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Xun Feng-Concerto 2013 (Cover+text) · ã & ã &? &?? &?? & & &? & & & & B &? t &? & & & & & & & &...

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& ã & ã & ? & ? ? & ? ? & & & ? & & & & B & ? t & ? & & & & & & & & 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Percussion 1 Percussion 2 Percussion 3 Percussion 4 Horn 1-2 Horn 3-4 Trumpet 1-2 Trombone 1-2 Double Bassoon Bass trombone Flute 1 Oboe 1 Clarinet 1 Bassoon 1 Violin I Violin II Viola Cello Double Bass Flute 2 Oboe 2 Clarinet 2 Flute 3 Oboe 3 Clarinet 3 Sheng solo Dizi solo Harp Pipa solo Gu Zheng solo Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Œ j œ n ˙ w n * Tempo rubato U U U U U U U U U U U U U U U U U U U U U U U U U U U U U U U U U q =c.40 o Center-back (on stage) Center-right (on stage) Center-core (on stage) (on stage) Center-fore Left side (off stage) Right side (off stage) Tam-tam (L) Crotales arco "Seagull effect" Tutti A Thin metal stick IV (on stage) Back-left (off stage) (off stage) enter imperceptibly very long from far sempre ** Air sound with chromatic scale gliss. freely Air sound with chromatic scale gliss. freely Air sound with chromatic scale gliss. freely Air sound with chromatic scale gliss. freely enter softly * ** Fore-Left Back-Right Tibetan singing bowl (S) (Sounds one octave higher than written!) Fore-Right (on stage) metal head mallet (sound Perfect 5th lower as written) (sound Perfect 5th lower as written) enter softly (Straight mute) C.S enter softly *** E F G A B C D Alto flute (Sounds Perfect 4th lower as written) Close position for W.T Bass Clarinet in Bb (Sounds major 9th lower as written) n n n n n m m crotales on timpani div. div. div. (Sounds major 2nd lower than written) Tpt. 1 Tpt. 2 Back (on stage) Center-left (on stage) ˙ Ó J œ > Œ Ó j œ # ° > Œ Ó J œ . ˙ w n R œ Œ Ó R œ n ¨ Œ Ó Œ . ˙ n . J ¿ n > R Œ J > J J R Œ R > J J J R Œ Œ J > J J J r Œ . J > J J J R Ó ˙ # ¥ œ > ¥ ˙ # ? Œ . ˙ n Œ j œ # ˙ ¥ ¥ ¥ w ß F Scrape quickly! (on surface) gliss. l.v l.v P ~ dynamic fluctuations irregularly P ~ dynamic fluctuations irregularly freely with different harmonics dolciss. sempre E.S.P S.P molto arco S.V ß ß ß ß l.v o o o o enter softly ç s.l. fast ß ç secco sempre sempre enter softly . Whistle tone (W.T) ß S.V secco ç Ó j œ n œ . ˙ œ æ . œ . œ Œ . ˙ œ ˙ ˙ ¥ w Œ . ˙ n . ˙ œ ˙ ˙ w enter softly enter softly enter softly enter softly C.V dolciss. enter softly ord. Come prima P C.S S.V ord. solo p enter softly enter softly dolciss. "shakuhachi" attack (air sound) 1/4 tone bending œ ˙ Œ Œ J œ > Œ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ Œ j œ # ° > Œ Œ œ æ R œ ¨ Ó Œ . ˙ n R œ Ó Œ R œ n ¨ Ó œ r ÷ ¥ Ë Ó Œ œ œ n # Œ Œ . ˙ n Œ . ˙ n Œ ¥ ˙ n # Œ . ˙ n Œ ¥ ˙ n n w ¥ w . ˙ œ j œ j n > j J ‹> j j œ . œ n 3 œ ˙ > r œ Œ J œ # ˙ Œ j œ n ˙ Œ J œ n ˙ Œ . ˙ # Œ . ˙ n w Œ j ± ¨ . ˙ n F ß P (on edge) enter softly dolciss. S.V S.V S.V S.V sempre sempre ß sempre f Sub. gliss. l.v arco pizz. gliss. espr. fast strike l.v l.v l.v l.v F enter softly sempre sempre espr. ß Come prima ç Z ç l.v sempre ß M S.V (Buzzing sounds) *** S.V S.P S.P solo solo Tutti Tutti sempre ß Jet whistle ç Sub. ord. gradually S.V S.V S.V S.V C.V enter softly S.V S.V enter softly ç secco secco Ó j œ n œ Ó Œ J œ Ó Œ J œ ˙ ˙ j œ n J J œ n > j Œ 3 . ˙ œ w ¥ w w . . ¥ ˙ ¥ œ ˙ ˙ ¥ w j œ Œ j œ . œ j œ n ˙ 3 ˙ œ œ k œ a æ 3 œ œ k œ N æ œ æ j œ æ 3 œ œ œ l œ N æ œ æ 3 w w w w l.v P P C.V C.V espr. espr. dolciss. gliss. molto espr. ~ F p C.V p F ord. Always change from s.l./ord./s.r freely ord. F f Sub. S.V C.V p l.v C.V p P ~ continue irregularly dynamic fluctuations. C.V P p F espr. 1/4 tone bending Bamboo wind chimes S.V f j œ j œ n ˙ j œ 3 J œ . ˙ . ˙ œ æ j œ n J J œ n > j Œ 3 j œ Œ j œ . œ ˙ j œ b ˙ > ¥ w œ ˙ j œ b œ > ¥ w j œ # ˙ ˙ ¥ ˙ ¥ ˙ j œ n ˙ 3 w œ æ J œ æ Ó J œ æ Œ Ó œ œ œ k œ a æ œ æ 3 œ œ k œ N æ œ æ j œ æ 3 ˙ ˙ ˙ œ æ œ l æ œ N 3 Rubbing on the surface f p irregularly l.v C.V P P espr. espr. Superball-head stick dolciss. f Sub. gliss. enter softly f P enter softly enter softly F F p F F p P p C.S C.S enter softly S.V S.V f f molto espr. molto espr. C.V gradually C.V solo solo (If not low D, then play octave higher!) Sweeping across (freely) Tpt. 1 p f J œ R œ ¨ Œ Œ œ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ 3 Œ r œ # ° ¨ Œ Œ œ œ n # æ 3 œ æ R œ ¨ Œ Ó 3 ? Œ J œ # . ˙ 3 Œ j œ n . ˙ 3 Œ j œ n . ˙ 3 Ó ˙ n & j œ ˙ 3 w ¥ ˙ ¥ ˙ œ . ˙ . . ¥ ˙ ¥ œ œ ¥ œ # J > J ¥ œ # w ¥ j ¥ n > ¥ # . ¥ 3 w Œ j œ n . ˙ 3 w J œ æ Œ Ó ˙ ˙ ˙ # æ ÷ ¥ > j œ j œ b ˙ n œ n ß (on edge) Thin metal stick l.v Sempre l.v f molto molto S.V S.T F espr. dolciss. ß fast l.v l.v M ß ( ) F p espr. P ß ( ) ß sempre sempre sempre S.V sempre sempre Beat and hold with both hands! P " 尋風 " (Xun Feng) CHONG Kee Yong Edition Studio C; Full score 27-1 This version is dedicated to conductor CHIANG Ching Po and soloists LIN Hui Kuan, YEH Jiuan-Reng, WU Chung-Hsien, HUANG Lung-Yi See the instrumental layout setting. Concerto for 4 Chinese instruments (Pipa, Gu Zheng, Dizi & Sheng) and symphony orchestra (Original 2013 version for Chinese orchestra; version 2013 is for symphony orchestra) (*1971) --In memory of my beloved mentor Prof. Rao Yu Yan-- Artificial harmonics gliss. (Ad lib. higher register) where the distance between fingers remain same during the gliding. Metallic sounds with the fork noise by keeping the pedal on halfway between two notches (irregular position), and let strings striking it other to create the buzzing sounds. www.chongkeeyong-studio-c.com
Transcript
  • &

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    Percussion 1

    Percussion 2

    Percussion 3

    Percussion 4

    Horn 1-2

    Horn 3-4

    Trumpet 1-2

    Trombone 1-2

    Double Bassoon

    Bass trombone

    Flute 1

    Oboe 1

    Clarinet 1

    Bassoon 1

    Violin I

    Violin II

    Viola

    Cello

    Double Bass

    Flute 2

    Oboe 2

    Clarinet 2

    Flute 3

    Oboe 3

    Clarinet 3

    Sheng solo

    Dizi solo

    Harp

    Pipa solo

    Gu Zheng solo

    ¤€ ¤€ ¤€

    Ÿ~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~

    ¤€ ¤€ ¤€

    Œ ‰ jœn ˙

    wn

    *

    Tempo rubato

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    U

    q =c.40

    o

    Center-back(on stage)

    Center-right(on stage)

    Center-core

    (on stage)

    (on stage)Center-fore

    Left side(off stage)

    Right side(off stage)

    Tam-tam (L)

    Crotalesarco

    "Seagull effect"

    Tutti

    A

    Thin metal stick

    IV

    (on stage)

    Back-left(off stage)

    (off stage)

    ∏enter imperceptibly

    very long from far

    sempre

    **

    Air sound with chromatic scale gliss. freely

    Air sound with chromatic scale gliss. freely

    Air sound with chromatic scale gliss. freely

    Air sound with chromatic scale gliss. freely

    enter softly

    ***

    Fore-Left

    Back-Right

    Tibetan singing bowl (S)

    (Sounds one octave higher than written!)

    Fore-Right

    (on stage)

    metal head mallet

    (sound Perfect 5th lower as written)

    (sound Perfect 5th lower as written)enter softly

    (Straight mute)C.S

    enter softly

    ***

    E F G AB C D

    Alto flute

    (Sounds Perfect 4th lower as written)

    Close position for W.T

    Bass Clarinet in Bb

    (Sounds major 9th lower as written)

    nn

    nnn

    mm

    crotales on timpani

    div.

    div.

    div.

    (Sounds major 2nd lower than written)

    Tpt. 1

    Tpt. 2

    Back(on stage)

    Center-left (on stage)

    ˙Ó

    Jœ> ‰ Œ Ó

    jœ#°

    >‰ Œ Ó

    ‰ Jœ.˙

    wnRœ ≈ ‰ Œ Ó

    Rœn ¨ ≈ ‰ Œ Ó

    Œ.˙n

    ≈.

    J¿n>

      R  ≈ ‰ Œ

    ‰ J�>

    J  J 

    R  ≈ ‰ Œ

    ‰ ≈ R�>

    J  J  J  R

      ≈ Œ

    Œ J�>

    J� J� J� r� ≈ ‰

    Œ ≈.

    J�>

    J  J  J  R

      ≈

    Ó˙#

    ¥œ>

    � ¥̇#?

    Œ.˙n

    Œ ‰ jœ# ˙

    ¥ ¥ ¥

    w

    ß

    FScrape quickly! (on surface)

    gliss.

    l.v

    l.v

    π

    π P~ dynamic fluctuations irregularly

    π P~dynamic fluctuations irregularly

    freely with different harmonics

    dolciss.

    sempre

    E.S.P

    S.P

    molto

    π

    arco

    S.V

    ß

    ß

    ß

    ß

    l.v

    o

    o

    o

    o

    ∏enter softly

    ç

    s.l.

    fastß

    π

    ç secco

    sempre

    π sempre

    enter softly

    . Whistle tone (W.T)

    ß π

    S.V

    seccoç

    Ó ‰ jœn œ

    .˙ œæ

    .œ .œ Œ

    .˙ œ

    ˙ ˙

    ¥w

    Œ.˙n

    .˙ œ

    ˙ ˙

    w

    enter softly

    enter softly

    enter softly

    enter softly

    C.V

    π

    π dolciss.

    enter softly

    ord.

    Come prima

    P π

    C.S

    S.V

    ord.

    solo

    p

    enter softly

    enter softly

    dolciss.

    "shakuhachi" attack (air sound)

    1/4 tone bending

    œ ˙ Œ

    Œ Jœ> ‰ Œ̄            �

    Œ jœ#

    °

    > ‰ Œ Œ

    Ͼ R

    œ̈ ≈ ‰ Ó

    Œ .˙nRœ ≈ ‰ Ó

    ŒRœn ¨ ≈ ‰ Ó

    œ

    r÷¥Ë

    ≈ ‰ Ó

    Œœœn# ��

    Œ

    Œ.˙n

    Œ .˙n

    Œ ¥̇n#

    Œ .˙n

    Œ ¥̇nn

    w

    ¥w

    .˙ œ

    jœ j‹n>

    j  ‰ J‹>

    j� jœ .  œn

    3

    œ ˙> r

    œ≈ ‰

    Œ ‰ Jœ# ˙

    Œ ‰ jœn ˙

    Œ ‰ Jœn ˙

    Œ .˙#

    Œ.˙n

    w

    Œj±

    ¨

    .˙n

    F

    ß P π

    (on edge)

    enter softly

    dolciss.

    S.V

    S.V

    S.V

    S.V

    sempre

    sempre

    ß

    sempre

    π

    π

    π

    π

    π

    πf Sub. gliss.

    l.v arcopizz.

    gliss.

    espr.

    π

    fast

    strike

    l.v

    l.v

    l.v

    l.v

    π

    F

    enter softly sempre

    sempre

    espr.

    ß

    Come prima

    ç

    Z

    ç

    l.v

    π sempre

    ßM

    S.V

    (Buzzing sounds)***

    S.V

    ∏S.P

    S.P

    solo

    solo

    Tutti

    Tutti

    π sempre

    ß

    Jet whistle

    ç Sub.

    ord.

    gradually

    S.V

    S.V

    S.V

    S.V C.V

    π

    enter softly

    S.V

    S.V

    enter softly

    ç

    secco

    secco

    Ó ‰ jœn œ

    Ó Œ Jœ ‰

    Ó Œ ‰ Jœ

    ˙ ˙

    ‰ jœn J  ‰ J

    œn >j�

    ‰ Œ3

    .˙ œ

    w

    ¥w

    w

    ..¥̇ ¥œ

    ˙ ˙

    ¥w

    jœ‰ Œ ‰ jœ .  œ

      j  œn ˙3

    ˙ œ œk œaæ

    3

    œ œk œN æ œæj

    œæ‰3

    œ œ œl œNæ

    Ͼ

    3

    w

    w

    w

    w

    l.v

    P

    P

    C.V

    C.V

    espr.

    espr.

    dolciss.

    πgliss.

    molto espr.

    π ~

    π

    π

    F

    p

    C.V

    p F

    ord.

    Always change from s.l./ord./s.r freely

    ord.

    F

    f Sub.

    S.V

    C.V

    p

    l.v

    C.V

    p P~ continue irregularly dynamic fluctuations.

    C.V

    P p F πespr.

    1/4 tone bending

    Bamboo wind chimes

    π

    S.V

    f

    ‰ jœn ˙ jœ ‰3

    ‰ Jœ.˙

    .˙ œæ

    ‰ jœn J 

    ‰ Jœn > j�

    ‰ Œ3

    ‰ Œ ‰ jœ .  œ

    ˙j

    œb >̇

    ¥w

    œ ˙j

    œb œ>

    ¥w

    jœ# ˙ ˙

    ¥̇ ¥̇

      j  œn ˙3

    w

    Ͼ J

    œæ ‰ Ó

    æ ‰ Œ Ó

    œ œ œk œaæ

    Ͼ

    3

    œ œk œN æ œæj

    œæ‰3

    ˙ ˙

    ˙ œæ œl æ œN3

    Rubbing on the surface

    f ∏

    p irregularly

    l.v

    C.V

    P

    P

    espr.

    espr.

    Superball-head stick

    π dolciss.

    πf Sub. gliss.

    enter softly

    f π

    P

    enter softly

    enter softly

    F

    F π

    π

    p F

    πFp

    P p

    C.S

    C.S

    enter softly

    S.V

    S.V

    f

    fmolto espr.

    molto espr.C.V

    graduallyC.V

    solo

    solo

    (If not low D, then play octave higher!)

    Sweeping across (freely)

    Tpt. 1

    p f

    Jœ ‰ Rœ̈ ≈ Œ Œ œ̄              3

    Œ rœ#°

    ¨≈ Œ Œ œœn# æ

    3

    Ͼ R

    œ̈ ≈ Œ Ó3 ?

    Œ Jœ# .˙3

    Œ jœn .˙3

    Œ jœn .˙3

    Ó˙n

    ∑ &

      j  œ ˙3

    w

    ¥̇ ¥̇

    œ .˙

    ..¥̇ ¥œ

    œ ¥œ#J

    ——>

    J  ¥œ#

    w¥j¥n>

    ¥# .¥3

    w

    Œ jœn .˙3

    w

    Jœæ ‰ Œ Ó

    ˙ ˙˙#æ

    ÷¥

    >jœ ‰

    jœb ˙n œn

    ß

    (on edge)Thin metal stick

    l.v

    Sempre l.v

    f πmolto molto

    S.VS.T

    Fespr.

    π

    π

    π dolciss.

    ß

    fast

    l.v

    l.v

    π

    ( )

    Fp espr.

    P π

    ß( )

    πß

    π

    sempre

    sempre

    sempre

    S.V

    π sempre

    π

    sempre

    Beat and hold with both hands!

    P

    "尋風" (Xun Feng)

    CHONG Kee Yong

    Edition Studio C; Full score 27-1

    This version is dedicated to conductor CHIANG Ching Po and soloists LIN Hui Kuan, YEH Jiuan-Reng, WU Chung-Hsien, HUANG Lung-Yi

    See the instrumental layout setting.

    Concerto for 4 Chinese instruments (Pipa, Gu Zheng, Dizi & Sheng) and symphony orchestra(Original 2013 version for Chinese orchestra; version 2013 is for symphony orchestra)

    (*1971)--In memory of my beloved mentor Prof. Rao Yu Yan--

    Artificial harmonics gliss. (Ad lib. higher register) where the distance between fingers remain same during the gliding.Metallic sounds with the fork noise by keeping the pedal on halfway between two notches (irregular position), and let strings striking it other to create the buzzing sounds.

    www.chongkeeyong-studio-c.com

  • &

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    Perc. 1

    Perc. 2

    Perc. 3

    Perc. 4

    Hrn. 1-2

    Hrn. 3-4

    Tpt.

    Tbn.

    D.Bsn.

    B Tbn.

    Fl. 1

    Ob. 1

    Cl. 1

    Bsn.

    Vln. I

    Vln. II

    Vla.

    Vc.

    D.B.

    Fl. 2

    Ob. 2

    Cl. 2

    Fl.3

    Ob.3

    Cl.3

    Sh. solo

    Dizi solo

    Hp.

    Pp. solo

    Gz. solo

    ¤€

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    √ √

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    8∑

    Ó Œ Jœ ‰

    ..˙æ̇ œœæ

    °

    8.˙ œœn

    æ

    w

    8˙ ˙˙# æ

    8∑

    8

    .˙ œ

    8∑

    w

    8∑

    ˙ ¥̇b

    ¥̇ ¥̇

    w

    ..¥̇ ¥œ

    ¥w

    w

    w

    Ó˙

    .˙ œ

    8∑

    8∑

    Ó ˙n

    8 ww

    8 w

    f

    π

    ord.

    enter softly

    *

    div.

    div.

    f

    S.P

    S.P

    S.T

    πenter softly

    πenter softly

    Pluck strings freely, improvise-like!

    div.

    solo

    div.

    div.

    div.

    Tpt. 2

    Ó˙#

    Ó Jœ> ‰ œ̄            

    ˙æ̇ ˙æ̇>

    Ó Œ ‰ jœ#

    ˙̇æ R

    œœ¨ ≈ ‰ Œ

    ˙̇bæ R

    œœ̈ ≈ ‰ Œ

    ˙æ̇rœœ¨

    ≈ ‰ Œ

    Ó rœ# ≈ ‰ Œ

    œ

    r÷¥Ë

    ≈ ‰ Ó

    Ó ¨  

    ¨ 

    ¨

     

    ¨

     

     ¨

     

    ¨ ¨

     ¨

     

    ¨ ¨Œ

    w

    ¥̇ ¥̇

    ¥̇ ¥̇

    ¥wb

    ¥w

    ..¥̇ ¥œ

    ¥̇ ¥̇

    .˙ œ

    w

    œ .˙

    ¥ ¥ ¥

    jœ j‹n>

    j  ‰ J‹>

    j� jœ .  œn

    3

    ˙n œ œ

    Ó ‰ jœ#

    >

    œ

    Ó Œœ# >

    œn œ ÷>

    ww

    ˙ œ

    >

    œ

    >

    œ œ

    >

    Jœ3 3

    (on edge)

    πPß

    (on surface)

    π

    (Pedal gliss. freely)

    ß

    ß

    π

    P

    P

    ß

    πf Sub.gliss.

    l.v arcopizz.

    gliss.

    espr.F

    S.Pgliss. Harm. gliss. freely

    * gradually

    * gradually

    ßM

    Improv. freely

    π

    gongs (Deep)

    f

    ß

    ß

    çM

    secco

    f

    ∏ dolciss.

    π

    P.O

    π

    ß

    Natural harm. close to the bridge!

    P

    ƒ

    P

    ˙‰ .œ

    ˙æ̇ jœœ ..œœ

    ‰ jœn J 

    ‰ Jœn > j�

    ‰ Œ3

    ?

    .˙ œ

    ¥̇ ˙

    ¥w

    ¥w

    ¥w

    ¥̇ j¥œ ..¥œ>

    ¥w

    jœ‰ Œ ‰ jœ .  œ

    w

    ˙ jœ .œ

      j  œn ˙3

    ÷ >

    ˙

    ˙Ó

    .˙Œ

    .˙ Œ

    ww

    >

    Jœ œ œ

    >

    œ

    >

    œ

    >

    ˙>

    3 3

    ∏ dolciss.

    F

    πF π(on edge)

    Sempre l.v

    π dolciss.

    ord.

    f

    gliss.

    ßM

    gradually

    π

    π

    ç

    p

    π dolciss.

    f

    P.O

    f

    F

    ord.

    ord.

    C.V P.O

    π P

    fp

    l.v

    œ‰ .œn œ

    Ͼ

    .˙æ

    ˙æ̇ ˙æ̇

    ‰ jœn J  ‰ J

    œn >j�

    ‰ Œ3

    ‰ Œ ‰ jœ .  œ

    w

    ¥w

    w

    ¥w

    ..¥̇ ¥œ

    ¥œ   >  

    >  

    > >  

    >¥œb >

    ¥̇ ¥œ6

      j  œn ˙3

    w

    w

    w

    œ Œ Ó

    ww

    w

    S.P

    f

    irregularly

    Rubbing the edge

    πl.v

    molto

    p P

    p

    enter softly

    enter softly

    f

    dolciss.

    enter softly

    S.V

    S.V

    S.V

    gliss.

    fCome prima

    Come prima

    Come prima

    p

    π P

    S.V

    π dolciss.

    P.O

    π

    S.T

    "shakuhachi" attack (air sound)

    π

    f

    S.P

    a2

    a2

    f

    Tpt. 1

    œ Œ Ó

    Jœæ‰ Rœ̈ ≈ Œ Œ œ̄              

    3

    œœ# ærœœ¨

    ≈ Œ Œ ‰ jœœæ3

    Ó Œ ‰ jœ#

    Œ Jœn œ ˙3

    Œ jœn œ ˙3

    Œ Jœ# œ ˙3

    ŒRœn ¨ ≈ Œ Ó

    3

    Œ jœœnn

    >>  

    œn >j  

    ‰3

      j  œ ˙3

    ‰ J�>

    J  J 

    R  ≈ ‰ Œ

    ‰ ≈ R�>

    J  J  J  R

      ≈ Œ

    Œ J�>

    J� J� J� r� ≈ ‰

    Œ ≈.

    J�>

    J  J  J  R

      ≈

    w

    ¥w

    w

    ¥w

      J——>   jœœ# ˙˙3

    3

    ¥œ ¥œ  J

    ——>   j¥œ¥œ#nn#

    3

    3

    .˙ œ

    w

    œ .˙

    ¥ ¥ ¥

    ˙ ˙

    œœ ...˙˙˙#æ

    Œj±¨

    ±# ˙

    f ∏

    ∏f

    l.v

    πPß

    ƒ l.v

    molto molto

    molto

    l.v

    π

    ç

    π

    π sempre

    sempre

    ß o

    ß o

    ß o

    ß o

    gliss.

    gliss.

    gliss.

    gliss.

    div.

    gliss. Harm. gliss. freely

    div.

    f

    "Ji-Qi"鋸氣

    S.P

    p ~fastirregularly

    Z

    π sempre

    ç ß π

    gliss.

    ç secco

    π sempre

    S.V

    S.T

    sempre

    ord.

    Pç pSub.

    S.T

    sempre∏

    continue irregularly dynamic fluctuations.

    ..˙æ̇ œœæ

    w

    w

    w

    w

    w

    ¥w

    w

    ¥w

    ww

    ¥w¥w

    œ .˙n

    ¥ ¥ ¥ ¥

    w

    ˙ jœ .œ

    ∑ &

    w

    ¥ ¥ ¥ ¥

    œœœ#æ ...˙˙̇Œ ¥n   J¥n ¥

    3

    œ œ  jœn œ

    3

    Œ ¥#   J¥ ¥

    F

    gliss.

    slow gliss.

    Harm. gliss. freely

    p F~ dynamic fluctuations irregularly

    Harm. gliss. freely

    p F~ dynamic fluctuations irregularly

    Sing & play (Sing the diamond shape note)

    fmolto espr.

    F

    Sing & play (Sing the diamond shape note)

    sempre

    S.P

    P

    2

    Gradually increasing lip pressure to become multiphonic and then gradually back to normal pitch.

    www.chongkeeyong-studio-c.com

  • ã

    ã

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    &

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    &

    &

    &

    ?

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    &

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    ?

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    t

    t

    &

    ?

    &

    ?

    &

    &

    &

    &

    &

    &

    &

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    Perc. 1

    Perc. 2

    Perc. 3

    Perc. 4

    Hrn. 1-2

    Hrn. 3-4

    Tpt.

    Tbn.

    D.Bsn.

    B Tbn.

    Fl. 1

    Ob. 1

    Cl. 1

    Bsn.

    Vln. I

    Vln. II

    Vla.

    Vc.

    D.B.

    Fl. 2

    Ob. 2

    Cl. 2

    Fl.3

    Ob.3

    Cl.3

    Sh. solo

    Dizi solo

    Hp.

    Pp. solo

    Gz. solo

    ~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~ ~~~~~~ ~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    44∑

    Ͼ

    Ͼ J

    Ͼ

    ‰ Jœ ‰ Jœ

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    Ó ‰ Jœo ‰ Jœ

    +‰ J‹æ

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    Ój‹

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    ww

    44wo

    44∑

    44Ó

    ˙

    44∑

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    ˙ œæ>

    Rœn

    @ ≈ Jœ œ#

    Ͼ> R

    œn@ ≈ ‰ ˙ œ#

    .¥ œæ

    ¥œ¥œ ..˙̇

    ˙ ˙

    ˙n ˙

    44־ R

    ÷̈ ≈ jœ# æ jœæ œæ3

    œn œn œn œ œ œR  ≈ ‰ .¥n

    44

    ˙3

    œ J

    œ

    œ .  œ≤

    44

    ±@fl

    r± ≈ ‰ Ó

    44

    ±æ j±æ ±r

    ±≈ ‰ Œ3

    44..˙˙ œœæ¥# J¥a ‰

    44

    .± ±@ ±æ j±æ ± Œ3

    (Bow pressure noise)

    F

    p

    π

    π

    P.O S.T

    π

    Come prima

    ( )

    ß ππ

    ßπ*

    π

    f

    f π

    ß

    S.T

    π

    f π

    ( )

    π

    f p

    Hand symbals (S) 小鈸

    (L.H)

    *gliss. gliss.

    π

    ord.

    enter softly

    arco

    sempre

    πenter softly

    enter softly

    ord.

    Come prima

    ß

    ß

    S.P

    S.P P.O

    S.P P.O

    P.O

    solo

    Ó ‰ œo

    Ͼ

    Ͼ J

    Ͼ

    ‰ Jœ ‰ Jœ

    JϾ3 3

    ‹æ J

    ‹æ J

    ‹æ

    ‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3

    Ó Œ ‰ jœ#

    .˙ jœ ‰

    ..˙̇jœœ ‰

    .˙ Jœ ‰

    w

    ¥ ¥ ¥ ¥

    wK

    ˙ œæ>

    Rœn

    @ ≈ Jœ œ#

    Ͼ

    Rœn

    @ ≈ ‰ ˙ œ#

    .˙ œ# œæ

    >

    ww

    .˙ œ

    w

    wn

    œœnn

    >

    œœ

    œœn

    n

    n

    >

    œœ

    œœ

    #

    >

    œœ

    œœ

    n

    >

    ־ R֬

    @œœn#

    æ

    ˘œœnn

    æ

    5

    œn œn œnR  .¥n

    .œ jœ

    ≥>

    .œ œN≤

    j  œN3

    œœæ ˙̇˙n æ Rœœœ

    @

    œœnnœœn#

    œœnn œœnn

    5

                                  

    ß π

    p

    p π

    dolciss.

    π

    ......

    gliss.

    π

    ( )

    πß

    *π ßf

    ß π

    ( )

    Tibetan finger cymbals西藏碰鈴

    Come prima

    sempre

    π

    ß

    nm

    S.T

    ∏ sempre

    o

    o

    o

    P

    Harm. gliss. freely

    π

    Sing and play

    ( )

    ß

    π

    E.S.P

    S.P P.O

    S.P P.O

    S.P

    Jœ œ œ œ Jœæ+

    Ͼ

    Ͼ J

    Ͼ

    ‰ Jœ ‰ Jœ

    JϾ3 3

    ‹æ J

    ‹æ J

    ‹æ

    ‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3

    ‹æ Ój̆‹ ‰ Œ

    w

    w

    ÷ ÷ ÷ ÷

    ˙ œæ>

    Rœn

    @ ≈ Jœ œ#

    Ͼ

    > Rœn

    @ ≈ ‰ ˙ œ#

    .˙æ

    œ

    ww

    ˙ ˙

    w

    w

    ÷æ R÷̈

    @ ≈jœ# æ jœæ œæ

    3

    œn œn œn œ œ œR  ≈ ‰ .¥n

    w≥ ≤

    �˘�

    ˘�˘

    �˘ �

    ˘ �̆ �  ̆  ̆ ̆  ̆ ̆  ̆ ̆  ̆ ÷æ> ÷

    æ7

    Ó˙n œn

    Bowing ad lib.

    p

    p π

    πp

    π πß

    ( )

    *π ß π

    ß π

    ( )

    nm

    Sub.

    Touch with thin metal stick (Buzzing sound!)

    π

    n

    πenter softly

    ( )

    ç

    *gliss.

    gliss.

    ß l.v

    F π

    Improv. freely

    π

    ß

    S.P

    S.P P.O

    S.P P.O

    P.O

    ß

    JϾ+

    œo

    œ œ Jœæ+

    Ͼ

    Ͼ J

    Ͼ

    ‰ Jœ ‰ Jœ

    JϾ3 3

    ‹æ J

    ‹æ J

    ‹æ

    ‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3

    w

    ˙ œæ>

    Rœn

    @ ≈ Jœ œ#

    Ͼ> R

    œn@ ≈ ‰ ˙ œ#

    .˙ œ# œ>æ

    ww

    .˙ œ

    w

    w

    œœnn

    >

    œœ

    œœn

    n

    n

    >

    œœ

    œœ

    #

    >

    œœ

    œœ

    n

    >

    ÷æ R÷̈@œœn#æ

    œœæ

    5

    œn œn œnR  .¥n

    w

    ¥ ¥ ¥ ¥

    œn ˙˙#æ

    œœæ

                                 

    w

    p π

    p π

    π

    ( )

    πß

    *π ßf

    F

    ß π

    ( )

    π p

    π

    gliss.

    π

    ß

    ( )

    π

    E.S.P

    S.P

    S.P

    P.O

    P.O

    S.P

    Jœæ+ œo œ œ Jœæ

    +

    Ͼ

    Ͼ J

    Ͼ

    ‰ Jœ ‰ Jœ

    JϾ3 3

    ‹æ J

    ‹æ J

    ‹æ

    ‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3

    Ó ‰ jœ#

    j‹˘

    ˙ œæ>

    Rœn

    @ ≈ Jœ œ#

    Ͼ> R

    œn@ ≈ ‰ ˙ œ#

    .˙æ

    Ͼ

    ww

    ˙ ˙

    w

    w

    ÷æ R÷̈ ≈ jœ# æ jœæ œæ

    3

    œn œn œn œ œ œR  ≈ ‰ .¥n

    w

    www#æ

    w kK

    πp

    πp

    p

    π πß

    ( )

    *π ß

    *gliss.

    π

    ß π

    ( )

    F

    π

    Come prima

    π

    (L.H)(improv.)

    dynamic fluctuations irregularly

    1/4 tone vibr.

    gliss.

    P

    π

    ß

    S.P

    S.P P.O

    P.OS.P

    P.O

    ß

    Jœæ+ ‰ Œ ‰ œ

    oJœ

    Ͼ

    Ͼ J

    Ͼ

    ‰ Jœ ‰ Jœ

    JϾ3 3

    ‹æ J

    ‹æ J

    ‹æ

    ‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3

    ‹æ Ó

    Ó Œ÷

    ˙ œæ> —

    Ͼ> R

    œn@ ≈ ‰ ˙ œ#

    .˙ œ# œæ

    >

    ww

    ˙ œr

    œ≈ ‰

    w

    w

    œœnn >œœ

    œœn

    n

    n

    >

    œœ

    œœ

    #

    >

    œœ

    œœ

    n

    >

    ־

    ————æ

    >

    œn œn œnR  .¥n

      

     

     

     

     

     

     

     

       

    w

    œœœæ

    œœœ@

    œœœœn@

    œœœœœn @

    > œœœœ@

    œœœ@

    œœœ@�

    @

    ˘ �@˘ �

    �@˘ �

    @˘ �̆ œn

    æ5 7

    .˙æ

    œ>

    πp

    πp

    πß

    f π

    *

    ß π

    ( )

    nm

    π π

    π

    ç

    ß U U

    dynamic fluctuations irregularly

    ß πSub.

    Strong overblow (freely)

    f

    continue in random order & with rubato manner

    gliss.

    ß

    ß

    ( )

    ç

    P.O P

    S.P P.O

    S.P

    S.P

    ß

    strike strings (hand)

    ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

    8 www.chongkeeyong-studio-c.com

  • &

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    &

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    &

    &

    &

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    &

    B

    ?

    t

    &

    ?

    &

    ?

    &

    &

    &

    &

    &

    &

    &

    &

    Perc. 1

    Perc. 2

    Perc. 3

    Perc. 4

    Hrn. 1-2

    Hrn. 3-4

    Tpt.

    Tbn.

    D.Bsn.

    B Tbn.

    Fl. 1

    Ob. 1

    Cl. 1

    Bsn.

    Vln. I

    Vln. II

    Vla.

    Vc.

    D.B.

    Fl. 2

    Ob. 2

    Cl. 2

    Fl.3

    Ob.3

    Cl.3

    Sh. solo

    Dizi solo

    Hp.

    Gz. solo

    Pipa

    (¤€)

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~

    ~~~~~~~~~

    68œ ‰ .œn œ

    w

    w

    jœn ‰ Œ Ó

    68∑

    68∑

    68∑

    68∑

    68∑

    68

    ÷æŒ Ó &

    68∑

    œŒ Ó

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    œœ œœ œœ> œœ

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    3

    ww

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    68 ̈

     

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      J 

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    68 www

    68 —o —o

    ƒ

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    ( )

    p

    P.O

    P

    P

    f

    F

    p F

    π

    π

    fmolto espr.

    S.S

    S.S

    S.S

    Piccolo

    (Sounds octave higher than written)

    œŒ Ó

    œ Jœ ‰ Jœ> ‰ œ̄               ‰

    3

    w

    Œ Œj‹˘ j� ‰

    Œ3

    ‹              

    Œ Œ jœn>

    ˙3

    Œ Œ Jœn>

    ˙3

    Œ Œ jœœn#>

    ˙˙3

    Œ ŒRœn ¨ ≈ Ó

    3

    Œ Œ rœ#

    ¨≈ Ó3

    Œ Œ Rœœœnnn¨

    ≈ Ó3

    Œ Œr

    œœœnnn

    ¨≈ Ó

    3

    Œ Œ jœ

    ˘j� ‰ Œ

    3

    Œ Œ Rœn ¨

    ≈ Ó3

    Œ Œ Rœn ¨

    ≈ Ó3

    Œ Œ rœn¨ ≈ Ó

    3

    Œ Œ rœn¨

    ≈ Ó3

    œ œn œ .œn œ œn

    œ .œn œ œ œn3

    œJœn>

    œ.œn œ œ œn

    3

    œJœn>

    ¥œ¥œ   J——>  

    J¥œ¥œ

    ¥œ¥œ3

    3

    ww

    Jœœ

    æ

    œn˘  .  .  .  .  .  .  . œæ

    ˙æ

    Œ3

    Œ Jœn > œ> œ œ> œ> œ œ> œn

      R‹n

    ≈ ‰ Ó

    www

    —o —oR

    —o≈ Ó

    3

    ß P

    ( )

    fThin metal stick

    ß

    S.P

    p

    ß

    ß

    π

    π

    ß

    ß

    ß

    ß

    ß p

    pSub.

    Sub. f

    ππ

    ç f

    π

    π

    ç

    P

    *

    ß Sub.π

    Sub.

    Sub.

    a2

    a2

    ç

    secco

    secco

    secco

    secco

    secco

    f

    ß secco

    p

    Guirof

    T

    P pwith metal stick Edge=E

    Nat. harm gliss.

    ß secco

    Œ ‰ jœn œ jœ œ3

    w

    Ó Œ ‰ jœ#

    ˙ ˙

    ˙ ˙

    ˙˙ ˙˙

    3

    œJœn .˙n >

    w

    w

    ¥w¥w

    ww

    w

    æ

    œn ˘  ̆  ̆  ̆  ̆  ̆  ̆  œ̆n             œn ˘

    3‰ J

    œn >‰ Œ

    Ó Œ œn ˘    ˘  ˘  ˘  ˘  ˘  ˘

    www

    f

    ( )

    F

    P

    p

    "Bao Hua she" 暴花舌

    ß ç

    Come prima

    Bass Clarinet in Bb

    (Sounds major 9th lower as written)

    œj

    œ ‰ Ó

    Œ œ̈ ̆ ̆ ̆ ̆  ̆  ̆  ̆ Ó

    œR� ≈ ‰ Ó

    Jœ ‰ ‰ ‹              ‰ Œ

    ‹˘

    œ .æ̇

    œ .˙æ

    œœ ..˙æ̇

    ŒRœn ¨ ≈ ‰ Ó

    Œ rœ#¨ ≈ ‰ Ó

    Œ Rœœœnnn¨

    ≈ ‰ Ó

    Œr

    œœœnnn

    ¨≈ ‰ Ó

    Œœn

    ˘ Œ Œ

    Œ Rœn ¨

    ≈ ‰ Ó

    Œ Rœn ¨

    ≈ ‰ Ó

    Œ rœn¨ ≈ ‰ Ó

    Œ rœn¨

    ≈ ‰ Ó

    ˙ œ œn œ

    ˙ ˙n

    ˙ ˙n

    ....¥̇¥˙

    ww

    œ                              ˙æ

    œ œœ

    œn  ̆  ̆ ̆  ̆  ̆  ̆ œn ˘Œ Ó

    Œ rœn¨ ≈ ‰ Ó

    Œ rœn¨ ≈ ‰ Ó

    Œ rœn¨ ≈ ‰ Ó

    Œ rœn¨ ≈ ‰ Ó

    wwwæ

    >

    R ̆ ≈ R

     ̆ ≈ R ̆

    ( )

    ß

    f

    f

    ß

    ß

    ß

    ß

    p

    p

    p

    ç

    nm

    ß

    ç p

    *

    ß

    ß

    ß

    ß

    secco

    secco

    Key click (freely)

    l.v

    l.v

    .

    .

    Jet whistle

    Jet whistle

    F

    F

    F

    secco

    secco

    secco

    secco

    ç secco

    f

    f

    ß secco

    Guiro

    P p

    Come prima

    ß secco

    Œ Jœ ‰ Jœ ‰ Jœ ‰

    Ͼr

    œ@≈ ‰ Œ Œ

    Ͼ R

    œ@ ≈ ‰ Œ Œ

    œœærœœ@ ≈ ‰ Œ Œ

    œ œn3

    œJœn œ

    œJœn œ œ œ

    Jœn3 3

    œJœn œ œ œ

    Jœn3 3

    ¥w¥w

    ww

    w

    æ

    Œ ‰ œn ˙3

    ˙˙˙æ

    ˙˙

    Pp p

    with soft beater

    ƒ

    ƒ

    molto espr.

    molto espr.

    molto espr. molto

    molto

    πenter softly

    π

    nm

    When holding the long note, free to add in your own ornaments or different vibrato!echo from far away

    When holding the long note, free to add in your own ornaments or different vibrato!echo from far away

    Œ Jœ ‰ Jœ ‰ Jœ ‰

    Ó Œ ‰ jœ#

    œ3

    œJœn ˙

    w

    .˙ œœn

    ¥̇¥˙ ˙̇

    ww

    w

    æ

    ˙3

      Jœn œ

    Œ .˙n

    ww

    ƒ π

    Pp p

    π

    π

    S.T

    molto

    πenter softly

    slow gliss.

    div.

    gongs (Deep)

    p

    sempre

    sempre

    P

    ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~

    12 www.chongkeeyong-studio-c.com

  • ã

    ã

    ã

    ã

    &

    ?

    &

    ?

    ?

    ?

    ?

    &

    &

    &

    ?

    &

    &

    &

    ?

    t

    &

    &

    &

    ?

    &

    &

    &

    &

    &

    &

    &

    &

    Perc. 1

    Perc. 2

    Perc. 3

    Perc. 4

    Hrn. 1-2

    Hrn. 3-4

    Tpt.

    Tbn.

    D.Bsn.

    B Tbn.

    Fl. 1

    Ob. 1

    Cl. 1

    Bsn.

    Vln. I

    Vln. II

    Vla.

    Vc.

    D.B.

    Fl. 2

    Ob. 2

    Cl. 2

    Fl.3

    Ob.3

    Cl.3

    Sh. solo

    Dizi solo

    Hp.

    Pipa

    G.Z

    ~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~ ~~~~~~~

    ~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    93wæ

    93∑

    93∑

    93∑

    93∑

    93∑

    93∑

    æ

    .—æ

    .—æ

    —æ

    .—æ

    —æ

    93œæ œ œ œ œ œ œ# @ æ̇

    3

    Ó ¥#

    93 œn >

    ‰ œnœn

    œn

    œn >

     œn ‰ Œ

    3

    93∑

    93∑

    93ww

    æ ! æ @æ

    93 œ ˙ œ#3

     >

               

    f

    p

    *

    fF

    l.v

    f

    Sing (diamond shape notes)

    irregular trem.

    ç

    Vibr. speed

    dynamic fluctuations irregularly

    *p

    Piccolo

    Bass Clarinet in Bb

    (Sounds major 9th lower as written)

    (Sounds octave higher than written)

    Piccolo

    (Sounds octave higher than written)

    ˙æ

    œ̆ œ̆œ̆ œ̆ �

    ˘�˘

    �˘

    �˘� �

    ˘�˘

    �˘

    �˘

    �˘

    �˘

    �˘

    —æ

    —>

    æ

    .—æ

    —æ

    —æ

    Ͼ3

     æ Jœn>æ  æ

    3j æ œ# æ

    J  ¥n>

        j¥#,¥

    3 3

    ‰ .œn3

    ‰ ..œ¥n

    no

    œn˘

    œn >jœœœœgggg

    Ó Œ œ# œ œ œ

    Ó œ# œ# œ œ# œ œ œ œ œ œ5 5

    wwæ

    ≈ ‰ Œ Ó

    ß

    f

    ß

    F p

    p

    f ç

    :p dolciss.

    :

    p dolciss.

    poco a poco string. et intenso

    Take small pair of Chinese cymbals

    f

    Ͼ

    ˙æ

    Ͼ

    .˙æ

    ˙æ

    œ̆ œ̆œ̆

    œ̆ œ̆ �˘

    �˘

    �˘� �

    ˘�˘

    �˘

    �˘

    �˘

    �˘

    �˘

    —æ

    —æ

    3J

    — —

    �>æ

    .—æ

    —æ> —

    æ

    æ̇3

     æ Jœn>æ  æ

      J ¥n>  

    3

      j¥#3

    ϴn

    no œn œ# >

    3

    œ Œ ‰jœœbn œn ˘ œn œn

    œnœn

    œ#

    3

    5

    œ# œ œœ œ# œ œ œ œ# œ ≈ rœ œ œ œ œ œ œ œ œœ œ œ œ

    6

    6 6

    6

    œ# œ œ œ œ# œ œ œ#r

    œ ≈ œ œ œ œœ œ

    œ œ# œn ≈ Rœ œ œ# œ

    œ œ œæ

    U œ#‰U

    5 5

    ˙æ̇ ˙˙

    ß

    p

    f

    ß

    F p

    ß

    f

    :p dolciss.

    :Continue this phrase and manner ad lib.

    π ∏Edge=E

    Piccolo

    ˙

    æ˙

    æ

    z̆ z̆ z̆ z̆ z̆ z̆ z̆ z̆z z̆ z̆ z̆ z̆ z̆ z̆ z̆

    .˙æ

    Ͼ

    Ͼ

    ˙æ

    Ͼ

    œ# œ œœ œ# œ œ œ œ# œ œ œ œ œ œ œ œ œ œ œœ œ œ œ

    66 6

    6

    Ó Œ œ# œ œ œ

    Ó œ# œ# œ œ# œ# œ œ œ œ# œ5 5

    —> — —æ

     æ J

    —æ

    >

    3

    —æ

    —3

    J— — —> —

    —æ

    —æ

    —3

    J— —

    3j æ œ# æ æ̇ œæ

    œ œœ˙ ?

    œ œnœn œn

    @

    > . æ

    œn >

    ‰ .œ#5

    œ Œ

    œUæ

    œ# ‰U

    œ#æU œ# ‰U

    w

    œœ œœjœœœ# ˙˙˙

    3

    ß

    :

    p

    p

    :

    p

    p fß

    p ß

    p

    pizz.

    very fast notes in ad lib. low register.

    very fast notes in ad lib. low register.

    p

    ç

    ß

    o

    P

    1/4 tone vibr.

    :

    :

    ( )

    Continue this phrase and manner ad lib.

    Continue this phrase and manner ad lib.

    Rim-shot

    ∏π

    :

    Tutti

    dolciss.

    dolciss.

    dolciss.

    .tæ

    Ͼ

    ˙æ œ̆

    œ̆ œ̆ œ̆�̆ �̆ �̆ �̆� �̆ �̆ �̆ �̆ �̆ �̆ �̆

    ˙æ

    ˙æ

    œ œ# œ# œ œ œ œ# œ œ# œœ œr

    œ ≈ ‰U

    66

    œ# œ œ œ œ# œ œ œ# œ œ œ œ œ œœ œ

    œ# œ# œ# œ œ œ œ œœ# œ œ# œ œ œ œ œ œ œ œ œ

    5 5 5 5

    Œ œ# œ œ œ œ# œ œ œ œ# œ œ# œ

     æ J

    —æ

     æ J

    æœn> œ œ œ œ

    > œ œ œ œ> œ œ> œ œ> œ œ œ

    3 3

    —æ

     æ J

    —æ>  

    æ J—æ

     æ J

    —æ

    3 3 3

    —> — —æ

     æ J

    —æ>

    3

    Ó  fl fl fl

     fl

       fl fl fl

     fl

     fl fl fl

     fl fl fl fl fl

    ˙

    R  ≈ ‰ Œ

    —̆—  ̆         æ rœ

    ≈ ‰

    rœœn

    ¨≈ ‰ Œ Ó

    w

    w

    Œœ# œ# œ œ# œ# œ œ œ œ œ œ œ#

    w

    Ó œ#U

    æ œ# œ# œ# œ# œ œ œ

    6

    rœœœ

    ¨≈ ‰ Œ Ó

    :

    ç

    ç

    ß

    :

    Continue this phrase and manner ad lib.

    p:

    pSub.f

    p

    ß p

    f

    f

    pizz.

    ( )

    ƒ p

    ƒ

    ç π

    P

    ( )

    ( )

    ( )

    pdolciss.

    :

    :

    π ∏

    Edge=E

    P π

    P

    Edge=E ord.

    Take small pair of Chinese cymbalsPnm

    *

    p dolciss.

    p

    Tutti

    dolciss.

    Ͼ

    œ˘

    œ̆œ̆ œ̆ �

    ˘�˘

    �˘

    �˘�˘

    �˘

    �˘

    �˘

    �˘

    �˘

    �˘

    �˘

    Ͼ

    .tæ

    œæ˘ ˙

    æœ

    æ

    Ͼ

    ˙æ œ̆

    œ̆ œ̆œ̆ œ̆ �

    ˘�˘

    �˘

    w

    œ# œ œ œ# œ œ œ œ# œ œ# œ œr

    œ ≈ ‰U

    œ# œ# œ# œ œ#r

    œ≈ ‰

    U5

    œ œ# œ# œ œ œœ œ œ# œ œ œ œ œ œ œ#

    œ# œœ œ,

    œn> œ œ œ œ> œ œ œ œ

    > œ œ> œ œ> œ œ œ œ# œ œ œ,

     æ J

    —æ

     æ J

    —æ

    œ#> œ œ œ œ> œ œ œ œ

    > œ œ> œ œ> œ œ œ

    3 3

    w

     fl fl fl

     fl fl fl fl fl

    ˙

    R  ≈ ‰ Œ

    w

    w

    rœ#

    ≈œ# œ œ# œ#

    œ# œ# œ œ œ œr

    œ≈ ‰U

    w

    œ#Uæ

    œ#≈ œ# œ œ# œ# œ œ œ œ# œ

    rœ ≈ œ œ œ

    55

    5

    œ# œ# œ# œœ œ œ# œœ# œ œ œ R

    œ ≈ œ œ œ œ œ œ# œ# œ œ œ6

    6

    66

    :

    : :

    :

    ß

    ( )

    :

    Continue this phrase and manner ad lib.

    :

    continue downward in this manner.

    continue downward in this manner.

    Continue this phrase and manner ad lib.

    Continue this phrase and manner ad lib.f

    U

    f

    f fpSub.

    pSub.

    ( )

    ( )

    ƒ p

    U

    ( )

    ( )

    ( )

    p dolciss.

    :

    :

    π

    π ∏

    π

    *

    *

    Bsn 2

    p

    ˙æ

    ˙æ

    z̆ z̆ z̆ z̆ z̆ z̆ z̆ z̆z z̆z̆ z̆ z̆ z̆ z̆ z̆ zæ

    Ͼ

    ˙æ œ̆

    œ̆ œ̆ œ̆ � �̆̆ �̆ �̆

    � �˘

    �˘

    �˘

    �˘

    �˘

    �˘

    �˘ œ

    æ˙

    æ

    w

    w

    w

    œ# œ# œ œ Rœ

    ≈ ‰U

    w

    w

    œ# œ œ œ ,

    œ

    R  ≈ ‰ Ó

    w

    w

    w

    w

    œ# œ# œn œ œ œ œ œ# œ# œ rœ#≈ ‰

    U

    5

    5

    rœ# ≈ ‰

    U

    ∑ ã

    ∑ ã

    :

    ß

    ß

    ( )

    ( )

    ( )

    :Continue this phrase and manner ad lib.

    continue downward in this manner.

    Continue this phrase and manner ad lib.f

    U

    ( )

    π

    ( )

    ( )

    ( )

    ( )

    ( )

    :

    :

    ( )

    Continue this phrase and manner ad lib.

    Continue this phrase and manner ad lib.

    Continue this phrase and manner ad lib.

    Rim-shot

    π

    π

    Continue this phrase and manner ad lib.

    (Independently from each other!)

    ~~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~ ~ ~

    ~~~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~~ ~ ~ ~

    ~~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~ ~

    16

    play with the indicated fingers (4,3,2,1) placing them as close to each other as possible. (improvisation-like!)

    www.chongkeeyong-studio-c.com

  • ã

    ã

    ã

    ã

    &

    &

    &

    &

    ?

    ?

    &

    ?

    &

    &

    &

    ?

    &

    &

    &

    B

    ?

    t

    &

    &

    &

    ?

    &

    &

    &

    &

    &

    &

    &

    &

    Perc. 1

    Perc. 2

    Perc. 3

    Perc. 4

    Hrn. 1-2

    Hrn. 3-4

    Tpt.

    Tpt.

    Tbn.

    D.Bsn.

    B Tbn.

    Fl. 1

    Ob. 1

    Cl. 1

    Bsn.

    Vln. I

    Vln. II

    Vla.

    Vc.

    D.B.

    Fl. 2

    Ob. 2

    Cl. 2

    Fl.3

    Ob.3

    Cl.3

    Sh. solo

    Dizi solo

    Harp

    Pipa

    G.Z

    ~~~~~~~~~~~~~~~~

    (√)

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~

    √~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    ~~~~~~~~~~~~~~~

    ~~~~~~~

    ~~~~~~~~~~~

    ~~~~~~~~~~~~

    157Jœ ‰ Œ Ó

    œ .œ œ œ .œ œ

    Ó ‰ jœ Jœ œ œœ

    w

    157¥

    ¥

    157

    ±æ .±æ ±>@ ±æ .±æ ±>

    @

    ¥157

    ±æ .±æ ±>@ ± .±æ ±>

    @

    157

    ±æ .±æ ±>@ ±æ .±æ ±>

    @

    157 w

    ±æ .±æ ±>@ ±æ .±æ ±>

    @

    157

    ‹ .‹ ‹ ‹ .‹ ‹

    ‹ .‹ ‹ ‹ .‹ ‹

    ‹ .‹ ‹ ‹ .‹ ‹

    ‹ .‹ ‹ ‹ .‹ ‹

    – .–≥ –≤>

    – .–≥ –≤>

    – .–≥

    –≤

    > – .–≥

    –≤

    >

    – .–≥

    –≤

    > – .–≥

    –≤

    >

    – .–≥ –≤> – .–≥ –

    ≤>

    – .–

    > – .–

    >

    – .–

    > – .–

    >

    157 3j æ œ# æ .æ̇

    .¥ lL

    Œ

    157¥ .¥ ¥n

    m j¥ ‰ Œ

    .œ jœ>

    .œ œN j  œN3

    157

    ˙ ˙

    ‰ j¥ .¥

    ‰ j¥# .¥

    157‰ j¥n .¥

    ‰ j¥ .¥

    w

    157 w

    157Rœ

    @ ≈j

    œJœ     œkæ R

    œ@ .Jœæ

    o

    ......

    l.v

    ß ß

    ß ß

    ß ß

    ß ß

    ß ß

    ß ß

    ß ß

    ß

    ß ß

    ß

    ß ß

    ß ß

    ß ß

    o

    o

    Voice ONLY!

    Voice ONLY!

    Voice ONLY!

    [humming in octave free: fade in]

    [humming in octave free: fade in]

    [humming in octave free: fade in]

    Turn on the audio file (on phone)

    1/4 tone bendingπ

    ( )

    πß

    f

    dynamic fluctuations irregularly

    ß FpSub.

    ( )

    molto espr.

    molto espr.

    molto espr.

    ß ß

    ß ß

    ß ß

    Voice ONLY!

    o

    [humming in octave free: fade in]

    Take breath as you prefer!

    z

    œ &

    www

    ¥

    ¥

    ±æ ±

    ¥

    ±æ ±

    ±æ ±

    ± ±

    ‹ j‹j  j 

    j j 

    ‹j‹ j 

    j  j j 

    ‹j‹ j 

    j  j j 

    ‹j‹

    j  j j 

    – ¥nUJ¥ j 

    – ¥¥œœnnnnU j¥¥œœ

    –¥¥œœ

    n#nn

    U j¥¥œœj 

    – ¥nUJ¥

    – ¥œ#U j¥œ

    – ¥œ¥nnnU j¥œ¥ J

     

    ϾU

    ϾU

    œ œœ

    œU ¥ ¥ ¥ ¥

    œU,

    ¥U

    ¥U

    ¥U

    ¥U

    œU

    œU œU

    œU j  j j

     j

     

    H Senza tempoca 30"

    P

    Wine glass (approx. pitch!)

    U∏

    "Shh.." (imitave like wind sounds!)

    P

    o

    o

    U

    U

    U"Shh.." (imitave like wind sounds!)

    U"Shh.." (imitave like wind sounds!)

    P

    P

    P

    "Shh.." (imitave like wind sounds!)

    "Shh.." (imitave like wind sounds!)

    U

    "Shh.." (imitave like wind sounds!)

    "Shh.." (imitave like wind sounds!)

    independently than each other

    independently than each other

    independently than each other

    independently than each other

    U

    U

    U

    S.P

    S.P

    π

    π

    π

    π

    π

    "Shh.." (imitave like wind sounds!)

    "Shh.." (imitave like wind sounds!)

    "Shh.." (imitave like wind sounds!)

    "Shh.." (imitave like wind sounds!)

    "Shh.." (imitave like wind sounds!)

    independently than each other

    independently than each other

    independently than each other

    independently than each other

    independently than each other

    Nat. harm gliss.

    Nat. harm gliss.

    Nat. harm gliss.

    Nat. harm gliss.

    Nat. harm gliss.

    (

    (

    (

    (

    (

    ç

    ƒSub.

    dynamic fluctuations irregularly

    U

    ∏P

    nm

    ç

    o

    P o

    U

    U

    U

    U

    U

    independently than each other(

    œU

    œ œ œ‰U

    J  J  J  J

      ¥nU

    J  J  J 

    ¥nU

    J  J  J  J

      ¥nU

    J  J  J 

    J ¥nU

    j j  j 

    j  ȯU

    &

    J  J 

    J  J 

    ȯU

    — — — — ——— ——̆ —̆—̆ —̆          æ

     ¨+

     ¨

     ¨

     ¨

      ¨

     

    ¨

     ¨

     ¨

     ¨

     ¨

    œ

    œ,

    ¥

    ¥

    ¥

    ¥

    œ

    U¥ ¥ ¥ ¥

    U

    U

    o

    rubbing the edge

    p P~ dynamic fluctuations irregularly

    ∏) sempre

    sempre)

    ) sempre

    sempre)

    )

    P

    o

    U

    U

    U

    U

    U

    U

    P

    p F~ dynamic fluctuations irregularly

    Dizi

    U

    U

    sempre

    sound as written

    ) ∏ sempre

    Turn on the audio file (on phone)

    w

    w

    w

    ¥

    ¥

    ¥

    ¥

    wo

    wo

    w

    ˙Ó

    ˙ ˙

    w

    I Sempre espr e calmo q =c.40

    ( )

    p P~ dynamic fluctuations irregularly( )

    freely with different harmonics

    3 Tibetan singing bowls on timpano罄

    Ó jœ Jœ

    °

    ≈j

    œr

    œj

    œ ‰

    w

    w

    ‰ jœ#.˙

    ?

    ¥

    ¥

    ¥

    ¥

    wo

    wo

    w

    w

    Ó‹

    ˙ ˙

    p

    ( )

    p

    ( )

    P ∏

    P

    Turn on the audio file (on phone)

    Ó jœ Jœ

    °

    ≈j

    œr

    œj

    œ ‰

    w

    w

    ‹æ Ó

    ∑ ã

    ∑ ã

    ∑ ã

    ∑ ã

    ∑ ã

    ∑ ã

    ∑ ã

    ∑ ã

    ¥

    ¥

    ¥

    ¥

    wo

    wo

    w

    œŒ Œ

    ( )

    Pp

    Touch with thin metal stick (Buzzing sound!)

    ß

    Turn on the audio file (on phone)

    Turn on the audio file (on phone)

    26159

    www.chongkeeyong-studio-c.com

    Xun Feng_pg1 .pdfPages from Xun Feng-Concerto (Full score)_CHONG -3Pages from Xun Feng-Concerto (Full score)_CHONG -4Pages from Xun Feng-Concerto (Full score)_CHONG -5Pages from Xun Feng-Concerto (Full score)_CHONG -7


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