On Cloud Wine: Riser House/Columbia’s Mitchell Tenpenny is presented his first gold plaque for “Drunk Me.” Pictured (l-r) are Columbia’s Shane Allen, Riser House’s Jennifer Johnson, Tenpenny, Sony/Nashville’s Ken Robold, manager Kristen Anderson and Sony/Nashville’s Steve Hodges.
Let’s Meet At The Music: Pt. 2 Last week’s survey of reporting stations found most (65%) hold weekly music meetings and those that don’t often cite lack of staff or time. (Catch up here.) Among stations with regular meetings,
approaches differ, though agreement is widespread that getting more ears involved in decision making is helpful. For WBEE/Rochester OM/PD Bob Barnett, the “who” is more important than the “how.” “I’ve bounced around a bit and collaborat-ed with different kinds of people in different settings,” he says. “Some are music heads, some are radio heads. I will say, I don’t really trust the judgment of people who are musi-cians or songwriters – anyone with that artistic influence. When you’re looking for radio hits, trained ears often have a different agenda and are looking for art. I’m not sure art wins very often. So the process hasn’t changed, but the people I seek opinions from has. It’s better to have fans and allow them to have a big enough voice without all the propaganda, label push and reams of info. That balances out my jaded radio perspective. I want them to help me erase my bias.” Barnett avoids music videos as well – a view shared by other programmers surveyed. “I started that in the ‘90s when videos were hot, but I realized they were negatively influencing me. I would think about how stupid a treat-ment was rather than hear the song through the vision of my mind’s eye.” His most dramatic realization of that came at a recent Elton John show. “Since I was a kid I had a really literal interpretation of his
song ‘Daniel’ being about the protagonist’s brother, who somehow ended up blind, gets on a plane, etc. In concert, the big screen
October 15, 2018, Issue 623
Joe Melson
NSHoF 2018 Inductee: Joe MelsonSpotlighting one inductee each week leading up to the Oct. 28 Nashville Songwriters Hall of Fame Gala concludes with Joe Mel-son. The Bonham, TX native started writing as a teen, working at Standard Oil during the day and playing local dances with his Rockabilly band at night. In 1957 he met another local artist, Roy Orbison, and the two began one of the most successful writing partnerships in pop and country music history, penning Orbison classics including “Only The Lonely (Know The Way I Feel),” “Cry-ing” (also recorded by Ronnie Milsap and Don McLean) and “Blue Bayou” (also recorded by Linda Ronstadt). In 2002 Melson was inducted into the Rockabilly Hall of Fame. I was probably about 14 when I started writing. Most of the songs were for the x-files, but they had a different theme to them or a weird chord or something. The early songs were more about moving away, going away on a train or just being outward bound.
Cassadee Pope discusses her most influential music:1. Shania Twain: She taught me to be a strong, independent artist. She stands for female empowerment, sure. But I think her songs and message transcend genders. 2. Backstreet Boys, Backstreet’s Back: This album was front-to-back melodic heaven. Some of the lyrics were a little out there, but it didn’t matter. They had this unique sound that was kind of edgy at the
time and the mixture of their voices was the perfect balance. 3. Michelle Branch, The Spirit Room: I always felt like Michelle Branch had a very country way of writing songs. Her melodies were familiar sounding and that’s why I got hooked. 4. Martina McBride: Her voice has been a huge influence for me since I was a kid. She was the artist who taught me what “belting” was. That big voice makes you feel some strong emotions. 5. Avril Lavigne, “I’m With You”: I absolutely love this song. I love every Avril song, to be honest, but this one is just so well written. I love the strong arrangement, her vocals, the lyrics, melody, all of it. She always represented such fearlessness. • Highly regarded music you’ve actually never heard: I haven’t listened to Leon Bridges yet. I definitely plan to. I just get into these moods where I really want to listen to certain things, so I don’t make room for new stuff in those moments. • “Important” music you just don’t get: This one might upset some people. I didn’t grow up listening to The Beatles. I tried to get into them as an adult, but something just doesn’t click. I can appreciate and respect what they’ve done for music. But I’m not sure it’ll ever be my thing. • An album you listened to incessantly: I listened to Backstreet’s Back constantly, because I was obsessed with BSB. I had their posters on my wall. Their songs were always so good too. I sang into a hair brush in front of the mirror to that album a lot. • An obscure or non-country song everyone should listen to right now: “Cemetery” by Say Anything. I’ve been a fan of Max Beemis’ lyrics for a long time. He has a way of saying some pretty morbid things in a cool, melodic way. • Music you’d rather not admit to enjoying: I don’t have any guilty pleasure music. I think all music should be accepted and shared without any shame!
MY TUNES: MUSIC THAT SHAPED MY LIFE
Cassadee Pope
I went to work at Standard Oil at about 18 years old. I was a mail boy. Everybody liked me because I was the only one in the oil company in music. They’d always ask me if I’d play my guitar and sing for them. I started singing on a local television station too. I met Roy when I was 19. He was a little sandy headed boy, had long blond hair. My band and I, Joe Melson and the Cav-aliers, had gotten popular in the Permian Basin area. We were on KMID-TV in Midland, Texas and Roy was on another local TV station. A guy named Ray Rush heard my songs and wanted to get me writing and recording contracts. I’d written part of a song called “Raindrops.” Ray said, “I love it. Finish it and I’ll introduce you to Roy Orbison.” Roy was real popular locally and had a couple of records out on Sun Re-cords. I really liked him. I loved the sincerity in his voice. We went to Roy’s house in Odessa one evening and his wife Claudette an-swered the door. After the introductions, she handed me a guitar and I sang him “Raindrops.” Claudette flipped over the song. About three months later, I was going to college in Odessa. One night I was at a drive-in restaurant and here comes this big Cadillac. It was Roy. He said, “Can we take a little ride? I’d like to talk to you.” I thought he was going to ask me about “Raindrops.” But he said, “Joe you write a pretty good song, and I write a pretty good song, but if we put ‘em together I bet we’d make some great ones.” I said, “I know we would.” So that was the beginning. When we started writing together I thought, “Man, this guy can go anywhere with his voice.” Anything I could hear, he could sing. So I began to show him what I felt in these melodies and I started to change his style. Rockabilly melodies all go downward. The beat is what keeps them interesting, not the music theme. My songs went a different way. Even if you’re crying, the melodies keep you up. I call it “mood elevators.” When Roy and I wrote together, he began to try this style and fell in love with it. And the more he did, the greater he began to sing. It’s a funny thing about writing, you don’t ever know how ideas are gonna come into your mind. It comes from the Creator, actually. When Roy and I wrote, we had notepads, our guitars and amps. We sat there looking at each other and sometimes had nothing to say because we were together so much. But when that happened, Roy could crack me up with a joke. He was a very funny man. Not everybody knew that side of him. “Only The Lonely” was a true love story. At that age, you think there’s no way out, that you’re gonna die if you lose her. I had broken up with a girl and when I saw her driving off, I said, “There goes my baby. There goes my heart.”
Page 7October 15, 2018
Warner Bros./WEA’s Morgan Evans puts an industry spin on the artist interview: I grew up listening to 105.3 NewFM in Newcastle, NSW, Australia. The first time I heard myself on the radio, I was leaving a daytime show outside Boston and racing to get the airport on time, driving a rental car alone and stressed about missing the flight. Then I turned on the car radio, which was already up loud, and it was
the second verse of “Kiss Somebody.” I probably shouldn’t have, but I took video of the moment and posted it on Instagram. It’s pure joy and excitement! My funniest moment on radio tour was towards the end of the third week. I walked up to the check-in counter at Long Island Airport and the lady asked, “Where are you going sir?” To which I replied–with a blank and confused look on my face–”I have no idea.” My favorite road companion is…my guitar. It probably sounds cheesy, but I’m never bored with that thing around. Even when we store the other gear elsewhere, I always take my guitar to my room. I never know what I’m going to walk out of a truck stop with! Does anyone? That’s kind of the fun of it. I wish I could have dinner with Paul McCartney. Because, well, he’s Paul McCartney. And I’ll have what Paul’s having! My new album, Things That We Drink To, is my life over the last few years. And I’ve done some living! It’s about finding a new home on the other side of the world. It’s meeting the girl, falling in love and getting married. It’s losing someone you love, finding a way to keep your head up through the tough times and become the person you want to be. My last “road buy” was a jacket. I went to Seattle in October without anything warm. Rookie error. I’m currently binging Billions on Showtime. I wish I’d written “All I Want For Christmas Is You.” It might just be my favorite song ever. It’s timeless and impossible to listen to without a smile on your face. When those bells come in at the beginning ... come on! I have to bring flip flops on the road with me (or thongs as we call ‘em in Oz). My least favorite interview question is, “So, have you ever seen a kangaroo?” I’d love to be stuck in Kauai, Hawaii. It’s probably my favorite place I’ve ever been.
“Crying” was about the same girl. I would get over her. We’d drift apart and I’d think, “I can make it without her.” And then I’d see her again and wham, fall right back in love with her. We originally wrote the song for Don Gibson. We were writing it country and working on it one evening in Nashville at Roy’s house. Roy said, “I like it, but it needs something.” The melody for “crying over you” came into my mind and I sang it for him. He said, “That’s it!” And so we changed it from a country song to a pop song. There were times when I’d hear Roy sing something we’d written and think it might be a good one. With “Only The Lonely,” I said, “Well it might sell 200,000 ... but that sucker took off and kept going!” When Roy and I finished “Crying” and he sang it, I said, “Man that has got to be a hit.” But that wasn’t just based on our writing. It was his performance with the writing. It was the magical combination. And we had one. Going into the Hall of Fame is something I never thought I’d entertain. It’s an honor. I’m thankful they pulled my name out of the hat, and that they like my songs that much.
–Wendy Newcomer
Chart ChatCongrats to Florida Georgia Line’s Tyler Hubbard and Bri-an Kelley, Matthew Hargis, Michelle Kammerer and the rest of the BMLG Records crew on making this week›s No. 1 look “Simple.“ The song is the first release from an upcoming album. Writers are Michael Hardy, Mark Holman, Hubbard and Kelley. And kudos to Mike Wil-son and the Black River team for notching 32 adds for Kelsea Ballerini’s “Miss Me More,” topping this week’s board.
News & Notes The Onsite Foundation will honor Live Nation’s Brian O’Connell with their 2018 Inspiration Award Oct. 23 at Nash-ville’s Marathon Music Works. Jason Aldean and Big & Rich will perform and Maren Morris will be a presenter. More here. The annual Christmas 4 Kids Benefit Concert is Nov. 19 at Nashville’s Ryman Auditorium with performances by Mitchell
showed a Vietnam setting and my wife and I are both googling the meaning of the song because we had no idea that’s what it’s about.” New Replacement: At “Oklahoma’s New Country” KJKE/Oklahoma City, programmer Kevin Christopher is leaning on his weekly music meeting. “I used to do more on my own, but since we put Jake on the air and I’ve gotten a little older, I like having younger ears in the process,” he says. “We’ve gone to places sonically with the format I never thought we would go and I don’t hear all the music anymore.” “My MD and afternoon host are both women in their late twen-ties or early thirties with a good sense of what’s going on in the format. I like having their buy-in and letting them own some of the adds.” Conversions are not part of meetings. “I do callout with stuff that’s on the air, look at the metrics the reps send and sales in the market. If the artist has played the market I factor in if they draw a crowd, and I do some custom panels with geographically aligned stations.” KUPL/Portland PD and Alpha format captain MoJoe Roberts takes a two-pronged approach. A traditional weekly meeting
Tenpenny, Shenandoah, Restless Heart, Darryl Worley, Halfway to Hazard and Sandra Lynn. More here. Rascal Flatts will join Jason Crabb for a performance and Trace Adkins will present at the 49th Annual GMA Dove Awards, airing Oct. 21 on TBN. Full list of performers and presenters here. Tim Rushlow & His Big Band’s holiday residency Classic Christmas will be at Rudy’s Jazz Room in Nashville Dec. 6, 7, 8, 14 and 15. Tickets here. The deadline to enter the 19th annual Nashville Songwriters Association International Song Contest is Oct. 31. The grand prize winner will receive $5,000, a mentoring session with Hunter Hayes and Craig Wiseman, a Martin Guitar, a one-year single song contract with Ole and more. Enter here. Luke Bryan and Chris Janson will co-chair National Hunting and Fishing Day 2019. The 7th Annual Jamey Johnson Golf Tournament raised $382,000 for the Nikki Mitchell Foundation to help fight pancreatic cancer, as well as $5,000 in money and toys for the Montgomery area Marine Toys for Tots. Songwriters Hillary Lindsey, Lori McKenna, Liz Rose, Tia Sillers, Marla Cannon-Goodman, Matraca Berg, Nicolle Galyon and Natalie Hemby are featured in Jake Brown’s new book Nashville Songwriter II: The Inside Stories Behind Country Music’s Greatest Hits. More here.
The Week’s Top StoriesFull coverage at countryaircheck.com.• WME Nashville’s Rob Beckham exited. (CAT 10/12)• The Music Modernization Act was signed into law. (CAT
10/11)• Hurricane Michael made landfall. (CAT 10/10)
• WKDF/Nashville’s Paul “Stone” Longuski exited. (CAT 10/9)
• June Knight joined WKIS/Miami in mornings. (CAT 10/8)• LoCash, Tegan Marie, Tyler Rich, Clare Dunn, Haley
& Michaels and Lucas Hoge will perform on the “Country Track” at Live In The Vineyard’s 10th anniversary event Nov. 1-4 in Napa Valley, CA. More here.
(continued from page 1)Let’s Meet At The Music: Pt. 2
involves air staff and sales people and has the biggest role in the decision process. A newer initiative is a weekly podcast titled Yeh, Meh or Neh in which a wide-ranging panel talks candidly about new music. Listen here. Pods & Evens: “We have our four on-air talents and bring in some outside voices who may or may not be country fans because it’s interesting to get that perspective,” he says. “They’ll have a point of view we didn’t think about. We gener-ally touch on five songs and have our returning champ, and we go around the room.” While the podcast is chiefly a content extension for the brand, music decisions can be influenced. “To a certain degree,” Roberts qualifies. “It’s not our actual music meeting ... it’s more for our fans. But it starts a conversation and is a good way to expose new music and let the listener decide.” An online poll allows those who’ve heard the latest episode to participate. “We host these on our website and prompt them to vote in the poll that’s right there on the page,” Roberts explains.
“It’s also a way we gauge the fan bases of local and regional artists. We’re not giving local performers airtime, but we can engage their fan base with our brand in this way. And it’s a more engaging approach than just putting 30 songs up on an online poll.” While acknowledging that putting unvarnished music opinions out for general consumption “could come back and bite me,” Roberts hopes the concept spreads. “We try to be honest because sometimes people are afraid of having a real conversation,” he says. “Go get a seller, the receptionist, another PD in the cluster. We’ll bring in label reps or radio people from stations outside the market. I challenge everyone to steal this idea and run with it.” Whatever the style, Roberts says the most important thing about music meetings is to do them. “We tend to get caught up with other things, but music is one of the top reasons people come to our brands,” he says. “We can’t dismiss the importance of that.”
Peace Up, A-Townes Down: Columbia’s Tenille Townes with radio friends in Asheville, NC. Pictured (top, l-r) are WCOS/Columbia, SC’s Andy Woods, WKXC/Augusta, GA’s Tee Gentry, the label’s John Johnson, Sean Varicalli and the label’s Christy Garbinski; (middle, l-r) Heather Wilson, WNOE/New Orleans’ Ashley Wilson, WSOC/Charlotte’s Mimi Wheeler, Shopkeeper Management’s Crystal Dishmon, Townes and the label’s Shane Allen; (bottom, l-r) the label’s Olivia Laster, Cumulus’ John Kilgo, Sharon Kilgo, Steve Tate, WTQR/Greensboro’s Casey Carter, the label’s Lyndsay Church, WSSL/Greenville, SC’s Kix Layton, the label’s Lauren Thomas and iHeartCountry’s Zack Massey.
•Ron “Keyes” StevensFormer KEKB/Grand Junction, CO morning [email protected]
SEARCHING
AVAILABLE JOBSHere’s a list of job seekers and open gigs. Not listed? Send info here and we’ll include you in a future update.
MIDWESTEmmis’ WLHK (Hank FM)/Indianapolis
has an opening for a PD. Apply here.Marshalltown Broadcasting KXIA/Marshall-
town, IA is searching for a morning co-host. Airchecks and résumés to PD JD Justice here.
Townsquare/Grand Rapids, MI is search-ing for an OM. Airchecks and résumés to Rick Sarata here.
Mid-West Family WRTB/Rockford, IL is seeking a morning show co-host. Send airchecks and résumés to PD/morning host Steve Sum-mers here.
Bliss WJVL/Janesville, WI has an opening for a part-time weekender. At least one year on-air experience is required. Airchecks and résumés to PD Justin Brown here.
KSE Radio Ventures/Denver is searching for an engineer. Apply here.
NORTHEASTTownsquare WOKQ/Portsmouth, NH is
looking for a Brand Manager. Joe Limardi will continue in the role until a replacement is found. Materials to Townsquare New England ROM Herb Ivy here.
Aloha Station Trust WFRE/Frederick, MD has an opening for a weekend/fill-in talent. Those living in the Frederick, MD, Washington, DC and Baltimore MD area can send airchecks and résumés to PD Brian Mo here.
Townsquare WYRK/Buffalo is searching for a Brand Mgr. Resumes and demo to OM Bob Richards here.
Binnie/Portland, ME has an opening for an on-air Promotions Asssistant. The cluster includes Country WTHT. Send airchecks and résumés to OM Stan Bennett here.
Binnie Media/Maine is searching for a Dir./Traffic and a part-time Sales Assistant in Portland, for its stations which include Country WTHT and WBQQ. Send materials here.
SOUTHEASTBeasley WQYK/Tampa PD Travis Daily is
seeking an experienced major market morning co-host with strong digital and social media skills to join Marc Jason for wakeups. Airchecks and résumés to Daily here.
Max Media’s WGH/Norfolk has a morning
opening. Airchecks and résumés to VP/Program-ming Rusty James here.
Cumulus’ WSM-FM (Nash Icon)/Nash-ville has an opening for a part-timer. Duties will also include the Icon Network. Flexibility and on-air experience is required (no beginners). Materials to VP/Country Charlie Cook here.
Beasley WQYK/Tampa is searching for an APD/afternooner. Airchecks and résumés to PD Travis Daily here.
Guaranty WTGE/Baton Rouge has an open-ing for a middayer. Three to five years experience in Country is required, along with strong pro-duction, digital and social media skills. Airchecks and résumés here.
Warner Bros. Nashville is searching for a Mgr./Streaming. Materials to VP/Streaming Tim Foisset here.
Average Joes Entertainment is seeking entry/intermediate level graphic design and video production applicants for full-time em-ployment. More info here; submit résumé and portfolio here.
Cumulus WKDF/Nashville is seeking part-time air talent for weekends and fill-ins. Three years of on-air experience and residing in the Nashville area are required. Airchecks and résumés to PD John Shomby here.
Monticello Media has an opening for mid-days on WCYK/Charlottesville, VA as well as afternoons on WZGN and the cluster’s produc-tion point person. Airchecks and résumés to PD Uncle Pauly here.
Curtis WQDR/Raleigh is searching for a Dir./Promotions. Apply here.
Bristol WXBQ/Johnson City, TN is still searching for a PD to succeed Bill Hagy. The right candidate will also have on-air responsibil-ities. A minimum of five years as a Country PD is required. Airchecks and resumes here.
Entercom WPAW/Greensboro, NC has an opening for an afternoon jock. Apply here.
Dick WRNS/Greenville, NC is looking for a morning host. Send airchecks and résumés here.
Vallie Richards Donovan Consulting has an immediate PM drive opening at a legendary east coast Country station. Send airchecks and résumés to “Country Jobs” here.
Entercom WKIS/Miami is searching for an evening host. Apply here.
Summit WQNU/Louisville is looking for an APD/MD/on-air host. Submit materials here.
SOUTHWESTCox Media Group/Houston is searching for
a Digital Media Sales Specialist. Apply here.LCKM KTFW/Dallas has an unspecified full-
time on-air opening for an experienced talent. Contact PD Mike Crow here.
Ranch Radio Group KFXE/Ingram, TX has an opening for a PD/morning host. Airchecks and résumés here.
Noalmark KBIM/Roswell, NM has an opening for a morning host. Materials to GM Darryl Burkfield here.
Entercom KILT/Houston has immediate openings for part-timers. Only applicants living in the Houston area are being considered at present. Send airchecks here; apply here.
Cumulus KLUR/Wichita Falls, TX has an opening for a PD. Materials to VP/Country Char-lie Cook here.
WEST COASTACM Lifting Lives is searching for an
Executive Director. The position will be based in Encino, CA, and successful nonprofit development experience is required. Apply here.
Entercom KWJJ/Portland is adding an on-air personality to its Mike & Amy In The Morn-ing show. Apply here.
iHeartMedia KNIX/Phoenix has an opening for a PD. Apply here.
OTHERConsultant Joel Raab is looking for a Brand
Manager for a Top 75 Market. Send materials here.Big Label Records has an opening for a
radio/marketing expansion position. Interested parties need an understanding of branding/mar-keting and Country radio promotion experience is a plus. Send résumés, inquiries and cover letters confidentially here.
Here are Summer 2018 (6/21-9/12) Nielsen Audio diary ratings results listed alphabetically by market. Ranks (in parentheses) are among subscribers. Non-subscribing stations in published markets are excluded.
Summer 2018 Diary Scoreboard Week 1
12+ Share Last BookStation/City 12+ Share Last BookStation/City12+ Share Summer 2018
Legend: A “+” indicates a Classic Country outlet; a “^” designates co-owned Country stations in the metro; “t” indicates a tie; and a “*” indicates a station best in that statistic.
LW TW Artist/Title (Label) Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
October 15, 2018
Country Aircheck Top Spin GainersLUKE COMBS/She Got The Best Of Me (River House/Columbia) 718
FLORIDA GEORGIA LINE/Simple (BMLGR) 632
JIMMIE ALLEN/Best Shot (Stoney Creek) 575
THOMAS RHETT/Sixteen (Valory) 498
KANE BROWN/Lose It (RCA) 496
CARLY PEARCE/Hide The Wine (Big Machine) 398
COLE SWINDELL/Break Up In The End (Warner Bros./WMN) 333
CHRIS YOUNG/Hangin' On (RCA) 325
MAREN MORRIS/Rich (Columbia) 319
DAN + SHAY/Speechless (Warner Bros./WAR) 292
Country Aircheck Top Point GainersLUKE COMBS/She Got The Best Of Me (River House/Columbia) 2358 ✔JIMMIE ALLEN/Best Shot (Stoney Creek) 1938 ✔FLORIDA GEORGIA LINE/Simple (BMLGR) 1792 ✔KANE BROWN/Lose It (RCA) 1448 ✔THOMAS RHETT/Sixteen (Valory) 1416 ✔CARLY PEARCE/Hide The Wine (Big Machine) 1295
COLE SWINDELL/Break Up In The End (Warner Bros./WMN) 1274
CHRIS YOUNG/Hangin' On (RCA) 1206
OLD DOMINION/Make It Sweet (RCA) 1072
MITCHELL TENPENNY/Drunk Me (Riser House/Columbia) 1042
Activator Top Spin GainersTIM MCGRAW/Neon Church (Columbia) 238
DAN + SHAY/Speechless (Warner Bros./WAR) 234
KANE BROWN/Lose It (RCA) 230
THOMAS RHETT/Sixteen (Valory) 209
LUKE COMBS/She Got The Best Of Me (River House/Columbia) 203
MITCHELL TENPENNY/Drunk Me (Riser House/Columbia) 201
MAREN MORRIS/Rich (Columbia) 165
CHRIS YOUNG/Hangin' On (RCA) 157
KIP MOORE/Last Shot (MCA) 151
COLE SWINDELL/Break Up In The End (Warner Bros./WMN) 150
Activator Top Point GainersDAN + SHAY/Speechless (Warner Bros./WAR) 1122 ✔
TIM MCGRAW/Neon Church (Columbia) 1101 ✔
KANE BROWN/Lose It (RCA) 1075 ✔
THOMAS RHETT/Sixteen (Valory) 995 ✔
LUKE COMBS/She Got The Best Of Me (River House/Columbia) 883 ✔
MAREN MORRIS/Rich (Columbia) 882
MITCHELL TENPENNY/Drunk Me (Riser House/Columbia) 790
KIP MOORE/Last Shot (MCA) 662
CHRIS YOUNG/Hangin' On (RCA) 654
COLE SWINDELL/Break Up In The End (Warner Bros./WMN) 646
Country Aircheck Top Recurrents Points
LUKE BRYAN/Sunrise, Sunburn, Sunset (Capitol) 15699
DAN + SHAY/Tequila (Warner Bros./WAR) 13011
KANE BROWN/Heaven (RCA) 12508
J. ALDEAN f/M. LAMBERT/Drowns The Whiskey (Broken Bow) 11879
LUKE COMBS/One Number Away (River House/Columbia) 11733
KENNY CHESNEY/Get Along (Blue Chair/Warner Bros./WEA) 11557
Martina McBride It’s The Holiday Season (BMG)Recorded at Los Angeles’ Capitol Studio and Nashville’s Blackbird Studio, the nine-song holiday set follows McBride’s 1998’s White Christmas and features Christmas songs with accompaniment from more than 40 musicians.
Lefty Frizzell An Article From Life: The Complete Recordings (Bear Family Records)The 20-disc anthology features 361 tracks–the complete assembling of Frizzell’s recordings. The box set includes previously-unissued session recordings, every 45, 78 and LP track
from his career, a 264-page hardcover biography and an audio book written and read by Frizzell’s brother David.
October 26Josh Turner I Serve A Savior (MCA)Dillon Carmichael Hell On An Angel (Riser House Records)Blackberry Smoke The Southern Ground Sessions (3 Legged Records)Kelsea Ballerini Unapologetically (Deluxe Edition) (Black River)Brett Eldredge Glow Deluxe (Atlantic/WMN)Charlie Daniels Beau Weevils—Songs in the Key of E (Blue Hat Records/The Orchard)Levi Hummon Patient (Iconic Records)
CRAIG CAMPBELL/See You Try (Wheelhouse) Moves 38-45 2,872 points, 994 spins; No adds
RANDY HOUSER f/H. LINDSEY/What Whiskey Does (Stoney Creek) Moves 45-46* 2,750 points, 905 spins 3 adds: KNIX, KSKS*, WQDR
CHASE RICE/Eyes On You (Broken Bow) Remains at 47* 2,690 points, 749 spins 2 adds: KJUG, KZSN
October 29PISTOL ANNIES/Got My Name Changed Back (RCA)MICHAEL TYLER/Remember These Words (Reviver)JUSTIN MOORE/The Ones That Didn’t Make It Back Home (Valory)
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