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Three Mnemonics David Feurzeig for female chorus
Transcript

Three Mnemonics

David Feurzeig

for female chorus

total duration ca. 7' 30

texts traditional, adapted by the composer

Months

Music

Monarchs

2' 00

4' 00

1' 30

In “Months” the untilitarian doggerel of a familiar calendar rhyme serves as the basis for a hauntingbipolar expresiionist fantasy, achieved through a sort of musical surrealism.

“Music” (subtitled “First Lessons”) begins as a simple primer on the note names of the treble staff,gradually unraveling as it devolves into a tirade against the insisidious sexist “lessons” embedded inlanguage and culture—even in a seemingly innocuous pedagogical mnemonic. Though the text straysfrom the lesson plan, the lyrics maintain the alphabetic scheme of the mnemonic throughout: the first letter of each word matches the pitch being sung, as in “Every Good Boy Does Fine”.

“Monarchs” is a cheekily deranged setting of a schoolroom verse that rattles off in order the occupants

of the English throne, with a brief interlude for a couplet memorializing the fates of Henry VIII’s wives.No offense is meant to HRH Queen Elizabeth II, long may she reign.

The Six Wives of Henry VIII:Divorced, beheaded, died,Divorced, beheaded, survived.

Months Thirty days hath November,April, June, and September.Of twenty-eight there is but one,All the remnant thirty-one.

MusicF-A-C-E: “face.”Every Good Boy Does Fine...

MonarchsThe Monarchs of England:Willie, Willie, Harry, Stee,Harry, Dick, John, Harry Three;One, two, three Neds, Richard Two,Harrys Four, Five, Six...then who?Edwards Four, Five, Dick the Bad,Harrys twain, Ned Six (the Lad), Mary, Bessie, James the Vain,Charlie, Charlie, James again,Will and Mary, Anna Gloria,Georges four, Will Four, Victoria,Edward Seven, George and Ted,

George the Sixth, Liz till she’s...

°

¢

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Soprano*

Alto 1*

Alto 2

Thir ty- days hath

molto p

No vem- ber,- No vem- ber- No vem- ber-

Flexibly, with exaggerated expression q ca. 63

Thir

f

ty- days hath

molto p

No vem- ber,- No vem- ber- No -f p

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A1

A2

No vem- ber- No vem- ber- No vem- ber- No vem- ber- No

poco cresc.

vem- ber-

6

vem ber- No vem- ber- No vem- ber- No vem- ber- No vem- ber

poco cresc.

- No -poco cresc.

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A1

A2

No vem- ber- No

mf

vem- ber-

decresc.

No vem- ber- No

mp

vem- ber- No

p

vem- ber-

poco rall.11

vem ber- No vem

mf

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decresc.

vem- ber- No

mp

vem- ber- No vem- ber- No

p

-

No vem

mf

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mp

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p

24

24

24

&

f

David Feurzeig© 2009

I. Monthsfor Dawn Willis and Bella Voce

Three Mnemonics

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&

Thir ty- days

hath(altos quasi legato—“portamento”)

(slightly in relief)

No vem-

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* in 3-part passages, adjust divisi as needed for balance

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G. P. legato

II. Music or

First Lessons

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°

¢

Soprano*

Alto 1*

Alto 2

Wil

mp

lie,- Wil lie,-

Strongly rhythmic and slightly deranged q = 108 1

Wil

p deciso

lie,- Wil lie,- Har ry,- Stee, Wil lie,- Wil lie,- Har ry,- Stee, Wil lie,- Wil lie,-

Wil

p deciso

lie,- Har ry,- Stee, Wil lie,- Har ry,- Stee, Wil lie,-

S

A1

A2

Har ry,- Stee, Har ry,- Dick, John, Har ry- Three, one two threeNeds, Rich ard- Two,

6

Har ry,- Stee, Wil lie,- Wil lie,- Har ry,- Stee, Wil lie,- Wil lie,- Har ry,- Stee,

Har ry,- Stee, Wil lie,- Har ry,- Stee, Wil lie,- Har ry,- Stee,

S

A1

A2

Har rys- Four, Five, Six... then who? Ed

mf

wards- Four, Five, Dick the Bad, Har rys- Sev’n, Eight,

poco riten. A Tempo11

Wil lie,- Wil lie,- Har ry,- who? Ed

mf

wards- Four, Five, Dick the Bad, Har rys- Sev’n, Eight,

Wil lie,- Har ry,- who? Ed

mf

wards- Four, Five, Dick the Bad, Har rys- Sev’n, Eight,

58

78

58

78

58

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58

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58

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58

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44

68

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38

58

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68

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38

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68

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38

&

III. Monarchs

&> >

&

> >

&

>

>

(div.)

n

(unis.)>

&> > >

&

> > >

&>

&

>

&

* in 3-part passages, adjust divisi as needed for balance

>

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11

°

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S

A

Ned the... Hen

f

ry- the Eighth? I know one a bout- his wives! Let’s

f

hear it! Di

f

-

Slightly slower and less strict Maestoso q ca. 9216

Ned the... Let’s

f

hear it!Di

f

-

S

A

mp p f mp f ff21

mp p f mp f ffp

S

A1

A2

Ed

mf

wards- Four, Five, Dick the Bad, Har rys- twain, Ned

28

Wil

f

lie,- Wil lie,- Har ry,- Stee, Wil

mp

lie,- Wil lie,- Har ry,- Stee, Wil lie,- Wil lie,-

Wil

f

lie,- Har ry,- Stee, Wil

mp

lie,- Har ry,- Stee, Wil lie,-

S

A1

A2

Six (the Lad), Ma ry,- Bes sie,- James the Vain, Char lie,- Char lie, James a gain,-

poco riten.33

Har ry,- Stee, Wil lie,- Wil lie,- Har ry,- Stee, Wil lie,- Wil lie,- Har ry,- gain,

Har ry,- Stee, Wil lie,- Har ry,- Stee, Wil lie,- Har ry,- gain,

38

44

24

34

38

44

24

34

34

24

34

78

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24

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34

58

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44

24

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24

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24

&

solo (interrupting)

3brightly

>

tutti>

solo 1

&

>

solo 1

&

vorced,

solo 2

Be head

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- ed,-

..

solo 3

Died,>

solo 1

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solo 2

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tutti..

Sur vived!

accel...

>

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&

vorced,

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Sur

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b

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>

Tempo I, again strictly rhythmic

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&> > >

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> > >

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12

°

¢

°

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°

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S

A

Will

mf

and Mar y,- An na- Glo ria,- Geor ges- four, Will Four, Vic to- ria,-

A Tempo ma poco meno mosso q ca. 10038

Will

mf

and Mar y,- An na- Glo ria,- Geor ges- four, Will Four, Vic to- ria,-

S

A

Ed

poco a poco più animato e cresc.

ward- Sev en,- George and Ted, George

f

the Sixth, Liz till she’s...

riten.42

Ed

poco a poco più animato e cresc.

ward- Sev en,- George and Ted, George

f

the Sixth, Liz till she’s...

S1

S2

A1

A2

Wil

p

lie,- Wil lie,- Har ry,- Stee

Tempo I 47

Wil

p

lie,- Har ry,- Steemp

Wil

mp

lie,- Har ry,-

S

A

Wil

fp

lie,- Wil lie,- Har ry,- Stee...

sfpp50

Wil

fp

lie,- Har ry,- Stee...

sfpp

24

58

24

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38

34

58

24

38

34

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24

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G.P.--

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..

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Wil>

lie,- Wil lie,- Har ry,-

&

>

&> >

U

&

* If this offends, “now Liz in-....” or “E-liz-a-...” may be substituted for the last three syllables.

> >

U

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13


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