15th and 16th CenturyNorthern
RenaissanceArt
CLAUS SLUTER, Well of Moses, Chartreuse de Champmol, Dijon, France, 1395-1406. Limestone with traces of paint.
Moses with traces of paint
Isaiah
King David
Zachariah
Limbourg brothers, (Pol, Jean, Herman), January, Les Très Riches Heures du Duc de Berry manuscript, 1413-1416. Ink on Velum
LIMBOURG BROTHERS (POL, JEAN, HERMAN), October, from Les Très Riches Heures du Duc de Berry, 1413-1416
Oil v. Tempera: Oil dried uniformly, slowlyArtists blended the pigments creating sfumato (smokey effect) Glazes
Tempera Thick tempera caused crackingTempera dried quickly
Wood panels, often warped Linen canvas, great in high humidity
Robert Campin (Master of Flémalle) Mérode Altarpiece (open), c. 1425-1428, oil on wood,
patron-Inghelbrecht
JAN VAN EYCK, Man in a Red Turban, 1433, Oil on wood,
Frame Inscription reads: “Jan van Eyck’s Man in the Red Turban, October 21, 1433, ‘As I can’” suggesting a self portrait.
Jan van Eyck, Ghent Altarpiece, 1432Chapel Vyd, Ghent, Belgium, Patrons,Patrons Jodocus Vyd.
Crown of earthly Kings
Sacrificial of the lamb
Twelve Apostles and martyrs in red robes
Jan van Eyck, Ghent Altarpiece (closed) , 1432
Jan van Eyck, Giovanni Arnolfini and his Bride, 1434
Rogier van der Weyden, Deposition, 1435, central panel of a Triptych from Notre Dame Hors-les-murs, Louvain, Belgium
Rogier van der Weyden, Portrait of a Lady, Belgium, 1460,
Dirk BoutsLast Supper (central panel of altarpiece) of the Holy Sacrament,Saint Peter’s, Louvain, Belgium 1468
Hugo van der Goes, Portinari Altarpiece (open), from Sant’ Egidio, Florence, Italy, 1476, patron Tommos Portinari
Hans Memling, Virgin with Saints and Angels, center panel of the Saint John Altarpiece, Hospitaal Sint Jan Bruges, Belfium, 1479
What Art Period is this from?
Hieronymus Bosch, Triptych of Garden of Earthly Delights (central panel) c. 1500
Bosch Self- Portrait