Greener Promoted - World Radio History

ISSUE NUMBER 435 THE INDUSTRY'S NEWSPAPER JUNE 4, 1982

INSIDE R&R; Marc Marks Makes His Mark On NAB: The Congressman - turned -candidate for the NAB presidency delivers candid remarks

4

Exploring The Future Of A OR: In the first of a four-part series. AOR programmers analyze up-and-coming format trends and suggest ways of growing up with their audiences 20

A Birch Quarterly Close -Up: Jhan Hiber examines what's new, what's right, and what's wrong with the Birch Report's most ambitious ratings project yet 10

PROMOTIONS: THE INDUSTRY'S

A 12 -page look at radio and record promotions, featuring facts and figures, fun and frivolity, and frank appraisals of the future of the form.... 27

Active A/C's - Breaking Records And Winning: Three double-digit ABC winners take chances on records and audiences go for it 24

Tim Montgomery Named WYYS GM: Former WXKS/Boston GSM takes over Heftel's Cincinnati A/C 3

Frank Cody In New Source Post: Veteran AOR programmer now Director of Affiliate Relations/ Program Development at network 3

Dave Lange Moves To WSHE & WSRF Former WDVE/Pittsburgh PD

becomes Operations Manager at

TK's Ft. Lauderdale stations 3

$3.60 Single Copy

KHQ Held In Contempt For Airing Trial Tapes

In what station officials are calling an unconstitutional eecP of prior restraint, KHQ-AM-FM & TV/Spo kane were cited for contempt of court last week (5-26) .

Judge Robert Bibb ruled the stations violated his order against airing tapes used as evidence in the trial of Ruth Coe. She was con- victed last Friday of trying to hire a killer to murder the judge and prosecutor responsible for con- victing her son on a rape charge.

The tapes, supplied to KHQ by the prosecuting attorney and aired May 21, contained a conversation between Mrs. Coe and an un- dercover policeman she was at- tempting to hire for the killings.

Judge Bibb has proposed fining KHQ $10,000 but won't rule on the punishment for several weeks. Meanwhile, KHQ is preparing an appeal of the contempt citation.

"We're arguing that it's a clear case of prior restraint," News Di- rector Dean Mell told R&R, "The order was null and void on its face and therefore we can't be held in

SYKES PROMOTED

Abrams Teams With MTV Noted AOR consultant Lee

Abrams joined MTV in an advisory capacity, concentrating on the areas of special programming, ac- quisitions, new musical trends, and lifestyle research. He will be working closely with Warner Amex Sr. VP Bob Pittman, MTV VP/Pro- gramming Les Garland, and newly - promoted MTV Director of Pro- gramming John Sykes, who was formerly Director of Promotion & Artist Relations for the 24 -hour music TV network.

Garland, in making the announcement, commented, "Lee Abrams has proven his ability in the area of radio, and we believe he can bring additional insight to MTV." He told R&R, "In no way will this development affect MTV's strong Lee Abrams commitment to the music industry to expose new music." Garland quoted a figure of between 30 and 35% new music being aired over MTV, and pledged a continued spot- lighting of new artists. He added that MTV's association with the Sebastian/Casey & Associates research/consulting firm will continue in the area of music research

Abrams stated, "I'm excited to to be involved with this imaginative new venture, and look forward to contributing to MTV's success."

contempt of a wrongful order. We had the tapes and we were restrain- ed from playing them." He added, "I don't know of a case where prior restraint has been upheld by a state supreme court or the U.S. Supreme Court."

In deciding to broadcast the tapes, Mell said the stations took into account their acquisition of them by legal means, the fact that transcripts had been furnished to reporters by the court, and the relevance of the recordings to two key issues in the trial - Mrs. Coe's mental state and an allegation of police entrapment of the defendant.

Judge Blocks Shifting Of AP Radio Newscasters

Two female AP Radio newscasters who claim to be the victims of sex discrimination won a preliminary injunction in federal court Monday (6-1) prohibiting the network from moving them out of their airshifts.

The injunction, which replaces an April 2 order that restored them to shifts from which they'd been removed, protects Cynthia Hecht and Candy Crowley from being reassigned until a trial can be held on their sex discrimination charges.

In December, Hecht was removed from her morning drive shift to a midday slot after affiliates began complaining there were too many female voices on AP Radio. Crowley, who had been an evening anchor, was taken off the air in March and assigned editor duties.

AP Radio has denied sex discrimination was its motive. It says replacing the two with male anchors was necessary to stem station dissatisfaction that was ero- ding its affiliate hase.

AP had also urged Judge Pierre Levai to be careful in handling the case because the network is involved in activities that are pro- tected by the First Amendment.

In dismissing that argument, Judge Leval wrote, "There is no allegation that the scheduling charges at issue here were prompted by editorial judgments as to the content of the news being presented. A news organization is not ex- empt from laws prohibiting race and gender discrimination in employment."

Since 1978 the Wire Service Guild has had a class action suit pending against the entire Associated Press organization alleging sex and race discrimination.

Vandals Topple Tower At Falwell's WRVL

WRVL/Lynchburg, VA was knocked off the air early Monday (5-31) when its 138 -foot FM antenna was felled by vandals, who evident- ly used powerful bolt cutters to slice through two sets of 11/2" guy wires. WRVL is licensed to Liberty Baptist College, whose founder and chancellor is Rev. Jerry Fal- well.

Operations Manager Jerry Ed- wards estimated the loss at $100,000. He told R&R the tower, located on a mountaintop 20 miles from WRVL's studios, crashed into three pieces on impact and was totally destroyed.

Tuesday morning WRVL officiaLs began searching for a temporary tower, amid hopes of being back on the air within a week. Perma- nent replacement of the antenna will take "some time," Edwards predicted.

WRVL went on the air last summer and immediately stirred controversy by causing interference

on Channel 6 for some television viewers in the Lynchburg area. Edwards said those problems have not been totally cleaned up, and he had no idea whether the tower destruction was linked to the interference.

Rev. Falwell issued a statement in which he said, "Obviously, there are those persons who are committed to preventing a 24 -hour Christian radio station from broadcasting in the Lynchburg area. While some persons certainly are sincerely opposed to WRVL because of interference, many op- pose the station because of their opposition to the gospel of Christ, Thomas Road Baptist Church, and Jerry Falwell."

Falwell added, "I pray that the Lord will give the investigators the necessary information to determine who did it. If they don't find these criminals, obviously they will do it, or something worse, again."

Greener Promoted To WAOK VP/GM

Richard Greener has been named Vice President/General Manager of Black -formatted WAOK/Atlan- ta, moving up from General Sales Manager at the station. Greener is an 18 -year Black radio veteran

FIVE STATIONS

WOULD DROP

Arbitron Nixes L.A. Reissue Although it admits that 22 diaries

in the winter Los Angeles report were handled in error. Arbitron will not reissue the book. "We did our usual impact analysis," stated spokesperson Connie Anthes, "and there were no total week rank changes as a result of removing the diaries in question." Arbitron did confirm that five stations would have seen their total week shares slip.

The firm did no analysis beyond a Monday -Sunday 6am-midnight impact among persons 12+, plus men and women 18+. When asked if the 22 diaries would be removed from the winter data base so as to not affect in -tab counts and ascrip- tion ratios in future sweeps, Radio Product Manager Claire Kummer told R&R, "I don't believe they have been deleted at this time but we'll examine the situation further." The 22 -diary situation was discovered in a post -survey diary review (R&R 5-7) .

who has spent the last nine years in Atlanta; he became WAOK's GSM in 1981.

Charles Schwartz, President of Broadcast Enterprises National Inc.'s Radio Division, told R&R that Greener "is most deserving of the promotion. His tenure in the marketplace is longstanding, and his association with and love of Black radio span his entire broadcast career. He did an outstanding job heading up our sales efforts as GSM. We're delighted that his appointment was internal, and it's a good solid recognition of an excellent performance."

Greener commented to R&R, "I'm very happy about it. I've been involved in Black radio for 18 years and I'm really looking forward to the challenge r` making WAOK a great radio s. again." He said he foresaw no immediate changes, "certainly not as far as our on -air pr- ^P is concerned, as we have si a last summer placed a heavy emphasis on news, sports, and infr ration as well as entertainmen ..id it's been very well received."

Greener concluded, "We'd like to see WAOK resume its position as not only the leading Black station in Atlanta but as a major force in broadcasting in this market. It's no secret that our numbers have slipped remarkably in the past few years, but we think we're on the right track toward re- storing them."

www.americanradiohistory.com

e,

THESTEW MILLERFND


this week ... 6-4-82

Washington Report 4 What's New 6 Networks/Suppliers/Reps 8 Ratings: Jhan Hiber 12

Sales: Jonathan Hall 13 Street Talk 14

CHR: Joel Denver 18 AOR: Jeff Gelb 20 Black Radio: Walt Love 22 A/C: Jeff Green 24 Country: Carolyn Parks 25 Nashville: Biff Collie 26 Calendar: Brad Messer 39 Marketplace 40 Opportunities

Jazz On The Radio

At last, an airplay chart for jazz, reflecting the records radio stations are actually playing. The Jazz National Airplay/30, every week in R&R.

Page 53

Begins on Page 43 This Week In Music History 43 National Music Formats ... 44 AOR 45 Country 50 Black 52 A/C 54 CHR 55

staff Eda I PlOMO.r: BOB WILSON Vice President Saks I Marker,: DICK KRIZMAN

Executive Edam. KEN BARNES, JOHN LEADER An atecfar: RICHARD ZUMWALT News EdN, GAIL MITCHELL AIW/Contemisorry Editor: JEFF GREEN AOR Ede: JEFF GELB Back Redo Edits WALT LOVE Contemporary Ha Redo Eder: JOEL DENVER Country EOM' CAROLYN PARKS News/Tait Edits' GAIL MITCHELL Relies 8 Research Edge: JHAN HIBER Sees attar : JONATHAN HALL C0nnMurrp Edlbr: JIM DUNCAN NaslrW. Correspondent BIFF COLLIE Associate Eddies: KRISANN ALIO, CHRISTINA ANTHONY, ELLEN BARNES, MEUNDA MILAM, LINDA MOSHONTZ. PAULA PONCE, NINA ROSSMAN, SYLVIA SALAZAR, CLAUDIA STEWART Computer Senates Presto,: DAN COLE Assistant: LEE CLARK Research, JACK TOOTHMAN Traffic tired.: ADRIENNE RIDDLE Weshi filon Bursar: 1101 Connecticut A.a.. NW. SWe 1001. W. 1e,tor, DC 20038. (202) 488-4980 Bureau CNN : JONATHAN HALL National Saabs Director: BARRY O'BRIEN Washington Editor. BRADLEY WOODWARD Office Meager: VIVIAN FUNN Legal Course JASON SHRINSKY

Creative Cdns,OM: MARK SHIPPER Associate net Director- MARILYN FRANDSEN NabgrgrIy- ROGER ZUMWALT Production Director RICHARD AGATA Typography: KENT THOMAS, LUCIE MORRIS &ape s. LT. PEARL GARY VAN DER STEUR

Vice Resident. Business Affairs. ROBERT KARDASHIAN Vice President. Marker,: BILL CLARK Creative Services Directs: MIKE ATKINSON Marketplace Coordinator. PAM BELLAMY Office Manager.' NANCY HOFF AdnkWstraeve Assistant: GAYLE DUNCAN Controller. MARGARET BECKWITH Assistant: CAROL TAYLOR CNcWºbon. JUDY LUCARELLI

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Montgomery Promoted To GM At WYYS Tim Montgomery has been promoted

from acting GM to General Manager at Heftel's WYYS/Cincinnati. Montgomery, who took over the station's management on an interim basis from exiting GM John

Cody Takes New Source Position

Longtime AOR programmer Frank Cody has been appointed Director of Affiliate Relations/Program Development at the Source. Cody had been serving as an affiliate consultant to the network for slightly less than a year, having previously served as PD at KLOS/Los Angel- es and Division Pro- gram Manager for six Sandusky Radio stations. Frank Cody

Source VP/GM Ellyn Ambrose commented, "As affiliate consultant, Frank's experience as an innovator in full -service AOR programming and his expertise in helping us keep the affiliate station/network dialogue vibrant have proven invaluable in helping the Source maintain its leadership position. We're pleased to recognize his brilliance and creativity with expanded responsibilities, as head of our affiliate relations area and also with increased input into our programming."

Cody told R&R, "I'm elated that in my new position I can be of service to each affiliate, and translate their needs into programming that will make their station clearly better. One area of particular interest to me, as satellite dishes are erect- ed around the country, is that the opportunities for some new concepts in programming are mushrooming. I'm delighted to be a part of that at the Source. The people here are tremendous."

Piccirillo last October, originally joined WYYS from Heftel's WXKS-AM & FM/ Boston, where he'd been GSM. Prior to WXKS, Montgomery spent more than eight years at WBCN/Boston.

Commenting on his new appointment at WYYS, Montgomery told R&R, "It was difficult for me to make the decision to leave Boston. My entire broadcast career had been in Boston, but after having been here for six months I've come to love both the city and this radio station. I'm very excited about the opportunity. This is where I should be at this point in my career."

Stulberg Replaces Schein As Polygram Corp. President

Gordon Stulberg has been appointed President/CEO of the Polygram Corpor- ation, replacing Harvey Schein, who has asked to be relieved of his responsibilities, according to the company. Stulberg had been President of Polygram Pic- tures, based in Los Angeles, and he will continue to direct operations from L.A. (Schein was based in New York). Gordon Stulberg

Stulberg will be responsible for all Polygram activities in the U.S., including Polygram Records, as well as music publishing, TV, and film operations. Poly- gram Group President Dr. Wolfgang Hix, in making the announcement, cited Stul- berg's wealth of experience, and also praised Schein's accomplishments in "achieving a definite turnabout of Polygram's American operations." Hix added that Polygram will continue to be consulted by Schein on a worldwide basis.

CHICAGO RADIO RESEARCH SEMINAR HOSTS BIRCH - The Chicago Radio Research Seminar, a group of professional researchers who meet monthly to share thoughts, hosted a presentation by Torn Birch of the Birch Report last month, and the participants thought- fully lined up for a photo. Pictured (standing l -r): Jim Smith, Smith & Co.; Lorna Ozmon, WKQX; Dave Kohl of CARS; Kevin Killion, Leo Burnett Co.; Vance Harrison, WXRT; Birch;

Trip Reeb, WMET; Brad Bedford, Arbitron; Linda Lyke, WLUP; Bob Heymann, Broadcast Associates; (seated l -r) Karen Caraliero, WLS; Kurt Hanson, Chicago Programming Resources; Sue Eggleton, WIND; Roger Skolnick, Media Service Concepts; Lois Steinberg, Marsteller. This unusual monthly gathering of friends and competitors, openly discussing current research projects, may be the first of its kind nationally.

TRANSACTIONS

Sudbrink To Sell Radio Holdings Sudbrink Broadcasting will consider selling

most of its six radio properties, according to

an announcement last week from company President Richard Casper. The move comes

as part of a "program of reorientation" toward Sudbrink's cable interests. Broker Ted Hepburn will handle the sales for the longtime radio

company. Sudbrink currently owns WLAC &

WJYNINashvllle, KDUK & KPOIIHonolulu, WNWSIMiami, and WJYOIOrlando.

Lange Becomes WSHE & WSRF Operations Manager

Dave Lange, Program Director at WDVE/Pittsburgh for nearly three years, has been named Operations Manager at WSHE & WSRF/Ft. Lauderdale. Lange replaces Neil Mirsky, who resigned recently (R&R 5-7) .

WSHE & WSRF GM Steve Dinetz told R&R, "David is a detail -oriented person who wants to move up in the industry. We believe he has the makeup, intelli- gence, and knowhow to do that. He has the potential to be a fine administrator and came highly recommended with good credentials. I think he'll have the opportunity to realize his potential in this position."

Lange, who was Operations Manager at WILS/Lansing before joining WDVE, commented, "This is a step up for me, to go from PD to Operations Manager for two radio stations. I enjoy the idea of working with several stations, and I'm interested in TK Communications" (owner of WSHE & WSRF). No successor for Lange at WDVE has been named yet.

Goss Joins KRTH In Mornings

Dean Goss, formerly of KGB/San Di- ego, has officially become the new morning drive personality at KRTH/Los An- geles. As first revealed in Street Talk (R&R 4-30), Goss was selected over 450 other air people who entered KRTH's national talent search. When KRTH lost its morning team of London & Engelman to competitor KWST in May of 1981, a re- Dean Goss placement was not immediately hired. Instead, KRTH PD Bob Hamilton decid- ded to embark upon a nationwide talent search for "just the right morning personality."

Hamilton said, "We are delighted with Dean Goss. We liked him from the first time we heard him because he is entertaining, he's very natural on the air and he really believed he fit in with us. He felt he was the right person and we did, too."

Goss commented, "This job is exactly what I wanted to do. I told everyone else 'no thank you' because I knew this is where I belonged."

Goss's professional background includes on -air work at KOWL/Lake Tahoe, KDON/ Salinas, KYA/San Francisco, KROY/Sac- ramento, KCBQ/San Diego, and KGB. His first day at KRTH was Monday (5-31) .

WQAM Elevates Baxter To PD

Tim Baxter, who had been interim PD at WQAM/Miami since Dan Halyburton left the station last October, was officially promoted to Program Director May 21. Baxter candidly told R&R, "I don't know why they waited so long, but it didn't really matter to me. I was just excited to have the job and the opportunity to do it, and now I'm even more excited. I don't have any changes planned. We're just going to keep going after the Coun- try audience and keep promoting as we have been and maybe do a few little tid- bits differently than we have in the past. But basically we're just going to keep on truckin'."

Baxter joined WQAM 21/2 years ago, just prior to the station's Country conversion. Before that he was PD of WGMA/ Hollywood, FL (now WLQY), and on the air at WFTL/Ft. Lauderdale.


Page 4 R&RlFriday, June 4, 1982

Washington Report Settlement Halts Challenge To Belo's WFAA & KZEW Maxwell Broadcasting has agreed to

drop its eight -year comparative renewal fight to take away the licenses of Belo Broadcasting's WFAA & KZEW/Dal- las, R&R has learned. In return, Belo will reimburse its former foe for expenses up to $42,500. Both sides agreed to the deal earlier this month and are now awaiting the FCC's stamp of approval.

Belo thought it had won the case in 1978

when the FCC ruled in its favor, renew- ing both stations. Maxwell's applications were dismissed because it proposed, if victorious, to use Belo's buildings and antenna sites even though Belo vowed it would never let that happen.

However, since 1978, the FCC has changed its rules. It now presumes that an incumbent's sites will be available to a competitor who prevails in a hearing. Based on that change, the Commission last November reopened the case, giving Maxwell a second chance that it has now decided not to pursue.

Major Market Radio Clients Want Liquor Ads

A survey last week of stations repped by Major Market Radio shows they over- whelmingly favor accepting liquor ads. Moreover, opposition seemed soft. Those who objected to liquor ads indicated they could be persuaded to change their minds.

According to Major Market Sr. VP &

Marketing Director Roy Lindau, distillers spend $247 million yearly on advertising, compared to $337 million for beer and $115 million for wine.

Liquor ads on radio are legal, but were taboo under the recently -suspended NAB Code. The distillers also have a code which discourages promoting hard liquor on the air. As reported last week in R&R, WITS/Boston ran into a firestorm of protest from public interest groups when it took advantage of the NAB Code sus- pension by accepting some liquor advertising.

Fowler Sets Fall Target For Minority Aid Ideas

Chairman Mark Fowler has given FCC staffers until early fall to come up with proposals to increase minority ownership in telecommunications. His order came at a full Commission meeting last Thurs- day (5-27).

As its starting point, the staff will use the final report of Commissioner Henry Rivera's advisory comnùttee on minority ownership. The full Commission voted to accept that report last week.

Rivera's group, made up largely of leaders from the telecommunications and finance fields, avoided proposing new government programs. Instead, it put forth 21 specific ideas for pooling public and private resources, changing FCC rules and federal tax laws and developing a system for providing minorities with management and technical assistance.

Commissioner Rivera commented, "We believe that minorities seeking to buy and successfully operate telecommunications businesses would be greatly aided by implementation of all our recommen- dations."

Godsey Resigns RTNDA Presidency

Because he is no longer a news director, Wayne Godsey has announced he is stepping down as President of the Radio - Television News Directors Association (RTNDA). On June 2 he was promoted to VP/GM at WTMJ-TV/Milwaukee. Godsey will formally submit his resigna- tion when RTNDA's board of directors meets June 14 in Montreal.

Although the group's rules would have permitted Godsey to stay in office, he explained, "I feel strongly that a working news director should be the spokesperson for the organization."

Replacing Godsey will be RTNDA's President-elect, KHQ/Spokane News Di- rector Dean Melt.

AM STEREO CONFLICT DENIED

AM Radio Gets Crack At Carrier Rental Dollars For years, many FM stations have been earning thousands of

dollars a month by renting out their subcarriers for purposes such as background music services like MUZAK. But AM stations have had no such opportunities.

That all changes July 1. Last week the FCC issued its new rules approving the use of AM carriers for utility load management starting on that date. FM was approved for the same use last year.

Altran Electronics has been running a successful test of load management over KNX/Los Angeles for several years. It works like this: in certain businesses and homes, the circuits that supply power to air conditioners and water heaters are equipped with special AM receivers.

The local power company, using the AM

signal of KNX, can send out an inaudible tone that is a command to turn those circuits on or off. This enables the utility to control electricity flow, especially at crit- ical peak demand times.

In Washington, Altran is represented by attorney Peter Tannenwald of the law firm Arent, Fox, Kitner, Plotkin & Kahn. He predicts some utilities will be using AM for load management by year's end. More- over, he has "no problem" forecasting that stations in major markets could match the earnings of FM outlets when it comes to carrier rental - as much as $10,000 a month.

Will Design Around AM Stereo

One thing that worried the FCC was whether load management will interfere with AM stereo. The inaudible command tones will go out on the same frequencies used to turn on stereo indicator lights.

Tannenwald doesn't foresee a conflict. "It's obvious the load management people will have to design around AM stereo," he says. He points out there are a number of frequencies available and contends a problem might arise only in the unlikely event that stations using all five

possible AM stereo systems were broadcasting in the same community.

Small Market AM's May Be Left Out

Tannenwald isn't sure small market stations will ever get into the act. A major obstacle, he believes, is the high cost of the computer a utility needs to run a load management system. It might never be cost-effective for a small utility serving relatively few customers to invest in such a system, he fears.

Will only one station per market be used? Probably not, he thinks. A utility may very well need several stations to get the coverage it needs. Still other carriers might be needed if water and gas utilities turn to AM load management, or if the FCC okays still other uses of AM carriers.

Since utilities are just learning about load management, Tannenwald advises broadcasters interested in the technology to contact Altran (213-323-8020) or other firms involved in the field.

Of course, as in all aspects of telecommunications, there's competition in load management.. Firms like Vidette Energy Research are marketing FM systems. Cable, private radio, and even AT&T are also vying for a piece of the action.

Ultimately, Tannenwald sees load management via radio carriers becoming in- creasingly sophisticated. For instance, he envisions a system that shuts off air con- ditioner cooling units, but leaves the blow- ers running so customers don't know they've been shut off. Or, customers may have an override switch enabling them to turn a device back on, but they'd be charged a higher rate.

BACKS "PUBLIC'S RIGHT TO BE HEARD"

Marks Running Hard For NAB Presidency Those who have officially announced they'd like to be the new

NAB President include persons with fairly wide existing industry rep- utations. However, one new player is less well known within the industry. It is with the intention of giving broadcasters a quick glance at this new contender that we are profiling Rep. Marc Marks (R -PA).

An aggressive campaign to win the NAB presidency was launch-, ed last week by Rep. Marc Marks, a maverick Republican who has, made national headlines recently by criticizing Reaganomics.

Marks, 55, told R&R the back ailment that prompted him to announce his re- he replies. He would first want to confer tirement from Congress five months ago with the NAB Board on its goals. Marks is largely healed and "I'm back on my praises outgoing President Vince Wasil- feet." ewski for moving NAB forward enor-

A member of the House Telecommuni- mously in the past 17 years but believes cations Subcommittee during all six of his his own leadership style "might be a years in Congress, Marks is not currently little more vigorous." listed as a cosponsor of any of the various broadcast deregulation bills pending before the subcommittee.

Marks told R&R he got into the race at the urging of a "number of people." He declined to identify them at this time, and promised an aggressive campaign. "I will not just throw out my name and hope," he said.

Does he feel NAB should move in any new directions? "Well, I haven't, in all candor, given that a great deal of thought,"

Effective Lobbyist Just as he'd bucked the GOP estab-

lishment, Marks hints he may not lockstep with NAB's thinking. "I've not always agreed with some at NAB as far as the First Amendment is concerned," he explains. "I think my record would bespeak that I believe very strongly that we have to protect the public's right to be heard."

However, Marks asserts he could lobby effectively for whatever position NAB's Board adopts. Moreover, he says, it would

Rep. Marc Marks be "unusual for any person that has any brains and any semblance of a thinking process" to agree with every stand a trade group takes.

With regard to the many local broadcasters he knows, Marks told R&R, "They really have a great desire to follow up on new technologies, and I think that's going to happen. Certainly competition will force those who resist that to come into the real world. There's just too much happening today too fast for people in the communications business not to want to go on."

Radio Fan "I love radio," Marks told R&R, re-

calling fond memories of some announcing he did on his college radio station and at a local commercial outlet in Alabama. He predicts as NAB President, "I don't think I would neglect radio."

His personal rapport with members of Congress is one of his strongest qualifica- tions, Marks believes. But would his effectiveness on Capitol Hill be impaired by his outspoken criticism of Reagan economic policies? Just the opposite, he replies.

"My relationship with my colleagues, except for the very extreme right wing, has become even closer since I've been speaking out. They feel my doing that has made it easier for them to speak out."

Defiantly, he continued, "I think if anybody wanted me to apologize for that (speaking out) in an effort to get any job, I would turn the job down."

Since announcing his retirement, Marks has concentrated his fire on Reaganomics, but last week he attacked the new GOP television ads with actors portraying Tip O'Neill and Jimmy Carter.

"It is belittling to have that type of trash appear as representative of Republican thinking," he said on the House floor. "Is it really smart for the Republicans to hire an actor to pretend to be President? People who live in White Houses ... "


III - I ll// li// V r r - III-

VAN HALEN "Dancing In The Street" WBEN-FM 40-36 WXKS-FM 24-21 JB 105 31-28 CHUM 21-15 WIF/ deb 30 Z93 add

Y100 deb 23 Q105 add 24 KEGL 24-17 KBEQ deb 35 WGCL deb 21 WPHD 10-9

WHFM add 92FLY add WRCK 28-22 WLAN-FM deb 29 Q106 add KSET-FM 9-9

Produced by Ted Ternpleman

Z93 30-21 94Q 9-5 Q105 25-22 KBEQ add KEZR 29-19 KYYX deb 30 KZZP 29-26 WAEB 30-25 WKEE 33-28 KZFM 27-21 G100 add WHHY-FM 26-17 CK101 add WBCY 6-5 WNOK-FM add WRVQ deb 11

KOFM add WIKS add KKXX add KBBK add WOMP-FM add Q104 10-9

WAEV 25-17 WFOX add 34 WGLF 31-24 KKRC-FM add 27 KRNA add KKLV add KOZE add CKGM on KRLA on KFI on K/QQ on WPHD 29-28 WHFM on KINT deb 23 KHFI deb 21 KBFM deb 28 KROK on WJDX 29-24 WZYP on BJ105 on WDOQ on WBBQ 21-17

WSSX 20-18 WANS-FM 25-19 WNOK-FM add WRVQ deb 22 WJXQ 4-2 Z104 25-17 FM103 21-18

KHYT 24-19 WSKZ on WZYQ 24-21

WTSN add WOKI 30-28 WOMP-FM deb 36

Q104 17-14 WSEZ on WAEV deb 28

WFLB add WRQK on WCGQ 29-26 KILE add WVIC 30-29 WXLK 25-21

KSEL-FM 10-6 WKFR on WGLF 26-25

KQIZ-FM add KMGK on WYKS 31-26 KVOL 2 7-20 KOFM deb 30 KKQV deb 26

WCAU-FM on KZ93 deb 20 Q101 on

B104 on WLYT deb 28 KKXL-FM on

CKGM on 92X on WSPT on

KFI on KKXX 24-21 WTRU add

3WT 26-26 KJRB on KRNA 25-22 WPST 27-23 KNBQ deb 29 99KG 37-32 WYCR on KBBK on KFMZ 24-22 WKRZ-FM on KCPX deb 34 KDVV on

K104 31-29 KSKD deb 36 WCIL deb 23

WKEE 31-27 KL UC deb 29 KENI 37-31

KHFI on KIKI 27-27 KKLV on

G100 29-27 WGUY 26-21 KSLY 24-23

WHHY-FM deb 29 WACZ 27-24 KCBN 39-35 BJ105 29-24 WIGY on KATI 30-26

CK 101 deb 40 WFBG 22-22 KYYA 25-21

WBBQ 27-22 WCIR deb 24 KOZE deb 30

EYE TO EYE "Nice Girls"

FM100 26-22 KX104 27-23 WMAK-FM deb 23 WSKZ deb 23 WOKI 33-26 WQUT deb 25 WRQK on WCSC 2 7-22 WSSX on WANS-FM deb 26 WVIC on WJXQ 28-27 KMGK deb 30 KZ93 on Z104 deb 29 KIDD deb 30 KNBQ on KKFM 24-24 KCPX 33-26 KSKD deb 39 KLUC deb 28 KRQ on

KINT 21-15 KBFM add WABB-FM deb 22 WZYP add KX 104 add WMAK-FM deb 29 WDCG add

KHYT on WJBQ on WGUY deb 23 WFBG on WCIR deb 30 Z102 26-24 95SGF 28-23 WCGQ deb 24 WISE 33-31 WFLB on KILE 37-35 Q101 on KVOL on KKXL-FM 25-22 KELO 31-27 WSPT on 99KG deb 36 KENl34-27 KSLY 27-27 KCBN 29-23 KDZA deb 30 KATI deb 32

AMBROSIA

Produced by Gary Katz

"How Can You Love Me" KEGL WRCK 3WT WKRZ-FM

KZFM WVIC KHYT KVOL KFMZ KSET-FM WJXQ WIGY KKXL-FM KENT

KINT WIKS Q104 KFYR KSL Y

WGH KCPX KSEL-FM KRNA

Produced by James Guthrie

Manufactured & Distributed by Warner Bros. Records



Radio Brings Joy To Office World

Since Easy Listening -formatted WWJF/Ft. Lauderdale is "the JOY of Florida," the station decided to go one step further and see just how much joy radio brings to office listeners. According to a survey of 1100 offices conducted by Miami - based First Research, office radio listening is more prevalent than previously thought:

More than half of office workers in the two South Florida metro areas (Miami and Ft. Lauderdale - Hollywood) are listening while they work

More than half of them listen on

individual radios Close to one -quarter of all office

employees were listening on PA

systems.

French Revoke State Broadcasting Monopoly

France recently voted in a new law

nullifying direct government control over public broadcasting. Now local radio stations and cable television will be permitted, under the watchful eyes of a nine -member panel.

This panel is authorized to license local radio and cable TV (which won't be allowed to carry commercials), select network presidents, oversee programming between the nets, and help stations maintain professional standards of conduct. Additionally. limits on television advertising income have been lifted, while part of the new

legislation regulates the period between theatre -screened films and their release on videodiscs/cassettes. Although a set time period will be an-

nounced soon, it won't extend beyond 18 months.

Still facing amendment and vote is

the measure for a primarily state - funded company to market radio and television productions around the world. The firm would also be able to invest in program productions, and would replace the commercial services currently run by individual networks.

IT Cuts Computer Costs

So you're entertaining the notion of going computer, outfitting the station newsroom with state-of-the-art technology. Just as the notion gains some momentum, however, it's foiled again by those villainous high prices. But Integrated Technology has byten

off what stations can't chew and devised a computer system within the affordable grasp of smaller News/Talk and music stations with heavy News emphasis. At $29,000 it's considerably cheaper than the $100,000 +

tab for the KCBS/San Francisco IT

system. This newly -developed system in-

tegrates many of the scientific improvements implemented at the major market level. The operation consists of three terminals, which encompass several capabilities: feeding two wire services, full word processing/editing, and a splitscreen that lets a writer refer to a wire story on one side as he/she rewrites it on the other side. Adapting itself to the talk needs of a

station, IT's computer can flash vital information concerning, for example, callers to the on -air talk personality.

Call (816) 763-2286 or (913) 677-1041 to find out more about In-

tegrated Technology's computer systems.

MM." AMMI

Have Tape Tote, Will Travel

E -Z -See Tape Tote and Shoulder Bag

Since summer is almost officially here, you're no doubt planning beach trips and other weekend junkets to get away from it all. As you're cruis- ing along or soaking in those rays, you probably want taped accompani-

ment - your kind of music to help relax and unwind. But now the dilemma begins. How many tapes do I have room for? Which ones should I take or leave behind? Where do I put them because I don't want to be bothered with a

clunky case? Technidyne's E -Z -See Tape Tote might be the solution. The tape case is made of foldable plastic, holding up to 20 cassettes

whose labels are instantly visible, so you can make a quick selection and not interrupt your fun for a lengthy period. There's also a silver quilted polyurethane shoulder bag which stores two full tape totes (for a total of 40 cassettes) so you don't have to worry about playing through everything you've brought in a couple of hours. A front zippered compartment on the bag also holds a portable stereo system.

Tape Totes retail for $4.95 each; the bag is $14.95. For additional details call (212) 355-5049, or write 16 East 52 St., New York, NY 10022.

,111.," Alffle

Games Segue Into Sequels Sequels aren't just limited to the

movies (like this summer's "Grease II'

and "Rocky III"). Two favorites. one old, one new, have jumped on

the sequel bandwagon: Monopoly and

Rubik's Cube. Although it took 47 years, Parker

Brothers is introducing an accessory

Promotion Tags Key Drivetime Audience Keying its sights on the 70% of all radio listeners who tune in as they turn

on the ignition, the 2B System Corporation has devised another facet of its popular plastic discount card promotion. The "Super -Saver Car Key

Tag" is a small plastic square imprinted with station call letters and an in-

dividual listener registration number that attaches to a key ring. Stations,

advertisers, and listeners alike benefit through increased visibility, increased

store traffic, and special merchant discounts. Contest participants must activate their numbers by registering with local

merchants. However, they can increase their chances of winning by

registering with more than one store. This promotion also links the station to its community with the "Lost Key Protection" service. It operates in the same fashion as lost hotel key tags. All the finder has to do is drop the

keys in any mailbox and return postage is guaranteed by the station. The registered listener only has to call the station to retrieve the lost set of

keys. As an extra boon to stations and listeners, the tag glows in the dark.

So the message is gotten across both day and night while listeners won't have to fumble in the dark for their keys.

For details on market exclusive availability, call (313) 588-7400.

wont

ire Ani AMERICA'S NUMBER ONE

PRODUCER/DISTRIBUTOR OF NATIONALLY SPONSORED

RADIO PROGRAMS, CONCERTS & SPECIALS SALUTES ... LOS ANGELES NEW YORK

to its successful standby. "Monopoly Playmaster" meets today's electronic

challenge and retains the game's ba-

sic principles. While the same board

and playing pieces associated with the original are still used, the $65 Playmaster is a plastic box positioned

on the board's midsection that emits

American Soars As No. I

The Airline Passenger Association conducted its bien- nial survey of frequent travellers and, once again, it's plane to see that American Airlines retains the number one position as the flyers' favorite. American has enjoyed this top-flight status in the last three surveys.

Next up in order of preference were United, Delta, and TWA. Among the airlines the surveyed passengers steered away from were Eastern, Braniff (did they know something the airline didn't?) USAir, and Pan Ameri- can.

various lights/sounds to direct game

progress. It rolls the dice, forces plays to speed up the game (i.e. giv-

ing up a monopoly), auctions un -

owned property, and lends money. What took several hours to finish is

now completed in an hour and a half - giving you time to fit more games.

It's available in August. No less popular is the two -year -old

Rubik's Cube. Capitalizing on that fact is the maker of the original cube, Ideal Toys, which is launch- ing variations that are as difficult to monitor as the puzzles themselves. There's "Rubik's Revenge," which has 16 small squares on a side in-

stead of the original nine; "Rubik's Pocket Cube," with only four squares to a side; "Rubik's World," a globe whose sections are mixed up (very timely); "Rubik's Race," a two -player

game of sliding tiles; "Rubik's Game," a cube with holes in each square for pegs; object is to get three pegs in a row; "Color Match." where you match a Rubik's cube face

using cards: and "Alexander's Star," a 12 -sided star shaped form covered with six pointed stars, each of six

different colors, rotating on six different axes.

WEN New York


DOUBLEDAY THOUGHT A NEW YORK COMPANY OUGHT TO HAVE

A NEW YORK RADIO STATION ... SO WE BOUGHT ONE.

WAPP(FM) IS NEW YORK'S "APPLE" On May 3rd, Doubleday Broadcasting acquired WAPP(FM), serving the New York metropolitan

area with maximum facilities atop the World Trade Center in Manhattan.

In just a few weeks we'll be offering the listeners in the nation's largest and toughest market that

same winning programming that has made Doubleday Broadcasting

WAPP( FM) New York

the most successful radio group in the country.

Half of our FM facilities are now located within the ten largest markets. No other major market radio group has as many of its stations as highly rated at any one time.

And now, we're in the #1 market. Stand by, as our "APPLE" gets ready to rock The Big Apple.

DOUBLEDAY BROADCASTING ... WE ROCK THE NATION.

WLLZ(FM) WAVA(FM) KWK AM/FM KDWB AM/FM Detroit Washington, D.C. St. Louis Mpls./St. Paul

die DOUBLEDAY BROADCASTING CO. 100 Park Avenue, New York, N.Y. 10017

Represented Nationally by McGavren Guild, HN&W, CBS. FM National Sales and Major Market Radio

WAPP(FM)/Lake Success -New York City. WAVA(FM)/Arlington-Washington.

KWK-FM/Granite City -St. Louis. KDWB-FM,Richfield. MN

KPKE(FM) Denver


RftRlFriday, June 4, 1982 Page 8 Iiiiii-iiAizimmitimPii-iii Networks/Program Suppliers MUSIC FEATURES Rolling Stone Magazine Productions Continuous History Of Rock & Roll::

Greatest American Bands (June 28)

Rock Star Guest DJ: Eddie Money (June 28) Heart's Ann Wilson (July 5)

Ozzy Osbourne (July 12)

United Stations Dick Clark's Rock Roll And Remember:

Bobby Vinton (June 25) Beach Boys (July 2)

Weekly Country Musk Countdown: Willie Nelson (June 25-27) Conway Twitty (July 2-4) Lacy Dalton (July 9-11) Ed Bruce (July 16-18)

Watermark Soundtrack Of The 60's:

Mary Wells/Pete Best/Summer's Joys (June 26-27)

Westwood One Budweiser Concert Hour:

Temptations (June 25-26)

In Concert: Go-Go's (June 28)

Live From Gilley's: Ray Price (June 25-26) Johnny Lee (July 2-3)

Off The Record: Joan Jett (June 25-26)

REO Speedwagon/Pt. I (July 2-3)

REO Speedwagon/Pt. II (July 9-10)

Rock Years: 1977 (June 25-26) 1978 (July 3-4)

Special Edition: Patrice Rushen (June 25-26)

LTD (July 2-3)

ABC Entertainment Net/ Silver Eagle (DIR):

Don Williams (June 26)

Rock Net/King Biscuit (DIR): Dave Edmunds & Dwight Twilley (June 27)

Toby Arnold Rolling Stones 20th Anniversary Special:

The U.S. Tour and More (June 27) Tragedy at Altamont (July 4)

Around The World (July 11)

North American Tour of 1981 (July 18)

CBS RadioRadio:

On Stage Tonight: Al Jarreau (July 24)

Great American Summer Countdown: Top summer songs during last 15 years (July 3-5)

Clayton Webster Retro Rock:

Procol Harum (June 28)

Creedence Clearwater Revival (July 4)

NBC Radio Plans Regional Coverage

STARTS ON SATELLITE

Beginning June 1, programming on the NBC Radio Network and the Source began distribution via satellite - in addition to current distribution by land lines.

The idea is that until the network becomes fully digital, the analog satellite feeds will duplicate what is sent by telephone lines. The conversion to digital

will be as simple as replacing the analog component with a digital one, according to NBC sources.

In making the announcement, NBC Executive VP for Television Sta-

tions/Radio Mike Eskridge noted that the networks will be looking at doing

more regionalized newscasts. "We intend to utilize our satellite facilities to the fullest extent of their capability, fidelity, stereo quality." He said NBC will

have the flexibility to expand to multiple networks and additional programming

services. Eskridge continued, "Network radio at NBC is and will be second to

none in programming, and in the services we provide to our affiliates."

Rarities: Small Faces (June 25) The Who (June 28)

Eric Clapton & Steve Winwood (June 29) Cars (June 30) Jimi Hendrix (July 1)

Gloria Jones (July 2)

Country Calendar: Jerry Reed (June 25) Crystal Gayle (June 26) Hank Williams Jr. (June 27) George Morgan (June 28) George Jones (June 29) Charley Pride (June 30 -July 1)

Roy Drusky (July 2)

Johnny Lee (July 3)

Jerry Lee Lewis (July 4)

Earth News Donnie Iris (June 25-27)

Inner -View John Cougar (June 28) Pat Benatar (July 5)

Crosby. Stills & Nash/Pt. 1 (July 12)

Mutual From Australia With Love/Dick Clark (August 28-29)

Narwood Country Closeup:

Kendalls (June 28)

Music Makers: Andy Russell (June 28)

NBC Country Sessions:

Bellamy Brothers (June 26) Moe Bandy (July 3)

Jerry Reed (July 10)

Gary Morris (July 17)

Source: Asia Special (June 25-27) Doors (July 2-4)

AC/DC (July 2-4)

Stevie Nicks (July 9-11) Ozzy Osbourne Concert (July 16-18)

RKO Hot Ones (ls, Inc.):

Juice Newton (July 12)

Toto (July 26)

Musics tar Specials (Is, Inc.): Dionne Warwick (July 5)

Solid Gold Saturday Night (Dick Bartley):

Dave Clark 5 (June 26)

Weekly Music Magazine (Drake-Chenault):

Remembering 1968 (June 26)

NEW

PROGRAMMING Four new daily radio features are

being offered by International Syndi- cations, formerly known as Karnes - Grattan Associates. "Potpourri/The Soaps" peeks inside the successful operations of the popular afternoon dramas; "Going Places" focuses on the tourism/travel business and is re-

corded on location in various coun- tries; "Outdoors" presents on -site in-

terviews with sports (hunting, fishing, boating, etc.) personalities; and "Sixty Seconds" is a mini -version of the high-

ly -rated "Sixty Minutes" TV series. For

sales info and a free sales demonstra- tion presentation contact Don Karnes at (212) 772-1420.

Beginning October 3, veteran com-

edy team Bob & Ray return to radio as part of National Public Radio's "The Sunday Show." The special series will

be comprised of live performances pro-

duced by the Radio Foundation of New York City at RCA's Studio B. Once again

the team will perform radio drama par-

odies, including a new eight -installment series, "Garish Summit." For additional details call Jan Hausrath at

(202) 822-2325.

RKO Discontinues "Country Star Countdown

As previewed in "Street Talk" (R&R 5-28), RKO Radio Networks has made several programming changes, the most significant of which is the dis- continuation of the three-hour "Country Star Countdown." This becomes effective July 3.

When questioned about the cancellation, President Tom Burchill stated, "When we began this program, we were given the impression that Kenny Ro- gers would be involved. We felt this association with Kenny Rogers was es- sential to the positioning of this product to our stations and our advertisers. Because this involvement never materialized, we received limited support from both stations and advertisers." The seven remaining Radioshows ("Musicstar;" "The Hot Ones:" "Captured Livel;" "Weekly Music Maga- zine;" "Solid Gold Saturday Night;" "Night Time America;" "America Overnight") will continue broadcasting.

In other minor changes, the 90 -second Monday -Friday RKO Two series, "Ask The Expert," has also been cancelled. Other fill-in program options are

currently being discimcsed. Beginning June 14, RKO One will add "Steiner On Sports." The special summer program is hosted by RKO Sports Director Charley Steiner, who will still anchor his PM show. Steiner's morning drive replacement is Dan Davis, who'll continue handling morning sports reports for WRKO/Boston.

NEWS &

INFORMATION

FEATURES Earth News

Carl Weathers of "Rocky III" (June 24-27)

Narwood Outlook

Calvin Murphy Interview (June 23) Black Head Coaches (June 27)

NBC "Children of Watergate" explores the effects the scandal has had on the Ameri- can public, the principal perpetrators. and their children ten years later Anchored by Cameron Swayze.

(June 17)

RKO America Overnight

Howard Halpern. author of "How to Break Your Addiction to a Person." from Dallas, John Duff. Nat'l Drug Education Director/ Narconon Drug Rehab.. from Los Angeles.

(June 11-'2)

Watermark TV Tonite: Pleasure Palace/CBS (June 9)

Taxi/ABC (June 10)

"Georgia Peaches"/CBS (June 12)

PEOPLE Steven Hecht

joins the sales staff of London - Wavelength. His prior experience includes stints with A.C. Nielsen Company and Video-Mation. During the last three years, he operated his own sales/marketing firm.

Lawrence Storch returns to his prior post as Manager/West Coast Sales for CBS Radio Network, exiting as Director/Sales for RadioRadio.

Steven Hecht

NOTE: ABC Marketing Services, producer/syndicator of radio station marketing campaigns, has moved from New York to Los An-

geles. Headquartered at Water- mark, Marketing Services will be

directed by Watermark's President Tom Rounds and VP/GM Ralph Smith. Both companies are part of

ABC Radio Enterprises, Inc.

RNA Engages The Webster Group The Radio Network Association, Inc. (RNA) has retained the

Webster Group for consultation/management services.

WC. v03640,2

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BROWNS COUNT ICY

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For the Best in Bumper Strips and Window Labels, call Byron Crecelius, person to person ... 314-423-4411


We Have The...

E WAY "CUTIE PIE"

WXKS-FM 21-14 I95 add KIQQ 4-4 KITY deb 32 KZFM add

WCSC add KYNO-FM 14-6 FM102 23-21 KGGI add 7 KKFM add 20

(MCA -52049)

KHYT add WGUY 22-16 WFLB deb 34 KDZA 30-20

AK ' EDGE "SO FINE" KFI WFBR WTIX KXX 106 WMAK-FM

WSEZ WGH WVIC KOFM

WNAM KBBK WZYQ KELO

IVIA N E 0NJOHN "LANDSLIDE KFI WTRY KC101 WPST Q106

WYCR WKEE KITY KROK BJ105 WDOQ

WMAK-FM WOKI WSEZ WRQK WCSC WNOK-FM

WGH KOFM WFOX WISE WFLB WYKS

(MCA -52069)

KELO KKLS KCBN KDZA

. MCA RECORDS


Buying, Selling Insights The point of the Birch QSR is to move

the company from a monthly programming -oriented ratings service to a quarterly sales -oriented tool, Let's see what ingredients might contribute to the buying -selling flow.

1. Location Of Listening Birch breaks down its data into one of

three location possibilities - at home, away from home in a vehicle, and away from home, other (such as in -office).

Below you'll see an example of how the information is displayed for one of the major demos, adults 18-49.

JHAN HIBER

Birch Quarterly Premieres The long wait for the arrival of the first Birch Report Quarterly

Summary Reports (QSR's) is over. Many of the major markets have received or will soon get their first QSR's covering the January - March quarter. Since this is one of the most eagerly -awaited ratings/research items in years, I'll spend the next two weeks delving into the Birch effort. This week I'll debut some of the "live" pages from the Chicago QSR, showing examples of information not ob- tainable in your local Arbitron report. Next week I'll dig more into the technical aspect of the report and how it compares to the Ar- bitron for the same time period. audience tunes to you? Programming

and sales guidance can be gleaned easily from the data you see below, the come duplication breakout. The example here is for men 18+, showing each station's exclusive cume and duplicated cume. A broadcaster can compare these to the station's total weekly cume to see how each station fares.

R&RIFriday, June 4, 1982

\'eek In Review Birch Makes NY Inroads

Two New York City stations have

recently jumped on the Birch Re-

port bandwagon. According to Tom Birch, "Both WMCA and WADO have dropped Arbitron and picked up our service." Talk stations often

do well in the Birch figures, which

may have prompted the WMCA move, Birch speculated, while he mused that WADO - and possibly

other ethnic or Urban stations - was not happy with Arbitron's His-

panic sampling methods. In recent days Birch has been

making a number of presentations to major ad agencies in New York

and Chicago. Attended by mane major agencies (as well as by sev-

eral Arbitron observers), the presentations described the Birch Report's Quarterly Summary Report and the firm's methodology. Reportedly major agencies such as J. Walter Thompson, William Esty, Benton &

Bowles and BBD&O are prepared

to begin using Birch in some buying and planning situations. Huntington Exodus

Reportedly, most of the Arbitron subscribers in the Huntington, WV market have chosen not to renew with that firm but have signed in-

stead with the Birch Report. Accord- ing to station sources in the market, only WKEE & WHTN have renewed their Arbitron paperwork. Arbitron representatives have no comment on the matter at press time, being unable to confirm or deny that three AM -FM combos were no longer with the largest ratings service.

Arbitron Names Research Exec Donald Hinman, a project man-

ager in Arbitron's Research Depart- ment, has been promoted to the post of Manager of Marketing/Re- search Services. Hinman replaces Paul Rule, who has recently formed a new marketing and media infor-

mation firm, Marquest, in Beau- fort, NC.

PERCENT OF WEEKL

advertisers on the basis of rates and merchandising, since it might be likely that a commercial on either station

Y CUME DUPLICATED

WEEKLY TOTAL CURE

WEEKLY EXCLUSIVE

CUME

MONDAY - SUDAY 13:00AM - MDMGHT

WAAA WBBB WCCC WOOD WEEE WFFF WOOD W®1 PERSONS PERSONS PCT PCT PCT PCT PCT PCT PCT PCT

WAAA 534 45 100.0 32.4 11.8

WBBB 4673 825 3.7 100.0 3.4 1.7 4.3 8.9 12.3 5.9 WCCC 1462 66 10.9 100.0 1.6 8.5 17.2 5.5 10.1

WOOD ,368 60 5.8 1.7 100.0 3.9 4.1 5.6

WEER 1226 131 16.4 10.2 100.0 13.2 1.9 22.0 WFFF 1704 260 24.5 14.7 3.1 9.5 100.0 3.4 14.5 WOOD 1954 197 3 4 31.1 4.4 3.0 1.2 2.1 100.0 1.2

WHIG ,939 234 14.3 7.8 3.9 13.9 12.7 1.2 100.0

AVERAGE QUARTER HOUR PERSONS ESTIMATES BY LOCATION

MON - FRI 6:OOAM-10cOOAM

MON - FRI

I0:00AM-3:O0PM MON - FRI

3 AGM -7:O0PM MON - FRI

7 -..009W -MIDNIGHT SAT - SUN

I 0,00AM- 3. OOPM

NOME CM OTM NOME CM OTHER NOME CAR OTHER NOME CAR OTHER HOME CAR OTHER

WAAA WBBB WCCC wow WEEE WFFF WGGG W®

20 331 111 321 95 ICI 143 171

22 113 51 9

50 69 8

111

18 17

49 12

176 s

93

47 62

269 42 64 19

167

3

31

6 9

69 37 25 109

44 47

28 59

358 84 190

15

75 100 238 31 131

94 223

4

116 22 16

64 63

100

4

9 79

178 17

39

64 59

376 14

106 76 66

2

32

5

18

33

54 10

87 223 304

102 110

542

7

106

43

14

74 75 27

246

54 54 13

142

203

What can this type of information tell a broadcaster or ad buyer? For one ex-

ample, look at the differences in morning drive between WBBB and WDDD. Their average quarter-hour audiences at home are almost identical but WBBB

has a significant lead when it comes to reaching commuters in -car. On the other hand, WDDD's audience profile among the "other" category - most likely those on the job - is more notable than that of WBBB. These tid- bits of information are extremely valuable when targeting media buys, touting a station's real strength, or designing copy that appeals to the right audience (what are they doing when they are likely to hear a commercial?) ¡t the right time.

You'll note that for sales and programming purposes, Birch has broken out the location data by major daypart. It's interesting to see that besides the usual major Monday -Friday segments, Birch has also shown weekend middays. Listening in these dayparts is usually high, and mobility on the weekends is

often a much different pattern from mobility during the weekdays.

2. Come Duplication How much of your audience listens to

your competitor, and how much of its

In the data you see here it says 32.4% of the men 18+ that listen to WAAA tune in to come WBBB at least once weekly. On the other side of the coin, only 3.7% of the WBBB adult men cume WAAA at least once during the week.

How do two format competitors fare? WEEE sees 22% of its adult male come tune to .WHHH weekly while WHI-IH sees just under 14% of its men sampling WEEE. With a bigger male cume to begin with, and with a higher exclusive cume, WHHH is getting the better of the battle with WEEE - not only a bigger cume to start with, but a more loyal audience, as indicated by the larger exclusive cume and by fewer WHHH listeners sampling WEEE than the other way around.

This type of information is priceless to both programmers and sales management. A programmer can easily tell what station is siphoning quarter hours while a sales manager or ad buyer can pitch or buy more efficiently. "Why buy station A when X% of its audience already tunes to us each week?" could be the refrain used by station sales people. With information shown in the Birch Report QSR, agencies can buy around almost any station. Those stations with significant cume duplication (20% or more) could be compared by

could reach a worthwhile audience. What the QSR does for the buying and selling of radio time will be a most in-

teresting phenomenon to watch.

3. Qualitative/Product Usage Data Birch is the first ratings service since

Burke to put qualitative or product us-

age data in its ratings report. 15 categories are included in each QSR, with five categories derived from each month's worth of interviews. On a total week adults 18+ basis, here's a sample of what the Birch qualitative information looks like.

both groups. Depending on the salesmanship used and the other qualitative data to back up the pitch, station WFFF could argue that it has a good correlation of working women and grocery shoppers, while WHI-IH could say that a spot on its air could reach additional shoppers who are not at work, thus broadening the reach of the commercial.

Improvements Needed While the Birch QSR is a welcome

addition to the ratings world, there are some improvements that could be made. The data pages often have the station calls only in the left hand margin, making it tough to follow across the page. Calls in the right-hand margin would be a welcome touch.

With regard to the qualitative aspect of the information, I've already heard some mixed reactions. Some broadcasters have praised the Birch data, while others have told me they feel it has a long way to go. One item that would enhance the utility of the product usage and qualitative breakouts would be an

QUALITATIVE/PRODUCT USAGE LISTENING ESTIMATES

MONDAY - SUNDAY 8:00AM - MIDMGHT

COLLEGE GRADS HIGH INCOME HSHLDS HOME OWNERS GROCERY SHOPPERS WORKING WOMEN

AOH CUNE AOH CAME AOH CUPE ACM CUME AOH CUNE

WAAA 40 1 82 1 82 1 42 , 39

WBBB 34 827 46 971 64 1148 30 669 13 292

WCCC 13 350 11 390 18 426 17 409 13 200

WDDD 12 282 31 374 17 380 26 336 13 225

WEEE 6 333 7 277 8 378 6 235 2 I19

WFFF 19 533 28 735 51 898 32 619 34 508

WOOD 28 606 19 498 23 581 17 421 18 164

WID03 12 510 54 988 69 1142 41 804 26 549

Some explanatory words are in order here. Birch defines "High -Income Households" as those with annual in- comes of $25,000+. "Grocery Shop- pers" was comprised of those listeners who spent $76 or more weekly on grocery purchases. "Working Women" were those ladies who worked full-time.

How might this qualitative or product usage data be useful? If you take WFFF and WHHH you'll see an example of how an interesting sales story might be generated.

WHHH has a higher average audience among grocery shoppers than among working women, while WFFF has almost an equal audience among

index, a guide to what is average for the marketplace. It may be great to know that WHHH has a good profile among high -income households, but it would be even better to know how that figure compared to the station's overall cume and quarter hour and how it compared to a marketplace average. Percentages and indexing would solve those two problems.

So much for the "goodies." Now that I've whetted your appetite for the QSR's innovations, we'll next dig into the technical nitty-gritty of the Birch quarterly and look at how it compares to a relevant Arbitron. See you next week!


NBC Radio's Young Adult Network

GGKIN BAND.

THE ROCK STARTS HERE. put on your high - heeled sneakers and

turn up your radio.

Because Greg Kihn and his band are about to turn your radio into a rockihn' roll machine. Recorded live in

concert at The Ritz in New York City. Exclusively on The Source. Your night on the town begins "When The Music Starts;' and continues with "Rendezvous:' "Woman- kind;' "The Breakup Song;'

"Higher And Higher," "For Your Love;' and, of course,

"Roadrunner," all on Berserk - ley Records. And more! Pro-

duced by Starfleet Blair Inc.

For a night of break -neck rock release, plan to rendezvous with Greg Kihn, Larry

Lynch, Steve Wright, Dave

Carpender and Gary Phillips. You'll be glad you did!

The weekend of June 11,

12 & 13. Brought to you, in part, by Delco Electronics and by The U.S. Army.


Page 12

These Are All

Chicago Stations:

WLS WDOQ KHYT

WBEN-FM CK1O1 KIKI

Z93 WBBQ WGUY 94Q FM100 WCIR Q105 KX1O4 95XIL

CKLW WMAK-FM WZYQ KEARTH WOKI Q104 KR WQUT 95SGF KEZR WBCY WFOX WFBR WAYS WCGQ WTRY WRQK WFLB

KC1O1 WCSC WXLK WLAN-FM WANS-FM WGLF WAEB WRVQ WYKS

WKRZ-FM WZZR KKQV K104 KIOA KKXL-FM

WKEE KMGK KKLS

WTIX Z104 WTRU

G100 WNAM KENI

WHHY-FM WGBF KCBN Y103 WKDQ KATI

KKXX KOZE

Chica o

"Hard o Say m ori

Produced by David Foster

ARBITRON RADIO

Salinas - Monterey PUP(UU): 2422 Share Trends

Fell '80 1 KLO -AM 2 KCTY-AM 3 KUUN-FM 4 KIUU-AM 5 KWYf-FM b KWAV-FM 7 KL KB -FM 8 KUUN-AM 9 KCBS -AM

lU KTOM-AM

METRO RANK 1181

Persons 12t Mon -Sun 8AM-Mld Spring '81 Fall '81

12.0 KUCN-FM 17.1 9.2 6100 -AM 9.0 8.4 KTUM-AM 7.0 7.8 KGO -AM 6.5 7.2 KWYT-FM 6.5 5.5 KUK()-FM 5.4 5.8 KWAV-FM 4.9 5.0 KCTY-AM 4.7 4.2 KCBS-AM 4.1 4.2 KLKB-FM 3.6

Adults 1834 Mon Sun 6AM-Mld

RANK STATION

1 KUON-FM 2 KSJO-FM 3 KIW-AM

KLXIN-FM 11.61111 KLO -AM 9.7(I) 6100 -AM 8.9110 K510 -FM 6.5(A) KTUM-AM 5.919 KWYT-FM 5.9010 KCTY-AM 5.901 KCBS-AM 5.4 IM KWAV-FM 4.6(kg KBAY-FM 3.2010

Adults 25-64 Mon Sun 8AM Mid

RANK STATION

1 KTOM-AM 2 KWAV -FM 3 KLXN-FM

Daytona Beach POP ((10): 2395 Share Trends

Fell '80 1 WWLV-FM 15.7 2 WOW -FM 15.4 3 W0130 -FM 14.7 4 WILE -FM 10.4 5 WUIL-FM 7.7 6 WNUB-AM 6.7 7 WSBB-AM 5.0 B WELE-AM 4.3 9 WKOU-AM 4.0

10 WKKX-AM 2.0

METRO RANK 120)

Persons 12 Mon -Sun 8AM-MId Spring '81

WUUL)-FM 17.7 WWLV-FM 17.1 WUTZ -FM 11.2 MAU -FM 9.8 WEL E -FM WNUB-AM WSBB-AM WELE-Am WMF I -AM WROU- AM

Adults 18-34

9.8 6.5 4.5 3.1 1.5 2.5

Fall '81 w000 -FM WWLV-FM WILE -FM WUBU-FM WUIL-FM WKOU-AM WNUB-AM WSBB-AM WUAT-AM WMF 1 -AM

14.3(A9 13.3pNO 11.019 11.5010 8.9W 7.41301 5.619 4.1(AC) 3.11AC) 1.311K3

Adults 25-64 Mon -Sun 8AM Mid Mon -Sun 8AM MId

RANK STATION

1 WDOQ-FM 2 WUIZ - FM 3 WEL E - FM

RANK

1

2

3

ST AT ION

WEL E- FM WOOQ- FM

WWLV-FM

/Kalamazoo METRO RANK 1231 POP(00): 2338

Share Trends Fall '80

Persons 12

Spring '81

1 WIC/0-AM 15.9 WKFK-FM 12.9 2 WKFK - FM 12.1 WK/() -AM 11.6 3 WL)LK-FM 9.1 WL)LR-FM 10.1 4 w000 -Fm 6.9 WL:KU-FM 8.0 5 WGKU-FM 6.6 WKMI-AM 7.5 6 WKMI-AM 6.1 WOOD -FM 7.5 7 WNWN-FM 4.9 WNWN-FM 7.0 8 191 FM -FM 4.6 WIFM- FM 5.4 9 WMA()-AM 4.6 WLAV-FM 4.4

10 WLAV-FM 4.3 WBUK-AM 3.6 Adults 18-34

Mon -Sun CAM Mid

RANK STATION

1 WKFR-FM 2 WLAV-FM 3 WKMI -AM

Roanoke 101(00): 1935

Share Trends Persons

Spring '81

1 WXLK-FM 2 WPVK-FM 3 WKUV-AM 4 WSLC-AM 5 WF 1K -AM b WSLIl-FM 7 W(UY -AM tl WILM-FM 9 WKIS -AM

1U WUEZ -AM

22.6 20.4 14.7 14.0 7.5 6.5 5.7 2.2 1.4 0.7

Adults 18.34 Mon Sun 8AM Mld

RANK STATION

1 WXLK-FM 2 WSLQ- FM 3 WROV-AM

Mon -Sun 8AM-llld F.N '81

WKLU-AM 13.21AC1 WKFK - FM 12.6 M WL)LK-FM 9,u MN WKMI -AM 8.400 WLAV-FM 7.8 M) W1 FM -FM 6.2 M WOW -FM 5.9 OM WNWN-FM 5.019 WMhQ-AM 4.2(9 WGRU-FM 3.9 M

Adults 25-64 Mon -Sun SAM Mid

RANK STATION

1 WK FR -FM 2 WQLR-FM 3 WK ZO -AM

METRO RANK 1371 12 Mon -Sun 8AM-Mid

Fell '81

WPVK-FM 17.8 NINO

WSLC-AM 16.619 WXLK-FM 15.8 MM

WROV-AM 12.6 (A9 WF I K -AM 12.6 (A9 WSLI)-FM 9.3 PA

rVILM-Fm 3.b (C1

WTUY-AM 2.4 MF

WK BA -AM 1.2 Pa) WK I S -AM 0.8 OW

Adults 25-64 Mon Sun 8AM MId

RANK STATION

1 WPVK-FM 2 WSLC-AM 3 WROV-AM

RSRIFFiday, June 4, 1982

The data contained on this page is copyrighted by the respective ratings services. Non -subscribers to the respective ratings services may not reprint or use this .,formation in any form.

Appleton - Oshkosh POP( U I): 2410

METRO RANK 1191

Share Trends Persons 12+ Mon -Sun 6AM-M1d Spl.g 'Il Fell'81

1 WROE-FM 11.6 WFalY-AM 11.6 OA 2 WNAM-AM 1U.b WIXX-FM 1U.2M 3 WYTL-AM 9.3 WYTL-AM 9. 41C)

4 WAIL -FM 9.0 W NAM -AM 9.2110 5 WHilY-AM 8.8 WAPL-FM 9.2174 6 WIXX-FM 8.5 WKUE-FM 7.5MM 7 WOSH-FM 5.9 WYNF-AM 5.7(9 8 WKAU-FM 4.4 WOSN-FM 5.4P0 9 NKAO-AM 4.1 WGEE-AM 4. JIM

lU WINE -AM 3.6 WKAU-FM 4.01111

Adults 18-34 Mon -Sun 6AM-Mid

RANK STATION

1 WAPL -FM 2 WIXX -FM 3 WNAM -AM

Adults 2564 Mon Sun 8AM Mid

RANK STATION

1 WYTL-AM 2 WNAM-AM 3 WHBY-AM

Eugene - Springfield POP(OO): 2362

METRO RANK lase

Share Trends F.N'IO

Persons 12-1-

Sp(ü1gIl

Mon -Sun 8AM-Mid

Fall '81 1 KUGN-AM 14.2 KINW-FM 14.1 K5NU-FM 11.5 CIO

1 K(N W -FM 13.9 KSNU-FM 13.9 KILN -AM 12.3 N9 3 K99Ú -FM 10.5 KlX-,N-AM 9.8 KPNW-FM 11.70 M 4 KIEL -FM 9.9 KEE1)-AM 7.9 KZEL-FM 10.6(A) 5 KPNW-AM 9.6 144W -AM 7.b KUGN-FM 8.9(0) 6 KE EU -AM 9.3 KZEL- FM 7.6 KEW -AM 7.819 7 K8UF-AM 5.1 K121312 -AM 6.3 KPNW-AM 7.2(AC) 8 KUL'Ji-FM 3.7 KL3GN-FM 6.0 KUU1-AM 5.8 0M 9 KASH-AM 2.8 680E -AM 4.1 6801 -AM 4.2M)

1U KUKE -AM 2.3 KBMC-FM 3.8 KORE -AM 3.90112

Adults 18-34 Adults 2564 Mon Sun SAM Mid RANK STATION

1 KZEL-FM 2 KSNU-FM 3 KLI.N-FM

Mon Sun 8AM Mid RANK STATION

1 KOLA -AM 2 KEE 0 -AM 3 KLIGN-FM

'Modesto POP(U0): 2173

METRO RANK 128

Share Trends Persons 12+ Mon -Sun 8AM-Mid ir11I el Fall '81

1 KBEE -FM 10.3 K1lEE-FM 15.1010 1 KUSU-FM 8.8 KUSO-FM 10.01A9 3 KF1V-FM 8.3 KHUP-FM 8.0 (A)

4 KHUI-FM 8.3 KTKB-AM 6.6(0) 5 KIK8-AM 5.9 KNöR-AM 5.41A9 b KCBS -AM 5.6 611V -FM 5.1(A9 7 KRAK -AM 5.0 KCE Y -AM 5.11[1 8 KCE Y -AM 5.0 KCBS-AM 4.3 M 9 KMYT-FM 4.4 KMYT-FM 4.3 MM

10 KNOW -AM 4.4 KRAK -AM 3.410 Adults 18-34

Mon -Sun 6AMAMId

RANK STAT ION

1 KOSO-FM 2 KFIV- FM

3 KHOP-FM

Lubbock P01(00): 1747

Share Trends

Adults 25.54 Mon Sun 8AM Mid RANK STATION

1 KL3EE-FM 2 KOSO- FM

3 KNBR-AM

METRO RANK 1431 Persons 12 Mon -Sun 8AM -MId

Spangle' 1 KLLL-FM 22.7 2 KSEL-FM 12.9 3 KFMX-FM 11.4 4 KSEL-AM 8.6 5 KIEL -FM 8.2 6 KFYO-Am 7.s 7 KLNU-AM 6.7 8 KLLL-AM 5.5 9 KKAM-AM 3.9 lU KRLB-AM 3.5 Adults 1834

Mon -Sun 8AM -Mid

RANK STATION

1 KFMX-FM 2 KLLL-FM 3 KSEL-FM

Fail '81

KLLL -FM KFMX-FM KSEL-FM KIEL -FM K SE L -AM KFYO-AM KL FB -AM KENU-AM 0111 -AM KRLB-FM

17.4 WI 13.2 (A)

11.5 Cl 12.

7 . 5 111)

b.4 IC)

5.0 (S)

3.9 (CI

3.9 )C) 3. b (AC)

Adults 25 64 Mon Sun SAM Mid

RANK STAT ION

1 KLLL -FM 2 K f E 2 -FM 3 KSE L -AM

A-AOR, AGAduIUCorltetrlpolary, óBlack. BB -Big Barld. BM-

Beautiful AAueic, C-Gounhy, CLCieeacel, E -Easy Lieterrlq,

J,)azz, MMiecererleotla, Nei)ews, O011ies. RContenlporerY MBank), RL-BeNgiol3s, 8Spereeh, T-TaN(, Ullrben Cr)ntem-

P«ery.

Manufactured & Distributed by Warner Bros. Records


R&R/Friday, June 4, 1982 Page 13

Sales JONATHAN HALL

WWTKX -Selling CHR Creatively

Tex Meyer is VP/General Manager of WWKX(Kicks 104)/Nashville. He did the sales segue from programming while he was PD and Opera- tions Manager of WGOW/Chattanooga, TN from 1969 to 1973. Prior to that he had been National Music Director for Charter and had been involved in other operations as a programmer and announcer.

It's his programming background that helps Tex understand the problems and opportunities associated with selling a well -programmed station. Tex is promotion -minded. For the Fourth of July, the station will be hosting the "Busch 420," a NASCAR event. Busch will be the exclusive sponsor with WWKX giving away custom silk Busch 420 jackets; taking winners into the "pits," and hosting a dinner on the grounds of the race where winners can mix with the racing stars.

I spoke with Tex on his methods of selling his CHR-formatted station.

R&R: Do you have an advertising and promotion person on your staff?

TM: All promotions are worked through programming and sales, which would be through Michael St. John, the Program Di- rector, and myself ;we work together closely on ideas. I know we are a highly visible radio station. What we do is get involved with people that can help us and we can help them.

Tex Meyer

R&R: Busch is obviously one example. What else have you done?

TM: We did a model search last fall for a large retail department store at all their metro locations. We obviously sold the promotion to them so everything was tied together in commercial matter on the air. It didn't take a lot of outside promotion. Their commercials really sold the promotion. At each one of their stores on a Saturday, we invited female listeners to come by and have their pictures taken. The winner would be fea- tured in the retailer's ads for television, radio, and newspaper. They took a polaroid picture of each one of the girls that wanted to participate and we gave them a T-shirt. Well, the first Saturday, we ran out of T- shirts, the second Saturday we ran out of T- shirts, and the third Saturday we ran out of T-shirts. It was the hottest promotion I think the station has ever done and the hottest thing the department store has ever done.

R&R: Are your sales people expected to come up with a lot of promotions?

TM: It is done as a joint effort between programming and sales. However, people have definite ideas in the agency business, and we try to learn about their business by asking questions. Then we do brainstorm- ing sessions.

R&R: How often are these sessions?

TM: As often as needed. When we have a specific thing to talk about and need some ideas, we get together. I'll call everyone in and say we need some input on this type of thing.

We did a promotion last month which is unusual for a CHR station. Our PD Michael St. John wanted to get involved in Vander- bilt University's spring intersquad football scrimmage. He thought it would be good community involvement, but I wasn't really that impressed with the thing. Obviously, spring and football don't necessarily go together.

But we printed all the tickets for the game with our four-color logo. We sold a two-week promotion to one sponsor. The only place you could get a ticket was at this particular sponsor. The $5000 package included a very small commercial schedule.

The result was that Vanderbilt had its biggest attendance ever for the spring "Black and Gold Game." Last year they drew 1000 people, this year they drew 16,000. The sponsor was ecstatic. Vanderbilt was ecstatic. Obviously we made money on it and it was good community involvement.

We had our morning and evening personalities at the game, one on each side of the field. We had 16,000 people who heard nothing that night except Kicks 104. That came out of an idea session.

R&R: Did you broadcast the scrimmage? TM: All we did was make the tickets

available at a sponsor and run promos on the air talking about the spring game. It was just a super promotion. We do a lot of those things where we get involved. One of the things we won't do is a promotion we feel just won't succeed. We sit down and say this is a bad idea, this is a good idea, this is mediocre, let's improve on it. All the people have input into the radio station as far as this is concerned. Because of my programming background, I understand Michael's problems, and we have a good working relationship.

R&R: How many cales people do you have? TM: We have a total of five. R&R: Do they have specific assignments?

Breaking Down CHR Stereotypes For More Sales

Thorough Training Prepares Sales People

Interdepartmental Meetings Enhance Understanding Emphasis On New Sales Calls

TM: We work on account lists. Accounts are rotated on a regular basis. Everyone that has started with the station has developed new and exciting accounts.

R&R: Do they have quotas for new accounts?

TM: No, not really. We try to emphasize two new sales calls every day - people who have not been called on. One of the things that we got on the air last month was the Snapper Mower dealer with co-op dollars. Snapper is a very expensive lawnmow-

PRESENTS

1982 VANDERBILT SPRING GAME

SATURDAY, APRIL 24, 1982 7:00 p.m. $2.00

VANDERBILT STADIUM General Admission Ticket

No Refunds Permitted

Featuring: U.S. MARINE CORPS REGIMENTAL BAND

er. It is a very tough sell for a Contemporary Hit Radio Station because they generally go after an older demo and a higher income level and there is this idea that generally contemporary music stations don't have that type of audience. It was the first time in my radio career that I have been with a contemporary station that has got Snapper on the air. And one of our sales people just did a super job with it.

R&R: Will you generally go after business that's not in your target demo?

TM: It depends. I think there are too many preconceived ideas in radio. I feel that Kicks 104 can sell Snapper mowers. I feel we have people who listen to our radio station who can invest in IRA accounts, even though the demo says maybe we are not the ideal or number one buy for that. However, I want our people to get results and I want them to work to get results. And if I have to say to them I really don't think it's right, then I'd rather have them pass on the business. But Snapper I feel is right for our radio station.

R&R: Do you do any kind of in-house training?

TM: Yes. This was something that was brought up at RAB's Managing Sales Con- ference. It has been wrong that in the radio industry we have a tendency to take people, bring them in for one day, tell them about the radio station, shuffle them onto the street and then say bring back orders. Xerox and IBM don't do it ... they train people.

I don't want anybody going out on the street who is not 100% prepared. We have had the opportunity not to have a lot of sales people and not have the turnover. There is a process of osmosis here where we learn from each other. They are prepared when they go out on the street, they are encouraged to write proposals, encouraged to come up with creative selling.

R&R What other things do you do to keep your people happy?

TM: Number one, if they are successful they are going to stay. It is very hard to steal a successful salesperson in any organization. So what we want to do is make them as successful as absolutely possible to encourage the things that they want to get out of life.

If they want to go to Greece, I say set a goal to go to Greece and let's obtain that goal. I work on a very positive atmosphere rather than a negative. I talk to them on a day-to-day basis on what they are going to do, what they want to accomplish. I encourage our sales people to take an hour out of the day to just think about where they are going and what they want to do in this business.

BROADCASTERS HONOR AGENCIES

Puget `Soundies" Awards Debut

The Puget Sound Radio Broadcasters have

begun awarding "Soundies," recognizing "creative excellence" in "making the Puget Sound 'sound' better through a radio campaign." Monthly Soundies will be chosen by the Broad-

casters' Creative Committee, comprising KISWISeattle GM Steve West, and KUBEI

GM Michael O'Shea. Clients, agencies, pro-

duction companies, and others are eligible.


Page 14 RftRlFriday, June 4,1982

Winners Always Play The

Right Kind Of Song

94Q add KEGL add WPHD add WYCR add KHFI add WSEZ add WSSX add WKFR add KBBK add WRKR add 96KX deb 32

WXKS-FM 29-24 WIFI on KFI on KEZR 28-24 XTRA deb 20 K C N R 17-15 WPST 33-29 W K E E 35-30 B J 105 34-28 CK101 deb 39

WQUT deb 29 W J XQ 12-10 KZ93 17-15 KKXX 19-6 KJRB 28-25 KRQ 6-11

WGUY deb 30 WOMP-FM deb 34 Q104 deb 34 WYKS 25-19

KKXL-FM deb 25

KKLS 30-24 KFMZ deb 23

KCBN 37-31

KOZE 24-18 KYYX 3WT KSET-FM KINT G100 WAXY WMAK-FM WCSC WNOK-FM WGH KNBQ KSKD KHYT WIGY WFEA WCIR WFOX KKQV WTRU WAZY-FM KRNA KENI KKLV KSLY KYYA

"Right Kind Of Love"

QUARTERFLASH

Produced by John Boylan

STREET TALK.

An unconfirmed rumor from Cleveland has it that M105 (WWWM) is about to drop its AOR format in favor of Adult/Contemporary. Should that take place, WMMS then becomes Cleveland's sole AOR outlet. One can't help but wonder just how long it would be before another Cleveland area broadcaster decided to challenge the Buzzard?

KUDL/Kansas City's GM Robert Hensky has stepped down to "pursue other business opportunities." KUDL Operations Manager Ross Rea- gan, who is also Shamrock Corporate PD, is now acting GM for the station.

Tim Spencer has resigned as PD of KISS/San Antonio effective July 1. He told Street Talk his decision was based upon "personal reasons." No immediate replacement was named.

Just as R&R went to press, word came from Memphis that the William B. Tanner Company was purchased by Media General of Richmond. No confirmed details or purchase price, but we hear that as part of the purchase agreement Tanner President/CEO William Tanner will stay on with the company for several years. Media General is

a diversified communications company with holdings in newspapers, broadcast stations, and printing, plus a division that is the world's largest re- cycler of newspaper print products.

John McLaughlin is apparently no longer VP/ GM for Gannett's KIIS & KPRZ/Los Angeles. While the station is saying McLaughlin's merely on vacation, Wally Clark, President/GM of the two stations, will now run both shows.

Superadio has announced client signings in

Wichita and Buffalo. Beautiful Music WACJ and Country WWOL in Buffalo will switch calls to WNYS-AM & FM and simulcast Superadio beginning July 1. KBRA/Wichita will also drop its Beautiful Music format for the new ABC satellite service next month.

Although Crystal Gayle has been heavily ru- mored to be signing a new recording deal with RCA, it now looks as if Elektra may be the label picking up the Columbia artist's contract.

Former Heftel chief Tom Hoyt has purchased KELP and KINT/El Paso, according to sources in the market. KELP is at 920 kHz with 1000/250 watts and KINT is 97.5 mHz with 60 kw of power. Formerly KINT's CHR competitor, KELP is now Urban, with KINT remaining CHR.

Bobby Ocean is the first casualty at KWST/ Los Angeles under new PD Jeff Salgo. Ocean is anxious to get back to work and can be reached at (213) 664-2373.

Don Geronimo, formerly of KIIS/Los An- geles and WPGC/Washington, will join the staff at KFI/Los Angeles for weekends and vacation relief.

PIE -EYED BIRTHDAY CELEBRATION - When RCA Rec- ords VP/Promotion John Betancourt visited Los Angeles recently in support of one of RCA's many acts, it also happened to be his birthday. Well, as word got around the promotional party gathering that John's big day was at hand, suddenly so was someone with a cream pie. The picture says it all as the pie -faced Betancourt is flanked by KFI/Los Angeles PD Tom Bigby (left and KZZPYPhoenor MD Steve Goddard (right!.

Several ex -Record World staffers are supposedly working on a new trade publication, Mu- sic Review, which is due out in about two weeks.

Tom Jefferies has taken over the music duties at WGCL/Cleveland.

Our get -well wishes to WNBC/New York Program Manager Kevin Metheny, who's laid up at home for a while.

Cousin Brucie Morrow, after more than five years away from New York City radio, will return to host a series of Saturday night specials on WCBS-FM/New York. Brucie continues to be a principal in Sillerman-Morrow Broadcasting, owners of WALL-AM & FM/Middletown, NY and WRAN/Dover, NJ.

MTV is looking for a sixth "VJ" (video jock) to join the MTV lineup. Interested parties should apply to Warner -Amex Satellite Entertainment Company in New York, c/o VP/Programming Les Garland.

George Thorogood & the Destroyers and Rounder Records have signed a deal with EMI America. George's new album, "Bad To The Bone," will release on Rounder through EMI America in late July.

Its not often you hear one station's programming on another station in the same market .. .

especially for two hours! But that's what happened (sort of) in New York recently, when WNEW- FM interrupted its AOR programming for a two- hour radio special, a "Tribute To WABC." The show, produced by WNEW-FM newsperson Earl Bailey, covered WABC's CHR career with interviews and airchecks, and ran on the eve of the station's recent format switch (5-9).

Communication Graphics inc

Outclass Your Competition! If your competitors use a tape & label type sticker, they'll cringe when they see the screen printed decal you bought from us.

It will last a lot longer, too! ...and we can give you references!

GEFFEN RECORDS Distributed by Warner Bros. Records WINDOW DECALS - BUMPERSTICKERS TOLL FREE 1-800-331-4438


EARTH NEWS RADIO ANNOUNCES TWO FIRSTS:

1

Earth News Radio presents the first feature-length interview with REO SPEEDWAGON'S Kevin Cronin and Gary Richrath,

talking about their new Epic album "Good Trouble".

This is the first Earth News Radio Weekend Special Interview (with more to come). It's available for airing Saturday

June 19th, only to Earth News stations.

Cre EARTH NEWS

RADIO 2623 Main Street

Santa Monica. California 90405 (213) 392-8611

Brought to you by Nexxus Professional Hair and Skin Care Products.


Presents

pop°Ausly , This Year's Masters SURVEY Of Ceremonies:

Gerry Cagle (KFRC)

Kent Burkhart George Williams (Burkhart/Abrams) (Satellite Music Network)

Moderators:

Bob Hamilton (K -EARTH)

Joel Denver John Young Jim Morrison Kal Rudman (Radio & Records) (Z-93) (94-Q) (Friday Morning Quarterback)

Major Market P.D.'s Panel Air Personalities Panel Secondary Market P.D.'s Panel

V.P.'s Of Promotion Panel

Record Presenters:

GEORGE WILSON CHARLES GIDDENS TOM BIGBY TOM WEST JACK ALIX JERRY ROGERS STEVE RIVERS BOB CANADA BARRY RICHARDS

JOHN YOUNG JIM MORRISON ROY LAWRENCE STEVE KINGSTON JAN JEFFRIES HARV MOORE MIKE ST. JOHN BRUCE STEVENS JEFF McCARTNEY BOB PAIVA

Radio Presenters:

BRUCE WENDELL VINCE FARACI RICHARD PALMESE AL GUREWITZ BOB EDSON DICK WILLIAMS HOWARD ROSEN RAY ANDERSON JOHN BETANCOURT

JACK FORSYTHE SCOTT KRANZBERG JOHN BARBIS JERRY SHARELL SKIP MILLER PAT PIPOLO MARGO KNESZ KEVIN KEOGH GORDON ANDERSON FRANK DiLEO


Presents The Eleventh Annual

Radio/Records Seminar/Awards Banquet At The

Marriott Airport Hotel Atlanta, Georgia 30337

JUNE 25 & 26, 1982

Final Nominees For Record Industry '81

1. Record Company Of The Year '81 (Corporate) Atlantic...Capitol...Ariste...Columbia...Epic... Polygram. .

RCA... Ele ktre... Atco... MCA 2. Record Company Of The Year '81 (Independent) Boardwalk...Geffen... Motown...Millenniurn...Alfe...

Radio...Handshake...Cleveland International...Island...Scotti Brothers 3.Record Company President Of The year '81 (Corporate) Jim Mazza (EMI/ Liberty) Doug Morris (Atlantic)

Walter Yetnikoff (CBS) Robert Summer (RCA) Don Zimmerman (Capitol) Bob Siner (MCA) Joe Smith IElektra) Guenter Hensler (Polygram) Mo Oetin (Warner Brothers) Dick Asher (Columbia)

4.Record Company President Of The Year '81 (Independent) Neil Bogart (Boardwalk) Bob Fead (Alfa) Gil Friesen (A&M) David Geffen (Geffen) Jay Luker (Motown) Sal UCata (Chrysalis) Al Coury (RSO) Ron Alexenburg (Handshake) Jerry Greenberg (Mirage) Ed McGlynn (Radio)

5. Record Company Executive Of The Year '81 (Corporate) Don Dempsey (Epic) Jack Craigo (RCA) Jack Kiemen (Polygram) Jerry Sharell (Elektra) Al Teller (Columbia) Russ Regan (Casablanca) Robert Sherwood (Polygram) Dave Glew (Atlantic) Joe Mansfield (RCA) Perry Cooper (Atlantic)

S.Record Company Executive Of The Year '81 (Independent) Bob Edson (RSO) Iry Riegel (Boardwalk) Michael Leon (A&M) Dick Kline (Radio) Ray Anderson (Pasha) Ed Rosenblatt (Geffen) John Powell (A&M) Herb Corsack (Island) Rich Fitzgerald (RSO) Mike Sullivan (Kat Family)

7. Vice -President Of Promotion Of The Year '81 (Corporate) Vince Fermi (Atlantic) Al Gurewitz (Epic) Dick Williams (EMI/ Liberty) John Betancourt (RCA) Howard Rosen (Warner Brothers) Burt Stein (Elektra) Ed Hynes (Columbia) Bill Cataldo (Polygram) Reen Nalli (Atco) Pat Pipolo (MCA)

8.Vice-President Of Promotion Of The Year '81 (Independent) Scott Kranzberg (Boardwalk) Jack Forsythe (Chrysalis) Johnny Barbis (Geffen) Charlie Minor (A&M) Kevin Keogh (Alfa) Skip Miller (Motown) John Schoenberger (Radio) Peter Gidion (Handshake) Doug King (Townhouse) Nick Testa (Scotti Brothers)

9.National Promotion Director Of The Year '81 (Corporate) Steve Meyer (Capitol) Frank DiLeo (Epic) Mike Bocce (RCA) Bill Smith (Elektra) Jack Satter (EMI/ Liberty) Gordon Anderson (CBS) Reds Richards (Warner Brothers) Glen Lajeski (Arista)VickiGermaise(Atco) Joe Grossman (Polygram)

10. National Promotion Director Of The Year '81 (Independent) Steve Brack (Boardwalk) Billy Bap (Motown) Ken Franklin (Millennium) Michael Abramson (Chrysalis) Jason Minkler (RSO) Vicki Laben (Alfa) Mark Cooper (Robox) Lauren Sicilian (Swan Song) Michael Plen (I.R.S.) Jeff Robbins (Scotti Brothers)

11. National Promotion Executive Of The Year '81 (Corporate) Sheila Chlands (Columbia) Louis Lewow (Epic) Rich Totofan (CBS) Andrea Genie (Atlantic) Scott Regan (Atco) Lou Galliani (Elektra) Sandy Lifson (MCA) Lana Dengrove (Arista) George Chapes (Columbia) Sue Emmer (Warner Brothers)

12. National Promotion Executive Of The Year '81 (Independent) Jon Konjoyan (A&M) Janis Ross (Chrysalis) Marlene Reyes (Motown) Rick Stone (A&M) Don Wright (Motown) March Edgar (Radio) John Cox (Geffen) Doc Remer (Mirus) Bill Catins (Cleveland International) Edna Colon (Solar)

13. Regional Promotion Director Of The Year '81 (Corporate) Rish Wood (Polygram) Arthur Field (Capitol) Bill Lemmata (Arista) Frank Turner (EMI/ Liberty) Sal Ingeme (Columbia) Alan Smith (Atco) Walter Winnic k

(Epic) Alan ()roman (Columbia) Danny Davenport (Warner Brothers) Geary Tanner (Elektra) Fred DiSipio Jr. (Polygram) Michael Prince (Atlantic)

14. Regional Promotion Director Of The Year '81 (Independent) Joel Newman ( Handshake) Mike Martin (Alfa) Al Twanmo (Chrysalis) Jim Francia (Boardwalk) Jeff Hackett (Chrysalis) Bruce Greenberg (Motowr) Louie Newman (Chrysalis) Wayne Fogel (Motown) Larry Green (Handshake) Robert Nesbitt (Chrysalis) Rikki Gale (Alfa) Chuck Oliner (Chrysalis)

15. Local Promotion Director Of The Year '81 (Corporate) Mike Lessner (Capitol) Ed Nuhfer (Warner Brothers) Earl RoNieon (Columbia) Danny Lyons (Capitol) Larry Van Druff (RCA) Joan Lawrence (Arista) Tommy Schoberg (EMI/Liberty) Robbie Vogt (RCA) Chuck Jones (Elektra) Butch Waugh (Capitol) Jim Stewart (Epic) Frank Scam (Atlantic)

18. Local Promotion Director Of The Year '81 (Independent) Eve Wood (A&M) Tommy Teague (RSO) Al Cafaro (A&M) Lea Durham (A&M) Johnny Bee (Pickwick) Mark Weiss (Schwartz) John Schuler :A&M) James Bishop (Motown) Bob Galliani (RSO) Paul Crowley (A&M) Dana Morris (A&M) Patricia Breedlove (RSO)

17. Independent Promotion Director Of The Year '81: Jerry Meyers...Jones Cash... Levinthel/Beer...Lu Fields...Barry Resnick... Ernie Phillips...Gary Bird...Sally Jerome/Butch Lowrey...Howie Goodman...Don Graham...Doug Lae...Joe Isgro...Bly/Hakim Bobby Hurt...Tom Gelardi...B.J. McElwee...Paul Gallia...Perry Stevene...Chuck Dembrek...Mery Pilgrim...Bob Patton... Vic Perrotti...Tony Richland...Don Tolls..Sam Karamanos...Tony Muscolo...Mike Manocchio...Dave Carrico

18. Record Distributor Olmi Veer '81 (Corporate) CBS ( Washi ngt on) W/ E/A (Philadelphia) Polygram (Atlanta) CBS (Atlanta) MCA (Baltimore) CBS (New York City) RCA (Atlanta) CBS (Philadelphia) RCA (Washington) Capitol/EMI (Washington)

19 .Record Distributor Of The Year '81 (Independent) Tara (Atlanta) Universal (Philadelphia) BIB (Charlotte) Pickwick (Atlanta) Alpha (New York City) Schwartz Brothers (Charlotte) Big State (Dallas) Malveme (New York City) Lieberman (Atlanta) Progress (Cleveland)

Final Nominees For Radio Industry '81

1. Radio Executive Of The Year '81: Tom Baby (GC C) Gary Edens (Harte -Hanks) Pat Norman (R KO) Ron Bledsoe (Sumner) Jerry Blum (Jefferson Pilot) Gary Stevens (Doubleday) Bud Polacek (First Media) Jerry Rogers (Weis) Jack Alix (Patten) Gary Rodriquez (Mariner)

2. Radio Consultant Of The Year '81: Dwight Douglas...E. Alvin Davis...Jerry Clifton...Paul Christy...Mike Joseph... Landsman/Rivers...Bob Elliot...Donna Halper...George Burns...Bob Henaberry

3. National Programmer Of The Year '81: Tom West ( Rounsville) Steve Roddy (Scripps Howard) Bobby Hattrik (Doubleday) Jay Cook (Gannet) Dan Vallie (E.Z.) George Johns (Fairbanks) Al Casey (Surrey) Andy Bickel ¿Jefferson Pilot) Jim Ryan (Patten) Rosa Regan (Shamrock) 4.Major Market Radio Station Of The Year '81: KSTP-FM (Minneapolis) Z-93 (Atlanta) KFRC (San Francisco) WPGC (Washington) 96KX (Pittsburgh) B104 (Baltimore) WXKS-FM (Boston) WNBC (New York City) WLS AM/FM (Chicago) 0107 (Washington) 5. Major Market Program Director Of The Year '81: Gerry Cagle (KFRC)Jim Morrison (94-Q) Paula Matthews

K I QQ) Bobby Christian (96K X) Chuck Knapp ( KSTP-F M) Jan Jeffries (B 104) Kevin Metheny (WNBC) Steve Kingston WPGC) Alan Burns (Q107) Bob Travis (W(ICI )

6. Major Market Music Director Of The Year '81: J.J. Jackson (WQX I) Jerry Steele (KFM K) Andy Szulinski ( W FBR) Uz Kiley (WIFI) Roger Collins (K1'1) Scott Richards (WC AO) Frank Holler (Q 107) Jay Stone (WGCL ) Rick James (B104) Bob McKay (WZZP)

7.Major Market Air Personality Of The Year '81: Dr. Don Rose (KFRC) Don Geronimo (KIIS-FM) Jim Elliot/Scott Woodside (WPGC) Steve McCoy (Z-93) Dick Purtan (CKLW) Steve Dahl (WLS-FM) Gary McKee (94-Q) Don Cannon (WIFI) Jonathan Doll (KEGL) Terry Young (WCAU-FM) B.Lage Market Radio Station Of The Year '81: Q105 (Tampa) WTIC-FM (Hartford) l-96 (Miami) ROCK102

Buffalo) 92-X (Columbus) KBEQ (Kansas City) WKRQ (Cincinnati) KOPA (Phoenix) WZUU-FM (Milwaukee) KTFM (San Antonio) 9. large Market Program Director Of The Year '81: Bob Wood (ROCK 102) John Driscoll (WZUU-FM) Steve Rivers (KOPA) Scott Shannon (Q105) Dave Anthony IKZZP-FM) John Shomby (B-97) Buddy Scott (92-X) Robb Stewart (KITY) Joe Neely (KTFM) Garry Well (WNC)

10. large Market Music Dink(or Of The Year '81: Rick Donahue (W TI C -F M) Gary Franklin ) W T I X) Pat McKay (QI05) Colleen Cassidy (WCKX) Jerry Lousteau (B-97) Mark Shandy (Y100) Chaz Kelley (KOPA) Bill Shannon (WZUU-FM) Steve Goddard (KZZP-FM) Donna Walker (WKTI)

11.Large Market Air Personality Of The Year '81: Hary Moore/Robert Taylor (WPHD) Mason Dixon (Q105) Jonathan Brandmeier (KZZP-FM) B.J. Hunter (WKTI( Bruce Kelly (Y100) Ken Cooper (B-97) Johnny Velchoff (WCKX) Kid Curry (1-95) Chris Thomas (WIKS) Paul Mendenhall (WNAP)

12. Medium Market Radio Station Of The Year '81: KX104 (Nashville) Y103 (Jacksonville) WBCY (Charlotte) PRO -FM (Providence) KXX106 (Birmingham) KMC-FM (Memphis) WGH (Norfolk) BJ1O5(Orlando) WRVQ (Richmond) WOKI (Knoxville)

13. Medium Market Program Director Of The Year '81: Todd Chase (J B105) Bob Canada (WGH) Scott Slade (WAYS) Gary Berkowitz (PRO -FM) Bill Thomas (WRVQ) Smokey Rivers (KX X106) Robert John (Y103) Dave Wright (BJ105) Rick Shaw (WAXY) John Jenkins (KOFM)

14. Medium Market Music Director Of The Year '81: Jon Anthony (KX 104) Steve Kelly (WRVQ) Chris Trane (K XX I06) Terry Long (BJ 105) Rick Williams (Y 103) Phil Stanley (W MA K -F M) Bill Evans (W N OX) Kenny Lee (WAXY) Joe Dawson (WDJX) Mark Preston (KSFM)

15. Medium Market Air Personality Of The Year '81: John Boy tWBCY) Coyote McClo(td (KX 104) Paul Barsky (W BBF) Jeff Morgan (WRVQ) Mark Kessler (WAYS) Bill Hickok (W MC -FM) Pete Berry (W KOS -FM) Mike West (WTIC-FM) Dave Mann (Y103) Jeff Warren (KXX106)

16. Secondary Market Radio Station Of The Year '81: WDOQ (Daytona) WHHY-FM (Montgomery) WICC (Bridgeport) 0106 (York) Z102 (Savannah) WCSC (Charleston) Z104 (Fredrick) KC101 (NewHaven) WQEN (Gadsden) WPST (Trenton) WJAD (Bainbridge) WYRE (Annapolis)

17. Secondary Market Program Director Of The Year '81: Jack Diamond (W Y R E) Larry Stevens ) W H HY-FM ) Gary Peters (WICC) Bill McCown (WANS) Dan Steele (Q 106) Rick Knight ( WDOQ) J.D. North (W A E V) Larry O'Neal (0101) Kemoaabi Joe (2104) Russia Brown (wxLK) Roger Gaither (Q104) Doug Weldon (WSGF)

18. Secondary Market Music Director Of The Year '81: Chris Bailey (WCSC) Stu Wright (WORG) Neil Harrison (WHHY-FM) Lao Davis (Q104) Joe McClure (WCGQ) David Lea Michaels (W XI K) Dave Rus ell (FM97) Sam Church (WANS) David Ford (WGAD) Jim Forrest (WSSC) David Miller (WETB) Ed Volkmen (KHFI)

19. Secondary Market Air Personality Of The Year '81: John Chommie (W HS Y) Ron Frederick ( WSGA) Larry Cannon (W FLB) Chris Van Dyke (KSET) C.J. & Buzz (WTMA) Rob Leonard (W S EZ) Bart Goynshor (K RNA) Joe Holland (WGAD) David Carroll (KZ106) Dick Phillips (WEVA) Bill Matthews (WI KZ) Greg Simmons (W MYQ)

*Award Winners For '79 & '80 Were Not Eligible For Nomination.

Masters Of Ceremonies

, Chevy Chase, MD 20015

3 NAME 111

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Badges 8 Tickets are mandatory for admittance to all functions - strictly enforced III `r POP MUSIC SURVEY - SEMINAR/AWARDS BANQUET Registration Fee: $150.00 Seminar/Cocktail Party/Awards Banquet

0 make check payable to: Pop Music Survey - 4818 Chevy Chase Dr

. There are only 200 rooms at the Marriott on a first serve basis. Room Reservations (404) 766-7900


Page 18 R&WFriday, June 4, 1992

JOEL DENVER

Paul Drew -The "Ultimate Trained Observer"

Paul Drew is a unique individual. There are few people with his accomplishments after 30 years in radio, sales, and the record industry who still hold an active role within the business. For those reasons alone, Paul takes his place as the "ultimate trained observer."

Besides programming such legendary stations within the RKO chain as KHJ/Los Angeles, WRKO/Boston, KFRC/San Fran- cisco, WAXY/Ft. Lauderdale, WFYR/Chi- cago, and WHBQ/Memphis, he has programmed or consulted WIBG/Philadel- phia, CKLW/Detroit, KAKC/Tulsa, and WQXI/Atlanta. Paul also has run a record company (Real World) and most recently has completed a 22 -city seminar series entitl- ed "Professional Pro- gramming Manage- ment." In an open and frank manner, Paul shares some observa- tions from his recent Paul Drew tour, as he prepares for another seminar series which begins July 8 in San Diego.

A Long Range Plan R&R: Why have you chosen to do such an

exhausting lecture series for so few recoupable dollars?

PD: I've thought about doing something like this as far back as five years ago. It was a year ago that I decided when the series would begin. I find that this is more profitable from a knowledge standpoint than dollarwise for me. If the series was priced too high, it would be out of the reach of those that most need to hear what I have to say.

We start at 8:30am and end at 4:30pm each day of the series. There have been times where I've spent hours on end talking far beyond the times to those interested enough to continue on a one-on-one basis. You've heard of all-nighters? These I call all-dayers.

"All too often, a PD hides his creativity because he is afraid to express what he doesn't know."

R&R: What kinds of topics come up most often?

PD: It seems the most perplexing area for young programmers continues to be dealing with management and the sales department. Most PD's don't enjoy a good relationship with their upper management. The biggest reason is that they lack a true knowledge of that side of the radio station. Their thoughts and expectations are somewhat unrealistic.

Exploding The Myth

For a PD to expect total control is totally unrealistic. Even in Russia there isn't total control. If you owned the station you still wouldn't have total control because there are too many outside influences and situations that must be taken into account to operate as a business. When you delegate more responsibility to competent people around you, then you are actually more in control.

R&R: Speaking of control, what about dealing with a staff? There are two schools of thought as to being a nice guy vs. a dic- tator.

PD: We no longer live in a society where the working situations are like they were even five years ago. People now work for different reasons and look for something different out of the working environment. The old "superior/subordinate" relationship is ineffective. In this kind of situation you will not attract the quality people necessary to win. People want to work in an environment where they can feel good. You accomplish nothing by discipline. People don't come to work to be scolded. Motivating your staff is a personal one-on- one experience, and can't be fully accomplished as a group, although that's a start.

If you are a programmer and hire good people, you are taking the right steps. The same holds true for management. if you believe in your PD, you have got to give him the chance ... he might fail! Chances are he won't. If he does then you've got to help him by showing the way. This is the hope for tomorrow in today's young people who need to learn and grow.

Looking At Radio's Future R&R: There is no doubt that radio and

the way it's programmed have changed considerably. Detractors predict that it will be swallowed whole by new technologies.

PD: I think that's wrong. The new technologies will not hurt the levels of listenership that radio currently enjoys. I still believe radio can do things that other media can't achieve. The immediacy of news and entertainment is unsurpassed, plus the cost of running a radio station is a bargain in comparison to other media.

R&R: Since you've recently traveled to so many cities, what do you think of the quality of radio across the country?

PD: I know that some people malign radio in certain markets. What these people fail to realize is that if a homey sound works in a market, it's because the radio is localized. The tastes of the market come first. Part of the reasons for doing these seminars was to expand my knowl-

Of "Total Control" edge of what's happening too.

R&R: All too often a PD is fired for "phil- R&R: Are there some problems ahead osophical differences" with the GM. What for radio? causes these problems? PD: I think that radio isn't attracting the

PD: I find that most programming peo- right types of people in as large a quantity ple, or those that want to get involved in this as necessary to keep the business viable area, all say at one time or another, "I want and entertaining. Where are the new Don

total control in programming ... the Imuses, Larry Lujacks, Dr. Dons, and Dick

money isn't important, it's just that I want Purtans, to name a few? Most people start to do a good job." If you look at Poland, the in smaller markets, and in those markets government wants total control, and they today, radio personalities make less money don't even get it. than the average secretary. In my seminar

A Programmer's Top Five Problems

According to Paul Drew, programmers in general need help in the following areas:

Coping with not having true responsibility for programming with the ability to hire/fire as needed.

Lack of working knowledge of budgets, their prepara- tion, and efficient means of spending.

Communication problems with sales. Hassles with engineering over equipment problems. Management of on -air talent.

Extra concentration on these areas alone, according to Drew, "will make the programmer's job easier and make for improved efficiency at the entire radio station."

I can't change station owners' minds about this subject, but I hope the people that will one day own stations will remember this.

R&R: In recent years it seems as if radio management has been playing the game of follow the leader, or as you put it, "the lem- ming factor." Why?

PD: It's safer to follow than be a leader. Often I've seen stations change successful formats just to follow the current trends, or to try to increase already high ratings and billing. If the format fails, the PD is blamed and usually fired. What it comes down to is that it's easier to change PD's than an entire sales department. I don't agree with this line of thinking at all.

"People look for something different out of the working environment. The old `superior/subordinate' relationship is ineffective ... People want to work in an environment where they can feel good .. .

People don't come to work to be scolded."

Showmanship R&R: You mentioned the lack of air

talent created by poor conditions at the smaller market level. What about the creativity levels of today's PD's. There's con- siderable controversy about this.

PD: In the past there were some greats like Todd Storz, Gordon McLendon, and Bill Drake. Some more modern-day mavericks include Cecil Heftel and Ted Turner. One thing binds all of these people ... they didn't have boards of directors to appease. They were entrepreneurs in an era of ex- pansion. As young as this business is, that era has passed. In big markets all the way down to small markets, things are now run by corporations. Does that mean that someone can't become a leader? No. It just takes a lot more work. There are people out there today that are achieving this kind of status, but it would be very subjective on my part to name them.

R&R: How does one go about setting his or her goals to be a creative leader in radio?

PD: Keep in mind that every radio station is a direct extension of a programmer's personality. No company is blessed with every station being a winner. Generally at least one is in trouble, and all it takes is a young talented programmer who has the energy, drive, and commitment to turn the loser around. You cannot become a star by taking over a winning situation. The other important aspect of a winning PD is "showmanship."

R&R: Can you give me an example of showmanship and how it works?

PD: Over the years, the one person who showed me the most showmanship was

Gerry Cagle. You just wrote about him and what showmanship he's putting into AM stereo. It was this showmanship that caused him to do such a marvelous job for me at WRKO. As I mentioned, a station is a direct reflection of the PD. Well, Gerry's type of showmanship didn't work as well at KHJ, but he did fine with it at KCBQ.

When Les Garland announced he was leaving KFRC, I called (GM) Pat Norman, who is also a great showman, and hooked the two of them up. It has obviously become a good marriage for both. Call it a second instinct if you like, but I knew that Gerry needed to put on a good show, KFRC needed to put on a good show, and the market was ready for a good show. The greatest PD's are the ones that can put on a good show. Even if it's information radio, it's still a form of entertainment.

All too often, a PD hides his creativity because he is afraid to express what he doesn't know. If he doesn't know something that people think he should, he feels he has to hide it. The ignorance of the subject prevents him from being creative in that particular sphere of influence or situation.

Those people that have attended my seminars already are the ones I feel are tomorrow's superstars. I say that not out of false pride, but because they are learning what I already know. They aren't afraid to say "I don't know." They don't have the tunnel vision so many others have developed. To me this is improving the business the best way I know how.

R&R: Any predictions for the future? PD: In the next two or three years you

will see some new and fresh ideas coming up. Not all of them will work, but the ideas will be good. There will be new formats aired that haven't even been discussed yet. In situations like our present economy, people are up against the wall and the big winners are those that are going to gamble big.

"I've seen stations change successful formats just to follow the current trends, or to try to increase already high ratings and billing. If the format fails, the PD is blamed and usually fired. What it comes down to is that it's easier to change PD's than an entire sales department."

I also think that as the FM band becomes more crowded, you'll see people returning to AM, especially with the new fascination of AM stereo. The full effects and benefits of this new technology are some time off. To- day's PD's are brighter than ever. With the proper tools they will be great. I'm very encouraged by what I've seen so far in my seminar series.


"H13RIFrldòy, June 4;1982 Page 19

BACKSTAGE AT THE BOTTOM UNE - After a recent appearance at the Bottom Line, Atlan- tic recording artist Laura Branigan welcomed some folks from WNBC/New York for a backstage visit Shown (l -r) are MD Lyndon Abel, PD Kevin Metheny, Atlantic's Sam Kaiser, Branigan, and Sr. VP Vince Faraci.

HOOKED IN DENVER - After a recent concert appearance, Casablanca recording group Dr. Hook invited winners and staffers from Q103/Denver backstage. Shown (l -r, back) are band members Billy Francis, Jance Garfat, and Rik E/swit Pictured (l -r, front) are winner Renee Stotts, Dr. Hook's John Walters, station Promotion Director Maria C. Baker, band members Ray Sawyer, Christian Baker, and Dennis Locorriere, and station personality Joel Denver.

Bits

FM102/Sacramento is running "Super - sweeps" that offer cash. The station starts off a music sweep of four or more songs, and at some point in the sweep lays in a drop giving a cash amount. At the end of the sweep, a specific -number caller is requested to win the cash.

WFBGF/Altoona is holding the $50,000 Pepsi Challenge. Numbered inserts have been distributed through the newspaper, with listeners calling in to claim cash prizes worth $1000 and $500, plus trips to Disney World, camera equipment, and other valu- ables.

CHR's Most Accurate Music Information

Begins On Page 55

WSEZ/Winston-Salem is staging "The Big Event." The station airs seven big events in history via clues, and listeners have to pinpoint the dates they occurred. Then using the last two digits of the dates, listeners come up with a combination. One winner has already walked away with a Datsun 280ZX, an eight -day vacation in Bermuda, plus two $1000 diamond rings.

Q101/Meridian is giving away 101 hair- cuts free as it ties in with Haircut 100's "Love Plus One."

KEYN-FM/Wichita is holding a "Tug Of War" with winners determined over five consecutive Sundays. The teams are competing for $1000 and Fuji bikes for all members.

KFRC/San Francisco and Bill Graham presented the Grateful Dead, Jefferson Star - ship, and Country Joe McDonald in a benefit for the Vietnam Veterans Project at the Moscone Convention Center.

Our thanks to Chicago's best sounding station

I

WFYR for choosing the #1

music selection system.

R ADIO

COMPUTING S ERVICES

TWO DEAN DRIVE

TENAFLY, NEW 'JERSEY 07670

(201) 567-3263

A CHALLENGING KISS -A kiss for good measure, and an $8000 check for the lucky young lady receiving a "wet one" from KBEQ/ Kansas City afternoon rocker Scott Sher- wood. She's being congratulated on winning the Q104 Pepsi Challenge contest

ATTACK OF THE SAN DIEGO CHICKEN - CKSULondon, Ontario recently imported the famous San Diego Chicken for an appearance at a station basketball game held at the University of Western Ontario. Shown is CKSL morning man Rick Greven promising never to break eggs again, as the San Diego Chicken puts the bite on him.

WDOO'S POWERFUL NIGHT ROCKER - WDOQ/Daytona may have the strongest night jock in the state. Shown is station personality Bob Mitchell, who recently won the Florida Championship Power Lifting event When Bob asks for a raise, he gets it, or else.

YOU'VE SPILLED COFFEE ON YOUR SWEAT- ER - On a recent promotional tour, MCA recording act Point Blank hit the streets and stopped into WPST/Trenton. Shown (l -r) are group member Bubba Keith and Operations Manager Tom Taylor. Bubba has either spotted something spilled on Tom's sweater, or is complimenting Tom on his new polyester tie.

Motion

Lots of extra Motion taking place as the Arbi- tron nears an end and summer approaches. KRNA/

Iowa City makes a few changes as PD Rob Nor- ton is promoted to Operations Manager. MD Bart

Goynshor is upped to PD, Jeff Harmon is now MD, and morning man Tom Hamilton is given the

duties of Production Director ... Z102/Savannah PD Jonathan Keyes is now programming WTRXI

Flint, with former PD Ray Williams taking over

that slot once again. Assisting Ray is Randi Som- mers, who continues doing music.

KEYN-FM/Wichita midday man David Stone ex-

its and the shift is being filled temporarily by con-

sultant Al Casey until a permanent staffer can be

found ... Kirk Cliatt leaves WHHY/Montgomery to program WOIDIBiloxi, as current PD Nicky Coulter moves into sales ... KKYKILittle Rock

MD Mike Roberts is now doing middays across town at KLPO. Replacing Mike is Fred Horton from

WRUN-WKGMIUtica ... K961Provo MD Kidd Kraddick is taking music calls from 10am to 4pm

Thursday and Friday only. Marge Stage is tapped as MD for WSPT/Stevens

Point by PD Brad Fuhr ... WIGYIBath night rock -

..er Don Hill upped to Assistant PD ... Kevin Kin- ney moves fromn WZOKIRockford to WACI/Free- port ... J.J. Walker leaves his PD drive slot at

Y1031Jacksonville ... Michael Foxx joins the morning show at WKHIIOcean City from swing/ weekends at B1044WBSBlBaltimore ... CKLWI Detroit morning man Dick Purtan wins his second TV Emmy for his show "The Dick Purtan Comedy Special," which aired in December 1981.

WTRYIAIbany welcomes Paul James from across the street at WPTR-WFLY as a news reporter. Also new to WTRY's news department is

Wanda Fisher from WCUW/Worcester, and Tony Scardillo from WSAYIRochester ... Chip Mos- ley, Operations Manager at WBTH-WXCCIWiliam- son, WV, is taking a year's leave of absence to treat his recently discovered case of Hodgkin's Disease. He would like to receive station airchecks and composites so he can stay up on what radio is sounding like around the country during his hos- pitalization. Send them on cassette to Chip c/o WBTH & MCC, P.O. Box 261 , Williamson, WV 25661. Get well soon, Chip.


Page 20 REtRJFriday, June 4, 1982

JEFF GELB

AOR Futures Part One: Music

These are challenging times for AOR radio. As R&R columnist Jhan Hiber pointed out recently, "The teens portion of the 12+ picture is dwindling ... it will get harder and harder this decade for stations that skew 12-24 to make significant inroads in the ratings." If this opinion sounds foreboding, Hiber went on to say that while 25+ stations will have a larger target, they will also face fierce competition to get a worthwhile share of that group.

What all of this means for AOR is that we have by no means reached "the end of

the road" as a format that can dominate marketplaces. Indeed, Birch methodology usually shows AOR stronger in listenership than Arbitron, and there is a growing trend toward usage of Birch, which can only be helpful to the format.

We are, however, a format at a cross- roads. Certainly the future will see AOR radio fragmenting, as many stations regear their programming away from teen dominance to include more 25+ listeners (who were, perhaps, once AOR fans but have found the format in its present form unacceptable for their listening). Indeed, many AOR's have already established 25+ "beachheads," and bear close watch as they continue to experiment with new forms of AOR programming.

These are times when it pays to keep an eye to the future, to spend some time prog- nosticating so that none of us will be caught unaware as new technologies are introduc- ed and new formats make their stands against our own. History shows that winners are those who are always prepared, who cannot be taken by surprise. PD Jim Robinson

"I suspect the most noticeable change in AOR over the next year or so will be in the texture of the music. The modern pop sound is happening in a big way in some parts of the country, and considering the record companies' commitment to breaking the form, it should spread. The smart programmer will have to selectively spoonfeed these songs to his audience and carefully research his decisions. But even adding one or two modern tracks a month will dramatically alter the overall sound and feel of a station. On the other hand, the PD who over- reacts to this phenomenon runs the risk of alienating a large segment of his audience. In other words, a little goes a long way."

KQRS/ Minneapolis PD Doug Sorenson

"The AOR stations that get a little more `modern' will create more time spent listening, mostly from younger teens." - Lee Abrams

With all this in mind, the next month's AOR columns will deal with our format's future, from several different standpoints. Each week I'll ask PD's and consultants throughout the country to share their in-

sights, ideas, and predictions for AOR's near future. This week, the focus is on AOR radio's music: where is it headed, and what will AOR radio sound like a year from now?

WDHA/North Jersey GM Bob Linder

"AOR will continue to grow as a mainstream format. Where there is more than one AOR in a market, different offshoots are developing. The 'all -gold' AOR I

predicted two years ago in an R&R article is already in existence at most tightly -listed consulted stations. I don't believe that format concept can retain large numbers for long. It has to evolve, by incorporating a higher percentage of new music. The ap- parent success of KROQ/Pasadena and 'hot hits' WCAU/Philadelphia tells me the radio audience wants a higher repitition of new music over old.

"The biggest change over the next year will be toward what I call 'EOR': Elec- tronic Oriented Rock. Not only will digital recording reveal better fidelity, but computer -assisted editing will allow more

advanced and exciting production. I've been a fan of the synthesizer since Walter Carlos, but the impact on AOR is only just now being felt. Many will make com- parisons to the 60's, when the electric guitar replaced the acoustic. However, I don't believe the guitar will ever disappear. What will happen is a natural progression to more electronic assistance, from instrumentation through production and editing right down to the audio -processing at station transmit- ters. Within the next year, many stations with foresight will be playing the new four - inch digital discs. When software becomes widespread, the older records will go the way of 78's.

"The growth of EOR is already evident in such bands as 707, Police, Human League, Asia, Steve Miller, J. Geils, Cars, and ELO. This growth will continue. AOR is now too large to be as progressive as some of its critics would like, but at least for the immediate future, it looks quite healthy to me, and will continue to evolve gradually as a mainstream format encompassing many variations for a wide demo range."

KZOK/Seattle

"I feel people are very bored with music in general right now. No one group is cap- tivating anyone (Asia is a clone of earlier bands). I believe that we will see more new bands, and more and more'no-name' bands added to radio than ever before. Rock image bands are becoming less important in the wake of fresh -sounding acts like Human League, 707, Motels, Joan Jett, etc.

"In one respect I feel like we're returning to the 60's, when there were lots of one -hit bands, groups like the Kingsmen, Question Mark and the Mysterians, Gentrvs, Syn- dicate of Sound. Record companies are already signing many new bands to one -LP contracts. If the record breaks, they'll get another shot. But it's only the mega - superstars who can con labels into multi- million dollar contracts.

"We're all looking for something to get excited about; we're all looking for the next superstar band or artist. I don't think there will be any one major band, but instead,

Have A Coke And A Cume

KDKBIPhoenix has embarked on a promotion it hopes will hit ten million po-

tential listeners over the next month. The station has pacted with Coca-Cola to be-

come a part of its "Peel a Fortune" campaign. Listeners are encouraged to win prizes by spelling out words from letters printed on the pull -

tabs or bottle tops of Cokes to be distributed through June.

KDKB has tied in with local 7-11 stores to distribute its own game card version of the Coke promotion for local listeners. The station has set up prize offerings such as an Atari home video game unit with a Pac-Man cartridge, and with two Midway arcade Pac-Man games. To win that grand prize, listeners must collect letters spelling "KDKB Rocks Arizona."

KDKB is trading out Coke spots promoting the contest (which, in effect, promotes KDKB) in

return for the opportunity to have its call letters and a contest blurb printed on ten million cans.

Station PD Jeff Sattler enthused, "lt embellishes Coke's contest and gives us the chance to be seen and remembered by a massive number of people who see our call letters and dial position

every time they drink Coke." For a promotion that's virtually free to KDKB, the results should

prove very worthwhile.

many good small bands: Shooting Star, Aldo Nova, Bow Wow Wow, Loverboy, and Scorpions. They all have their cults but no one band will captivate everyone like they did years ago.

"From a musical standpoint, the ones that will be hits are those that are simple to remember. The Beatles were great because we could sing along with them. Have we really changed that much in fifteen years?

"New bands will have a great opportunity to be very very big for a short time right now. Radio stations must reali7P they can play the Rolling Stones, Led Zeppelin and Beatles records only so often. New music must be reckoned with. Music and program directors are going to have to start listening to the records again, to decide what's best for the market. '96 Tears' didn't become a hit because of interest in the band or because a major label was pushing it. Neither did the Plimsouls or Joan Jett. They just happened to create great rock and roll and, fortunately, radio happened to listen to these records."

WOUR/Utica PD Dale Edwards

"I see labels such as new wave, heavy metal, soft rock, etc. giving way to more meaningful considerations. Programmers will need to listen for the music's effect as it is applied to the airsound being cultivated. Thus, new music for its own sake will lose its appeal as will particular musical genres. That is not to say that music will decline in importance. It will take a back seat only to presentation and delivery. The success of Rick Springfield, Joan Jett, Tommy Tutone, Police, Cars and the like, will encourage record companies to continue the avalanche of new product, which in turn will encourage programmers to listen closer. And that's good for radio.

1)1 I_

"The biggest change over the next year will be toward what I call EOR: Electronic Oriented Rock." - Bob Linder

"AOR will continue its evolution into a palatable intergration of music, news, sports and information, with an emphasis on personality that is both entertaining and informative. Sounds like any radio station, right? It could be. The difference will be not in what you do, but how you do it."

Consultant Lee Abrams "I see several musical styles we'll see

growth in and some that will see a decline. "First, the sort of synthesized pop that

uses a guitar will come on big, like A Flock

Of Seagulls; sort of like Pink Floyd meets the Police. A key ingredient there is the in- clusion of the guitar, which is one of rock's anchors.

"The traditional rock bands are getting into new sounds, particularly synthesizers: Aldo Nova, Loverboy, etc. This is a natural progression from the Cheap Trick sound of years ago. This trend will continue to grow in popularity.

"The good-time pop sort of rock bands, like the Go-Go's or Joan Jett, will be real strong. There's a large young teen audience who don't even remember Led Zeppelin, who find this sort of music real fresh and happening. I don't see teen and older listeners having as disparate musical tastes as they did in the 70's, so I think AOR can accommodate both groups' preferences. Some of these records are just so huge that they have demographic crossover appeal.

"We're already seeing a whole new generation of heavy metal bands. They seem to go in two -three year cycles. I think we'll see more of those.

"Any good progressive rock band that comes along will have instant acceptance; Asia's a great example of that.

"I think we'll see a decline in the mid - seventies rock bands that don't update their sounds, ones that use slick production to hide musical blandness.

"A lot of the new rock groups will be reaching a young teen audience that doesn't listen heavily to AOR right nòw, and this could sneak up on us if we're not observant. The AOR stations that get a little more 'modern' will create more time spent listening, mostly from younger teens. And I see CHR's picking up on some of this music, in some cases ahead of AOR. Our consulted stations will be quicker to react to new music, because there's finally some worthwhile new sounds coming out."

Y95/Rockford PD Brent Alberts

"The current music situation is pretty depressing compared to as recently as three years ago. I don't see it changing much in the next year. Current AOR radio must depend on its gold and image tunes to maintain familiarity. I think programmers will continue to keep it in the safe zone and reflect their audience, rather than try to educate listeners to new product and risk tuneout.

WYDD/Pittsburgh Operations Manager Mike Perkins

"The narrowcasting that AOR has gradually become accustomed to has created a breed of listener short in depth perception and limited in peripheral vision,

Continued on Page 21


RErRlFriday, June 4, 1982

EVOLUTION Page 21

Dave Kettinger is upped to Operations Manager and PD at WWTR/Ocean City. Brian Krysz is upped to Asst. PD and MD ... Mike Bettelli exits as PD of KISM/ Bellingham and Brew Michaels succeeds him as PD ... Adam Smasher joins DC101/ Washington from W1KS/Indianapolis for airwork. J.C. Corcoran joins DC101 for airwork and promotions ... KSHE/Fort Louis names Jack Silver MD as John UI- ett moves to News Director post, being vacated by Joel Meyers ... Charlie Bird - sell is named Asst. PD at KREM -FM/ Spokane, and Elizabeth Brunty is appointed Promotion Director ... Stephen Clean exits afternoon drive at WCOZ/Boston .. .

Terry Mulligan joins CFOX/Vancouver for mornings ... WHKC/Evansville midday air personality Ami Donovan gets Pro- motion Director title ... Randy Kramer joins KBOS/Tulare from KPRI/San Diego. He replaces exiting Jerry Longden for middays ... Rick Anderson, formerly of DC101/Washington, joins WKLS/Atlanta for 10pm-2am ... Lenny Bloch exits morning at KFMG/Albuquerque for airwork at WCCC/Hartford ... R.B. Lurch is new to nights at WSLQ/Roanoke from WVBR/ Ithaca. WHMD/Hammond welcomes Chris Com- be to late -nights and John Guidry to weekends.

AOR Reporter Profile

WQDR/ MIQDR Raleigh

PD: Ron Phillips MD: Bob Walton Power: 100,000 watts Consultant: Superstars

(Research Only)

"Because of WQDR's long history, and the fact that we were the very first Superstars station, we have been looked upon as innovators in AOR radio. Years before consultants started worrying about losing 25+ demos, we positioned ourselves to be a total radio station for the 18-34 year -old adult. We definitely do not target the station to teens, nor do we dilute our image as a rock and roll station. Im- age is the key word here. We have learned that the audience's perception of WQDR depends not so much on individual records, so long as we play the hits, but on the overall presentation of the station. We employ adult personalities who are talented enough to talk about more than parties, or the last concert they attended. News and information also play a vital role in our programming, as evidenced by our recent George Foster Peabody broadcasting award for our news series on Vietnam veterans.

"Our music policies are generally more liberal than standard AOR's. About 40% of our music is current, in- suring a solid music base to draw from five years from now. We are a mass appeal rock and roll station, but inject just enough subtleties to keep from sounding 100% predictable. Charts, graphs and sales information are helpful in picking new music, but we are not afraid to add a new record out of the box if it's something the majority of the airstaff feels positive about. There are also ways of testing new records at certain times of night, when you have a good MD who knows how to put it together. WQDR presents intelligent programming, for now and for the long run." - Ron Phillips

AOR Futures Part One: Music Continued from Page 20

as regards to black music and other strains of popular sounds deemed less 'credible' than the distortion and rhythm patterns characteristic of most mainstream rock. This stance has never been adequate. It has created deeply -rooted, if unjustified pre- judices in the audience. It has produced a second generation of programmers une- quipped to retarget a mass audience. It has fostered, encouraged, and eventually begun to founder upon a monochromatic approach to musical entertainment, a weakness that provides a perfect opening for competitors.

"Musicians very much in the mainstream have begun to widen and deepen their appeal by adjusting their formulae for the prevailing cultural consumption habits of the audience, adjustments that lyrically and melodically reflect a succinct new set of pop perceptions. AOR's initial audience loyalty, like that of early Top 40, can no longer be guaranteed, since its systems have been coopted and adapted to hybrid formats that serve emerging needs. Hence, AOR is no longer automatically resistant to attack by 'outsiders.' Entertainment is a constant, but its tools are not. AOR's available share of the radio market can be spirited away if its presentation pluses (im- aging, etc.) do not outweigh the potentially distancing minuses of unfamiliarity, snob- bishness, even the elusive taste. Listeners need not lock into your station ad infinitum simply because you are the longevity leader, especially if you are ignoring or missing format hunger pangs from your audience.

"AOR will almost certainly split its traditional audiences into camps, generally above and below the age of 25, becoming as fractionalized as the traditional Top 40 market in the early 70's. Learning to ac- curately target and service a specific piece of the audience will become a crucial life - preserving skill for those operating out of habitual 'surety.' "

KPKE/Denver PD Alan Baxter

"I'm not looking for the second coming of another Beatles in the next 12 months. I remember Lee Abrams saying it was corn- ing three years ago, a prediction based on the 'lull before the storm' theory he had. The music industry has been trying to give us another rage: a grunt, and out comes reggae; another grunt and out comes new wave. As far as another surefire smash form for AOR is concerned, I'm not expec- ting it soon. Ever since AOR became big - money radio and the consultant wars began, we've been conditioning our demos to think that more music means better radio. That puts pressure on the record companies to consistently produce better and better music. But you can only fit a maximum of

60 minutes of music into a programming hour. Once you've managed that, and your competitors have followed suit with generally the same music, then what? Maybe what we're doing is conditioning our audience to go to MTV or somewhere else, where they can not only hear the same hour's worth of music but get something extra via a creative video.

"Radio has to be an entertainment form first and a jukebox second. It's the only way we can deal with AOR music on fair terms. This way, if the record companies do produce a great new direction it will be a plus and not a necessity. Some new cuts like Rainbow's 'Power' or 707 are interesting, and seem to suggest a nice avenue if not a direction. So let's leave room for creative growth, and appreciate what we can get, not bemoan what we can't."

BRAWL IN THE HALL - "Mr. T.," the protagonist in the "Rocky Ill" film, stopped in at WMMS/ Cleveland on a promotional tour for the movie. Morning man Jeff Kinzbach (left) challenged Mr. T. (right) to an exhibition fight, but newsman Ed "Flash" Ferenc (center) wisely played referee before the match could get out of hand.

UPDATE Anyone bemoaning AOR's supposed re-

cent down trend in ratings might want to get in touch with WFYV/Jacksonville for the other side of the story; the station scored a terrific, market -dominant 23.4 in the latest Birch numbers ... KSHE/St. Louis has gathered at least 17 former air - staffers for an "oldtimers' week" on the air. Included in those doing guest shifts are Mark Cooper, Jim Singer, Allan Carol, Steve Rosen, Sir Ed, Prince Knight, Big Jack Davis, Don Corey, Ron Stevens, Joy Grdnic, Gary Bennett, Dick Merkle, Tom Gordon, Lee Coffee, Don O'Day, David Rhodes, and Brother Love ... WMMS/ Cleveland surprised local Journey fans by paying their parking fee at the group's recent Cleveland concert ... KGB-FM/San Diego has produced an hourlong TV special called "KGB -FM Rocks 10," as a pilot for a monthly rock video showcase hosted by KGB -FM jocks ... WYSP/Philadelphia just announced sponsorship of the "Ramblin' Raft Race" for later this summer. In the past the race has garnered over 100,000 participants and spectators . .

Here's another AOR Hot Lines name to remember: Rita Fuqui has joined Scotti Bros. as its AOR rep. Contact her at (213) 450-3193 ... WAAF/Worcester has announced it will begin airing tapes by unsigned local acts as a part of its regular programming .. KMEL/San Francisco has four tickets to the Rolling Stones England concert at Wembley Stadium to give away in a phone- in promotion ... Supergroups part two: Yes has already splintered into Asia and Jon Anderson's solo recordings. Now comes word from Atlantic that former Yes -mates Chris Squire and Alan White have joined forces with another old Yes'er, Tony Kaye, and South African guitarist Trevor Rabin, in a new band due from Atlantic this summer ... And coming right up from Swan Song (June 24, act-

ually) is a Robert Plant solo album, which includes drumming by Phil Collins ... Congratulations to WAAL/Bingham- ton OM Keith Nelson and new wife Don-

na, now honeymooning ... KMGN/Bak- ersfield has moved. It's now at 924 Trux- ton Ave., Bakersfield, CA 93304. The new phone number is (805) 327-5772.

COLOR HERE TODAY GONE TO MAUI: That's

what KMTN/Jackson Hole's calling its current bumper sticker promotion. The station has employees on the street acting as spot- ters of KMTN's new bumper sticker. When spotted, license plates are noted and later read on the air. The plate owner has till the end of the day to call the station to register for several prizes. Grand prize is an expenses -paid trip to Maui, while listeners can also win a $1000 stereo system, Walkman -type cassettes, record catalogues, etc.

A MOTELS NIGHT TO REMEMBER: WAAF/Worcester's holding a contest in conjunction with Capitol and the Motels that will award a night at an area hotel that's rigged for sex (waterbed, mirrored ceiling, x -rated movies, etc.). Listeners enter by writing descriptions of what they'd do in such a room, and WAAF jocks will judge the wildest idea as the winning entry.

I LEFT MY HEART ...: KMEL/San Francisco's current contest asks listeners to celebrate San Francisco in song. KMEL will judge entries, and the winner will receive an expenses -paid trip to Hawaii along with a portable 4 -track recording studio.

ON A ROLL: MCA and KLOL/Houston joined forces in a recent promotion that drew winners from write-in registrations for a drive by air personality Nick Van Cleve in a Rolls Royce to an exclusive Chinese restaurant for egg rolls, and then given a roll of 101 one -dollar bills.

CAT PEOPLE: KZEW/Dallas and MCA Records joined in a promotion that picked a winner from write-ins to fly expenses -paid to the New Orleans zoo, where the "Cat People" movie was filmed. Also included were hotel accommodations, $198 spending money, tickets to the film and a copy of the soundtrack album.

KLZR TREASURE HUNT: KLZR/Law- rence listeners were invited to visit client outlets to pick up clues as to the where- abouts of prizes hidden by the station somewhere in town. Two $1000 certificates were the prizes in the promotion, now in its tenth year for the station.

C O N C E R T S 8 C O N V E R S A T I O N S

GUEST DJ'S: Greg Kihn on KILO/Colorado Springs.

CONVERSATIONS: Ozzy Osboume on WHCW Hartford ... Payolas on CHEZ-FMIOttowa .. .

Chas Sandford on WDHAINorth Jersey... Asia, Waitresses on KTYDISanta Barbara ... Jam, Dave Edmunds, Split Enz on CHUM -FM/ Toronto ... Ozzy Osboume, Krokus, Split Enz on 0107/Toronto ... Asia, Tommy Tutone, Miss- ing Persons on KEZYIAr.aheim ...Franke & Knockouts on KSHE/St. Louis ... Ozzy Os - boume, Sparks on WLIRILong Island ... Mar- shall Crenshaw on WMJO/Rochester... Dave Edmunds, Glenn Frey on WMMSICIeveland .. .

Split Enz, John Cougar, Mick Ronson, Payolas, Girlschool, Toronto on CITI-FM/Winnipeg .. .

Jefferson Starship on KTIM/San Rafael... Wendy Waldman, Susan Lynch on WOBKIAI- bany.


Page 22 R&RIFriday, June 4, 1982

Black Radio

WALT LOVE

WZAK/Cleveland: Urban Isn't Always Easy

Many times when we read about successful radio stations, we forget about all the "growing pains" that some of these organizations had to experience prior to the good times. I thought it might be interesting to interview some people who are hard at work trying to make it happen for their station. To clarify that, by no stretch of the imagination am I saying that our interviewee or his station is losing or considered subpar. I am saying (as does my interview subject below) that every business, organization, etc., must crawl before it walks and walk before it can run. Mr. Lee Zapis, Operations Manager of 93FM WZAK/Cleveland, agreed to discuss some of his station's early mistakes and some of its positive mov

is a family -owned radio station, which isn't really rare but is becoming less prevalent in our industry. At one time 93FM was a foreign language station that accommodated some 34 different na- tionalities. Mr. Zapis said, "We had His- panic, Greek, Italian, Lithuanian - you name it, we had it on the air. All this was bloc programming; we sold the time to Lee Zapis a broker who in turn went out and found sponsors for the shows. That format ex- isted from the time the station was started back in 1963 by my father and two other gentlemen - they began from scratch with nothing but a construction permit."

Growing Pains I started by asking Mr. Zapis when

WZAK launched its Urban format and what kind of growing pains he and the station went through. "We started our new format in March 1981," he said. "At that time we knew it wouldn't be easy, but we felt if we obtained some good professional help things would get off to a good start. We've had a revolving door here for the past year - practically at the same time we were beginning to show some growth ourselves.

"To be frank about it, we were very new to the format and definitely to any form of contemporary radio. When we first started the station was consulted by TM Productions. The format was called 'Al- pha I,' and was first consulted or operated by Jack Patterson (onetime PD at Hous- ton's KMJQ, now an air personality at KDAY/Los Angeles). Then approximately three weeks after we signed our agreement with TM, Patterson took a job as Program Director of WBMX/Chicago with his former boss, Jim Maddox, who was the GM there. Patterson continued to program the TM Alpha I format for us but after approximately two months at WBMX, he left the TM group altogether."

Zapis continued, "Then it was a real mess; they didn't help us with our growing pains at all. I think TM is a fine organization for programming secondary markets, but I don't think that they were really aware of the competition of major markets. They just really turned out to be a tape service. Looking back on things, their original consultation with us was pretty unrealistic. They said that after three months we should be well on our way to being sold out. They also said they

ves. could introduce us to a good rate card, which was fine with us. TM had a certain sales philosophy which I think would work great with a successful station in maybe Dallas, which happens to be where they're located. Stations there sell strictly from their rate card, but in this market everybody discounts and the competition has forced us to discount. So, we have attributed some of our growing pains to them."

Importance Of Research Based on your experience and growing

pains, is there something that you can tell our readership that might be advanta- geous if they're thinking of changing to an Urban format? "Something I remember from my college days in a public relations course: `There's no second chance to make a first impression.' In the very beginning you should have a clear cut idea of what you're going to be doing, and then go towards that direction. Once again, looking back on it I wish we could have done some real significant research. Not like the research that was done for us by TM, which was strictly showing which stations had which share in the marketplace and had it broken down by format and what we could expect to get from splitting those shares. I would have liked to have seen some research on listeners' attitudes towards different stations, and have gone for a well-defined position instead of going off into a million different directions. I think the one bit of advice I could give would be to invest in some quality research because it will pay off in the long run."

Knowing that WZAK had enjoyed a

ACTION

WPDQIJacksonville, FL sent us a photo of two staffers backstage with Skyy after a recent concert. Pictured (l -r, rear) are Skyy's Gerald Le Bon and Bonny Dunning; WPDQ's Darren Ray; Skyy's Denise Crawford, Solomon Rob- erts, and Tommy McConnell; (l -r, front) WPDQ's Public Affair Director Julia Moore; Skyy's Ani- bal Sierra and Delores Mulligan.

Recently KACE/Los Angeles celebrated its fifth anniversary. Pictured with KACE PD/MD Alonzo Mier (right) are the Valentine Brothers, John (left) and Billy, and the young lady in the middle is

Gordy/Motown recording artist Teena Marie. The photo was taken during a party held in Los Angeles.

slight rating increase (2.2 - 2.9), I asked if he thought it was now on the right track? "Yes I do. We just hired a new Program Direc- tor named Lynn Tol- liver, who is originally from Cleveland and knows the market. Lynn worked at WJMO in the mid -to - late 70's. Another thing that has really helped us is that we Lynn Tolliver hired a new Sales Manager; his name is Michael J. Hillier. Prior to coming with us he had been with WGCL, a CHR station, for the past nine years and had been the Sales Manager for the last three. He personally has made a huge difference. Mr. Hilber has legitimized the station and given us some credibility. One thing we've found out is to be real sales -oriented, because in our first book we came in with a 2.9 share; our competition was at a 2.8. We couldn't convert that showing into any dollar figure. Now that Mike has joined us, he has done a phenomenal job, and we're trying to build good client relation- ships, something that will carry us through good and bad ratings."

Before continuing the interview with PD Lynn Tolliver, I asked Lee, as manager of a white -owned Urban property being programmed to a predominately black audience, how he answers charges from the blacks who feel some Urban/ Black stations take from the black community and give nothing in return? "First, let me say that before you can walk you must crawl. We have to start paying off some of our debts before we can do any large community service -oriented functions. In the past, we've done some small things, donated money to certain charities - we do have a heavy public service commitment. A lot of stations have the Urban Contemporary format so they don't have to have a commitment to the black community. Our station is locally -owned. My father was born and raised here - he knows the community of Cleveland and he has a commitment to it. We knew our primary audience would be the black community and my father, the radio station, myself, are all committed to the black community. One of the reasons we decided to try this format was because we didn't feel that the black community was being served properly. My father is known in the community and the station is available to those organizations doing positive things to help others. If you want to be successful you must be important to your listeners. You have to supply them with good music, news, public affairs, and quality personnel on the air - and we're now doing all of that and more."

Tolliver In The Spotlight

Knowing that Lynn Tolliver had only been at the station for a few weeks, I decided to ask him a few basic questions, such as what he thinks needs to be done to help improve WZAK's audience share? "We need to increase the visibility of our personalities and the station's call letters. I also think we need the proper music selection, which has been put into motion already. One thing that's definitely needed is to retain our audience. We need to hold on to them longer - it's called acquisition and retention, all for the ARB. That's our strategy in a nutshell."

Is the staff from Cleveland? "Not everyone. Wanda Harris, K.C. Stewart, and myself are from Cleveland. Ken Allen, who does mornings, is from Pittsburgh- he used to work for WAMO. Eric Fazion is from New Jersey by way of Toledo. We've got a good group of people. I think within a few months down the road, we should be a very influential radio station in this market."

Cleveland is a very polarized city - blacks are over here and whites are over there. How can you reach the people? "Well, I grew up here and what you're saying is correct, but I know that Cleve- land is a one-on-one kind of city. By that I mean you've got to be able to touch each individual, so to speak. You've got to touch them by showing yourself, by being out there with them - no matter who it is. In the past no one has done that here. All the others have only been on the radio - nothing really personal. We're gonna take it to the streets, for real!"

Any final statements? "First of all I'm very happy to be here. This is the first time I've had the opportunity to work di- rectly with the owners of a station. The Zapises are very good people, and I'm not saying that to stroke anyone. But it's really a different atmosphere when you're working first-hand with the final decision - makers as opposed to working at a corporate -owned facility. This atmosphere just creates a more positive feeling and I've found that lacking at some other stations where I've worked."

Final Note: I sincerely thank Lee Zapis for sharing his station's story with us - not everyone would be so open and honest!

Black Radio's Most Accurate Music Information

Begins on Page 52


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Page 24 R&RIFriday, June 4, 1982

JEFF GREEN

Breaking Records And Winning Big

"Adults aren't interested in new music, only that which they grew up with."

"You can't get hurt by what you don't play." "There's no advantage being early on new records." Sound familiar? Adult/Contemporary record promotion people

hear these statements every day, and understand the conservative nature of A/C stations all too well. For it's a fact that, on the average, A/C stations carry shorter current playlists than any other music format.

If it can be said that A/C is radio's most successful format in both ratings and revenue, then it could be argued that this conservative music philosophy pays off. However, there are exceptions to every rule. This week, we look at three of them; i.e., highly successful stations which expose a lot of new product.

Who Said It Couldn't Be Done? Dave McClary is Music Director for

WFMK/Lansing, a station which enjoys double-digit ratings with 25-49 demographics. Dave's confi- dent, aggressive philosophy is reflected by the station's 45 -record playlist. When asked how he's able to win with this liberal approach, Dave remarked, "Who said it couldn't be done? Our consultant Paul Christy and I don't Dave McClary believe the myth that new music scares off listeners. We only feel that bad new music will turn listeners off. You have to be careful, but if a song sounds right to you, there's absolutely no reason not to play it. A good -sounding record can only enhance your programming. Our motive is not to exploit the fact that we play a wider music variety than our competitors. We just claim to play the best music."

Dave doesn't see preliminary research as a necessary criterion before committing to new records. "We don't do any local research before we add a song," he said, "because we've learned it's almost im- possible to get a correct reading about a record until the audience becomes familiar with it. We watch the trades, of course, but gut is a big part of it."

Self -Honesty Explaining his music philosophy, Dave

said, "The key is being honest with yourself. If we feel good about a song, we'll add it. Should we pick up negative responses, we don't hesitate to take it off. You see, we're not out to prove anything to anybody, and therefore aren't afraid to admit when we're wrong. It's never an ego contest to see who can pick the most hits."

Listener Trust Does Dave believe his station can be

hurt by playing a "stiff?" "A single record played every 8-12 hours for a couple of weeks certainly won't hurt you," he asserted. "I've heard enough of this crap about tuning out your entire audience by playing one wrong song. If the record's

that bad, you'd never add it in the first place.

"Furthermore, if your station is successful, you've got a trust with your listeners. If they hear you playing something strange or different, they'll trust you enough to stay with you. Besides, listeners find records they initially dislike growing in appeal over time."

This listener trust WFMK has established gives the staff confidence when exposing new product. Dave concluded, "The audience knows we'll never put a trashy record on the air."

Acting As Music Leaders As Music Director for WHBC/Canton,

Mike Dorn is responsible for maintaining the station's ratings success, also represented by double- digit figures. Unlike other full -service stations, which keep very short playlists as basic supplements to the non -music pri- orities, WHBC's 41 -

current playlist is rooted in an exactly opposite philosophy. .r

"Because we offer so Mike Dorn much more than just music," Mike began, "we aren't as concerned with pre- cisely selecting the hits as an all -music station might be. That provides us with more freedom. We're not trying to compete with the FM stations, since we con- centrate heavily on news and personality. No matter who it's by," he concluded, "as long as the song sounds good, it'll fit and people will like it."

Detailing this last point further, Mike commented, "Radio stations should be leaders. They don't always need to wait and see what people like, because a lot of folks don't know what they like. We don't have to wait for someone to tell us what's good. We listen to and evaluate so much music that usually we can tell ahead of time it it's right for us. We're not sure if a song will sell, but we know what our audience prefers." Mike empha- sized that new music and new artists are vital to format freshness. "New product and particularly developing artists are very important to us in many cases, because some of the superstars' songs tend to sound the same record after record. Our listeners will accept a great song by a new talent faster than an average song by an established artist."

Providing Variety Mike indicated that, unlike teens, whose

interests lean towards certain specific groups, WHBC's adults tend to favor in -

O UTCUE

KTAC's Hardwick Debuts Rickshaw Racing

Twenty-five year broadcaster and current KTACITacoma personality Robert E. Lee Hardwick recently became the first human to ever run a 10,000 meter (6.2 miles) race pulling a man by rickshaw. The 51 -year -old Hardwick covered the hil- ly course, chauffering KTAC News Director Chuck Bolland, in under 74 minutes.

Bolland's cargo, plus the custom-built rickshaw, tipped the scale at 210 pounds. Robert, who remains the only human to swim the 15 -mile -wide tidal waters between

Bremerton and Seattle, also was the first person to swim with a killer whale. He also once jockeyed a jet ski 737 miles from Ketchikan, AK to Seattle, another record.

So why run with a rickshaw? "Middle-aged people don't like to run because it's boring," he explained. "I want to show them that it can be fun with some imaginative variations."

While the exhausted Hardwick rested beside a street curb, the cool, dry, tuxedo -clad Bolland quipped, "I'm relieved that he didn't expire out there. I mean, what would that do to my image?" Claiming that his tux "dignified the sport," Chuck boasted, "Now that I

hold a world record,maybe the Nike Shoe people will want to pay me for endorsements!"

RUN FOR YOUR LIFE - KTAC's Robert Hardwick pulls Chuck Bolland around the 10,000 meter course during the St. Joseph Hospital Heart Run.

dividual songs. "It's sometimes hard to determine who an established artist is," he said. "Even though we back -announce everything, some of the biggest names are still unfamiliar to our audience. So artist name isn't always an important factor. It's more of a song -by -song decision, which tends to provide more variety and an open-minded view."

Suggesting his own approach to considering new product, Mike offered, "If your station is like ours, try not watching the charts so closely. I do my music first, and then look at the charts A) out of curiosity, and B) to confirm my own decisions. Understand that your particular audience isn't necessarily represented by what's on or not on the charts."

Understanding Gut Feel KTWO/Casper Program Director Terry

Gross supervises a 47 -song playlist while keeping his station among the highest - rated in the country with 25-49 adults. Terry views his ability to appreciate his own gut instincts as a primary ingredient to winning while exposing new music. "The other day," he recalled, "I heard Terry Gross someone talk about how in the old days it was all gut feeling, while now so many programmers are into heavy research. I believe a lot of people will agree with me that you still have to use your gut. What's gut feeling? When you hear a song for the first time, and it really does something for you. You catch yourself tapping your toe, humming it over and over, drumming on the desk - that's gut feel. If you react that way, you can bet others will, too."

Terry does not dismiss the value of research, even though he relies on his

ears. "I think research is good - don't get me wrong. But sometimes all it will do is tell you what you're going to find out anyway. If you've been around music long enough, you know good and bad songs when you hear them."

Expanding on his music policy, Terry stated, "We play a lot of album cuts, aside from our current singles, recurrents, and oldies. Whenever I tune into a music

"If your station is successful, you've got a trust with your listeners."

station's talk show, I always hear listeners complaining how that station plays the same music over and over. We play a lot of records and have never gotten that complaint. We use a natural rotation system and don't daypart records, figuring that if it's good enough to play on our station, it's good enough for all times."

Terry stressed that KTWO will play what's right for the station, not just what supposedly there is room for. "The popular syndrome of having room for only 2-4 new records a week is something we really avoid. If there are five or even seven good new releases that come out in any given week, we'll add them all. If they're truly good records, how can they hurt us? The more the merrier!"

It's impressive to see these mavericks of music convention perform so well. I hope their views are useful to other programmers evaluating their playlists and policies in the days ahead.

A/C's Most Accurate Music Information

Begins on Page 54


RBA/Friday, June 4, 1962 Page 25

"The ratings don't you're going to play the audience is going to like it, why hold off just because you're in a rating period. It just doesn't make a whole lot of sense to me, but I guess I just do things differently. Although we have just one rating period here a year (in the spring), our music one iota."

CAROLYN PARKS

Programming For The Book Vs. Maintaining Consistency

It used to be easy to tell when a rating period was in process in any market simply by checking out the proliferation of radio billboards, buscards, and television spots, most of which would be touting a particular station's latest "big money" contest. Record promoters, too, never had to check their calendars, for they knew the first day of the sweep was the day programmers stopped adding all but the biggest name artists to their playlists.

Now, with some markets rated year- round and all rated markets involved in the longer 12 -week sweeps, the tendency to "hype" a book seems to have died down somewhat. Many stations have ad- justed to the longer sweeps by maintaining a failry stable consistency year-round, while others still feel that the approach of an ARB is the time to gear up for the ratings battle with adjustments ranging from extra promotional efforts to tightened playlists.

With the end of the spring book ap- proaching, I decided it might be an excellent time to air the views of a cross- section of our 'reporting stations as to their philosophies on this everchanging ratings dilemma. Maybe some of their comments will strike a chord with you, so that the next time those diaries go out in your market, you'll be able to deal with the prospect with a lot less panic and a great deal more self-assurance.

Stan Davis, MD WVAM/Altoona, PA

(One Book Per Year) affect us at all. If a good record and

Stan Davis it does not change

Buddy Owens, OM KUZZ/Bakersfield, CA

(Two Books Per Year)

"I like to go about the everyday business of the radio station as if we were in a rating period all the time. We do possibly a few more promotions during the ratings, but as far as tightening up the playlist or playing any different kinds songs, or making adjustments of any kind, we just don't. However, I might possibly wait on some records that just didn't reach out and grab me until after the sweep. In this market we try not to watch what R&R, Billboard, and the other trades say is the number one song, because in a couple of instances the songs that do well nationally just do not do very well here. As far as our on -air sound, the music is basically all going to be about the same all year round. I think it helps in our consistency."

John Marks, MD WSAI/Cincinnati, OH


"As far as we're concerned, we don't adjust ourselves in any way, shape, or form to the Arbitron book. We just continue with business as usual. Not because of the book, but because of our poor showing in past books, we have been as a general rule more discriminating about what we play and more image - conscious about songs we may go on. We've John Marks been deemphasizing the use of national trades, bullets, and superbullets, and just going more with what we feel will suit the air sound that we're trying to achieve. We also don't emphasize oldies any more or any less during ratings, and that way we don't have what we feel is a conflict of image. We do promote a little more during the sweeps, which I guess is pretty well par for the course, but musically speaking, we don't readjust ourselves at all."

Jerry King, MD KKYX/San Antonio, TX


"We don't tighten up much during the rating periods. We still maintain our 68

records. However, we're running with what we consider to be the best songs possible to be played on the radio station. I still think that it's possible to have a hit record and be a new artist. That pos- sibility has got to be there from new on or our industry is in a lot of trouble. Quality is always number one whether it's a large or small label. I would have a tendency to be a little more liberal to some degree after the book is over Ra- dio stations make their bread and butter according to what the Arbitron says, and the name of the game is to reach the largest number of demographics you can possibly reach. In order to do that you have to play the best music there is to be played. If you're doing your home- work year-round, you won't have to worry about the test!"

Warren Johnson, MD WKKQ/Hibbing( Duluth), MN

(One Book Per Year)

"The ratings really don't have any effect on my music list because our thinking is that we will not gain or lose any listeners just because of that. Our listeners don't know that it's a rating period. We keep the playlist pretty tight and con -

This Man Has A Nose For News

When KDMS!EI Dorado, AR News Direc-

tor Ted Connor sent along this picture

of himself, we weren't sure whether he worked at a radio station or a limburger cheese factory. Actually, Ted just wanted to show off the station's new microphone clips and prove that news directors like to look at both sides of a situation (sister station KLBO's call letters are on the other side of the clip). P.S. Ted passed the eye exam with flying colors, although he

has become slightly crosseyed since this pho- to was taken!

stant year-round. It seems to be working since we're number one in the Duluth market!"

Gary Agnew, PD/MD WSEN/Baldwinsville, NY

(Syracuse Market) (Two Books Per Year)

"One of the philosophies we have here is that we don't program for the ratings because we feel you're being rated every day by the listener. When the sweeps come around we're ready for them because we're doing it every day. It's very simple, but it seems to be effective. If I feel strongly enough about a record, I'll put it on whether we're in a rating period or not. As far as oldies and recur - rents go, we have an ongoing process of constant change as recurrents go to gold and gold comes off, so we try to keep the gold as fresh as possible and yet retain the most requeted, most viable product in there at all times. One way the ratings do affect us is that you tend to take a second look at the station to make sure that everything you're doing is as right as possible. Promotionwise, you can buy one book with a million -dollar contest, but what are you going to do after that? When we do contests, it's just generally ticket or LP giveaways, and the recep- tion has been terrific for it."

Ron Norwood, PD/MD KMPS/Seattle, WA (Three Books Per Year)

"The thing that's most important about Seattle is that we were one of the first markets to go to extended ratings, so it's been with us for a couple of years now. I can truly say that Seattle is the most laid-back it has ever been in the way of promotions. For example, in the winter book which we just got through, maybe one or two stations went all out. The Ron Norwood rest of us said the hell with it! The buses were not clogged with call letters nor were the local avails on TV. It was just business as usual, and I really think that's healthy. I think it's a classic example of what will happen to radio over a period of time. The thing that I have never done is change anything I do during rating periods. I don't believe in giving people something different when it's most important to us, and when it's not important, going back to the regular format. One of the things we pride ourselves on at KMPS is our extremely consistent rating pattern. Except for the last winter book, we have maintained solid ratings for the last five years. I know this sounds like your basic stock answer, but I truly do program the radio station the same 365 days a year."

Trish Hennessey, MD WPOC/Baltimore, MD

(Three Books Per Year)

"The rating periods have virtually no effect on us except for the fact that we've got renewed energy every time a book comes out. We always try to maintain a balance in our music. We might go through what we have to decide - whether we should possibly delete a record in order to gain Trish Hennessey more listeners, whether a record is too of- fensive at this point, whether we should brighten our sound to attract more listeners, or whether we should just maintain things as they have been. But we never get panicky, primarily because we've continued to go up and up. One thing we are careful of these days is to maintain the listeners that we do have by not forc- ing unnecevAary pop material on them. Ultimately, it really makes no difference whether we're in a book or not on whether we'll add something new. We always wait on records anyway. The overall sound of the station is what matters to us ... that's the bottom line."

Coyote Calhoun, PD WAMZ/Louisville, KY

(Three Books Per Year)

"The book does have an influence, but I think it's more a matter of availability of product. If a bunch of really big artists come out with new songs all at once, I'm going to go on them because I feel as though my listeners want to hear something new. When we're not in a book, I'd probably be a little more liberal about adding Coyote Calhoun on something that is not quite as well known. Billy Parker, which we put on this week, is not well known but it's also in a limited rotation, so when something unfamiliar comes up it's not going to hurt me. I like being in three books a year because that way you really get a better overall picture of how a station is doing. There's not as much hype; you can't buy a book."

Rick Stewart, MD KXRB/SIoux Falls, SD

(One Book Per Year) "I don't necessarily tighten up, but I

have to admit that I would go with an established artist before a new artist for the familiarity factor. I don't think the Arbitron is that much of a factor on music selection, because we keep a playlist of 50; if I pull five out, I'll put five new ones in. If I don't have five that are real

Continued on Page 26


RBA/Friday, June 4,1982 Page 26

rjelirinfr: Pictures

4x 4 = WIL WINNER - WIL/St. Louis staged a winter promotion called the "Truck and

Bucks Giveaway," which elicited two grand prize winners. One lucky listener won a trip

for two on Eastern Airlines to any of its 127 destinations, while another local family

picked up thekeys to their new $1Z000 GMC Custom 4 x 4 pickup, which PD Mike Carta is shown handing over.

ROWLAND ROLLS INTO KRRK - Following the final Dave Rowland & Sugar concert of their career, Rowland stopped by the KRRK/East Grand Forks, MN studios with a copy of his first solo effort. Pictured with Rowland are air personalities Al Casey (left) and Curt Samson (right).

WWEG'S PORTABLE PORTER PARTY - Prior to embarking on a night onLhe town with Porter Wagoner, the two winners of WWEG/Racine, WI's "Dinner With orter" contest are pictured with the man himself and station PD Buck y Albright (right) in front of the evening's transportation -a 1941 Buick limousine.

Biff Collie's column will return next week.

Coors Country News This Week's Guests:

JOHN CONLEE alb GAIL DAVIES

Call Pete Howard or Kirt Daniels (213)392-8743 228 Main St., Suite R Venice, CA. 90291

BROTHERLY & SISTERLY LOVE - Gary Stewart and Dean Dillon got cozy with radio friends at a listening party given by RCA. There to kick off their debut LP in Nashville's Bullpen Lounge were (/-r) WJRB MD Janet Bozeman, WSM air personality Skip Woolwine, Dillon, WSM MD Janet Forte, and Stewart

THREE FOR FREE - Bobby Bare, Mel McDaniel & Dottsy made up the KDJW & KBUY/ Amarillo tenth annual Free Country Concert The sister stations gave away tickets to the

two performances, and over 13000 listeners were treated! Pictured post -concert are (l -r)

KDJW & KBUY salesperson Maurine Hopkins, KDJW PD "Shotgun" John Kelly, Dottsy, McDaniel, and KBUY PD Nancy Allen.

Programming For The Book Vs. Maintaining Consistency

Continued from Page 25

ly strong, I'll go with something that I

think the audience might enjoy, but I do have a tendency to go with a name artist before I would an unknown. You like to keep the Merle Haggards and Willie Nel- sons in front of people during ratings. Af- ter all, you're trying to attract an audience, and I think familiar artists do that."

Lee Shannon, MD WQIK/Jacksonville, FL


"We have tightened up with the current rating period, although I think we would have done so anyway since Jon Anthony came on as PD and because we were playing about 60-65 records prior to that. When we're not in a rating period we might give a break to some records that we possibly can't afford to otherwise, which is good because it lets us play Lee Shannon some of the artists that otherwise might not get played. It's a shame that it's such a cut-and-dried business like that, but a matter of a percentage point can really make a lot of difference in the bookkeeping end of it."

Country Joe Flint, PD/MD KSOP/Salt Lake City, UT


"My belief is that you're being rated

every day of the year by your listeners, and there's no sense in tightening it up during an ARB and then loosening it up afterwards. I don't think you're doing your listeners jus- tice. If there was a record I wanted to add, whether I was absolutely sure of it or not, I'd go with it anyway regardless of the rating situa- Country Toe Flint tion. We don't go into promoting for the book either because we have ongoing promotions 12 months out of the year. We program the same way 365 days during the year. I take that back ... we do put Christmas music on in December!"

It would seem from the comments above that the general consensus is to remain consistent throughout the year rather than trying to restructure a station simply for the ratings. With longer rating periods now a fact of life, this philosophy certainly makes a lot of sense. It also should come as a boon to record promoters who heretofore had to sand- wich their less familiar artists between the books.

Country Radio's Most Accurate Music Information

' Begins on Page 50


PROMOTIONS: THE INDUSTRY'S

WAS IT WORTH IT?

The Million Dollar Giveaways Revisited

See Page 32

What's The Next Move?

See Page 38 See Page 34

are 'e«.

eeíg'''':41eneleMeeg5 " eememmeimmeme

Ways To Get Your Record Played See Page 30

Where The Money Goes

See Page 32


improve your first quarter numbers. Add in Bridal Fair:

Bridal Fair® is a marketing concept. It has been used by hundreds of radio stations for over 16 years for one main purpose. To put advertising on the air during the slow first quarter. And because of years of refinement, Bridal Fair® is the most successful tool of its kind in America. When your station hosts Bridal Fair, everybody wins. First, depending on your market size, thousands of brides-to-be will attend your event. They'll see merchandise and services they want for their new home and family. Two, retailers and service businesses will get a chance (which they'll love) to talk to buying brides and their check - writing mothers face to face. And three, you'll collect advertising revenue (six -figure numbers are not uncommon) from the participants. Because each participant also becomes a sponsor who pays to promotè on your station.

Along with new revenue, one of the best features of Bridal Fair® is how easy it is to have one. Our professional regional managers carefully guide you and your sales staff through every phase. From setting up to selling to servicing the event, we work with you to achieve the maximum results.

There's more to Bridal Fain, much more. Bonus gifts to help insure registration. A custom computer printout of all the names and addresses of the bride-to-be-it's used by the sponsors as a prospecting tool. An on -the -air advertising program and printed collateral materials.

BRIDAL FAIR°

If you're in one of the top 100 radio markets and you're looking for better first-quarter numbers, add in Bridal Fain. Call Bill Rivedal, (402) 397-8902, for more information. Or write Bridal Fain, 8901 Indian Hills Drive, Omaha, Nebraska 68114.


RftRlFriday, June 4, 1982 Page 29

Sticking With The Fraze That Pays Even a first-time visitor to Southern California will quickly notice the sticker pictured above (or one of the

thousands of text variations) on a bumper, window, T-shirt, billboard, TV commercial or poster. The rainbow sticker is the ubiquitous trademark of KLOS/Los Angeles.

For the story behind one of the most successful stickups in radio history, R&R's Jeff Gelb sat down with KLOS's Director of Creative Services Steve Gaspar for the following conversation.

( IN THE BEGINNING ) R&R: What is the history of the rainbow -design

sticker? SG: The "racetrack" logo is something that was

adopted by ABC (the parent company of KLOS) in about 1974. In 1975 it was filed as a trademark for the ABC stations. KLOS has always used the symbol, and an enormous amount of money had been spent making it familiar throughout Los Angeles. Then, as the station changed its on -air approach over the years, the station's promotion directors modified the logo, changing it to a neon configuration, giving it a metal- lic center, etc. During that time KLOS began to develop image problems and ratings loss.

Prior to my joining the station, they did some focus group studies on the KLOS logo in its original fluorescent colors. They showed the groups the logo with a blank center to determine whether the logo was well -received; there was some thought of aban- doning it. KLOS VP/GM Bill Summers had one made up with "too hip" in the center, and that tested really well. (Editor's Note: The phrase "too hip, gotta go" is the trademark of KLOS morning man Frazer Smith.) The symbol met with strong response from every group that was tested, and the "too hip" sticker was strongly identified with KLOS and Frazer Smith.

When I interviewed to join KLOS in 1980, one of the things that I wanted to do was reestablish that trademark. I figured with L.A.'s new wave accent, the logo's fluorescent colors would be fashionable again.

My problem, when I took the job, was how to best market and promote the logo. I ordered decals with "KLOS" and "too hip," and we thought, let's be a little on the arrogant side and make some with a blank center and give those out too.

Before the decals actually arrived, it was announced that the Who were going to play Southern California. We wanted to do something to steal the show, since KMET had an exclusive relationship at the time with promoters Wolf and Rissmiller. We came up with a free parking promotion where we bought all the parking for all seven nights of the shows. But we wanted to do something else to im- press upon people that it was a KLOS show, not KMET's. One of our sales managers, Simon T., suggested that we put "the Who" in the middle of the logo.

Immediately I realized that even if people weren't sure about KLOS, no one could resist the most popular group around, and we could continue the promotion with other groups. I hoped that this would be my saving grace in turning the image of the station around. We gave away 10,000 stickers at each of the seven Who concerts. The response was amazing.

The beauty of the thing is that the trademark itself says "KLOS," while the group name inside says, "KLOS IS the Who, Springsteen, BOC, or whoever." Plus it gave people that went to the concert something free ... something that said they were there.

CDISTRIBUTION ) R&R: Are the stickers only used for groups at

concerts? SG: Primarily, yes. We only give out concert

decals at concert locations; we don't allow them to be mailed. We wanted to establish within the audience that if they saw it on someone's car, it meant that person was there, and KLOS was there. Now, the recall of people as to which AOR station was involved with the major concerts in town, even if our competitor's call letters were on the advertising, would be that it was a KLOS concert.

R&R: Who decides which shows you'll do stickers for?

SG: Every Monday we have a promotion meeting and talk about it. In general, if it's a major rock act that we play, we cover it. We cannot afford to abandon the promotion at this point. The demand literally forces us to continue. People tell us they drive 50 miles to get a decal.

R&R: What percentage of a concert crowd do you cover with the stickers?

SG: We try to cover 65-70% of the people who go to a show. We don't want to overkill a concert for two reasons: people who take handfuls go out and sell them later on, which we don't want; and we want to retain the collector's item coolness of the campaign.

R&R: How do you control distribution? SG: We use a lot of people. We'll show up about

three hours before the start of a show and set up a table. About four people sit there with a rubber stamp and as people present their concert tickets, we stamp 'em. When it's about an hour before showtime, we have our people positioned around the perimeter of the hall, near the entrances, handing out one sticker to each stamped ticket.

Originally that was a problem with the concert hall owners: they thought the stickers would wind up all over their walls and seats. At first we had to agree that we would pay costs to clean up any such problems. So they gave us a shot. After the first concert not a single sticker showed up on the seats or walls, and since then we've had their complete cooperation.

R&R: Have any bands or managers ever gotten uptight about you infringing on sales of their own merchandise?

SG: Only once. They felt that our decals might diminish sales of their own. After some lengthy conversations back and forth, we knew we couldn't come to any mutual agreement, so we went ahead regardless.

Conversely, we've had groups call us in advance to request we do decals for them. Tom Petty asked us to do an "I TP," which is his trademark, to give out at a show sponsored by another radio station. Sammy Hagar specifically asked us if we could print his name in red, which is his trademark.

COST

R&R: You've never asked a record company or group to underwrite the cost of the decals?

SG: No. We've offered to sell the backspace, but the prices we ask virtually just pay the cost of printing the ads on the back. It's part of my promotional budget to buy these decals, and that keeps the decision -making process in our hands.

R&R: What's your budget on the decals? SG: Let's just say that KLOS spends as much

money annually for decals as most Southern Califor- nia stations would spend for a good outdoor showing of billboards in one month.

R&R: Any problems with bootlegging? SG: We have had people manufacturing similar

counterfeit decals, selling them not only here, but all over the country. That concerns me for a number of reasons: 1) they're not authorized to use the KLOS logo; 2) it could suggest implied consent on our part of the usage of the group names; 3) it puts me in a position where some of the audience might think the station is maintaining a supply -and -demand policy in order to sell decals. We have never sold decals.

LICENSING

R&R: But you have licensed the racetrack logo for some people, haven't you?

SG: Yes, for use on T-shirts, but they only say KLOS or "too hip." We were being bootlegged for buttons, but it's very hard to stop the bootlegging business. We were able to find one of these bootleg- gers, and we filed a cease and desist order, but the reality was someone else would pick up the slack. So we decided it was better to control the buttons by licensing them for distribution. The agreement

TOO HIP/ See Page 36

Steve Gaspar and his assistants Steve Smith, Mark Felsot, and Anne Cerussi have put in a lot of thought and effort on behalf of the KLOS rainbow sticker campaign. It is not an exaggeration to say that it is nearly im-

possible to go anywhere in the greater Los Angeles area without seeing the colorful KLOS logo. The unlikely combination of a morning man's slogan, a sales manager's idea, and a promotion director's organization and follow- through not only revitalized a logo, it created a longlasting trademark.


What's The Next adio stations have been playing the promotion game successfully for

decades, earning a reputation as the most creative medium for keeping

themselves in the public eye. The history of radio promotions, from the riot -

inciting treasure hunts of the 50's to the currently fashionable "Three Songs In A

Row Or We'll Pay You $25,000" -type contests, is a rich and colorful chronicle,

covered in anecdotal detail elsewhere in R&R's "The Greatest Promotions Of All Time"

special last year and also in this section.

Now the future has descended on radio with a

vengeance. No one needs to be told about the in-

tensified competition from cable and home tap-

ing that radio must counter. The coming years

require a careful analysis of where to spend the

promotion budget, how much to spend, and

what's to be accomplished by those expen-

ditures. R&R asked a cross-section of

managers, programmers, and promotion direc-

tors to consider those questions, and their

thoughts are worth contrasting and comparing.

Tube Or Not Tube - TV's The Question

ill n general, television is still regarded

as the one indispensable vehicle for

promoting radio. HLZ/Denver Programming/Operations Manager Dave Scott says, "I think the greatest number of

dollars are best spent

narrow and deep in tele-

vision." KET103/Aus- tin PD Mike Patrick puts in a good word for

billboards too: "On the

outside, we see TV and

billboards as major pro -

Mike Patrick motional vehicles in the

future." But Meryl Cohen, Director of Ad-

vertising/Promotion at WILYZ/Detroit, goes

all the way down the line with TV: "I can't think

of another medium that would be as effective

unless something totally new comes ... like

honing in on people's brainwaves."

HZAP/Sacramento PD Les Tracy says

simply, "TV is our future. I think it's very im-

portant to get specific shows when we buy -

`MASH,' `Fridays,' 'Saturday Night Live.' " And

WLAV/Grand Rapids PD Dave Logan

comments, "In critically competitive markets

like Detroit, TV spots are the way you can best

reach people to help redefine the image your

station is trying to put out. It only helps so much

to be talking up rock and roll and bars or what-

ever on the radio. Sooner or later there has to

be that fantasy element that reinforces your sta-

tion, and nothing really does it like a hot 'Star

Wars'-ish TV spot."

A cautionary note

was sounded by

WBEN/Buffalo VP/Programming Bob Wood, who's attempt-

ing to modify his sta-

tion's image through

advertising. He re-

marked, "Most of our

Bob Wood dollars will go into TV,

as that's the medium I feel will best help alter

(our) image," but added, "It takes a very large

TV budget to change the impressions people

have about your station." And

WZYP/Huntsville PD Chris Andrews was decidedly negative

on TV: "I prefer to use

bumper stickers, cash

on the streets, and com-

munity involvement campaigns rather than

TV. The medium has

become very over-

crowded and is quite

cost -prohibitive. If I had

$1000 to spend on TV or to give away in $100

shots to listeners, I'd give it to the listeners."

Chris Andrews

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Visibility In the Community: Insights On Staying In Sight

ommunity involvement is a prime asset

to winning radio stations, and even in

the impending age of national net-

works and radio by satellite, community -orien-

ted promotions will retain their importance. "I

think that's the way ra-

dio is going to be look-

ing," says KTRH/ Houston PD Ed Shane in making ex-

actly that point, "be-

cause we are becoming

such a national indus-

try. Like what they used

to say about rock & roll: Ed Shane

what can you do between the records that

makes it sound iike you? If we can tie in with lo-

cal organizations, I think that's important."

When asked his most

important promotional

consideration, WBEN's

Bob Wood answered,

"No doubt, it's to

strengthen our ties with

the community. People

are amazed that we like

to come into their

Terry Gillingham lives." KWAV/Mon- terey GM Terry Gillingham agrees: 'We'll

primarily be centering on community -oriented

events, rather than contesting. Staging events

such as running marathons and concerts rein-

forces our strengths."

Visibility is the key

for KIIS/Los An- geles VP/Promotion

Meredith May. "With everyone getting

more narrow in their

targets, you've got to

attract attention to

yourself somehow," she says. "When you Meredith May

can get out on the streets and involve your lis-

teners, you're doing your station a lot of good."

Jerry Rogers, VP/GM of WSGA &

WZAT/Savannah, remarked, "Promotions

as we've known them in the past have lost their

impact somewhat. Like everything else, when

you get to eat too much candy, you get tired of

it. The promotions that give you visibility, like

offering gas for a cheap price, make much more

sense to me. These things get people out and in-

volved."

Stations active in community -oriented promo-

tions are thoroughly convinced they're on the

right course. KNIX-FM/Phoenix publici-

ty/promotions staffer Leyla Kirdar says,

"Getting that name out is a very important part

of marketing a station. We do 'KNIX Night'

every night at different night clubs; we've been

doing it for about ten years now. The jocks have

developed a regular following and it's helped us

come closer to the public." Isabelle Lemon, Manager of Promotions at KNBR/San Fran- cisco, maintains, "We have several spectator

and participatory events that have become

classics, such as our 'Bathtub Reggata' and

'Bridge -To -Bridge Run.' The important underly-

ing aspect to outdoor promotions such as these

is that they raise a lot of money for charities.

We'll continue to introduce new promotions and

events, but the themes outdoors will almost

always center around community involvement."

WCRI-AM &

FM/Detroit GM

John Risher sums it

up by saying, "We in-

tend to stay visible

through the 80's. 1

think that visibility out-

side in the community

is integral for any radio

station today. People

like to see who they're listening to

meet them and talk to them."

Cars, Vacations, And The Trusty Bumper Sticker

12 any radio executives stress the impor-

tance of relating promotions and con-

tests to the lifestyle of the station's

listeners. KZAP's Les Tracy is emphatic on that

point: 'We're putting more and more money

every year into our life-

style contest prizes. In

the past six months

we've given away two

trips to Pago Pago, a

customized van, a

19 -foot competition ski

boat, and a Hobie Cat.

The promotions are all

geared 25 + . I see that Les Tracy

Risher and like to

as a continuing trend, as we get away from

things like concert ticket giveaways." WLAV's

Dave Logan, like Tracy an AOR PD, declares,

"The coolest thing right now is to give away

things like 280Z's, Camaros, Firebirds, things

that are big enough to

be big but not gaudy.

Another thing we're do-

ing a lot of is the 'world

tour' contests, which

send winning listeners

on vacations to see

bands. The nice thing

about this promotion is

that the record store

where they register pays for the travel costs,

while the record company covers the concert

costs. The whole thing costs the station maybe

$50 each time."

A tried-and-true sta-

tion promotion that still

boasts numerous sup-

porters is the bumper

sticker. WSGA &

WZAT's Jerry Rogers

feels that "bumper stickers work well as

constant reminders for

Jerry Rogers visual call -letter rein-

forcement. You can also make your money back

and then some, as we sell the coupons on the

back of the stickers." In a similar vein,

KTXQ/Dallas Promotion Director Bernie Lucas is a strong adherent of merchandising in

general. "The trend is

toward off -air promo-

tions; keeping the air

sound cleaner," he

says. "If we can make

more gross impressions

with the logo, that's a

more sensible way to

spend the money. Mer-

chandise is the way to

Dave Logan

Bernie Lucas


RBRIFriday, June 4, 1982

M ve ? do that, because your audience becomes walk-

ing billboards for the station." See the interview

with KLOS/Los Angeles Promotion Direc-

tor Steve Gaspar elsewhere in this issue for an

example of logo impression saturation.

Spending - More Or Less oney has always been the prime con-

sideration in promotion, and it's still

a significant issue today. On the one

han , escalated competition would seem to indi-

cate more spending is vital for radio, but the ec-

onomy may well dictate pulling back in expendi-

tures. Opinions seem to

be sharply divided.

HINT/El Paso PD

Jim Zippo insists,

"With increased compe-

tition on all levels, radio

has to continue to spend

to make the public aware of its program-

ming. It's really a situa- Jim Zippo

tion where you've got to spend money to make

money." Lee Simonson, VP/GM of

WRKS/New York, commented, "My bot-

tom -line feeling is that if you find yourself in a

competitive environment, you'd better spend

more to make sure your marketing effort is not

slipping."

Perry St. John, GM of KSO/Des Moines, feels entirely

differently. He de-

clared, "Broadcasters

in management face a

tremendous challenge

... while the revenues

for all of radio have

been going up, the pro-

fits have not been keeping pace. Management of

course has to answer to the presidents of our

companies and the boards of directors, and

we've got to find a way to take that increased in-

come and translate it into more profit. The only

way to do that is to cut expenses."

St. John feels that one place to cut is promo-

tions. "I've seen a lot of broadcasters come into

a market and promote like mad, and what hap-

pens is they operate at a loss. And what that does

to the other broadcasters is to force them to re-

main competitive, thus increasing all the other

stations' spending in the market. Somewhere

along the line broadcasters have to recognize

that you can't do that. You've got to show at

least the same profit if not more than in previous

years. You can't keep going backwards. That's

definitely a management problem."

Perry St. John

Size Of The Prize earing the economic climate in mind,

the issue of big money or prize

giveaways becomes important. Is it

worth it to spend big bucks on an attention -get-

ting promotion? Sentiments leaned toward the

negative, with WRKO/ Boston VP/GM Bob Fish citing quarterly ratings as the chief fac-

tor: "There'll be a de-

crease in the amount of

on -air station promotion.

Giving away trips to Ber-

muda doesn't work a

Bob Fish anymore, and the only reason people ever used

it in the past was to hype the ratings. Now that

there's Extended Measurement, there's no sta-

tion I know that can afford to hype four books a

year."

Isabelle

ness of a good one is measured by how far the

money that is there can be stretched."

Similarly, WZYP's Chris Andrews says, "I think you'll see stations shying away from

superheavy promotions. They take up airtime

and make the station

too busy -sounding at

times, plus it's just im-

possible to promote

heavily over an entire

sweep." On the other

hand, WKLS/Atllan- ta GM Dick Meeder sees a place for expen-

sive prizes, especially if

they're provided by tied -in businesses. "We're leaning toward big ticket items, perhaps once

every six weeks," he said. "These would in-

clude cars, jeeps, ski -boats. What's attractive

about these prizes is that they are usually sup-

plied by the cosponsor, such as a beer or soft-

drink company. The big ticket items also lend

themselves to creative promotional spots, which

makes the station come alive." See the post-

mortem on the famous Cincinnati million -dollar

giveaways in this issue for opinions as to whe-

ther they were worth it.

On The Money

itummarizing the question of how much

to spend, WIND/Chicago VP/GM

David Graves states, "We have an

idea of how many gross rating points we need.

It's not hard to work backwards from the cost of

those media to deter-

mine the level of spend-

ing necessary to be in

the ballgame. That level

has nothing to do with

how much money we

have or would like to

spend; it's how much

we have to spend in or-

der to do the job. That David Graves

takes a lot of mystery out of promotion and ad-

vertising planning and makes it a more rational,

businesslike process.

"The other aspect of planning is what might be

called the 'net present value' of advertising dol-

lars. The high cost of money (interest rates),

combined with the growing profit squeeze, en-

courages broadcasters

to take a hard look at

what they expect from

their advertising."And

KNBR's Isabelle Lemon

offers, "Although there's never a promo-

tion or advertising man-

ager who had 'enough'

money, the effective -

Dick Meeder

Lemon

Philosophies For The Future urning their attention to the futur, radio people suggested specific pro-

motion goals and useful ideas in

general. WRKS's Lee Simonson believes "the key word for the future is 'marketing.' We need

to think of selling the station as an entire con-

cept, not just running TV spots or dropping

turkeys out of airplanes. Radio needs to reex-

amine itself and market itself as a product,

much as any packaged -goods item would. We

need to adopt a more sophisticated approach

than having DJ's standing on the beach giving

away $50 bills." Simon Train, PD at WIRK-FM/West

Palm Beach, foresees a new problem for

Country stations: "As the 'Urban Cowboy' era

has just about moved out of the country music

industry, we are going to have to do something

to attract some of the fringe listeners who were

gung-ho for Country and have now returned to

rock & roll." Stepped -up promotion and mer-

chandising is his prescription.

Steve Fisch, Operations Manager at

KRLY/Houston, is concerned with reliably

establishing the station's Urban Contemporary

identity. "We plan to have a consistent image in

the '80's," he says. "It's most important that

the city of Houston knows that LOVE 94 can be

counted on at all times."

Controlling The Medium

rilLSO's Perry St. John raises a relevant

point. "Whatever a radio station

does, it should try to control that

medium. If somebody else is spending $100,000

a year in television, don't try to buy television

against him if you've only got $20,000 or

$50,000. Instead, why not control the billboards

in town or direct mail? Do something that

somebody else is not doing that's just as effec-

tive." KTRH's Ed Shane calls for a return to

creativity. "Radio contests and promotions are

going to get back to the old days of being inven-

tive, of creating some magic on their own," he

says. Talking with other stations, he noted,

"People were remarking how dull it is to listen

for the number on your registration card, to be

the fifth caller, and how they don't care. I'm

hoping the way radio promotion is going is back

to the old theater of the mind." WXYZ's Meryl Cohen predicts shorter televi-

sion spots will come into vogue. "Thirty-second

spots will become 20 -second spots, and there

will be a lot more ten -second spots. I've seen

several radio stations market themselves very

effectively and get their entire message across

in ten seconds."

The Importance Of Promotion

finally, our radio respondents recognize the need for promotion,

now and in the future. WHB/Kan- sas City GM Jim Erwin concentrates on the

effectiveness of his promotions. "I see manage-

ment easing off spend-

ing with the intensity of

the past. It's just too ex-

pensive. I'm not as con-

cerned with how expen-

sive a promotion is as

much as the effective-

ness of it," he says.

"Getting my money's

worth is what's impor- Bob Walker tant." WOKQ/Dover, NH PD Bob Walker remarks, "I'm not given permission

to throw money away, but I doubt if we'll be

cutting back promotionally in the years ahead.

After all, we train our sales people to teach peo-

ple how important advertising is, and it would

be silly of us not to think of it in terms of our own business as well."

And in conclusion,

WPGC/Wash- ington VP/GM Char- les Giddens warns,

"You've got to be

aware of your bottom

line," but adds, "With books on all year

'round, you're probably

seeing dollars expended

for consistent promotion rather than saving it all

up for a big splash. Advertising buyers are now

more interested than ever in seeing you do pro-

motions, as they're growing more concerned

again not only with demographics but your

overall ranking within the market ." Giddens

then delivered the perfect capper for the promo-

tion -minded: "If you're not out there pounding

on the streets, people will forget about you."

ìii,

Charles Giddens

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R&R/Friday, June 4, 1982

Page 32

THE PAYOFF: How do stations spend

their promotional budgets? How much do they have to spend in the first place? Those were the two main questions we set out to answer with the following survey (methodology details are provided below). We asked reporting stations in all market sizes the approximate amount of their promotion budgets, and the percentage of the budget they earmarked for on -air giveaways, TV spots, and the other categories listed in the table below. We also polled them on whether they had a fulltime promotion director, and other information which will be published in future issues. We hope we've provided a useful look at how radio spends its promotional budgets.

Conclusions The job classification of "promotion

director" is becoming more popular in

radio, according to the results of our survey. Three out of four stations in

the top 30 markets report they have a

promotion director. In markets 31-50 fully half the stations have a

designated promotion director. Even

in markets below 50, 25% of the stations answering our questionnaire had

a promotion director.

Markets 1-10: Average Promotional Budget $326,000 - Television is the

most popular promotional tool, and it

commands the most dollars annually

among the ten largest cities. In-

terestingly, more stations report using

newspapers than on -air giveaways, but the latter category accounts for

nearly 2'V2 times more dollars spent. The megamarkets also mention magazine advertising and direct mail

as part of their "Other" listings. Markets 11-30: Average Promo-

tional Budget $225,000 - TV wins this cell in raw dollars by a large

margin, but the percentage of par-

ticipating stations is somewhat less

Where The Money Goes Promotional

Budget Survey Markets 1-10

Markets 11-30

Markets 31-50

'4.4-`17- ,' Markets

51-100 Markets 100+

ON-AIR GIVEAWAYS 72% $94,000

58% $40,000

76% $39,000

74% $12,000

74% 20,000

TV ADVERTISING 81% $133,000

66% $104,000

71% $47,000

61% $15,000

51% $9,000

BILLBOARDS 69% $72,000

47% $45,000

53% $29,000

51% $12,000

31% $7,000

NEWSPAPERS 78% 35% 43% 42% 48% $39,000 $27,000 $11,000 $6,000 $6,000

BUSITRANSIT CARDS 31% 21% 25% 23% 12% $46,000 $38,000 $17,000 $8,000 $5,000

BUMPER STICKERS 44% 32% 56% 51% 48% $29,000 $27,000 $13,000 $7,000 $5, 000

SALES PROMOTIONS 59% 47% 65% 54% 52 %

$39,000 $25,000 $16,000 $8,000 $9,000

OTHER 38% 37% 40% 22% 10 %

$39,000 $34,000 $19,000 $8,000 $5,000

than in markets 1-10. On -air giveaways are again second with

58%, but billboards account for more

dollars spent. The "Other" group in

this division includes direct mail, community involvement/charity, and magazines as ways to spend promotional money.

Markets 31-50: Average Promo-

tional Budget $134,000 - That ex-

pensive TV advertising finished first again, but the amount of money spent in on -air giveaways was a very close second. Billboards were third with the other categories quite even in dollar distribution. Sales promotions were

reported by a higher percentage of stations in this market group than in

any other. Markets 51-100: Average Promo-

tional Budget $48,000 - TV, on -air

giveaways, and billboards topped the expenditure list, but the on -air goodies were the most popular. A ma-

jority of stations also reported using sales promotions and bumper stickers. At this secondary market level the "Other" category includes direct mail, community involvement, and station newsletters.

Markets 100+: Average Promo-

tional Budget $40,000 - In the

smaller markets on -air giveaways are

clearly "king," both in stations par-

ticipating and dollars spent. Slightly more than half do TV advertising and

sales promotions, while a bit less than

the majority report doing bumper stickers or newspaper advertising.

Methodology Radio & Records sent out ques-

tionnaires to 750 of our reporting sta-

tions in all active music formats, plus

News/Talk outlets. The one common denominator among our reporters is

that they are all "format dominant" within their respective markets - in

The first figure is the percentage of stations within the markets listed reporting participation in

the specific promotional activity. The second figure is the average annual amount a station spends in that promotional endeavor. Example: In

markets 1-10, 72% of the stations report doing on -ai giveaways. The average annual expenditure on those giveaways is $94,000.

other words, ratings successes. We received 424 questionnaires

back in the mail, of which we were able to use 414 in our computations. The results should be considered as

general guidelines, not absolute facts. Our sincere thanks to all those who took time to complete and return the R&R questionnaire.

WAS IT WORTH IT?

The Million Dollar Giveaways Revisited On August 18, 1980, WYYS/Cin-

cinnati debuted its new CHR format offering one listener a chance to win $500,000 in cash. Broad- casters around the country were shocked. Less than a month later, competitor WKRQ/Cincinnati announced that it would give away $1,000,000 to one lucky listener. The national radio community was stunned.

When all the smoke had cleared, WYYS had offered an additional $500,000 (in a second contest), and WKRQ had combined its million -dollar giveaway with sister station WKRC. The results? WYYS debuted in the fall 1980 Arbitron with a 4.1 share overall to finish ninth in the market. WKRQ moved from second to first in the metro standings, its share virtually unchanged 10.7-10.4;

WKRC vaulted from fourth to second, up 8.0-10.4.

Since then, WKRQ and WKRC have generally maintained, while WYYS has not. A

new management/programming team and a new format were recently installed at WYYS, which led many market observers to question the wisdom of the giant cash kickoff contest.

WYYS PD Pat O'Brien R&R contacted the first PD of WYYS

- Pat O'Brien, who has since exited the station to become President of Laux Com- munications, manufacturers of satellite communications equipment. We asked O'Brien if he thought the million -dollar giveaway was worth it for WYYS?

"I really do think that in the initial stages of kicking off a new radio station and format, it was worth it. The whole idea was to attract a lot of attention, and it certainly did

" I'll see your half -a -mil and raise ya another half -mil..."

that. However, I wish that we had given away the million dollars in one shot instead of two half -million -dollar giveaways. When we announced our initial half -million prize, Taft (owners of WKRQ & WKRC) came back and announced a one -million -dollar

contest, which, quite honestly, took some of the wind out of our sail-.

"We wanted to attract that attention and thereby make the radio station an instantly well-known entity in the marketplace. Giv- ing away that amount of money gave the station the kind of instant name value recognition that otherwise might have taken years to establish. So, in that sense it was more than worth the expense."

WKRQ PD Jim Fox "I defintely think it was worth it from our

standpoint. Any time you enter into a promotion you should have in mind 'what is this going to do for the station?' We knew that by giving away a million dollars we weren't going to dramatically increase the awareness of our radio stations because we already had a very high awareness factor with both of them. We viewed the million

GIVEAWAYS/ See Page 37


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Page 34

"Sooner Or Later This Guy's Got To Come Into The Bathroom ... "

WB VP/Promotion Howard Rosen related a story about how persistence really paid off for him, at least in this particular instance. "There was this certain PD who just would not listen to a particular release I was promoting. I

mean he wouldn't even take the time to listen to it once. "I went out and bought one of those $49.95 por-

table turntables, and hid out in the station's men's

room for hours. I figured, sooner or later, this

guy's got to come into the bathroom. Here I was

hiding in one of the stalls, and he walks in. I

waited until he had no choice but to listen, and I

cranked on the record player. "You could say I had him by the ears ... he

was my prisoner, and he listened to the whole record. And you know what? He added it to his

playlist."

Playboy Bunny At 40 Below "Back in the late 60's we had so much

fun promoting records on a local level,"

Rosen continued. "Once we were trying

to break Bread as an FM act, and we had a new album ready to ship. People did the

usual things like sending loaves of bread, hero

sandwiches and things like that to get attention .. one guy even delivered the record in a Brinks truck.

"I wanted to get a lot of attention all at once. I

told my branch manager, Chuck Torre, what I

was going to do, and he thought I was crazy.

"lt was extremely cold, but I was determined to

go through with this. So, one day at lunchtime I

went to the Teen DiscoMat, a very influential retail

store at 34th Street near Macy's. I was carrying

Bread albums, but I was dressed as a Playboy

bunny. It was unbelievably cold, but there I was

... 40 below zero and I'm dressed like a Playboy

bunny. I sure attracted a lot of attention. The TV

stations came out; the newspapers took pictures

of me standing there. I'm sure all the hundreds of

people that stopped by thought I was nuts, but it

got everyone's attention, and we got play on FM!"

.idinitanri-- AM,

Ways To Get Your Record Played

It's a puzzle, trying to figure out how to get a record played. Some of the most ingenious minds in the record business have wracked their brains looking for the solution. Their attempts to solve this eternally baffling problem have led to frequent frustration, and out of frustration carne desperate and bizarre approaches of persuasion. Be- low, we've collected a few of the wilder, crazier, and funnier attempts to convince radio stations to play records. The definitive study of outrageous record promotions remains to be compiled someday, but these examples give some of the flavor of ingenu- ity and humor that have always been part of the best stunts. The craziness is all part of the game, and the game itself would be a lot less colorful without the wild cards of record promotion.

"I Had Arranged To Have The Song Come On The Jukebox As Soon As We Came In The Door ..."

Capitol National Promotion Director Steve Meyer worked the Miami market for several years, and shares a fond memory of a time one of his elaborate "stunts" did the trick.

"I was really having trouble convincing WQAM/Miami PD Jim Dunlap to play an

Anne Murray record I was working. He just

wouldn't budge. So, I suggested that he and I go

out for a few drinks one afternoon, and he

agreed. "What I had done is called ahead to each of the

bars I planned to take Jim, and I had arranged to

have the song come on the jukebox as soon as we

came in the door, and be played over and over while we sat drinking.

"I had to personally service the song to these

jukeboxes ahead of time, but it was worth it,

because Jim gave in before the end of the day and added the record."

A PROMOTION WITH SOME BITE - KDKO/Denver found out that it

wasn't safe to go back in the water when MCA Records crashed the station's 1978 beach party with an extra guest. Promoting the "Jaws 2" soundtrack, the giant cutout was quite a curiousity to the KDKO par- tygoers. Pictured (I -r): MCA's Chris Kane, KDKO PD Jim O'Brien, Sandy Halper of Dan Jay Music, and MCA's Dan Peterson.

"So I Laid My Gun On The Desk, And Let Him Stare At It ... "

"One time I had a record I was so enthused about I went to a radio station with a gun on my hip," RCA's Wayne Edwards recalls. "I laid it on the music director's desk as I was talking to him just to get his attention. This was about ten years ago in my early stages, and I

don't even recall the record anymore. "Anyway, I had been having a problem getting

their attention on this record, so I figured if I went into the station and put my gun on the desk, they'd realize I was serious. So I laid my gun on the desk, and let him stare at it for a while. He played the record too! Everyone thinks I'm a little nuts anyhow, so I have to live up to the image.

"Another thing I did when Dolly Parton had a

single out called 'Baby I'm Burning' was to rent a

fire truck complete with the firemen. I took a

Dallas Fire Department truck, which caused me a

great deal of grief to get, but I got it, and I went to radio stations with the sirens blowing. I took all of the radio people for a ride on a real live fire truck.

"Once I went and picked up radio people in a

helicopter, and talked to them about the record I

was promoting in the chopper. I had their undivid- ed attention!"

"It Cost The Stations $37 To Have The Union Come In And Move The Door ...'` Jerry Seabolt of Dimension

Records remembers a time when he was working with Shelby Singleton promoting a song on the Honor Brigade label. "We had a record by a group from Kansas City called the Jerms. It was a remake of the old 50's hit 'Green Door.'

"Shelby had this idea to go to a junkyard and

buy about 100 doors. We had them all spray - painted that bilious green that you find only in

public grammar schools, gas chambers, and mental hospitals. Then we railway -expressed them to every major radio station in the U.S. with a note

saying, 'Look for the "Green Door." ' One of the stations that got the record and the door was

WLS/Chicago, and at that time Clark Weber was the PD. I happened to be visiting the station and was informed by Mr. Weber that it had cost the station $37 to have the union come in and move the door. He expected the station to be

compensated, so I had to shell out $37 to pay them back.

"However, the record was very successful bas-

ed on the promotion because the group really wasn't very good ... neither was the record. But we got a lot of airplay and made a lot of noise with that promotion."

"A Blue Mohawk? I Said, `Sure!"

In a recent issue of R&R we outlined briefly the story that follows. This time Arista VP/AOR Promo- tion Mike Bone tells the tale in his own words.

"I was sitting at a KMET/Los Angeles staff lunch. I had five of my six priority records on the air at the station. I proposed a toast, saying I hoped I could get my sixth record on too: Haircut 100.

"PD Sam Bellamy asked what my commitment to the record was, and I said it was substantial. She asked me if it was substantial enough to get my hair cut into a blue mohawk. I said, 'Sure!'

"Well, we called in (KMET air personality) Mary Turner's haircutter, who dyed my hair silver on the sides and blue on the top plume

.. actually I looked more like a cockatoo than an Indian because Sam took pity on me at the last minute and went for the modified cockatoo look instead" (as pictured).

"While I was getting my hair 'styled' I heard Haircut 100 played on KMET. I heard it three more times in the next 18 hours. That made it all worthwhile."

Rats On The Platter Bone is somewhat of a legend when

it comes to doing the outrageous in the line of duty. Take for instance the fact that Mike has "HVY MTL" engraved on two of his gold teeth caps, and "AOR" on another. Strange, you say? Then how about this little anecdote from the Bone chronicles?

"I was working for Mercury Records when the Boomtown Rats' first album came out on the label. I was trying to think of a unique way to promote it. So, I called a local medical school lab to see if I could find some dead rat speci-

mens. They referred me to a place in Wisconsin where they breed animals for lab specimens. I

ordered 100 rats from them. They came double -

bagged in polyehylene bags in formaldehyde. "I sent a boxful to someone at Record World

magazine. I did an in-store display with some more in Chicago. I presented several of them to radio stations in Chicago. When we did a lis-

tening party at the offices, with a cheese platter, well ... at the end of the evening there were three dead rats on the platter."


RS RJFriday, June 4, 1982

"The Second Night The Ship Got Lost At Sea..."

Joel Newman of Handhsake Rec- ords relates a story that took place when he was working for Infinity. "We wanted to do a New England cruise for the group New England. We rented a boat ... like an old pirate ship ... and the first night we took people out from the radio stations. The next night was for the retail accounts in the area, and the second night the ship got lost at sea!

"Everybody freaked out, and we almost got hit by one of those giant freighter barges. All the retail people in the area were on that ship, and they all

just went crazy with panic, totally losing their minds. We finally did make it back, although bare- ly, and everyone ended up walking off the boat juiced out of their brains. What a fiasco!"

"He Dressed Up In A Gorilla Suit,

And I Dressed Up As A Lion ..." Even back in 1962 Elektra/Asylum's Pat McCoy knew how to get a

record on the radio, even if it meant using TV to do it. Pat explains: was do-

ing local promotion for Liberty Records in Cleveland. The label was very hot at the time, and they had just come with a record by a California group known as the Rivingtons, called 'Papa-Oom-Mow-Mow.'

"There was this guy in Cleveland TV named Ghoulardi, who hosted a 'Creature Feature' show late Friday nights. Everyone watched the show, not because of the movies, but because

Ghoulardi was such a crazy, hip character. "I took the record to him, and he immediately loved it. One Friday night soon after that, he

dressed up in a gorilla suit, and I dressed up as a lion, and between films we danced on the show to 'Papa-Oom-Mow-Mow.'

"The next week WHK/Cleveland, the Top 40 monster in the entire Midwest, got so many

calls for the Rivingtons from the play on Ghoulardi's show that they added the record at No. 49. The next week the song went to No. 1, and stayed there for 11 straight weeks! I think we sold

more records in Cleveland than we did in the entire rest of the country. "By then, Ghouldari was opening and closing his show with the song, replacing film dialogue

with excerpts, etc. When interest started waning, he began playing the follow-up, 'Mama-Oom- Mow -Mow.' WHK added that also, and it went to No. 1 for another six weeks."

"McCoy is pictured, surrounded by the Rivingtons, in this 1962 -vintage photo.

Semi Tough Maneuver At ABC in the mid -70's, McCoy par-

ticipated in the following incident: "We had just signed a new Boston act called Duke & the Drivers. Their first single, 'What You've Got,' was just starting to break regionally. In fact, every station from Maine to the Mason-Dixon

line was playing it except WRKO/Boston. PD

J.J. Jordan and MD Christy Wright just

wouldn't add it. "Well, WRKO was hosting its annual 'National

Promotion Day,' on which they invited all the

label execs to visit the station and attend a huge

party that night at the Playboy Club. We knew we

had to do something special to draw attention to

this record.

"WRKO was located on a one-way street that was so narrow two cars would have trouble pass-

ing each other. So, we rented a semi -trailer truck, had the entire side painted 'Why Won't WRKO Play Duke & The Drivers?' and then parked it

right in front of the station the very morning of

their special party. The tractor cab was driven

away, leaving the trailer blocking the station and

the entire street. We knew it would stay there .. .

have you ever tried to tow away a semi?

"Around 3pm, after all the other national execs

from the other labels had seen what we'd done (and a hefty $350 traffic citation!), we had the

trailer moved away. When J.J. saw us finally haul

it off, he thought, 'OK, you made your point - enough is enough.' But what we did was simply

move the trailer from the station to the front of the

Playboy Club where the party was to be that even-

ing.

"J.J. went berserk! He was really livid, until the other label folks said to him, 'What a great thing to do., This is fantastic!' Then he mellowed out, and realizing the trouble and expense we'd gone to, finally decided to give in. WRKO added the record the next week, and played it for about 13

weeks. It was a very big hit in New En9lland."

WOULD HE DO THAT? SHERWOOD! - In his current vice presidential position at Columbia it may have been a while since any of us have seen Bob Sherwood as pictured, but rest assured that not long ago he was among the best when it came to promotional pomp. In the montage of photos we see Sherwood leading his faithful horsie into battle as a patriotic revolutionary soldier; stickering himself with promotional Chicago ovals; and gilding more than just the lily by appearing before a Columbia convention with his body painted totally gold. What was the point? Ask Bob and he'll say "visibility, excitement, and enthusiasm." When he was excited about a record ... everybody got excited.

Unfortunately The Dog Bit Some People ... "

Animals can be just as unpredictable as they are cute, and they have been a part of many a record promotion person's attempts at airplay through publicity. Jack Lameier of Columbia Records recalls a time when the "horsing around" got a little out of hand.

"We had this promotion where we were giving

away a pony. It was working really well ... we

had it tied into the local Country station. However, one thing that we didn't remember is that it gets

extremely hot on blacktop very fast. And there

we were on this blacktop parking lot in the hot sun

with this little pony. "To make a long story short, the pony died! We

had all sorts of bad publicity from that ... there

were little kids all over the place wanting to pet the

thing and he just dropped in his tracks ... it was

just awful. "At the same time in a different area RCA was

giving away dogs for a 'His Master's Voice' con-

test. One of the dogs got loose ... unfortunately the dog bit some people and they got sued.

You've got to be careful with those animals."

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allows themselves.

now?

cept. KSFX/San had bon about trademark least with

out

at

regardless of the station's programming because of the groups' names. What could not have taken place is the sustaining of audience. Decals don't create quarter hours. They may be responsible for helping create cume-awareness, so in that regard they may have helped turn around the station's image.

R&R: Have you got a ballpark figure for the number of stickers on the street today?

1,583,000 ... and in we'll

SG:be

real ,0cl00e . .to 2nd sometimeon.

And those are Septemberr

out on the street, not sitting in some storehouse somewhere. We've done 70 different decals, in - eluding around 50 for concerts. The first time we did Led Zeppelin A -Z on the air, we did a Zeppelin decal . . . same for the Doors. Surprisingly enough, we have not yet done the Beatles, but we're about to.

The most distributed decal is the Stones ... the most asked -for remains Led Zeppelin. I know of many people with complete collections, and many listeners who swap them like baseball cards to complete their collections. It's really something.le

TOO HI P A WINNER ) (

R&R: How much longer can this promotion last? SG: We've asked ourselves that recently. The

fact that the symbol is a rainbow, which has always been a popular color scheme, and that the identifica tion is maintained with the most popular bands of our time ... I can't conceive of a point when it would be to our advantage to abandon it and move on to something else. In the 13 years I've been in the business, I must say this is probably the strongest trademark campaign I've ever seen in radio.

R&R: How much of KLOS's current popularity and ratings success would you ascribe to the campaign?

SG: I think the decals have played a significant role. (KLOS PD) Tommy Hadges has done a very good job of turning the station's programming around, making us a very credible rock and roll radio station. The decal campaign would have done well

from Page 29

for royalties from their sale to the groups

R&R: Are there any other stations using the logo

SG: WRIF/Detroit has picked up the basic con- They use a modified logo: a single line track.

Francisco, before it became KGO-FM, begun doing them. I know of no other radio sta- using the logo, but if one exists, and I find

it, they'll get a call from our lawyers. That has been the ABC logo for years and,

in the last two years, has become synonymous KLOS.


REtRIFriday, June 4,1982 Page 37

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dollar prize as our way of maintaining our promotional lead in the marketplace. We wanted the listeners to know that we were on top and would continue to be on top.

"The giveaway upheld a longstanding tradition for us; it made radio history, and well -positioned us in the market so we were not to be beaten when it came to promotional ventures."

Would You Do It Again? That's the question R&R then asked each

programmer, and Fox answered positively. "If it's worth doing once, then it's worth doing again. What I mean is ... if we weren't willing to do it again, then why was it worth doing the first time? Either you are willing to defend your franchise from ALL attacks or you are not. I don't think you can pick and choose the times you will compete. You must compete every day, and whatever it takes to remain competitive, that's what

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you have to do. "If you are the leading radio station in

your market, and someone decides to come after you, you must protect your position if you intend to still be the leading radio stations, say, ten years down the road. We may have spent a little more than we would have under ordinary circumstances, but essentially we just took an entire year's promotional budget for both stations and used it up in a very unorthodox manner. We were protecting our position in the market and it worked."

While WYYS was in a different position when it undertook the giant cash giveaway, O'Brien adamantly agreed with Fox. "Ab- solutely ... in a similar situation in another city putting a new station on the air ... yes, rd do it again. What has to be realized is that there are very few companies, when faced with this kind of monetary assail», that would up the ante the way Taft did. And by coming in right behind WYYS with a $1 million giveaway, Taft said to all of its competitors in all its

markets, not just Cincinnati, 'Hey, you don't mess around with Taft Broadcasting.' That was brilliant in my estimation, but the chances of running into that kind of attitude in another market would not be great .. .

how many companies would do that?"

If O'Brien felt that the $1 million giveaway was a good thing to do in kicking off a new station, and he admitted he'd do it again given the chance, we wanted to know why WYYS was unable to capitalize on its initial showing, and eventually changed management and formats. "There were some upheavals and turmoil in the company that contributed to the station being allowed to decay in my opinion," O'Brien explained "The theory of giving away a million dollars to get instant recognition is really only good for one time around. You must continue that kind of promotional profile in order to remain successful. Unfor- tunately the company did not continue to promote WYYS in the marketplace with the same kind of enthusiasm that it did initial-

ly. And I don't mean we should have given away another million ... but we should have remained promotionally exciting and involved. We didn't, and we lost our competitive edge."

What's Next? Both programmers felt the biggest cash

giveaway in radio history was a good idea, and both would do it again, but it's interesting to note that the idea of giving away $1 million in cash has not migrated to other radio markets.

Why? Well, even at the payoff rate of $25,000 a year for 40 years, the price may be just too much for most companies to bear. While there is a strong amount of "flash value" in offering that much money as a contest prize, it's a tough act to follow. And when it comes to promotions, isn't that what the next one is all about?

Our special thanks to Jim Fox and Pat O'Brien for their candid thoughts on an amazing promotion that may never again be duplicated.


What was the bes, p first proMotional

itern to Geri a radio station's

lo-

go? We're not sure,

but it just Might be hiding

among the literally

thou-

sands of items

pictured. frorn bas

ieball

caps to coffee cups,

belt buck-

les to 1cey operat chains,

credit cards,

Ftubik's cuens,

buttons, thatches,

'The ey.arnples shown

were subneted

by hundreds oi radio

sta -

eons representing

several ¡Whets

and every region

of the country

bumper stickers,

and -T-shirts, rado does

it all.

Our special thanks

to them for their coio creat

n. And here's hoping

that you might see sornething

that Will cause your

ive juices to

eow %II the world

of prornotions

. this is show and WO

'9$ 11 it

!lek_ TorTriictine r


88.8/ Friday, June 4, 1982 Page 39

CALENDAR BRAD MESSER

Secret Code Words, Singing Dogs Thanks, people, for sharing information about how your stations cope with "little emergencies." These excerpts of letters

from fellow broadcasters reveal that policies are as individual as communities.

"Regarding 'Lost and Found Pets,' I don't put these announcements over the air; rather, I keep a file here at the front desk

and take the calls as they come in. Any calls the jocks get, they can refer to me. My success rate is great and it's a fun and good

feeling getting pets back to their homes. Thanks for the chance to put our '96c' worth in" - Sally Tatala, receptionist and Pub-

lic Service Director, KBDF & KZEL/Eugene, OR.

"Yes, we do air lost dogs, blood drives, missing persons, etc., but there are few conditions. We're in a very small commun-

ity (80,000 potential listeners) so there are just a limited number of lost dogs at any one time. These are (taken) by phone and are

run for three days. We have a pretty good reunion rate. As for runaways and missing persons, we refer those calls to the local

law enforcement people. If they ask for our help, we'll put the information on the air. Those agencies are ready to deal with do-

mestic problems; we are not. One other item you did not mention that gives us trouble: community groups that buy newspaper

space and then ask for free time from us. We don't give under those conditions. If a group wants free time from us, they have

to also get a donation from the paper" - Ross Hunter, Operations Manager, WJMA-AM & FM/Orange, VA.

"WMT has always aired announcements that related to health or life -threatening situations" (rabies -suspected dog bites,

emergency blood requests from hospitals) and "routine lost or found animal announcements are aired three times daily at pre-

scribed times. Candidly speaking, I doubt the true merit of such on -air involvement, but the occasional phone call or letter from

a distressed child who's just found a loved pet makes us continue! We do these announcements sincerely, but with just enough

tongue-in-cheekness with fun, sort of schlocky intro, including singing dogs" - Rick Sellers, Manager of Operations and Pro-

gramming, WMT-AM & FM/Cedar Rapids, IA.

My personal bugaboo stems from winter storm announcements. Hordes of little businesses and dance classes and Brownie

troops and third -shift operators are enough to drive us mad. When New Hampshire got blitzed with a mid -April blizzard, the

phones rang so fast and furious that we stopped asking for the secret code word, figuring no one would be that low. Tell that to

the manager of Home Insurance in Manchester who had only 20% of his 600 -person work force show up. Not too nice for pub-

lic relations!" - Ed Brouder, Program Director, WGIR/Manchester, NH.

Ed, that sounds like yet another valuable lesson from the best teacher there is, the School of Experience. Sharing the mes-

sage was generous of you! And to those whose letters didn't make the space cutoff here, double thanks. As always, I71 respond

personally.

He Wore the Pants in His Family MONDAY, JUNE 7 - George Bryan Brummell, a rich guy who was born 204 years ago today, is credited with

inventing and popularizing pants .. . long trousers like we wear now, instead of short ones with long stockings like the Pilgrims

wore. "Beau Brummell" was the first influential person to trend away from frills and ruffles toward simpler "poor folk" cloth-

ing. A sort of K -Mart kinda guy in what was a Bill Blass society.

Jets from Israel bombed a nuclear reactor in Iraq a year ago today. Forty years ago Japanese troops occupied two islands

in the Aleutian chain southwest of Alaska, frightening many Americans who thought the West Coast might be the next stop.

Tom Jones is 42.

America's Favorite Ice Cream Flavors TUESDAY, JUNE 8 - The graduating class of 1491 may have been ignorant enough to believe Earth is flat, but

they were smart enough to know they liked ice cream. In fact, way before that (at least four centuries before the time of Christ)

European rulers were sending runners to the mountains to bring back ice, so they could have a delicacy similar to the ice cream

of today. On this date in 1786 the first ice cream ad appeared in an American newspaper. Today the five favorite flavors of

Americans is ascending order, are strawberry. chocolate chip, neapolitan, chocolate, and No. 1, vanilla. Thirty-five percent of

the ice cream consumed in this country is vanilla.

Boz Scaggs is 38. Nancy Sinatra is 42. Robert Preston, best known as the Music Man, is 64.

First Ballistic Missile Submarine WEDNESDAY, JUNE 9 - Twenty-three years ago today the first ballistic missile submarine became opera-

tional. The polaris missiles of 1959 had about a three -thousand mile range and carried single "city buster" warheads.

Automatic income tax withholding started 39 years ago today during World War II. The war ended but payroll deductions

didn't. In 1890 the operetta "Robin Hood" premiered on this date in Chicago. The song "Oh Promise Me" became an American

wedding favorite. Today's most popular wedding songs are (#5) "Somewhere." I#41 "You Light Up My Life," I#3) "Tales

From.The Vienna Woods," (#2) "I Love You Just the Way You Are." (#l) "We've Onls. Just Begun." (Source: Brides

magazine) Robert Cummings is 72.

Blue Ptbblem in a Gold Mine

THURSDAY, JUNE 10 - In the Washoe mountains of Nevada 123 years ago today. two prospectors digging

out a spring in search of a better water supply made one of the richest gold strikes in history. As they began mining the Com-

stock Lode, workers had to deal with an unwanted blue -grey material in which the gold was imbedded. About a year later an

assay revealed the blue -grey stuff they'd been throwing away was really high-grade silver.

America's earliest recorded tornado hit New Haven, Connecticut, today in 1682. Alcoholics Anonymous was formed in

1935. Three years ago we had gas lines.

F. Lee Bailey is 49. Former astronaut Jim McDivitt is 53.

SCUBA Inventor Cousteau Is 72

FRIDAY, JUNE 11 - Until Jacques Cousteau put his mind to it. no one could conveniently swim longer than one

breath underwater. Cousteau, who is 72 today, co -invented the Self -Contained Underwater Breathing Apparatus (SCUBA) al-

most forty years ago. Until he developed the underwater camera, no one knew that prism effects eliminate certain colors at var-

ious depths. John Wayne died three years ago today. One year ago major league baseball players went out on strike.

Former auto racing champ Jackie Stewart is 43. TV actor Chad Everett is 45. Gene Wilder is 47.

GEILS GETS FREEZEFRAMED - EMIA's J. Gets Band greeted WXUS/Lafayette staffers and

the winner of a station -sponsored "Freeze -Frame" contest after the group's Lafayette show. Pic-

tured (l -r) are WXUS PD Stuart McRae, group's Seth Justman. winner, group's Peter Wolf,

WXUS MD Bob Majersky.

LE ROUX FINDS LAST SAFE PLACE AT KSHE - RCA's Le Roux visited KSHE/St. Louis to

play the band's latest album for station reps. Pictured (l -r) are RCA's Andy Affen, group's Rod

Roddy, KSHE VP Shelley Grafman, group's Tony Haselden, KSHE PD Rick Bads.

SCHOOL'S OUT - GIRLSCHOOL'S IN - Stiff recording artists Girlschool recently appeared

in concert in Chicago, and then toured the city's AOR's. Along the way they stopped in at WLUP

for a chat with MD Sky Daniels. Pictured (l -r) are group's Kelly Johnson, Gil Weston, Denise

Du fort, Daniels, band's Kim McAuliffe.


Page 40 R&RIFriday, Jure 4, 1982

Opportunities Openings EAST

W100/Carlisle, PA needs news anchor. Females encouraged to apply. Great place to start. TErR: Vince Grand, PD, 180 York Rd., Carlisle, PA 17013 EOE M/F (6-4)

Immediate Midday Opportunity WBEN Radio 930, rated f 6 nationally, seeks ex-

perienced adult talent with production voice and community involvement- Tapes, resumes and pic-

ture to: BOB WOOD, Algonquin Broadcasting,

2077 Elmwood Ave., Buffalo, NY 14207.

New Portland aree Country station WPIG-FM needs talented PD and DJs. Send TER: WF1G, Box 567, Saco ME 04072. EOE M/F (64)

Chief Engineer for 50,000 watt AM/FM, number one powerhouse in beautiful WV. Top salary and benefits. Resumes: Jim Devis, Box 4318, Charleston, WV 25304. (6-4)

WKZX 95AM/Presque Isle, ME has future opening for mid or morning, must be mature, friendly and brief for this A/C station. Call Fred Martin (207) 769-7611. (6-4)

74/RNR, an A/C AM updating our files for possible future openings. Entertainmentilnformation format. No beginners. TErR: Bob Masters, Box 709, Martinsburg, WV 25401. (64)

Announcers for adult, live assist FM in small market, mid -Atlantic area. On air early July. Smooth delivery/production, minimum 2 years commercial experience. T&R: Operations Director, WKYZ-FM, Route 3, Box 13, Salisbury, MD 21801. EOE M/F (6-4)

Openings Production Director/air shift opening at NE AOR. TEtR: Zip Zipfel, PD, WECM/WfSV, 221 Washington St., Claremont, NH 03743. EOE M/F (6-41

ND for NW PA daytimer. Good production. On -air skills. TErR: Jeff Harman, WWCH, Box 391, Clarion, PA 16214. EOE M/F (6-4)

WCLG needs ND. University City in Almost Heaven, WV. We have staff, equipment, ENG, interns, UPI Bureau. Former director moved up to D.C. market. We need strong air newsperson with experience and conversational delivery. Ready to take over department. Send T&R: Garry Bowers, WCLG, Box 885, Morgantown, WV 26505. (6-11)

ii 1

COnIInEDIAI RECORDIn6S We're looking for a creative, ambitious, self -motivated person with a working knowledge of radio sales and promotions: also marketing, organizational skills, and telephone sales ezperience to market our station ID's and commercial jingles. Call or send resume to Dan Flynn,Continental Recordings, 210 South Street, Boston, MA 02111.(617)426-3131.

WHAI/Greenfleld looking for future full/part-time announcers. T&R: Jay Deane, Box 32, Greenfield, MA 01302. EOE M/F (5-281

NYC Metro A/C -Info seeks PM drive personality. Ex- perienced only. Production, community involvement necessary. T&R: Bob Recchia, WJDM, 9 Caldwell Pl., Elizabeth, NJ 07201. EOE M/F 15-28)

WCCC 50,000 watt AOR looking for experienced full/part-time. No calls. T&R: Lich, 243 S. Whitney St., Hartford, CT 06105. EOE M/F (5.28)

Openings Announcer/MD for Urban Contemporary. TErR: Box 17422, W. Hartford, CT 06117. EOE M/F (5-28)

ABC Superadio station in Baltimore seeking combination Production/Public Relations Director. Call PD (301) 485-2400. EOE M/F (5-28)

Major broadcasting company searching for dedicated professional broadcasters ex-

perienced in the areas of programming, news or announcing. Formats include CHR, A/C,

Black and Hispanic. Send T&R to Radio &

Records, 1930 Century Park West, #340, Los Angeles, CA 90067 EOE M/F

WMGK/Philadelphia has pert -time news opening. Experienced E sharp writing skills must complement conversational delivery. T&R: Bob Craig, 1 Bala Cyn- wyd Plaza, Bala Cynwyd, PA 19004. EOE M/F (5-281

Available August 1st, pert -time news. Later fulitime probable. T&R: Ruth Ludwig, ND, WBZA, Box 928, Glens Falls, NY 12801. EOE M/F 15-28)

SOUTH WXQR/Jecksonvilte, NC accepting TErR's for future openings on-air/production, news. Superstars on coast. Kris Kelly, Box 760, Jacksonville, NC 28540. EOE M/F (6-41

Experienced Country jock, sales people. New Gulf Coast FM seeks cassettes/resumes for immediate openings) Mail to: 11452 Ed Menins, El Paso, TX 79936. EOE M/F 164)

Future on -air end news openings et //1 Country powerhouse. Strong production. TEtR: Bob Roberts, WDAK, Box 1840, Columbus, GA 31994. EOE M/F (6-41

WKYX/Peducah, KY has opening for creative Produc- tion Director. Good copy writing and organizational skills necessary. T&R: Buddy Scheerer, Box 2397, Paducah, KY 42001. EOE M/F 0641

Openings Afternoons, great pay, top company, beautiful coastal area . . need bright, mature exciting communicator. TEtR: Robed John, Y103, 3100 University Blvd., Jacksonville, FL 32216. EOE M/F (64)

G100/Mobile looking for e weekend entertainer. You must sound like e pro. T&R: Scott Griffith, 555 Broadcast Dr., Mobile, AL 36606 or call (2051479-5555. EOE M/F (6-41

KOKE/Austin seeking experienced morning air personality. No beginners. T&R: KOKE, Box 1208, Austin, TX 78767. No calls. EOE M/F 16-4)

WXAM/Charlottesville needs ND by Mid -June. An- chor/reporting. Good organizer, upbeat writer, conversational broadcaster. T&R: Steve Reed, Box 1294, Charlottesville, VA 22902. EOE M/F 16-4)

Need aggressive Contemporary news anchor looking to move up to top station in market. TEtR: Gary Mit- chell, V100, Box 4318, Charleston, WV 25304. EOE M/F (6-41

Need e PM drive play-by-play combination. TER: Box 1478, Borger, TX 79007. EOE M/F 16-4)

KZOM-FM looking for dedicated rock professionals. Morning, all -nights, weekends available. Ex- perience a must. TEtR: Don Golden, Route 11, Box 484, Orange, TX 77630. No calls. EOE M/F 155-281

WHBB/Selma has Immediate opening for well seasoned announcer/production personality. TER: PD,

Box 1055, Salma, AL 36701, (205) 875-3350. EOE M/F 15-281

Looking for morning talent. 100,000 watt A/C -FM on Texas Gull Coast. Top 100 market. Experienced communicator. T&R: PO, Box 6067, Beaumont, TX 77705. EOE M/F 15-281

AOR tapes needed for future openings amongst the palm trees. TER: Scott Fisher, WIZD, 200 Palm Beach Lake Blvd., W. Palm Beach, FL 33409. (5-28)

Morning anchor ND with solid delivery. Salary. Upper teens. T&R: Bobby Kay, Box 898, Corpus Christi, TX 78403. (5-28)

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RbR/Friday, June 4, 1982 Page 41

Opportunities Openings

New KRBE needs newsperson to co-anchor afternoon drive. Conversational style, good writing a must. T&R: Sue Schneider, 9801 Westheimer, Suite 700, Houston, TX 77042. EOE M/F (5-28)

KKYK/Littis Rock, AR needs air talent. Contact: Ron White, Box 4189, Little Rock AR 72214. No calls please. EOE M/F (5-28)

Can you deliver 25+ demos? Do you excel in A/C? Do you have a minimum of 3 years professional experience? If all yes, send tape, resume and references to Radio & Records, 1930 Century Park West, #346, Los Angeles, CA 90067, Southwest FL location.

MS's top CHR just moved to new studios. Looking for air talent. Great production a must. T&R: Kirk Cliatt, Box 4808, Beloxi, MS 30531. (5-28)

WAIM-FM/Greenvillo-Spartanburg AOR has immediate opening for announcer with strong production. Daytime shift. T&R: Gary Jackson, Box 650, Anderson, SC 29622. (803) 226-1511. EOE M/F (5-28)

On -air announcer. 5 yrs experience. Salary negotiable. Start June 28th. Major market production. T&R: S. Andrews, WVEE, 805 Peachtree St., Atlanta, GA 30308. EOE M/F (5-28)

Openings Amarillo Country FM looking for morning lock/production. T&R: Nancy Allen, KBUY-FM, Box 5844, Amarillo, TX 79106. EOE M/F (5-28)

Future openings at a great SC coastal adult FM. We're making some exciting changes. TWA: John Roberts, 3040 Boundary St., Beaufort SC 29902. (5-28)

WJBO/WFMF has rare opportunities for ND or anchor. 3 yrs experience. T&R: Randy Rice, Box 496, Baton Rouge, LA 70821. EOE M/F (5-28)

KESI/Sen Antonio looking for WNEW-AM style A/C personality. T&R: Kevin Fennessy, OM, KESI, Box 20107, San Antonio, TX 78220. EOE M/F (5-28)

If you can help us become Small Market Country Station of the year, we want to hear from you. PM drive or evening slot. Good pay and benefits. Great facilities. Sales combo for bigger bucks. Production skills a must. T&R: to Ben Granger, PD, KVVP-FM, Drawer K, Leesville, LA 71446. (318) 238-0354 12noon-2pm CDT only. EOE (6-4)

MIDWEST KQWB/Fargo requires experienced professional to join 4 person news staff. Excellent equipment, top ratings. T&R: Linda Hogan, ND, KQWB, Box 2983, Fargo, ND 58108. (6-41

Openings Good money for good morning or midday guy or gal on Modem Country KKOA. Possible MD. TWA: J.J. Cook, Box 10, Minot, ND 58701. EOE M/F (6-4)

Flint's news leader hes rare opening for anchor/reporter. Minimum 2 years experience. TWA: Art Reid, WTRX, Box 1330, Flint, MI 48501. No calls. EOE M/F (6-41

Youngstown, OH AM/FM seeking knowledgeable person for ND. No beginners. T&R: Fidelity Conn munications, ND, 218 Ewingville Road, Trenton, NJ 08638. EOE M/F (84)

Rare opening st medium market AOR for jock with production experience. T&R: Rick Peterson, WWCT, 414 Hamilton, Peoria, IL 61602. EOE M/F (84)

098-FM/Fargo is seeking on -air talent and production pros. T&R: Shawn Waters, Box 2983, Fargo ND 58108. (6-41

WKAU/Appleton-Oshkosh-Greenbay, CH R has news opening. Need experience, voice & writing abilities. T&R: Ron Ross, WKAU, 1785 Block Rd., Kaukauna, WI 54130. EOE M/F 164)

WLLZ, Detroit's best rock has immediate opening. Owned and operated by Doubleday, the nation's AOR leader, with new studios in attractive suburban location. TErR: Joe Urbiel, WLLZ, 31555 Fourteen Mile Rd., Suite 102, Farmington Hills, MI 48018. No calls please. EOE M/F (6-11)

Openings Suburban Chicago station is in need of local talent for part-time and fill-in positions. Commercial experience required. T&R: WXLC, Waukegan, IL 60085. EOE (5-28)

Aggressive suburban sunbelt A/C needs DJ. One yr man experience. TWA and salary requirement: KMYO, 509 N. Aspen, Broken Arrow, OK 74012. EOE M/F (5-28)

Production Director/sir shift opening. It station in livable Midwest community. T&R: Ron Eric Taylor, KEYN, 2829 Saline Avenue, Wichita, KS 67204. EOE M/F (5-28)

Wanted ND for AM/FM combo in Dubuque, IA. Con- tact: Chuck Bailey 13191 683-6471. EOE M/F 15-281

Personality radio ND needed immediately for 2 person staff in Capitol City town. T&R: WVIC, 2517 E.

Mt. Hope, Lansing, MI 48910, c/o Jim St. John. EOE M/F (5-28)

WXLC is now accepting T&R for possible openings In morning and afternoon drive positions. Prior experience is a must. TWA: WXLC, Waukegan, IL 60085. EOE M/F (5-28)

WHMQ/Finley, OH has an opening for an afternoon Country pro. Must have good production skills. T&R: D.P. Glass, 101% Sandusky, Finley, OH 45840. EOE M/F (5-28)

Appleton-Oshkosh-Greenbay's hottest CHR, WKAU-AME&FM, accepting TErR for future PM drive. Must be good with strong production. Ron Ross, WKAU, 1765 Block Rd., Kaukauna, WI 54130. EOE M/F (6-4)

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f.

Opportunities Openings

WEST KISSIN 106, A/C looking for personalities. T&R: Jim Meeker, Box 2959, Merced, CA 95340. EOE M/F (6-4)

K96/Provo is looking for morning drive talent. Great bucks, and a great company. No calls. T&R: Scott den - try, KFMY, Box 960, Provo, UT 84603. EOE M/F (6-4)

KLZ/Denver has immediate openings for midnight- 6am shift. Tight personality, Country format. T&R: Bill Bradley, 2149 S. Holly, Denver, CO 80222. EOE M/F (6-41

CA opportunity to move up. 7-12pm/12-6am person. Strong production/on-air abilities. T&R: KLPV, 777 Silverspur, Rolling Hills, CA 90274. No calls. EOE M/F 16-4)

Country dJ wanted. Knowledge of Country music a must and production. Immediate opening. Call Eddie Briggs, (505) 393-3137. (6-4)

Fulltime and pert -time news openings. Contem- porary FM, 90 miles from L.A. T&R: Brad Orchard, KVVQ, Box 1477, Victorville, CA 92392. Calls welcome 1714) 243-4636. EOE M/F (6-4)

Need morning and other possible jocks at A/C FM in San Jose/Sen Francisco area. Contact: Ron Denn- ington, KPEN, 2540 California St., Mountain View, CA 94040. EOE M/F (6-4)

If you force your voice down and use crutch phrases, please go to the next ad. If you have a natural sound and creative production, send me a tape! Tom Greenleigh, KJQ, 1506 Gibson Ave., Ogden, UT 84404. EOE M/F A/F (All formats may apply). (6-11)

KIQO-FM A/C looking for 1 fulhime and 1 part-time announcer. Production skills a must. Now accepting calls 9arrr4pm: (805) 466-6511. EOE M/F (5-28)

KAFY/Bakersfield Country immediate opening. Three years experience preferred. Contact: Joseph King, 1527 19th Street, Suite 300, Bakersfield, CA 93301 or call (805) 324-4411. EOE (5-28)

KRKO/Everett has opening for weekend air talent. Send T&R: Bruce Butterfield, Box 1227, Everett, WA 98206 or call (206) 355-1144. EOE M/F (5-28)

KMBY-FM/Monterey has immediate opening for pert -time, also future fulltime. Adult format. T&R: Randy Summers, Box 1291, Monterey, CA 93942. EOE M/F 15-28)

The skiing is good. The radio is great! KJQ needs Jock/production ace. Adult CHR. T&R: Tom Greenleigh, 1506 Gibson, Ogden, UT 84404. EOE M/F 15-28)

Professional nationwide music production firm seeks articulate, bilingual Mexican music programmer with production ex-

perience. Mariachi and Contemporary Mex- ican music knowledge required. Send T&R to

Radio & Records, 1930 Century Park West, #342, Los Angeles, CA 90067

Positions Sought You went the best basketball P -B -P man available? 9 yrs. P -B -P experience, all for major sports. Excellent sportscasts and interviews also. Call GARY (612) 255-0386. 16-4)

Tower 94 has gone Country, but I haven't. Former MD and night rocker looking to perform for you. Call KURT KELLY 1313) 542-0102. 16-4)

ROY GRAY announcer at KDAY/Los Angeles will go back on the air immediately. Call J.J. Johnson (213) 665-1105 for referral. 16ß)

Talented, dependable, hardworker looking for big break in small or medium market. On -air and/or sports P -B -P. Cell TIM EBY (219) 255-9920. (6-4)

To be announced, MICHAEL TURNER, 23. 5 yrs. radio, college, commercial and club experience. Will work ell formats, will relocate. (213) 752-2336. (6-4)

Announcer 4 yrs. in AOR, A/C and Country. Great production. Excellent communicator with college degree. Prefer MI and Midwest. Call CHRIS (5051 622-4281, after 12pm. (6-4)

Veteran major market air talent and programmer available immediately. Formerly KIX106, KTSA and WJDX. JOHN WALTON (214) 548-0328. (6-41

J.J. WALKER leaving afternoon drive et Y103/Jack- sonville, FL in June after 5 yrs. Also WMYO/Miami, KOPA/Phoenix, WYNF/Tampa. Looking for air talent or MD in major market. 19041 744-7912. (6-4)

Innovative Houston PD who got ratings with Chris- tian format) Seeking like position with professionals. JOHN JAKSHA, 3531 Willie Way, Spring, TX 77380 or (713) 367-8979. (64)

Serious-minded, mufti -faceted AOR performer looking for fuiltime medium or secondary market album rocker. Also music journalism experience. JIM CHLEBO 1513) 523-2930 anytime. (6-4)

Positions Sought KEN SILVERSTEIN, Top 10 market sportscaster WFAA/Dallas-Ft. Worth looking for major market opportunity. Willing to relocate. (214) 696-8059. (6-4)

Still looking for talent? Why haven't you called me? AUSTELL is waiting to hear from you at (312) 547-8044, any day before noon (CDT) (6-4)

Country award winner seeks medium market AM drive. Humorous character voice sidekick. Fun show. Ratings builder. Conscientious team worker. Good MD. (803) 238-0184 after 2pm. (6-4)

Wait till you hear my play-by-play. Sports Director, good on board. 3 yrs. experience. Call (516) 437-2688. (6-41

My tape can mend your broken station. Great pipes! Trained for jock or news. Production tool Prefer Rockies. Call TOM (312) 686-7105 or (312) 358-5142. 16-41

Black programmer with expertise in CHR & AOR, including stint in Philly. Looking for new challenge, ready to go nowl BOB (215) 855-8990. (6-41

Economy lays off Jacksonville's best news team. ND available to keep or make your best. Sunbelt preferred. (9041 269ß940. (64)

Air personality/MD 2 yrs. experience looking for medium market, midwest preferred. JIM MULVANEY (3121 388-3040. 12832 May, Chicago, IL 60643. (6-41

S$SSS SALARY BACK SSSSS S if not completely satisfied with the ratings and revenue $

this mass appeal morning concept generates. Cur-

rently succeeding through community involvement, lo- S calized humor, credibility, and no ego problems. This e

$ product, major market tested, is available if you meet a criterion for winning (305)771-1962 (offer good

$ in the U S. and Canada). S

$$$$$$$S$$$$$$$$$$ SCOTT DAZE, professional, career, 26, 6 yrs. experience CHR/AC. Recently with WOW/Omaha, WEA- Q/Eau Claire. Looking MD/PD in medium markets. Great references. Call immediately (402) 393-7324.16-4)

I want to relocate in Chicago area. Excellent background Et references. If you want a communicator, cell me. GARY (602) 834-5446. (6-4)

Talented, aggressive jock with new PD coming & I'm going. Help( Getting married in 3 months. Available immediately for NY tri -state TOM (3171 364-0481, (212) 9843585. 164)

Mornings -controversia I -mom i ng s -telephones -mornings -bits -mornings -unusual -morn ings-7yrs.-morn ings- major/medium-mornings-quick-mornings-JOHNNY 1419) 389-1550. (6-4)

15 yr. pro seeking on air or PD position, major market, warm climate only. Guaranteed results. Call PATRICK HENRY PRICE (213) 464-5516. (6-4)

Morning drive personality available. 10 yrs. of major market, CHR experience. Proven winner. Let me enter- tain you. (703) 373-0718. (6-41

11 yr. pro CHR/AC/Country, Operations Manager, PD/MD talent. Looking for medium/major markets. AL SELLERS (715) 845-2384. 15-28)

If you ere looking for an announcer who is bright, tight, humorous, has good tubes. 4 yrs. experience, college education. PETE (419) 447-2615. (6-41

Former Production Manager of KMET-FM for 7'54

years with keen interest in music. Please call Gus Krueger (2131 842-9858. (64)

Experienced announcer seeking full-time position. Good production. Call DON (303) 351-8294 after 4pm MST. 15-28)

Mejor market air personality currently in Urban Con- temporary seriously looking. 6 yrs. experience, including KIIS-FM, KUTE/Los Angeles. Have done CHR, A/C. MARK (314) 361-0956. (5-28)

Experienced MD, Assistant PD in AOR, CHR. Prefer West. Call BOBBY (806) 792ß830 or (806) 745-3129. (5-28)

Lady DJ, 6 yrs. experience, MD, 1st phone, good production. Major market from Los Angeles -Miami, CHR, AOR, A/C. I want the airwaves. (213) 465-9674. (5-281

Enthusiastic, witty & versatile personality looking for Southern medium market station to grow with. Call EDDIE FARRIS (3121374-3210. (5-28)

Former radio station owner, PD, DJ, Sales Manager looking for PD/DJ/Management position -a new challenge. 10 yrs. experience. RICHARD KAUFMAN (201) 992-4881. (5-281

STEVE SUMMERS experienced in major markets. Recently MD/Aftemoons at WDRO/Detroit. Available due to format change, seeking stable CHR format. Let's talk. 1313) 474-7097. 15-28)

Positions Sought Fully qualified country programmer/PD available now. 23 yrs. experience, all phases of radio. BOB (3131 229-4022 anytime. (5-28)

Young, experienced DJ, 5 yrs. in Country, A/C, Rock & News, looking to relocate Chicago/Milwaukee area. Call BRUCE (507) 457-2336. (5-281

Air talent with MD experience and PD abilities. 8 yr. pro great production, college, 1st phone seeking AM drive or ? THOM (318) 478-9829. 15-28)

Creative personality, loyal employee available. RICK OHMAN (4061452-2382. 15-281

AM in radio doldrum. 10 yrs. in broadcasting. Looking for AOR evenings overnights or production position. Excellent skills, warm personality. STEVE SUNBERG (802) 479-0717. (5-281

11 yr. pro, dependable Sports P -B -P, Talk, DJ, excellent references. DANNY 15031 588-9434. (5-281

Experienced female announcer & newsperson. Any format, available immediately. (213) 375-4869, evenings. (5-28)

PHIL BECKMAN, 11 yrs. AOR, A/C, CHR; WNOR, WAPE, WRQX, KTLK. Wife JOANNE 5 yrs. WNOR, WAPE, WIVY, WWDE; A/C, BM & News. (8041

877-9944. (5-28)

AM drive personality with good ratings seeks slot with CHR, AOR. Preferably morning drive and/or MD position. LEE GORDON 1713) 775-0883. 15-28)

Major market DJ, BLK/ROCK, heavy production. Looking for great opportunity. No small market please. Have bucks will travel. Call RON COOPER (312) 478-6929. 15-28)

Best possible bet for PD/MD for medium to major market. Currently winning big. Let's talk. (901) 362-2281. (5-28)

Real Pro seeking work et medium or major market station. B.A./Communications. Well-rounded with all formats. Please call MR. HAYES (2121 993-0276 or (212) 733-2583.15-28)

Hard defined A/C, CHR talent. JOHNNY LUND- QUIST of KS95-FM is inspecting wholesome opportunities. (612) 823-5661. Major markets only (5-28)

JAY DuBARD, tight personality, production wizard with newly acquired audio-visual skills, 14 yrs. ex-

perience seeks medium/major market with stable position. (716) 838-6187. (5.28)

CHARLIE GREER, formerly WABC, proven, current numbers at 50 clear AM drive seeking new challenge with aggressive A/C. (716) 671-3470. 15-28)

Medium market with 4 yrs. A/C experience Et production & marketing degree seeks creative atmosphere at A/C for CHR. East or South preferred. (717) 299-3227. 15-28)

Starving female seeking on -air position. Medi-

um/major markets. South or East. 8 yrs. experience. CHR E R&B. Greet voice, production, numbers. KELLY (7171 299-3227. (5-28)

SAM CORNISH, 5 yrs. AOR experience looking in

medium/large market. CA, Southwest, Northwest area.

(415) 349-3971. 15-28)

8 yr. pro, excellent production, B.A. degree. Air shift, production, operations. Management background. BRYAN ST. PETERS, 6412 Ironberk Lane, Las Vegas, NV 89107. (7021 870-2420. (5-28)

Experienced reporter/talk show host looking to move up to larger market. Now in Bakersfield. RON B.

FINEMAN (8051 834-7372. (5-28)

A/C DJ with 8 yrs. experience looking to relocate. T&R: (615) 388-3636, 9am-5pm CST or 1615) 388-7905. (5-28)

Operations Manager inquiry. Establish- ed individual seeking opportunity with growing organization. I have a proven track record, positive personality, and en- thusiasum which generates a winning atmosphere. Allow me to challenge your staff and stimulate the market! Call for presentation and materials. (804) 384-5483. (6-4)

Announcer/salesman can sell on air Et off. DJ -I'm an up. Sports -I'm exciting, intelligent with looks & personality. J. HOWARD (212) 371-2356. (5-28)

Presently PD, 8 yr. pro with #1 morning show looking for bigger bucks, bigger city. Spontaneously funny, great spots & personal appearances. KEN 1914) 457-5397. (5-281

Clip and save coupon. Attention Los Angeles and San Francisco. This coupon and phone call will get you a fantastic production person, board operator, MD etc. I

have worked at KHTZ, KIQQ, 100, and the Weedeck Radio Network. If I can be any service to you please call KEVIN (415) 864-3171. (6-4)

Positions Sought TERRY TROUYET, 10 yr. pro looking for major market position. Formerly WCBM, gone Newstalk. Good Com- municator. (3011 337-5284. (5-28)

Talented night person -evenings, ovemights-AOR, CHR, BLK. Call now. Seriously looking 1205) 875-3350 "KC". All markets call now.

Changes RADIO

Carolyn L. Barnes Er Bob Stern named Ac- count Executives for WIND/Chicago, IL.

Joy duTrieuille has been promoted to the newly created position of Personnel Administration, Katz Broadcasting Company.

Eric Graves named Account Executive for 76-KFMB/San Diego, CA.

Bernadette Costello appointed Account Ex- ecutive et WHN/Arlington, VA.

Stephen (Tim) Roll joins the Sales Department of KYW-Newsradio/Philadelphia, PA.

Bruce Wayne joins WMOU-AM/WXLQ-FM/Ber- lin-Gorham, NH 7pm-12mid, from WIZE-AM/Spring- field, OH.

David J. Kirby named KOA-KOAQ/Denver, CO Sales Staff

RECORDS Michael Goldstone appointed West Coast Manager of Artist Development for Chrysalis Records.

Debbie Banks joins Epic Record's Publicity Department in Nashville.

Teri Muench named Talent Manager, A&R, Con- temporary Music. RCA Records.

Tom Bourdon appointed VP of Sales and Promo- tion for Country International Records.

INDUSTRY Linda Mills promoted to VP of Media Research for Total Concept Representative, Inc.

Dorothy Norwood joins SESAC as a writer and publisher.

Ron Elliott joins Total Concept Representative, Inc. as VP in charge of Artist Relations.

Miscellaneous WBLZ/Cincinnati needs CHR record service. Brian Castle, MD, monday and tuesday noon -2:30. 3rd & High Streets, Hamilton, OH 45011. (6-4)

New Country FM needs service from all labels. Paul S. Lotsof, OD, KAVV, Box 42977, Tucson, AZ 85733 or 1602) 889-9797. (64)

WMJY CHR, 158 Broadway St., Long Branch, NJ 07740, needs record service, beck and present, from all labels. Send to Beau Richards, do WMJY. (201) 222-1071. (5-28)

R&R Opportunities Advertising

Radio & Records provides free listings (maximum 24 words or 3 lines) in Openings. Positions Sought, and Changes You may place your free listing by mail or phone

Rate for Opportunities ads exceeding 3 -line maximum is $12 for up to one inch (12 lines: 96 words).

Frequency Rates

1 Week 2 Weeks

$12 00 $20 00 Must run consecutive weeks.

3 Weeks $25 00

Payable In Advance

Orders must be typewritten or printed and must be accompanied by check

Blind Box ads or Classified Display ads are $20 per inch (recommended 50 words) per week, plus $15 per week for postage/handling. $35 minimum for Blind Boxes.

Deadline for all Opportunities ads is noon (PST) Thursday. For Opportunities. call (2131 553-4330 or mail to Radio & Records. 1930 Century Park West. Los Angeles. CA 90067


This Week In Music History

BY DAN FORMENTO OF THE SOURCE

"Tommy!" MONDAY, JUNE 7 - "Tommy," the Who's two -record rock opera, first entered the charts on June 7, 1969. Group guitarist/vocalist Pete Townshend composed the piece, the story of a boy who is struck deaf, dumb, and blind after witness- ing an adulterous act between his mother and un- cle, but who nevertheless develops a talent for playing pinball through the sense of smell alone. After a "mystical experience," Tommy recovers his faculties to find he's become a Messiah to an adolescent army, which soon turns against him. EXTRA FACTS: Chuck Berry arrested for income tax eva- sion, 1979... Tom Jones born in 1940.

Boz Born TUESDAY, JUNE 8 - Singer/guitarist Boz Scaggs was born William Royce Scaggs in Ohio on June 8, 1944. His life turned to music at age 15

when he met Steve Miller at school in Dallas, and joined his group, the Marksmen, as vocalist and tambourine player. Scaggs parted to tour Europe for a time, and cut his first album, "Boz," in Stockholm. He rejoined Miller in San Francisco in 1967, recorded two albums with the Steve Miller Band, then split again over "musical differences." Boz's next three solo albums attracted little attention, but the fourth, "Silk Degrees," garnered him three hit singles ... "Lowdown," "Lido Shuffle," and "What Can I Say." EXTRA FACTS: Brian Jones quits the Stones, 1969... Rick Wakeman departs Yes, 1974.

Richard Pryor Burned WEDNESDAY, JUNE 9 - Comedian/actor Richard Pryor suffered third degree burns when a concoction of alcohol and cocaine (freebasing) ig-

nited and exploded at his home in Northridge, California, on June 9,

1980. Pryor sustained extensive burns to his upper chest, arms and face, all requiring deli- cate and painful skin - grafting operations. Even though the popular comic has a history of heart and kidney disor- ders, and came close to death following this incident, both he and his unique sense of humor happi- ly+ survive. EXTRA FACTS: Born this day were Les Paul, 1923... and Jackie Wilson, 1934.

A Star Is Born THURSDAY, JUNE 10 - Superstar actress and singer Judy Garland, born Frances Gumm on June 10, 1922, in Grand Rapids, Minnesota, had an early introduction to show business. Her mother and father were both vaudeville players, and she herself was signed to MGM after a breathtaking audition at age 12. From her earliest screen appearance, "Every Sunday," a two -reel short, to classics such as "The Wizard of Oz" and "A Star Is Born," Garland's magnetic presence graced nearly 40 films over her 26 -year moviemaking career. In 1961 Judy's live Carnegie Hall recording won a gold record, the first double album ever to sell a million copies. EXTRA FACTS: The Who play four sold -out nights in New

York, 1974... Bluesman Nowlin' Wolf born, 1910.

Joey Dee's Birthday FRIDAY, JUNE 11 - Singer Joey Dee was born Joseph Dinicola in Passaic, New Jersey, on June 11, 1940, and started his famous Starliters in 1958. The group landed a residency in 1960 at New York's Peppermint Lounge, the home of the Twist. In 1962 Joey Dee and the Starliters signed a record deal with Roulette, and released a million -selling single, "Peppermint Twist," which topped U.S. Charts for three weeks. Dee was tempted out of retirement in November, 1980, to appear at the opening of the "new" Peppermint Lounge in NYC. EXTRA FACTS: Composer Richard Strauss born in 1864.

# McCARTNEY/

WONDER 14th week)

McCARTNEY/ WONDER

(7th week)

ASIA (9th week)

T.G. SHEPPARD

(2nd week)

GAP BAND

Next Week's #1 contenders:

TOTO

12-2)

HUMAN LEAGUE

13-3)

ASIA

15-4)

RONNIE MILSAP

12-2)

JUICE NEWTON

15-3)

NEIL DIAMOND

112-4)

38 SPECIAL

12-21

JOHN COUGAR

(4-3)

RAINBOW

16-5)

EDDIE RABBITT

13-2)

DON WILLIAMS

15-3)

CHANGE

15-3)

ASHFORD Et SIMPSON

16-41

JEFFREY OSBORNE

19-5)

Breakers: R'.CK SPRINGFIELD

163%)

STEVE MILLER BAND

158%1

JOURNEY

157%)

AIR SUPPLY

154%)

TOTO

148%)

KANSAS

188%1

HEART

172%)

GENESIS 145)

171%)

SURVIVOR 145)

159%1

JTEVE MILLER BAND

152%)

JOHN SCHNEIDER

170%)

OAK RIDGE BOYS

167%)

ROSANNE CASH

(64%)

LARRY GATLIN

161%1

REDDINGS

159%)

RITCHIE FAMILY

159%)

Most Added:

REO SPEEDWAGON

AIR SUPPLY

RICK SPRINGFIELD

GLENN FREY

ROLLING STONES

GARY U.S. BONDS

AIR SUPPLY

CHICAGO

REDDINGS

LESLIE PEARL

GLENN FREY

HEART

KANSAS

707

JOHN WAITE

OAK RIDGE BOYS

EARL THOMAS CONLEY

HANK WILLIAMS JR.

TOMPALL Et GLASER...

R. MILLERIW. NELSON

SYLVIA

ROSANNE CASH

ATLANTIC STARR

CHERYL LYNN

DREAMGIRLS

ODYSSEY

SOUL SONIC FORCE

1

Hottest: McCARTNEYIWONDER

TOM

HUMAN LEAGUE

ASIA

JUICE NEWTON

JOHN COUGAR

McCARTNEYIWONDER

RONNIE MILSAP

JUICE NEWTON

WILLIE NELSON

KARLA BONOFF

SHEENA EASTON

ASIA

38 SPECIAL

VAN HALEN

JOHN COUGAR

TOTO

PAUL McCARTNEY

C. TWITTY "Slow"

T.G. SHEPPARD

RONNIE MILSAP

DON WILLIAMS

CHARLEY PRIDE

GAP BAND

DAll BAND

TEMPTATIONSIJAMES

Biggest Chart JumpS:

SOFT CELL

RONNIE MILSAP

124-16)

KANSAS

123-18)

NEIL DIAMOND)

DENIECE WILLIAMS

118-13)

KARLA BONOFF

(11-7)

HEAR4) T

707

125-201

JOHN 15CHNEIDER

1)

M. HAGGARD "Good"

130-22)

JANIE FRICKE

126-19)

JOHNNY LEE

127-201

LACY J. DALTON

128-21)

JUNIOR

11

STEVIE WONDER

121-151

LARRY GRAHAM

123-171

r

Debuts: KARLA BONOFF

127)

ALABAMA

128)

RICK SPRINGFIELD

129)

STEVE MILLER BAND

130)

CHR

TOTO

122)

AIR SUPPLY

(24)

A/C

GENESIS (45)

123)

SURVIVOR 145)

1241

STEVE MILLER BAND

127)

AXE

137)

AOR

! OAK RIDGE BOYS

142)

ROSANNE CASH

143)

LARRY GATLIN

(44)

MARTY ROBBINS

148)

MEL TILLIS

1491

SYLVIA

150)

Country

REDDINGS

125)

RITCHIE FAMILY

126)

HIGH FASHION

127)

WAR

129)

QUEEN

130)

Black Radio


Page 44 R&RIFriday, June 4,1982

National Music Formats Added This Week SatelliteMusic

Network - George Williams (214) 343-9205

THE STARSTATION AIR SUPPLY "Even The Nights Are Better" (Arista) CHICAGO "Hard To Say I'm Sorry" (Full Moon/WB) REDDINGS "(Sittin' On) The Dock Of The Bay" (Believe In A Dream/CBS)

Country CoastTo-Coast RICKY SKAGGS "I Don't Care" (Epic) DOLLY PARTON "Heartbreak Express" (RCA) HANK WILLIAMS JR. "Honky Tonkin " (Elektra/Curb) OAK RIDGE BOYS "So Fine" (MCA)

Programming Cal Casey (214) 634-8511

RICK SPRINGFIELD "What Kind Of Fool Am I" (RCA) GLENN FREY "I Found Somebody" (Asylum) VAN HALEN "Dancing In The Street" (WB) SURVIVOR "Eye Of The Tiger" (Scotti Bros./CBS)

DENIECE WILLIAMS "It's Gonna Take A Miracle" (ARC/Columbia)

MOE BANDY "She's Not Really Cheatin " (Columbia) REBA McENTIRE "I'm Not That Lonely Yet" (Mercury/PolyGram) EARL THOMAS CONLEY "Heavenly Bodies" (RCA) EDDY RAVEN "She's Playing Hard To Forget" (Elektra) MARTY ROBBINS "Some Memories Just Won't Die" (Columbia)

century2l PR(N.RAMMI \(.. I %(

Bob Stevens (214) 934-2121

The Format. AIR SUPPLY "Even The Nights Are Better" (Arista) RICK SPRINGFIELD "What Kind Of Fool Am I" (RCA)

STEVIE WONDER "Do I Do" (Tamla/Motown)

-i1444 Aniat AIR SUPPLY "Even The Nights Are Better" (Arista) STEVIE WONDER "Do I Do" (Tamla/Motown) LESLIE PEARL "If The Love Fits Wear It" (RCA) , : e

JACK GRAYSON 'Tonight I'm Feein' You (AI Over Again)" (Joe -Wes) SYLVIA "Nobody" (RCA) ROGER MILLER, WILLIE NELSON, & RAY PRICE "Old Friends" (Columbia) EDDY RAVEN "She's Playing Hard To Forget' (Elektra) TOMPALL & GLASER BROS. "I Still Love You..." (Elektra)

11%' MUSIC TELEVISION I M

Buzz Brindle (212) 944-5399

HEART "City's Burnin' " (Epic) HEART "This Man Is Mine" (Epic) AMBROSIA "How Can You Love Me" (WB) KIM WILDE "Chequered Love" (EMI America)

BPI John Iles (800) 426-9082

TOTO "Rosanna" (Columbia) BILL LABOUNTY "Never Gonna Look Bade" (WB) CHICAGO "Hard To Say I'm Sorry" (Full Moon/WB)

totem bigwig ROSANNE CASH "Ain't No Money" (Columbia) SYLVIA "Nobody" (RCA) OAK RIDGE BOYS "So Fine" (MCA) HANK WILLIAMS JR. "Honky Tonkin' " (Elektra/Curb) LARRY GATLIN "She Used To Sing On Sunday" (Columbia) ROGER MILLER, WILLIE NELSON, & RAY PRICE "Old Friends" (Columbia)

BUFFALO Is

GONE. Buffalo's gone Superadio. WNYS-AM & FM has

just signed with us. (Formerly WACJ-FM and WWOL-AM.)

So if you were thinking about being the Superadio station in Buffalo, don't give it any further thought.

But there are other major markets still available, so call David Pollei at (212) 708-8172. Before it's too late.

r 1942 Alit. Radio Enterprises. Inc.

ER ENTEAPFISES

,A

WILLIAM B. Tonner «4Tannen Musicol

COMPANY, INC. trum Kenny Bosak (901) 320-4433

Bright Blue MAXUS "Keep A Light On" (WB) DR. HOOK "Loveline" (Casablanca/PolyGram) HUEY LEWIS & THE NEWS "Hope You Love Me..." (Chrysalis) JOHN SCHNEIDER "Dreamin' " (Scotti Bros./CBS) CHICAGO "Hard To Say I'm Sorry" (Full Moon/WB) LESLIE PEARL "If The Love Fits Wear It" (RCA) JOURNEY "Still They Ride" (Columbia) EARL KLUGH "I'm Ready For Your Love" (Liberty) JON & VANGELIS

Find My Way Home" (Polydor/PolyGram) STEVIE WONDER "Do 1 Do" (Tamla/Motown) AIR SUPPLY "Even The Nights Are Better" (Arista)

Winer Country RICKY SKAGGS "I Don't Care" (Epic) HANK WILLIAMS JR. "Honky Tonkin' " (Elektra/Curb) LARRY GATLIN "She Used To Sing On Sunday" (Columbia) MEL TILLIS "The One That Got Away" (Elektra) ROSANNE CASH "Ain't No Money" (Columbia) OAK RIDGE BOYS "So Fine" (MCA) JACK GRAYSON "Tonight I'm Feeling You (All Over Again) (Joe -Wes) SYLVIA "Nobody" (RCA) BOBBY BARE "If You Ain't Got Nothin'..." (Columbia) REBA McENTIRE "I'm Not That Lonely Yet" (Mercury/PolyGram) CRISTY LANE "Fragile - Handle With Care" (Liberty)

Concept Lee Nye (916) 782-7754

Adult Rock STEVE MILLER BAND "Abracadabra" (Capitol) RICK SPRINGFIELD "What Kind Of Fool Am I" (RCA) BLONDIE "Island Of Lost Souls" (Chrysalis) GLENN FREY "I Found Somebody" (Asylum) HALL & OATES "Your Imagination" (RCA) SURVIVOR "Eye Of The Tiger" (Scotti Bros./CBS) REDDINGS "(Sittin' On) The Dock Of The Bay" (Believe In A Dream/CBS)

Chick Watkins (303) 578-0700

HEART "This Man Is Mine" (Epic) ALABAMA "Take Me Down" (RCA)

SUBSCRIPTION SERVICE

More news stories break first in R&R

Price includes two annual Ratings Reports and

all Special Issues

ONE YEAR - 8195 Fast Class Mall

SO

Small Market retes available Overseas Subscribers SlOOoe. year IU S hinds I,Ie.(s,P

1930 Century Park West. L A CA 90087 I


R&RlFriday, June 4,19tt2

Í. ;, ., Page 45

/,efe. NA1ONA!AIRPLAW 40 614 521 609 64

1 1 1 1

6 12 2 2 7 4 4 3 2 2 3 4 5 5 6 5 4 3 5 6 15 10 9 7 9 8 8 8 - 21 11 9 8 7 10 10 - - 7 11 3 6 12 12 11 13 15 13 13 11 13 14 - 27 18 15 10 14 14 16 14 16 17 17 - 30 19 18 - - 35 19 - - 25 20 12 15 16 21 29 25 23 22 - 23 - 24 - 944444...

30 31 24 25 19 17 22 26 - 27 - 22 19 21 28 25 22 26 29 20 18 20 30 - - 34 31 16 20 27 32 - 40 36 33 36 33 32 34 - - 38 35 24 24 28 36 - 37 - 21 23 31 38 27 29 30 39 32 34 29 40

June 4, 1982 170 REPORTERS

ASIA Asia (Geffen) 38 SPECIAL Special Forces (A&M) JOHN COUGAR American Fool (Riva/PolyGram) VAN HALEN Diver Down (WB) RAINBOW Straight Between The Eyes (Mercury/PG) SCORPIONS BCackout (Mercury/PolyGram) MOTELS All Four One (Capitol) PAUL McCARTNEY Tug Of War (Columbia) QUEEN Hot Space (Elektra) TOTO IV (Columbia) KANSAS Vinyl Confessions (Kirshner/CBS) ALDO NOVA Ardo Nova (Portrait/CBS) HUMAN LEAGUE Dare (Virgin/A&M) JETHRO TULL Broadsword & Beast (Chrysalis) CHEAP TRICK One On One (Epic) GREG KIHN BAND Kihntinued (Beserkley/E-A) LOVERBOY Get Lucky (Columbia) FRANKIE MILLER Standing On The Edge (Capitol) HEART Private Audition (Epic) 707 Mega Force (Boardwalk) JOAN JETT Et THE BLACKHEARTS I Love Rock -N -Roll (Boardwalk) ELTON JOHN Jump Up (Geffen) GENESIS Paperlate (Atlantic) SURVIVOR Eyes Of The Tiger (Scotti Bros./CBS) .

SHERBS Defying Gravity (Atco) FRANKE Et THE KNOCKOUTS Below The Belt (Millennium/RCA) STEVE MILLER BAND Abracadabra (Capitol) POINT BLANK On A Roll (MCA) KROKUS One Vice At A Time (Arista) BLUE OYSTER CULT Extraterrestrial Live (Columbia) MONROES The Monroes (Alfa) RICK SPRINGFIELD Success Hasn't Spoiled Me Yet (RCA) AMBROSIA Road Island (WB) DAVE EDMUNDS D E. 7th (Columbia) A FLOCK OF SEAGULLS A Flock Of Seagulls (Jive/Arista) HUEY LEWIS Et THE NEWS Picture This (Chrysalis) AXE Offering (Atco) SAMMY HAGAR Standing Hampton (Geffen) OUTLAWS Los Hombres Malo (Arista) CAT PEOPLE G Moroder/D. Bowie (Backstreet/MCA)

rAlbum cuts are listed in order 1

of airplay preference.

"Heat" "Only' 'Time" "Sole" "Caught" "Chain" "Back" "Hurts" "Jack" "Thundering" "Dancing" "Woman" "Good" "Guitars" "Stone" "Power" "Death" "No One" Title "Dynamite" "Lonely" "Mission" "L" "L.A." "Ballroom" 'Take" "Pound" "Here" "Fire" "Body" "Girls" "Power" "Rosanna" "Afraid" "Africa" "Waiting" "Game" "Right" "Face" "Crossfire" "Fantasy" "Ball" "Foolin' " "Gun" "Don't" "Action" "Open" "Fallen" "Beastie" 'Watching" "Want" "If" 'Tight" Title 'Testify" "Happy" "Every" "Seeing" "Over" 'Top" 'Working" "Danger" "Dream" "Stop" "Coming" "Citys" "Man" "Bright" "Perfect" Title "Can't" "Hell" "Crimson" Title "Garden" "Ball" "John" "Legal" 12 -inch single 12 -inch single "Alive" "Ride" "Steppin' " "Neve(' "Fighting" 'Without." "Morning" 12 -inch single Title "Let" "Don't" "Great" "Long" "Woman" "Roadhouse" "Reaper" "Joan" "Bumin' " "People" "Pay" "Don't" "Calling" "Kristina" "Hove" "Satisfied" "Kid" "Small" "Guys" "I Ran" "Space" "Do" 'Workin' " "Hope" "Is" "Party" "Steel" "Jennifer" "Piece Of My Heart" "One Way" "Stop" "Rebel" "Running" -

Title

New Entry

MOST ADDED) 611 628 521 614

1 HEART 121/11 1612 00 00 00 Private Audition (Epic) M-11 M-4 "City's Burning" H-5 H-0

2 KANSAS 14:910029/15 00 00 00 Vinyl... )Kirshner/CBS) M-16 M-12 "Flay The Gerne Tonight" H-33 M-2

3 707 0368 2/1 00 00 AO Mega Force (Boardwalk) M-24 M-1

Tite Ho H-0

4 JOHN WAITE 36Cä 32 0,0 00 00 Ignition )Chrysalis) 6-6-0 M -I "Change" H-1 1-1-0

5 AXE 8618 6696 1/1 00 00 Offering (Atco) M-39 M-1 M-0 "R&R Party" HO H-0 H-0

6 JON ANDERSON 2322 1/1 1/0 10 20 Animation (Atlantic) M-1 M-0 M-0 M-1 M-2 "All In Good Time" Ho H-0 H-1 H-0 H-0

7 CLASH 3120 1010 40 00 00 Combat Rock (Epic) M8 M-0 "Should I Stay" H-3 H-0

8 FRANK ZAPPA 3917 14/12 00 00 00 Ship... (Barking Pumpkin) M -s M-0 "Valley Girl" H-8 H-2

9 SOFT CELL I0114 322 33/1 361 372

Tb Non -Stop... (Sire/WB) "Tainted Love"

M-20 H6

M-21

H-9

M-21

H-11

M-20 H-15

M-21 H-114

9 MARSHALL TUCKER... 27/14 - 00 00 00 Tuckerized (WB) M-12 Me "Mr. President" H-1 H-0

11 A FLOCK OF SEAGULLS 51/13 53/14 39/7 3613 3424 A Flock Of... )Jive/Arista) M-37 M-35 M30 M-22 M6 "I Ran" H-9 H4 H-2 H-3 H-2

12 BOW WOW WOW 45/11 34/13 214 17,9 11/4

TieThe Last Of The... (RCA) M-30 M-17 M-10 M-9 M-4 "I Want Candy" H-4 H-4 H-5 H-2 H-3

12 COLD CHISEL 11/11 1/1 1,0 1R7 10 Circus Animals (Elektra) M-0 M-0 M-1 M-1 M-1 "Forever Now" H-0 H-0 H-0 H-0 H-0

14 RIOT 1010 10 247 30 IA Restless Breed (Elektra) M-0 M-1 M-2 M-2 M-3 Title H-0 H-0 H-0 H-0 H1

The Added reports of charting artists are displayed over a five -week penod. They are listed in order of total reports within the specific rotation for the week. Two numbers follow each album title. The first represents total number of our reporting stations playing the album this week. The sec-

ond is the number of those stations that added it this week. Below these numbers are breakdowns of the album's reports in other rotations for the week. The album's preferred airplay cul is listed

MEDIUM 1 FRANKIE MILLER

Standing On... (Capitol) "Danger, Danger"

2 SHERBS Defying Gravity (Atco) "I'm Alive"

3 JETHRO TULL Broadsword... (Chrysalis) "Fallen On Hard Times"

4 QUEEN Tue Hot Space (Elektrai

"Put Out The Fire"

64 98179 A-8 H 11

81/75 A 2

H-7

10495 A-0

H-39

13681 A8 H-67

528 10798 A-27 H-7

8972 A8 416

12074 A-4

H-42

13667 A 13

H-50

621 8126 A-43 H-2 T1í55 A-13 H4 12074 A-2

H-44

1296 A-122 H-0

5/14 800 A-58 H-1

741/4 A-26 H4 123/71 A6 H46 11) A-1

H-0

5/7 20 A-2 H-0

50/17 A-33 H-0 11698 A-9 H-41

00

4 CHEAP TRICK f01/53 101/59 10016 120 00 One On One (Epic) A-5 A-18 A-92 A 12 "I Want You" H-33 H-24 1+3 H-0

6 GREG KIHN BAND 9697 114/66 1/6/70 13079 12359 Kihntinued (Beserkley/E-A) A-1 A 1 A 2 A-3 A-4 "Testify" H 3 H-47 H-44 H48 H-37

7 MOTELS 14966 14004 131/71 12973 10795 All Four One (Capitol) A-9 A-3 A 1O A-11 A-16 "Only The Lonely" H-86 H-63 H-49 H-36 H-26

8 RAINBOW 144/51 144/57 142162 147,96 13887 Straight... (Mercury/PG) A-0 A-0 A-0 A-3 A-7 "Stone Cold' H-93 H-87 H-80 H-78 H-64

9 POINT BLANK 6990 8481 90/71 97/74 97/78 On A Roll (MCA) A 2 A-2 - A-0 A-3 A8 Title H-17 H-21 H-19 H-20 H-13

10 KROKUS 62/49 7253 75156 7698 8386 Tie One Vice At A Time (Arista) A-2 A-1 A 2 A-6 A-3

"Long Stick Go Boom" H-11 H-18 H-17 H-14 H-14 10 MONROES 67/49 608 4321 349 1512

The Monroes (Alfa) A-9 A 20 A-21 A-24 A-13 "People Know" H-9 H-2 H 1 H-1 H-0

12 DAVE EDMUNDS 62.488 62N6 61142 5642 67439 D.E. 7th (Columbia) A-4 A-5 A-7 A3 A-10 "From Small" H.11 H-11 H-12 H-11 H8

13 ELTON JOHN 82/46 60/42 77/31 71137 6824 Jump Up (Geffen) A-3 A-6 A-11 A-9 A-27 "Empty Garden" H-33 H-32 H-36 H-25 H-15

14 AMBROSIA 63146 8199 5124 434 40 Road Island (WB) A-7 A 16 A-22 A-40 A-4 "How Can I Love You" H-11 H-6 H-5 H-1 H-0

15 SCORPIONS 131/44 14041 13535 14000 137146 Blackout (Mercury/PG) A-0 A-1 A 2 A-2 A-1

"No One Like You" H-90 H-96 H-98 H-98 H-90

The Medium reports of charting artists are displayed i ver a tive-week penod. They are listed in order of total reports within the specific rotation for the week. Two number follow each album title The first represents total number of our reporting stations playing the album this week. The second is the number of those stations that reported it in medium rotation this week. Below these numbers are breakdowns of the album's reports in other rotations for the week. The album's preferred airplay cut is listed

THE HOTTEST 1 ASIA

Asia (Geffen) "Heat Of The Moment"

2 38 SPECIAL SNna,ial Forces (A&M) "Caught Up In You"

3 VAN HALEN Diver Down (WB) "Dancing In The Street"

4 JOHN COUGAR American Fool (Rive/PG) "Hurts So Good"

5 TOTO IV (Columbia) "Rosanna"

6 PAUL McCARTNEY Tug Of War (Columbia) "Ballroom Dancing"

7 RAINBOW Straight... (Mercury/PG) "Stone Cold"

8 SCORPIONS Blackout (Mercury/PG) "No One Like You"

9 MOTELS All Four One (Capitol) "Only The Lonely"

10 QUEEN Hot Space (Elektra) "Put Out The Fire"

11 HUMAN LEAGUE Dare (Virgin/A&M) "Don't You Want Me"

12 ALDO NOVA Aldo Nova (Portrait/CBS) "Fantasy"

13 LOVERBOY Get Lucky (Columbia) "When It's Over"

14 JOAN JETT... I Love Rock... (Boardwalk) "Crimson & Clover"

15 JETHRO TULL Broadsword... (Chrysalis) "Fallen On Hard Times"

64 ...: .1 167/164 162/153 162/155 A-0 -0 A-1

M-8 -9 M-6 151/133 1561/1 14405 A-1 -9 A-99 M 20 -35 M-20 146/127143/11 144/113 A-0 -0 A-3

M-19 -26

157/119 151/101 A-2 4 M-36 M-43 1223/702 122/97 A-2 -1

M-19 M-24 141/100 14196 A1 A-3 M-40 M-52 14493 14497 A-0 -0

M-51 M67 13490 140198 A-0 A-1

M-44 M-41 141149 14993 A-9 A-3 M-66 M-74 13687 13940 A6 A-13 M83 M87 97,91 9883 A-4 A-4 M-32 M-31

100160 111/75 A-0 A-1

M-40 M-35 J810 86ßa A-0 A-0 M-30 M32 0143 9247 A-0 A-0 M-30 M-36 10499 12042 A-0 A-4 M66 M-74

4 166/159 164/158 -0 A-0

M-7 M6 0/0 Rl

A-11

M-9 147/118 145/103 A-3 A-8

M-28 M-26

14891 139/71 A 7 A-14 M-50 M-54

135/101 1409.9 A 2 A-5 M32 14292 A-10 M-51

14290 A-0 M62 136/98 A-2

M-36 13149 A-10 M-72 12$0 A-122 446 10247 A-2

M-33 129183 A-0

M36 86151 A-1

M-31

98/71 A-0 M-27

120144 A-2

M-74

M-46 13384 A-25 M-44 147/78 A-3 M86 14098 A-2

M-40 121036 A-11

M-73 1,0 A1 M-0

114/6B A-7 M-41

143/11 A-1

M-34 102/71 A-0

M-31

108?I A-1

M-35 12i116 A8 M-71

M34 12443 A-36 M45 131/70 A-5

M-56 114/10 A96 M-8 13694 A-7

M-67 13790 A-1

M-46 10726 A-16 M65 00

11256 A 16

M-41

139/111 A-0

M-28 111/78 A-0

M33 11679 A-0

M-39 11841 A-9 M68

The Hottest reports of charting artists are displayed over a Ive -work period They are listed in order of total reports wi hm the specific rotation for the week Two numbers follow each album ti le The first represents total number of our reporting stations playing the album this week The second is the number of those stations that reported it n hot rotation this week Below these numbers are breakdowns of the albums' reports in other rotations for the week Th, albums preferred airplay rut is listed


Page 46 RBRiFriday, June 4, 1982

BREAKERS Breakers are those newer records that have the greatest level of station activity on any given week.

KANSAS Vinyl Confessions (Kirshner/CBS)

"Game" "Right" "Face" "Crossfire." 88% of our reporters on it. Total album reports: 149. A-100, M-16, H-33. Album charted this week et number 11.

HEART Private Audition (Epic)

"City's" "Man" "Bright" "Perfect." 72% of our reporters on it. Total album reports: 123. A-107, M-11, H-5. Album charted this wbek at number 19.

SURVIVOR "Eye Of The Tiger" (Scotti Bros.ICBS)

12 -inch single 59% of our reporters on it. Total singles reports: 101. A-71, M-21, H-8, S-1. Single debuted this week at number 24.

STEVE MILLER ¡BSA. BAND

"Abracadabra" (Capitol) 12 -inch single

52% of our reporters on it. Total singles reports: 88. A-27, M-37, H-22, S-2. Single debuted this week at number 27.

GENESIS "Paperlate" (Atlantic) 12 -inch single 71% of our reporters on it. Total singles reports. 120, A-115, M-3, H-2. Single debuted this week at number 23.

Significant Action BOW WOW WOW - The Last Of The Mohicans (RCA) "I Want Candy" Total: 45. A-11, M-30, H-4 STEVIE WONDER Original... (Tamla/Motown) "Line" "Ribbon" Total: 42. A-5, M-26, H-11

GLENN FREY 12 -inch single (Elektra) "I Found Somebody" .. Total: 42. A-41, M-0, H-0, S-1

SOFT CELL Non -Stop Erotic Cabaret (Sire/WB) 'Tainted Love Total: 40. A-14, M-20, H-6 CHARLIE DANIELS BAND Windows (Epic) "Still" "Gal" Total: 38. A-0, M-30, H-8 MARSHALL CRENSHAW . Marshall Crenshaw (WB) "Someday" "Girl" Total: 38. A-9, M-22, H-7

GRAHAM PARKER Another Grey Area (Arista) "Hit" Total: 36. A-0, M-25, H-11

IRON MAIDEN .. The Number Of The Beast.(Capitol) "Run" "Beast" Total: 36. A-0, M-30, H-6

JOHN WAITE Ignition (Chrysalis) "Change" "Temptation" ... Total: 36. A-35, M-0, H-1

CHAS SANDFORD Parallax View (Elektra) "Surrender" Total: 33. A-4, M-29, H-0

Significant Action listings showcase product in all musical con- figurations that has received significant airplay but which has not garnered sufficient reports to chart on the National Airplay/40 listing. These records are listed in order of airplay. They may be either still on

the nse, or former National Alrp)ay340 chart acts.

REGIONAL awe ACTIVITy

JAZZ ON /x_12 1 1 PAT METHENY GROUP . 0 m (ECM/WB)

"Eighteen" "Going" "James" 2 2 JEFF LORBER It's A Fact (Arista)

"Always There" gle>3 NIGHTWINDS.A Casual Romance (Pause)

Various Cuts 4 4 JEAN-LUC PONTY. Mystical Adventures (Atl.)

"Rhythms" 'Truth" 6 5 LEE RITENOUR Rio (Musican/Elektra)

"Rio"San Juan" "Rainbow" "Happens" 5 6 AL DI MEOLA . Electric Rendezvous (Columbia)

"Cruisin " "Passion" Title "Cat" 3 7 DAN SIEGEL Dan Siegel (Elektra)

"Great" "Enchanted" "Soaring" 8 8 B.B. KING Love Me Tender (MCA)

"Those" 7 9 WEATHER REPORT Weather Report (ARC/Col.)

"Dara" 9 10 LARRY CARLTON Sleepwalk (WB)

"Last" "Bird" "Song" These albums, displayed over a two-week period, received significant reports but did not chart this week on the National Airplayi40 listing. This chart represents activity based on a combination of add, medium and hot reports, as well as special jazz programming. The album's preferred airplay cuts are listed: singles are in bold type. Artists in larger type registered significant airplay gains this week.

OJEE. 5P s Aull R. SFFINiIFLD IEGI

FM f : WRI

ROa(015 OP. RAY AMASS A. .1.1ste, S IMI

. GIGS IRIS

ONO IEMr ice -LIFER MILLER 6A10 1(p1.a71 i

1111EMM MOST ADDED

Heart Kansas 707 Axe Clash Jon Anderson

(29123) (36/21) (18/16)

(17/7) (14/7)

(8/7)

MEDIUM

Frenkie Miller (23/20) Queen (38/19), Jethro Tull (28/191 Sherbs (21/19) Dave Edmunds (20/17)

THE HOTTEST

Asia Van Halen 38 Special Rainbow Scorpions

(40/40) (37/32) (38/30) (37/29) (37/28)

NOTE: Two numbers follow each name. The first totals all reports in all rotations in the given region. The second displays the number of reports in that region for the noted rota-

WPYXIAIOenY (618) 7004100

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Page 50 R&R/Frkiay, June 4, 1982

adio&Records e

BREAKERS, "Breakers" are those newer records that have the greatest level of station activity on any given week.

JOHN SCHNEIDER Dreamin' (Scotti Bros./CBS)

On 70% of reporting stations. National Summary: Up 40, Same 29, Down 0, Debuts 11, Adds 14. R&R Chart: 50-41.

OAK RIDGE BOYS So Fine (MCA)

On 67% of reporting stations. National Summary: Up 17, Same 22, Down 0, Debuts 15, Adds 37. A Most Added Record. R&R Chart: Debut 42.

ROSANNE CASH Ain't No Money (Columbia)

On 64% of reporting stations. National Summary: Up 22, Same 31, Down 0, Debuts 9, Adds 25. A Most Added Record. R&R Chart: Debut 43.

LARRY GATUN She Used To Sing On Sunday (Columbia)

On 61% of reporting stations. National Summary: Up 22, Same 26, Down 0, Debuts 17, Adds 17. REtR Chart: Debut 44.

MOST ADDED OAK RIDGE BOYS (37)

So Fine (MCA) EARL THOMAS CONLEY (34)

Heavenly Bodies (RCA) HANK WILLIAMS JR. (32) Honky Tonkin' (Elektra/Curb)

TOMPALL & GLASER BROTHERS (30) I Still Love You (After AIL.) (Elektra)

R. MILLER Et W. NELSON (28) Old Friends (Columbia)

SYLVIA (26) Nobody (RCA)

ROSANNE CASH (25) Ain't No Money (Columbia)

HOTTEST

CONWAY TWITTY (60) Slow Hand (Elektra)

T.G. SHEPPARD (47) Finally (WB/Curb)

RONNIE MILSAP (42) Any Day Now (RCA) DON WILLIAMS (37)

Listen To The Radio (MCA) CHARLEY PRIDE (36)

I Don't Think She's In Love (RCA)

NEW & ACTIVE Recent releases are listed In order of their actMty. The two numbers following the artist, tltle:label deflgrution cumple. 100 251 kxlicate how many Of our reporters are on the read this week 11001 and of those 100 hoes many added It this week

1251. -novel" are broken down for each record and Indicate how many stations move* the song Up on tilr charts, held K the fame Ion to On add to on. 31-31. etc. I. moved It down on their carts, or Added R this week. ID Indicated one of this weeks most added new songs

MARTY ROBBINS "Some Memories Just Won't Die" (Columbia) 80/10 National Summary: Up 40, Same 19, Down 0, Debuts 11, Adds 10, WSEN-AM-FM, WSAI-AM-FM, WUBE-FM, WFMS- FM, WDAF, WITL-FM, WDGY, KKAL, KIDN, KEEN, WIRK -FM 34-25, WXCL 40-27, WHBF 43-33, KEED 37-27, KRWO- FM 25-16. R&R Chart Debut 48.

MEL TILL'S "The One That Got Away" (Elektra) 75/14 National Summary: Up 22, Same 25, Down 0, Debuts 14, Adds 14, WOK°, WKYG, KWKH, WOYK-FM, WQHK, WITL- FM, KECK, WTSO, KCJB, WHBF, KLZ, KYGO-FM, KEED, KSOP-FM. R&R Chart: Debut 49.

FMSYLVIA "Nobody" (RCA) 73/26 National Summary: Up 9, Same 26, Down 0, Debuts 12, Adds 26 including WOKO, WNYR, KIXZ, WESC-AM-FM,

WOKK, WSM, KRMD-AM-FM, WCXI, WTSO, WBCS, WXCL, WTHI-FM, KVEG, KRAK, KBBQ. R&R Chart: Debut 50. BILLY PARKER "The Last Country Song" (Soundwaves) 70/14 National Summary: Up 29, Same 18, Down 0, Debuts 9, Adds 14, WIXL-FM, WOIK-FM, WAMZ-FM, WCII, WWOD, WKQO-AM-FM, WFMS-FM, KECK, WTSO, KFH, KRWQ-FM, KVEG, KIDN, KEEN, WVAM 33-24, KRMD-AM-FM 36-29. REBA McENTIRE "I'm Not That Lonely Yet" (Mercury/PolyGram) 63/15 National Summary: Up 10, Same 26, Down 0, Debuts 12, Adds 15, WCAW, WRKZ-FM, WKYG, WCOS-AM-FM, WMC-AM, WNOE-AM, WQYK-FM, WHBF, KFH, KKAL, KVEG, KLAC, KNIX-FM, KIGO, KBBO. DAVID FRIZZELL "I'm Gonna Hire A Wino To Decorate..." (WB/Vive) 61/13 Rotations:Up 17, Same 25, Down 0, Debuts 6, Adds 13, WNYR, KIX106, KHEY, WQIK-FM, WNOE-AM, WHOO, KWKH, WOYK-FM, WFMS-FM, WXCL, KNIX-FM, KCKC, KBBO, WIXL-FM 36-29, WAXX 40-30, KITS -AM -FM 43-35, KGA 35-25.

BOBBY BARE "If You Ain't Got Nothin'..." (Columbia) 58/10 National Summary Up 17, Same 20, Down 0, Debuts 11, Adds 10, KOKE-AM-FM, WCOS-AM-FM, KHEY, WKSJ-FM, KWKH, WQYK-FM, WMNI, WXCL, KBMY, KSOP-FM, WIXL-FM 31-25, KKYX 37-30, WIRK -FM 37-32, KNIX-FM 35-27, KRAK 49-42.

OMROGER MILLER Et WILLIE NELSON "Old Friends" (Columbia) 56/28 National Summary: Up 5, Same 14, Down 0, Debuts 9, Adds 28 including WPOC-FM, WOKQ, KLRA, WCII,

WLWI-FM, WNOE-AM, WCXI, WFMS-FM, KEBC-FM, WIL-AM-FM, KFH, KEED, KNIX-FM, KRSY, KEEN. JACK GRAYSON 'Tonight I'm Feeling You (All Over Again)" (Joe -Wes) 53/8 National Summery: Up 10, Same 25, Down 0, Debuts 10, Adds 8, WADR, KIX106, WWVA, WSM, WIRK -FM, WAXX, WDGY, KBBO, WGNA-FM 41-38, WCAW 49-38, KOKE-AM-FM 38-34, KXYL 43-39, KHEY 50-42, KITS -AM -FM 42-34, KTOM 45-43. ROY CLARK "Paradise Knife Er Gun Club" (Churchill) 48/8 National Summary Up 19, Same 14, Down 0, Debuts 7, Adds 8, WILQ, WYII, WQIK-FM, KRMD-AM-FM, WMNI, WITL-FM, KCJB, WHBF, WVAM 37-29, KOKE-AM-FM 35-31, KHEY 44-39, KKYX 40-34, KFDI-AM-FM 38-32, KRAK 42-37, KTOM 44-39.

JERRY LEE LEWIS "I'm So Lonesone I Could Cry" (Mercury/PolyGram) 48/2 National Summary: Up 28, Same 16, Down 0, Debuts 2, Adds 2, WPOR-AM-FM, WOAM, KIXZ 32-28, WESC-AM-FM 40-36, KIKK-FM 37-28, WMC-AM 24-18, WNOE-AM 35-31, KBMR 4440, WSAI-AM-FM 21-17, KSO 39-35, KFH 36-31, KUUY 2620, KEED 30-24, KRAK 35-29, KEEN 34-29.

QTOMPALL Et GLASER BROTHERS "I Still Love You (After All...)" (Elektra) 44/30 National Summary: Up 0, Same 12, Down 0, Debuts 2, Adds 30 including WIXL-FM, WSEN-AM-FM, KHEY,

WESC-AM-FM, WAMZ-FM, KRMD-AM-FM, KFGO, WKMF, KEBC-FM, Kr I SAM -FM, KEED, KMAK, KRSY, KRAK, KSOP-FM.

RAY STEVENS "Where The Sun Don't Shine" (RCA) 44/2 National Summary: Up 22, Same 17, Down 1, Debuts 2, Adds 2, WIXY, WXBQ-FM, WCAW 32-23, WIXL-FM 29-19, WLWI-FM 27-22, WNOE-AM 3429 I(14YX49-43, WIRK -FM 36-30, WXCL 4635, KFH 34-29, KKAL 38-33, KUZZ 40-34, KEED 5045, KRWQ-FM 24-17, KWJJ 3627.

EARL THOMAS CONLEY "Heaven y Bodies" (RCA) 40/34 National Summary: Up 0, Same 4, Down 0, Debuts 2, Adds 34 including WGNA-FM, WCAW, WSEN-AM-

FM, WFNC, WESC-AM-FM, KLRA, WLWI-FM, WNOE-AM. WKKQ-AM-FM, KEBC-FM, KITS -AM -FM, KKAL, KLZ, KUGR, KMFS-AM-FM. ALBERT COLEMAN Et ATLANTA POPS "Hooked On Country" (Epic) 40/15 National Summary: Up 11, Same 10, Down 0, Debuts 4, Adds 15, WCAW, WYII, KRRV, WDAK, WQIK-FM, WOYK-FM, WCMS-FM. WSAI-AM-FM, WFMS-FM, WIRE, WIL-AM-FM, KVOO, KBMY, KUUY, KMAK.

SIGNIFICANT ACTION KENDALLS "Cheater's Prayer" (Mercury/PolyGram) 39/11 National Summary: Up 3, Seme 18, Down 0, Debuts 7, Adds 11, WOKQ, WPOR-AM-FM, WSOC-FM, KHEY, KIKK-FM, KWKH, WSAI-AM-FM, WKMF, WHBF, KRAK, KSON-AM-FM SONNY JAMES "A Place In The Sun" (Dimension) 39/6 National Summary: Up 24, Same 7, Down O. Debuts 3, Adds 5, WFNC, WWOD, WKSJ-FM, WSAI-AM-FM, KFH, WVAM 42-36, KHEY 37-30, KKYX 33-27, KRMD-AM-FM 24-18. KVOO 40-35, KFDI-AM-FM 3934, KEED 42-38.

NAr1ONAI!AIRPLAW5 O Theo Two two Weeke Weeb Week

5 2 1

10 7 3 13 9 5 8 5 4 18 15 10 16 13 8 3 3 2 25 19 13 11 10 9 15 14 12 27 21 14 23 20 17 20 18 15 19 17 16 31 23 21 6 6 7 1 1 6 12 11 11

39 30 26 38 29 27 40 32 28 43 38 30 34 27 25 33 25 22 30 24 23 37 31 29 2 8 18 42 34 31 - 42 34 45 40 33 4 4 20 - - 37 - 49 38 - 47 40 - 46 39 - 45 41 - - 42 - 48 43 17 16 19 7 12 24 - - 50 - - 9 - 22 32 22 28 36 14 26 35

- - - «Ism>

June 4, 1982 O T.G. SHEPPARD/Finally (WB/Curb) O EDDIE RABBITT/I Don't Know Where To Start (Elektra) © DON WILLIAMS/Listen To The Radio (MCA) 4 BELLAMY BROTHERS/For All The Wrong... (Elektra/Curb) O CONWAY TWITTY/Slow Hand (Elektra) O CHARLEY PRIDE/I Don't Think She's In Love (RCA) 7 MICKEY GILLEY/Tears Of The Lonely (Epic) O RONNIE MILSAP/Any Day Now (RCA) 9 TAMMY WYNETTE/Another Chance (Epic)

O LEE GREENWOOD/Ring On Her Finger... (MCA)

O BARBARA MANDRELL/'Til You're Gone (MCA) JOHN ANDERSON/Would You Catch A Falling Star (WB)

® RAZZY BAILEY/Everytime You Cross My Mind... (RCA) 14 LEON EVERETTE/Just Give Me What You... (RCA) ® ED BRUCE/Love's Found You And Me (MCA) 16 STATLER BROTHERS/You'll Be Back... (Mercury/PolyGram) 17 WAYLON Et WILLIE/Just To Satisfy You (RCA) 18 MEL McDANIEL/Take Me To The Country (Capitol) a) JANIE FRICKE/Don't Worry 'Bout Me Baby (Columbia)

JOHNNY LEE/When You Fall In Love (Full Moon/Asylum) al LACY J. DALTON/Slow Down (Columbia) ® MERLE HAGGARD/Are The Good Time Really Over (Epic) 23 BILLY SWAN/With Their Kind Of Money... (Epic) 24 JOHNNY CASH/The General Lee (Scotti Bros./CBS) 25 RAY PRICE/Forty And Fadin' (Dimension)

JERRY REED/The Man With The Golden Thumb (RCA) 27 WILLIE NELSON/Always On My Mind (Columbia) ED TERRI GIBBS/Ashes To Ashes (MCA) a) ALABAMA/Take Me Down (RCA) a) OSMONDS/I Think About Your Lovin' (Elektra/Curb) 31 STEVE WARINER/Kansas City Lights (RCA) ® RICKY SKAGGS/I Don't Care (Epic) ® DOLLY PARTON/Heartbreak Express (RCA) Q CON HUNLEY/Oh Girl (WB) ® EMMYLOU HARRIS/Bom To Run (WB)

RONNIE McDOWELL/I Just Cut Myself (Epic) ® HANK WILLIAMS JR./Honky Tonkin' (Elektra/Curb) a) JUICE NEWTON/Love's Been A Little Bit Hard (Capitol) 39 JOE STAMPLEY/l'm Goin' Hurtin' (Epic) 40 GENE WATSON/Speak Softly (You're Talking... (MCA) New

JOHN SCHNEIDER/Dreamin' (Scotti Bros./CBS) Entry OAK RIDGE BOYS/So Fine (MCA)

4) ROSANNE CASH/Ain't No Money (Columbia) O LARRY GATLIN/She Used To Sing On Sunday (Columbia) 45 ALABAMA/Mountain Music (RCA) 46 CRYSTAL GAYLE/You Never Gave Up On Me (Columbia) 47 GARY MORRIS/Don't Look Back (WB) 0 MARTY ROBBINS/Some Memories Just Won't Die (Columbia) O MEL TILLIS/The One That Got Away (Elektra) Q SYLVIA/Nobody (RCA)

This chart Is based solely on compiled weekly reports from our reporting stations. flack circled numbers Indicate continued upward movement from the majority of our reporters.

JIM REEVES Er PATSY CLINE "I Fall To Pieces" (MCA) 37/10 National Summary: Up 6, Same 14, Down 0, Debuts 7, Adds 10, WPOR-AM-FM, WSOC-FM, WQYK-FM, WITL-FM, WHBF, KITS -AM -FM, KFDI-AM-FM, KEED, KMAK, KRAK, KIX106 48-38, KEBC-FM 44-39. MAC DAVIS "Rodeo Clown" (Casablanca/PolyGram) 34/8 National Summary: Up 6, Same 17, Down 0, Debuts 3, Adds 8, WXBQ-FM, KHEY. WESC-AM-FM, WSM, WXCL, KWJJ, KSOP-FM, KMPS-AM-FM, KTTS-AM-FM 41-33, KVOO 44-39. STEPHANIE WINSLOW "Slippin' Et Slidin"' (Primero) 31/1 National Summary: Up 16, Same 11, Down 0, Debuts 3, Adds 1, WMNI, WVAM 26-22, KHEY 33-29, WAMZ-FM 40-35, KRMD-AM-FM 32-26, KWKH 18-14, KFDI-AM-FM 34-31, KFH 47-43, KUUY 19-16, KTOM 28-17. BILL NASH "Survivor" (Liberty) 26/2 National Summary: Up 8, Same 13, Down 0, Debuts 3, Adds 2, WESC-AM-FM, KVOO, WBGW-FM 29-28, KIKK-FM 38-36, WOKK 27-26, KKYX 43-41, KTTS-AM-FM 47-38, KEED 39-31, KRAK 48-38, KMPS-AM-FM 28-23. MARGO SMITH "Either You're Married Or You're Single" (AMI/NSD) 25/2 National Summary: Up 11, Seme 8, Down 0, Debuts 4, Adds 2, KRRV, KEEN, WVAM 47-38, KHEY 4038, KKYX 41-35, WOYK-FM 45-43, KTTS-AM-FM 39-32, KFDI-AM-FM 45-40, KUZZ 39-35, KEED 40-34. LOUISE MANDRELL Er R.C. BANNON "Our Wedding Band" (RCA) 24/5 National Summery: Up 5, Same 12, Down 0, Debuts 2, Adds 5, WLWI-FM, KKYX, KITS -AM -FM, KVEG, KRSY, WGNA-FM 39-35, WIXL-FM 4637, KRMD-AM-FM 49-42, KRWQ-FM 47-46, KRAK 60.48. CINDY HURT 'Talk To Me Loneliness" (Churchill) 22/16 National Summery: Up 0, Same 6, Down 0, Debuts 0, Adds 16 including WVAM, KOKE-AM-FM, KHEY, WLWI-FM, KKYX, KWMT, KITS -AM -FM, KEED, KMAK, KRWQ-FM. JIM Et JESSI Et CHARLIE LOUVIN "North Wind" (Soundwaves) 22/4 National Summary: Up 7, Seme 11, Down 0, Debuts 0, Adds 4, WYII, KHEY, WLWI-FM, KGA, WIXL-FM 27-24, WXCL 30-25, KVOO 50-48, KFDI-AM-FM 48-43, KUUY 30-22, KRWQ-FM 9-5. CALAMITY JANE "Walkin' After Midnight' (Columbia) 20/16 National Summary: Up 0, Seme 2, Down 0, Debuts 2, Adds 16 including WVAM, WYII, KLRA, KFGO, KTTS-AM-FM, KFDI-AM-FM, KI.Z, KRWQ-FM, KMPS-AM-FM, KIGO. CHARLIE ROSS "The High Cost Of Lovin' " (Townhouse) 20/8 National Summery: Up 3, Same 8, Down 0, Debuts 1, Adds 8, WIXL-FM, WNYR, KHEY, WESC-AM-FM, KRMD-AM- FM, KRST-FM, KEED, KIGO, WHN 40-37, WNOE-AM 49-48, WXCL 42-38. TOM CARLILE "Hurtin' For Your Love" (Doorknob) 19/3 National Summary: Up 8, Same 8, Down 0, Debuts 2, Adds 3, KFGO, KLZ, KMPS-AM-FM, KIXZ 50-46, KHEY 34-31, KKYX d-45, KSO 38-37, KFDI-AM-FM 44-39, KEED 41-35, KRAK 47-44. STEVIE NICKS "After The Glitter Fades" (Modem/Atco) 16/7 National Summery: Up 3, Same 5, Down 0, Debuts 1, Adds 7, WVAM, WCAW, WPOR-AM-FM, KXYL, KRMD-AM- FM, KWMT, KUGR, WKSJ-FM 37-33, KUUY 42-36, KRWQ-FM 23-15. JUDY TAYLOR "A Step In The Right Direction" (WB) 16/3 National Summary: Up 6, Same 5, Down 0, Debuts 2, Adds 3, KKAL, KRWQ-FM, KRSY, WVAM 39-33, WIXL-FM 35-32, KIKK-FM 39-37, KSO 29-28, KUZZ 4443, KUGR 40-38, KTOM d-49. DEAN DILLON "Play This Old Working Day Away" (RCA) 14/13 National Summary: Up 0, Sams 0, Down 0, Debuts 1, Adds 13, WVAM, WYII, KBMR, KFGO, KFDI-AM-FM, KRST-FM, KMAK, KRWQ-FM, KUGR, KWJJ, KRSY, KGA, KIGO. BRENDA LEE "Keeping Me Warm For You" (MCA) 14/13 National Summary: Up 0, Same 1, Down 0, Debuts 0, Adds 13, WGNA-FM, WVAM, WADR, WBEU, KKYX, KRMD- AM-FM, KBMR, WAXX, KEBC-FM, KFDFAM-FM, KUZZ, KRSY, KEEN. MOE BANDY "She's Not Really Cheatin'..." (Columbia) 14/13 National Summary: Up 0, Same 1, Down 0, Debuts 0, Adds 13, WBGW-FM, WADR, WYII, WFNC, WWOD, WCMS. FM, WIRK -FM, WESC-AM-FM, KFGO, WGEE, KXRB, KLZ, KMPS-AM-FM. RONNIE ROGERS "First Time Around" (Lifesong) 13/9 National Summary: Up 0, Seme 3, Down 0, Debuts 1, Adds 9, WNGA-FM, WKSJ-FM, KKYX, WIRK -FM, KFGO, KTTS- AM-FM, KVOO, KFDFAM-FM, KNIX-FM, WIXL-FM d49. LANE BRODY "He's Taken" (Liberty) 13/3 National Summary: Up 6, Seme 3, Down 2, Debuts 0, Adds 3, KUUY, KRWQ-FM, KIGO, WNOE-AM 39-38, WBCS 25-21, KCJB on, KXRB 25-22, WTHFFM on, KRSY 38-37, KCBQ-AM 23.21. GERTIE HIGGINS "Just Another Day In Paradise" (Kat Family/CBS) 13/2 National Summery: Up 4, Same 5, Down 1, Debuts 1, Adds 2, WZZK-FM, KIGO, WVAM 32-25, WSEN-AM-FM 42-37, WMZQ-FM 27-23, WILQ d-19, KXYL 31-29, WLWI-FM on, WQYK-FM, KCCY-FM on.


RftRlFriday, June 4,1982 Page 51

MOST ADDED EAST HOTTEST

Oak Ridge Boys (MCA) Conway Twitty (Elektra) T.G. Sheppard (WB/Curb)

MOST ADDED MIDWEST MOTTEST MOST ADDED SOUTH NOTTEST

H. Williams Jr. (Elektra/Curb) Conway Twtty (Elektra) Oak Ridge Boys (MCA) Conway Twitty (Elektra)

Oak Ridge Boys (MCA) Ronnie Milsap (RCA) John Anderson (WB)

MOST ADDED WEST HOTTEST

Earl Thomas Conley (RCA) Charley Pride (RCA) Tompell & Glaser Conway Twitty (Elektre)

Bros. (Elektra) Ronnie Milsap (RCA)

EAST

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135 Current Reports

The following stations did not report this week:

WPLO/Atlanta WYKR/WeIIs River WGVM/Greenville

WSIX-FM/Nashville KYXX/Odessa

WTQR-FM/Winston-Salem KVOC/Casper

Hottest Tracks:

"She Got The Goldmine (I Got The Shaft) JERRY REED (RCA)

COUNTRY ALBUMS Cuts in bold type are receiving the heaviest airplay.

ALABAMA - Mountain Music - (RCA) "Close Enough To Perfect" "Changes Comin On" "Words At Twenty Paces " "Green River" "Lovin' You Is Killin Me"

BELLAMY BROTHERS - When We Were Boys - (Elektra/Curb) 'This Time" "Until The Money's Gone" "We're

Just A Little Old Country Band" "You Make Love So Easy" "Get Into Reggae Cowboy" GAIL DAVIES - Givin' Herself Away - (WB) "You Tum Me On I'm A Radio" "Movin' (I Might Decide To Stay)" "Its Amaz- ing What A Little Love Can Do" LEE GREENWOOD - Inside And Out - (MCA) "Thank You For Changing My Life" "Home Away From Home"

GARY MORRIS - Gary Morris - (WB) "Day By Day" "No Place To Hide" JUICE NEWTON - Quiet Lies - (Capitol) "Felling In Love" "Break It To Me Gently" "Adios Mi Corazon" "I'm Gonna Be Strong" "Ever True' "Heart Of The Night' JERRY REED - The Man With The Golden Thumb - (RCA) "She Got The Goldmine (I Got The Shaft)" "44" 'The Best

I Ever Had" "(Shu Doo Pa Poo Poop) Love Being Your Fool" "It Tears Me Up" DON WILLIAMS - Listen To The Radio - (MCA)

"Mistakes" "If Hollywood Don't Need You" "Standing In A Sea Of Teardrops " "Fool, Fool Heart" "Don't Stop Loving Me" HANK WILLIAMS JR. - High Notes - (Elektra/ Curb) 'The South's Gonna Rattle Again" "ff Heaven Ain't A Lot Like Dixie"High And Pressurized" "I've Been Down"""If You Wanne Get To Heaven"

Most Requested: CONWAY TWITTY "Slow Hand" (Elektra) LEE GREENWOOD "Ring On Her Finger..." (MCA) ALABAMA 'Take Me Down' (RCA) T.G. SHEPPARD "Finally" (WB/Curb) JOHN ANDERSON "Would You Catch A..." (WB)


Page 52 RARIFriday, June 4, 1982

Black Radio r BREÄKER. "Breakers" are those newer records that have the greatest level of station activity on any given week.

REDDINGS (Sittin' On) The Dock Of The Bay

(Believe In A Dream/CBS) 59% of our reporting stations on it. Rotations: Heavy 2/1, Medium 18/2, Light 15/0, Extra Adds 4, Total Adds 7, WWIN, KMJQ, WJMO, KNOW, WENN, WJJS, KDIA. Debuts at number 25 on the Black Radio Chart. RITCHIE FAMILY

I'll Do My Best (For You Baby) (RCA) 59% of our reporting stations on it. Rotations: Heavy 2/0, Medium 18/0, Light 16/1, Extra Adds 3, Total Adds 4, WWRL, WATV, WANT, WTMP. Heavy: WEDR, WJLB. Debuts at number 26 on the Black Radio Chart.

NEW & ACTIVE Recent releases are listed In order of their activity. The two numbers Immediately following each song title Indicate how many of our reporters are on the record this week and of those, how many added it this week. The rotational breakdowns which follow Indicate how many stations have the song kl the respective rotation and of those, how many added It Into that particular rotation this week. 12 indicates one of this weeks Most Added new songs.

HIGH FASHION "Feelin' Lucky Lately' (Capitol) 37/3 Rotations: Heavy 2/0, Medium 16/0, Light 17/1, Extra Adds 2, Total Adds 3, WAIL -FM, WBLZ, WCIN. Heavy: WAOK, WHRK. Medium: WWIN, WDAS, WHUR, KDAY, XHRM, WKND, WNHC, WWRL, WGIV, WVOL. WTOY, WTLC, KAEZ, KACE, KPOP-FM, WJLB. Debuts at number 27 on the Black Radio Chart. WAR "Outlaw" (RCA) 32/7 Rotations: Heavy 6/1, Medium 12/1, Light 11/2, Extra Adds 3, Total Adds 7, WBMX, WGCI, KDAY, KELP, WJMI, WVOI, KUKQ. Heavy: WHUR, \WEE, WSSJ, WWWS, KACE. Medium: WWIN, WXYV, WILD, WDAS, WEDR, KDKO, WOIC, WJAX, WBLX, WVOL, WTMP. Debuts at number 29 on the Black Radio Chart.

DREAMGIRLS "And I Am Telling You I'm Not Going" (Geffen) 29/12 Rotations: Heavy 6/1, Medium 4/O, Light 16/8, Extra Adds 3, Total Adds 12, WXYV, KMJQ, WDIA, WYLD-FM,

WJPC, KDKO, KDAY, WKND, WVOL, WOWI, WKWM, KDIA. Heavy: WWIN, WHUR, WHRK, WGCI, KNOW. Medium: WVEE, WWRL, KOKY, WANM. SISTER SLEDGE "All The Man I Need" (Cotillion/Atco) 29/1 Rotations: Heavy 3/0, Medium 11/0, Light 14/0, Extra Adds 1, Total Adds 1, KUKQ Heavy: WPDQ, WDAO, WLTH. Medium: WILD, WDAS, WVEE, WDIA, WYLD-FM, KDAY, XHRM, WAN, WJJS, WOWI, WTLC. CARRIE LUCAS "Show Me Where You're Coming From" (Solar/Elektra) 28/9 Rotations: Heavy 1/0, Medium 12/2, Light 10/2, Extra Adds 5, Total Adds 9, WXYV, WDAS, WAMO, WDIA, WHRK, WENN, WGIV, WTMP, WLTH. Heavy: WWIN. Medium: WOOK, WHUR, WAOK, WEDR, WSSJ, WNHC, WANM, WTLC, KAEZ, KACE. VALENTINE BROTHERS "Money's Too Tight" (Bridge) 28/4 Rotations: Heavy 3/0, Medium 10/1, Light 15/3, Extra Adds 0, Total Adds 4, WDIA, WDAO, WLTH, WKWM. Heavy: WAOK, WJMO, KACE. Medium: WWIN, WXYV, WDAS, WAMO, WHRK, WEDR, WCIN, WSSJ, WTLC. GENE CHANDLER "Make The Living Worthwhile" (Chi -Sound Int'l.) 28/3 Rotations: Heavy 5/0, Medium 8/0, Light 14/2, Extra Adds 1, Total Adds 3, WXYV, WKND, WOIC. Heavy: WAOK, WGCI, WWRL, WLTH, KACE. Medium: WBMX, KDAY, XHRM, KNOW, WTLC, KPOP-FM, WJLB, WBLX, WTLC. HIGH INERGY "First Impressions" (Gordy/Motown) 26/2 Rotations: Heavy 3/0, Medium 10/0, Light 12/1, Extra Adds 1, Total Adds 2, WAMO, WAOK. Heavy: WATV, WWWS, KACE. Medium: WGCI, KDAY, WENN, KOKY, WTOY, WLTH, WTLC, WLUM, KAEZ, KPOP-FM. O'BRYAN "Still Water" (Capitol) 26/2 Rotations: Heavy 3/0, Medium 7/0, Light 14/0, Extra Adds 2, Total Adds 2, WJMI, WJJS. Heavy: WWIN, WXYV, KDKO. Medium: WEDR, KDAY, WATV, WJAX, KOKY, WKWM, KACE. QUEEN "Body Language" (Elektra) 26/1 Rotations: Heavy 8/0, Medium 14/1, Light 6/0, Extra Adds 0, Total Adds 1, WLTH. Heavy: WAIL -FM, WGCI, WBLZ, WNHC, KPOP-FM, WDMT. Medium: WHUR, WJPC, KDAY, KSOL, KNOW. KELP. WJAX, WBLX, WVOL, WTMP, WVOI, KDIA, KUKQ. Debuts at number 30 on the Black Radio Chart. ST. TROPEZ "Femmes Fatales" (Destiny) 25/5 Rotations: Heavy 3/0, Medium 9/1, Light 9/0, Extra Adds 4, Total Adds 5, WBMX, WJMO, WATV, WKXI, WLTH. Heavy: WHUR, KELP, WJAX. Medium: WILD, WEDR, WGCI, KDAY, WSSJ, WOWI, WTLC, KACE. DRAMATICS "Live It Up" (Capitol) 25/2 Rotations: Heavy 3/0, Medium 14/0, Light 6/0, Extra Adds 2, Total Adds 2, WBMX, WKXI. Heavy: WAOK, WJLB, KAEZ. Medium: WDAS, KDAY, XHRM, WGIV, WJJS, WOWI, WANT, WTOY, WKWM, WTLC, WWWS, WVOI, KACE, WCIN.

DENNIS BROWN "Love Has Found Its Way" (A&M) 24/2 Rotations: Heavy 7/0, Medium 7/1, Light 9/0, Extra Adds 1, Total Adds 2, KNOW, WLOU. Heavy: WBMX, WGCI, WGIV, WJAX, WLTH, WLUM, WVL.D-FM. Medium: WXYV, WILD, WAMO, WWRL, KACE. In ATLANTIC STARR "Love Me Down" (ABM) 23/15

Rotations: Heavy 2/0, Medium 4/2, Light 6/2, Extra Adds 11, Total Adds 15, WWIN, WILD, WHRK, WVLD-FM, WGCI, KDAY, WGIV, WOIC, KOKY, WVOL, WOWI, WANM, WTMP, WVOI, KPOP-FM. Heavy: WHUR, KACE. Medium: KSOL, WATV.

OMCHERYL LYNN "Instant Love" (Columbia) 23/14 Rotations: Heavy 1/1, Medium 4/1, Light 8/2, Extra Adds 10, Total Adds 14, WXYV, WVEE, KOKO, XHRM,

WSSJ, WKND, WNHC, KNOW, WGIV, WJJS, WANM, KAEZ, WWWS, KPOP-FM. Medium: WHUR, WAIL -FM, KACE. FREDI GRACE a RHINSTONE "Help (...Save This Frantic Heart Of Mine)" (RCA) 23/2 Rotations: Heavy 3/0, Medium 9/0, Light 10/1, Extra Adds 1, Total Adds 2, WILD, WJAX. Heavy: WOOK, WEDR, WOIC. Medium: WAOK, WHRK, WJMO, XHRM, KSOL, KELP, WLOU, WLTH, WTLC.

SOUL SONIC FORCE "Planet Rock" (Tommy Boy) 22/10 Rotations: Heavy 4/0, Medium 6/2, Light 6/2, Extra Adds 6, Total Adds 10, WXYV, WAMO, WHUR, WAOK,

W'JMO, XHRM, WVOL, WOWI, WLTH, WTLC. Heavy: WATV, WJAX, WPDQ, WIMP. Medium: WDAS, WAIL -FM, WJLB, WANM. SHOTGUN "Ladies Choice" (Montage/Capitol) 22/0 Rotations: Heavy 5/0, Medium 11/0, Light 6/0, Extra Adds 0, Total Adds O. Heavy: WENN, WJAX, WOWI, WTLC, KAEZ. Medium: WAOK, WDIA, WHRK, WCIN, WKND, KOKY, WVOL, WTOY, WTMP, WLTH, WWWS.

SIGNIFICANT ACTION CANDELA "Love You Madly" (Arista) 21/8 Rotations: Heavy 0/0, Medium 6/1, Light 9/1, Extra Adds 6, Total Adds 8, WVEE, WHRK, WJMO, KSOL, WKND, WPDQ, WTLC, WWWS. Medium: WDAS, XHRM, KACE, KUKQ, WLTH. KLIQUE "Dance Like Crazy" (MCA) 21/4 Rotations: Heavy 2/0, Medium 11/0, Light 7/3, Extra Adds 1, Total Adds 4, WXYV, WDIA, KDIA, KUKQ. Heavy: XHRM, WENN. Medium: WHUR, WAOK, WEDR, WGCI, WJPC, KSOL, WGIV, WJAX, WLOU, WOWI, KAEZ. AURRA "A Little Love" (Salsoul/RCA) 21/3 Rotations: Heavy 2/0, Medium 13/0, Light 4/1, Extra Adds 2, Total Adds 3, WATV, WVOI, KUKQ. Heavy: WGIV, WTLC. Medium: WAMO, WAOK, WVEE, WBMX, WJMO, XHRM, KSOL, WSSJ, WJAX, WBLX, WOWI, WTOY, WLTH.

R.J.'S LATEST ARRIVAL "(Aerobic Dancin) Keep Dancin" (Zoo York) 21/1 Rotations: Heavy 6/0, Medium 7/0, Light 7/0, Extra Adds 1, Total Adds 1, WGCI. Heavy: WEDR, WJMO, WJLB, WGIV, WTLC, WWWS. Medium: WWIN, WILD, WDIA, WCIN, WDAO, WLTH, WVOI. SEQUENCE "I Don't Need Your Love" (Sugar Hill) 19/6 Rotations: Heavy 0/0, Medium 7/0, Light 8/0, Extra Adds 6, Total Adds 6, WHRK, WJMO, WOIC, WKXI, WLOU, WWWS. Medium: WOOK, WAIL -FM, XHRM, WNHC, WJJS, WVOL. MICHAEL WYCOFF "Looking Up To You" (RCA) 19/4 Rotations: Heavy 1/1, Medium 7/O, Light 9/1, Extra Adds 2, Total Adds 4, WDAS, WAMO, KRLY, KDKO. Medium: WAOK, WHRK, WGCI, WJLB, KDAY, WLUM, KACE. XAVIER "Do It To The Max" (Liberty) 19/4 Rotations: Heavy 2/0, Medium 8/0, Light 6/1, Extra Adds 3, Total Adds 4, WVEE, WGCI, KELP, WKWM. Heavy: WHRK, WBMX. Medium: WEDR, KDAY, XHRM, KNOW, WLOU, WOWI, WLTH.

adioMecords

N1U10NANRPLÁW30. Thw Two le.t Week. Week» week June 4, 1982

5 1 2 0 GAP BAND/Early In.,. (Total Experience/PGM) 3 3 1 2 TEMPTATIONS/R. JAMES/Standing On... (Gordy/Motown) 9 8 5 0 CHANGE/The Very Best In You (RFC/Atlantic) 8 6 6 0 ASHFORD Er SIMPSON/Street Corner (Capitol) 18 15 9 0 JEFFREY OSBORNE/I Really Don't Need No Light (A&M) 1 2 3 6 DAZZ BAND/Let It Whip (Motown) 7 5 7 7 BLOODSTONE/We Go A Long Way Beck (T-Neck/CBS) 17 17 10 0 RICK JAMES/Dance Wit' Me (Gordy/Motown) 25 14 11 0 ONE WAY/Cutie Pie (MCA) 2 4 4 10 DENIECE WILLIAMS/It's Gonna Take... (ARC/Columbia) - 29 17 JUNIOR/Too Late (Mercury/PolyGram) 14 12 12 ® P. McCARTNEY/S. WONDER/Ebony And Ivory (Columbia) 6 9 13 13 RAY PARKER JR./The Other Woman (Arista) 4 7 8 14 PATRICE RUSHEN/Forget Me Nots (Elektra) - - 21 ® STEVIE WONDER/Do I Do (Tamla/Motown) - 28 16 o CHIC/Soup For One (Mirage/Atlantic) 30 26 23 i LARRY GRAHAM/Don't Stop When You're Hot (WB) 29 21 18 NARADA MICHAEL WALDEN/You're #1 (Atlantic) 26 24 20 WHISPERS/Emergency (Solar/Elektra) 23 22 22 l D. WARWICK Et J. MATHIS/Friends In Love (Arista)

26 ® "D" TRAIN/Keep On (Prelude) 10 10 14 22 CHERI/Murphy's Law (Venture) 20 19 19 23 SMOKEY ROBINSON/Old Fashioned Love (Tamla/Motown) - 30 24 a LAKESIDE/Something About That Woman (Solar/Elektra)

REDDINGS/(Sittin' On) The Dock... (Believe In A Dream/CBS) G RITCHIE FAMILY/I'll Do My Best (For You Baby) (RCA) ® HIGH FASHION/Feelin' Lucky Lately (Capitol) 28 SHALAMAR/A Night To Remember (Solar/Elektra) New

WAR/Outlaw (RCA) Entry

C) QUEEN/Body Language (Elektra)

This chart Is based solely on complied weekly reports from our reporting stations. Mack dreied numbers Indicate continued upward movement from the majority of our reporters.

MOST ADDED® ATLANTIC STARR (15) CHERYL LYNN (14) DREAMGIRLS (11) ODYSSEY (10) SOUL SONIC FORCE (10)

HOTTEST GAP BAND (34) DAZZ BAND (32) TEMPTATIONS/JAMES (24) ONE WAY (21) BLOODSTONE (20) P. McCARTNEY/S. WONDER (20)

SUPERIOR MOVEMENT "Wide Shot" (CIM/CBS) 18/3 Rotations: Heavy 2/0, Medium 5/0, Light 9/1, Extra Adds 2, Total Adds 3, WATV, WKXI, WDAO. Heavy: WHRK, WLTH. Medium: WAOK, WEDR, KSOL, WJMI, KOKY.

HERBIE HANCOCK "Lite Me Up" (Columbia) 18/0 Rotations: Heavy 1/0, Medium 7/0, Light 10/0, Extra Adds 0, Total Adds 0. Heavy: KACE. Medium: WXYV, WDAS, WJMO, WSSJ, WJJS, WLUM, KAEZ.

RANDY CRAWFORD "One Hello" (WB) 17/2 Rotations: Heavy 1/0, Medium 6/0, Light 8/0, Extra Adds 2, Total Adds 2, WVEE, WGCI. Heavy: WSSJ. Medium: WWIN, WDAS, WEDR, WWRL, WJAX, KPOP-FM HEATWAVE "Lettin' It Loose" (Epic) 16/3 Rotations: Heavy 0/0, Medium 8/O, Light 6/1, Extra Adds 2, Total Adds 3, WXYV, WAOK, KUKQ Medium: WWIN, WHRK, WGCI, WCIN, XHRM, KOKY, WANM, WTLC.

STARPOINT "Do What You Want To Do" (Chocolate City/PolyGram) 16/1 Rotations: Heavy 0/0, Medium 4/0, Light 11/0, Extra Adds 1, Total Adds 1, WANT. Medium: WEDR, WATV, WOWI, KAEZ.

SINNAMON 'Thanks To You" (Becket) 16/1 Rotations: Heavy 1/0, Medium 9/1, Light 6/0, Extra Adds 0, Total Adds 1, WLTH. Heavy: WWIN. Medium: WXYV, WDAS, WHUR, WHRK, WGCI, WJLB, WVOL, KACE.

MIGHTY FIRE "Sixth Street (Turn It Up1" (Elektra) 16/0 Rotations: Heavy 1/O, Medium 5/0, Light 1S/O, Extra Adds 0, Total Adds O. Heavy: WENN. Medium: XHRM, WSSJ, WOW(, WTLC, KACE.

RICH LITTLE "President's Rap" (Boardwalk) 15/5 Rotations: Heavy 0/0, Medium 2/0, Light 9/1, Extra Adds 4, Total Adds 5, WVEE, WDIA, WATV, KOKY, WTMP. Medium: KMJQ, KMJM. EDWIN BIRDSONG "She's Wrapped Too Tight..." (Salsoul/RCA) 15/5 Rotations: Heavy 1/0, Medium 6/1, Light 5/1, Extra Adds 3, Total Adds 5, WAOK, WDIA, WBMX, WLOU, WOWI. Heavy: WHRK. Medium: WWIN, WEDR, WJMO, KDKO, WVOL. SHARON BROWN "I Specialize In Love" (Profile) 15/0 Rotations: Heavy 4/0, Medium 1010, Light 1/0, Extra Adds 0, Total Adds O. Heavy: WILD, WVEE, WBMX, WANM. Medium: WXYV, WDAS, WOOK, WJMO, XHRM, WOWI, WANT, WLTH, WKWM, WTLC. LESLIE SMITH Et MERRY CLAYTON "Before The Night Is Over" (Elektra) 15/0 Rotations: Heavy 1/0, Medium 4/0, Light 10/0, Extra Adds 0, Total Adds O. Heavy: KNOW. Medium: WGCI, XHRM, WKND, WLTH. © ODYSSEY "Inside Out" (RCA) 14/10

Rotations: Heavy 0/0, Medium 3/0, Light 3/2, Extra Adds 8, Total Adds 10, WVEE, WEDR, WYLD-FM, WGCI, XHRM, WSSJ, WWRL, KELP, WOWI, WWWS. Medium: WHRK, WJLB, WNHC. CAMEO "Flirt' (Chocolate City/PolyGram) 14/9 Rotations: Heavy 1/0, Medium 3/0, Light 3/2, Extra Adds 7, Total Adds 9, WAOK, KMJQ, WAIL -FM, WCIN, WATV, WOIC, WTOY, WKWM, KUKQ. Heavy: WANT. Medium: WHUR, WVOL, WWWS. BILLY OCEAN "Calypso Funkin' " (Epic) 14/9 Rotations: Heavy 0/O, Medium 3/0, Light 4/2, Extra Adds 7, Total Adds 9, WVEE, XHRM, WJMI, WJAX, KOKY, WANM, WDAO, WTLC, KPOP-FM. Medium: WHUR, WHRK, KACE. IMAGINATION "Just An Illusion" (MCA) 14/6 Rotations: Heavy 1/0, Medium 4/0, Light 6/3, Extra Adds 3, Total Adds 6, WXYV, WDAS, KMJQ, KELP, WOW(, KAEZ. (Heavy: WGCI. Medium: WHUR, WHRK, WJLB, WLTH. THOMPSON TWINS "In The Name Of Love" (Arista) 14/2 Rotations: Heavy 0/0, Medium 7/0, Light 5/0, Extra Adds 2, Total Adds 2, WBMX, WTOY. Medium: WWIN, WDAS, WAIL -FM, XHRM, WWWS, KUKQ. TEDDY PENDERGRASS 'This Gift Of Life" (Phil. Intl./CBS) 14/1 Rotations: Heavy 1/0, Medium 6/0, Light 6/0, Extra Adds 1, Total Adds 1, WJMO. Heavy: WOIC. Medium: WXYV, XHRM, WJAX, WVOL, WOW(, WTMP. SECRET WEAPON "Must Be The Music" (Prelude) 14/0 Rotations: Heavy 7/0, Medium 4/0, Light 3/0, Extra Adds 0, Total Adds 0. Heavy: WWIN, WGCI, WDMT, WJMO, WSSJ, WATV, WANT. Medium: KMJQ, KRLY, WHRK, WJPC. KID CREOLE AND THE COCONUTS "I'm A Wonderful Thing, Baby" (Sire/WB) 13/3 Rotations: Heavy 2/0, Medium 7/0, Light 2/1, Extra Adds 2, Total Adds 3, WBMX, WDMT, WWRL. Heavy: WDAS, WSSJ. Medium: WWIN, WHUR, WHRK, WEDR, WVOL, WTLC. ALTON EDWARDS "I Just Wanne (Spend Some Time With You)" (Columbia) 13/1 (Rotations: Heavy 0/0, Medium 6/0, Light 6/0, Extra Adds 1, Total Adds 1, WATV. Medium: WHRK, WEDR, KDAY, XHRM, WLTH, KACE.

BERNARD WRIGHT "Won't You Let Me Love You" (GRP/Arista) 13/1 Rotations: Heavy 0/0, Medium 5/0, Light 8/1, Extra Adds 0, Total Adds 1, WWRL. Medium: WWIN, WEDR, XHRM, WTOY, WLUM. DAVID LASLEY "If I Had My Wish Tonight" (EMI America) 13/0 Rotations: Heavy 2/0, Medium 7/0, Light 4/0, Extra Adds 0, Total Adds O. Heavy: WSSJ, KUKQ. Medium: WXYV, WAMO, WYLD-FM, XHRM, WKND, WWRL, WOWI.


R&R/Friday, June 4, 1982 Page 53

Black Radio Regionalized Adds & Hots Stations are listed by region. Hots are listed in order of their airplay activity.

EAST

wwr4/B.Nloen Curtis Andana) REDDINGS ATLANTIC STARR CHI -LITES WALDO LIVE BAND Hottest: GAP BAND SINNAMON HUMAN LEAGUE DAZZ BAND

wxYVAl.NNna+ Tim Watts

QUEEN HIGH FASHION GREG PERRY AURRA ST. TROPEZ MIKE i BRENDA SOUL SONIC FORCE CARRIE LUCAS RJ'S LATEST ARRIV HUEY LEWIS i NEWS CHARLES EARLAND Hottest: MCCARTNEY/WONDER STEVIE-WONDER HUMAN LEAGUE CHANGE CHIC

WILD/Boston Stoss Crn.iibty

FREDI GRACE i IBII

ATLANTIC STARR Hottest: TEMPTATIONS/JAMES RAY PARKER JR. PATRICE RUSHER MCCARTNEY/WONDER DAZZ BAND

W Gary Shepherd

CHERYL LYNN RICHARD D. FIELDS MURPHY'S ODYSSEY KAREN YOUNG BRUTUS Hottest: DAZZ BAND GAP BAND RAY PARKER JR. SECRET WEAPON JEFFREY OSBORNE

YARD/Hartford EMI. Jordan u'

STEVIE WONDER DREAMGIRLS CHERYL LYNN GENE CHANDLER CANDELA Hottest: CHERI BLOODSTONE ASHFORD A SIMPSON TEMPTATIONS/JAMES ONE WAY

WNHC/Nw Hawn James Jordan

CHERYL LYNN MAGIC LADY Hottest: RAY PARKER JR. BLOODSTONE MCCARTNEY/WONDER RICK JAMES QUEEN

W WRIOMW York Wards Rohes

RICHARD D. FIELDS CHI -LITES ODYSSEY O.C. SMITH SADANE BERNARD WRIGHT RITCHIE FAMILY KID CREOLE JAGGY i CUBA Hottest: MCCARTNEY/WONDER BLOODSTONE CHANGE TEMPTATIONS/JAMES DENIECE WILLIAMS

WDABRIdl.OaMhlla Joe Tcmbw,.

SAHNE NOEL POINTER CAPTAIN SKY FELIX i JARVIS MICHAEL WYCOFF IMAGINATION DAYTON CARRIE LUCAS Hottest: GAP BAND DAZZ BAND RICK JAMES JEFFREY OSBORNE ASHFORD i SIMPSON

WAMOIPNteburgh John Anthony

MICHAEL WYCOFF CARRIE LUCAS SOUL SONIC FORCE FAT LARRY'S BAND HIGH INERGY Hottest: DAZZ BAND BLOODSTONE STEVIE WONDER JUNIOR THIRD WORLD

WOOKIWasMnpon IIwIgM Lanyley

none Hottest: GAP BAND TEMPTATIONS/JAMES CHERI JEFFREY OSBORNE BLOODSTONE STEVIE WONDER

WIIUR/WashlnQion Wow Fields

PLUSH SADANE SOUL SONIC FORCE Hottest: STEVIE WONDER RAY PARKER JR. SHALAMAR DAZZ BAND PATRICE RUSHER

SOUTH

W AOK/Ad.nts Larry Tinsley

HEATWAVE CAMEO EDWIN BIRDSONG TASTE OF HONEY SOUL SONIC FORCE HIGH INERGY STEVEN i STERLING KLEEER Hottest: ONE WAY DAZI BAND JEFFREY OSBORNE ASHFORD i SIMPSON BLOODSTONE

WVEE/AIWnto Scatty Andrews

VIDEEO BILLY OCEAN ODYSSEY KAREN YOUNG RICH LITTLE XAVIER EARL KLUGH RANDY CRAWFORD CANDELA JEAN-LUC FORTY FREDDIE HUBBARD CHERYL LYNN VIOLA WILLS Hottest: ONE WAY BLOODSTONE RICK JAMES JEFFREY OSBORNE MCCARTNEY/WINDER

KNOWIAuatIn Sefby Edwards

REDDINGS LARRY GRAHAM CHERYL LYNN JUNIOR INSTANT FUNK DENNIS BROWN Hottest: DAZI BAND GAP BAND ONE WAY DREAMGIRIS LAKESIDE

W ATV IBrmingham Ron January

RITCHIE FAMILY MURPHY'S DENIECE WILLIAMS CAMEO TEMPTATIONS TROUBLE FUNK ST. TROPEZ SMOKEY ROBINSON CHIC AURRA TOM TOM CLUB RICHARD D. FIELDS ALTON EDWARDS SUPERIOR MOVEMENT BILLY ALWAYS RICH LITTLE Hottest: TEMPTATIONS/JAMES TIME JEFFREY OSBORNE SOUL SONIC FORCE FELIX i JARVIS

Osa W ee NARADA M. WALDEN LEGEND CHARLES EARLAND FELIX i JARVIS J.P. RODGERS ASHFORD & SIMPSON REDDINGS CARRIE LUCAS TROUBLE FUNK VON HOLLINGER Hottest: PATRICE RUSHEN GAP BAND TIME JEFFREY OSBORNE ONE WAY

WGIV/Cherblle u: CMIs Turna CHERYL LYNN ATLANTIC STARR CARRIE LUCAS PLUSH CAROLE SYLVAN DAYTON Hottest: DENIECE WILLIAMS GAP BAND RAY PARKER JR. D TRAIN CHANGE

WOIC Columbw. IC My,-, Arnold JI

JOE SIMCN ATLANTIC STARR CAMEO SEQUENCE GENE CHANDLER Hottest: TEMPTATIONS /JAMES MCCARTNEY/WONDER ONE WAY JEFFREY OSBORNE TEDDY PENDERGRASS

KELP/El Paso Ulna* Flores

COOPER i ROSS TIME WAR STEVIE WONDER AMBROSIA STEVEN i STERLING SALSOUL ORCHESTRA FELIX & JARVIS PAT LARRY'S BAND LAKESIDE FOREIGNER BAR-KAYS TEDDY PENDERGRASS ODYSSEY IMAGINATION ROSE ROYCE TIME BANDITS RICK JAMES TIME XAVIER CHAS JANKEL DAZZ BAND Hottest: TOM TOM CLUB CHANGE PATRICE RUTHEN BRASS CONSTRUCTION ONE WAY

KRLYIHouson Ste Harris

MICHAEL WYCOFP AZYMVITH DAZZ BAND Hottest: ONE WAY DAZZ BAND O'BRYAN CAMEO TEMPTATIONS/JAMES

IAJOIllouston Roos hlellond ui

IMAGINATION BOBBY CALDWELL REDDINGS DREAMGIRLS CAMEO Hottest: TIME DAZI BAND PATRICE RUSHEN TEMPTATIONS/JAMES RICH LITTLE

WKXVJsdls n Tommy Meraieti

DRAMATICS SUPERIOR MOVEMENT LAKESIDE ST. TROPEZ HOWARD JOHNSON SEQUENCE Hottest: DAZI BAND DENIECE WILLIAMS CAMEO GAP BAND TEMPTAT:ONS/JAMES

WJMWJsckson Cad Haynes

WAR STEVIE WOODS TASTE Or HONEY O'BRYAN BILLY OCEAN Hottest ONE WAY RICK JAMES MCCARTNEY/WONDER DOROTHY MOORE GAP BAND

WPDOIJaekaawHl Ead Jam« COFFEE CANDELA Hottest: MCCARTNEY/WONDER SOUL SONIC FORCE ASHFORD & SIMPSON BLOODSTONE DAZI BARD

WJAx(9BxyJwkaomllle Sts,. Fos

QUINCY JONES BILLY OCEAN CHAS JANKEL EREDI GRACE A RHI BAR-KAYS Hottest: DAZI BAND GAP BAND JUNIOR ST. TROFEI SOUL SONIC FORCE

KOKYILHtI. Roti: Randa Curto

ATLANTIC STARR RICH LITTLE BILLY OCEAN Hottest: TEMPTATIONS/JAMES GAP BAND LARRY GRAHAM RICK JAMES ASHFORD A SIMPSON

MIDWEST W JPCIChIC.ge Jerry Bouldine

STEVIE WONDER D TRAIN RICK JAMES JUNIOR DREAMGIRLS DIANA ROSS Hottest: DENIECE WILLIAMS RAY PARKER JR. DAZZ BAND ROBERTA FLACK MCCARTNEY/WONDER

WGCVChN«Bo Pam Woes

RAE ODYSSEY CHIC RANDY CRAWFORD XAVIER CHI -LITES CAMEO ATLANTIC STARR TIME BANDITS RJ'S LATEST ARRIV DUNN i BRUCE Hottest: SECRET WEAPON QUEEN DREAMGIRLS JEFFREY OSBORNE MCCARTNEY/WONDER STEVIE WONDER

WMII(ICNeayo L« IlYeleNs

KID CREOLE WAR ST. TROPEZ THOMPSON TWINS DRAMATICS MAGNUM FORCE EDWIN BIRDSONG Hottest: DAZZ BAND BLOODSTONE GAP BAND LAKESIDE BOBBY WOMACK

WERZ/Clodaletl Harry Lyles

HIGH FASHION HUEY LEWIS i NEWS PRINCE PRINCE AMBROSIA LAKESIDE Hottest: DAZZ BAND RAY PARKER JR. GAP BAND GAP BAND MCCARTNEY/WONDER

WCBMK'YNEt.iatl

Everett Cott

CAMEO ZZ HILL HIGH FASHION SALSOUL ORCHESTRA DUNN i BRUCE Hottest: TEMPTATIONS/JAMES JEFFREY OSBORNE GAP BAND RICK JAMES BLOODSTONE

WDMT/Cle,.land Magic/James

LAKESIDE JEFFREY OSBORNE KID CREOLE D TRAIN Hottest: ONE WAY MCCARTNEY/WONDER QUEEN SECRET WEAPON HUMAN LEAGUE

wJMOIOb,.land Ere sore TEDDY PENDERGRASS SEQUENCE STEVIE WOODS REDDINGS ST. TROPEZ CANDELA MIKE i BRENDA SOUL SONIC FORCE Hottest: DAZZ BAND DENIECE WILLIAMS RAY PARKER JR. BLOODSTONE TASTE OF HONEY

WDAOID.ylen Lankford Stephens

STEVIE WONDER QUINCY JONES CON FUNK SHUN BILLY OCEAN SHADOW VALENTINE BROS. PLEASURE SUPERIOR MOVEMENT Hottest: GAP BAND TEMPTATIONS/JAMES BLOODSTONE PATTI AUSTIN CHIC

WJLBIDsbolt J. Michael McKay

QUINCY JONES Hottest: DAZZ BAND STEVIE WONDER GAP BAND ONE WAY RJ'S LATEST ARRIV

WLTWGary Dana Huskisaon

SINNIIMON QUEEN ST. TROPEZ CARRIE LUCAS VALENTINE BROS. SOUL SONIC FORCE O.C. SMITH Hottest: ONE WAY RICK JAMES STEVIE WONDER GAP BAND CHIC

WKWMIGe.nd Rapids Frank Grant

MCCRARYS XAVIER VALENTINE BROS. BILLY ALWAYS DREAMGIRLS CAMEO D TRAIN HOWARD JOHNSON Hottest: BLOODSTONE DAZZ BAND RAY PARKER JR. DENIECE WILLIAMS TEMPTATIONS/JAMES

WTLCAMMrpe1M Jay Johnson

BILLY OCEAN CHI -LITES CANDELA TRAMA PLUSH SOUL SONIC FORCE GENERAL CAINE SHOCK Hottest: TEMPTATIONS/JAMES DONALD BYRD BOOTSY COLLINS GAP BAND SHOTGUN

W LUMMMIMukos Jack Randall

none

Hottest: ASHFORD A SIMPSON JEFFREY OSBORNE RAY PARKER JR. MCCARTNEY/WONDER PATTI AUSTIN

KAEZJOkWiana City L« SNhgw.

CHERYL LYNN I.N.D. IMAGINATION BAND AKA Hottest: DAZZ BAND SHOTGUN GAP BAND RAY PARKER JR. LAKESIDE

WWWS/Saglnsw, MI

Kermit Crockett

SEQUENCE CHERYL LYNN MAGIC LADY HOWARD JOHNSON CANDELA ODYSSEY DAYTON COFFEE Hottest: DAZZ BAND RJ'S LATEST ARRI,' BLOODSTONE GAP BAND WAR

KMJM/St Lods Dick Edwards

ATLANTIC STARR MCCARTNEY/WONDER Hottest: MCCARTNEY/WONDER KAY PARKER JR. ONE WAY DAZZ BAND DENIECE WILLIAMS

WVOVToledo Mess Myrick

ui

ATLANTIC STARR MCCRARYS WAR AUREA Hottest: RAY PARKER JR. CHERI TEMPTATIONS/JAMES ELUSION ONE WAY

(J) Black reporters also contributing to Jazz chart.

7 15 11

12 8 17 20 16 21 18 10 13 19 22 23 24 25 26 27

.41> mummer

,111>

\I/LOU/Louisville Noel O'Rss

STEVIE WOODS EDWIN BIRDSONG CON FUNK SHUN SEQUENCE DENNIS BROWN Hottest: SYLVIA GAP BAND ASHFORD & SIMPSON CHANGE TEMPTATIONS/JAMES

WJJS&ynctiburg, VA

Art Young CHERYL LYNN O'BRYAN REDDINGS Hottest: DENIECE WILLIAMS MCCARTNEY/WCNDER BLOODSTONE TOM TOM CLUB STEVIE WONDER

WDIAABO NWIM COMCAEWWW1 EDWIN BIRDSONG DREAMGIRLS CARRIE LUCAS DOROTHY MOORE KLIQUE SHA LAM AR VALENTINE BROS. RICH LITTLE Hottest: ONE WAY GAP BAND TEMPTATIONS/JAMES DAZI BAND REDDINGS

WHRK (K97WWMnplls :r Ron Olson CANDELA CARRIE LUCAS VIDEEO ATLANTIC STARR HOWARD JOHNSON SEQUENCE PEECH BOYS Hottest: TEMPTATIONS/JAMES GAP BAND DREAMGIRLS REDDINGS RICK JAMES

WEDRIMIamI Leo Jackson ELECTRA B.R. KING PEECH BOYS VIDEEO T -CONNECTION RAMSEY LEWIS ODYSSEY RICHARD D. FIELDS JOE SIMON Hottest: DAZI BAND CAMEO PATRICE RUSHEN BLOODSTONE GAP BAND

WOLxIMoblla MlcbNl J. AlesaMer

none Hottest: DENIECE WILLIAMS RAY PARKER JR. DAZZ BAND BLOODSTONE MCCARTNEY/WONDER

WYOLdiastwitto Fred Harm ATLANTIC STARR SA DANE SOUL SONIC FORCE DREAMGIRLS STEVEN & STERLING SALSOUL. ORCHESTRA O.T. SYKES Hottest: RAY PARKER JR. MCCARTNEY/WONDER DAZI BAND GAP BAND ONE WAY

WAILfWN ow Orleans Barry Richards

HIGH FASHION TIME BANDITS CAMEO O'J AYS ONE WAY HERB ALPERT ROBERTA FLACK Hottest: DAZZ BAND DENIECE WILLIAMS GAP BAND MCCARTNEY/WONDER PATRICE RUSHEN

WYLDfMINsw Orisons Tony Brown

ODYSSEY DREAMGIRLS SADANE MARY WELLS ATLANTIC STARR Hottest: DENIECE WILLIAMS BLOODSTONE MCCARTNEY/WONDER CHERI PATRICE RUSHER

WOWNIalolk :

Chosen Renton

ATLANTIC STARR ODYSSEY EDWIN BIRDSONG IMAGINATION DREAMGIRLS COOPER & ROSS SOUL SONIC FORCE MURPHY'S Hottest: JEFFREY OSBORNE DAZZ BAND GAP BAND STEVIE WONDER ST. TROPEZ

W ANT/Richmond Kirby Carmichael

BRASS CONSTRUCTIO BOBBY CALDWELL RITCHIE FAMILY LONNIE JORDAN THIRD WORLD JUNIOR STAR PO INT PRINCE Hottest: RAY PARKER JR. CAMEO ONE WAY O'JAYS TEMPTATIONS/JAMES

WTOY/R0111101. u Robert Tucker NORWOOD B.

MILLIE JACKSON DEODATO BRANDI WELLS THOMPSON TWINS CAMEO GEORGE DUKE SALSOUL ORCHESTRA Hottest: PATRICE RUSHEN DAZI BAND GAP BAND TEMPTATIONS/JAMES JEFFREY OSBORNE

KTFM/San Antonio J« Nasty

SHEENA EASTON RONNIE MILSAP PLEASURE Hottest: MCCARTNEY/WONDER JOAN JETT RICHARD D. FIELDS GRANDMASTER FLASH RICH LITTLE

WAWA/Tallahassee Joe Bullard

CHERYL LYNN TASTE OF HONFY DUINCY JONES BILLY OCEAN ATLANTIC STARR Hottest: DAZZ BAND TEMPTATIONS/JAMES GAP BAND SHA LAMAR PATRICE RUSHFN

WTMPRamps Jerry Walker

RICH LITTLE SADANE JOEY GILMORE RITCHIE FAMILY BRANDI WELLS MASS PRODUCTION ATLANTIC STARR LEVEL 42 DEODATO CARRIE LUCAS Hottest: DAZZ BAND SOUL SONIC FORCE BLOODSTONE LARRY GRAHAM RAY PARKER JR.

WEST

KDKO/Derner

Byron Flits

DREAMGIRLS MAGIC LADY CHERYL LYNN MORNING STAR COFFEE DAN SEALS SHADOW JUICY CHI -LITES TRAMA MICHAEL WYCOFF VIDEEO Hottest: TEMPTATIONS/JAMES DAZI BAND GAP BAND O'BRYAN DENIECE WILLIAMS

KDAYAss AnBslee J.J. JetoeeR

WAR DEODATO PLUSH RICHARD D. FIELDS DREAMGIRLS ATLANTIC STARE Hottest: ONE WAY MCCARTNEY/WONDER RICK JAMES CHIC CHANGE

KACE/Loe Angeles Alonzo Millar

JEFFREY OSBORNE ROBERTA FLACK Hottest: ONE WAY TEMPTATIONS/JAMES PATRICE RUSHER STEVIE WONDER ASHFORD i SIMPSON

KOWOakland Jolt Harriman

REDDINGS CHIC DREAMGIRLS KLIQUE GAP BAND JUNIOR Hottest: CAMEO CAMEO GAP BAND ONE WAY T -CONNECTION RICK JAMES

K UKOIPhosnls

Siam Smith

KLIQUE LEVEL 42 WAR AURRA TIME SISTER SLEDGE HEATWAVE BOBBY CALDWELL CAMEO D TRAIN LINDA FIELDS Hottest: CHANGE GAP BAND WHISPERS JEFFREY OSBORNE ONE WAY

KPOP FWSaeramenb Bill Jeffries `J'

STYLISTICS RONNIE DYSON CHERYL LYNN BILLY OCEAN BLONDIE TIME BANDITS ATLANTIC STARR CHAS JANKEL VIDEEO Hottest: GAP BAND RICK JAMES HUMAN LEAGUE TOM TOM CLUB LAKESIDE

SHIVA/San Diego Dull Lindsey JEFF LORBER BILLY OCEAN CHERYL LYNN ODYSSEY CARRIE LUCAS WAR SOUL SONIC FORCE VIDEEO DREAMGIRLS Hottest: GAP BAND ONE WAY TEMPTATIONS/JAMES RARE ESSENCE RICK JAMES

K BOLJBan Mtorso, CA B erNnle Mesdy

D TRAIN DENIECE WILLIAMS JUNIOR CANDELA Hottest: PATRICE RUSHEN T -CONNECTION ONE WAY JEFFREY OSBORNE QUEEN

Jazz... NAU1ONAL!AIRPLAW3O.

Week

14 2 3 6 4

June 4, 1982 O PAT METHENY GROUP/Offramp (ECM/WB) O JEFF LORBER/It's A Fact (Arista) 3 RAMSEY LEWIS/Live At The Savoy (Columbia) O DAN SIEGEL/Dan Siegel (Elektra) 5 PATRICE RUSHEN/Straight From The Heart (Elektra)

5 6 FATHERS Er SONS/Fathers Er Sons (Columbia) 9 O MAYNARD FERGUSON/Hollywood (Columbia) 1 8 BEN SIDRAN/Old Songs... (Antilles/Island)

9 HEATH BROTHERS/Brotherly Love (Antilles/Island) MILES DAVIS/We Want Miles (Columbia)

11 FREDDIE HUBBARD/Ride Like The Wind (Musician/Elektra) 12 LEE RITENOUR/Rio (Musician/Elektra) 13 JEAN LUC-PONTY/Mystical Adventure (Atlantic)

WEATHER REPORT/Weather Report (ARC/Columbia) SONNY ROLLINS/No Problem (Milestone/Fantasy)

16 JUDY ROBERTS/Nights In Brazil (Inner City) el PHIL UPCHURCH/Free Et Easy (JAM) 18 TANIA MARIA/Taurus (Concord) 19 GROVER WASHINGTON JR./Come Morning (Elektra) 20 GEORGE DUKE/Dream On (Epic) 21 CHARLES EARLAND/Earland's Jam (Columbia) 22 ERNIE WATTS/Chariots Of Fire (Owest/WB) 23 MICHAEL FRANKS/Objects Of Desire (WB) 24 FUSE ONE/Silk (CTI) 25 MARCIO MONTARROYOS/Magic Moment (Columbia)

HERB ALPERT/Fandango (A&M) 27 AL JARREAU/Breakin' Away (WB) e AL DI MEOLA/Electric Rendezous (Columbia)

ERIC GALE/Blue Horizon (Musician/Elektra)

e SARAH VAUGHAN/Gershwin Live! (CBS)

New Entry p

JAZZ REPORTING STATIONS: WYBC/New Haven, CT, Art Russell WYRS/Stanford, CT,

Rick Petrone, KSAX/Dallas-Ft. Worth, TX, Bob Stewart WDBS/Durham, NC, Rob tringle; WBBY/Columbus,

OH, Tim Hodges; WJZZ/Detroit, MI, John Hill; KTWN/Minneapolis, MN, TOm Pelissero; WXFM/Chicago, IL

Jim Walsh; KJAZ/Sen Francisco, CA, Dick Conte; KJJZ/Denver, CO, Ira Gordon; KJZZ/Seattle, WA, Jeff Hanley.


Page 54 RBRIFriday, June 4, 1982

]_.......RegbOnal Adds lik Hots EAST WRJEJEFle

Parallel One TedAbbel FRANKE/KNOCKOUTS AIR SUPPLY CHICAGO AILEEN QUINN Hottest: SHEENA EASTON EDDIE RABBITT DENIECE WILLIAMS WILLIE NELSON MCCARTNEY/WONDER

WCBMIS.Metr. NW Wren AIR SUPPLY LESLIE PEARL CHICAGO Hottest: KARLA BONOFF JUICE NEWTON NEIL DIAMOND

W RORIBoaton Mike ADM.»

TOTO Hottest: MCCARTNEY/WONDER WILLIE NELSON CHARLENE RONNIE MILSAP RAY PARKER JR.

WVBFIBoelen Reg Jenne

KARLA BONOFF Hottest: MCCARTNEY/WONDER SHEENA EASTON WILLIE NELSON DENIECE WILLIAMS JUICE NEWTON

WBEIMuff.le Roger CMlellen

AIR SUPPLY CHICAGO LESLIE PEARL WEDDINGS KARLA BONOFF Hottest: MCCARTNEY/WONDER WILLIE NELSON CHARLENE DENIECE WILLIAMS STEVIE WONDER

GM/Su/lab Jarry Rae

none Hottest: MCCARTNEY/WONDER CHARLENE ROBERTA FLACK DAN FOGELBERG WILLIE NELSON

WYNY/Nw York Jell Mood

WILLIE NELSON AIR SUPPLY BLONDIE Hottest: RICK SPRINGFIELD MCCARTNEY/WONDER DENIECE WILLIAMS ELTON JOHN SANTA ESMERALDA

W W IPIWledelphl. Sob Ruano

DENIECE WILLIAMS Hottnone

one

WTAEIPNNMrph Dan Birr KARLA BONOFF ALABAMA CHICAGO Hottest: WILLIE NELSON HUEY LEWIS L NEWS WAYLON L WILLIE EIL DIAMOND

WARWICK & MATHIS

WSfrnNnlaWr9 Bab Pal»

AIR SUPPLY LESLIE PEARL LARRY ELGART L HI

GLENN FREY Hottest: RONNIE MILSAP JUICE NEWTON GERTIE HIGGINS LRB ALABAMA

W WYZ/FlatForA Glenn Collgan

CHICAGO AIR SUPPLY BILL LABOUNTY STEVIE WONDER Hottest: MCCARTNEY/WONDER ELTON JOHN SHEENA EASTON KARLA BONOFF RONNIE MILSAP

WTICIINrtlord Olnny Jaalonka

LARRY LEE Hottest: MCCARTNEY/WONDER WARWICK L MATHIS GERTIE HIGGINS ROBERTA FLACK KARLA BONOFF

Mn1AWRetll.IMr, NY Dab Laird

AIR SUPPLY Hottest: DAN FOGELBERG EDDIE RABBITT MCCARTNEY/WONDER SHEENA EASTON ELTON JOHN

WGYISCNMectedy Wahr Fritz

AIR SUPPLY Hottest: CHARLENE MCCARTNEY/WONDER JUICE NEWTON ALABAMA MELISSA MANCHESTE

WNEWSyrecuee Karen Taylor

WARWICK 6 MATHIS ASIA HUMAN LEAGUE FRANKE/KNOCKOUTS Hottest: WILLIE NELSON MCCARTNEY/WONDER DAN FOGELBERG ELTON JOHN JUICE NEWTON

WFTOIWolneter Cliff Blake

MANHATTAN TRANSFE ALABAMA Hottest: DAN FOGELBERG

WW$W (7WByPletsb.rgh EDDIE RABBITT SHEENA EASTON WILLIE NELSON MCCARTNEY/WONDER

INA Croce

TOTO LARRY LEE AIR SUPPLY Hottest: WILLIE NELSON CHARLENE MCCARTNEY/WONDER JUICE NEWTON NEIL DIAMOND

WMOIPIO.MM1Ce Gary Brkoarlts

SHEENA EASTON Hottest: none

WLTT/Weehln9ton.D.C. BalabanrCummIn9e

CHICAGO RICK SPRINGFIELD LRB LESLIE PEARL AIR SUPPLY HUEY LEWIS & NEWS JOHN SCHNEIDER BILL CHAMPLIN Hottest: WARWICK á MATHIS MECO SHEENA EASTON RONNIE MILSAP STEVIE WONDER

WASIVW.OWIN9rn, D.C. gob Duokrnen

none Hottest: MCCARTNEY/WONDER WILLIE NELSON ROBERTA FLACK JUICE NEWTON EDDIE RABBITT

Parallel Two

WMCISrepapol Lee Roberta

CHICAGO ÌR SUPPLY STEVIE NICKS Hottest: WILLIE NELSON JUICE NEWTON DENIECE WILLIAMS NEIL DIAMOND ALABAMA

WKAZIChrlsSlsn Frnr George

HEART CHICAGO AIR SUPPLY Hottest: MCCARTNEY/WONDER JUICE NEWTON WILLIE NELSON KARLA BONOFF TOTO

WBBARrk Jirn Ilorn

MANHATTAN TRANSFE ANDREA MCARDLE Hottest: WILLIE NELSON MCCARTNEY/WONDER LARRY ELGART & HI

RONNIE MILSAP NEIL DIAMOND

Parallel Three

W WNRIBeOkley Dodd Cole

AIR SUPPLY ONJ FRANKIE MILLER JON á VANGELIS DR. HOOK Hottest: DENIECE WILLIAMS MCCARTNEY/WONDER RICK SPRINGFIELD EYE TO EYE ELTON JOHN

WNAWBfdgepon Rues Garret

JOHN SCHNEIDER JON á VANGELIS CHICAGO AIR SUPPLY BILL CHAMPLIN Hottest: MCCARTNEY/WONDER RONNIE MILSAP WILLIE NELSON JUICE NEWTON WARWICK 6 MATHIS

WIEZE-FMrCepe Cod Paul McKenna

DREAMGIRLS AIR SUPPLY Hottest: SHEENA EASTON JUICE NEWTON MANHATTAN TRANSFE TOTO KARLA BONOFF

WEetVFNchbur9 ReymondlBerron

AIR SUPPLY BARBARA MANDRELL BILL LABOUNTY LARRY ELGART á HI Hottest: DAN FOGELBERG LARRY LEE LRB SHEENA EASTON KARLA BONOFF

WXSWYancMear Gory Duncan

AIR SUPPLY JOURNEY CHICAGO REDDINGS STEVIE WONDER TOTO DR. HOOK Nottest: KARLA BONOFF MELISSA MANCHESTE DENIECE WILLIAMS NEIL DIAMOND LESLIE PEARL

WCTCIIMw Brunewkk, NJ

Ay IBsy.b

AIR SUPPLY JOHN SCHNEIDER Hottest: MCCARTNEY/WONDER SIMON 6 GARFUNKEL EDDIE RABBITT GERTIE HIGGINS NEIL DIAMOND

MIDWEST Parallel One

WCLRAChlnage Glary rloa none Mottest: MCCARTNEY/WONDER CHARLENE WILLIE NELSON KARLA BONOFF RONNIE MILSAP

WFYRIChlcsgo John Wstltarb.e

STEVIE MONIER CHICAGO JON L VANGELIS Hottest: MCCARTNEY/WONDER CHARLENE RAY PARKER JP. WILLIE NELSON DENIECE WILLIAMS

66KRCICIndnnse John Phillips

none Mottest: WILLIE NELSON MCCARTNEY/WONDER BARRY MANILOW CARPENTERS CHARLENE

W OARICN.Nand Chuck Coiner

none Hottest: MCCARTN EY/WONDER WILLIE NELSON TOTO RAY PARKER JR. ELTON JOHN

WZZPACIewriend Bob McKay

none Hottest: MCCARTNEY/NON DER ROBERTA FLACK WILLIE NELSON CHARLENE GORDON LIGHTFCOT

W CZYIDetroll den Sabin

AIR SUPPLY LESLIE PEARL DR. HOOK PETER MCCANN REDDINGS GLENN FREY MAXUS Hottest: GERTIE HIGGINS BARBARA MANDRELL KARLA BONOFF NEIL DIAMOND

WHO/Kansas City Jell Roberts

none Hottest: MCCARTNEY/WONDER WILLIE NELSON SHEENA EASTON DAN FOGELBERG GREG GUIDRY

WISWMIkuaukee Dabble HInkl

none Hottest: MCCARTNEY/WONDER DAN FOGELBERG SIMON L GARFUNKEL EDDIE RAPBITT RONNIE MILSAP

WZUUFMMIhraukee SootUSMnnon

MANHATTAN TRANSFE Hottest: RONNIE MILSAP SHEENA EASTON EDDIE RABBITT KARLA BONOFF WARWICK 6 MATHIS

WCCOIMInneapolls Danny Long

DAN SIEGEL DR. HOOK LESLIE PEARL AIR SUPPLY O.C. SMITH CALAMITY JANE

none

KS9a/SL Lou MorgaNWalker

ALABAMA DENIECE WILLIAMS LARRY LEE Hottest: LRB ROBERTA FLACK DAN FOGELBERG WILLIE NELSON MCCAATNEY/WONDER

Parallel Two

WAKwAkron tM IIr1 DENIECE WILLIAMS ALABAMA Hottest: RONNIE MILSAP WARWICK L MATHIS MCCARTNEY/WONDER WILLIE NELSON NEIL DIAMOND

WIBIYIAppMat

YEWS/Cincinnati KkrSAl.nsss CRy RogrrLmb none Hottest: EDDIE RABBITT MCCARTNEY/WONDER DAN FOGELBERG ROBERTA FLACK RONNIE MILSAP

61 DTVN/Columbus Danny Nugent

none Hottest: CHARLENE DAN FOGELBERG WILLIE NELSON MCCARTNEY/WUNDER JUICE NEWTON

W WOlOaylsn Judy Kelly

ALABAMA BILL LABOUNTY MICHAEL MURPHEY DAN SIEGEL CHICAGO AIR SUPPLY Hottest: BERTIE HIGGINS NEIL DIAMOND MECO

KRNTRIee Meins. Ste.. Gibbons

TOTO HEART Hottest: PAUL DAVIS WILLIE NELSON CHARLENE GORDON LIGHTFOOT

WOMCADaeoR TBA

AIR SUPPLY Hottest: KARLA BONOFF WARWICK L MATHIS

BFMrp&tIO'IMBrM GERTIE HIGGINS JUICE NEWTON RONNIE MILSAP none

Hottest: GERTIE HIGGINS RONNIE MILSAP MCCARTNEY/WONDER NEIL DIAMOND JUICE NEWTON

WilaCferanten Mike Dorn

AIR SUPPLY MICHAEL MURPHEY REDDINGS CHARLIE ROSS Hottest: EDDIE RABBITT DENIECE WILLIAMS RONNIE MILSAP JUICE NEWTON NEIL DIAMOND

WARMMICMerWl Walkr(Zaffllrert

AIR SUPPLY GLENN FREY HEART CHICAGO Hottest: EDDIE RABBITT GERTIE HIGGINS RONNIE MILSAP KARLA RUNOFF JUICE NEWTON

WFOF/FlInl Paul Landlno

CHICAGO LESLIE PEARL AIR SUPPLY MICHAEL MURPHEY Hottest: MCCARTNEY/WONDER EDDIE RABBITT ROBERTA FLACK WARWICK á MATHIS RONNIE MILSAP

WOWOIFt. Wayne Sam D.Vlnc.nt

none Hottest: MCCARTNEY/WONDER RICK SPRINGFIELD VANGELIS KOOL á THE GANG HALL á OATES

MIEMBSndWrpeYa GyalaNngelWFlaela!

none Mottest: MCCARTNEY/WONDER WILLIE NELSON WARWICK L MATHIS SHEENA EASTON RONNIE MILSAP

Blab Bell

LRB AIR SUPPLY BLONDIE LESLIE PEARL REDDINGS ROSANNE CASH EARL KLUGH Hottest: MCCARTNEY/WONDER KARLA BONOFF EDDIE RABBITT JUICE NEWTON RONNIE MILSAP

KUOLJKanbe City Elaine Kllne

AIR SUPPLY Hottest: MCCARTNEY/WONDER RONNIE MILSAP WILLIE NELSON ROBERTA FLACK SIMON L GARFUNKEL

WFIMULaneWil Dab McCiery

FRANKIE MILLER Hottest: JOHN SCHNEIDER LARRY SANTOS T.G. SHEPPARD ALABAMA TOTO

WIBAMadlson Ron Sow.

AIR SUPPLY Hottest: KARLA BONOFF DAN FOGELBERG SHEENA EASTON EDDIE RABBITT GERTIE HIGGINS

KLTEIOkt.hors City Tony Slone

AIR SUPPLY JUICE NEWTON Hottest: MCCARTNEY/WONDER T.G. SHEPPARD EDDIE RABBITT RONNIE MILSAP NEIL DIAMOND

WC/GA/Quad CItlb. IL John Roberts

AIR SUPPLY STEVIE WONDER Hottest: MCCARTNEY/WONDER EDDIE RABBITT SHEENA EASTON RONNIE MILSAP JUICE NEWTON

KSLOISt. Louie AntiwrToEe/aeo

RONNIE MILSAP RICK SPRINGFIELD MOTELS KARLA BONOFF Hottest: MCCARTNEY/WONDER HUMAN LEAGUE LRB PAUL DAVIS JUICE NEWTON

WMIIElreledo Ruth Ray

HUMAN LEAGUE AIR SUPPLY Hottest: JUICE NEWTON TOTO RONNIE MILSAP GERTIE HIGGINS ALABAMA

KKRDIWIchRa, KS Jack ONE.,

AIR SUPPLY B.J. THOMAS OAK RIDGE BOYS Hottest: BARRY MANILOW SHEENA EASTON RONNIE MILSAP NEIL DIAMOND MCCARTNEY/WONDER

Parallel Three

WJIICIBIornln9lon, IL

Wow Name AIR SUPPLY OAK RIDGE BtYS REDDINGS Hottest: RONNIE MILSAP JUICE NEWTON GERTIE HIGGINS LARRY LEE NEIL DIAMOND

KCRO/Cedr Rsp10s, IA Cad Mann

DENIECE. WILLIAMS CHICAGO REDDINGS AIR SUPPLY Hottest: DAN FOGELBERG MCCARTNEY/WONDER T.G. SHEPPARD LRB JUICE NEWTON

WDAYIFrgsYoMFsFO BEat! Andersen

CHICAGO AIR SUPPLY DENIECE WILLIAMS EARL KLUGH BILL CHAMPLIN Nottest: MCCARTNEY/WONDER BERTIE HIGGINS KARLA BONOFF JUICE NEWTON ALABAMA

KFORlllnooln, M Pate Moran AIR SUPPLY CHICAGO REDDINGS HEART HUEY LEWIS ONJ LEE GREENWOOD Hottest: RONNIE MILSAP JUICE NEWTON NEIL DIAMOND ALABAMA DENIECE WILLIAMS

WSOWISegirtsw Fred Keller

JON L VANGELIS MICHAEL MURPHEY AIR SUPPLY Hottest: MCCARTNEY/WONDER ROBERTA FLACK KARLA BONOFF DAN FOGELBERG WARWICK á MATHIS

KATISlsoe.Felle Nrm Anderson

AIR SUPPLY BILL CHAMPLIN STEVIE WONDER Hottest: LRB

L NEWS KARLA RUNOFF STEVIE NICKS FRANKE/KNOCKOUTS SOFT CELL

WJOWSL Cloud, MN

Torn Sort ERIC GALE DAN SIEGEL FREDDIE HUBBARD CHICAGO MAXUS AIR SUPPLY Hottest: KARLA BONOFF RONNIE MILSAP JUICE NEWTON ALABAMA

WBOWITrre Veule, el Larry Joseph

none Hottest: MCCARTNEY/WONDER WILLIE NELSON JUICE NEWTON TOTO RONNIE MILSAP

WEST Parallel One

KNOW/Denver Lsl9h Stern«

ALABAMA GERTIE HIGGINS Hottest: PAUL DAVIS DAN FOGELBERG WILLIE NELSON CHARLENE ROBERTA FLACK

KPPLIDenser Rick Brady

TOTO AIR SUPPLY BILL LABOUNTY Hottest: WILLIE NELSON DAN FOGELBERG RONNIE MILSAP SHEENA EASTON TOTO

KOYIPWoMN Charlie Van Dyke

MELISSA MANCHESTE TOTO AIR SUPPLY BILL LABOUNTY LRB Hottest: none

KEX/PertieW Sob i..neen AIR SUPPLY BILL LABOUNTY LESLIE PEARL Hottest: MCCARTNEY/WONDER DAN FOGELBERG SHEENA EASTON EDDIE RABBITT KARLA BONOFF

KOWIPrtland TBA

none Hottest: MCCARTNEY/WONDEF WILLIE NELSON ROBERTA FLACK DAN FOGELBERG SHFENA EASTON

KEZIJSsn DNge Gary Allyn

AIR SUPPI.Y CHICAGO Hottest: RONNIE MILSAP DAN FOGELBERG KARLA BONOFF NEIL DIAMOND DENIECE WILLIAMS

KFIMISen Diego Mark Layon

AIR SUPPLY CHICAGO LESLIE PEARL REDDINGS Hottest: MCCARTNEY/WONDER RONNIE MILSAP EDDIE RABBITT SHEENA EASTON BERTIE HIGGINS

KNBRISn Francisco Larry Finkel

TOTO Hottest: MCCARTNEY/WONDER GERTIE HIGGINS JUICE NEWTON RONNIE MILSAP WARWICK 6 MATHIS

KUOWEugenS, OR KYUUISM Francisco Brian James Terry Danner

REDDINGS AIR SUPPLY Hottest: MCCARTNEY/WONDER SHEENA EASTON BERTIE HIGGINS KARLA BONOFF DENIECF WILLIAMS

KKUARleIrNle Kkea Mate ALABAMA JOHN SCHNEIDER Hottest: MCCARTNEY/WONDER DENIECE WILLIAMS WILLIE NELSON ALIIS T.G. SHEPPARD

KMJJILas VegeW KPLZIse.MN gob S.rzlne King/Cook

LESLIE PEARL CHICAGO REDDINGS Hottest: MCCARTNEY/WONDER SHEENA EASTON KARLA BONOFF RONNIE MILSAP KWAVIMentr.y DAN FOGELBERG

KJWSMMe Norm Or.9ory

LARRY ELGART á HI RICK SPRINGFIELD CAROLEE MAYNE Hottest: RONNIE MILSAP JUICE NEWTON KARLA BONOFF HEART TOTO

Parallel Two

KOS/Albuquergue Larry Ahren.

JOHN SCHNEIDER B.J. THOMAS JON á VANGELIS AIR SUPPLY Hottest: RONNIE MILSAP JUICE NEWTON NEIL DIAMOND

KSOYSoIea LM Chubb

REDDINGS LESLIE PEARL STEVIE NICKS AIR SUPPLY Hottest: MCCARTNEY/WONDER SHEENA EASTON EDDIE RABBITT JUICE NEWTON RONNIE MILSAP

none Hottest: ELTON JOHN JUICE NEWTON ROBERTA FLACK MCCARTNEY/WONDER BERTIE HIGGINS

Stare Parlato

GLENN FREY NEIL DIAMOND ASIA STEVIE NICKS AIR SUPPLY BLONDIE Hottest: KARLA BONOFF JUICE NEWTON STEVIE WONDER MOTELS HEART

DENIECE WILLIAMS CHICAGO GLENN FREY HUMAN LEAGUE Hottest: RONNIE MILSAP SHEENA EASTON LRB TOTO DENIECE WILLIAMS

KIM/Welds Don »wen

AIR SUPPLY CHICAGO LESLIE PEARL Hottest: MCCARTNEY/WONDER HstBayfBRY SHEENA EASTON WILLIE NELSON KARLA BONOFF RONNIE MILSAP

Parallel Three

K FOOIAnchrege, AK Mark Limb

KREWSpdane Mabee Austin

none Hottest: MCCARTNEY/WONDER DAN FOGELBERG ROBERTA FLACK SIMON 6 GARFUNKEL CHARLENE

KCEE/Tucaon Alan Wehaas

AIR SUPPLY PLATTERS Hottest: MCCARTNEY/WONDER BERTIE HIGGINS NEIL DIAMOND JUICE NEWTON RONNIE MILSAP

K.1 Kr/Secramer,M KTKTRucean Paul Mitchell Bobby Mere AIR SUPPLY BILL LABOUNTY RICK SPRINGFIELD PAUL MCCARTNEY ELTON JOHN Hottest: MCCARTNEY/WONDER WILLIE NELSON KARLA BONOFF ROBERTA FLACK RONNIE MILSAP

KSUS5M Lake CMy

George Lrneh AILEEN QUINN LESLIE PEARL REDDINGS AIR SUPPLY Hottest: MCCARTNEY/WONDER SIMON L GARFUNKEL SHEENA EASTON MANHATTAN TRANSFE RONNIE MILSAP

DENIECE WILLIAMS AIR SUPPLY CHICAGO LARRY ELGART L HI Hottest: DAN FOGELBERG LRB BERTIE HIGGINS NEIL DIAMONO GLENN FREY

OAR RIDGE BOYS ALBERT COLEMAN'S RGEANNE CASH STEVIE NICKS REDDINGS AIR SUPPLY BILL CHAMPLIN Hottest: MCCARTNEY/WONDER DAN FOGELBERG SIMON á GARFUNKEL KARLA BONOFF WARWICK L MATHIS

KADEAeuMsr.CO

none Hottest: MCCARTNEY/WONDER DAN FOGELBERG WILLIE NELSON RONNIE MILSAP

KSOZISorenten, MT D atad Feder

GLENN FREY ONJ CHICAGO AIR SUPPLY Hottest: MCCARTNEY/WONDER RONNIE MILSAP SHEENA EASTON MANHATTAN TRANSFE DENIECE WILLIAMS

KTWOICasper Jobs Leader

AILEEN QUINN ONJ AIR SUPPLY B.J. THOMAS CHICAGO PETER MCCANN Hottest: EDDIE RABBITT WARWICK á MATHIS RONNIE MILSAP JUICE NEWTON MECO

KBAIMrro Bay Donna St. John

AIR SUPPLY ONJ RAY PARKER JR. DR. HOOK BOBBY CALDWELL LESLIE PEARL Hottest: KARLA BONOFF JUICE NEWTON RONNIE MILSAP MCCARTNEY/WONDER TOTO

KRNOR.erw Lam Irons

AIR SUPPLY READINGS CHICAGO HERB ALPERT GERTIE HIGGINS Hottest: MCCARTNEY/WONDER RONNIE MILSAP JUICE NEWTON DENIECE WILLIAMS NEIL DIAMOND

KRKK/ROck Springs, WY Chuck Marien

none Hottest: JUICE NEWTON KARLA BONOFF LARRY LEE MOTELS TOTO

KISNISSM Lake City JbsepMu.aer

CHICAGO GLENN FREY DR. HOOK AIR SUPPLY Hottest: MCCARTNEY/WONDER WARWICK á MATHIS KARLA BONOFF ELTON JOHN DAN FOGELBERG

KSRO/Sant. P.O.. Mike Alaandr AIR SUPPLY CHICAGO DR. HOOK REDDINGS Hottest: MCCARTNEY/WONDER WILLIE NELSON DAN FOGELBERG SHEENA EASTON EDDIE RABBITT

SOUTH Parallel One

WLTAIAt1anM Allen BaOtdara

PLATTERS HERB ALPERT LARRY ELGART á HI Hottest: BERTIE HIGGINS JOHN SCHNEIDER MANHATTAN TRANSFE ALBERT COLEMAN'S REDDINGS

WMIAWnte Greg Moreno

CHICAGO BILL CHAMPLIN OAK RIDGE BOYS MICHAEL MURPHEY AIR SUPPLY Hottest: MCCARTNEY/WONDER SHEENA EASTON KARLA BONOFF JUICE NEWTON NEIL DIAMOND

KVK/Dslleeft. Worst Chuck Rhode*

KARLA BONOFF STEVIE WONDER EDDIE RABBITT LARRY ELGART L HI Hottest: MCCARTNEY/WONDER ROBERTA FLACK ELTON JOHN DENIECE WILLIAMS SHEENA EASTON

KFMKIINustOn SumperlSNele

CHICAGO Hottest: WILLIE NELSON MCCARTNEY/WONDER BARBRA STREISAND STEVIE WONDER KENNY ROGERS

WAIA (B7AUXMlerF Ft. Lauchte»

Yolnds Pamps, LRB DENIECE WILLIAMS Hottest: DAN FOGELBERG SHEENA EASTON KARLA BONOFF NEIL DIAMOND MCCARTNEY/WONDER

Parallel Two

KEYIOS/Auaeq TX Mike Patrick

AIR SUPPLY Hottest: BERTIE HIGGINS RONNIE MILSAP DENIECE. WILLIAMS MELISSA MANCHESTE LEO SAYER

WAFNeWon Rangs

STEVIE WONDER AIR SUPPLY LESLIE PEARL Hottest: MCCARTNEY/WONDER JUICE NEWTON WILLIE NELSON ROBERTA FLACK

WBOWBMnWtplrr MOwrllCltatdter

none Hottest: DAN FOGELBERG RAY PARKER JR. SIMON & GARFUNKEL LRB

WSTICItalotle Mary June Rob

BILL LABOUNTY CHICAGO Hottest: MCCARTNEY/WONDER WARWICK á MUTHIS KARLA BONOFF JUICE NEWTON STEVIE WONDER

KMOCJO.BbFL Worth NMMIBJrnee

TOTO Hottest: MCCARTNEY/WONDER JUICE NEWTON WILLIE NELSON RONNIE MILSAP SHEENA EASTON

WAAYMunN.11N JIrn Kendrick*

MECO CHICAGO Hottest: MCCARTNEY/WONDER DAN FOGELBERG ALABAMA RONNIE MILSAP NEIL DIAMOND

WBLUJackart, MS be Sennett

AIR SUPPLY CHICAGO REDDINGS SMITH L CLAYTON STEVIE WONDER Hottest: MCCARTNEY/WONDER RONNIE MILSAP JUICE NEWTON SHEENA EASTON EDDIE RABBITT

WAIVIJackaon.11le, FL Reggie Slackwll none Hottest: MCCARTNEY/WONDER WILLIE NELSON DAN FOGELBERG SHEENA EASTON ROBERTA FLACK

WYUULezinglen Grp Peddlsord

none Hottest: MCCARTNEY/WONDER EDDIE RABBITT SIMON á GARFUNKEL SHEENA EASTON DAN FOGELBERG

KAAYILIttle Rook Slab Kelly

DENIECE WILLIAMS Hottest: MCCARTNEY/WONDER DAN FOGELBERG CHARLENE WILLIE NELSON PAUL DAVIS

WRKArLoulevIlle Hot teat: LM TobinBERTIE HIGGINS

AIR SUPPLY RICK SPRINGFIELD CHICAGO MOTELS

MELISSA MANCHESTE MELISSA MANCHESTE

Hottest: JUICE NEWTON

MCCARTNEY/WONDER WARWICK L MATHIS JUICE NEWTON NEIL DIAMOND KARLA BONOFF

BMB6RNeh.11N Bruce Sherman

AIR SUPPLY STEVIE WONDER ALABAMA GENESIS Hottest: LRB KARLA BONOFF MCCARTNEY/WONDER MELISSA MANCHESTE JUICE NEWTON

WOOF -Mew Odium CMe Bryan

STEVIE WONDER RICK SPRINGFIELD CHICAGO Hottest: DENIECE WILLIAMS JUICE NEWTON NEIL DIAMOND HUEY LEWIS L NEWS PATRICE RUSHEN

WTANNrdi Tea Looney

NEIL DIAMOND Hottest: ROBERTA FLACK DAN FOGELBERG MCCARTNEY/WONDER EDDIE RABBITT SIMON L GARFUNKEL

WMAZAIYm1 Sla.. Murphy

REDDINGS Hottest: none

WRVRIManphis Sieb Butler

DR. HOOK CHICAGO Hottest: WARWICK L MATHIS T.G. SHEPPARD PERTIC HIGGINS EDDIE RABBITT NEIL DIAMOND

WIBIYMongrlwy PMI Hoa on

RICK SPRINGFIELD GLENN FREY JOURNEY SURVIVOR Hottest: none

WMLY (Y-10000 lsndo BM Mlelres REDDINGS STEVIE WONDER AIR SUPPLY EARL KLUGH ASIA 111 SPECIAL STEVE MILLER BAND

WPTFIRatalgll Geerge Donne

BILL LABOUNTY AIR SUPPLY PLATTERS Hott set: MCCARTNEY/WONDER RONNIE MILSAP MANHATTAN TRANSFE NEIL DIAMOND MECO

WRVAffilchinata VA Pet Wilson

DENIECE WILLIAMS MELISSA MANCHESTE B.J. THOMAS LESLIE PEARL AIR SUPPLY Hottest: ALABAMA JON L VANGELIS JUICE NEWTON SIMON á GARFUNKEL SHEENA EASTON

W SRZ/s.rssra SclahReirorn

GLENN FREY REDDINGS Hottest: MCCARTNEY/WONDER TOTO RICK SPRINGFIELD JUICE NEWTON ASIA

W SJSIW eetorr-SaNm Klan Jones

LARRY LEE DENIECE WILLIAMS LESLIE PEARL Hottest: MCCARTNEY/WONDER DAN FOGELBERG WILLIE NELSON RONNIE MILSAP JUICE NEWTON

Parallel Three

KRBCIAbllerts SmMFVShannon

REDDINGS AIR SUPPLY ONJ CHARLIE ROSS Hottest: ROBERTA FLACK RONNIE MILSAP WARWICK L MATHIS JUICE NEWTON SHEENA EASTON

WSKYIAeII.MIN Tom Cabby O.C. SMITH ONJ AIR SUPPLY MCFERRIN L SNOW FLORENCE WARNER LEO SAYER GLASS MOON LARRY ELGART & HI CHARLIE ROSS JON ANDERSON Hottest: MCCARTNEY/WONDER BOBBY CALDWELL MANHATTAN TRANSFE EYE TO EYE DAN FOGELBERG

WCHVICherNlleallle Tom Twine

HALL & OATES AIR SUPPLY RAY PARKER JR. REDDINGS GLENN FREY ROLLING STONES JOURNEY JOHN SCHNEIDER Hottest: TOTO LAB JUICE NEWTON KARLA BONOFF

WDEFICNManoogo Cecil Ruffin

none Hottest: B.J. THOMAS RONNIE MILSAP BARBRA STREISAND WILLIE NELSON MANHATTAN TRANSFE

0-961Fí. Myers Dare Ferrero

none Hottest: ROBERTA FLACK WILLIE NELSON HUMAN LEAGUE ELTON JOHN MCCARTNEY/WONDER

K BEL/Lubbock TX

Chne Maunder

ONJ AIR SUPPLY REDDINGS CHICAGO Hottest: MCCARTNEY/WONDER KARLA BONOFF RONNIE MILSAP T.G. SHEPPARD DENIECE WILLIAMS

WLVA/Lynehbur9, VA Dick Orant

GLENN FREY AIR SUPPLY READINGS Hottest: JOHN SCHNEIDER WILLIE NELSON RONNIE MILSAP LARRY LEE DENIECE WILLIAMS

WOIIOIOren9abup SC

SM Wright

CHICAGO AIR SUPPLY RICK BOWLES GLENN FREY ROSANNE CASH Hottest: MCCARTNEY/WONDER RAY PARKER JR. DENIECE WILLIAMS ALABAMA MELISSA MANCHESTE

WROVTesnoka Matt EMI*

NEIL DIAMOND STEVIE NICKS JOURNEY Hottest: TOTO JUICE NEWTON ALABAMA LARRY LEE RONNIE MILSAP

WWSAlsarenneh, GA WsdkarrKay

FLORENCE WARNER MICHAEL MURPHEY Hottest: NEIL DIAMOND KARLA RUNOFF RONNIE MILSAP MANHATTAN TRANSFE ALABAMA

117 Current Reports

Due to the Memorial Day holiday, the following stations reported

frozen playlists this week: GR55/Buffalo

WASH/Washington WCLR/Chicago

55KRC/Cincinnati WGAR/Cleveland WZZP/Cleveland WHB/Kansas City WISN/Milwaukee WHBY/Appleton YES95/Cincinnati

610TVN/Columbus WOWO/Ft. Wayne

WSGN/Birmingham WAIV/Jacksonville WVLK/Lexington KREM/Spokane

WBOW/Terre Haute WDEF/Chattanooga

Q96/Ft. Myers KADE/Boulder

KRKK/Rock Springs


REtR/Friday, June 4, 1982 Page 55

CHR PARALLEL ONE PLAYUSTS EAST

rCFTR680 Toronto

PD: Bob Saint Music Coordinator: Cyd Kaplan

I ICCARTKY/*ODER/E6»y Ma Ivry » IASIA/Mat Of The (bent H 3 00RLENE/I eve Never Men To IM

11

T0T0/Msenne 10 DBEEWBMy lryuege

6 SPLIT EMZ/Sie Metes In A Leaky

I

JOAN JETT/Oisoon Md Clover Mean 5 RAY AMMER JR./TM Other

6 TONCe TU1ONE/100-5309/Jenny 20 I JOIN CWGAR/IMrts So Good

18 1 JUICE NEWTON/Love's Been A Lift, 0 1 1UAN LEAGUE/D0'1 Tou leant Me

9 1 RIIX SPRINGF IELD/o.I't Tell To Strenge 12 1 PALL MV15/161 Lae Affair It 1 MOTELS/Only The lamely 16 I MEN AT W0RWMo Can It Be Me 13 1 DAM FOGS BEKJRO For The Mrs 15 1 ELTON JOM/hpty Grdenl they Net 14 YANOLIS/Chrlois Of Fire 20 20 38 SPECIAL/Caught lb In You 19 21 FRNNE/KN3CK0U1S/MItnout youlMt moth 25 22 GARNETT FOPP/Stay the Way You Me 29 23 LOVER/De/Men Its Over 31 21 IUEt LEWIS d 3EKs/Ibae you Lae Me LI.,

H 36 25 BLOI0IE/Islra Of Lost Mrs 37 26 STEVE MILLER BMNMreceaMOre 35 21 KANSAS/Play The Gem tonight

D 20 BERTH* HIGGINS/Just Mother Day In.. 22 29 01MNIE IRIS/M. Girl 30 30 LYDIA TAYLOR BND/Solle Guys 26 31 ROSETTA 5T0E/N1ding Free las 38 32 MENTAL A5 ARMHIN/T0 Many Ties 20 33 JOAN JETT/I Lae Rock 'N MI I

40 34 TOMATO/Your Daddy Dort KM. D 35 WILLIE IELSOWAI.eys On My *141 D M MKMI0OVEye 0 The Tiger D 37 LEROY SIBLES/II. 100400uí

M 38 KATE d AMIN MGM/Lae Me And Over 23 39 MALL E OATES/Old It In A Minute 24 D UB/Nn On Your Mlnd

MOO NOME

M 01M SPRING, IELO/Met 6111 0 Fool M 0000E5/11.1 M All 100 Peel

Att WXKS-FM

Boston PD: Sonny Joe White MD: Joe Carvell(

d » 1 RAY PINKER JR./the Other Madan

ICCMTNET/11NDEP/E6oy Md Ivry LOYERBDY/ran It's Der

H SNALNWUA might To Rely ALESSI/Mt Away tour Love PATRICE »SEN/Frget M Nets

I JINN JETT/CrImoe MO Clover 1 MOELS/OnIy The Laxly I DKZ BND/Le? It Whip I I TOTC/Nrenne I I TEIPTATI01vJMES/StMallg On ten Too 1 1 TOM TUT E/001-5)09/J.Iny 1 I SISTER SLEDGE/All Me Men I Med

H 21 1 ONE RAY/Cutler Pte H 22 1 STEVIE WMOEWM 1 Co

0 I 91ARON BRON/1 3pee101 In In Lae 18 I ASIA/Met 0 the Mae. 19 I LRB/Men M Tom 9100

20 I WAITRESSES/I Maw Mal M. Like 26 20 JON COrdmWMrts M Mod 24 21 TM HALEWO.cing In TM Street 21 22 JUICE IEMTO/LAo.Ia Men A Little 28 23 WART/IMls Ni Is Mine 29 24 OIWUDFLASWRI9b KIM 0 Lae 30 25 J. á1L5 BAD/Mgr. In Ble

D 26 G% MND/Erly In tti Ibrn1ng D 21 0SSEY/IMide Oct 0 28 ILOIDIE/Islend 0 Lost Souls D 29 RITCNIE FAMILY/1.11 Oe My BestlFOI t D 30 ClC/Sop For OM

AIDS MO IATIAMS/ I/ You See e 1.ngh1 re

MILLING STOES/Mlng lo A Go -Go WILLIE NELSON/Aloeya On IN land MW0.01.. LESLIE PEAW/I1 100 Lae Fits Neer WET LEWIS d LELG/lope You tae He La

GARY U.S. 110I105/001 0 York

HAIRCUT 100/Lae PIr Or ASKIKD t 51MPSO/Stret Corner M01DS/NMt M All The Pap» RAIWO/Slone Mad JEFFREY 0:13WE/1 Melly gmlt IMO N

KARMA BOOFF/PrsoneI IO ELTON JOM/Blle Eyes KIM WILDE/Klda In Merlca

FM 95.5 & AM 1580 Washington, D.C.

PD: Steve Kingston MD: Bruce Kelly

WCARTIEY/1401DEWE6»y Md IV

WILLIE /*LN/N.ays CoMy Mind d SO

TORT TOTOEE/1361-5309/Jenny RAY PARKER JR./Tee Other Mar

H I STEVIE e0/0EWM I M DUEEWBMy language ASNMIE

IRIS/My S/Ml 11111 DO

A/Mat Of The i

FMNLE/0,OMGUIS/Wltrut root», Meth NRNN LEAGUE/001'1 You Wet Ne

I I MULNUD/A Nlgn, To Mercer 010/Msenne

I i JUICE Nh/C,1.40e's Been A Little JOAN JETT/Crimson Md Clove MEG WIMP/CoIne Dom ROBERTA FLACK/Neeing Lae

2 I DENIECE WILLING/It's Gonna lake A Mir H 24 I SOFT CELL/Tainted Lae

1 1 Met Mina 2 20 DA22 BAMD/let It Whip

23 21 RIM SPRINGFIELD/Met Clop Of Fool M 25 22 I0GMIEaliSMILS%/My My New

23 23 DM P004100%/IN?For The Mrs 26 24 LOVERBOP/Mann It's s Ovr 30 D KANSAS/Play au Gee Tolght 29 26 ALNBAMA/leks Me Down

ADS NOME

(H) indicates one of the five "hottest" records on each Parallel One playlist.

a orHirr i ICAU Philadelphia

PD: Roy Laurence ICCMTNEY/MO0EWE600Y M ry

l

va CNARLENE/I've Never Been To TOIMY TUTOME/000-5309/Jenny CA22 BAND/Let It rap PAY PARKER JR./1m Other ban MRAN LEAGE/Don' You Went We

ELTON J01N/Eptt GraenlSy ley AS 01 The bent CERI/Murpn yes Lee KOOL 6 111E GANG/Get Dom Cc It PALL OAYIS/'65 love Alleir PATRICE ROSKN/Frget Me Nei

II I RICK SPRINGFIELD/Don't Talk To Strange IO 1 SOFT CELL/tainted Lae 19 I *CAN JETT/CrI.s» Md Vane

24 I MIL L MTES/Did It In A Minute 56 1 01LAN11G STARR/Circles

n 0 I WILLIE IELSOWAIeats M iH/ Mlle 18 I OXEN/Boo, Leguege 23 20 J. GEILS BAND/Freer Freon.

et 31 21 300110 FLACWNekIng Lae 15 22 F6ANIE/KNOMOIIS/altrul tore? Moth 21 23 TOTO/Msenne

» 0 24 LOVERBOT/Men It's ever 11 25 THIRD WORLD/Try Lao Lae Id 26 VANLIS/Cher lots 0f Flre 33 20 RIM JAMES/Dance MIT' Ne

A JO KARLA BONOFF/Pre»el It' 32 29 JOHN CORNUwrrs So Good 35 30 J01R1EY/Open Ares

o 31 GO D'S/Ile Got TM Beat 28 32 GREG GUIDRY/Gole' Dom 25 33 BERT IE HIGGINS/Key Ergo

» 0 31 SPARKS/I Prea let IJ 35 JOAN JETT/I Lae MCI eN MII 30 36 WAITRESSES/1 Know Met Mn LIk.

21 31 DEMIECE WILLING/It's Gonna Take A Mir 29 38 BEATLES/Movie Wad140

A 39 GREG KIM/Happy ken 30 40 GAP BAIC/Erly In TM M ruing

IDS 28. 39 IUEY LEWIS 0 NEWS/Mee You Lae a Llke BOW WOW WOI/I Went Cando STEVIE NIDEWDo I Do

LESLIE PEARL/I1 The Love Fits bar RA WICK/51one Cold TAM MSEN/Oenring In The StrmT MOIELS/MI y The Lonely DAN F3ELBERG/Rn Far lh. Ases mMIIIX 6 MTHIvfrlends In Lae SIAM E SWLNIOVNNIe 1p Little Susie JUICE NEETWLae's Benn A Little WART/1hls Men Is Mina

Montreal MD: Kevin Shea » JOAN Ell/Crime» Ma Clover

RAI RAMLER JR./The Other ben MCCARTIET/WOQY/Eaony Md Ivry

To Say 1011104/...1011104/...Ma used 5 IA/Heat 0 TM Miment

» IWGIIMIIW14s1 M 11us1» 04RI/Mrp'Y'a Lee LO0ERIOY/Men it's Over ewe LEAGUE/Don" You Went te

I I CIARLEHE/l've Never ben lo e I I IGTO/Ms»ne 1 1 QUEEN/Body Language

1 ALDO NGl/UFentasy I 1 TEMP TUTOE/8131-3309/Janny

» 1 I NEM At mourn Ce It Be be I I RIM s1RIKi IELD/Mn' Tank To Strange

» 1 1 MOTELS/Calf I00 Loewy JOAN JETT/I Lae Rock 1N Roll

1 J. NILS BNID/Freee From I 20 SOFT CELUlelnted Lae 16 21 JON CO*M/MrtM M Emd 18 22 ROOM 4 THE MMfk/51 Conn On It 22 23 BEATLES/Mule Medley 31 24 LRM/Mn On Tor MIM 29 15 SPLIT E/42/Stu Months In A L.e.y 35 26 PATRICE RUMEWFrgt M EMS 21 21 HUEY LEWIS S IE143/0o You mil tae In Lov 76 2e INNETTE WMNMIYCalI Glrl 39 29 MAIMUT 100/101* Plr One 58 30 NIET LEWIS E 1E14/Mpg You Ire Me Wee 25 II RICHARD D. FIELDS/if 11 Aln't One hing 20 32 STARS M 15/Tiere To SOcol soll

D 33 JUICE eOTOULaas Men A Little 31 34 MYOM ADMS/Flta Ya Good 11 n DD GO'S/e. Mt The Beet

O 36 KATE 4 MINA MGM/Love Over Md per 34 30 TERRY OUWFOO/Fhenitg

o 38 0012 BIND/Let 11 rip 0 39 MENIAL AS AMITNIWI» Meny T1.es 0 40 KNEED ROMER/leke Ne To leaven

ADS BLOROIE/Islad Of Lent Souls KART/leis Mn Is Mane FMPIAIIOINS/JMES/Stending On 10e lop

MAMEOIIN/ eert Roe Cold ALDO WtA/Fool In' Torelf EYE 10 EYE/Nice Girls A FLOCK a SENCIA/I Ren(5o Fr Away, MELISSA MNCIESTE/Y0 Should Naar roe.. 38 SPECIAL/Caught W In You STEVE MILLER MAW/FOracadabre SUolel STEVENS/too Drive a Crary BGGLES/On T.Y. MOMOES/eeet M Al I The Pall KANSAS/Play The f Tolght

AN HAIFA/Cowing In 100 Street S11011 WE NDER/Do I Do

Toso chum Toronto

PD: Jim Waters MD: Brad Jones

KCARTNEY/MUDEWEMny Ma vw 0

4 IUMY TUTOJE/000-5309/Jenny 5 IOIWMsanna 6 QUEEN/Eery Language 0 HAIRCUT 100/Lae Plus Ile

SR 11 ENU510 Months In A Leaky 4 11105MOTELS/031y TM Lanny II JOAN 4E11/Crimean Clover ID WIIBM/Stone Lola 13 I DAVID BM IE/G1 People IPuttlrg 0

S10/om Call. Mel Ice 8 I SIA/Met 0f The Moment

15 I JOHN CWG1/arts So Good

10 I PETE 0100/0 /IboIPlan H al I TAN HMLEWOacing In The Street

16 1 BRIAN ADAMS/Firs Ye Ceoa 12 1 1/hewn Ites Over20

1 TEENAGE HEAD/Soe1 Kind Of Fu

22 I IRON MAIOFWRn to The 111115

23 2 SPOONS/Nova Mart H 2E 2 3P SPECIAUGug? W In You

21 2 SPARKS/1 Predict H P 2 M.OAPIMS/Ne One Like You

1 2 GAMA/RIgep The First Tim H 0 D GE0ESH5/Peprl ate

D 26 ALDO "PTA/Fool In' Yourself 11 W mi ART/Tots n Is Mine

D 26 TORONTO/Your paddy Don't Know

O 29 A FLOCK O SEAGUL/I Rani.. Fr Awe, 0 30 PAYOLAMETes 01 A Mreger

ACES I0ZARElWIae Leids To Madness KANSAS/Play The Gee T»Nan, REO SPEEMAMWKeep The Fire Burning 000/1ege Force FULLING STONES/Going To. A Go -Go

l

PO ;Providence

PD & MD: Gary Berkowitz H I 1 K.CARTNEY/MG61EWEbony Pea Iva,y

2 RAY PARKER JR./The Other bean 3 ROBERTA FLACK/Ne5Inan Lae

H NIAN LEAGUE/Cane t You Wt lee

f LRWMen Can Your Mind H 1 6 WILLIE MELSON/Al.ays On My MllO

t Jevae /Open Ares 6 K00L d 1NE CANG/Mf Co. On It

H

II 9 ASIAM /NI 01 The bet 13 10 JUICE 0SlOWLae's Been A Llttle 14 II (*NIECE MILLIAMS/I111 Gone Take A Mir

0 12 RICK SPRINGFIELD/Mrt talk lo Strange 4 13 0ARLEIE/ I've /Mvr Been To le C 14 THTaWsanne

12 15 JOAN JETT/trleaon Md Craver II 16 Mar EASTON/Men le Banes 16 IT PALL 0.15/'65 La. Al fair

D 10 SOFT CELL/leint.a Lae 15 19 GREG GUIMY/Coin' Doen

o 20 JOIN EDGAR/Meta Sr, GOM

nos AIR SUPPLY/Even The Meats Are.. BLODIE/island Of Lost Mule WET LEWIS 8 NEWS/lope you Love le Like MOTELS/Only Be Lonely

rWNBC New York r»/ÓÓ

PD: Kevin Metheny Music Coord.: Lyndon Abell

I ICCARTNEt/MODEWE6cny Ma Ivry GREG GUIOAY/Min' Dom MALL d OATES/Old It In A Minute CAROLE KING/One To One

OWLLEFE/I've Never Been To Ile

RIM SPRINGFIELD/Don't lark To Strange BERT IF HIIIMS/Ney Largo 1AMGELIS/Grlots 01 Flre WHET JONES/Me Mar» Ways

PALL DAVIS/.65 Lae Affelr 11 AIR SUPPLY/5Wæ1 Dream

12 12 DAM FCGELBEIIG/LeeOeI a The Band

11 13 JOHN DENVER/ Meng. I Breezes F 11 NET LERIS d IEMYM mu Bel lever In Lov

16 15 MIKE POST/Theme From Mgnr. P.1 13 16 SINCE E GAELMEUbe IR Little Susie

20 17 RONIE MILS%/My by Non

19 16 ROBERTA FLACK/Meing Lae 15 19 BARRY MVNILM/Let's Hang On

11 20 TOTWMeIO. 22 21 WARWICK d IMTHIS/Friends In Lae 73 22 DAM FOGELBERG/Rn Fr The Mrs 26 23 /E11. 01000*/Be elm To aht 25 24 0041* BOIKfF/Preoel 1 21 25 IEOVBIg Band Orley 29 26 LRB/Nn M Tour MITA 30 27 RILLIE MELSON/AI.ays On Mr MIn6 A 28 AIR SUPPLY/Even The MIgles M...

18 29 DAVID LASLEO/If 1 lW ed Wish 1011

28 50 0EIL DIA110D/M The My To The My

Amy 25

5 -V -1777 - PD: Neil McGinley MD: Jon Summers

2

i 6 7

I 8 9

10 11

1 12

3 I 11

15 I 16

20 IT D IB D 19

D 20

ADS

Buffalo

ICURTMEY/1110JEWE6»y Md Ivry RAY PORKER JA./the Other ben ASIA/Heat 0 100 Meant MOWN LEAGUE/Dee', You wilt e TOTO/M.ane WILLIE IEl50UAlmys M Wt' Mind JUICE NEWTON/Love's Been A Llttle U8/Men On Yor MInd RIM SPRINGFIELD/Don. TMs To Strenge ELTON DfN/Spty GerdrlIMey Net CHARLENE/l've Never Bea To e SHEEN, EASTWMen let Mlles ROBERTA FLN 0/SIlTg La* MARIE MILSIIP/My Bey Ib. PATRICE RUMEN/Forge a Mots DENIECE WILLIAMS/111s Gone Tree A Mir VEIL DIMOND/Be Mine Tolght 0IEWMly The Lonely Met LEWIS E NEWS/1014 You tae Ne LIke J. OILS BAND/Mgr In Be

KARLA SOOFF/PersoneI lt AUBNM/lake Me Mm

N I

N 2

5 H

6 9

1 10 n

I 2

» A 13 14 14

15 15

11 16

17 19 18

25 19 24 20 23 21

11 22 28 23 10 21 29 D 30 26 13 11

D 28 D 29 D 30

WBZZ Pittsburgh

PD: Dan Vallie MD: Chuck Tyler

OEEWMey Language SOFT CELL/Tainted Lae KCARTIEV/MOOEWEmny Ma Ivry leret TUTONE/100-5309/Jeeny M NMI LEAGUE/Don't You bent Ne

0001 d THE GANG/GI Dom On It CARLEIE/1've Never Men to 100

VAN MALEW1011 Pretty ben RIM SPRINGFIELD/Don't Talk To Strange AS Of The Mment WY/Coll M DONNIE IRIS/. Girl JOAN JETT/Crimea, Md Clever ROLLING STGES/Heng Fire ELTON JOWGPlt Garelenl Ne0Hey RAY PLANER JR./The Other IRENE CARA/Anyone Can See FRAME/KNOCKOUTS/111..1 You1M? Moth 0022 BANO/Let It nip 1010/Rosanne PAIL MV15/'65 Lae Af fa r MIL E HIES/DId It In A Minute STEVE MILLER BA2OMrradeera STEVIE IENDEM/M I Do

JUICE MSTWLae' s Men A LI the JOHN CWMR/Werts So Go. 9UINCY JONES/One M11ree Ways

LOVERBOY/Men It's Over STEVIE AIMS/After lee G 111er.... KANSAS/Play The Ore T011g6t

ADS AIR SUPPLY/Eva TM Nights Are.. Æ0 SPEEMADW6eep TM mire Burning ROLLING STONES/Going To 0 Do -Go

M RICK SPRIND IELD/Met K 10 0 Fool he

ID0EL5/Mly TM tonal y

N

CAECA FRET/1 Fora 3.Mæ001

PD: Bob Wood Buffalo MD: Roger Christian H I I 18,CMI8Y/900EWEO0t. Me

WILLIE NELSOWAIeeys CO My Wm ASIA/Kat Of TM Minent S

OnEWBry Langue, H 16MAN LEAGUE/Don't You Men1 Mr

IOM. TUTOE/000-5309/Jolly 18

PATRICE .31104/Forget a Nets H R ,1

1

70 IOTMMrnna »

OARLE16J I've Never Been To le 1 DENIED MIL 1AMS/It's Gonne lake A Mir II RAT PINKER JR./1. Omer Mann 12 L0YER60Y/Man It's Ova

,I 56 13 STEVIE 0010011 o 1 Do lI JOAN JEII/Erlesen Ma 01ar

I5 15 ELTON JON/Empty Marl/ley My 16 16 KANSAS/Play The Gam Tonight 10 II SHEENY EASTON/ en He Mlles 39 18 SOFT CELL/Tainted Lae I

20 19 JUICE MEETGN/Laees Been A Ll trier 22 20 38 SPECIAL/Caught LW In You 2

21 21 RAIISga/Stone Gold 2

23 22 MOTELS/0.1y The 1011910 T 24 21 HAIRCUT 10G/Lae Plus One 26 14 21 ROBERTA FLACK/Making Lae 21

25 25 JON COFiAR/Mrts So Coed 26 19 26 MARIE MILS%/My Day roe 29

31 21 BERTIE HIGGINS/Just Mother Day In.. 30

30 26 FIREIGNEWFreek IT Le 31

29 29 HUEY LEWIS E IEMS/lpa You Lae Me LIIe 32

35 30 WART/leis WT Is Mlle 33

32 31 KARLA BONOFF/Personal It' 34

31 52 DUMEY/51111 TM? Rida 35

33 33 STEVIE MIGKS/Af ter re GI liter.... 30 34 ALABNWIeka S Mn A

38 35 J. GEILS BAND/Angel In Blee A

aL M VAN MALEWDecing In the Street 0 30 STEVE MILLER BAND/AreoeWhre 0 30 BLDWIE/Islend O Lost Souls A 39 ILEA FRE1/1 Fond Sae*M0 A D RICK SPR1161ELWWhat 0100 0 For M ON

ADDS 39. 10 3091100/Eye 01 The Tiger 0110004/llyd To Sey I Srry AIR SUPPLY/Even The NIgMs M*..

eirPittsburgh

YOU All STEREO

OM: Bobby Christian MD: Clarke Ingram H 7 1 7070.8.8911.18

2 ASIA/Heat Of The »gent 3 3 JOWME3/Escaro

H 6 4 S 1 PAAINI Sfovil.ColdN

e 11 6 JOUIKY/Still they RIM 6 1 KANSAS/Play I00 Gr T011ght

II 10 8 PANNE/KMODIORVMIIMu1 nor., Moth H 11 9 JOAN JETT/Cri.b Mel Clover

11 10 POLICE/Secret »Laney 14 11 KAMM SAEEI/Neng On in 13 12 LOvfRBOO/Men It's Over 4 13 00MINIE IRIS/Ter's Ire Way Lae..

16 14 ASIA/Soul Survivor 18 15 lie COUGAR/verts So Gone 0 16 FMEIDER/Brek It 15 9 10 MALL E OA1E5/DId II In A Minute

20 18 OIESIS/Paper I ale 23 19 STEVIE NICKS/A11r TM Glitter.... 22 20 OEAP TRICK/If You bt My Lae 21 21 38 SPECIAUGgA Ip In You 26 22 16M» LEAOIE/0011 You mint e 29 23 GLEM F0E1/ I Found Sen» 25 24 ICCIRTIEY/MODEWE6»y Md Ivry m 25 SAINT HAON/Alece Of My (Mart

D 26 DEG KUM/Teetlly A 21 SOFT CELL/Tainted Lae A 26 ROLLOG STOIEYMI1g lo A Go -Go

30 29 STEVE MILLER BND/Arredebre A 30 lE0 SPEEOMOM/Keel The Flre Burnllg

15 31 STEVIE 010.5/0111 Of Wren 0 32 DIWRTERVLASM/RIght Kind 0 Lae

ADDS 21. 28, 30 SCOPIOAS/Ne M 111e You

- TRILLS/Toe Dent BeseWher M PALL IOC-ARMY/Me Today

HEY LEWIS d IEWS/b0king Foe A Living MOECS/Mly TM lonely ASIA/Here Can the Feel In 4000LMIe? M All The hops

B104 WBSB PD: Jan Jeffries Baltimore

H 1

H H 2 3

H 5

8

10 1

11 I

12 Iz 13 13

11 11

IS ÌS

16 6

12 IT 16 18 19 19 20 20 21 21

11 22 23 25 21 21 25 25

25 26 10 20 28 28 29 29 30 D

M.CARTNEY/KDRER/E6ony Md Ivry MY ',MEER JR./The 013er ben WILLIE NELSON/AI says On My mind MINN LENZE/Don't You Want le ASIA/Mat Of TM Ibert MALL d OATES/Dld It In A 0111t, GREG GUIDRY/Golf' Co. KOOL 6 TIE GANG/Get Dom On It CHARLENE/I loe Nam Bean To be FRAME/KMOLKGUTS/eltheuT youlMt Moth

DAN 0301001G/Run For The Mrs LM/Mn Ce Your Mine

LOOER6OY/Ann Ills per NEE* EASTWM en Ne Mines

ROBERTA FLACK/MNing Lae R1M SPRINGFIELD/Done t Telk lo Strange ADA JETT/Olson MO Clore

DENIEGE MIL IAIS/Itls Gana lake A Mir OIEEWMay Language TOTD/MMnne JOIN COUGM/Mrts So Mal JUICE NEMTWLae's Been A Llttle RONNIE MILS%/My Day Me COMME 1R15/I4 Girl 38 SPECIAL/Caught Up M You ALABAMA/Take Me Dom STEVIE MMDER/M I Do HUEY 1E015 E IENYIbA. You Laa M Like KARLA BDKFF/Prseel l0 ALDO WyA/Fatesy

ADS NONE

ON RIM SPRINGFIELD/Met KIM 0 Fool M 90íT CELUTelnted Lae 0M /ALEWMnc,ng In TM Street STEVE MILLER BND/brecedebre KMISAS/P1ey TT'e lisle T011g111

MTELS/MI y 100 Lonely DEG KIIN/Mppy Mn

Providence

PD & MD: Todd Chase 1 TOO/Manna 2 WCARTNE 4DEWEtery Ana Iv 3 WY PINKER JR./inn Other bona

HUMAN 1 o" /D You Ment Pe

5 SHEEMA E ST Ne Shines 6 MOTELS/OnlyT ELS/Only The LIely T ASIA/Mat O1 The Moment R J. BELLS B I In 01. 9 LO1ERBOY/WhSO en tls Over

10 JOIN CENVER/S'eng'i freezes I1 JUICE NEWTON/Love's Benn A little 11 CHARLEK/I've Moo Been To Me

13 DAN fDOLCBERG/Mn For The Mrs 14 LRWNen On Your 15 WIIRESSES/I Met Boys L Ike 16 OIEEWBay Language Il DOWSE IRIS/My GIr1 18 ROD STEWART/Tuer Log 19 JONI COUGAR/helms So Good 20 BERTHE HIGGINS/Just Mother Dey In..

21 ROBERTA FLAM/Neaing Lae 22 1EY/51111 They Ride 23 WILL1I/E IELBON/Almys On My Wind -

24 SGF1 CELLUC4II Od Lae 25 56 SPECIA1Uu.r Up In You 26 »MI JETT/Olpn Md Clover

MET EY LEWIS d e You Lae Me LIMB MA 26 VAN LEWDac119 ing In The Street

29 1EM1/1110 Ni Is Mine 34 RIM S/RINGF IELDAhet KIM O Fool Je 31 KARSAS/Pley TM Gr Tonight 32 DENIECE WILLIAMS/ It's Gonna leu A Mr 33 GARY U.S. BODS/045 O Merl M ROLLING STOES/Coung To A Go-fp 35 AIR SUPPLY/Even the Meets Me..

ACIDS 33. 34. 33

ECM TOPS/Beck To School Again GLENN FRET/I Ford Samemly HAIRCUT Ion/tae Plus Me 10010ES/WW1 M Ail Te Peel Ni 000 WWI Woo Candy MINBAR/Stone Cold

SOUTH

s VI7 l J

ATLANTA'S RADIO STATION

PD: John Young MD: Chris Thomas

Atlanta

H I 1 IE.CARTEY/MODER/Ebony Ma Ivry MOM LEILLE/Da't You art Me

ASINIMt 0 The Wert H 1010./1kselne

JOAN JEII/Oleo» And Clover PAY PAMIED JR./The other ben

1 JON COKAR/Wrte b Good RIM SIRIK,IELWMn't Teak To Sermon

II LM/Men M Tor Mind 14 1 LOYERBD1/Nun ti's over

9 II ROBERTA FLAWMalrg Lave 8 12 MALL d OATES/010 It In A Minute

13 13 PATRICE WOVEN/Forge elm Nets A 14 JUICE NEWTON/Love's Mn A Llttle it 15 TORY TUTOME/36T-5309/Jenny

R D 16 ALFBNM/Tek. M Dow 15 11 F0NNU0100DUIL14Itrouf Torre Moto le 18 044111E MILSAP/My My Nee

11 19 30 SPECIAL/Caught M In Ton 12 20 DM FOGELBERG/Run For The Mrs

H 50 21 EYE TO EVE/lace Girls 23 22 SOFT CELUleinte1 Lae 27 D DKZ 1100/1.1 It relp 26 21 0631615/031y 100 LMMly 19 25 QUEEN/Body longllap* 29 26 RICK SPRINGFIELD/Met Kind DI Fool he

22 Ti KOOL d TIE GANG/Get Dom M It 0 28 111E0 LEWIS E NEWS/roe Y» Lae RI Like 0 29 J. LEILS BAND/Angel la Blue 0 D 011C100/11erd To Say l'. Sorry

ADDS ROLLING STONES/Going lo A e -e AIR MFYMY/Era 1M NIgMs ere.. EAU U.S. e005/00 0 bA YAM IMLEW00001 g In inn Street

ON LA033 ELFART 4 111/lbkea On Ming KANSAS/Play Me Gem Tonle. WAK/1010 Men Is Nine

Miami PD: Bill Tanner MD: Colleen Cassidy

N

11

12

13

1 Id 1 15

H 16

20 11

12 18

21 19

D 23 21

21 22 D D

11 24 16 25

ICCMTiEY/KODER/Mony end am SHMANAR/A Night To M.br, KINN LEAGUE/Don't You Went b SOFT CELL/Tained Lae WINDY J0NE5/One Ne11r» Ste ASIO/Me? 01 Te hemmt TORO TIROE/MI-5309/Jenny JOAN JETT/CY Ms0n Md Clover DENIECE WILLIAMS/11's henna lake Ami, PATTI AUSTIN/Baby f To e ALDO 10VA/Fentesy PAY PINKER JR./The Other loran DO GO' Si» Mt. The Bet RIM SPRINGFIELD/Don't Telk To Strange ROBERTA FLACK/ el./ tae SOLL SONIC FORCE/Planet Rock STEVIE DDEP/Do I Do

DAZ2 BND/Let It N11p WILLIE NELSON/Menem On MI NIM YDTD/Mseenne ALESSI/Put Amy Your Lae DIEEWBMT Language VAN IALEWDencIng in The Street 0001. d THE GANG/Get Dom M It MALL d CTES/Old In A Minute

ADDS AIR MOp0Y/Ern The 1191re Me.. REO SPEDWNOWKeep The Fire Burning IOVFPBOT/Men It's Ove -

M HAIRCUT 100/La* Plus Me JUICE NEYR(IWIa.'s Been A Llttle FMEIMEWee.ek It Ip

KIM ILBE/klds In feerica JOURNEY/11111 They Rim

KARMA BODFF/Personal I..

Tampa PD: Scott Shannon MD: Pat McKay

.. 1 1 oLARINEY/M00EWEoony ly Mban 2 2 MY PARKER 40./IM Other 3 3 AN JETT/Crimson Md Clover JO

5 4 TOM, TU16E/101-5309/Jenny 4 5 RICK SPRINGFIELD/Don't TN1 To Strange

H 13 6 ASIA/Heat 01 The /Melt H 15 1 Melt LEM1E/Dn't You bet Me

11 8 RICIMIO D. FIELDS/II It Aln't One thing 9 9 WILLIE NELSON/AI.ays GI My MIM

12 10 ROBERTA FLACK/511ng La. H 16 II SOFT CELUleinted Lae

6 12 0AMQLIS/ENrlole O Fir. H10 13 DKZ mane It MIp

0 Is KDO 4 THE GANG/Get Men On It 10 15 JUICE MEMTON/Lae's Been A Little 10 I6 ALDO I0YA/Fateey 8 Il GO GO'S/b Mt The Beet

19 18 AIFBNK/Tal. Me Doer'

21 19 MOIELS/011 1M Leer y

23 P KANSAS/Play TM Gore Tonight 24 11 JOHN COfi1WM'rts So Ger 25 22 EYE 10 EYE/Mice Girls 36 23 JOURNEY/ Sti II They 141M

A ld YAR MALE0/O.cllg In The Street A 211 01IC103/Isrd lo S. l's Srty A 26 PATRICE RUMEN/forge M MTs A 11 FRAM BAM LR MCJLIie05ed On Big Benns

COOS 21, 15. 26. 27

flLl A Miami

PD: Keith Isley WINZ-FM MD: Johnny Dolan

ICCMTNEY/KOEWEeany AM Ivry » mew LE/ME/Don't You Want No

OOMIENE/l've Meer Been To Me

» MY PARKER F./inn Other ben WILLIE NELSOWAI»ys M M Nind TONY TUTINE/660-5309/Jenny tANOLlS/Merlots Of Flre

» 1 TOTO/Feranne JOAN JETT/I La. ask 'M Roll

I 1 ASIANe.t Of The Mee. I I RIM SPRINGFIELD/Der Talk To 5Mr149e

ALDO I01A/fentee1 O 70 1 DK2 B»oho It Wale

9 1 0 GD'vee Mt le Beet 15 1 /COOL d 11E WFe/Gr Donn On It IT 1 JOAN JE1vO1.Mn Md Clover 12 1 PAUL DAVIS/565 Lae Atl.Ir II 1 SOFT CELUIaIntel Lae 13 1 J. GEMS ONO/Neer hr

1 20 PALL ICMRTMCY/1. O No 9 21 0011/Rep yes Le.

ADDS GIP 8410/Er I y In The 10.1» OE /title PIe SOUL SONIC FOICUPIne1 lack

M JON car.NVMnt. So Gond KIN WILDUKIds In Melee 015010* PERSAS/Ibas

Atlanta

PD: Jim Morrison MD: Jeff McCartney

ti TOIMMsao ASIA/Met 0 The IM.1t

N ISWelse WF

te loor Ivy

Good N EYE TO E1E/M1ce Girls

L01ER00Y/NM 11's Om RAY PARKER JR./inn Weer Mee Kew IEF0AE/Ooni You Went Me

ELTM JOWBep13 GerdenINey 1My 1 t OEMIECE WILLIAMS/111s Oba Tele A Mir 1 II MIKE POST/lt.s Fra Mgnr I 12 .NICE 14E111OULaees Been A Llttle 1 13 WILLIE NELSON/Alm. M My Mind 1 11 ALIBNWTele S Dom I 15 LRWNen M Your Mind 1 16 ENEMA EASTO/Men He %Ines 10 11 38 5P611M/Oug0t Up In You td 18 PANT 1010/100-5309/Janny

21 19 STEVIE 1DER/M I M 22 20 R01u B06FF/Per really D 21 MOTELS/Only The Lonely 10 22 FRAME/DOMORLMl}but 1041181 hp.

H 27 23 SOFT CELL/Teleted Lae 28 24 RIM SPRINGFIELD/11M1 6191 0 Fool M 26 25 RONNIE MILSAP/My Bey Mr 29 26 CHICAGO/Herd to Sel le. Sorry

D 20 LARRT ELGWT d 11/1004.1 M 5.1110 30 20 11E5 Lolls E IEMS/Mpe You Lae a Like

D 29 KAMSAS/Play The Gene 1011911? A 30 EEO SPEEOMFIdWKeey 100 Flre 04,1109

ADS 50

AIR SLFPLY/Even mO 519Ms Are.. 0WITEettswiRIgt KIM O Lae CREM FREY/I Rom,Seebody GMT U.S. BORS/Mt O bra

M RLOND1E/Islena 0 Lost Souls

MIDWEST

Chicago

PD: Richard Lippincott MD: Steve Perun H I I ICCARTNEY/WMRWEteny Ma I.ry N 3 WIN LEAGUE/D" You loot le 0

2 PALL DAVIS/'65 Las AAelr 5 RAY PARKER JR./100 Other Meer

N 10 IOTG/MMIOe 1 RIM SPRIND IELOM't Talk To Strange

N e ASIA/Moot 0 The bent 6 CHARLEINE/I've Myer Been to Me

9 I JOAN JE11/I Lae Mck 1N solo 12 I T040V TIROS/86I-5309/Jenny A 1 FRAME/KW0101TLWitrut meant Moth 16 2 NIEI LEWIS 8 NEWS/Do You 511ee In Loy

20 2 38 SPECIAL/Caught Up In You

A 50 SCOPIOMS/Ne One Like You

39 3 DAM FOGELBERGNo For TM Mrs H 30 36 GENESIS/Mn M TM Conn

D 30 KNISAS/Pley 100 Moe Tonight 35 W JOIRIEY/Open Mes

l `

ADS 30 REO SPEEOIMDM/Keep Ito FI,. Burning MICADO/xara lo MI I'. Sorry

JO INET/SYI 111My Rim


Page 56 R&R/Friday, June 4, 1982

CHR Parallel One Playlists

UTeI_...eC Lut- Milwaukee PD: B.J. Hunter MD: John Grant

\ .WiKvTil lOTaesnna /UDR LEAF4 Don't You Pant N MT PARKER A./The Other ban ASw«eT 01 TM beet JUICE NEWTON/tare's ben A little LRNpn On Your 0100

RIOT 0001N61ELD/Dn' T Talk to Strange 11 Jaw CCA1612/w0Ts So Beod 10 DIME RIS/MF Glrl '5 T FRAME/KIDC WTSAlthout 1001M1 Men. 19 1 38 SPECIAL/aught U In You

8 I MIL f OATES/OIO It In A Mlnui, 13 i NEfwby Language

LDYERBDT/eke ims a 11 1 KANSAS/Play the Gee lceignt

] 1 0001 E10/I1v IMyr b.n to We

17 1 PALL 00015/165 Loo. Altair 20 I JOWIEY/51111 ley Rid, 14 I KARL f THE 00041ól ben On It

22 20 GEMSIVM a The Corn A 2) RICK SPRIM1ELD/b0 KIM O Fool M

19 22 0AN61ILar lots Of Fire

NOS 21

MET LEWIS f NEWS/1005 You Love N Ilke STEVIE NICKS/After 1M Glitter....

00 TONT TUT ONE/1361-5309/Key FORE 1OER/Beak It LS

JMx JETT/D I.b MM Clove Re MOM Stone Cold xOTEIS/aIy The Lan 50F1 CELL/Alo LoveCAL/Aloe»

Chicago

PD: Richard Lippincott MD: Steve Perun

I ICCARTNET/K0OLwEb2y Md Ivory N 3 2 MINX LEAOA/Don't You Went N N 10 5 TOTNMsaM.

T 6 RICK 5701001EL0/On't Talk to Strome « 8 T ASIA/Met O The

Bee bent

JOAN A 9 10 JOAN L Rock 'M Nall 12 11 TONY 1I150E/061-5109/Inver IT 14 JON AT1/D1.ann MW Clove 20 18 F*4N4/1000K0LITLWITMut You1N1 Moth 24 19 MOEIS/aly TM Lonely 22 21 LOVFAROT/Men It's Orr 18 22 NE+ LEWIS t KWS/Ca You bli9b In Loy

» 28 23 38 SPECIAL/Caught IS In you

25 75 ALDO KVA/FnOpy D 29 JON CWMR/Mvts So Ono

33 10 SCIP106/M 005 Elk* You

31 10 GENESIS/lb Cm TM erne 30 32 CARS/Since You're Got

D 30 KMSAS/Piay TM Gee tonight 35 000 JOANET/Den Me

KOS REO W(( GON/K.ap The Fire Brnleg ROIIW STONES/Going b A Co -Fo 01145 OCa/Ey 01 104 ligar

ON JaAK1/50111 They Ride GENESIS/Paper late CHEAP 1RIR/i1 You Yet M Love

Cincinnati e

PD: Jim Fox MD: Tony Galluno M 1

15 1

10 I

151 17

A 1

el 21 1

73 1

6 20 /pen Mes 25 71 300 SPECIAL/beg. Op In MU 16 22 KLANG SIp45/NMg Fire 19 23 51E,IE art Girl 25 24

TONY TU9Cy Of lie limo

22 D TONT TIPM/860W'.09/Jong 50 26 JUICE NEW1WLw01,1 Nan A Little

A 77 LIwM On Ton Nina 25 20 01J/Mete Abe a N

A 29 KANU5/Pley be Gams lsimn, A 30 JO NY/Still they RIN

LO0EW309/10en It's be JOAN JETT/CNIam MM Clove ASIA/lbe O le bent SAND MGM/1.11 Fall In Lowe Age MT PAARER A./1» Other ban KM. l TNE G41I610at Down a It MCCNRKY/M004wmamy Mel Ivey O 100 5MINGFIELR0m'l Tall lo streng. 10TOesnn0 PALL 000152.65 Love Allair J. H ILS BAdC/FI.04tsoer MALL l CATES/DLO 11 In A Aleuts GREG WIRY/Mold Don FLEA 20*0/0a1y 0.0n1N7 Mt N Mx L000.WJ n't You Want Ne

DUMTERFLA./FIM Mot* Fool DAN' ELBERG/b For TM Mses Jaw CODIR/Mrts So Nod 0022 BA0/las It IF

ADDS 21, A, 30

119147ÀFn4 PD: Bob Berglund St. Paul MD: Phil Huston

WINM 1(0+0/0310 Au pof W tOTO/Robre MT PARSER JR./De Other b K0ARTNEI/WO ER/ bony M

ben y

M LRB/M a um 6 «L 6 100 6/b, C CN Own a It

Jaw COMA/Ne So boa R I FRAME/O CUIS/n0Mut YoUANC Moon

Ella JOWBM,y Gardb.N» My 1 0000411. IR15/W Glrl

101A/Me1 01 TM bolt WILLIE NELDA/A1 Pay a W MIM

1 JUICE 11E01014/Lws ben A 11001. 38 SPECIAL/Caught W

I In ou

70 O CELL/A.A. I ST CELL/k Moe 22 1 L09ERR0Y/Men It's Over 19 i KANSAS/Play 104 Go. 10019h0 A I JOAN AT1/091503 046 Clove 27 1 RICK 51510401E10/49.0 1154 01 Fool e L 20 NAY L.Wls E NEW5Ne Ne Am N Lim 13 11 KNIE NILS»/My Vey Na

6 72 HALL l 001EL01d It In A Minute 79 23 J. MILS BA10/M9.1 In Blue N N SEEEM EASIWbn N Ahnes

D 25 NMLO BOKFF/Pes'e.l ly A 26 KART/This I») is MIM

9 27 DAM 101E34116/bn F3 The Ikes 30 2e KIN A11UVK1d In Meic D A BLOOIV ISIIW O Lost Souls 0 30 JOIAK1/Sill They RIM

ACM STEVE MILLER 1000/Jembeb,. 000100/Ey O 104 llgr KO SREOMGWM/Wp Re EIAR Bening GLEN FREY/1 sowed SaN00t GMT U.S. 110105/000 O los K0ELvaly IA. IJa.1y BADER E MICIN0 104 Menkey Kong

CO LE 503/1040 Sete Place a a B00 W00 «WI 4t Candy piMPLSag Cr. Te Mlo PATRICE »EHEN/Forger N neta NELISSA MADESTVTw Should be It... OEEM/bs 199.y2 1.01014 OMIIGAwGiorl

(H) indicates one of the five "hottest" records on each Parallel One playlist.

WEST

LosAngeles E,JrUI

PD: Paula Matthews MD: Robert Moorhead

I 14CCARTNET/1.010ER/EDony Md Ivory oK2 BAN/La" It Orlp MAN LENA/Can't You Mnt We

ONE1011/Cut I. PA » rEMlECE WILLING/ It's Gonna Isle A Mfr

MY PARKER JR./TM Other b RICHA» D. FIELDS/If IT 01n'0DIR TmIng PATRICE KSMEWFegeT N Dots DAVID BINIE/Cat Pnp1W IP0TT1ly 0 ATLANT IC STAAUCIrc l es

1 JON JETT/Lrlonoll And Clover I MISSING PERSONS/bas

1 OEEN/by Language PALL DAMS/165 L00. Allair WILLIE NELSON/Always On Me Ann YNLM/A 8190 lo D....,

i

NL I ASIA/Heat 01 104 (bent

1010eenne I MOTELS/.1y The Lnely 10 A TEIPTAl 10MS/JJMES/Standeng a The lop 21 71 SEEM EASTOM/YMn 100 AInW, 12 22 FRAM ZAPFJral ley Girl 23 23 JOLANEY/S1I1I they RIP N N LOVERmy/MMn 101s Over 25 a NEIL 010400/Be mt.. Tonle?

26 26 0Nü1CK E MT»IS/O? Ands In Lwe A 77 BO 400 WO/ i Went Candy 21 20 KD STE4101/1». Long 19 29 Jaw CO AR/Mrts 5o Good 30 A BERTIF 010110S/Jus, Mother by In.. 31 31 MIND . IDO/ewe Plue One 32 32 KIN WILDE/Kids In brio, 33 33 KNIE 1111.S»/My ay b 34 300 CONNIE IRIS/1N Girl 35 35 BOBBY CALDWELL/Jealc. 36 36 F0LEIOEP/Breek it Lp 31 37 MIDEAL 90TKIM1/D..y In Love 38 38 BI0MIE/IWIMM Of Lost Souls 39 A 0R. MARK/lww IoW 40 40 SPARKS/I Feedlot

Am5 BILLY 10DUM0 In IM City AIR SUPPLY/Even The MIghT. Ma.. REO SPEE00AGOM/Kep 104 FI,. Burning GARY U.S. B00D5/000 01 Nark ALABAWte Re ban LE FIC M/Ls1 AM Place Or Ea KINK ROORIOEZ/IM lest butllul GI SURVIVED/Eye 01 The tige PIOPS/Song a The PadIo RICK SPRINGFIELD/Wet And 01 Fool M

CD STEVIE W0ICEM0 I b *411804/star Cold JUICE 0001WLw0`, Been A 11001. 00AOES/Mrt Ca All re hopl NE 1E015 E 0005/0005 Tou 100. Pe Like STEVIE NIRS)AIter The Glitter.... STEVE WILLER BAK/Ner0.04r DEAF 1R ICK/It You 000 Mr Love VMSWPley TM Gem lnlg0 GLEN FREY/I Found Somebody J. HITS BANDOngel In Blue LESLIE PEAK/Il TM IovW Fits par b SPECIAL/aught Up In You EYE 10 ETE/Mlce Glr Is AIE 0NEALIS/1'II EIM IN My be RIVSoue Fe Car FINK WADER 6104/b0.a a Clessl0s BUSTERS/So Lag Baer Goodbye ALE51 i/Put May Tor Awe IRAE CNN/119 be/ I0's 5055...

MOOY ONMOl0/ae Hello MUE 0TES/IMaginatin AN YKOIDFR/Oeeln' GAP 13IJ0/Early In De earning RICA SPRINGFIELD/Calling All 104 Glrl,

Portland FM 97

PD: Richard Harker MD: Trevlyn Holdridge F.

1

M w ICCTNEY/MOOEoon r y Md Ivy RICK SMIKFIELD/Den't Talk To Strange

M L16/1n On Tor 0100 PALL 04010/065 Loo. Allair JON OIAER/Snaegel Weep DM FOHIINRG/Aen Fe le Noes RAID BaOF/P rood 1 100010*,.an. 'sweet 00 The bent

11 1 JUICE *010 110,.'$ Been A Little 13 11 FRAI10/n GROUIS/o11heu1 Yore.» Moth 15 12 WILLIE NELSON/AIvy On W NIne . T3 MT PARKER A./TM Other ban 16 14 04000 EASTayUMn N AIMS 17 15 OLMIIERLAS/R19M AIM O love le 16 NAM IEALEE/ponle You lent p 2 17 >J/Me. A bW On N T Ie ANaL15/Relots O Mre

73 19 JON COGAR/INA, So Good 14 20 STEVE WILLER BA I.r..atra 25 2t 1117fELS/a1Y IM Lonely 19 22 KATLE5/to le »SAY 20 23 J3NNET/Ipare Pena

71 N 6011:101 L10T0FOOT/ea0y Step Bock 22 15 STEVIE KNDEwOMt Girl

'KuBES PD: Charlie Brown Seattle MD: Tom Hutyler

20 1

19 I

1e l

211 2.1 25 A 23 21

X, 22 D 13 D 24 D 25

AIDS

14C0ARTNET/SOOER/Eb00y Md Ito NG 1EM0/0310 You Ms 10 y KI

MY PARKER A./TM Other Nan IOIO/esar.u ASIA/le, 01 TM Mani 01111E NELSON/Always a Me 511041

K00. f TIE 000CI6.t Nan On It JOAN JEll/D lab MA Clover

014109 71110CE/O6T-5309/Jsny JUKE 140101/L00.0. ban A LI1. FWMNE/0000155/.ItMu0 »JIR O Moth 108/1n On Your Mind KART/Teel. b Is Mine SKEW EASTWWhen M A1nes JON CAUDAL/Kr 0. So Good LOVERBDVNMn

I

1s Cae 0011E U 5/W Girl RONIE MILS»/My by 045 1RLA BOKEF/Pers3.l I

PEEN/by Language »BERTA FLFDt/11Ming loo. 38 SPEC IN/Cauer ie In You KANSAS/Play The be tonight N4Y LEWIS f NE03/Ilop. You Love De Like I101ELS)al y The Lonely

NAINM/Jak. N roen STEM MILLER BA0/Mr.5dWra 810011/141aw O lost Soul. »LI1NG STOVES/Gob To A OM -0

/

EIäiCliTir N

690 XTRA

San Diego am radio

PD: Jeff Hunter MD: Jim Richards

12 12

16 13

20 1. 11 15 n 16

25 I] M 16 0 19 D 2 D 11

23 22

FINIS UNPA/Vallby 0101 K CARTNE1/MCN0ER/E0Ony Ma 10+0 SOFT CELVTSIOMd Love MANN LEAGUE/bn't You Want r 0NIECE WILLI/MS/It's Canna lake A Mir RICK $041046 MLD/10'1 leek lo Strange JOAN 3011/1 Lore NAM `M Roll K CAL d 100 GANG/Get Don a It J. CF ILS BMD/Fra.0. Pram, 1011111 TIITOSE/661-S309/.Mont TO10/147manne TOO TON CL0/Genl us Ot Lore RAY PARKER A./led Other ban NAY LEWIS f NEWS/hope You Lore N Ilke SHEEN EASTWMMn M Snlnes O RZI BAD/Let I1 MI ALABMM/latra IM 00.0 J. H ILS BAND/a0951 In Blue STEVIE Ma1K9/C I b D LOSTERPLASN/RIgle 0101 01 LwW PAIRICE RUDER/Forget N Mts KIM WILDE/Klds In Melt,

ADDS STEVE MILLER BN0/JDrac.Oa5ra MIL DIAMaO/M Mine 1nlgkt FART U.S. 8DM5/aT Ofb

00 BLONIE/Island O Lost Souls SMNAIAR/A Night To Member K00 WOO Mb/l Want Candy

Los

station.The' Ihit Angeles PD: Tom Bigby MD: Roger Collins

1

' KCARINETINOKER/Ebony he'd 10r22 1 DEN1ECE M ILIAN/It's Gonna Tee A WIr 3 DÁ22 BNO/let I1 ship

PATRICE KSMEWPorgat N Dots el 10 SOFT CELVTainted Love

HUM LEAGUE/G.01 You Pant W

H 18

ONRLEME/I've Were Ben To N 13 I AEON EA51WMn M shines

6 I MY FARMER A./TM Other ban 9 1 JOAN Ali/Dl.fon .And (Ave

13 I 0IALAMAR/A 11I9M To Rs.bb0 R V 1 QUEEN/Body L1gu0g.

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REA/Friday, June 4, 1982 Page 57

EAST Most Added® Hottest REO Speedwagon P. McCartney Air Supply Toto Rolling Stones Human League

CHR ADDS & HOTS Music Key: (OP) indicates the song is getting play during certain parts of the day and/or night IRAI indicates the song was dropped from the pia ylist then re -added.

SOM Most Added® Hottest REO Speedwagon Toto Air Supply Paul McCartney Rick Springfield Human League

EAST PARALLEL TWO

WKEEIHuntlngton, WV Gary Miler AIR SUPPLY REO SPEEDWAGON GENESIS ONJ SURVIVOR CHICAGO ROLLING STONES GARY U.S. BONDS GLENN FREY LARRY ELGART & HI (tip)

Hottest: TOTO I-1 38 SPECIAL 4-3 JUICE NEWTON 5-4 JOHN COUGAR 8-5 HEART 10-6

WPSTrtrantort NJ Tom Taylor

K104/Erle, PA Bi Shannon

AIR SUPPLY REO SPEEDWAGON ROLLING STONES Hottest: FOREIGNER 1-1 JOURNEY 2-2 KANSAS 8-3 BALANCE 10-6 JOAN JETT 12-7

V100/Charleston, WV Gary Mitchell

PARALLEL THREE

WCIRIBeckley, WV Jim Martin

AIR SUPPLY GENESIS REO SPEEDWAGON PATRICE RUSHEE STEVE MILLER BAND SURVIVOR Hottest: WILLIE NELSON 1-1 JOHN COUGAR 5-4 RONNIE MILSAP 10-6 FRANKE/KNOCKOUTS 15-7 ALABAMA 16-9

WFBGIAhoaa. PA Tony Booth AIR SUPPLY LARRY ELGART & HI

GLENN FREY ROLLING STONES REO SPEEDWAGON

WKRZ-FMIWMtes-Barta. PA CHEAP TRICK AIR SUPPLY Jim Rising PATRICE RUSHEE GARY U.S. BONDS HAIRCUT 100 MARSHALL CRENSHAW GLENN FREY DR. HOOK ONJ SPLIT ENZ Hottest: REO SPEEDWAGON LARRY ELGART 6 HI MCCARTNEY/WONDER 2-1 ROLLING STONES GENESIS WILLIE NELSON 4-4 Hottest: GARY U.S. BONDS JOAN JETT 8-7 ASIA 2-1 MARSHALL CRENSHAW 38 SPECIAL 12-9 RAY PARKER JR. 3-2 Hottest: JUICE NEWTON 16-10 FRANKE/KNOCKOUTS 4-3 MCCARTNEY/WONDER 1-1 TOTO 7-5 HUMAN LEAGUE 4-3 JOHN COUGAR 10-6 JOHN COUGAR 6-5

JUICE NEWTON B-8 REO SPEEDWAGON D-24 WTRYIAIbsny, NY

Bill Cahill

AIR SUPPLY ONJ REO SPEEDWAGON CHICAGO Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 4-2 ASIA 17-11 SOFT CELL 21-12 JOHN COUGAR 20-16

WAEBIANantown, PA

Jeff Frantic

CHICACO MARSHALL CRENSHAW JON & VANGELIS AIR SUPPLY PATRICE RUSHEE GARY U.S. BONDS Hottest: HUMAN LEAGUE 2-1

SOFT CELL 9-4

RICK SPRINGFIELD J. GEILS BAND (Up) DENIECE WILLIAMS (dp) NEIL DIAMOND (Up) Hottest: MCCARTNEY/WONDER 1-1

JUICE NEWTON 4-2 TOTO 9-4 RONNIE MILSAP 10-7 WILLIE NELSON 15-8

92FLY/Albany, NY Jack Lawrence

REO SPEEDWAGON VAN HALEN STEVE MILLER BAND RICK SPRINGFIELD KARLA BONOFF Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 2-2 LRB 14-9 SOFT CELL 17-12 JUICE NEWTON 20-15

WDRC-FMIHartford, CT Paul Robants

REO SPEEDWAGON ROLLING STONES JOURNEY STEVIE NICKS SURVIVOR GLENN FREY

HUEY LEWIS & NEWS 21-14 STEVE MILLER BAND DENIECE WILLIAMS 25-19 Hottest: HEART 28-22 ASIA 2-1

WILLIE NELSON 6-2 HUMAN LEAGUE 3-3 TOTO e -s JUICE NEWTON 13-6

KCIOIINsw Hawn. CT

Danny Lyons

ROBERTA PLACK (RA) HUMAN LEAGUE CHICAGO HALL 4 OATES AIR SUPPLY ONJ Hottest: MCCARTNEY/WONDER 1-1 TOTO 9-3 RONNIE MILSAP 15-10 ALABAMA 27-21 HUMAN LEAGUE A-26

WFBRIBeitlnars, MD Andy StuNrskl

AIR SUPPLY STEVE MILLER BAND GLENN FREY LARRY ELGART 6 HI Hottest: WILLIE NELSON 1-1 MCCARTNEY/WONDER 2-2 DENIECE WILLIAMS 3-3 PATRICE RUSHEE 6-5 JUICE NEWTON 13-P

WBLULorg Island, NY

Bi Tiny

ALABAMA KARLA BONOFF PATRICE RUSHEE Moors(PMdO Hottest: MCCARTNEY/WONDER 1-1 REO SPEEDWAGON HUMAN LEAGUE 17-12 ROLLING STONES

WILLIE NELSON 19-14 APRIL WINE

LRB 16-15 QUARTERFLASH

DENIECE WILLIAMS 20-16 GARY U.S. BONDS Hottest: MCCARTNEY/WONDER I-1 QUEEN 4-3 RAINBOW 5-4 HAIRCUT 100 14-11 MOTELS 22-18

WRCK/Utloa, NY Jim Rent:

REO SPEEDWAGON ROLLING STONES SURVIVOR GARY U.S. BONDS Hottest: ASIA I-1 TOTO 3-2 QUEEN 7-6 JOHN COUGAR 10-7 38 SPECIAL 17-14

3WrIBkgMmtat NY Scott Michaels

REO SPEEDWAGON AIR SUPPLY ROLLING STONES SURVIVOR GARY U.S. BONDS Hottest: MCCARTNEY/WONDER 1-1 TOTO 2-2 ALDO NOVA 5-5 ASIA 8-8 QUEEN 10-10

WTIGFkNFlertlad, CT Rick Donahue

HUEY LEWIS & NEWS STEVIE NICKS HALL & OATES Hottest: MCCARTNEY/WONDER 1-1

JUICE NEWTON 11-6 WILLIE NELSON 20-9 PATRICE RUSHEN 15-12 STEVIE WONDER 26-19

QloWerk, PA Dan Steele

JOURNEY VAN HALEN ONJ JON & VANGELIS LESLIE PEARL Hottest: MCCARTNEY/WONDER 1-1

TOTO 6-3 CHERI 14-7 HUMAN LEAGUE 19-9 JUICE NEWTON 21-13

WHFM/Rochester, NY

Alnse Peck

BOW WOW WOW RICK SPRINGFIELD J. GEILS BAND REO SPEEDWAGON SURVIVOR VAN HALEN Hottest: MCCARTNEY/WONDER 1-1 TOTO 3-2 FRANKE/KNOCKOUTS 11-8 JUICE NEWTON 16-11 HUMAN LEAGUE 14-12

WPHDIBuNaM, NY

WLAN-FMILancaster, PA Dave Russell

WILLIE NELSON RICK SPRINGFIELD ROLLING STONES CHICAGO GLENN FREY BLONDIE Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 3-2 TOTO 5-3 JOAN JETT 12-8 JUICE NEWTON 19-9

WYCRIHarover-York PA J.J. Randolph

REO SPEEDWAGON GARY U.S. BONDS AIR SUPPLY GENESIS ROLLING STONES ONJ QUARTERFLASH Hottest: MCCARTNEY/WONDER 1-1 LRB 5-3 HUMAN LEAGUE 6-4 TOTO 8-5 JOHN COUGAR 14-10

WGUYIBangor, ME Jim Randall DAZI BAND JOAN JETT MONROES FRANKIE MILLER RITCHIE FAMILY CHICAGO Hottest: MCCARTNEY/WONDER 1-1

TOTO 15-5 PATRICK RUSHEE 20-10 MOTELS 21-15 ASIA 28-17

WJBQIPortlend, ME Brien Phoenix Hottest: MCCARTNEY/WONDER 1-1 JOHN COUGAR 6-3 QUEEN 25-15 CHARLENE 32-23 JOURNEY 38-29 WTSNIDover, NH

Jim Sebastian

GLENN FREY RICK SPRINGFIELD AIR SUPPLY GARY U.S. BONDS VAN HALEN GENESIS REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1

ASIA 12-4 JUICE NEWTON B-5 MOTELS 11-7 HUMAN LEAGUE 13-9

WIGYIBath. ME Wie Mitchell REO SPEEDWAGON FRANKIE MILLER ALDO NOVA SURVIVOR MONROFS HAIRCUT 100 Hottest: ASIA 1-1 JOHN COUGAR 10-5 38 SPECIAL 12-6 MOTELS 21-14 FOREIGNER 23-19

36XIL!Parkersbuep, WV Terry Lee Coire

REO SPEEDWAGON ROLLING STONES AIR SUPPLY CHEAP TRICK CHICAGO Hottest: MCCARTNEY/WONDER 3-1 ALDO NOVA 5-2 QUEEN 12-5 SAMMY HAGAR 25-18 JON & VANGELIS 31-21

WACZIBSngor, ME Michael O'Hara AIR SUPPLY HUEY LEWIS L NEWS ALABAMA REO SPEEDWAGON GLENN FREY Hottest: MCCARTNEY/WONDER 1-1 RAY PARKER JR. 2-2 LRB 7-6 LOVERBOY 9-9 KOOL S THE GANG 10-10

WZYO/Frederielc, ND Kemesabi Joe

HALL b OATES GARY U.S. BONDS AIR SUPPLY 707 CHEAP TRICK ROLLING STONES REO SPEEDWAGON Hottest: RAY PARKER JR. 3-1 JUICE NEWTON 13-7 LOVERBOY 15-9 QUEEN 16-11 38 SPECIAL 20-14

WHEBIPwumouth. NH Rick Been HUEY LEWIS G NEWS STEVIE WONDER Hottest: MCCARTNEY/WONDER 1-1

TOTO 6-2 LRB 8-5 JUICE NEWTON 10-7 JOHN COUGAR 15-11

WFEAIManchaster, NH Keith Lemke

Hottest: MCCARTNEY/WONDER 1-1 WILLIE NELSON 4-4 JOHN COUGAR 7-7

JUICE NEWTON 10-10 DONNIE IRIS 13-13

SOUTH PARALLEL TWO

BJIOEIOd.ndo, FL

Tom West

ONJ SURVIVOR GLENN FREY PATRICE RUSHES DR. HOOK CHEAP TRICK Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 3-2 ASIA 4-3 TOTO 5-4 LRB 10-6

KEEL/Shreveport. LA Tom Kenny

Hottest: MCCARTNEY/WONDER 1-1 TOTO 6-6 WARWICK & MATHIS 11-11 RONNIE MILSAP 13-13 JUICE NEWTON 18-18

KTSAIßen Antonio, TX J.J. Rodriguez

AIR SUPPLY Hottest: MCCARTNEY/WONDER 1-1 TOTO 20-16 JUICE NEWTON 24-20 HUMAN LEAGUE 27-22 RONNIE MILSAP 29-25

KXX101/Bknigh.m. AL ChM Trans

AIR SUPPLY OAK RIDGE BOYS PATRICE RUSHEE Hottest: HUMAN LEAGUE 4-1 DAN FOGELBERG 11-7 TOTO 20-16 FRANKE/KNOCKOUTS 23-17 RONNIE MILSAP 24-18

WAXY/Ft Lauderdale, FL

Rick Shaw

PAUL MCCARTNEY LARRY ELGART 6 HI REO SPEEDWAGON AIR SUPPLY Hottest: MCCARTNEY/WONDER 1-I ROBERTA FLACK 5-5 WILLIE NELSON 6-6 HUMAN LEAGUE 8-B ASIA 10-10

WAYSIChadotte, NC

Lou Simon

REO SPEEDWAGON AIR SUPPLY RICK SPRINGFIELD GARY U.S. BONDS Hottest: MCCARTNEY/WONDER 2-1 HUMAN LEAGUE 3-2 TOTO 5-3 ASIA 9-6 QUEEN 12-9

WBBOIAupuSM, GA Bruce Svens STEVE MILLER BAND GLENN FREY ROLLING STONES AIR SUPPLY REO SPEEDWAGON SURVIVOR LARRY ELGART 6 HI Hottest: JOHN COUGAR 6-1 JOAN JETT 10-5 38 SPECIAL 12-7 DAZZ BAND 18-B JUICE NEWTON 19-11

WFMFIBston Rouge, LA RlcelWatkira

GLENN FREY REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1 TOTO 4-2 JUICE NEWTON 14-7 ALABAMA 22-15 QUEEN 30-22

WGHINorfolk, VA Bob Canada

ONJ DR. HOOK AMBROSIA RICK SPRINGFIELD MELISSA MANCHESTE AIR SUPPLY Hottest: WILLIE NELSON 2-1 JUICE NEWTON 6-2 RONNIE MILSAP 13-3 BERTIE HIGGINS 10-4 ALABAMA 18-8

WJDXIJsckson, MS Bin Crews

AIR SUPPLY KARLA BONOFF GLENN FREY RICK SPRINGFIELD GAP BAND RAINBOW Hottest: MCCARTNEY/WONDER 1-1

WILLIE NELSON 2-2 HUMAN LEAGUE 4-3 TOTO 5-4 JUICE NEWTON 13-8

WT1XINsw Orleans, LA

Gary Franklin

RICK SPRINGFIELD CHICAGO GARY U.S. BONDS LARRY ELGART & HI

MELISSA MANCHESTE GLENN FREY OAK RIDGE BOYS Hottest: MCCARTNEY/WONDER 1-1

STEVIE NICKS 16-6 RONNIE MILSAP 20-7 TOTO 25-12 QUEEN 27-16

YIO3IJ.cksonvl6. FL

Robert John

RICK SPRINGFIELD REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1 LRB 12-8 HUMAN LEAGUE 15-10 ASIA 17-12 JUICE NEWTON 19-16

WRVOIRkhmond, VA BIN Thomas

GENESIS ROLLING STONES SOFT CELL Hottest: MCCARTNEY/WONDER 1-1 FRANKE/KNOCKOUTS 13-7 LRB 19-13 JUICE NEWTON 22-16 J. GEILS BAND 24-17

FM100/Memphle, TN

Garry Well

AIR SUPPLY GLENN FREY KARLA BONOFF LESLIE PEARL Hottest: MCCARTNEY/WONDER 1-1

DENIECE WILLIAMS 11-B JUICE NEWTON 12-9 PATRICE RUSHEE 28-24 STEVE MILLER BAND 30-2

WSKZ/Chattenooga. TN

David Carroll

JOURNEY GARY U.S. BONDS REO SPEEDWAGON Hottest: TOTO 4-1 LRB 6-3 JUICE NEWTON 18-5 38 SPECIAL 17-14 ALABAMA 19-16

KINTIEI Paso. TX

Jim Zippo

STEVIE WONDER MELISSA MANCHESTE SPLIT ENZ FRANKIE MILLER DR. HOOK MONROES Hottest: MCCARTNEY/WONDER 1-1 LOVERBOY 2-2 ASIA 3-3 KANSAS 4-4 TOTO 6-5

KX1O4/Nashvlle, TN Jon Anthony

AIR SUPPLY REO SPEEDWAGON VAN HALEN DAZI BAND DR. HOOK Hottest: MCCARTNEY/WONDER 1-1 TOTO 3-2 HUMAN LEAGUE 4-3 JOAN JETT 15-B JUICE NEWTON 14-9

KJIOOILoulevib, KY Dave McCann

HUMAN LEAGUE JOURNEY NEIL DIAMOND Hottest: MCCARTNEY/WONDER 1-1 TOTO 10-4 RAY PARKER JR. 16-11 JUICE NEWTON 23-16 ALABAMA D-20

KHFI)Austin, VX Ed Volkmen QUARTERFLASH RICK SPRINGFIELD REDDINGS GLENN FREY REO SPEEDWAGON STEVIE WONDER DAZI BAND BLONDIE SURVIVOR Hottest: HUMAN LEAGUE 1-1 TOTO 2-2 LOVERBOY 4-3 ASIA 7-4 JOHN COUGAR 9-5

KBFMIMcAlen-BrownsvilM Stive Ows NEIL DIAMOND VAN HALEN AIR SUPPLY HAIRCUT 100 STEVE MILLER BAND REO SPEEDWAGON Hottest: RAY PARKER JR. 1-1

JOAN JETT 10-6 JUICE NEWTON 20-15 MOTELS 21-17 FOREIGNER 23-18

G180(Mobble Al. Scott Griffith CHICAGO KARLA BONOFF SURVIVOR PATRICE RUSHES EYE TO EYE Hottest: TOTO 3-1 JOHN COUGAR 7-5 LOVERBOY B-6 QUEEN 12-8 SOFT CELL 18-13

CK101)Cocoa Beach, FL

Mike Lowe

STEVIE WONDER SURVIVOR REO SPEEDWAGON PATRICE RUSHES LARRY LEE EYE TO EYE CHICAGO Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 10-7 QUEEN 22-14 JUICE NEWTON 24-15 38 SPECIAL 2B-21

WSEZ/Winston-Salem. NC Bob Mahoney

QUARTERFLASH JOURNEY ONJ GLENN FREY STEVE MILLER BAND Hottest: MCCARTNEY/WONDER 1-1 TOTO 11-9 JOAN JETT 21-16 J. GEILS BAND 29-23 BLONDIE 32-27

KSET-FMIEI Paso, TX Kris Van Dyke

707 CHEAP TRICK (tip)

Hottest: TOTO 1-1 ALDO NOVA 3-3 38 SPECIAL 5-5 MOTELS 6-6 SCORPIONS 11-11

1147/New Orles. LA Shomby4Volps

REO SPEEDWAGON AIR SUPPLY ASIA ROLLING STONES Hottest: MCCARTNEY/WONDER 1-1 QUEEN 4-2 JOAN JETT 9-5 DAZI BAND 14-7 TOTO 17-12

WOKIIKnoxvWe, TN

Gary Adkins RICK BOWLES GLENN FREY ONJ GARY U.S. BONDS APRIL WINE ROLLING STONES CHICAGO AIR SUPPLY Hottest: MCCARTNEY/WONDER 1-1 JOHN COUGAR 12-7 JOAN JETT 15-10 STEVIE NICKS 19-12 ALABAMA 31-19

WCSOCh.rleeton. SC

Chris Baby

REO SPEEDWAGON ONJ HALL s OATES AIR SUPPLY STEVE MILLER BAND FRANKIE MILLER GARY U.S. BONDS RICK BOWLES ONE WAY PLATTERS (Up) LARRY ELGART & HI (Up) Hottest: HUMAN LEAGUE 2-1 TOTO 4-3 ASIA 6-5 JOHN COUGAR 8-6 JOAN JETT 23-16

WBCYICIariotta NC

Bob Kaghen

RICK SPRINGFIELD BLONDIE GARY U.S. BONDS REO SPEEDWAGON ROLLING STONES Hottest: TOTO 1-1 EYE TO EYE 6-5 JOHN COUGAR 11-6 STEVIE NICKS 17-12 SOFT CELL D-22

WMAK-FlWNsehvws. TN Phi eterdey

CHICAGO ONJ GLENN FREY RICK SPRINGFIELD HAIRCUT 100 (dp) GARY U.S. BONDS (Up) FRANKIE MILLER (Up) GAP BAND (tip)

Hottest: RAY PARKER JR. 3-1 MOTELS 19-13 ALABAMA 21-14

WZYPIHuntsvMe. AL Scott Mitchell VAN HAIES PATRICE RUSHEE REO SPEEDWAGON GENESIS RICK SPRINGFIELD SURVIVOR Hottest: MCCARTNEY/WONDER ASIA 3-2 HUMAN LEAGUE 5-3 TOTO 8-4 QUEEN 11-8

1-1

KZFMICorp 5 Christi, TX C.C. Chandler

MELISSA MANCHESTE STEVIE WONDER DR. HOOK FRANKIE MILLER ONE WAY LARRY ELGART G HI Hottest: MCCARTNEY/WONDER 1-1 ROBERTA FLACK 2-2 LOVERBOY 4-3 FRANKE/KNOCKOUTS 5-4 JOAN JETT 6-5

KROKIShreveport LA HsnisoNGreer

AIR SUPPLY RICK SPRINGFIELD ONJ J. GEILS BAND SURVIVOR SOFT CELL JOURNEY STEVIE NICKS Hottest: TOTO 4-1 MCCARTNEY/WONDER 2-2 WILLIE NELSON 3-3 DENIECE WILLIAMS 11-7 T.G. SHEPPARD 14-8

WSSXICIrAseurt BC

BIN Martin

REO SPEEDWAGON QUARTERFLASH ROLLING STONES KIM WILDE Hottest: ASIA 1-1 TOTO 9-5 LOVERBOY 10-7 KANSAS 15-11 JOHN COUGAR 17-12

KLPOILittie Rock. AR

Steve Kelly

SOFT CELL RICK SPRINGFIELD MOTELS FOREIGNER Hottest: RAY PARKER JR. 2-1 TOTO 3-2 ASIA 10-6 JUICE NEWTON 13-8 JOAN JETT 15-9

WOUTIJobneon City, TN

Rod Hampton

CHICAGO MONROES REO SPEEDWAGON Hottest: LRB 7-1 HUMAN LEAGUE 3-3 TOTO 8-4 RAY PARKER JR. 18-9 JOHN COUGAR 14-10

KRODIEI Peso, TX Mike Preston

JUICE NEWTON LOVERBOY FRANK ZAPPA STEVIE NICKS HEART Hottest: SOFT CELL 2-1 MCCARTNEY/WONDER 7-2 ASIA 14-5 QUEEN 13-6 TOTO 17-8

WNOK-FMIColumbia, SC

Tom Anderson

VAN HALEN MELISSA MANCHESTE 23-17 ROLLING STONES JON & VANGELIS 24-18 EYE. TO EYE

BOW WOW WOW WANS-FM)Greenville. SC ONJ Sam Church KIM WILDE

Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 2-2 TOTO 9-6 QUEEN 23-18 GAP BAND 29-29

RICK SPRINGFIELD ROLLING STONES AIR SUPPLY STEVE MILLER BAND GLENN FREY Hottest: MCCARTNEY/WONDER 1-1 CHARLENE 5-2 DAN FOGELBERG 6-4 HUMAN LEAGUE B-6 ASIA 10-8

WHHY-FM/Montgomery, AL Nell Harrison

STEVE MILLER BAND ROLLING STONES BLONDIE GREG (IHN CHICAGO Hottest: TOTO 4-1 JOHN COUGAR 5-3 QUEEN 8-4 JOAN JETT 12-6 EYE TO EYE 26-17

WDOOIMytone Beach FL

Rick Knight

BLONDIE GARY U.S BONDS ONJ REO SPEEDWAGON AIR SUPPLY Hottest: DAZZ BAND 2-1 HUMAN LEAGUE 9-2 TOTO 3-3 QUEEN 4-4 STEVIE WONDER 30-14

KKYKILHtle Rock, AR Fred Horton

WILLIE NELSON STEVE MILLER BAND Hottest: CHARLENE 1-1 RAY PARKER JR. 3-2 TOTO 5-3 HUMAN LEAGUE 13-6 STEVE MILLER BAND A-21

WRQK/Grea sboro, SC Was Jones

RICK SPRINGFIELD STEVIE WONDER JOURNEY ONJ CHICAGO Hottest: TOTO 6-1 LRB 10-8 JUICE NEWTON 17-10 KARLA BONOFF 27-23 ALABAMA D-27

NC

Randy Ka ilob

RONNIE MILSAP STEVIE NICKS VAN HALEN STEVE MILLER BAND Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 2-2 TOTO 3-3 ASIA 7-4 SOFT CELL 32-24

WABE-FMIMobiie, AL Blaine Kelley

SOFT CELL KARLA BONOFF SURVIVOR GLENN PREY RICK SPRINGFIELD Hottest: MCCARTNEY/WONDER 1-1 JOAN JETT 8-4 LOVERBOY 9-6 QUEEN 11-8 38 SPECIAL 15-11

KITYISan Antonio, TX Robb Stewart

.LOAN JETT JOURNEY AIR SUPPLY STEVE MILLER BAND RICK SPRINGFIELD ONJ Hottest: JOAN JETT I-1 MCCARTNEY/WONDER 3-2 WILLIE NELSON 7-4 CHARLENE 13-5 JOAN JETT A-20

PARALLEL THREE

KILEIOalvwton, TX Scott Taylor

AIR SUPPLY REO SPEEDWAGON GARY U.S. BONDS ALABAMA VAN HALEN DR. HOOK Hottest: MCCARTNEY/WONDER 1-1 ASIA 7-5 TOTO 9-6 JOHN COUGAR 19-8 JUICE NEWTON 18-9

WCGQIColumbua GA Bob Raleigh

RICK SPRINGFIELD GLENN FREY STEVE MILLER BAND REO SPEEDWAGON KARLA BONOFF ROLLING STONES Hottest: MCCARTNEY/WONDER 1-1 TOTO 7-2 ASIA 4-3 LRB 10-5 HUMAN LEAGUE 14-9

WISE/Ashavie, NC

John Stevens

LARRY ELGART & HI PATRICE RUSHEN JOURNEY BLONDIE ONJ Hottest: TOTO 1-1 ASIA 9-2 QUEEN 10-3 LRB 12-5 38 SPECIAL 14-7

WFOXKIeirasville. GA Alan Duprlest

STEVIE WONDER EYE TO EYE ONJ GLENN PREY GENESIS SURVIVOR LESLIE PEARL GAP RAND Hottest: MCCARTNEY/WONDER 1-1 RAY PARKER JR. 2-2 JOHN COUGAR 16-11 SHALAMAR 25-21 RICK SPRINGFIELD 33-27

KPUR/Amarlllo, TX Dan Wilson

JOURNEY STEVE MILLER BAND REO SPEEDWAGON AIR SUPPLY RICK SPRINGFIELD Hottest: TOTO 3-1 JUICE NEWTON 11-7 ALABAMA 14-10 KANSAS 21-18 HEART 27-22

iBSGF/Sevannah GA J.P. Hunter

MEN AT WORK SURVIVOR GAP BAND GARY U.S. BONDS AIR SUPPLY Hottest: MCCARTNEY/WONDER 1-1 TOTO 3-2 HUMAN LEAGUE 5-3 LOVERBOY 10-7 KARLA BONOFF 16-10

Zlggleavanneh, GA Rand) Sommers

ROLLING STONES BLONDIE REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1 JOAN JETT 4-2 HUMAN LEAGUE 9-6 TOTO 13-9 ASIA 16-10

KQIZ.FM/Amarillo, TX Tim Butler

REO SPEEDWAGON JOURNEY VAN HALEN Hottest: MCCARTNEY/WONDER 1-1 JUICE NEWTON 17-8 JOAN JETT 20-13 QUEEN 21-14 STEVE MILLER BAND 24-15

KVOLRdayatb, LA Philip Rmddn GENESIS GAP BAND DR. HOOK SURVIVOR CHER A FLOCK OF SEAGUL (Up) CHEAP TRICK (Up) Hottest: MCCARTNEY/WONDER 1-1 TOTO 2-2 JOAN JETT 4-3 QUEEN 11-7 JUICE NEWTON 15-9

WXLKIRosnoke, VA Ruse Brown BLONDIE CHICAGO GENESIS STEVE MILLER BAND Hottest: J. GRILS BAND 2-1 SOFT CELL 7-4 RICK SPRINGFIELD 13-B WILLIE NELSON 20-14 STEVIE WONDER 23-17

KSEL-FMI ubbock. TX Sun Castles

REO SPEEDWAGON GENESIS CHEAP TRICK ROLLING STONES POINT BLANK Hottest: TOTO 2-1 38 SPECIAL 3-2 VAN HALEN 10-6 SOFT CELL 15-I1 STEVE. MILLER BAND 19-12

KKOVIWIcNa Feb, TX

Orsg Xing CHICAGO SURVIVOR GLENN FREY REO SPEEDWAGON ROLLING STONES RICK SPRINGFIELD GENESIS Hottest: MCCARTNEY/WONDER 1-1 TOTO 4-2 JOHN COUGAR 14-10 38 SPECIAL 18-12 SOFT CELL 27-17

WGLFITabhessee, FL

Ron Palter AIR SUPPLY RICK SPRINGFIELD CHICAGO REO SPEEDWAGON LARRY FLGART & HI Hottest: MCCARTNEY/WONDER I-1 HUMAN LEAGUE 3-2 SOFT CELL B-4 ASIA 7-7 EYE TO EYE 31-24

0101/Meridian, MS Bill Evens HEART HUEY LEWIS & NEWS MOTELS STEVE MILLER BAND AIR SUPPLY J. GEILS BAND GARY U.S. BONDS MONROES SPLIT ENZ Hottest: MCCARTNEY/WONDER 1-1 FRANKE/KNOCKOUTS 4-3 JOAN JETT 18-9 WILLIE NELSON 15-10 KANSAS 19-1ß Q1OYGedWsn. AL Lao Davie

REO SPEEDWAGON ROLLING STONES RICK SPRINGFIELD SOFT CELL DAZI BAND Hottest: TOTO 3-1 EYE TO EYE 10-9 QUEEN 12-11 DENIECE WILLIAMS 23-16 KANSAS 25-21

WFLBIFaysttsvllle, NC Larry Cannon

ONJ AIR SUPPLY BLONDIE HAIRCUT 100 CHICAGO DR. HOOK GLENN FREY LARRY LEE (Up) VAN HALEN IRENE CARA (Up) SURVIVOR (Up) MONROES (tip)

Hottest: DENIECE WILLIAMS 4-1 HUMAN LEAGUE 9-4 ALABAMA 12-8 TOTO 16-10 PATRICE RUSHEN 19-15

WYKBlGakwvlb. FL

Karl Kaufmann

KIM WILDE REO SPEEDWAGON GREG KIHN BLONDIE STEVIE WONDER ROLLING STONES GLENN FREY Hottest: MCCARTNEY/WONDER 3-1 TOTO 4-2 38 SPECIAL 8-5 SOFT CELL 19-17 JOURNEY 39-29

WAEV/Sawnnah, GA J.D. Noni

ROLLING STONES STEVE MILLER BAND LESLIE PEARL GLENN PREY SURVIVOR AIR SUPPLY RICK BOWLES (Up) Hottest: MCCARTNEY/WONDER 1-1

JOAN JETT 9-5 SOFT CELL 17-12 RONNIE MILSAP 21-14 EYE TO EYE 25-17


Page 58 Rf&R/Friday, June 4,198

MIDWEST Most Added Hottest REO Speedwagon Toto Gary U.S. Bonds Paul McCartney Air Supply Asia Rick Springfield

CHR ADDS & HOTS Music Key: (DPI indicates the song is getting play during certain parts of the day and/or night (RA) indicates the song was dropped from the pia ylist then re -added.

WEST Most Added Hottest

Rick Springfield P. McCartney Glenn Frey Toto REO Human League Speedwagon

MIDWEST PARALLEL TWO

92XICokxnbus, OH Ted Nutter

HUEY LEWIS S NEWS REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1 ASIA 6-4 TOTO 13-10 WILLIE NELSON 22-17 JOHN COUGAR 23-19

KIOAIDes Moines, IA A.W. Pantoja

GARY U.S. BONDS CHICAGO GLENN FREY Hottest: MCCARTNEY/WONDER 1-1 TOTO 14-4 FRANKE/KNOCKOUTS 10-7 WILLIE NELSON 13-B KARLA BONOFF 19-13

KOFMIOklahoma City, OK

Brock/Morgan

JOURNEY REO SPEEDWAGON EYE TO EYE BLONDIE GLENN FREY ONJ LARRY ELGART 6 HI Hottest: MCCARTNEY/WONDER 1-1 TOTO 10-5 RAY PARKER JR. 13-10 ASIA 14-11 JOAN JETT 21-16

KRAVITuba, OK Gary Reynolds

AIR SUPPLY NEIL DIAMOND Hottest: RICK SPRINGFIELD 2-1 TOTO 5-3 JUICE NEWTON 9-6 ROBERTA FLACK 10-8 DENIECE WILLIAMS 15-11

KZ93IPeoria, iL Keith Edwards

SURVIVOR GENESIS GLENN FREY REO SPEEDWAGON Hottest: HUMAN LEAGUE B-1 KANSAS 7-4 JOHN COUGAR 10-7 SCORPIONS 16-13 SOFT CELL D-19

WGRDIGrand Rapids, MI

J.J. Duling

Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 2-2 TOTO 3-3 ALDO NOVA 4-4

WHOTIYoungstown, OH Dick Thompson

RICK SPRINGFIELD Hottest: MCCARTNEY/WONDER 1-1 JOHN COUGAR 21-15 38 SPECIAL 26-20 RONNIE MILSAP 27-21 ROBERTA FLACK D-24

WMEEIFort Wayne, IN John Curry

Hottest: RAY PARKER JR. 1-1 ASIA 5-5 QUEEN 6-6 JOHN COUGAR 7-7 TOTO 8-8

WNAPllndlanapolb, IN

Larry Mago

MOTELS RICHARD D. FIELDS SOFT CELL STEVE MILLER BAND Hottest: MCCARTNEY/WONDER 1-1 LRB 3-2 TOTO 6-3 ASIA 8-7 JOHN COUGAR 9-8

WNCI/Columbus, OH

Steve Edwards

SOFT CELL AIR SUPPLY DENIECE WILLIAMS Hottest: MCCARTNEY/WONDER 1-1

ROBERTA FLACK 3-2 ELTON JOHN 5-3 LRB 7-5 TOTO 13-8

WOW/Omaha, NB

Ralph Caldwell

SOFT CELL J. GEILS BAND ALABAMA ROBERTA FLACK NEIL DIAMOND REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1 LRB 3-2 JUICE NEWTON 6-4 RONNIE MILSAP 9-6 WILLIE NELSON 11-7

WVICIEaat Lansing, MI Jim St John

CHEAP TRICK GARY U.S. BONDS CHER BOW WOW WOW BLONDIE Hottest: MCCARTNEY/WONDER 1-1 TOTO 4-2 JUICE NEWTON 10-6 ALABAMA 38-18 BERTIE HIGGINS 32-20

KSTTIDevenpwt Ù1

BZ Young

REO SPEEDWAGON MOTELS RICK SPRINGFIELD MELISSA MANCHESTE Hottest: MCCARTNEY/WONDER 1-1 TOTO 7-2 JUICE NEWTON 9-4 JOHN COUGAR 17-10 HEART 19-15

KEYN-FM/Wichita, KN

Terrie Springs

ROBERTA FLACK AIR SUPPLY RICK SPRINGFIELD REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1 RAY PARKER JR. 2-2 HUMAN LEAGUE 7-5 WILLIE NELSON 10-7 KANSAS 16-13

WYFMIYoungatown, OH

Jeff Tobin

SOFT CELL Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 5-2 ASIA 7-6 ALDO NOVA 13-8 JOHN COUGAR 16-10

WAKX/Duiuth, MN Dave Strandberg

HUEY LEWIS S NEWS Hottest: MCCARTNEY/WONDER 1-1 TOTO 7-3 ELTON JOHN 5-4 WILLIE NELSON 9-5 JUICE NEWTON 12-B

WNAMIAppleton-Oshkosh Chris Caine

HAIRCUT 100 REO SPEEDWAGON AIR SUPPLY SURVIVOR ROLLING STONES GENESIS CHICAGO STEVE MILLER BAND GLENN FREY Hottest: MCCARTNEY/WONDER 1-1 JUICE NEWTON 16-12 JOHN COUGAR 20-15 ALABAMA 25-18 SOFT CELL 29-22

WOBFIEvsnevIlle, IN Kevin Carpenter

AIR SUPPLY STEVIE NICKS CHICAGO Hottest: MCCARTNEY/WONDER 1-1 WILLIE NELSON 4-2 ASIA 7-5 TOTO 13-6 JUICE NEWTON 12-7

WZOKIRockford, IL

Mr. Ed

ROLLING STONES MOTELS RICK SPRINGFIELD Hottest: TOTO 2-1 HUMAN LEAGUE 4-3 JOHN COUGAR 11-7 WILLIE NELSON 16-10 ASIA 19-11

Z104IMadbon, WI Little/Hudson

REO SPEEDWAGON GARY U.S. BONDS STEVE. MILLER BAND ROLLING STONES Hottest: MCCARTNEY/WONDER 1-1 TOTO 4-2 LRB 10-6 JOHN COUGAR 17-13 VAN HALEN 25-17

WIKS/Indlanapolls, IN

Jay Stevens

EYE TO EYE SOFT CELL STEVIE NICKS REO SPEEDWAGON GLENN FREY Hottest: JOHN COUGAR 1-1 KANSAS 2-2 TOTO 11-3 ASIA 8-4 CHUBBY CHECKER 12-5

U93/South Berl, IN

J.K. Dsarkrg

JUICE NEWTON Hottest: MCCARTNEY/WONDER 1-1 CHARLENE 2-2 RAY PARKER JR. 5-3 ELTON JOHN 16-7 LRB 30-19

WDJX/Dayton, OH Steve Allen

AIR SUPPLY HUMAN LEAGUE JOAN JETT Hottest: MCCARTNEY/WONDER 1-1 WILLIE NELSON 3-2 DAN FOGELBERG 7-5 KOOL S THE GANG 11-6 TOTO 19-11

WKDO/Evansville, IN Hobbs/Payne

REO SPEEDWAGON KARLA BONOFF STEVE MILLER BAND CHICAGO GARY U.S. BONDS Hottest: RAY PARKER JR. 1-1 ALABAMA 3-2 JOHN COUGAR 10-6 HUMAN LEAGUE 15-9 WILLIE NELSON 25-11

WJXQIJackson, MI Ryan/Cheeks

CHEAP TRICK (dp) RICK BOWLES (dp) BLONDIE (dp) MEN AT WORK (dp) MARSHALL CRENSHAW (dp GARY U.S. BONDS (dp) REO SPEEDWAGON ROLLING STONES Hottest: ASIA 1-1 VAN HALEN 4-2 JOHN COUGAR 5-4 REO SPEEDWAGON A-17 ROLLING STONES A-18

KOKO/Omehe, NB Jay Taylor

STEVE MILLER BAND RICK SPRINGFIELD KARLA BONOFF SURVIVOR Hottest: TOTO 2-1 ASIA 5-3 QUEEN 6-5 JUICE NEWTON 12-7 KANSAS 19-12

KIIKJDeverport IA Chuck King

JOURNEY RICK SPRINGFIELD NEIL DIAMOND BLONDIE Hottest: MCCARTNEY/WONDER 1-1 QUEEN 20-17 JOHN COUGAR 28-23 JUICE NEWTON 32-24 RONNIE MILSAP 34-28

WZZRIGrsnd Rapids, MI

Brian Thomas

SURVIVOR GARY U.S. BONDS MOTELS SPLIT ENZ LARRY ELGART 6 HI REO SPEEDWAGON Hottest: TOTO 3-1 HUMAN LEAGUE 2-2 ASIA 6-5 JUICE NEWTON 20-9 WILLIE NELSON 13-10

WKFRIKalarnelwo, MI

Swarticlrpmen

KARLA BONOFF RICK SPRINGFIELD AIR SUPPLY REO SPEEDWAGON QUARTERFLASH STEVE MILLER BAND Hottest: MCCARTNEY/WONDER 1-1 JUICE NEWTON 8-4 JOHN COUGAR 13-10 JOAN JETT 16-12 NEIL DIAMOND 28-21

WLYT/Cleveland, OH Scott "Smoker" Howitt

NEIL DIAMOND HEART MOTELS KARLA BONOFF Hottest: TOTO 10-7 JOAN JETT 20-15 JOHN COUGAR 23-17 LOVERBOY 21-18 JUICE NEWTON 29-23

KMGK/Des Moines, IA

Michael Stone

REO SPEEDWAGON GLENN FREY GARY U.S. BONDS A FLOCK OF SEAGUL Hottest: ASIA 1-1 KIM WILDE 13-9 QUEEN 16-15 SPARKS 26-21 SURVIVOR D-25

PARALLEL THREE

KFYR/Blsmarck, ND

Dan Brennen

GLENN FREY AIR SUPPLY GARY U.S. BONDS ROLLING STONES HALL 6 OATES Hottest: MCCARTNEY/WONDER 1-1 TOTO 4-2 JOAN JETT 9-6 RONNIE MILSAP 12-8 JUICE NEWTON 14-10

KKLS/Rapid City Sherwin/Piper

ONJ AIR SUPPLY BLONDIE CHICAGO Hottest: TOTO 3-1 RAY PARKER JR. 10-5 ASIA 9-7 38 SPECIAL 16-9 JUICE NEWTON 19-12

WRKRlRsckw, WI Steve Warren

LAURA BRANIGAN QUARTERFLASH GARY U.S. BONDS Hottest: MCCARTNEY/WONDER 1-1 RAY PARKER JR. 5-2 WILLIE NELSON 6-5 JOHN COUGAR 21-16 DAZZ BAND D-32

WSPTIStsvsns Point WI ) Fuhr/Stage

GARY U.S. BONDS GRASS ROOTS REO SPEEDWAGON AIR SUPPLY CHEAP TRICK (dp) SPLIT ENZ (dp) Hottest: HUMAN LEAGUE 2-1 ALDO NOVA 3-3 ASIA 4-4 TOTO 6-5 JUICE NEWTON 14-8

WTRU/Muskegon, WI Larry Olek

RICK SPRINGFIELD BLONDIE LESLIE PEARL GLENN FREY GENESIS ROBERTA FLACK REO SPEEDWAGON VAN HALEN Hottest: MCCARTNEY/WONDER 1-1 TOTO 4-2 LRB 7-4 ASIA 11-7 JUICE NEWTON 17-10

KDVV/Topeka, KS

Tony Stewart

BLONDIE RICK SPRINGFIELD Hottest: MCCARTNEY/WONDER 1-1 TOTO 2-2 ASIA 3-3 JOHN COUGAR 11-5 38 SPECIAL 12-6

KELO/Sloux Fab. SD Marc Elliot

AIR SUPPLY ONJ SURVIVOR OAK RIDGE BOYS LARRY ELGART a HI (dp) Hottest: MCCARTNEY/WONDER 1-1 TOTO 8-4 HUMAN LEAGUE 9-5 38 SPECIAL 12-8 JUICE NEWTON 24-15

KWLOIWaterloo, IA Drew Bentley

REO SPEEDWAGON AIR SUPPLY Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 5-2 ASIA 8-3 TOTO 16-6 JUICE NEWTON 17-7

W AZYFMILafayette. IN

Bob Leonard

GLENN FREY RICK SPRINGFIELD REO SPEEDWAGON GENESIS SURVIVOR STEVIE WONDER ROLLING STONES Hottest: TOTO 3-1 JUICE NEWTON 11-7 38 SPECIAL 12-8 MOTELS 15-9 SOFT CELL 26-17

KRNAllowe City, IA Jeff Harmon

ROLLING STONES REO SPEEDWAGON GARY U.S. BONDS JUICE NEWTON APRIL WINE (dp) NAZARETH (dp) FRANKIE MILLER (dp) EYE TO EYE (dp) PINUPS (dp) HAIRCUT 100 (dp) Hottest: ASIA 2-1 TOTO 4-2 QUEEN 10-6 38 SPECIAL 11-7 JOAN JETT 14-9

KOWBIFargo, ND Wayne Hiller

HEART Hottest: MCCARTNEY/WONDER 1-1 TOTO 2-2 HUMAN LEAGUE 4-3 ASIA 6-4 WILLIE NELSON 8-6

KFMZ/Columbis, MO Save Graziano

GENESIS STEVE MILLER BAND REO SPEEDWAGON ROLLING STONES GARY U.S. BONDS Hottest: TOTO 1-1 ASIA 2-2 MOTELS 8-6 JETHRO TULL 22-18 SURVIVOR D-24

99KGISalina, KS

Denny Collier

RICK SPRINGFIELD ALABAMA STEVIE NICKS KARLA BONOFF SURVIVOR REO SPEERWAGON Hottest: TOTO 2-1 JOAN JETT 8-4 JOHN COUGAR 10-6 38 SPECIAL 17-12 LOVERBOY 18-13

KKRC-FMISIoux Falb, SD Greg Fisher

JUICE NEWTON ROLLING STONES SOFT CELL EYE TO EYE J. GEILS BAND JOURNEY SPLIT ENZ Hottest: HUMAN LEAGUE 2-1 ASIA 4-2 TOTO 3-3 TOMMY TUTONE 1-6 LOVERBOY 17-10

KKXL/Grand Forks, ND

Gary Leigh

SURVIVOR J. GEILS BAND KARLA BONOFF CHICAGO Hottest: ASIA 1-1 HUMAN LEAGUE 2-2 TOTO 3-3 JUICE NEWTON 9-5 JOHN COUGAR 7-7

WEST PARALLEL TWO

KCPX/Salt Lake City, UT Gary Waldron

FRANKIE MILLER STEVIE WONDER DR. HOOK HAIRCUT 100 REO SPEEDWAGON LARRY ELGART i HI Hottest: MCCARTNEY/WONDER 1-1 RONNIE MILSAP 15-6 STEVIE NICKS 30-20 SOFT CELL 37-29 PATRICE RUSHEN 38-30

KJRB/Spokane, WA Suds Coleman

BLONDIE JOURNEY REO SPEEDWAGON SOFT CELL Hottest: MCCARTNEY/WONDER 1-1 WILLIE NELSON 10-7 JUICE NEWTON 14-8 JOHN COUGAR 12-9 RONNIE MILSAP 17-12

KRQ/Tuceon. AZ Guy Zapodeon

HAIRCUT 100 REO SPEEDWAGON JOURNEY ROLLING STONES PAUL MCCARTNEY Hottest: TOTO 1-1 BLONDIE 11-5 QUEEN 10-6 STEVIE NICKS 27-14 KARLA BONOFF 26-17

FRANKE/KNOCKOUTS LOVERBOY KARLA BONOFF Hottest: MCCARTNEY/WONDER 1-1 LRB 3-2 HUMAN LEAGUE 5-4 TOTO D-6 WILLIE NELSON 20-11

KHYTITucson, AZ Rich Brother Robbin

ROLLING STONES HALL 6 OATES GARY U.S. BONDS REO SPEERWAGON AIR SUPPLY AMBROSIA ONE WAY PATRICE RUSHEN Hottest: MCCARTNEY/WONDER 1-1 TOTO 2-2 HUMAN LEAGUE 3-3 ASIA 5-4 SOFT CELL 27-8

KIDD/Monterey, CA Barry Brown

REO SPEEDWAGON JOURNEY STEVIE NICKS RICK SPRINGFIELD GLENN FREY Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 4-2 JOAN JETT 15-10 DENIECE WILLIAMS 20-14 PATRICE RUSHEN 29-22

Y94/Fresno, CA John McCorkle

RONNIE MILSAP NEIL DIAMOND Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 6-3 ASIA 10-7 RAY PARKER JR. 13-8 WILLIE NELSON 16-11

KLUC/Las Vegas, NV Dave Van Stone

STEVE MILLER BAND GLENN FREY RICK SPRINGFIELD Hottest: MCCARTNEY/WONDER 1-1 ELTON JOHN 3-2 ASIA 9-7 JOHN COUGAR 14-11 JUICE NEWTON. 21-18

KYNOFMIFresno, CA

WalkerlDevb

HUMAN LEAGUE STEVIE WONDER GREG KINN Hottest: MCCARTNEY/WONDER 3-1 ATLANTIC STARR 9-5 ONE WAY 14-6 DAZZ BAND 16-10 WILLIE NELSON 11-11

FM1021Sacramento, CA

Billy Menders

ALABAMA MOTELS LARRY ELGART 6 NI Hottest: MCCARTNEY/WONDER 1-1 CHARLENE 2-2 WILLIE NELSON 4-4 HUMAN LEAGUE 9-5 DAZZ BAND 19-12

K9NProvo, UT OentrylKraddick

SOFT CELL Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 2-2 TOTO 7-3 FRANKE/KNOCKOUTS 5-4 ASIA 6-5

FM103/Sah Lake City, UT Lorraine Winegar

GREG KINN REO SPEEDWAGON Hottest: MCCARTNEY/WONDER 1-1 ALDO NOVA 2-2 ASIA 3-3 TOTO 5-4 KANSAS 17-12

KBBK/Boisa, ID Bob Lee

MOTELS RICK SPRINGFIELD EYE TO EYE QUARTERFLASH LARRY ELGART i HI GARY U.S. BONDS Hottest: MCCARTNEY/WONDER 1-1 HUMAN LEAGUE 2-2 TOTO 7-3 JOHN COUGAR 9-5 JOAN JETT 13-8

KSKD/Salem, OR Len E. Mitchell

RAINBOW (RA) RICK SPRINGFIELD STEVE MILLER BAND GLENN FREY GARY U.S. BONDS (dp) JON 6 VANGELIS (dp) Hottest: MCCARTNEY/WONDER 1-1

KSPZIColorado Springs. CO ASIA 18-11 KIM WILDE 26-16

Mike Daniels BOW WOW WOW 34-25 SOFT CELL 40-29

KKFMIColorado Springs Jack Hamilton

FRANK ZAPPA J. GEILS BAND ONE WAY Hottest: MCCARTNEY/WONDER 3-1 TOMMY TUTONE 7-2 HUMAN LEAGUE 4-4 SOFT CELL 6-5 FRANK ZAPPA A-10

KIKI/Honolulu John Fink

NOHELANI CYPRIANO MISSING PERSONS MELISSA MANCHESTE PATRICE RUSHEN RICK SPRINGFIELD TASTE OF HONEY MICHAEL MURPHEY CHICAGO STARS ON 45 MOON MARTIN JUICE NEWTON B.B. KING Hottest: DENIECE WILLIAMS 3-2 ALIIS 2-3 DAZZ BAND 5-4 STEVIE WONDER 28-15 ATLANTIC STARR 29-24

PARALLEL THREE aa>_ KCBNIReno, NV Jim O'Neal

KGGIIRiverside-San Bernardino Steve O'Neil CHICAGO

ROLLING STONES ONJ SURVIVOR AIR SUPPLY REDDINGS Hottest: MCCARTNEY/WONDER 1-1 QUEEN 13-7 38 SPECIAL 18-12

9-14 MELISSA MANCHESTE 21-1 SOFT CELL 32-25

ONE WAY DAZI BAND REO SPEEDWAGON AIR SUPPLY Hottest: HUMAN LEAGUE 2-1 QUEEN 14-6 ONE WAY A-7 DENIECE WILLIAMS 1

KARLA BONOFF 20-16

KKXX/BakentfkAd, CA SquireslDenoo

FRANK ZAPPA ROLLING STONES REO SPEEDWAGON HEART STEVIE WONDER RICK SPRINGFIELD EYE TO EYE Hottest: SOFT CELL 1-1 LOVERBOY 10-4 QUARTERFLASH 19-6 FRANK ZAPPA A-14 STEVE MILLER BAND 26-16

KNBO/Tacome, WA Bryan/Roberts

REO SPEEDWAGON GARY U.S. BONDS STEVIE WONDER CHEAP TRICK GLENN FREY JOURNEY BOW WOW WOW Hottest: MCCARTNEY/WONDER 1-1 TOTO 4-3 ASIA 7-5 JUICE NEWTON 10-7 HUEY LEWIS 6 NEWS 20-14

KDZA/Pueblo, CO

Rip Avine

RICK SPRINGFIELD SURVIVOR ONJ GARY U.S. BONDS HAIRCUT 100 MON ROES SPLIT ENZ Hottest: MCCARTNEY/WONDER 1-1

HUMAN LEAGUE 4-4 WILLIE NELSON 12-8 DENIECE WILLIAMS 14-9 JUICE NEWTON 21-14

KSLY/San Luis Obispo

Don Potter

CHEAP TRICK PINK FLOYD GARY U.S. BONDS GLENN FREY RICK SPRINGFIELD A FLOCK OF SEAGUL AIR SUPPLY Hottest: MCCARTNEY/WONDER 1-1 BERTIE HIGGINS 12-8 JUICE NEWTON 14-10 NEIL DIAMOND 28-16 MELISSA MANCHESTE 29-24

KENIIAnchorage, AK

Robbine/Denman

GLENN FREY CHICAGO GARY U.S. BONDS AMBROSIA AIR SUPPLY NEIL DIAMOND Hottest: MCCARTNEY/WONDER 2-1 ASIA 7-3 LRB 12-8 KANSAS 23-14 MOTELS 27-19

KYYAIBINings. MT

Jack Bell

FOREIGNER RICK SPRINGFIELD AIR SUPPLY JOURNEY ROLLING STONES Hottest: MCCARTNEY/WONDER 1-1 WILLIE NELSON 8-5 JUICE NEWTON 9-7 ASIA 12-9 38 SPECIAL 20-14

KATI/Casper, WY Fred Leehumis

JOURNEY AIR SUPPLY RICK SPRINGFIELD GLENN FREY REO SPEEDWAGON CHICAGO GARY U.S. BONDS PATRICE RUSHEN Hottest: MCCARTNEY/WONDER 1-1 TOTO 5-2 HUMAN LEAGUE 7-5 ASIA 8-6 JOAN JETT 12-8

KOZE/Lewbton, ID

Jay McCall

CHICAGO STEVE MILLER BAND GLENN FREY EYE TO EYE ROLLING STONES REO SPEEDWAGON Hottest: TOTO 2-1 JUICE NEWTON 12-7 JOAN JETT 15-10 KANSAS 18-12 HEART 20-13

KKLV/Anchorege, AK Art Lewis

EYE TO EYE NEIL DIAMOND SURVIVOR SOFT CELL RICK SPRINGFIELD HAIRCUT 100

5 GLENN FREY Hottest: MCCARTNEY/WONDER 1-1 TOMMY TUTONE 2-2 HUMAN LEAGUE 5-3 TOTO 10-6 QUEEN 11-8

THE FOLLOWING STATIONS DID NOT REPORT THIS WEEK:

WIFI/Philadelphia Q107/Washington

KEGL/Ft. Worth -Dallas CK LW/ Detroit

KBEO/Kansas City WGCLJCleveland 8100/Sen Diego

WOMP-FM/Bellaire W C I L-FM/Carbondale

THE FOLLOWING STATIONS REPORTED A FROZEN PLAYLIST THIS WEEK:

8104/Baltimore KIQO/Los Angeles 3WT/Binghamton KSET-FM/EI Paso KEEL/Shreveport

WAXY/Ft. Lauderdale WGRD/Grand Rapids

WMEE/Ft. Wayne W FEA/Manchester

i


REtR/Friday, June 4, 1982

PAIIALLELS. Parallel l: Selected stations in major markets that are format dominant' and/or exert a significant national influence. Parallel Il: Selected stations in secondary markets that are format dominant and/or exert a significant local or regional influence. This parallel may also contain some major market stations that do not qualify for parallel one status. Paradai Ill: Selected stations in smaller markets that are format dominant' and/or exert a significant local influence. This parallel may contain some secondary market stations that do not qualify for parallel two status.

Note: (') Format dominance is based on the Monday -Sunday, 6AM- 12Midnight, total persons 12 plus shares as published by Arbitron. All present and possible future reporting stations are evaluated and updated twice annually.

`k DENOTES FIRST WEEK IN PARALLELS.

JOHN DOE "Hit Song" (Anylabel) LP: Hit Song National

Reglon.l 100125 44% Summary Rwch Up 51

E 33% Debuts 20 M 21% Same 4

S 56% Down 0 W 19% Adds 25

EXAMPLE 100125 - 100 CHR reporting stations on

d lb s week including 25 new adds.

44% - Percentage of this weeks re.

porters playing d

Regional Reach - Percentage of reporters playing the

song within each

region

National Summery

Up 31 - Number of stations moving i1 up

on the charts

Debuts 20 - Number of stations debut- ing the song this week.

Sams 24 - Number of stations reporting

no movement this week. (On to On. Add to On, 31-31. etc /

Down 0 - Number of stations moving d down on Meir charts

Adds 25 - Total number of stations adding it this week.

o AIR SUPPLY Even The Night.. (Arista) LP Now And Forever

National

71/70 34% RTuP

Summary

N i A1 F 44eOESAMc

; DOW 0

DOS 10

B11MT

MMBC a -a8 118. EN B91 e

JB105 ael5

90Bn11

193 a

940 a

1100 a

MINET

Sa9

WPBR a

WRY a-18 3M.a KClnl a-30 YPST a

XA`S ; Y

04 a-17 a-40

-T. KITY a KTSA a-27 »MI a

691 a-]7 PON a

4.100 a-26 XX106 a

WAXY a MDOO e 4580 a MM100 a-27

n4 a

14O13 a

YCSC a

4MEM a Mox

MI14ET

WMP KMV a

EriEN a MKAM YGBP a-25 111K1 a-24 DJ% a

AI

MET a

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WEBG e -l0 WCIR a

95X16.a W.

a MM.

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WOLF a

KIRS o FILE a25 WR a

0101 a

M0149r

REYP a

RE10 4-31 KKLS .ET RYIO a

K.1 a

K ATI

ALABAMA Take Me Down (RCA) LP: Mountain Musk

Reach l'

M 431 W 691

128/9

o acre6

up 43

BMs 31

SAME 35 ux n

ADO CDS 9

g WI ,KBM WIENER 17-34

X104 26-26 C 29-26

9011111

Z93 25-16 940 18-11 0105 19-18

a.r IOARSM 30-29 RRLA on MI an R100 a 1.ER 27-21 IITM 25-17 KYYX d-29 KIIEE a

KIM on 0103 on 90PA d -f7 1406E 27-21

OPER 24-21 MIEN 36-11 AMY on 92PLY on MLI a

W.C. on

4.14 a39 KEEL N-24

9-27 1.0K 22-15 SLPod-30

X 22-16 00%106 d-22

KlP n O u1-18 MMTM 21-19

on Y101 40-35 B J105 39-32 WOO d-28 R101 d-38

11660 28-18 M100 17-14 MIAMI 21-14 MSE 19-16 IORI 31-19 W.N. on WYB 23-20 MEE 28-24 W. d-27 MCSC 18-11 41106/148-1

é e XJ10o -20

a90M.1

P d -l0 WIC 38-18 .TT 27-23 RIIK on K10Á d-30

9-14 KRAV 17-16 1..62 d-27 MM 25-18 MGBr d-19 »DG 3-2 MO6 a-14 ROBO el -23 MCI 21-17

K RU on 111167 37-35

501

4B8 ñ -Q614 9 M. 29-29 KP80 23-19 WCIR 16-9

YO d-27

901111.

0104 24-17 WA6V d-25

02 30-27 956GP 30-24 wPO% 1-3 %K50 27-22 WISE 20-17 MELB 12-8 OXL! d-30 MOLE on MERS d-32 KKOV on IULE a M1EPM d-]1 1PUR 14-10 0101 29-24

l6

M0149T

9-11 1M2u 34-32 OMM o WrRu d27 WAtYEN d-26 9WI0 29-27 99w

RC101 27-21 WIANM o 101.B d-21 0106 29-25

CR 27-15 RE 24-17 V100 30-25

901/114

KI. d-33 KLM 25-19

22-18 KNFI 27-22

206 REPORTS 216 LAST WEEK

plloban9 condnwdl %NOT d-30

91E1

KIDD on PM1D2 a K.IM 27-21 MBO 29-27 KBBK 26-24 KCPIt 22-16 096 2)-2l K. ñ-18

RENI cn-lJ KKLV

LY d-29 KO M o MTI d635 KYYK 22-15 KOEC d-26

ASIA Heat Of The... (Geffen) LP: Asia

71

W l6

172/1 83% National ary

DEBUTS 120

Me o DOON

1 ADOS 1

aul

410314 4-3 IMEN. 3-1 WCAUM4 6-8 96KX -2 89416-10 0104 5-5 KKSM 18-11

PRO -PM 11-9 J8105 22-7 MPGC 9-7 Cr. 2-2 CHUM 8-12 CKGN -5

» MN

191 5-3 940 3-2 00 9-4

195 1 1I1 0105 -6

» MIR W14 8-1 VIS -62 8-7 WIOL62 11-11 0102 8-3 M6T1 6-4

FPI 23-21 K100 I1-17

KQLP 1 1 -9 RYPX 8-7 RUBE 6-5 IHR B-5 0103 15-10 L. 2-4

170:1 ares

MEM D 2-2

5

MERY 11-11 92E.l-3 WRCN -I

1MT 8-8 4661 22-18 MTICM 7-5 wWCEN Z-1

01A8EN 7-6 00iC6 15-10 WY R 17-1{ YRRe62 2-2 MEE

Ó--13 V100 on

. aura

KITY 18-1' KBETPR -

KIST 1-1 KROD 14-5 KHPI l-4 BM 5-3

697 a

KEEL on KROK onWERF

KLPO 10-6 YJDX on MABBPR 2-2 G100 6-4 KEMP 3-2 .111.11 13-9 WAX. 10-10 0105 17-12 8J105 4-3 M000 13 -In

.130 KB 1 6-4 O 3-2

KK104 1-7 .0Z 8-7 YOKI 2-2

OUP 13-11 WB. l-3 WAYS 9-6 MDOG 7-4 %RQ 12-9 WCSC 6-5

1

YMbM 10-8 MNOKM 15 -II Mw 3-2 1111011.11

WORD 6-6 6-5

MJXO 1-1 OMM 9-8

IK 11-10 1NGR -1

IMEN 14 -II 1¢wM 23-20

93 5-8 M2Q 19-11 .104 5-5 ,BAM 8-6 WIKS 8-4 080 P 8-1 MALL 5-5 KOBE 7-5 MO 14-12

093 9-10 WY on RWO 5-3 MLYT 1-3 y2X 6-4 BX 14 -In

MIOT l-5 YM 1-6

%%BR

KKXX 6-12 Y. 10-7 KIDD 17-12 63102 12-8 KJM 2-2

MKO 7-5R

2-18 .B1 18-15

K CPx 11-9 EN 0l 3-1 096 6-5 K6KD 18-11 6WC 9-7 MM 0 18-16 M4 5-4

30-iP

MaR

W. 28-I1 WACE 6-1 MIGY 1-1 wTSN

u2-4 PE 14A 2

YPBO 9-8 95XIL 15-13 W. 6-6 WnA 0104 6-6 ALV 8-7 1102 16-10 9550E 6-t X01 18-15 0:50 4-3 WISE 9-2 WOA 10-7

]-7 MRS 7-6 KKOV -3 KILE517-5 mines LM 1-1 K 0]X1. 15-12

O-9 0101 9-6 WOL 8-5

i11.r

RELM 1-1 KPYR 16-12 KOW 6-46

M.C.DO2 PP, 4-2 MLR 9-7 W. 9-8 M..

1-4 9]

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99KG 13-16 ROVE 1-1 FOW l-3

%MIT

ENI 1-3 KKLV 17-12 KBLY )-1 KCBN 3-7 OS4 5-5 MTI 6-4 K EYA 12-9 1o. e 1-2

o BLONDIE island Of Lost.. (Chrysalis) LP: The Hunter

National

91/21 44% Su. als 44\DESM1R5 27

491 I ryiA E 28

I9 DOYN 67! ADOS 21

g wMeSEN d-38 M B1

e-28 PRO-FR cP16-15

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901/.14

940 on

9.119.2.82

MIOLM d_29

1110.

K LARTN 28-26 KRL4 on

38-22 K I00 38-38 KE R Ó1-15 XTMn KY. 10-22 KURE a

on 0103 on

Mn ePeB a-29

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38TR14631 W.C. d-29 XAHEN a MB d-30 wKCe 38-13

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MRO d-24 MURR d-28 AI6M d-10 KRO I1-5 KHYT d-33

MwY o ACE d30 0.6N 35-29 WE2 B -22

wCEK on

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GARY U.S. BONDS Out Of Work (EM/ Americd

On TheLlne LP ^ hational

Reg1onal 67.150 25% a0-7

UP 0

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I N i A \

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w%It6M .

J6105 a-33

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Page 60

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RE&R1Friday, June 4, 1982 (Jules Newton contMood) (Ray P99rkMJr. contlrM9.d) fRd9tóowcontlr.ee*

Page 61

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CHR THE INSIDE BACK PAGE New ít Active Continued from Back Page

25-49 A/C June 4, 1982

NEIL DIAMOND "Be Mine Tonight' (Columbia) 75/12 Moves: Up 27, Debuts 9, Seme 27, Down 0, Adds 12, KIIS-FM, XTRA, V100, KBFM, KJ100, KIIK, KRAV, WOW, WLYT, Y94, KENT, KKLV, WKBW 20-17, WKEE 30-24, KCPX 18-11.

DENIECE WILLIAMS "It's Gonna Take A Miracle" (ARC/Columbia) 74/3 Moves: Up 42, Debuts 6, Same 18, Down 5, Adds 3, KOPA, V100, WNCI, PRO -FM 14-11, WPGC 21-17, Y100 13- 9, KEARTH 3-2, WBLI 20-16, WTIC-FM 4-3, WDRC-FM 19-15, WTIX 7-4, KIDD 20-14, WGUY 8-3, KDZA 14-9.

AIR SUPPLY "Even The Nights Are Better" (Arista) 71/70 Moves: Up 0, Debuts 0, Same 1, Down 0, Adds 70 including WNBC, WBEN-FM, B94, PRO -FM, JB105,

Z93. 940, Y100, KEARTH, KIIS-FM, KIQQ, KYYX, WYCR, B97.

SURVIVOR "Eye Of The Tiger" (Scotti Bros./CBS) 69/36 Moves: Up 5, Debuts 10, Same 18, Down 0, Adds 36 including WBEN-FM, WLS-FM, WLOL-FM, KIQQ, WKEE, WABB-FM, WZYP, WBBQ, WZZR, KZ93, KQKQ, WCIR, WFOX, WAZY-FM, KDZA. STEVIE WONDER "Do I Do" (Tamla/Motown) 65/15 Moves: Up 26, Debuts 10, Same 14, Down 0, Adds 15, WCAU-FM, KFRC, KZFM, KINT, KHFI, CK101, WRQK, KKXX, KYNO-FM, KNBQ, KCPX, WHEB, WFOX, WYKS, WAZY-FM. CHICAGO "Hard To Say I'm Sorry" (Full Moon/WB) 64/36 Moves: Up 3, Debuts 7, Same 18, Down 0, Adds 36 including WBEN-FM, 0105, WLS, KEARTH, KFI, KEZR, WAEB, CK101, WQUT, KIOA, KIKI, 95XIL, WXLK, KKLS, KATI. DAZZ BAND "Let It Whip" (Motown) 64/5 Moves: Up 36, Debuts 8, Same 15, Down 0, Adds 5, KHFI, KX104, KGGI, WGUY, Q104, WCAU-FM 9-4, 894 25-19, KZFM 14-10, WDOQ 2-1, KYNO-FM 16-10.

GREG KIHN BAND "Happy Man" (Beserkley/Elektra-Asylum) 59/5 Moves: Up 12, Debuts 6, Same 36, Down 0, Adds 5, WCAU-FM, WHHY-FM, KYNO-FM, FM103, WYKS, B104 on, WPST 30-26, WKEE 32-26, KINT 20-17, KROD d-25, WSSX 22-19, KSTT 28-25, KSKD 39-34, KFMZ 11-9, KCBN 27- 21.

QUARTERFLASH "Right Kind Of Love" (Geffen) 58/9 Moves: Up 18, Debuts 8, Same 22, Down 1, Adds 9, 94Q, WPHD, WYCR, KHFI, WSEZ, WSSX, WKFR, KBBK, WRKR, WXKS-FM 29-24, KEZR 28-24, WPST 33-29, WJXQ 12-10, KKXX 19-16, WYKS 25-19.

BERTIE HIGGINS "Just Another Day In Paradise" (Kat Family/CBS) 57/0 Moves: Up 34, Debuts 4, Same 19, Down 0, Adds 0, WBEN-FM 31-27, JB105 23-20, WFBR 22-17, WDRC-FM 30- 26, V100 18-15, KZFM 18-13, CK101 23-20,WGH 10-4, WVIC 32-20, KSTT 16-13, WNCI 8-6, WCIR 21-10, WXLK 16- 12, KSLY 12-8, KCBN 8-4.

MELISSA MANCHESTER "You Should Hear How She Talks..." (Arista) 54/7 Moves: Up 20, Debuts 8, Same 19, Down 0, Add 7, KEZR, KZFM, KINT, WTIX, WGH, KSTT, KIKI, WAEB 1611, CK101 39-31, WMAK-FM 23-17, WNCI 25-19, WAEV 23-16, WYKS 27-22, WAZY-FM 23-19, KCBN 21-15.

ALDO NOVA "Fantasy' (Portrait/CBS) 53/0 Moves: Up 17, Debuts 0, Same 21, Down 15, Adds 0, Y100 15-11,195 16-12, 3WT 5-5, KSET-FM 3-3, KHFI 17-14, WTIX 35-29, B97 23-17, WSSX 2-2, WRVQ 63, WGRD 4-4, WYFM 13-8, FM103 2-2, 95XIL 5-2, WXLK 21-18, KELO 21-19. IM ROLLING STONES "Going To A Go -Go" (Rolling Stones/Atco) 52/51

Moves: Up 0, Debuts 0, Same 1, Down 0, Adds 51 including 96KX, B94, WXKS-FM, JB105, CHUM, Z93, WLS-FM, KUBE, K104, WNOK-FM, Z104, KRQ, WFBG, WCGQ, KFMZ. IM GARY U.S. BONDS "Out Of Work" (EMI America) 52/50 IMO Moves: Up 0, Debuts 0, Same 2, Down 0, Adds 50 including WXKS-FM, JB105, Z93, 94Q, WLOL-FM, KRLA, KIQQ, XTRA, KYYX, WYCR, WOKI, KMGK, WZYQ, KILE, KFYR.

JON & VANGELIS "l'Il Find My Way Home" (Polydor/PolyGram) 51/4 Moves: Up 17, Debuts 4, Same 26, Down 0, Adds 4, KEZR, WAEB, 0106, KSKD, KEARTH 24-20, WKRZ-FM 23- 19, K104 11-9, KZFM 29-23, CK101 40-35, WBCY 19-16, 95XIL 31-21, 0104 33-29, WAZY-FM 22-18, KKYA 24-19, KOZE 30-27.

HAIRCUT 100 "Love Plus One" (Arista) 50/11 Moves: Up 19, Debuts 2, Same 18, Down 0, Adds 11, KBFM, WMAK-FM, WNAM, KCPX, KRQ, WIGY, WFBG, WFLB, KRNA, KKLV, KDZA, CHUM 7-5, KEARTH 17-9, KRLA 28-14, KFI 24-16.

SIGNIFICANT ACTION LESLIE PEARL "If The Love Fits Wear It" (RCA) 46/7 Moves: Up 6, Debuts 3, Same 30, Down 0, Adds 7, WXKS-FM, KIMN, 0106, FM100, WAEV, WFOX, WTRU, WCAU-FM on, KEARTH on, WKEE on, KINT 29-25, WZZR on, KYNO-FM 32-29, KCPX 28-23, WFLB 31-28.

MONROES "What Do All The People Know" (Alfa) 43/7 Moves: Up 4, Debuts 4, Same 28, Down 0, Adds 7, KINT, WQUT, WGUY, WIGY, WFLB, Q101, KDZA, 96KX on,

J8105 on, KEZR 23-20, KZFM d-28, KNBQ on, KCPX 36-32, KSEL-FM 22-16, WRKR 34-31.

GENESIS "Paperlate" (Atlantic) 40/18 Moves: Up 2, Debuts 5, Same 15, Down 0, Adds 18 including KYYX, WYCR, WKRZ-FM, WKEE, WZYP, WRVQ, KZ93, WNAM, WCIR, WFOX, KKQV, KSEL-FM, KVOL, WTRU, WAZY-FM, KFMZ.

BOW WOW WOW "I Want Candy" (RCA) 40/6 Moves: Up 6, Debuts 4, Same 24, Down 0, Adds 6, WCAU-FM, KFRC, WHFM, WNOK-FM, WVIC, KNBQ, JB105 on, WLOL-FM on, XTRA on, WPST 36-32, KZFM 30-24, KSKD 34-25, WZYQ on, KFMZ 23-20, KCBN 31-27.

KIM WILDE "Kids In America" (EMI America) 33/3 Moves: Up 13, Debuts 1, Same 16, Down 0, Adds 3, WSSX, WNOK-FM, WYKS, WXKS-FM on, Y100 on, WLOL-

FM 30-28, WPST 31-27, K104 35-25, KMGK 13-9, KBBK 28-25, KSKD 2616, WACZ 29-25, WRKR 29-27, KRNA 24-

20, KFMZ 21-19.

DIONNE WARWICK & JOHNNY MATHIS "Friends In Love" (Arista) 33/0 Moves: Up 12, Debuts 2, Same 18, Down 1, Adds 0, KYYX on, K10440-38, KBFM d-29, WTIX 23-20, KROK 1513, Bj105 on, WMAK-FM 10-8, WGH 9-9, WVIC 24-22, KOFM on, WNAM 23-21, WNCI 17-13, WHEB 29-26,WGLF 30-

29, KSLY 10-6.

CHEAP TRICK "If You Want My Love" (Epic) 32/14 Moves: Up 4, Debuts 2, Same 12, Down 0, Adds 14, KFI, KEZR, KSET-FM, BJ105, WVIC, WJXQ, KNBQ, WFBG, 95XIL, WZYQ, KSEL-FM, KVOL, WSPT, KSLY, Z10421-19.

LARRY ELGART Et HIS ORCHESTRA "Hooked On Swing" (RCA) 28/17 Moves: Up 0, Debuts 3, Same 8, Down 0, Adds 17 including WFBR, WKRZ-FM, WKEE, KZFM, WTIX, WAXY, WBBQ, WCSC, WZZR, KOFM, FM102, WFBG, WISE, WGLF, KELO.

SPLIT ENZ "Six Months In A Leaky Boat' (A&M) 28/7 Moves: Up 4, Debuts 3, Same 13, Down 1, Adds 7, WKRZ-FM, KINT, WZZR, 0101, KKRC-FM, WSPT, KDZA, CFTR 8-6, CKGM 29-25, WBBQ on, WOKI 40-38, WBCY on, KMGK on, WISE On.

OLIVIA NEWTON -JOHN "Landslide" (MCA) 27/26 Moves: Up 0, Debuts 0, Same 1, Down 0, Adds 26 including KFI, WTRY, 0106, WKEE, KITY, WMAK-FM, WOKI, WRQK, WNOK-FM, KOFM, WFOX, WFLB, KELO, KKLS, KCBN.

AMBROSIA "How Can You Love Me" (WB) 22/3 Moves: Up 4, Debuts 4, Same 11, Down 0, Adds 3, WGH, KHYT, KENI, WIGY 27-24, 010434-31, KSEL 21-15.

SPARKS "I Predict" (Atlantic) 22/0 Moves: Up 9, Debuts 2, Seme 10, Down 1, Adds 0, CHUM 26-22, WKRZ-FM 20-18, KMGK 26-21, KRNA 19-15.

GAP BAND "Early In The Morning" (Total Experience/PGM) 19/6 Moves: Up 6, Debuts 1, Same 5, Down 1, Adds 6,195, WJDX, WMAK-FM, 95SGF, WFOX, KVOL.

LE ROUX "Last Safe Place On Earth" (RCA) 19/1 Moves: Up 7, Debuts 1, Same 10, Down 0, Adds 1, KIQQ, WSSX 25-21, WIKS 17-13.

SCORPIONS "No One Like You" (Mercury/PolyGram) 17/2 Moves: Up 9, Debuts 0, Same 6, Down 0, Adds 2, 96KX, W LS, CHUM 27-23.

DR. HOOK "Loveline" (Casablanca/PolyGram) 16/10 Moves: Up 0, Debuts 1, Same 5, Down 0, Adds 10 including KZFM, KX104, WGH, KCPX, WFBG, KILE.

CHERI "Murphy's Law" (Venture) 16/0 Moves: Up 10, Debuts 0, Same 4, Down 2, Adds 0, CKGM 8-7, KFRC 22-16, WDRC-FM 23-16, 0106147.

ONE WAY "Curie Pie" (MCA) 14/6 Moves: Up 5, Debuts 2, Same 1, Down 0, Adds 6,195, KZFM, WCSC, KGGI, KKFM, KHYT.

OAK RIDGE BOYS "So Fine" (MCA) 13/3 Moves: Up 3, Debuts 0, Same 7, Down 0, Adds 3, WTIX, KXX106, KELO, KOFM 27-23.

RICK BOWLES'Too Good To Turn Back Now" (Polydor/PolyGram) 12/4 Moves: Up O,Debuts 1, Same 7, Down 0, Adds 4, WOKI, WCSC, WJXQ, WAEV, WAYS d-30, WNOK-FM on.

EDDIE RABBITT "I Don't Know Where To Start" (Elektra) 12/0 Moves: Up 5, Debuts 0, Same 5, Down 2, Adds 0, V100 23-19, KEEL 10-10, Y103 33-32, WVIC 17-15, WGBF 11-9.

SHAKIN' STEVENS "You Drive Me Crazy'' (Epic) 12/0 Moves: Up 2, Debuts 0, Same 10, Down 0, Adds 0, KINT 30-29, WJXQ on-dp, KCPX 31-25, WFBG on, KENI on.

FRANKIE MILLER "To Dream The Dream" (Capitol) 11/8 Moves: Up 0, Debuts 0, Same 3, Down 0, Adds 8 including KZFM, KINT, WMAK-FM, WCSC, WGUY, WIGY.

JON & VANGELIS "I'll Find My Way Home" (Polydor/PolyGram) 32/5 Rotations: Heavy 4/0, Medium 12/0, Light 15/4, Extra Adds 1, Total Adds 5, WFYR, KOB, WWNR, WNAB, WSGW. Heavy: WRVA, WAKR, KWAV, WLVA. Medium: WSB, KPLZ, KEY103, SM95, Y106, WSRZ, KBOI, WSKY, WORG, KFOR, KFQD, KRKK.

HUEY LEWIS Et THE NEWS "Hope You Love Me Like You..." (Chrysalis) 31/2 Rotations: Heavy 3/0, Medium 1211, Light 16/1, Extra Adds 0, Total Adds 2, WLTT, KFOR. Heavy: KWAV, WLVA, KBAI. Medium: WAFB, WHHY, WQUE, WSRZ, WMHE, KYUU, WWNR, WKZE-FM, WORG, WDAY, KRKK.

DR. HOOK "Loveline" (Casablanca/PolyGram) 30/8 Rotations: Heavy 0/0, Medium 9/0, Light 18/5, Extra Adds 3, Total Adds 8, WCZY, WCCO, WRVR, WWNR, WKBR, KBAI, KISN, KSRO. Medium: WLTA, WRVA, KBOI, KUGN, KRBC, WLVA, WWSA, WDAY, KBOZ.

SIGNIFICANT ACTION EARL KLUGH "I'm Ready For Your Love" (Liberty) 28/3 Rotations: Heavy 0/0, Medium 11/1, Light 17/2, Extra Adds 0, Total Adds 3, Y106, KMBZ, WDAY. Medium: WCCO, KEY103, WFDF, KBOI, KSL, WNAB, KRBC, WDEF, WORG, WWSA. RAY PARKER JR. 'The Other Woman" (Arista) 25/2 Rotations: Heavy 7/0, Medium 16/2, Light 2/0, Extra Adds 0, Total Adds 2, WCHV, KBAI. Heavy: WROR, WFYR, KEY103, WSGN, WSKY, WORG, WSRZ. Medium: WASH, WGAR, WZZP, KNOW, WHEN, WAFB, WAAY, WHHY, Y106, 610TVN, WOWO, WWNR, WEIM, 096. LARRY ELGART & HIS ORCHESTRA "Hooked On Swing" (RCA) 24/6 Rotations: Heavy 1/0, Medium 7/0, Light 16/6, Extra Adds 0, Total Adds 6, WLTA, KVIL, KJR, WSFM, WEIM, WSKY. Heavy: WSBA. Medium: KFMK, KPLZ, KRNT, WNAB, WDEF, KFQD, KBOZ.

JOURNEY "Still They Ride" (Columbia) 22/4 Rotations: Heavy 0/0, Medium 9/0, Light 12/3, Extra Adds 1, Total Adds 4, WHHY, WKBR, WCHV, WROV. Medium: WSRZ, KKUA, WKZE-FM, WEIM, WSKY, KSEL, WORG, KBOZ, KRKK.

QGLENN FREY "I Found Somebody" (Asylum) 20/12 Rotations: Heavy 1/1, Medium 8/5, Light 11/6, Extra Adds 0, Total Adds 12, WCZY, WSFM, WHHY, WSRZ,

WARM98, KWAV, KYUU, WCHV, WLVA, WORG, KBOZ, KISN. Medium: SM95, KTKT, KBAI.

BILL CHAMPLIN "Sara" (Elektra) 19/6 Rotations: Heavy 0/0, Medium 5/1, Light 13/4, Extra Adds 1, Total Adds 6, WLTT, WSB, WNAB, WDAY, KPAT, KFQD. Medium: WCCO, WARM98, KSL, KBOZ.

B.J. THOMAS "But Love Me" (MCA) 19/4 Rotations: Heavy 2/0, Medium 10/1, Light 5/1, Extra Adds 2, Total Adds 4, WRVA, KKRD, KOB, KTWO. Heavy: WDEF, WLVA. Medium: WLTA, WSB, WCCO, KEX, WHBC, KRNT, KSEL, KCRG, KBOZ.

OAK RIDGE BOYS "So Fine" (MCA) 16/4 Rotations: Heavy 2/0, Medium 7/1, Light 5/1, Extra Adds 2, Total Adds 4, WSB, KKRD, WJBC, KFQD. Heavy: WLTA, WCCO. Medium: WCZY, WSGN, WRVA, KRBC, KSEL

MICHAEL MURPHEY "What's Forever For" (Liberty) 15/6 Rotations: Heavy 0/0, Medium 8/3, Light 7/3, Extra Adds 0, Total Adds 6, WSB, WHBC, WHIO, WFDF, WWSA, WSGW. Medium: WCCO, KEX, KEY103, KSL, WDAY. RICK SPRINGFIELD "What Kind Of Fool Am I" (RCA) 15/6 Rotations: Heavy 0/0, Medium 5/1, Light 10/5, Extra Adds 0, Total Adds 6, WLTT, KJR, WHHY, WQUE, KSLQ, K108, Medium: WSRZ, WFMK, WEIM, WSKY. MOTELS "Only The Lonely" (Capitol) 15/1 Rotations: Heavy 4/0, Medium 7/0, Light 4/1, Extra Adds 0, Total Adds 1, KSLQ. Heavy: Y106, KWAV, Q98, KRKK. Medium: WHHY, SM95, WSRZ, WEIM, WSKY, KSEL, WDAY. BOBBY CALDWELL "Jamaica" (Polydor/PolyGram) 14/1 Rotations: Heavy 2/0, Medium 5/0, Light 7/1, Extra Adds 0, Total Adds 1, KBAI. Heavy: WSKY, KRNO. Medium: WBEN, 97AIA, WCCO, KBOI, WDEF.

MAXUS "Keep A Light On" (WB) 13/2 Rotations: Heavy 0/0, Medium 4/0, Light 8/1, Extra Adds 1, Total Adds 2, WCZY, WJON. Medium: SM95, Y106, KRBC, WSKY. LESLIE SMITH & MERRY CLAYTON "Before The Night Is Over" (Elektra) 13/1 Rotations: Heavy 1/0, Medium 4/0, Light 8/1, Extra Adds 0, Total Adds 1, WSLI. Heavy: KKUA. Medium: SM95, WWNR, KFQD, KBOZ.

BLONDIE "Island Of Lost Souls" (Chrysalis) 12/3 Rotations: Heavy 0/0, Medium 6/2, Light 6/1, Extra Adds 0, Total Adds 3, WYNY, KMBZ, KWAV. Medium: WSB, WEIM, WLVA, KBAI.

FRANKE Et THE KNOCKOUTS "Without You..." (Millennium/RCA) 12/2 Rotations: Heavy 5/1, Medium 5/0, Light 2/1, Extra Adds 0, Total Adds 2, WRIE, WHEN. Heavy: WSRZ, KWAV, WWNR, WLVA. Medium: WGAR, WHHY, KMJJ, WROV, KPAT.

JOSEPH WILLIAMS "That First Night" (MCA) 12/0 Rotations: Heavy 0/0, Medium 4/0, Light 8/0, Extra Adds 0, Total Adds O. Medium: 97AIA, KOB, KWAV, KRNO.

DON WILLIAMS "Listen To The Radio" (MCA) 11/0 Rotations: Heavy 0/0, Medium 6/0, Light 5/0, Extra Adds 0, Total Adds O. WCCO, KMBZ, KBOI, WDEF, WWSA, WSGW. HUMAN LEAGUE "Don't You Want Me" (Virgin/A&M) 10/3 Rotations: Heavy 4/0, Medium 3/1, Light 3/2, Extra Adds 0, Total Adds 3, WHEN, WHME, KYUU. Heavy: WHHY, WFMK, KSLQ, 096. Medium: KWAV, WKZE-FM.

QUARTERFLASH "Right Kind Of Love" (Geffen) 9/0 Rotations: Heavy 1/0, Medium 4/0, Light 4/0, Extra Adds 0, Total Adds 0. Heavy: KRNO. Medium: KEX, KGW, KWAV, WSKY. OLIVIA NEWTON -JOHN "Landslide" (MCA) 8/8 Rotations: Heavy 0/0, Medium 5/5, Light 1/1, Extra Adds 2, Total Adds 8, WWNR, KRBC, WSKY, KSEL, KFOR, KBOZ, KTWO, KBAI.

CHARLIE ROSS "The High Cost Of Loving" (Townhouse) 8/3 Rotations: Heavy 0/0, Medium 2/1, Light 6/2, Extra Adds 0, Total Adds 3, KRBC, WSKY, WHBC. Medium: KOY.

ASIA "Heat Of The Moment" (Geffen) 7/3 Rotations: Heavy 1/0, Medium 2/1, Light 4/2, Extra Adda 0, Total Adds 3, WHEN, Y106, KWAV. Heavy: WSRZ. Medium: WHHY. LEO SAYER "Have You Ever Been In Love?" (WB) 7/1 Rotations: Heavy 1/0, Medium 4/0, Light 2/1, Extra Adds 0, Total Adds 1, WSKY. Heavy: KEY103. Medium: WCZY, WEIM, WLVA, KRKK.

QUINCY JONES featuring PATTI AUSTIN "Somethin' Special" (AEtM) 7/0 Rotations: Heavy 0/0, Medium 3/0, Light 4/0, Extra Adds 0, Total Adds O. Medium: WBEN, KKUA, WSKY.

PATRICE RUSHEN "Forget Me Nots" (Elektra) 7/0 Rotations: Heavy 1/0, Medium 2/0, Light 4/0, Extra Adds 0, Total Adds O. Heavy: WLVA. Medium: WSKY, KBAI.

LARRY SANTOS "I'll Come Back To You" (Overture) 7/0 Rotations: Heavy 1/0, Medium 2/0, Light 4/0, Extra Adds 0, Total Adds O. Heavy: WFMK. Medium: WFDF, WMHE. ROSANNE CASH "Ain't No Money" (Columbia) 6/3 Rotations: Heavy 0/0, Medium 2/0, Light 3/2, Extra Adds 1, Total Adds 3, KMBZ, WORG, KFQD. Medium: WLTA, WDAY. EYE TO EYE "Nice Girls" (WB) 6/0 Rotations: Heavy 2/0, Medium 4/0, Light 0/0, Extra Adds 0, Total Adds O. Heavy: WWNR, WSKY. Medium: WHHY, WSRZ, KWAV, 096. J. GEILS BAND "Angel In Blue" (EMI America) 6/0 Rotations: Heavy 0/0, Medium 2/0, Light 4/0, Extra Adds 0, Total Adds O. Medium: WHHY, WSKY. KANSAS "Play The Game Tonight" (Kirshner/CBS) 6/0 Rotations: Heavy 0/0, Medium 4/0, Light 2/0, Extra Adds 0, Total Adds O. WSRZ, KSLQ, 096, KRKK.

JOAN JETT Et THE BLACKHEARTS "Crimson And Clover' (Boardwalk) 5/0 Rotations: Heavy 0/0, Medium 2/0, Light 3/0, Extra Adds 0, Total Adds 0. Medium: WHEN, WHHY. SOFT CELL "Tainted Love" (Sire/WB) 5/0 Rotations: Heavy 0/0, Medium 3/0, Light 2/0, Extra Adds 0, Total Adds O. Medium: WHHY, KPAT, KBAI.

ÇLIR SIGNIFICANT ACTION FOUR TOPS "Back To School Again" (RSO/PolyGram) 11/0 Moves: Up 1, Debuts 0, Same 10, Down 0, Adds 0, JB105 on, WLAN-FM on, WJDX on, KIDD on, KCBN 34-30.

A FLOCK OF SEAGULLS "I Ran (So Far Away)" (Jive/Arista) 10/3 Moves: Up 0, Debuts 1, Same 6, Down 0, Adds 3, KMGK, KVOL, KSLY, CHUM d-29, WPHD on, KENI on.

MEN AT WORK "Who Can It Be Now" (Columbia) 10/2 Moves: Up 2, Debuts 0, Same 6, Down 0, Adds 2, WJXQ, 95SGF, CHGM 21-15, WHHY-FM on, KYYA 30-24.


Çoi)RTIFY COLUMBIA

5. d, 0,, °

CJb`` °\,)6`(% tata et

e<. o O ' de . o{ °J P `L \\e "

Qs O°52 Py N\L

3' 5ac` ÿZ

`_ nJS`gv ß °r9 J. .òe .N`5 °Gy o : °Je02' ,N 5

O \ <` \L\ \\ 10

<<eP2 F\5

AVERAGE MOVE +5

PIIYL1IT WITH RECORDS

DEHIECE WILLIAMS ,IT'S 601á1A TABE A NRRIICLE

TOP TEN AT THESE STATIONS:

WBEN-FM 94Q Y100 KEARTH KRLA KFI

KIIS-FM KIQQ

KFRC XTRA WFBR WTIC-FM KC1O1 KZFM WTIX

KROK WJDX FM100 WMAK-FM KIKI

WGUY WFLB KDZA

A/C CHART TREND: - 25 18

DENIECE WILLIAMS/It's Gonna Take A Miracle (ARC/Columbia)

ARC

NEIL DIAMOND "BE MINE TONIGHT

KITS -FM add XTRA add V100 add KBFM add KJ100 add KIIK add KRAV add WOW add 18

WLYT add Y94 add KENI add KKLV add WNBC WKBW KRLA KFI

KIQQ KEZR KIMN

Q1O3 KOPA WHFM WTIC-FM WDRC-FM KC1O1 WAEB Q1O6 K104 WKEE KZFM KINT KHFI

WTIX KEEL

KROK G100 WAXY Y1O3

WDOQ KCPX CK1O1 KSKD WMAK-FM KHYT WSEZ WTSN WRQK WCSC WGH WZZR WVIC WKFR WAKX KIOA KOFM WNAM WGBF KQKQ

WFBG WCIR 95SGF WFOX WISE WFLB WXLK KILE

Q1O1 KVOL KFYR KELO

KYNO-FM WAZY-FM KGGI KSLY

KBBK

LARRY LEE "DON'T TALK"

CHR: WAEB WRQK KIOA CK1O1 WNOK-FM WFLB WDCG WZZR KSLY

77 A/C STATIONS INCLUDING THESE:

3WS WHB KEZL

WLTT KS94 KFMB WSB KEX KJR

WCZY KPLZ


TIE BACK PAGE June 4, 1982 Radio&Records

111161 BACK PAGE

Contemporary Hit Radio' NAflONA!JAIRPLAYI3O Throe Two Law Werks Week. Werk

1 1 1 1

6 3 2 0 5 5 3 (© 10 6 5 0 4 4 4 5 21 18 8 12 8 7 7 17 14 9 19 16 13 0 14 12 10 10

30 17 12 m 2 2 6 12 23 20 16 ® 27 22 18 gi) 22 19 17 ® 29 26 24 in 9 9 11 17

28 25 23 - - 29 gb - 30 22 MI - 29 25 ® - 28 26 ® 7 11 14 23 18 15 15 24 - - 28 - - 30 114.

- «um> ® - - a - 0

Th., Two law Werks Week. Werk

McCARTNEY/WONDER/Ebony And Ivory (Columbia) 1 1 1

TOTO/Rosanna (Columbia) 15 6 2

HUMAN LEAGUE/Don't You Want Me (Virgin/AE&M) 18 12 5

ASIA/Heat Of The Moment (Geffen) 27 19 12

RAY PARKER JR./The Other Woman (Arista) 10 8 6

JUICE NEWTON/Love's Been A Little Bit Hard On Me (Capitol) 9 7 7

LITTLE RIVER BAND/Man On Your Mind (Capitol) 19 13 11

16 14 10 JOAN JETT Et BLACKHEARTS/Crimson And Clover (Boardwalk) JOHN COUGAR/Hurts So Good (Riva/PolyGram) 13 9 9

FRANKE Ft KNOCKOUTS/Without You... (Millennium/RCA) 2 2 3

WILLIE NELSON/Always On My Mind (Columbia) 3 3 4

RICK SPRINGFIELD/Don't Talk To Strangers (RCA) 4 4 8 38 SPECIAL/Caught Up In You (A&M) - 25 18

LOVERBOY/When It's Over (Columbia) - 26 17

QUEEN/Body Language (Elektra) 20 18 15

RONNIE MILSAP/Any Day Now (RCA) 5 5 13 ELTON JOHN/Empty Garden (Hey Hey Johnny) (Geffen) 11 11 14

KANSAS/Play The Game Tonight (Kirshner/CBS) 26 24 22 SOFT CELL/Tainted Love (Sire/WB) 6 10 16 ROBERTA FLACK/Making Love (Atlantic) - 27 24 MOTELS/Only The Lonely (Capitol) 23 20 19

HUEY LEWIS $ NEWS/Hope You Love Me Like You... (Chrysalis) _ TOMMY TUTONE/867-5309/Jenny (Columbia) - 29 25 DONNIE IRIS/My Girl (MCA) - - - 29 HEART/This Man Is Mine (Epic) STEVIE NICKS/After The Glitter Fades (Modern/Atco) 8 16 20 KARLA BONOFF/Personally (Columbia) 7 15 23 ALABAMA/Take Me Down (RCA) 12 17 21

RICK SPRINGFIELD/What Kind Of Fool Am I (RCA) - - 30 STEVE MILLER BAND/Abracadabra (Capitol) 14 21 26

REO SPEEDWAGON (88) AIR SUPPLY (70) RICK SPRINGFIELD "Fool" (56)

GLENN FREY (53) ROLLING STONES (51) GARY U.S. BONDS (50)

MOST. ADDED

Adult/Contemporary

10 11

12

® 16 17

19

21

®

® 26 27 28

30

McCARTNEY/WONDER/Ebony And Ivory (Columbia) RONNIE MILSAP/Any Day Now (RCA) JUICE NEWTON/Lové s Been A Little Bit Hard On Me (Capitol) NEIL DIAMOND/Be Mine Tonight (Columbia) SHEENA EASTON/When He Shines (EMI America) EDDIE RABBITT/I Don't Know Where To Start (Elektra) KARLA BONOFF/Personally (Columbia) BERTIE HIGGINS/Just Another Day In Paradise (Kat Family/CBS) D. WARWICK 8 J. MATHIS/Friends In Love (Arista) DAN FOGELBERG/Run For The Roses (Full Moon/Epic) WILLIE NELSON/Always On My Mind (Columbia) ROBERTA FLACK/Making Love (Atlantic) DENIECE WILLIAMS/It's Gonna Take A Miracle (ARC/Columbia) ALABAMA/Take Me Down (RCA) T.G. SHEPPARD/Finally (WB/Curb) SIMON Ft GARFUNKEL/Wake Up Little Susie (WB) ELTON JOHN/Empty Garden (Hey Hey Johnny) (Geffen) MANHATTAN TRANSFER/Route 66 (Atlantic) CHARLENE/l've Never Been To Me (Motown) MELISSA MANCHESTER/You Should Hear How She... (Arista) CAROLE KING/One To One (Atlantic) TOTO/Rosanna (Columbia) LARRY LEE/Don't Talk (Columbia) AIR SUPPLY/Even The Nights Are Better (Arista) BILL LaBOUNTY/Never Gonna Look Back (WB/Curb) JOHN DENVER/Shanghai Breezes (RCA) PAUL DAVIS/'65 Love Affair (Arista) GORDON LIGHTFOOT/Baby Step Back (WB) MECO/Big Band Medley (Arista) BARRY MANILOW/Let's Hang On (Arista)

AIR SUPPLY (75) CHICAGO (39) REDDINGS (24)

LESLIE PEARL (18) GLENN FREY (12) D. WILLIAMS (11) S. WONDER (11)

P. McCARTNEY/S. WONDER (139) ASIA (75) TOTO (123) JUICE NEWTON (67) HUMAN LEAGUE (78) JOHN COUGAR (49)

RICK SPRINGFIELD What Kind Of Fool Am I (RCA)

63% of our reporters on it. Moves: Up 16, Debuts 30, Same 27, Down 0, Adds 56 including WBEN-FM, WKTI, KRLA, KFI, KIIS- FM, KIQQ, KIMN, Q103, KOPA, 92FLY, WLAN-FM, KHFI, KIIK, KBBK, 99KG. See Parallels, debuts at number 29 on the CHR chart. STEVE MILLER BAND

Abracadabra (Capitol) 58% of our reporters on it. Moves: Up 28, Debuts 28, Same 30, Down 0, Adds 34 including WLOL-FM, KFI, XTRA, KUBE, KIMN, KZZP, WDRC-FM, KKYK, WBBQ, WANS-FM, WNAP, KLUC, WCGQ, KFMZ, KOZE. See Parallels, debuts at number 30 on the CHR chart. JOURNEY

Still They Ride (Columbia) 57% of our reporters on it. Moves: Up 34, Debuts 31, Same 31, Down 0, Adds 21 including Q102, Q106, KITY, KROK, WSKZ, WSEZ, WRQK, KOFM, KIDD, KNBQ, KRQ, WISE, KPUR, KKRC- FM, KYYA. See Parallels, will debut next week on the CHR chart.

P. McCARTNEY/S. WONDER (87) WILLIE NELSON (44) HOTTEST RONNIE MILSAP (57) KARLA BONOFF (38)

JUICE NEWTON (52) SHEENA EASTON (35)

BREAKERS.

12-34 NEW & ACTIVE J. GEILS BAND "Angel In Blue" (EMI America) 112/11 Moves: Up 40, Debuts 34, Same 27, Down 0, Adds11, KRLA, KIMN, KZZP, WHFM, V100, KROK, WOW, KKFM. 0101, KKXL-FM, KKRC-FM, JB105 20-8, Z93 d-29, WLOL-FM 28-23, XTRA 26-18.

VAN HALEN "Dancing In The Street" (WB) 98/15 Moves: Up 40, Debuts 18, Same 25, Down 0, Adds 15, Z93, 0105, WHFM, 92FLY, 0106, KBFM, WZYP, KX104, WDCG, WNOK-FM, WTSN, WFLB, KILE, KQIZ-FM, WTRU.

pMGLENN FREY "I Found Somebody" (Asylum) 91/53 Moves:Up 1, Debuts 9, Same 28, Down 0, Adds 53 including WBEN-FM, 94Q, WLOL-FM, KRLA, KFRC,

KEZR, KYYX, 0103, KZZP, WKRZ-FM, FM100, WIKS, KSKD, WACZ, WAEV. BLONDIE "Island Of Lost Souls" (Chrysalis) 91/21 Moves: Up 15, Debuts 27, Same 28, Down 0, Adds 21 including PRO -FM, CKGM, KUBE, WLAN-FM, WHHY-FM WBCY, WVIC, WJXO, KOFM, KJRB, Z102, WISE, WXLK, WYKS, KDVV.

REO SPEEDWAGON "Keep The Fire Burning" (Epic) 89/88 14111 Moves: Up 0, Debuts 1, Same 0, Down 0, Adds 88 including 96KX, B94, CHUM, 94Q, Y100, WLS, WLS-FM,

WLOL-FM, KIQQ, KYYX, KZZP, 3WT, KEYN-FM, FM103, KRNA. EYE TO EYE "Nice Girls" (WB) 86/12 Moves: Up 30, Debuts 20, Same 24, Down 0, Adds 12, G100, CK101, WNOK-FM, KOFM, WIKS, KKXX, KBBK, WFOX, KKRC-FM, KRNA, KKLV, KOZE, Z93 30-21, 94q 9-5, KEZR 29-19.

FOREIGNER "Break It Up" (Atlantic) 82/2 Moves: Up 42, Debuts 5, Same 32, Down 1, Adds 2, KLPQ, KYYA, KEZR 7-6, WRCK 18-13, WPST 28-24, K104 1-1, KZFM 16-12, KBFM 23-18, 0100 20-16, KZ93 14-10, WIKS 25-22, FM103 24-20, WJBQ 33-28, KKRC-FM 21-17, KCBN 25-20.

RAINBOW "Stone Cold" (Mercury/PolyGram) 80/2 Moves: Up 37, Debuts 1, Same 38, Down 2, Adds 2, WJDX, KSKD, 96KX 5-5, CHUM 10-9, WPHD 5-4, WPST 15-12, KZFM 24-18, KLPQ 30-25, WRVQ 18-15, KMGK 10-8, Z104 29-22, WIGY 28-25, WTSN 27-24, 95SGF 18-15, KDW 16-10. PATRICE RUSHEN "Forget Me Nots" (Elektra) 79/15 Moves: Up 37, Debuts 11, Same 16, Down 0, Adds 15, 0105, Q103, WBLI, WAEB, KXX106, G100, BJ105, CK101, KHYT, KIKI, WFBG, WCIR, WISE, KATI.

AIR SUPPLY Even The Nights Are Better (Arista)

54% of our reporters on it. 75 adds sets new record for most adds in one week. Rotations: Heavy 6/6, Medium 38/38, Light 22/22, Extra Adds 9, Total Adds 75 including WCBM, WBEN, WYNY, 3WS, WLTT, WSB, WCZY, WCCO, KPPL, KOY, KEX, KEZL, KFMB, WSFM, KLTE, and 60 more. Debuts at num"Qr 24 on the A/C chart.

TOTO Rosanna (Columbia)

48% of our reporters on it. Rotations: Heavy 24/0, Medium 32/6, Light 9/1, Extra Adds 1, Total Adds 8, WROR, 3WS, KPPL, KOY, KNBR, KMGC, KRNT, WKBR. Debuts at number 22 on the A/C chart.

NEW & ACTIVE 25-49

LITTLE RIVER BAND "Man On Your Mind" (Capitol) 60/5 Rotations: Heavy 26/0, Medium 27/3, Light 7/2, Extra Adds 0, Total Adds 5, WLTT, 97AIA, KOY, WENS, KMBZ. Heavy: WROR, WZZP, KS94, WRIE, WSFM, WGY, KEY103, WSGN, SM95, Y106, WSRZ, KSLQ, KYUU, KTKT, WWNR, WKZE-FM, WEIM, WCHV, 096, WLVA, WORG, KCRG, KPAT, WBOW, KBAI, KRKK.

FMCHICAGO "Hard To Say I'm Sorry" (Full Moon/WB) 59/39 Rotations: Heavy 2/1, Medium 30/16, Light 24/19, Extra Adds 3, Total Adds 39 including WCBM, WBEN,

WTAE, WLTT, WSB, KFMK, WFYR, KEZL, KFMB, KPLZ, WICC, WKAZ, WRIE, WWYZ, WBT, WAAV, WSLI, WRKA, WRVR, WQUE, WARM98, WHIO, WFDF, KYUU, KIXI, KTKT, WNAB, KCRG, WDAV, KFOR.

pmLESLIE PEARL "If The Love Fits Wear It" (RCA) 56/18 Rotations: Heavy 4/0, Medium 25/8, Light 25/8, Extra Adds 2, Total Adds 18, WCBM, WBEN, WLTT, WCZY,

WCCO, KEX, KFMB, KPLZ, WSFM, WAFB, WRVA, WSJS, WFDF, KMBZ, KBOI, KSL, KIXI, KBAI. Heavy: WLTA, KEZL, KEY103, WLVA. Medium: WSB, WICC, WWVZ, WSBA, SM95, WHBC, WARM98, KCRG.

JOHN SCHNEIDER "Dreamin' " (Scotti Bros./CBS) 51/6 Rotations: Heavy 6/0, Medium 23/0, Light 22/6, Extra Adds 0, Total Adds 6, WLTT, KOB, KKUA, WNAB, WCTC, WCHV. Heavy: WLTA, WCCO, WRVA, WFMK, WDEF, WLVA. Medium: WSB, WCZY, KEX, WICC, KEY103, WPTF, WHBC, WHIO, WFDF, WMHE, KBOI, KSL, KIXI, WEIM, WSKY, KSEL, KRNO, KSRO.

REDDINGS ("Sittin' On) The Dock..." (Believe In A Dream/CBS) 45/24 UM Rotations: Heavy 3/0, Medium 17/10, Light 22/11, Extra Adds 3, Total Adds 24, WBEN, WCZY, KFMB, KPLZ, WSLI, WMAZ, Y106, WSRZ, WHBC, KMBZ, KBOI, KUGN, KSL, WKBR, KRBC, WCHV, KSEL, WLVA, WJBC, KCRG, KFOR, KFQD, KRNO, KSRO. Heavy: WLTA, WRVA, KKUA. Medium: WSB, KEZL, WICC.

pnSTEVIE WONDER "Do I Do" (Tamla/Motown) 39/11 Rotations: Heavy 3/0, Medium 18/3, Light 17/7, Extra Adds 1, Total Adds 11, KVIL, WFYR, WWYZ, WAFB,

WSLI, SM95, WQUE, Y106, WQUA, WKBR, KPAT. Heavy: WBEN, WLTT, KWAV. Medium: WCBM, WASH, WCCO, KEX, WRIE, WBT, WHHY, WSRZ, KKRD, KRBC, WSKY, WCHV, KSEL, WORG, KBOZ. HEART "This Man Is Mine" (Epic) 36/4 Rotations: Heavy 5/0, Medium 14/2, Light 17/2, Extra Adds 0, Total Adds 4, WKAZ, WARM98, KRNT, KFOR. Heavy: KJR, KPLZ, WQUE, KKUA, KWAV. Medium: 97AIA, WGY, WHHY, Y106, WSRZ, KIXI, WNAB, KRBC, WCHV, WORG, KRNO, KISN.

STEVIE NICKS "After The Glitter Fades" (Modem/Atco) 34/5 Rotations: Heavy 4/0, Medium 18/1, Light 10/2, Extra Adds 2, Total Adds WICC, KBOI, KWAV, WROV, KFQD. Heavy 'WHHY, SM95, WLVA, KFOR. Medium: WSB, WZUU, WRIE, KEY103, WSGN, WQUEK, WSRZ, WHBY, WFMK, WWNR, KSEL, WORG, WDAV, KPAT, WJON, KBOZ, KSRO. BARBARA MANDRELL " Til You're Gone" (MCA) 34/1 Rotations: Heavy 6/0, Medium 18/0, Light 10/1, Extra Adds 0, Total Adds 1, WEIM. Heavy: WCZY, WCCO, WRVA, KMBZ, KSL, WLVA. Medium: WLTA, WSB, KEX, WICC, WSBA, KEY103, KRNT, WFDF, KBOI, WWNR, WCTC, WDEF, WWSA, WJON, KFQD, KBOZ, KRNO, KSRO.


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