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YAOHUA BRIAN BIAN

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Architecture Portfolio 2015
64
BRIANISM
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  • BRIANISM

  • CONTENTS

    00

  • INFINITE LOOPSMASTERS STUDIO/EC-STATIC CAMPUS/2014

    PAGE 44-51.

    WIVEN SHELTERTHE SHELTER STUDENT COMPETITION/TOKYO/2013

    PAGE 04-07.

    KNOTSPACEAA VISITING SCHOOL/SYDNEY/2014

    01

    HYBRID MUTATIONARCHITECTURAL DESIGN/3RD YEAR/2012

    PAGE 08-17.

    CASTLECRAGCARPORT IN CASTLECRAG/SYDNEY/2014

    PAGE 24-31.

    LOCK&ROLLBANKSIDE BIKESHED COMPETITION/LONDON/2011

    PAGE 18-23.

    PAGE 32-43.

    BLURRED BOUNDARIESMASTERS STUDIO/GHOST IN THE MACHINE III/2013

    PAGE 52-59.

  • [email protected]/P: +61451919861

    02

    PERSONAL STATEMENT

    My name is Yaohua Bian and I have completed both of my bachelor and masters degrees of design in architecture at the University of Technology Sydney (UTS). I am currently looking for work at an architecture studio.

    When I was studying my Bachelors of Design in architecture at UTS three years, I have began to work for different architecture practices and participated in various extra-curricular activities such as the UTS USA Architecture Study Tour and SONA Super-studio - of which I was the first time to get insight into many great architectural precedents in USA and had an interview with the world well-know deconstructive architect Frank Gehry. I was always worked at Enter projects on a part-time basis, which is a small and super innovative architecture office in Sydney. These experiences gave me a better understanding of drafting and construction principles and an overview of the tasks involved in residential design in Sydney.

    Since completing my Bachelors I have been applied for a half -year Internship in an Urban Planing institution in Beijing in 2012. It was the first time that I started to realise the great ex-penses and the lack of methodology of urban development in todays China. The old always be considered as the bad, and they are eliminated to make room for the new. However, I was fascinated to its great ancient architectural history at the same time. Over seven years working and living in Australia, I think that the city of Sydney has its strong identity that old well coex-ists with the new development. It was rewarding experience, it gave me an opportunity to think in bigger scale into the pro-cesses of working with diverse team of people in two different countries- from architects, the partners, to other peers.

    It is undeniable that architectures are the ones who shape this world in which we live in; epitomizing Winston Churchills quote- we shape our buildings, thereafter they shape us- I believe the role of architecture reaches beyond designing just building itself, rather creating a responsive mechanism which interacts with its surroundings to be synergetic and more importantly, contributing to a greater picture for the city.

    Up until now my relationship with architecture has been one of learning, discovery and collaboration. Whether it be during my studies, in the workplace or other personal endeavors within the field. This is an attitude in which I would like to keep in my future professional life. This has prompted me to seek out new work experiences locally.

  • BEIJING HOMEDALE Institute of Urban Planning & Architectural Design,

    Powerhouse Museum, Sydney, Part-time, Exhibition Design Assistant, February 2013- September 2013

    Enter projects, Sydney, Part-time, Digital fabrication & Rendering, August 2013- February 2014

    China, Internship, January 2012

    YAOHUA BRIAN BIAN

    EDUCATION

    University of Technology Sydney (UTS)Bachelor of Design in Architecture, 2009- 2012.

    University of Technology Sydney (UTS)Master of Architecture, 2013- 2014.Dec

    ACHIEVEMENT

    EXPERIENCE

    COMPETITIONS

    SKILLS

    Software:

    Intermediate: Rhino (T-Splines), Maya Modeling, Sketchup, Photoshop, Illustrator, Indesign

    Basic: Rhino V-ray, Revit, Autocad, Grasshopper

    Model-making: By hand, lasercutting, 3D printing, casting

    English: (fluent)

    Chinese: Mandarin (fluent), Cantonese (Basic)

    Travel, Visual Arts and Design, Films, Hand sketching and watercolour

    INTERESTS

    LANGUAGES

    US Architecture LA Study experienceSummer 2010

    UTS Index 2010, Architecture end of year show exhibition, 17th DecemberArchitecture design: Making, Island project

    UTS Index 2011, Architecture end of year show exhibition, 2nd DecemberArchitecture design: Strategy, Sussex st project

    UTS Index 2012, Architecture end of year show exhibition, 27th NovemberArchitecture design: Integration, Hybrid project

    UTS 2013, Outstanding Student Leadership in School of Architecture

    UTS Index 2014, Architecture end of year show exhibition, 27th NovemberArchitecture design: Ec-static Campus, Infinite Loops

    UTS 2012 Design Leadership Recognition Bachelor of Design in Architecture

    Bankside Bikeshed Competition, London, Feburary 2011

    13th Shelter International Architectural Design Competition, Tokyo, June 2011

    CMT Architects, Sydney, Part-time, Drafting,18th June 2012- January 2013

    SONA Superstudio, Sydney, August 2011-2012

  • 04

  • WIVEN SHELTERTHE SHELTER STUDENT COMPETITION/TOKYO/2013

    05

  • CONCEPT

    The proposed design is an open structure; an open shelter as opposed to a totally enclosed structure. There is no one singular program, rather a collection of passive programs catering for different needs. They are spread acros the open structure providing a strong connection with the wilderness throughout the structure.

    The design intends to collect and redistribute rainwater and solar power for use by locals and put back into the environment for locals, plants and animals; natural resources are collected and redistributed.

    06

  • PIC01. birds nest created from the end of the spiral

    PIC02. rainwater trough pro-vides water from water tanks to wildlife

    PIC03. horizontal members can be added to the rib structure to serve

    PIC04. cosy intimate spaces created through the spiral form.

    PIC05. plants can be grown along the rib structures with nutrience

    TOP VIEW

    SECTION 1

    SECTION 2

    N

    SECTION 1

    SECTION 2 SCALE 1:150

    FRONT BACK

  • 08

    PERSONAL STATEMENT

    My name is Yaohua Bian and I have completed both of my bachelor and masters degrees of design in architecture at the University of Technology Sydney (UTS). I am currently looking for work at an architecture studio.

    When I was studying my Bachelors of Design in architecture at UTS three years, I have began to work for different architecture practices and participated in various extra-curricular activities such as the UTS USA Architecture Study Tour and SONA Super-studio - of which I was the first time to get insight into many great architectural precedents in USA and had an interview with the world well-know deconstructive architect Frank Gehry. I was always worked at Enter projects on a part-time basis, which is a small and super innovative architecture office in Sydney. These experiences gave me a better understanding of drafting and construction principles and an overview of the tasks involved in residential design in Sydney.

    Since completing my Bachelors I have been applied for a half -year Internship in an Urban Planing institution in Beijing in 2012. It was the first time that I started to realise the great ex-penses and the lack of methodology of urban development in todays China. The old always be considered as the bad, and they are eliminated to make room for the new. However, I was fascinated to its great ancient architectural history at the same time. Over seven years working and living in Australia, I think that the city of Sydney has its strong identity that old well coex-ists with the new development. It was rewarding experience, it gave me an opportunity to think in bigger scale into the pro-cesses of working with diverse team of people in two different countries- from architects, the partners, to other peers.

    It is undeniable that architectures are the ones who shape this world in which we live in; epitomizing Winston Churchills quote- we shape our buildings, thereafter they shape us- I believe the role of architecture reaches beyond designing just building itself, rather creating a responsive mechanism which interacts with its surroundings to be synergetic and more importantly, contributing to a greater picture for the city.

    Up until now my relationship with architecture has been one of learning, discovery and collaboration. Whether it be during my studies, in the workplace or other personal endeavors within the field. This is an attitude in which I would like to keep in my future professional life. This has prompted me to seek out new work experiences locally.

  • KNOTSPACE AA VISITING SCHOOL/SYDNEY/2014

    09

  • STRUCTURE RULEDSURFACE(TOP VIEW)

    ITERATION 01

    STRUCTURE RULEDSURFACE(TOP VIEW)

    ITERATION 02

    STRUCTURE RULEDSURFACE(TOP VIEW)

    ITERATION 03

    STRUCTURE RULEDSURFACE(TOP VIEW)

    RULEDSURFACE

    RULEDSURFACE

    RULEDSURFACE

    RULEDSURFACE

    STRUCTURE(TOP VIEW)

    STRUCTURE(TOP VIEW)

    STRUCTURE(TOP VIEW)

    STRUCTURE(TOP VIEW)

    ITERATION 04

    10

  • DIAGONAL CURVE

    OVER LAPPING SURFACE GENERATES VARIOUS DENSITIES, WHICH THEN CREATES DIFFERENT PERMEABILITY WITH IN THE STRUCTURE TO ALLOW THE FORMATION OF ZONES.

    1500

    TYPE 01 TYPE 02 TYPE 03 TYPE 04

    1500

    1500

    11

    Knotspace explores the possibility of grashopper in order to create an envolope prototype to mediate different site variables such as spatial and visual conditions.

    It is designed to respond to different sites by al-tering the direction, density and configuration of the surface and structure to achieve performance results.

    Structural Unit/Surface generation

    The selected iteration is able to define different spatial conditions within the cube structure.

    By combining multiple ruled surfaces and repeat-ing them in a circular fashion, it creates various openings and scale of space.

  • SITE BOUNDARY POSSIBLE POINTS OF CONNECTION ON SITE

    SPATIAL VOLOUM GENERATEDSITE BOUNDARY POSSIBLE POINTS OF CONNECTION ON SITE

    SPATIAL VOLOUM GENERATEDSITE BOUNDARY POSSIBLE POINTS OF CONNECTION SITE BOUNDARYOVER LAPPING SURFACE GENERATES VARIOUS DENSITIES, WHICH THEN CREATES DIFFERENT PERMEABILITY WITH IN THE STRUCTURE TO ALLOW THE FORMATION OF ZONES.

    12

    By analysing the existing structure, possible point of connection can be identified. This allow the project to adapt to the site and form a spatial volume.

  • A primary structure is created by joining the structural points. A secondary is then added to form surface.

    SURFACE STRUCTURE APPLIED(MAIN STRUCTURAL ELEMENTS)

    SPATIAL VOLOUM GENERATED SURFACE STRUCTURE APPLIED(MAIN STRUCTURAL ELEMENTS)

    POSSIBLE POINTS OF CONNECTION SPATIAL VOLOUM GENERATED SURFACE STRUCTURE APPLIED(MAIN STRUCTURAL ELEMENTS)

    POSSIBLE POINTS OF CONNECTION ON SITE

    SPATIAL VOLOUM GENERATED SURFACE STRUCTURE APPLIED(MAIN STRUCTURAL ELEMENTS)

    13

  • OPEN SPACE

    OPEN SPACE

    SHADEDINTIMATESPACE

    SHADEDINTIMATESPACE

    SHADEDINTIMATESPACE

    SHADEDSEMI-OPENSPACE

    14

  • 15

  • MAIN STRUCTURE

    EXISTING COLOUMEXISTING SCULPTURE

    CONNECTION NODESRULED SURFACE

    SECONDARY STRUCTURE

    01

    02

    03

    01

    04

    04

    05

    05

    01

    02

    03

    04

    06

    05

    LINEAR CONNECTIONON MAIN STRUCTURE

    T-CONNECTION ONEXISTING STRUCTURE

    ANGLED CONNECTIONON MAIN STRUCTURE

    16

    SURFACE LOOP ONMAIN STRUCTURE

    RULED SURFACE

    12345678910 11 12 13 1415161718192021222324252627282930

    1

    2

    3

    4

    5

    6

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    910

    11 12 13 141516171819202122232425

    26

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  • 17

  • 18

  • LOCK&ROLLBANKSIDE BIKESHED COMPETITION/LONDON/2011

    19

  • The design aim is to generate a creative, and affordable design for secure cycle parking solution to serve the bankside area of London. In this case, the initial design was inspired by the London Eye, the tallest ferris wheel in the world, which is in order to create a new signal of the city. It is also typically maximize the loads and saving spaces according to a unique rolling system.

    CONCEPT

  • ANTI-SLIP SURFACE

    STEEL FRAMES

    AXLE STUB

    HUB CAP

    SLOPING SURFACE

    SURFACE (advertised panel)

    HORIZONTAL SUPPORT STRUCTURE

    FOLDABLE ACCESS SLOPE

    PANEL SCREW SECTORPARKING AREA 1

    SECTORPARKING AREA 2

    ADVERTISEMENT PANEL

    EXTERIOR SUPPORTING FRAMES

    INTERIOR FRAMES

    1

    1

    2

    2

    3

    3

    4

    4

    5

    5

    6

    6

    9

    9

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    14

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    7

    7

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    8

    There are two access gates for each sector-parking area and two sloping surfaces which can be folded into the external frames. Thus the whole struc-ture turns to a cylindrical form, enabling it to be rolled to the allocated sites.

    21

  • 22

  • The design has great advertising potential. The advertise-ments are able to be applied onto the exterior surface of the bikeshed. The shed creates various visual effects from multi angles. Therefore, the moveable and rotatable char-acteristics of the structure has the ability to grab public attentions in anywhere of the street in order to take the advantages of the advertising functions.

    2323

  • 24

  • 25

    CASTLECRAG CARPORT IN CASTLECRAG/SYDNEY/2014

  • 26

  • ROOF PLAN SCALE 1/50

  • 28

    WEST ELEVATION SCALE 1/50

  • NORTH ELEVATION SCALE 1/50

  • The design started from a series of 3d modeling in the computer, however, we soon turned to make 1:500 physi-cal models after realised various constraints of the local landscape. It seems to be very helpful in understanding tThe design started from a series of 3d modeling in the computer, however, we soon turned to make 1:500 physi-cal models after realised various constraints of the local landscape. It seems to be very helpful in understanding the topography of the site and the flexibility of the mate-rials through making this physical model. However, there are still many encountered challenges. For one thing, the entire timer structures are heavier than we expected. It is because this project requires at least 32 pieces of 9.6 metres long 8mm thick plywood, which intersected and in angeled with each together. For another, it needs an ad-ditional waterproof base to avoid erosion of the damp soil and ensure the structure stably nailed into the ground. Consequently, the final design approach ended up with having this steel cable system to join with screws on each of these rooftop intersections in order to bear this heavy structure. Besides, the idea of a concrete slab with stones as the foundation has been changed to a simple concrete one due to the budget restriction. This slab is about 200mm higher than the ground, which is to prevent structure from the rainwater.

    30

  • 31

  • 32

  • HYBRID MUTATION ARCHITECTURAL DESIGN/3RD YEAR/2012

    33

  • SENSORY& PERCEPTION&DISTRIBUTION

    The relationship of the program and design is one of the key aspects that I believe will aid the definition of the metaphysical world. Architecture is a collective of compositional programs and sensory feel to the users in relations to spatial sequence. In my design the composition of is though from the break down of programmed pushed and pulled through the site context to spread out the foot print of the project.

    The navigating user would employ ones senses as the approach to different spaces allow for a sub-conscience exploration of the spaces that are joined with the in between hybrid connections. The sense of sound is deployed at the music gallery, drawn by a mellow murmur of music the user would begin to get a greater sense of the piece as the user approaches the space. Beyond this is the light museum, arching with a light beam around the curvilinear form that I have generated through scripting, it brings the user towards the beam. The sense of touch is employed as the natural lighting reflects of the materiality of the built surface, as the light hits and disperses into the spaces one would almost in-stinctively approach this and feel the light. The nature of the design also brings about the detachment of the program and creating these voids as I would call them. These between spaces are voids that are generated by separation of program. Whilst some are voids are drawn to allow the sense of smell to be employed. As the mix used food areas are located at the far end of the built area. This system provides a mean of multiple accesses as through the detachment from a singular entry but from various means of access allowing for a complete immersion of the user experience towards the architecture.

    The design relationship that I have developed between the programs meant this intricacy and continuity between spaces. There is no end nor a beginning for this experiential expe-rience. Users are continually tugged between programs through their senses or simply ex-plore the nature of networks that has begun to form between the program and its existing context. This seamless parasitic compliment between existing and the proposed design is what I hope would be the pinnacle for each users experience within my proposed designed.

    34

  • The density typography is generated from the movement of com-muters through different time. This representation of peoples ac-tivities produced a dynamic gird. The red gird essentially influ-enced on the form of the building, it creates a potential circula-tion paths across the site to the surroundings. Thus the diagram-matic massing is also work as the future circulation strategy and its aim to emphasise the interrelationship between Sussex site and the neighbours.

    35

  • 36

    01/3 01/2

    02.

    02.

    03.

    04/3

    04/2

    04/1

    10.

    05.

    06.

    06.

    07.

    07.

    07.

    08.

    05.

    03/2

    02.

    02.

    02.

    09.

    09.09.

    09.

    09.

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    01/3 01/2

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    07.07.

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    03/2

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    09.

    09.09.09.

    09.

    09.Diagrammatic Massing

  • 37

    01.

    01.

    01.

    03.

    10.

    03.

    02.

    01.

    01.

    01.

    01.

    03.

    10.

    03.

    02.

    01.

    LEGEND

    TYPICAL FLOOR PLANSCALE 1:500

    Chapel

    Nave

    altar

    Sacristy

    Cafe

    Security (Halls)

    Car park (Sussex st)

    Mini-bar Night club/ Chapel

    Golf

    3 or 2 bedrooms apartment

    visual & Music Gallery

    Dance floor

    office

    .10

    .09

    .08

    .07

    .06

    .05

    .04

    .04/1

    .04/2

    .04/3

    .03 .03/2

    .02

    .01

    Bookshop.01/2

    Bookshop recepition.01/3

  • Design Strategies

    Existing Programs Split by commuter circulation Breakdown

    Music

    Light

    38

  • lift up inbetween (the void) blured boundary

    Sub-programs

    39

  • NPlan_ 3rd floor

    Entire Site

    Tower Extension

    Underground Tunnel

    Sussex Site

    1:500

    40

    Sussex ST

  • 41

  • Bridge

    ApartmentsBar & Cafe

    Cycle Lanes

    chapel

    Restaurant

    Golf practice area

    1:500West Section_ Sussex St

  • 43

  • 44

  • INFINITE LOOPS MASTERS STUDIO/EC-STATIC CAMPUS/2014

    45

  • CONCEPT

    The development of UTS Campus Master plan are well progressing in the present. The old UTS tower seems to be a big challenge during the renovation of the campus. On one hand, it is because the outdated aesthetic of the tower, which is not match with the context. On the other hand, it is that fact that building services are a lack of accessibility and the lift lobbies are generally unable to load much people flow.

    Consequently, the design intention is to bravely confronting those current issues and take these level of inefficiency of the tower as its potential to further develop instead of demol-ishing or avoiding it. If a building is not used to its full potential by society, it is as equally inefficient as a non-environmental gesture. Hence, the redesign of the UTS tower is cen-tralised around the re-branding of the UTS towers iconic image and its function through exploring and defining the new circulation paths for its users.

    After the investigation and understanding of the rigid existing circulation, the tubes act as the new method of inclined circulation pen-etrating through the spaces and transport the user to different floors. And thus, it became a symbol of structural orientation, and tubes travel through floors in different locations, creating a variety of different sized, undulat-ing spaces within the building. There spaces correspond to the diverse uses of the pro-grams. Its outside walkways replaced the old concrete facade and intertwining with the tube in order to maximise the floor and supporting these tubes. The image of these structures is softened as the skin applies an element of permeability and an infinitate looking to the tower .

    While the extended and shifted floors and the open voids within the tower allows more solar access and creates a visual interaction with the public from broadway side. The coated porian panels as the construction materials is light and glossy, which also attracts viewers to the building through its glistening.

    46

  • CONCEPTUAL DIAGRAMS

    Library

    LibraryAuditorium

    Exhibition

    Exhibition

    Library

    LibrarySocial

    Exhibition

    Library

    LibraryExhibition

    Library

    Library

    Library

    Library

    Social

    Social

    SocialExhibition

    Exhibition

    Library

    Library

    Auditorium

    Exhibition

    ExhibitionSocial

    Social

    Social

    Social

    Library

    Library

    AuditoriumExhibition

    ExhibitionSocial

    Social

    SocialAuditorium Exhibition

    Library

    Library

    Social

    ExhibitionSocial

    Exhibition

    Exhibition

    Entry

    Foryard

    Entry

    Entry

    Retail

    MAJOR SPATIAL ORGANISATION

    47

  • WALKABLE PASSAGE WAYMULTI-FUNCTIONAL

    AUDITORIUM FOYERS

    FUNICULAR CARRIAGE

    ESCALATORS ENTRY

    WING BUILDING

    PUBLIC ACCESSIBLE

    CIRCULATION ANALYSISPROGRAM ILLUSTRATION

    SEMI-PUBLIC

    CORE

    SOCIAL SPACES

    LIBRARY

    RETAILS & EXHIBITION

    AUDITORIUM SPACES

    EXTENDED FLOOR PLATES IS TO MAXIMISE THE SUNLIGHT ACCESSES AND BROADEN THE VIEWERS UNDERSTANDING ON THE ORIENTATION OF THE CAMPUS, AND EXTRA FLOOR SPACES, WHICH IS TO LOAD MORE SOCIAL ACTIVITIES.

    THE WING BUILDING LOCATES IN THE CENTRE OF THE ALUMN GREEN BUILDING, WHICH ACTS AS THE SECONDARY ENTRY OF THE TOWER BUILDING. THE SHIFTED ROOFTOP BASICALLY IS A GREEN AREA REFERS BACK TO THE GREENLAND OF THE ORIGINAL CAMPUS AND IT PROVIDES A WAITING DECK FOR THE VIEWERS AT THE SAME TIME.

    TO OPEN UP THE FRONT STRIPS OF THE FACADE, ON ONE HAND, AS A FUNATION TO TEASE THE PUBLIC, ADDING A SENSE OF DYNAMIC AND ICONIC FEELING TO IT. ON ANOTHER HAND, IT IS TO VISUALLY INTER-ACT WITH THE RESI-DENTS OVER THE BROADWAY SIDE, AND KEEP IN RESPONSE WITH ITS SURROUNDING ENVIRONMENT.

    48

  • SECTION

    BROADWAY

    1:500

    26 TOP ENTRY

    WALKABLE FACADES

    THE TUNNEL

    24 LIBRARY 01

    22 FOYER

    20 AUDITORIUM

    16 LIBRARY 02

    03 LIBRARY VESTIBULE

    06 TERRACE

    00 RETAIL

    DEPARTURE

    02 EXHIBITION

    49

  • 50

  • 51

  • 52

  • BLURRED BOUNDARIES MASTERS STUDIO/GHOST IN THE MACHINE III/2013

    53

  • Parasite& Blurred Boundaries

    The project intends to investigate notions of boundary as a case study for the future of Sydney and it's Metropolitan area. Through parasitic interventions in Kirribilli, a concept of blurred boundaries in the city can be realized. The harsh boundaries between public and private access on the site is representative of a widespread problem found in the city of Sydney.

    In response, the experiment seeks to reclaim certain private spaces in public-private boundary zones through parasitic occupation at an architectural scale. As a result of the intervention, public access for the community is restored through the infiltration of ex-isting boundaries on the shoreline.

    This intervention can lead to a more heightened sense of communal ownership and belonging, encouraging a more innate behaviour from its inhabitants. Through parasitic insertions on the current edge condition, ex-isting hierarchies can be broken down and revitalised to accommodate new directions of growth and devel-opment.

    54

  • Security

    Office

    Office

    Office

    Cinema (200)

    Laundrette (20)

    Ice-cream Bar

    Car park

    Ferry wharf

    Bedroom

    BedroomBedroom

    Bedroom

    Transport Interchange

    Wedding Chaple

    Camping Hubs

    The design transformation diagram is gener-ated through the various connections that exist between residential spaces through ac-cessibility. Each graph demonstrates the possible displacement of a family unit. Both issues assist the understanding of the exist-ing potential of circulation paths across the site to the surroundings. As a result, these diagrams investigates the relationship be-tween dwelling and mixed circulation through a fabricated spaces.

    Furthering the ideas of 'parasitic architecture and blurred boundaries' the site has been scaled down to two adjacent buildings in oder for a greater understanding of the site's access. The previous massing has been further developed to merge together and deconstruct the existing dwellings in order to create additional interaction within the local and greater community.

    Design ReconfigurationsSite Analyses

    48

    70

    55

    77

    28

    3060

    46

    48

    80

    68

    28

    48

    40 40

    100

    42

    59

    69

    25

    18

    17

    7

    63

    5119

    10

    120

    69136

    10

    10

    10

    10

    107

    150

    28

    33

    71

    90

    55

  • Water Camping HubsMixed communal Zone

    Parasitic System ATower

    2.Bar/launderette1.Office Unit

    3.Circulation4.Green Atrium

    Wedding Chaple

    Cell/ Program assemblies

    harbour Entry

    Parasitic System 02

    Ferry TerminalInfiltrative System

    Repeatable Forshore Corridor

    BarCafe/laundertte

    56

  • 3D Printed Model/ Circulation Illustration

    1 Main entry/ Foyer

    2 Ferry wharf/ Transport Interchange

    3 Tower

    4 .1 Ferry Terminal

    4.2 Foreshore walkway

    5 Parasitic Cafe

    6 Cinema/ max 200pp

    7 Wedding chapel

    8 Assembled Hall

    9 Free Space

    10 Warer Camping Hubs

    1

    2

    3

    4.2

    56

    7

    8

    9

    10

    4.1

    57

  • Floor Plan B_1:50058

  • 59

  • REFERENCES

  • CMT ARCHITECTS

    CHRIS TSIOULOSB.Arch (Hons), ARAIA

    +61414 292 [email protected]

    ENTER PROJECTS

    The DirectorPATRICK KEANE

    (02) 8021 2261

    UNIVERSITY OF TECHNOLOGY SYDNEY

    DESLEY LUSCOMBEProfessor

    T +612 9514 8707F +612 9514 8966

    [email protected]

    GEHRY PARTNERS, LLP

    BRIAN AAMOTHPartner

    T +1 310 482 3000F +1 310 482 3006

    [email protected]

    BEIJING HOMEDALE institute of Urban Planning & Architectural DesignHU ZHENGFANGOffice Senior

    +001186 1391 017 3756

    UNIVERSITY OF TECHNOLOGY SYDNEY

    ANTHONY BURKEDesign Leadership Recognition

    T +612 9514 8850F +612 9514 8787

    [email protected]

  • ENTER PROJECTS

    The DirectorPATRICK KEANE

    (02) 8021 2261

    Yaohua Brian [email protected]

    Portfolio


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