setup (Arpeg. Setup) ........................... 25 7–2: Zone (Scan Zone) ................................. 26 7–3: Controls ................................................. 27
PROG 8: Ed–InsertFX ..................................... 27 8–1: BUS ........................................................ 27 8–2: Setup ...................................................... 28 8–3: IFX (Insert Effect) ................................. 29
PROG 9: Ed–MasterFX ................................... 29 9–1: Setup ...................................................... 29 9–2: MFX 1 (Master Effect1) ...................... 31 9–3: MFX 2 (Master Effect2) ...................... 31 9–4: MEQ (Master EQ) ................................ 31
2. Combination .....................33
COMBI PAGE MENU ........................................ 33
COMBI 0: Play ................................................... 33 0–1: Combi (Combination) ........................... 33 0–2: Prog (Timbre Program) ........................ 35 0–3: Mix (Mixer) ............................................ 36 0–4: Arp. A (Arpeggio Play A) ..................... 37 0–5: Arp. B (Arpeggio Play B) ..................... 37 microX: 0–6: Ext. Control ............................ 37
COMBI 1: Ed–Tone Adjust ........................... 38 1–1: Prog (Timbre Program) ........................ 38 1–2: Mix (Mixer) ............................................ 38 1–3: TA1 (Tone Adjust 1) ............................. 39 1–4: TA2 (Tone Adjust 2) ............................. 39 1–5: TA3 (Tone Adjust 3) ............................. 39
COMBI 2: Ed–Timbre Param ....................... 40 2–1: MIDI ....................................................... 40 2–2: OSC ........................................................ 41 2–3: Pitch ....................................................... 41 2–4: Other ...................................................... 42
COMBI 3: Ed–MIDI Filter1 ............................ 43 3–1: MIDI 1–1 (MIDI Filter 1–1) ................. 43 3–2: MIDI 1–2 (MIDI Filter 1–2) ................. 43 3–3: MIDI 1–3 (MIDI Filter 1–3) ................. 43 3–4: MIDI 1–4 (MIDI Filter 1–4) ................. 44
COMBI 4: Ed–MIDI Filter2 ............................ 44 4–1: MIDI 2–1 (MIDI Filter 2–1) ................. 44 4–2: MIDI 2–2 (MIDI Filter 2–2) ................. 44 X50: 4–3: MIDI 2–3 (MIDI Filter2–3) ......... 45 X50: 4–4: MIDI 2–4 (MIDI Filter 2–4) microX: 4–3: MIDI 2–3 (MIDI Filter2–3) ... 45
v
COMBI 5: Ed–Key Zone ................................. 46 5–1: Key (Key Zone) ..................................... 46 5–2: Slope (Key Slope) ................................. 46 5–3: Review ................................................... 46
COMBI 6: Ed–Vel Zone (Velocity Zone)................................................. 47
6–1: Vel (Velocity Zone) ............................... 47 6–2: Slope (Velocity Slope) ......................... 47 6–3: Review ................................................... 47
COMBI 7: Ed–Arp/Ctrls (Arpeggiator/ Controls) ............................................................. 48
7–1: Setup ...................................................... 48 7–2: Arp. A (Arpeggiator A) ......................... 49 7–3: Arp. B (Arpeggiator B) ......................... 49 7–4: Zone (Scan Zone) ................................. 49 7–5: Controls ................................................. 50
COMBI 8: Ed–InsertFX ................................... 51 8–1: BUS ........................................................ 51 8–2: Setup ...................................................... 51 8–3: IFX (Insert Effect) ................................. 52
COMBI 9: Ed–MasterFX ................................. 53 9–1: Setup ...................................................... 53 9–2: MFX1 (Master Effect1) ....................... 53 9–3: MFX2 (Master Effect2) ....................... 53 9–4: MEQ (Master EQ) ................................ 54
3. Multi .....................................55
MULTI PAGE MENU ........................................ 55
MULTI 0: Play .................................................... 55 0–1: Multi ....................................................... 55 0–2: Prog..8 (Track Program T01...08) ...... 57 0–3: Prog..16 (Track Program T09...16) .... 57 0–4: Mix..8 (Mixer T01...08) ........................ 58 0–5: Mix..16 (Mixer T09...16) ..................... 58 microX: 0–6: Ext. Control ............................ 59
MULTI 1: Tone Adjust .................................... 59 1–1: TA1..8 (Tone Adjust1) ......................... 59 1–2: TA1..16 (Tone Adjust1) ....................... 59 1–3: TA2..8 (Tone Adjust2) ......................... 59 1–4: TA2..16 (Tone Adjust2) ....................... 59 1–5: TA3..8 (Tone Adjust3) ......................... 59 1–6: TA3..16 (Tone Adjust3) ....................... 59
MULTI 2: Track Param ................................... 61 2–1: MIDI..8 (MIDI T01–08) ........................ 61 2–2: MIDI..16 (MIDI T09–16) ...................... 61 2–3: OSC..8 (OSC T01–08) ......................... 62 2–4: OSC..16 (OSC T09–16) ....................... 62 2–5: Ptch..8 (Pitch T01–08) ......................... 62
2–6: Ptch..16 (Pitch T09–16) ....................... 62 2–7: Othr..8 (Other T01–08) ........................ 63 2–8: Othr..16 (Other T09–16) ..................... 63
MULTI 3: MIDI Filter1 .................................... 64 3–1: M1–1..8 (MIDI Filter 1–1 T01–08) ..... 64 3–2: 1–1..16 (MIDI Filter 1–1 T09–16) ...... 64 3–3: 1–2..8 (MIDI Filter 1–2 T01–08) ......... 64 3–4: 1–2..16 (MIDI Filter 1–2 T09–16) ...... 64 3–5: 1–3..8 (MIDI Filter 1–3 T01–08) ......... 64 3–6: 1–3..16 (MIDI Filter 1–3 T09–16) ...... 64 3–7: 1–4..8 (MIDI Filter 1–5 T01–08) ......... 65 3–8: 1–4..16 (MIDI Filter 1–5 T09–16) ...... 65
MULTI 4: MIDI Filter2 .................................... 65 4–1: M2–1..8 (MIDI Filter 2–1 T01–08) ..... 65 4–2: 2–1..16 (MIDI Filter 2–1 T09–16) ...... 65 4–3: 2–2..8 (MIDI Filter 2–2 T01–08) ......... 66 4–4: 2–2..16 (MIDI Filter 2–2 T09–16) ...... 66 X50: 4–5: 2–3..8 (MIDI Filter 2–3 T01–08) ......................................................................... 66
X50: 4–6: 2–3..16 (MIDI Filter 2–3 T09–16) ......................................................................... 66
X50: 4–7: 2–4..8 (MIDI Filter 2–4 T01–08) ......................................................................... 66
microX: 4–5: 2–3..8 (MIDI Filter 2–3 T01–08) .............................. 66 X50: 4–8: 2–4..16 (MIDI Filter 2–4 T09–16) ......................................................................... 66
microX: 4–6: 2–3..16 (MIDI Filter 2–3 T09–16) .............................. 66
MULTI 5: Key Zone.......................................... 67 5–1: Key..8 (Key Zone T01–08) .................. 67 5–2: Key..16 (Key Zone T09–16) ................ 67 5–3: Slp..8 (Key Slope T01–08) .................. 67 5–4: Slp..16 (Key Slope T09–16) ................ 67 5–5: Review ................................................... 67
MULTI 6: Vel Zone (Velocity Zone......... 68 6–1: Vel..8 (Velocity Zone T01–08) ............ 68 6–2: Vel..16 (Velocity Zone T09–16) .......... 68 6–3: Slp..8 (Velocity Slope T01–08) ........... 68 6–4: Slp..16 (Velocity Slope T09–16) ......... 68 6–5: Review ................................................... 68
MULTI 7: Arp/Ctrls (Arpeggiator/Controls............................... 69
7–1: Set..8 (Setup T01–08) ......................... 69 7–2: Set..16 (Setup T09–16) ....................... 69 7–3: Arp. A (Arpeggiator A) ......................... 70 7–4: Arp. B (Arpeggiator B) ......................... 70 7–5: Zone (Scan Zone) ................................. 70 7–6: Controls ................................................. 71
vi
MULTI 8: InsertFX ........................................... 72 8–1: BUS..8 (BUS T01–08) .......................... 72 8–2: BUS..16 (BUS T09–16) ........................ 72 8–3: Setup ...................................................... 72 8–4: IFX (Insert Effect) ................................. 73
MULTI 9: MasterFX ......................................... 73 9–1: Setup ...................................................... 73 9–2: MFX1 (Master Effect1) ....................... 74 9–3: MFX2 (Master Effect2) ....................... 74 9–4: MEQ (Master EQ) ................................ 74
4. Global ..................................75
GLOBAL PAGE MENU ..................................... 75
GLOBAL 0: System .......................................... 75 0–1: Basic ....................................................... 75 0–2: Pref. (System Preference) .................. 78 0–3: Foot ........................................................ 80
GLOBAL 1: MIDI ............................................... 81 1–1: MIDI ....................................................... 81
GLOBAL 2: User Scale .................................... 85 2–1: Octave.................................................... 85 2–2: All Notes ................................................ 85
GLOBAL 3: Category Name ......................... 86 3–1: P.0..7 (Prog.00…07) ............................ 86 3–2: P.8..15 (Prog.08…15) .......................... 86 3–3: C.0..7 (Comb.00…07) ......................... 86 3–4: C.8..15 (Comb.08…15) ....................... 86
GLOBAL 4: DKit (Drum Kit) ......................... 86 4–1: High (High Sample) .............................. 86 4–2: Low (Low Sample) ............................... 88 4–3: Voice (Voice/Mixer) .............................. 88
GLOBAL 5: Arp.Pattern ................................. 89 5–1: Setup ...................................................... 89 5–2: Edit ......................................................... 91
microX: GLOBAL 6: Ext. Control ................ 93 6–1: A (Knob 1–A, 2–A, 3–A, 4–A) ............. 93 6–2: B (Knob 1–B, 2–B, 3–B, 4–B) ............. 93 6–3: C (Knob 1–C, 2–C, 3–C, 4–C) ............. 93
5. Demo Song ...................................95
6. Effect Guide .................................97
Overview ............................................................ 97 1. ................. 97 2. (Dmod) ..... 97 3. ........................ 97
(IFX) ............................... 98 1. / (In/Out) ................................... 98 2. (Routing) ............................... 98 3. (Mixer) ......................................... 99 4. MIDI
.............................................. 100
(MFX1, 2) ..................... 100 1. / (In/Out................................ 100 2. (Routing) ............................. 101 3. (Mixer) ....................................... 102 4. MIDI
.............................................. 102
EQ ........................................................ 103
Individual Output ........................................ 103
Filter/Dynamic .............................................. 104 00: No Effect ............................................... 104 01: St.Amp Sim (Stereo Amp Simulation) ........................... 104 02: St.Compressor (Stereo Compressor) .................................. 104 03: St.Limiter (Stereo Limiter) .................. 104 04: Mltband Limit (Multiband Limiter) ..................................... 105 05: St.Gate (Stereo Gate) .......................... 106 06: OD/HiGain Wah (Overdrive/Hi.Gain Wah) ............................ 106 07: St.Para.4EQ (Stereo Parametric 4-Band EQ) ................ 107 08: St.Graphic7EQ (Stereo Graphic 7-Band EQ) ...................... 108 09: St.Wah/AutoW (Stereo Wah/Auto Wah) ............................ 108 10: St.Rndm Filter (Stereo Random Filter) ............................... 109 11: St.Exct/Enhcr (Stereo Exciter/Enhancer) ......................... 110 12: St.Sub OSC (Stereo Sub Oscillator) ............................... 110 13: Talking Mod (Talking Modulator) ....... 111 14: St.Decimator (Stereo Decimator) ...... 111 15: St.AnalogRecd (Stereo Analog Record) ............................. 112
vii
Pitch/Phase Mod. ......................................... 113 16: St.Chorus (Stereo Chorus) ................. 113 17: St.HarmnicCho (Stereo Harmonic Chorus) ......................... 113 18: MltTap ChoDly (Multitap Chorus/Delay) ............................. 114 19: Ensemble .............................................. 114 20: St.Flanger (Stereo Flanger) ................ 115 21: St.Rndm Flang (Stereo Random Flanger) .......................... 115 22: St.Env.Flanger (Stereo Envelope Flanger) ......................... 116 23: St.Phaser (Stereo Phaser) .................. 116 24: St.Rndm Phasr (Stereo Random Phaser) ........................... 117 25: St.Env.Phaser (Stereo Envelope Phaser) .......................... 117 26: St.BiphaseMod (Stereo Biphase Modulation) .................... 118 27: St.Vibrato (Stereo Vibrato) .................. 118 28: St.AutoFd Mod (Stereo Auto Fade Modulation) ................ 119 29: 2Voice Reso (2Voice Resonator) ....... 119 30: Doppler .................................................. 120 31: Scratch ................................................... 121
Mod./P.Shift ................................................... 122 32: St.Tremolo (Stereo Tremolo) ............. 122 33: St.Env.Tremlo (Stereo Envelope Tremolo) ....................... 122 34: St.Auto Pan (Stereo Auto Pan) .......... 123 35: St.Phasr+Trml (Stereo Phaser + Tremolo) ........................ 123 36: St.Ring Mod (Stereo Ring Modulator) ....................................................................... 124 37: Detune ................................................... 125 38: Pitch Shifter .......................................... 125 39: PitchShft Mod (Pitch Shift Modulation) ............................. 126 40: Rotary SP (Rotary Speaker) ................ 126
ER/Delay .......................................................... 127 41: Early Reflect (Early Reflections) ........ 127 42: Auto Reverse ........................................ 128 43: LCR Delay (L/C/R Delay) ..................... 128 44: St/Cross Dly (Stereo/Cross Delay) .... 129 45: St.MltTap Dly (Stereo Multitap Delay) .............................. 129 46: St.Mod. Delay (Stereo Modulation Delay) ........................ 130 47: St.DynamicDly (Stereo Dynamic Delay) ............................. 130 48: St.AutoPanDly (Stereo Auto Panning Delay) .................... 131 49: LCR BPM Delay (L/C/R BPM Delay) ...................................... 131
50: St.BPM Delay (Stereo BPM Delay) ... 132 51: Sequence Dly (Sequence Delay) ....... 132
Reverb .............................................................. 133 52: Rev Hall (Reverb Hall) ......................... 133 53: Rev Smth. Hall (Reverb Smooth Hall) ....................................................................... 133 54: Rev Wet Plate (Reverb Wet Plate) ... 133 55: Rev Dry Plate (Reverb Dry Plate) ...... 133 56: Rev Room (Reverb Room) ................. 134 57: Rev Brt. Room (Reverb Bright Room) ....................................................................... 134
Mono → Mono Chain .................................. 135 58: P4EQ–Exciter (Parametric 4-Band EQ – Exciter) ............ 135 59: P4EQ–Wah (Parametric 4-Band EQ – Wah/Auto Wah) ....................................................................... 135 60: P4EQ–Cho/Fl (Parametric 4-Band EQ – Chorus/Flanger) ....................................................................... 136 61: P4EQ–Phaser (Parametric 4-Band EQ – Phaser) ............ 136 62: P4EQ–M.Dly (Parametric 4-Band EQ – Multitap Delay) 137 63: Comp–Wah (Compressor – Wah/Auto Wah) ............... 137 64: Comp–AmpSim (Compressor – Amp Simulation) .............. 138 65: Comp–OD/HG (Compressor – Overdrive/Hi.Gain) ........... 138 66: Comp–P4EQ (Compressor – Parametric 4-Band EQ) ... 138 67: Comp–Cho/Fl (Compressor – Chorus/Flanger) ............... 139 68: Comp–Phaser (Compressor – Phaser) ....................................................................... 139 69: Comp–M.Dly (Compressor – Multitap Delay) ................ 140 70: Limit–P4EQ (Limiter – Parametric 4-Band EQ) ............ 140 71: Limit–Cho/Fl (Limiter – Chorus/Flanger) ....................................................................... 141 72: Limit–Phaser (Limiter – Phaser) ........ 141 73: Limit– M.Dly (Limiter – Multitap Delay) ....................................................................... 141 74: Exct–Comp (Exciter – Compressor) .. 142 75: Exct–Limiter (Exciter – Limiter) ......... 142 76: Exct–Cho/Fl (Exciter – Chorus/Flanger) ....................................................................... 143 77: Exct–Phaser (Exciter – Phaser) .......... 143 78: Exct–M.Dly (Exciter – Multitap Delay) ....................................................................... 143 79: OD/HG–AmpSim (Overdrive/Hi.Gain – Amp Simulation) .... 144
viii
80: OD/HG–Cho/Fl (Overdrive/Hi.Gain – Chorus/Flanger) ...... 144 81: OD/HG–Phaser ............................................ (Overdrive/Hi.Gain – Phaser) .................... 145 82: OD/HG– M.Dly (Overdrive/Hi.Gain – Multitap Delay) ....... 145 83: Wah–AmpSim (Wah/Auto Wah – Amp Simulation) ......... 146 84: Deci–AmpSim (Decimator – Amp Simulation) ................. 146 85: Deci–Comp (Decimator – Compressor) ....................................................................... 146 86: AmpSim–Trml (Amp Simulation – Tremolo) ..................... 147 87: Cho/Fl–M.Dly (Chorus/Flanger – Multitap Delay) ........... 147 88: Phasr–Cho/Fl (Phaser – Chorus/Flanger) ......................... 147 89: Reverb–Gate ......................................... 148
Master EQ ........................................................ 149 Master EQ.................................................... 149
MIDIGENERAL MIDIAMEI

Alternate Modulation Source (AMS) ... 151 Alternate Modulation .................. 151 Alternate Modulation Source ..... 151 AMS (Alternate Modulation Source) List 152 Alternate Modulation ...................... 154 ................... 154
Dynamic Modulation Source (Dmod) . 157 Dynamic Modulation Source List ............. 158 BPM/MIDI SYNC .................. 160
X50: SW1/2 Assign ....................................... 161 SW1, SW2 Assign List .............................. 161
Knob 1...4 B Assign ..................................... 162 Realtime Control Knobs B Assign List .... 162
Foot Switch Assign ...................................... 164 Foot Switch Assign List ............................. 164
Foot Pedal Assign ........................................ 165 Foot Pedal Assign List ............................... 165
MIDI .......... 166
................................................................. 184
“PAGE MENU”

[MENU/OK][3]
Play 0: Play microX: p.1
Basic 1: Ed–Basic p.6
Pitch 2: Ed–Pitch EG p.10
LFOs 3: Ed–LFOs 12LFO LFOp.14
Filter1 4: Ed–Filter1 1 EGp.16
Filter2 5: Ed–Filter2 2 EGp.21
Amp1/2 6: Ed–Amp1/2 12 EGp.21
Arp/Controls 7: Ed–Arp/Ctrls 0: Play p.25
Insert Effect 8: Ed–InsertFX BUS p.27
Master Effect 9: Ed–MasterFX EQp.29
PROG 0: Play
PROG 0: PlayMIDI
0–1: Program
0–1a
0–1b
0–1a: Bank, Program Select, Category, Cat. Hold, 10’s Hold, (Tempo)
Bank X50: [Bank A…D, G, g(d)]
microX: [Bank A…E, G, g(d)]
X50: PROG BANK [A][GM]
ABCD128
512GGMg dGM

G[GM]
microX: PROGRAM [A][GM]
ABCDE128
640GGM
gdGM PROGRAM [A][GM] Program
1. Program
G[GM]
G→gd→G→gd→G
Program Select X50: [(A…D)0…127: name, (G, g(d))1…128: name]
microX: [(A…E)0…127: name, (G, g(d))1…128: name]
X50: [VALUE]
[INC][DEC]

“Select by Category”p.2
p.80164
[CATEGORY]PROGRAMCOMBINATION

p.80 “Foot SW Assign”GLOBAL 0–3ap.164Foot Switch Assign List
Category [00...15: name]
16

“W r i t e Program”0–1 “Category Name Prog. 00–0708–15”GLOBAL 3–13–2
X50: Cat. HOLD (Category Hold)
[./HOLD]

[INC][DEC][VALUE]

[ √ ] [ ® ] [π ] [ † ]“P r o g r a m Select”[INC][DEC][VALUE]

Select by Category
X50
microX
[π][†]
[®]“SelSelect”
[VALUE]
[EXIT/CANCEL]
microX: Category&Bank
[PROGRAM][COMBINATION]

[VALUE]
10

(Tempo) [040...240, EXT] R E A L T I M E CONTROLS C[TEMPO]
EXT“MIDI Clock”GLOBAL 1–1aExt-MIDIExt-USB Auto
MIDIMIDI
7: Ed–Arp/Ctrls
X50: [ENTER] GLOBAL 0–3: Foot“Foot SW Assign”Tap TempoASSIGNABLE SWITCH

microX: GLOBAL 0–3: Foot“Foot SW Assign” Tap TempoASSIGNABLE SWITCH

0–1b: Program Information
X50: [SW1][SW2]REALTIME CONTROLS B[ASSIGNABLE 1][ASSIGNABLE 4]
microX: [REALTIME CON- TROLS B[ASSIGNABLE 1][ASSIGNABLE 4]

“Write Program”

“Category Name Prog.00–07 08–15”GLOBAL3–1/2
“To”
[0][9][ENTER]
GgdGgd
GM
[MENU/OK]
[EXIT/CANCEL]
0–2a
0–2b
0–2a: Bank, Program Select, (Tempo) p.1 “ ”
0–2b: Performance Editor PROG 19Ed

011 4'32'

011100
OSC Bal (OSC Balance) [–10…+00…+10] 12
00

Level (Amp Level) [–10…+00…+10]
00

100
00

Decay (Decay Time) [–10…+00…+10] EGEG
00

1099

IFX Bal (IFX Balance) [–10…+00…+10] “W/DWet/Dry”
00
Wet Dry
10Dry
MFX Bal (MFX Balance) [–10…+00…+10] “Rtn1Return1”“Rtn2Return2” 9–1a
00
100
Level Amp1 Level, Amp2 Level
Attack Amp1, 2Amp EG Attack TimeStart LevelAttack LevelLevel Modulation STime Modulation AFilter1, 2Filter EG Attack Time
Decay Amp1, 2AmpEG Decay TimeSlope TimeFilter1, 2Filter EG Decay TimeSlope Time
IFX Bal IFXW/D Wet/Dry
0–2: UTILITY
5
PROG 7: Ed–Arp/Ctrls
OG X50: p.89microX: p.91
0–3a
0–2a
Sort [Off, On]
Latch [Off, On]
Arp/Ctrls Setup7–1a
microX: 0–4: Ext. Control REALTIME CONTROLS
MIDI
4MIDIMIDI
3ABC 1124×3MIDI

MIDI
MIDI

A BC[SELECT]
MIDI Channel [01...16, Gch] MIDI Gch: GlobalMIDI
GchMIDI

6
1–1a
1–1b
1–1c
12
31
62
Mono: 1
Hold [Off, On] On: Hold On
“Amp1 EG”“Amp2 EG”6–36–6“SSustain Level”0
“Mode Oscillator Mode”1–1aDrumsOn
Off: Hold Off
Off
“Enable Note Off”GLOBAL 4–3a Hold On
Hold Off“Hold”Off

On:
2
LFO

LFO
Priority [Low, High, Last] “Mode Voice Assign Mode”Mono
2

Pure Minor ():

Werkmeister ():
Slendro (): 15 “Key”CC DFGA

Stretch:
User All Notes: “User All Notes Scale”GLOBAL2–2a C–1G9
User Octave 0015: “User Octave Scale”GLOBAL2– 1a1
7
P R
O G
0 1
2 3
4 5
6 7
8 9
Key [C…B] Equal TemperamentStretchUser All Notes Scale

0

“Master Tune”GLOBAL 0–1a
1–1: UTILITY

“From”

X50: PROG BANK [A][GM] [0][9][ENTER]

[EXIT/CANCEL]
[MENU/OK] [EXIT/CANCEL]

SingleOSC2

1–2a: OSC1 Multisample
Velocity SW L H [001...127] “High, Low”1–2b 1HighLow
High
HighLow2
microX: [000...641] High
“Velocity SW L→H”1–2a
001

On:
Off:

Low Multisample X50: [000...469]
Rev (Low Reverse) [Off, On]
Level (Low Level) [000...127]
1–2c: Octave, Transpose, Tune, Delay
Octave [–2[32’], –1[16’], +0[8’], +1[4’]]
8'

KeyOff
“Amp1 EG”“Amp2 EG”6–3 6–6“SSustain Level”0
1–2d: OSC1 Drum Kit
Drum Kit X50: [00(INT)...15(INT), 16(User)...39(User), 40(GM)...48(GM)]
microX: [00(INT)...31(INT), 32(User)...39(User), 40(GM)...48(GM)]
X50 00INT15INT
16User39User
40GM48GM GM2
microX 00INT31INT
32User39User
40GM48GM GM2
Octave [–2[32’], –1[16’], +0[8’], +1[4’]]
+[8']

Delay [0000ms…5000ms, KeyOff]
KeyOffAmp1 EG“SSustain Level”6–3a0
1–2: UTILITY
Write Program0–1Copy OscillatorSwap Oscillator1–1
PROG 0–1: UTILITY

9
Select by Category Select by Categoryp.2
“ModeOscillator Mode”1–1a SingleDouble1–2b: High, Low

12
HighLow
OSC1 Bottom [001...127] 1
OSC1 Top [001...127] 1
OSC2 Bottom [001...127] 2
OSC2 Top [001...127] 2

1–5: Audition

Audition Riff [000: Off…383: name]
383

2–1: OSC1 1

12[PITCH]
121

60
p.152 AMS List
012.001

“AMSPitch AMS”Pedal #04Global 0–3a “Foot Pedal Assign”Foot Pedal (CC#04)
ASSIGNABLE PEDAL
1
Intensity [–12.00…+12.00] EGPitch EG2–5EG
12.00
AMS (Pitch EG AMS) [Off, (KT, EXT)] EG p.152 AMS List
11
Intensity (AMS Intensity) [–12.00…+12.00] “AMSPitch EG AMS”
“AMSPitch EG AMS”Velocity 12.00EG
±1

Global 0–3a“Foot SW Assign”Portamento SW CC#65ASSIGNABLE SWITCH
p.164 Foot Switch Assign List Portamento SW CC#65
X50: [SW1][SW2]Porta.SWCC#65
[SW1][SW2]
p.152 AMS Listp.161 SW1, SW2 Assign List Prta.SWCC#65
CC#65SW
Off:
On:
Off:

2–2: OS1lfo (OSC1 LFO)
LFO1LFO21
LFO1: Intensity (LFO1 Intensity) [–12.00…+12.00] 3–1: OS1LFO1OSC1 LFO1
12.00±1
LFO
[MOD]OSC1 LFO1
microX: JS+Y Int. (LFO1 JS+Y Int.) [–12.00…+12.00]
YOSC1 LFO1
Y
OSC1 LFO1
OSC1 LFO1 p.152 AMS List
Intensity (AMS Intensity) [–12.00…+12.00] “AMSLFO1 AMS”
012.00
LFO
“AMSLFO1 AMS”Pedal #04Global 0–3a “Foot Pedal Assign”Foot Pedal (CC#04)
ASSIGNABLE PEDAL

OSC1 LFO1
“IntensityLFO1 Intensity”X50: “M.Whl+Int. (LFO1 MWheel+Int.”microX: “JS+Y Int.LFO1 JS+Y Int.”“AMSLFO1 AMS”
p.153
X50: Mod.Whl Int. (LFO2 Mod.Whl Int.) [–12.00…+12.00]
microX: JS+Y Int. (LFO2 JS+Y Int.) [–12.00…+12.00]
AMS (LFO2 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]
Intensity (AMS Intensity) [–12.00…+12.00] LFO1
2–2: UTILITY
2–3: OSC2 2

2–4: OS2lfo (OSC2 LFO)
2LFO1LFO2 2–2: OS1lfo

EG1/2
2–5a
2–5b
2–5c

L (Level parameters):
“Intensity”12.00991 991
S (Start Level) [–99…+99]
A (Attack Level) [–99…+99]
R (Release Level) [–99…+99]
T (Time parameters):
A (Attack Time) [0…99]

R (Release Time) [0…99]

13
P R
O G
0 1
2 3
4 5
6 7
8 9
2–5b: Level Mod. (Level Modulation) EG“LLevel parameters”

AMS1 (Level Mod. AMS1) [Off, (KT, EXT)] EG“LLevel parameters”
p.152 AMS List
I (AMS1 Intensity) [–99…+99] “AMS1Level Mod. AMS1”
0“Pitch EG”2–5a
“AMS1Level Mod. AMS1”Velocity“IAMS1 Intensity”
EG“SAMS1 SW Start”“A AMS1 SW Attack” EG
X50: “AMS1Level Mod. AMS1”SW1 #807– 3b: SW1/2 Assign“SW1”SW1 Mod. CC#80
[SW1]Pitch EG“Level”
“IAMS1 Intensity”
[SW1]EG “SA M S 1 S W Start”“AAMS1 SW Attack”[SW1]
EG
microX: “AMS1Leve l Mod. AMS1” FootSW#82Global 0–3a“Foot SW Assign”Foot SW CC#82CC#82ASSIGNABLE SWITCH Pitch EG“Level”“IAMS1 Intensity”
EG
“SAMS1 SW Start”“AAMS1 SW Attack” EG
“S”0, “A” SW1 (2–5a: Pitch EG)
“S”0, “A” SW1
“S”0, “A” SW1
Pitch EG() (AMS=SW1/ Velocity, Intensity=+)

S (AMS1 SW Start) [–, 0, +] “AMS1Level Mod. AMS1”“SStart Level”
“IAMS1 Intensity” EG0
A (AMS1 SW Attack) [–, 0, +] “AMS1Level Mod. AMS1”“AAttack Level”
EG0
I (AMS2 Intensity) [–99…+99]
S (AMS2 SW Start) [–, 0, +]
A (AMS2 SW Attack) [–, 0, +] AMS1Level Mod. AMS1AAMS1 SW Attack
2–5c: Time Mod. (Time Modulation) EG“TTime parameters”

AMS (Time Mod. AMS) [Off, (KT, EXT)] EG“TTime parameters”
p.152 AMS List
I (AMS Intensity) [–99…+99] “AMSTime Mod. AMS”
0“Pitch EG”2–5a
EG
163349668299
2481632641/21/41/81/161/ 321/64
“AMSTime Mod. AMS”Velocity“IAMS Intensity”
EG“TTime parameters”
“AAMS SW Attack”“DAMS SW Decay”
EG
“A”, “D” (2–5a: Pitch EG)
“A”, “D”
“A”, “D”
Pitch EG() (AMS=Velocity, Intensity=)

A (AMS SW Attack) [–, 0, +] “AMSTime Mod. AMS”“AAttack Time”
“IAMS Intensity”
0
D (AMS SW Decay) [–, 0, +] “AMSTime Mod. AMS”“DDecay Time”
0
14
LFO2LFO
LFO
3–1a
3–1b
3–1c

Random1 (S/H): S/H Random2 (S/H):
Random3 (S/H):

0

LFO
“Delay”“Fade”LFO

“Delay”
Dly (Delay) [00…99] LFO

AMS1 (Freq. AMS1) [Off, (PEG, FEG, AEG, LFO, KT, EXT)]
1LFO1
Int (AMS1 Intensity) [–99…+99] “AMS1Freq. AMS1”
163349668299
2481632641/21/41/81/161/321/64
“AMS1Freq. AMS1”Note No. 1LFO
1 LFOC4
X50: “AMS1Freq. AMS1”Mod.Whl#01
[MOD]

AMS2 (Freq. AMS2) [Off, (PEG, FEG, AEG, LFO, KT, EXT)]
Int (AMS2 Intensity) [–99…+99] 1LFO1

3–1c: MIDI/Tempo Sync. (Frequency MIDI/ Tempo Sync.)
Sync. (MIDI/Tempo Sync.) [Off, On] On: LFOMIDI Clock
“Frequency”3–1aFreq.Mod3–1b
Base Note (Sync. Base Note) [ , , , , , , , ]
Times (Sync. Times) [01...16] “Sync.MIDI/Tempo Sync.”“ Tempo”“Base NoteSync. Base Note” “Times Sync. Times”OSC1 LFO1
“Base NoteSync. Base Note” 4
“TimesSync. Times”04LFO41 “ Tempo”
LFO4
Write Program0–1 PROG 0–1: UTILITY

Swap LFO 1&2 LFO12LFO1Freq.Mod3–1b “AMS1Freq. AMS1”“AMS2Freq. AMS2”LFO2
LFO12LFO2 OSC1 LFO1OSC1 LFO2
OSC1LFO1LFO2
[MENU/OK]
[EXIT/CANCEL]
12LFOOSC1 LFO23–1: OS1LFO1 OSC1 LFO1
Freq.Mod“AMS1Freq. AMS1”“AMS2Freq. AMS2”LFO
3–3: 2 LFO1 (OSC2 LFO1)
“ModeOscillator Mode”1–1aDouble
21LFO
3–4: 2 LFO2 (OSC2 LFO2)
“ModeOscillator Mode”1–1aDouble
22LFO
OSC2 LFO23–1: OS1LFO1 OSC1 LFO13–2: 1 LFO2 OSC1 LFO2
16
24dB/oct
“ModeOscillator Mode”1–1aSingleDrums 1Double12
SingleDrums2

4–1a: Filter1
Type (Filter1 Type) [Low Pass Resonance, Low Pass & High Pass] 1
Low Pass Resonance: 24dB/oct
Low Pass & High Pass: 12dB/oct 12dB/oct
Trim [00…99] 11A

4–1b: A (Filter A)

Resonance (A Resonance) [00…99] “FrequencyA Frequency”

Reso.AMS (Resonance AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)]
“ResonanceA Resonance”
p.152 AMS List
Intensity (AMS Intensity) [–99…+99] “ResonanceA Resonance”
“Reso. AMSResonance AMS”
“ResonanceA Resonance” “IntensityAMS Intensity”
Velocity

4–1c: B (Filter B) “TypeFilter1 Type”4–1aLow Pass & High Pass

4–1: UTILITY
17
1“Frequency A/B Frequency”
1 EG
4–2a
4–2b
4–2c

1AB“Int. to A”“Int. to B”
“LowKBDTrk Key Low”“HighKBDTrk Key High”

Low (KBDTrk Key Low) [C–1…G9]

High (KBDTrk Key High) [C–1…G9]

Low (KBDTrk Ramp Low) [–99…+99]
High (KBDTrk Ramp High) [–99…+99] “Int. to AKBDTrk Int. to A”“Int. to BKBDTrk Int. to B” 50“LowKBDTrk Ramp Low”62 “HighKBDTrk Ramp High”62

“ResonanceA Resonance”4–1b
“LowKBDTrk Ramp Low”43HighKBDTrk Ramp High”43

Ramp (“Int. to A”“Int. to B”=50)
Int. to A (KBDTrk Int. to A) [–99…+99] “LowKBDTrk Key Low”“HighKBDTrk Key High” “LowKBDTrk Ramp Low”“HighKBDTrk Ramp High” 1A

Int. to B (KBDTrk Int. to B) [–99…+99] 1B “Int. to A KBDTrk Int. to A”
4–2b: Filter EG
1 EG
Filter1 EG “LLevel parameters”“TTime parameters”4–5aEG

Filter1 EG “LLevel parameters”“TTime parameters”EG

Int. to B (Intensity to B) [–99…+99] 1B
1 EG“Int. to A Intensity to A”
Vel to A (Velocity to A) [–99…+99] 1A
1 EG“Filter1 EG”4–5

1 EG

AMS (Filter EG AMS) [Off, (EXT)] 1A1B
1 EG
18
Int. to A (AMS Int. to A) [–99…+99] “AMSFilter EG AMS”1A
“Int. to A Intensity to A”

Int. to B (AMS Int. to B) [–99…+99] “AMSFilter EG AMS”1B
“Int. to A Intensity to A”
“Int. to A B”“Vel to A B”“Int. to A BAMS Int. to A/B”
EG
4–3: Mod.2 (Filter1 Modulation2)
1“Frequency A/B Frequency”

“TypeFilter Type”4–1aLow Pass Resonance B
4–3a
4–3b
AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)] 1A
p.152 AMS List
Intensity (A AMS1 Intensity) [–99…+99] “AMS1Filter A AMS1”
X50: “AMS1Filter A AMS1”PitchBend
[PITCH]

AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)]
Intensity (A AMS2 Intensity) [–99…+99] “AMS2Filter A AMS2”
“AMS1”“Intensity”
4–3b: Filter–B Modulation “TypeFilter Type”4–1aLow Pass & High Pass

4–3: UTILITY
4–4: lfoMod (LFO Modulation)
11
4–4a: Filter LFO1 Modulation
Intensity to A (LFO1 Int. to A) [–99…+99] 1AOSC1 LFO 13–1a

Intensity to B (LFO1 Int. to B) [–99…+99] 1BOSC1 LFO 1
“Intensity to A LFO1 Int. to A”

JS–Y Int. to A (LFO1 JS–Y Int. to A) [–99…+99]
X50: 7–3a“Knob1–B”MIDI CC#02REALTIME CONTROL B[1]OSC1 LFO1
1A
OSC1 LFO11A

19
P R
O G
0 1
2 3
4 5
6 7
8 9
JS–Y Int. to B (LFO1 JS–Y Int. to B) [–99…+99]
X50: 7–3a“Knob1–B”MIDI CC#02REALTIME CONTROL B[1]OSC1 LFO1
1B
“JSY Int. to A LFO1 JS Y Int. to A”
microX: Y
OSC1 LFO11B

“JSY Int. to A LFO1 JSY Int. to A”
1A1B
p.152 AMS List
Int. to A (LFO1 AMS Int. to A) [–99…+99] “AMS LFO1 AMS”1A
“AMS”Pedal #04Global 0– 3a“Foot Pedal Assign”Foot Pedal (CC#04)
ASSIGNABLE PEDAL
OSC1 LFO1

Int. to B (LFO1 AMS Int. to B) [–99…+99] “AMS LFO1 AMS”1B
“Int. to A LFO1 AMS Int. to A”
4–4b: Filter LFO2 Modulation 1A1B
OSC1 LFO 23–2“Filter LFO1 Modulation”4–4a
Intensity to A (LFO2 Int. to A) [–99…+99]
Intensity to B (LFO2 Int. to B) [–99…+99]
JS–Y Int. to A (LFO2 JS–Y Int. to A) [–99…+99]
JS–Y Int. to B (LFO2 JS–Y Int. to B) [–99…+99]
Int. to A (LFO2 AMS Int. to A) [–99…+99]
Int. to B (LFO2 AMS Int. to B) [–99…+99]
4–4: UTILITY
4–5: EG (Filter1 EG) 1A1BEG
1
4–5a
4–5b
4–5c

L (Level parameters): “TypeFilter Type”4–1a Low Pass Resonance“Int. to A” 4–2b

S (Start Level) [–99…+99]
A (Attack Level) [–99…+99]
B (Break Point Level) [–99…+99]

20
R (Release Time) [00…99]

4–5b: Level Mod. (Level Modulation) 1 EG“LLevel parameters”

AMS (Level Mod. AMS) [Off, (KT, EXT)] 1 EG“LLevel parameters”
p.152 AMS List
I (AMS Intensity) [–99…+99] “AMSLevel Mod. AMS”
0“Filter1 EG”4–5a
“AMSLevel Mod. AMS”Velocity“S AMS SW Start”“AAMS SW Attack”“BAMS SW Break”“IAMS Intensity”
EGEG
S (AMS SW Start) [–, 0, +] “AMSLevel Mod. AMS”“SStart Level”
“IAMS Intensity”EG 0

A (AMS SW Attack) [–, 0, +] “AMSLevel Mod. AMS”“AAttack Level”
EG0

B (AMS SW Break) [–, 0, +] “AMSLevel Mod. AMS”“BBreak Point Level” “IAMS Intensity”
EG0
“S”, “A”, “B” (4–5a: Filter1 EG )
“S”, “A”, “B”
“S”, “A”, “B”
Filter1 EG () (AMS=Velocity, Intensity= )

4–5c: Time Mod. (Time Modulation) 1 EG“TTime parameters”
AMS1 (Time Mod. AMS1) [Off, (KT, EXT)] 1 EG“TTime parameters”
p.152 AMS List
I (AMS1 Intensity) [–99…+99] “AMS1Time Mod. AMS1” 0“Filter1 EG”4–5a
“AMS1Time Mod. AMS1”Flt KTr +/+
“Keyboard Track”4–2aEG“TTime parameters”“I”“Ramp Ramp Setting”4–2aEG
“RampRamp Setting”EG
“AAMS1 SW Attack”“DAMS1 SW Decay”“SAMS1 SW Slope”“RAMS1 SW Release”
“AMS1Time Mod. AMS1”Velocity
EG

A (AMS1 SW Attack) [–, 0, +] “AMS1Time Mod. AMS1”
0

D (AMS1 SW Decay) [–, 0, +] “AMS1Time Mod. AMS1” “IAMS1 Intensity”
0

S (AMS1 SW Slope) [–, 0, +] “AMS1Time Mod. AMS1”
“IAMS1 Intensity” 0

R (AMS1 SW Release) [–, 0, +] “AMS1Time Mod. AMS1”
0
“A”, “D”, “S”, “R” (4–5a: Filter1 EG )
“A”, “D”, “S”, “R”
“A”, “D”, “S”, “R”
Filter1 EG () (AMS=Velocity, Intensity= )

A (AMS2 SW Attack) [–, 0, +]
D (AMS2 SW Decay) [–, 0, +]
S (AMS2 SW Slope) [–, 0, +]
R (AMS2 SW Release) [–, 0, +] 1 EG“Time”“AMS2”
“AMS1 Time Mod. AMS1”“R AMS1 SW Release”
21
PROG 0–1: UTILITY

Sync Both EGs “Sync Both EGs”
Sync Both EGs

PROG 5: Ed–Filter2
5–3: Mod.2 (Filter2 Modulation2)
5–4: lfoMod (LFO Modulation)
5–5: EG (Filter2 EG) 22
24dB/oct 12dB/oct12dB/oct
“ModeOscillator Mode” 1–1aDouble2
PROG 4: Ed–Filter1
22
1
CC#7CC#11

CC#7CC#11 M I D I “M I D I Channel”GLOBAL 1–1a
6–1b: Pan
1 L001C064R127

CC#100164
“Pan”127 MIDI“MIDI Channel”GLOBAL 1– 1a
Use DKit Setting [Off, On] “ModeOscillator Mode”1–1aDrums

On: Key“Pan” GLOBAL 4–3a“ModeOsci l lator Mode”Drums
Off: “PanAmp1 Pan”
22
AMS (Pan AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)]
p.152 AMS List“PanAmp1 Pan”
Intensity [–99…+99] “AMSPan AMS”
“PanAmp1 Pan”C064“AMSPan AMS”Note NumberC4

6–2: Mod. (Amp1 Modulation)
11
“Key”“Ramp”
Key (Keyboard Track Key):
“LowKBDTrk Key Low”“HighKBDTrk Key High”
X50: [ENTER]

Low (KBDTrk Key Low) [C–1…G9]

High (KBDTrk Key High) [C–1…G9]

Ramp (Ramp Setting):
Low (KBDTrk Ramp Low) [–99…+99] “Low KBDTrk Key Low”

High (KBDTrk Ramp High) [–99…+99] “High KBDTrk Key High”

Ramp
6–2b: Amp Mod., LFO1 Mod., LFO2 Mod. 1OSC1 LFO1OSC1 LFO2
Amp Mod. (Amp Modulation): Velocity Int. (Amp Velocity Int.) [–99…+99]

LFO1 Mod. (LFO1 Modulation):
Intensity (LFO1 Intensity) [–99…+99] 1“OSC1 LFO1”3–1 LFO
LFO2 Mod. (LFO2 Modulation): Intensity (LFO2 Intensity) [–99…+99] 1“OSC1 LFO2”3–2
LFO1 Mod. LFO1 Modulation
6–2c: AMS, Int.
AMS (Amp AMS) [Off, (PEG, FEG, EXT)] 1
p.152 AMS ListEXTVelocity
Int. (AMS Intensity) [–99…+99] “AMSAmp AMS” EGAlternate Modulation
E G
Alternate Modulation
P R
O G
0 1
2 3
4 5
6 7
8 9
“AMSAmp AMS”Pedal #04Global 0–3a “Foot Pedal Assign”Foot Pedal (CC#04)
ASSIGNABLE PEDAL
EG

1“OSC1 LFO1”3–1
p.152 AMS List
Int. (AMS Intensity) [–99…+99] “AMS”“OSC1 LFO1”
LFO
1“OSC1 LFO2”3–2
p.152 AMS List
Int. (AMS Intensity) [–99…+99] “AMS”“OSC1 LFO2”
LFO
6–3: EG (Amp1 EG) 1
1EG

L (Level parameters): S (Start Level) [00…99]

B (Break Point Level) [00…99]
S (Sustain Level) [00…99]

Time (Time parameters: A (Attack Time) [00…99]
0
D (Decay Time) [00…99]

R (Release Time) [00…99] 0
6–3b: Level Mod. (Level Modulation) “Amp1 EG”6–3a1 EGAMS

AMS (Level Mod. AMS) [Off, (KT, EXT)] 1 EG“Level”
p.152 AMS List
I (AMS Intensity) [–99…+99] “AMSLevel Mod. AMS”
“AMSLevel Mod. AMS”Velocity“S AMS SW Start”“AAMS SW Attack”“BAMS SW Break”“IAMS Intensity”
1 EG
0“Amp1 EG”6– 3a
S (AMS SW Start) [–, 0, +] “AMSLevel Mod. AMS”“SStart Level”
“IAMS Intensity”EG 0

A (AMS SW Attack) [–, 0, +] “AMSLevel Mod. AMS”“AAttack Level”
EG0

24
B (AMS SW Break) [–, 0, +] “AMSLevel Mod. AMS”“BBreak Point Level” “IAMS Intensity”
EG0
“S”0, “A”, “B” (6–3a: Amp1 EG )
“S”0, “A”, “B”
“S”0, “A”, “B“
Amp1 EG () (AMS=Velocity, Intensity= )

6–3c: Time Mod. (Time Modulation) “Amp1 EG”6–3a1 EG2
AMS
AMS1 (Time Mod. AMS1) [Off, (KT, EXT)] 1 EG“Time”
p.152 AMS List
I (AMS1 Intensity) [–99…+99] “AMS1Time Mod. AMS1”

“AMS1Time Mod. AMS1”Amp KT +/+
“Keyboard Track”6–2aEG“Time” “I”“RampRamp Setting” EG“RampRamp Setting” EG“AAMS1 SW Attack”“DAMS1 SW Decay”“SAMS1 SW Slope”“RAMS1 SW Release”
“AMS1Time Mod. AMS1”Velocity EG
EG0“Amp1 EG”6– 3a
A (AMS1 SW Attack) [–, 0, +] “AMS1Time Mod. AMS1”“AAttack Time”
“IAMS1 Intensity” 0
D (AMS1 SW Decay) [–, 0, +] “AMS1Time Mod. AMS1”“DDecay Time”
0
S (AMS1 SW Slope) [–, 0, +] “AMS1Time Mod. AMS1”“SSlope Time”
0

R (AMS1 SW Release) [–, 0, +] “AMS1”“RRelease Time” “IAMS1 Intensity”
0
Amp1 EG () (AMS=Velocity, Intensity= )
6–3a: Amp1 EG “A", “D”, “S”, “R”
“A”, “D”, “S”, “R”
Amp1 EG () (AMS=Amp KTrk / , Intensity= ) (Amp Keyboard Track(6–2a) Low Ramp=High Ramp= )

“A”, “D”, “S”, “R” 6–3a: Amp1 EG
“A”, “D”, “S”, “R“
“A”, “D”, “S”, “R”

A (AMS2 SW Attack) [–, 0, +]
D (AMS2 SW Decay) [–, 0, +]
S (AMS2 SW Slope) [–, 0, +]
R (AMS2 SW Release) [–, 0, +] 1 EG“Time”“AMS2Time Mod. AMS2”“AMS1Time Mod. AMS1”“R AMS1 SW Release”
6–3: UTILITY
PROG 0–1: UTILITY

Sync Both EGs “Sync Both EGs”
Sync Both EGs
1EG2EG
4 – 5 : UTILITY
6–4: Lvl/Pan (Amp2 Level/Pan)
6–5: Mod. (Amp2 Modulation)
6–6: EG (Amp2 EG) “ModeOscillator Mode”1–1aDouble
PROG 6: Ed–Amp1/2
25

[SW1][SW2]

[ARP ON/OFF]
LED
REALTIME CONTROLS C[ARP-GATE] [ARP- VELOCITY][ARP-LENGTH][TEMPO][ARP ON/OFF]
Auto Arp.“Program”
On

p.178
“Pattern”“Resolution”“Octave”“Sort”“Latch” “Key Sync.”“Keyboard”“ Tempo”0: Play Arp. Play
7–1: Setup (Arpeg. Setup)
7–1a
7–1b
U000U250 GLOBAL 5: Arp. Pattern

X50: U000U250[0] [9][ENTER]
Octave* [1, 2, 3, 4]

“Oc- tave Motion”GLOBAL 5–1c

, , , , , “ Tempo” “Resolution”

000100%:

12
Step: “Pattern”U000 U250

Step 1 2 3 4 5 6 7 8 9
Swing
On:

On:
*: 0–3: Arp. Play
“From”

[0][9][ENTER]

[MENU/OK]
[EXIT/CANCEL]
7–2a
Key:
Btm (Bottom Key) [C–1...G9]
Top (Top Key) [C–1...G9] “Top”“Btm”
Vel: Btm (Bottom Velocity) [001...127]
Top (Top Velocity) [001...127]
“Top”“Btm”

27
7–3a
7–3a: Knob B Assign REALTIME CONTROLS [1][4]B
p.162 Realtime Control Knobs B Assign List REALTIME CONTROLSB
[1][4]
Knob4–B (Knob4–B Assign)
[Off…MIDI CC#95]
X50: 7–3b: SW1/2 Assign X50[SW1][SW2]p.161 SW1, SW2 Assign List
SW1 Assign [Off…PitchBend Lock] [SW1]

SW1 Mode [Toggle, Momentary] [SW1] Toggle: [SW1]
Momentary: [SW1]
SW2 Mode [Toggle, Momentary] [SW2]
[SW2][SW1]SW1 Mod. CC#80SW2 Mod. CC#81
[SW1]
8–1: BUS

8–1a
8–1a: BUS
BUS Select: BUS Select (All OSCs) [L/R, IFX, 1, 2, 1/2, Off] 12
1/26–1b6–4 INDIVIDUAL OUTPUT 12
CC#10 AMS
L/RMAIN OUTPUT L/MONOR

INDIVIDUAL OUTPUT 12“BUS Select”IFX“Insert Effect”8–2a00:No EffectIFX“BUS Select”8–2a1/2
MFX Send: OSC1 Send1 [000...127] 11
“BUS Select”L/ROff
“BUS Select” IFX
12Setup IFX“S1 Send1MFX1”“S2Send2MFX2”8–2a

OSC1 Send1
OSC2 Send2 [000...127] OSC212
“ModeOscillator Mode”1–1a Double“BUS Select”L/ROff
OSC1 Send1
28
CC#93OSC12 Send1#91OSC12 Send2MIDI “MIDI Channel”GLOBAL 1–1a

8–1b: Use DKit Setting “ModeOscillator Mode”1–1aDrums

SingleDouble
On: “BUSBUS Select”GLOBAL 4–3a

Off: “BUS Select”“MFX Send”8–1a
8–1: UTILITY

“From”
X50: PROG BANK [0][9][ENTER]

“Post IFX Mixer Setting”
“PanCC#8”“BUS Select” “S1Send1MFX1”“S2Send2MFX2”

[MENU/ OK][EXIT/CANCEL]

Dry
Wet p.98
8–2a
8–2b
Off00:No Effect

Insert Effect [00...89: name] 01:St.Amp Sim
89:Reverb-Gate89 “Select by Category”8–2c

CC#8
BUS Select [L/R, 1, 2, 1/2, Off] BUS
L/RINDIVIDUAL OUTPUT 121/2Off“S1Send1MFX1”“S2Send2 MFX2”

“BUS Select”8–1aL/R
Off
29
MIDI

All OSCsVALUE “BUS Select”8–1a
8–2: UTILITY
PROG 0–1: UTILITY

8–2
SetupIFX
p.104
MIDI“MIDI Channel”GLOBAL 1–1aDynamic Modulation Source D.mod p.157
8–3: UTILITY
9–1: Setup
EQ
9–1a: Master Effect Setup Dry
“Rtn 1”“Rtn2”WetLR “BUS Select”L/R: 8–1a8–2a

LR“S1Send1 MFX1”“S2Send2 MFX2”

MFX1 On/Off, MFX2 On/Off [Off, On] 12

1CC#94 2CC#95
01127 MIDI“MIDI Channel”GLOBAL 1–1a

Master Effect 1, 2 [00...89: name] 1201:St.Amp Sim89:Reverb-Gate8900:No Effect

Rtn 1, 2 (Return 1, 2) [000...127] L/RL/MONOR
9–1b: Chain
MFX Chain [Off, On] On: MFX1MFX2
p.102 Off: MFX1MFX2

30
MFX1MFX2
MFX1→MFX2: MFX1MFX2 MFX2→MFX1: MFX2MFX1
Signal (Chain Signal)[LR Mix, L Only, R Only]

L/R Mix: LR L Only, R Only: LR

9–1c: Master EQ Gain[dB] L/RMAIN OUTPUT L/MONOR
3EQEQ9–4
“Gain”
Low [–18.0...+18.0]
Mid [–18.0...+18.0]
High [–18.0...+18.0] “Low”“Mid”“High”“Mid”“Q”
MEQdB
Write Program0–1 PROG 0–1: UTILITY

[0][9][ENTER]
MFX12“Rtn Return”Mas- ter EQEQ
“All”
EQ

[MENU/ OK][EXIT/CANCEL]

Select by Categoryp.2
9–1a
SetupMFX12
MIDI“MIDI Channel”GLOBAL 1–1aDynamic Modulation Source D.mod p.157
9–2(3): UTILITY
EQ3L/R MAIN OUTPUT L/MONOR
EQ
“High Gain”“Low Gain”
“Low Gain Mod-Src.” “High Gain Mod-src.”p.149
9–4: UTILITY

Play 0: Play microX: p.33
Tone Adjust 1: Ed–Tone Adjust p.38
Track Parameter 2: Ed–Track Param MIDIOSCPitch p.40
MIDI Filter 1 3: Ed–MIDI Filter1 MIDI : Prog ChangeAfterTouch JSRibbon Ctrlp.43
MIDI Filter 2 4: Ed–MIDI Filter2 MIDI : Realtime Control Knob SWOther Ctrl Changep.44
Key Zone 5: Ed–Key Zone p.46
Velocity Zone 6: Ed–Vel Zone p.47
Arp/Controls 7: Ed–Arp/Ctrls 0: Play p.48
Insert Effect 8: Ed–InsertFX BUS p.51
Master Effect 9: Ed–MasterFX EQp.53
COMBI 0: Play
8
0–1a
0–1b
0–1a: Bank, Combi Select, Category, Cat.Hold, 10’s Hold, (Tempo)
Bank (Bank Select) [Bank A...C]
128

microX: COMBINATION [A][C] COMBINATION [A][C]
Combination

34
COMBI BANK [A][C]p.33 Cat. HOLDp.34 “Select by Category”p.34 p.80164 MIDIp.172
microX [VALUE]
p.2 p.80164 MIDIp.172
Category [00...15: name]
16
“Write Combination”0–1
“Category Name Comb. 00–07 08–15”GLOBAL 3–3/4
Select by Category “Select by Category”
PROG 0–1a
p.2
PROG 0–1a [./HOLD]2

X50: 10’s HOLD [./HOLD] 10PROG 0–1a [./HOLD]

(Tempo) [040...240, EXT] REALTIME CON- TROLS C[TEMPO]EXT“MIDI Clock”GLOBAL 1–1aExt-MIDIExt-USBAuto MIDI
MIDI
7: Ed–Arp/Ctrls, Setup
X50: [ENTER]
GLOBAL 0–3: Foot“Foot SW Assign”Tap TempoASSIGNABLE SWITCH

[ASSIGNABLE14]

“Solo Selected Timbre”

0: Play, Prog“Program Select”
“Selected Timbre Information”0–2dSolo

“Solo Selected Timbre”

MIDI
X50
microX

0–2a: Bank, Combi Select, Cat.Hold, 10’s Hold, (Tempo)
Bank [Bank A…C]
X50: Cat. (Cat. HOLD)
(Tempo) [040...240, EXT] Combi
Timbre Number & Category 1...8

Program Select [A000...g128]

[ENTER]
[π][†]
PROG BANK [A][GM]p.33 “Select by Category”p.36 MIDIp.171
microX: [VALUE]

“Status”2–1aEXT EX2
MIDI
MIDI
EX2“Program Select” -“BankEX2 MSB”“Bank EX2 LSB”2–1a
MIDI

MIDI “Status”2–1a INT
MIDI MIDI
MIDI“MIDI Channel”
MIDIMIDI
“CombiCombi Change”GLOBAL 1–1bOff“BankBank Change”GLOBAL 1–1bOff

Program Name GMd

36
0–2d: Selected Timbre Information 18

Timbre No.: Bank No., Prog No.: and name

Ch (01...16, Gch) MIDI

Select by Category (Combi/Category, Prog T1...T8/Category)
“Combi Select”“Select by Category”Combi/Category

Program
Left Center Right
Pan (CC#10)
OSC1 OSC2 OSC1: Amp1 Pan=L032 OSC2: Amp2 Pan=R096
Pan (CC#10)
Left Center Right
Pan (CC#10)

8: Ed–InsertFX, Setup “PanCC#8”
3. Mixerp.99 RND:

#10 CC#100164
127

MIDI CC#7CC#11
“Status”2–1a INT
MIDI CC#7CC#11

“Status”EXTEX2

0–3: UTILITY
Write CombinationSolo Selected Timbre0–1 Select by Category0–1PROG 0–1
37
“Volume”
“Hold Balance”
Hold Balance
LCD[Hold Bal.]
“Volume” 18
0–4: Arp. A (Arpeggio Play A)
0–5: Arp. B (Arpeggio Play B)

2
“Write Combination”RE- ALTIME CONTROLS C [TEMP-GATE][ARP-VE- LOCITY][ARP-LENGTH][TEMPO]
OG X50: p.90microX: p.92
0–4a
0–4b
0–4(5) a: Arpeggiator Run, Timbre assign
Arpeggiator Run A, B (Run A, B) [Off, On] [ARP ON/OFF]
“Assign”7–1b
AB/
Timbre assign AB18 “Assign”7–1b
0–4(5) b: Arpeggiator A(B
Pattern [Preset-0…Preset-4, U000…U250]
Reso (Resolution) [ ] Octave [1, 2, 3, 4]
Sort [Off, On]
Latch [Off, On]
COMBI 7: Ed–Arp/Ctrls, Arp.AArp.B
0–4(5): UTILITY
Write CombinationSolo Selected TimbreSelect by Category0–1
microX: 0–6: Ext. Control REALTIME CONTROLS
MIDI
4MIDIMIDI
3ABC 1124×3MIDI

Ext. Control (Setup Select) [00...63]

A BC[SELECT]
MIDI Channel [01...16, Gch] MIDI
Gch: GlobalMIDI

Write CombinationSolo Selected TimbreSelect by Category0–1
COMBI 1: Ed–Tone Adjust
1–1: Prog (Timbre Program)

1–1d
Program Select 0–2c
Program Name
1–1: UTILITY
Write CombinationSolo Selected Timbre0–1 Selct by CategoryCombi/Category, Prog T1…T8/ Category0–2
1–2: Mix (Mixer)
Volume 180–3a
1–2: UTILITY
39
Program

Destination 1–6 [LPF Fc…Reverse]
Value 1–6 [–99…+99, –12.00…+12.00, –1200…+1200, Off…On] “Destination 1–6”
+00PRG
“Value”
Detune1 3“Value”+1000 +1000+1000+1200+3000 Detune1+1200
+1000+1000 -1000+1000
HoldReverse “Destination”
“Destination 1–6”“Value 1–6”
LPF Fc (Low Pass Filter Cutoff Frequency) [–99…+00…+99]
OSC1/2
Reso.HP (Resonance/High Pass Filter Cutoff Frequency) [–99…+00…+99] OSC1/2

p.175
F EG Int (Filter EG Intensity) [–99…+00…+99] OSC1/2EG
EGCC#79
OSC1/2
Amp Modula- tion “Velocity Intensity”p.22 6–2b

F.A EG A (Filter/Amp EG Attack Time) [–99…+00…+99]
OSC1/2EG
EG

F.A EG D (Filter/Amp EG Decay Time) [–99…+00…+99]
OSC1/2EG
p.175
F.A EG S (Filter/Amp EG Sustain Level) [–99…+00…+99]
OSC1/2EG
F.A EG R (Filter/Amp EG Release Time) [–99…+00…+99]
OSC1/2EG
p.175
F EG A (Filter EG Attack Time) [–99…+00…+99] F EG D (Filter EG Decay Time) [–99…+00…+99] F EG S (Filter EG Sustain Level)
[–99…+00…+99] F EG R (Filter EG Release Time)
[–99…+00…+99] “AAttack Time”“DDecay Time”“SSastain Level”“RRelease Time”Filter
PROG 4–5a
A EG A (Amp EG Attack Time) [–99…+00…+99] A EG D (Amp EG Decay Time) [–99…+00…+99] A EG S (Amp EG Sustain Level)[–99…+00…+99] A EG R (Amp EG Release Time)[–99…+00…+99] “AAttack Time”“DDecay Time”“SSastain Level”“RRelease Time”Amp
PROG 6–3a6–6a
40
LFO1 Sp (LFO1 Speed) [–199…+00…+199] OSC1/2LFO1CC#76
p.175
OSC1/2LFO1LFO1 CC#77 p.175
LFO1 Fd (LFO1 Fade) [–99…+00…+99] OSC1/2LFO1“Fade”LFO
3–1a p.14
LFO1 Dl (LFO1 Delay) [–99…+00…+99] OSC1/2LFO1LFO CC#78 p.175
P.Strch (Pitch Stretch) [–12…+00…+12] OSC1/2
Performance Editor “StretchPitch Stretch”0–2b
p.4
Dtune 1(Detune 1) [–1200…+0000…+1200] OSC1OSC1 Multisample “Tune”1–2c p.8
Dtune 2 (Detune 2) [–1200…+0000…+1200] OSC2OSC2 Multisample- “Tune”1–2c p.8
“Oscillator Mode”1–1a p.6Double
Hold [Off, PRG, On] Voice Assign “Hold”1–1b p.6

Off /

Off
Reverse [Off, PRG, On] OSC1/2
“Rev Reverse”PROG 1–2b p.8 GLOBAL 4–1b p.87On
Off

COMBI 2: Ed–Timbre Param
2–1: MIDI MIDI
Status [INT, Off, EXT, EX2] MIDIStatus INT: MIDI
MIDIMIDI
EX2: “BankEX2 MSB”“BankEX2 LSB”2–1a
Bank Agd
MIDI
“Status”INTMIDI MIDI
EXTEX2 MIDI MIDIMIDI

“Status”EX2
41
2–2a: Force OSC Mode, OSC Select, Portamento
Force OSC Mode [PRG, Poly, Mono, LGT] 18“ModeVoice Assign Mode”PROG 1–1b
PRG:

MonoLGT“Priority” PROG 1–1b
OSC Select [Both, OSC1, OSC2] 18“ModeOscillator Mode”PROG 1–1a“ModeOscillator Mode”Double
Both: OSC12
Portamento [PRG, Off, 001...127] 18
PRG: Off:

“Status”2–1a INTCC#05
CC#65 P R G
CC#05:“MIDI Channel”2–1aMIDI

2–3: Pitch
Transpose [–24…+24]
EXTMIDI
EXT2
0
BPMDetune

18 “ModeOscillator Mode”PROG 1–1a

“ModeOscillator Mode”SingleDouble
MIDI RPN“Transpose”
“Detune”
“ModeOscillator Mode”DrumsMIDI RPN “Detune”

MIDI
42
Detune BPM Adjust
BPM“De- tune BPM Adjust”
BPM
“Detune”
“Detune”PROG 1–2c1–3 GLOBAL 4–1b4–2
“Detune BPM Adjust”
“From”BPM“To”BPM “Detune”2
“From”60bpm“To”120bpm+1200 1“Detune”
BPM[MENU/OK] [EXIT/CANCEL]

“Detune”0000 “From”BPM“Detune” 0000“From”60bpm“To” 120bpm“From”120bpm“To”60bpm Detune=–1200: 1
“Detune”2–3a
2–4: Other

0
Use Prog’s Scale [Off, On] “Scale”PROG1–1c

Off: “TypeCombi’s Scale”2–4b
2–4b: Combi’s Scale, Key, Random
Type (Combi’s Scale) [Equal Temperament...User Octave15]

Key [C…B]
“Key”PROG 1–1c
“Random”PROG 1–1c
43
MIDI
MIDI

MIDI Filter1–11–2
MIDI Filter12
1
Off: MIDI
3–1a
Program Change [Off, On] MIDI

After Touch [Off, On] MIDI GLOBAL 0–3: Foot“Foot Pedal Assign”After TouchASSIGNABLE PEDAL

3–2: MIDI 1–2 (MIDI Filter 1–2)
3–2a
Damper CC#64 [Off, On] MIDICC#64

Portamento SW CC#65 [Off, On] MIDICC#65

3–3a
3–3a: JS+Y/M.Whl CC#01, JS–Y CC#02
JS+Y/M.Whl CC#01 [Off, On]
X50: MIDICC#1[MOD] B
microX: MIDICC#1
YB

JS–Y CC#02 [Off, On]
X50: MIDICC#2
BGLOBAL 0–3: Foot
“Foot Pedal Assign”JS–Y CC#02ASSIGNABLE PEDAL

44
3–2a
JS X/PBend as AMS [Off, On]
X50: MIDI[PITCH]
Pitch BendAMS p.151Alternate Modulation Source
MIDI

microX: MIDI X JS XAMS p.151Alternate Modulation Source
MIDI

Ribbon CC#16 [Off, On] MIDICC#16 BMIDI IN
TRITON Extreme
Write CombinationSolo Selected Timbre0–1
COMBI 4: Ed–MIDI Filter2 REALTIME CONTROL[1][2][3][4]AB
AMIDI

4–1a
Knob1 [Off, On] A[1]MIDI
CC#74B [1]MIDI

CC#71
B[2]MIDI
4–1: UTILITY
4–2a
Knob3 [Off, On] A[3]MIDI
CC#79EGB[3] MIDI
45
9
Knob4 [Off, On] A[4]MIDI#72 EGB
[4]MIDI

X50: 4–3: MIDI 2–3 (MIDI Filter 2–3)
4–3a
4–3a: SW1, SW2
SW1, SW2 [Off, On] [ S W 1 ] [ S W 2 ]
[SW1][SW2]7: Ed–Arp/Ctrls
SW1 Mod.CC#80SW2 Mod.CC#81Porta.SWCC#65

X50: 4–4: MIDI 2–4 (MIDI Filter 2–4)
microX: 4–3: MIDI 2–3 (MIDI Filter 2–3)
X50
FootPedal/Switch [Off, On] ASSIGNABLE PEDAL/SWITCH
GLOBAL 0–3a: System, Foot
MIDI
Other Ctrl Change [Off, On] MIDI Filter1–12–4MIDI

Write CombinationSolo Selected Timbre0–1
46
18

5–1a
5–1b

Top Key [C–1...G9] 18

5–2: Slope (Key Slope)
5–2a
Top Slope [00...72] 121
0:
60: 5
0: 12: 1

5–3: Review
T1...T8 18
47
18

6–1a
6–1b

Top Velocity [001…127] 18
Bottom Velocity [001…127] 18

6–1: UTILITY
6–2: Slope (Velocity Slope)
6–2a

6–3: Review
T1...T8

48

[SW1][SW2]

7–1a: Arpeggiator Run, (Tempo)
Arpeggiator Run A, B (Run A, B) [ARP ON/OFF]
“Assign”7–1b 0–45a
(Tempo) [040...240, EXT] REALTIME CON- TROLS C[TEMPO]
p.34 “ (Tempo)”0–1a

Off:
B: BArp. B

AB18
“MIDI Channel”2–1a
EXTEX2
“MIDI Channel”MIDI
18“MIDI Channel”

“Local Control On”GLO- BAL 1–1a MIDI IN

“Status”2–1aINT1 A2B
“Arpeggiator Run A, B”0–4a/5a7–1a
[ARP ON/OFF]
12

Arpeggiator A
Arpeggiator B
Arpeggiator Assign
Pattern - A
Pattern - B
Pattern - A
Pattern - B
Trigger = Gch
Trigger = Gch
212345“MIDI Channel”2–1a
GchGch02Gch03“Status”2–1aINT OffINTOffINT23
A45B
“Arpeggiator Run A, B”0–4a/5a7–1a
[ARP ON/OFF]
124 Gch“Status”Off
[ARP ON/OFF]
23A45 B
AB MIDI
Gch
5

49
Arpeggiator A
Arpeggiator B
Arpeggiator Assign
Off Timbre 1 MIDI Ch=Gch Status=INT

Copy Arpeggiator
“From”

B
A & B
[EXIT/CANCEL]
Arp. AAArp. B B
“Copy Arpeggiator”7–1
Program
7–2a
7–2b
Pattern* [Preset-0...Preset-4, U000...U250]
Velocity [001...127, Key, Step]
PROG 7: Ed–Arp/Ctrls p.25
*:0–4: Arp. A0–5: Arp. B
7–2(3) b: (Tempo (Tempo) [040...240, EXT] R E A L T I M E CONTROLS C[TEMPO]
p.34 “ (Tempo)”0–1a
7–2(3): UTILITY
Write CombinationSolo Selected Timbre0–1 Copy Arpeggiator7–1
7–4: Zone (Scan Zone)
AB
7–4a
7–4a: Scan Zone A/B Zone Map AB“Scan Zone”

Top (A-Top Key) [C–1...G9] A
50
A: Vel (Velocity)
“Top”“Btm”
B: Vel (Velocity)
“A: Key”“A: Vel”
X50: [ENTER]

7–4: UTILITY
Write CombinationSolo Selected Timbre0–1 Copy Arpeggiator7–1
7–5: Controls X50
7–5a
7–5a: Knob B Assign REALTIME CONTROLS [1][4]B
p.162 Realtime Control Knobs B Assign List REALTIME CONTROLSB
[1][4]

Knob1–B (Knob1–B Assign) [Off...MIDI CC#95]
X50: 7–5b: SW1/2 Assign X50[SW1][SW2]p.161 SW1, SW2 Assign List
[SW1][SW2]

SW1 Mode [Toggle, Momentary]
SW2 Mode [Toggle, Momentary]
51
8–1: BUS
18

BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off] 18 8–2c: Routing Map
DKi t :“Mode Oscillator Mode”DrumsPROG 1–1a
DKit
“BUS Select”Snare IFX L/RDkit
SnareIFXL/R
1 / 2 1 8
INDIVIDUAL OUTPUT 12
MIDI CC#10AMS Alternate Modulation Source
L/RMAIN OUTPUT L/ MONOR

INDIVIDUAL OUTPUT 12“BUS Select” IFX“Inset Effect”8–2a00: No EffectIFX“BUS Select”8–2a1/2
S1 (Send1(MFX1)) [000...127]
S2 (Send2(MFX2)) [000...127] 1812
“BUS Select”L/ROff IFX12 Setup IFX“S1Send1 MFX”“S2Send2MFX”8–2a
“BUS Select”121/2

“S1 Send1MFX1”“S2Send2MFX2”PROG 8– 2a
8–1: UTILITY
Copy Insert Effect
PROG 8–1
MIDI
DKit IFX Patch (DrumKit IFX Patch) “BUS Select”
L/R
“DKit IFX Patch”
“DrumKit IFX→”L/R
[MENU/OK][EXIT/ CANCEL]DrumKit
IFX→ IFX
8–2a
8–2c
8–2b
Insert Effect [00...89: name]
52
S1 (Send1 (MFX1)) [000...127]
S2 (Send2 (MFX2)) [000...127] ProgramPROG 8–2 Dmod“PanCC#8” “Send 1MFX1”“Send 2MFX2”MIDI Program“Control Channel” 8–2bMIDI
Program
8–2b: Control Channel Control Channel [Ch01...16, G ch, All Rt.]

Dmod“PanCC#8” “Send 1MFX1”“Send 2MFX2”
MIDI

G ch: MIDI“MIDI Channel”GLOBAL 1–1aG ch All Rt. All Routed:

“B U S Select”8–1aDKit“BUS Select”GLOBAL 4–3a“DrumKit IFX Patch”8–1b
MIDIAll Rt.

T01...8: BUS Sel [DKit, L/R, IFX, 1, 2, 1/2, Off] 18

8–2: UTILITY
Write CombinationSolo Selected Timbre0–1 Copy Insert EffectPROG 8–1Dkit IFX Patch8– 1Select by CategoryPROG 8–2
8–3: IFX (Insert Effect) SetupIFX
p.104
9–1: Setup
EQ“MFX1 Control Ch”“MFX2 Control Ch” “MEQ Ctrl”ProgramPROG 9: Ed–MasterFX
9–1a
9–1b
MFX1 On/Off, MFX2 On/Off [Off, On]
Master Effect 1, 2 [00...89: name]
Rtn 1, 2 (Return 1, 2) [000...127] ProgramPROG 9–1: Setup
MIDI Program
“MFX1, 2 Control Ch”MIDI Program

DmodMIDI
G ch: MIDI“MIDI Channel”GLOBAL 1–1aG ch
9–1b: MasterFX Chain
MFX Chain [Off, On]
Signal (Chain Signal)[LR Mix, L Only, R Only]
Level (Chain Level) [000...127] ProgramPROG 9–1: Setup
9–1c: Master EQ Gain [dB]
Low [–18.0...+18.0]
Mid [–18.0...+18.0]
9–1d: MEQ Ctrl
EQDmod MIDI
G ch: MIDI“MIDI Channel”GLOBAL 1–1aG ch
9–1: UTILITY
Write CombinationSolo Selected Timbre0–1 Select by CategoryPROG 9–1
Copy Master Effect

Setup“Master Effect1”“Master Effect2”
p.104
EQ3EQL/RMAIN OUTPUT L/MONOR
EQ
“High Gain”“Low Gain” “Low Gain Mod-Src.” “High Gain Mod-src.”p.149
9–4: UTILITY

X50
X50: [VALUE]
[INC][DEC]
[ENTER]

“Multi Mode”GLOBAL 0–2afor Master
“Status”2–1a/2aEXTEX2 BTHMIDI
1, 2 IFX
IFX 1, 2
MIDI MIDI MIDI

p.59
p.61
: Prog ChangeAfterTouch JSRibbon Ctrlp.64
MIDI Filter 2 4: MIDI Filter2 : Realtime Control Knob SWOther Ctrl Change p.65
Key Zone 5: Key Zone p.67
Vel Zone 6: Vel Zone
p.68
p.69

56
“Rename Track”0–
1

BTHMIDI “Status”INTBTH MIDI
“Status”EXTEX2
040...240: “MIDI Clock”GLOBAL 1–1a Internal
EXT: “MIDI Clock”Ext-MIDIExt-USBAuto
MIDI
X50: [ENTER]
GLOBAL 0–3: Foot“Foot SW Assign” Tap TempoASSIGNABLE SWITCH


Multi Information
[SW1][SW2]REALTIME CONTROLS B [ASSIGNABLE1 4]

EQ
“To”1 8 9 16
“To”Track1 to 8“Auto adjust Arpeggio Setting”“Auto adjust Ar- peggio Setting”

[EXIT/CANCEL]
GM
9: MasterFX
GM Initialize Parameters
0 Program Select G001:Acoustic Piano gd001:STANDARD Kit
Pan C064 C064
Volume 100 100
2 Status
Send1MFX1 0 0
Send2MFX2 40 40
Return1 127
Return2 050
0–2: Prog..8 (Track Program T01...08)
0–3: Prog..16 (Track Program T09...16)

microX: [A…E 000...127, G...g 001...128: name]

GM2GM2 19d

[ENTER]

[π][†]
PROG BANK [A][GM]p.35 “Se lec t by Category”
p.36 MIDIp.171
p.36 MIDIp.171

for Master
MIDI“Status” EX2–
“BankEX2 LSB”“BankEX2 MSB”2– 1aMIDI
PLAY/MUTE [PLAY, MUTE]
PLAY:
MUTE:
Selected Track Information
MIDI
Select by Category
ProgramProg..8Prog..16

0–4a
L001...C064...R127: L001R127
Left Center Right
Pan (CC#10)
OSC1 OSC2 OSC1: Amp1 Pan=L032 OSC2: Amp2 Pan=R096
Pan (CC#10)
Left Center Right
Pan (CC#10)

8: InsertFX, Setup“PanCC#8”

RND:
“Status”2–1a/2a INTBTHCC#10 CC#10
0164127
“Multi Mode”GLOBAL 0–2a for Mas- ter
“Status” EXTEX2BTH
MIDIRND
Volume [000...127] 1 16
“Status”2–1a/2a INT BTHCC#7
MIDICC#7
CC#11“Multi Mode” GLOBAL 0–2a for Master “Status” EXTEX2 BTHMIDI
59
1Select by Category0–2(3)
microX: 0–6: Ext. Control REALTIME CONTROLS MIDI
4MIDIMIDI
1124×3MIDI
64
Ext. Control (Setup Select) [00...63]

Select [A, B, C]
ABC[SELECT]
MIDI Channel [01...16, Gch] MIDI
Gch: GlobalMIDI

1Select by Category0–2(3)
MULTI 1: Tone Adjust

1–1a
Destination 1–6 [LPF Fc…Reverse]
Value 1–6 [–99…+99, –12.00…+12.00, –1200…+1200, Off…On] “Destination 1–6”
+00PRG

+3000Detune1
HoldReverse “Destination”
60
LPF Fc (Low Pass Filter Cutoff Frequency) [–99…+00…+99]
OSC1/2

p.175
Reso.HP (Resonance/High Pass Filter Cutoff Frequency) [–99…+00…+99] OSC1/2

CC#71
p.175
F EG Int (Filter EG Intensity) [–99…+00…+99] OSC1/2 EG EGCC#79
p.175
OSC1/2
Amp Modu- lation “Velocity Intensity”p.22 6–2b
F.A EG A (Filter/Amp EG Attack Time) [–99…+00…+99]
OSC1/2 EG

CC#73
p.175
F.A EG D (Filter/Amp EG Decay Time) [–99…+00…+99]
OSC1/2 EG
p.175
F.A EG S (Filter/Amp EG Sustain Level) [–99…+00…+99]
OSC1/2EG
F.A EG R (Filter/Amp EG Release Time) [–99…+00…+99]
OSC1/2 EG
CC#72
p.175
F EG A (Filter EG Attack Time) [–99…+00…+99] F EG D (Filter EG Decay Time) [–99…+00…+99] F EG S (Filter EG Sustain Level)
[–99…+00…+99] F EG R (Filter EG Release Time)
[–99…+00…+99] “AAttack Time”“DDecay Time”“SSastain Level”“RRelease Time” Filter
PROG 4–5a
A EG A (Amp EG Attack Time) [–99…+00…+99] A EG D (Amp EG Decay Time) [–99…+00…+99] A EG S (Amp EG Sustain Level)[–99…+00…+99] A EG R (Amp EG Release Time)[–99…+00…+99] “AAttack Time”“DDecay Time”“SSastain Level”“RRelease Time”Amp
PROG 6–3a6–6a
LFO1 Sp (LFO1 Speed) [–199…+00…+199] OSC1/2LFO1CC#76 p.175
PLFO1 I. (Pitch LFO1 Intensity) [–12.00…+00.00…+12.00]
OSC1/2 LFO1LFO1 CC#77 p.175
LFO1 Fd (LFO1 Fade) [–99…+00…+99] OSC1/2LFO1“Fade”LFO
3 – 1 a p.14
LFO1 Dl (LFO1 Delay) [–99…+00…+99] OSC1/2 LFO1
LFO
p.175

Performance Editor “StretchPitch Stretch”0–2b
p.4
Dtune 1(Detune 1) [–1200…+0000…+1200] O S C 1 O S C 1 Multisample“Tune”1–2c p.8
Dtune 2 (Detune 2) [–1200…+0000…+1200] O S C 2 O S C 2 Multisample- “Tune”1–2c p.8
“Oscillator Mode”1–1a p.6Double
Hold [Off, PRG, On] Voice Assign “Hold”1–1b p.6

61

Off
Reverse [Off, PRG, On] OSC1/2
“Rev Reverse”PROG 1–2b p.8 GLOBAL 4–1b p.87On
Off PRG

MULTI 2: Track Param
MIDI
Status [INT, Off, BTH, EXT, EX2] MIDIStatus
INT: MIDIMIDI MIDI INT

“Control Track”0–1a
MIDI Off: MIDI
BTH: INT EXTBTH
EXT: MIDI
EXT
MIDIMIDI
EXT
1, 2 IFX IFX 1, 2MIDI
EX2: “BankEX2 MSB”“BankEX2 LSB”
Agd
MIDI
EXT
INT ×
MIDI
“Status”EX2
2–3: OSC..8 (OSC T01–08)
2–4: OSC..16 (OSC T09–16)

2–3(4)a: Force OSC Mode, OSC Select, Portamento
Force OSC Mode [PRG, Poly, Mono, LGT] 18916“ModeVoice Assign Mode”PROG 1–1bCOMBI 2–
2a
OSC Select [Both, OSC1, OSC2] 1 89 16 “Mode Oscillator Mode”PROG 1–1a“Mode Oscillator Mode”Double
COMBI 2–2a
COMBI 2–2a
“Status”2–1a/2a INTBTHCC#05 CC#65
PRG CC#05
“Status”BTHEXTEX2 MIDI“Multi Mode”GLOBAL 0–2afor Master
MIDI
PRG
2–3(4): UTILITY
2–5: Ptch..8 (Pitch T01–08)
2–6: Ptch..16 (Pitch T09–16)

Transpose [–24...+24]
0

“Transpose”“Detune” MIDI RPN1 16 “ModeOsci l l a tor Mode”PROG 1–1a

MIDI RPN“Transpose” “Detune”

“ModeOscillator Mode”DrumsMIDI RPN
“Detune”

PRG:
“MIDI Channel”2–1a/2a
MIDI
63
2–5(6): UTILITY
Write MultiCopy From Combi0–1 PROG 0–1: UTILITY

B P M
“Detune BPM Adj.”
“Detune”
“Detune” PROG 1–2c1–3GLOBAL 4– 1b4–2 “Detune BPM Adj.”COMBI 2–3

KeyOff:
EG0

0
Use Prog’s Scale [Off, On] “Scale”PROG 1–1c

2–7(8)b: Scale
Type (Multi’s Scale) [Equal Temperament...User Octave15]

Key [C…B]
“Key”PROG 1–1c
“Random”PROG 1–1c
64

1 2 MIDI
On: MIDI

MIDI
MIDI
MIDI “MIDI Filter”GLOBAL 1–1b
REALTIME CONTROLS[SW1][SW2]X50
MIDI
MIDI Filter2 1
Off: MIDI

3–1: M1–1..8 (MIDI Filter 1–1 T01–08)
3–2: 1–1..16 (MIDI Filter 1–1 T09–16)
3–1a
Program Change [

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X50, microX Parameter guide

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