Anthology of ConcretismAuthor(s): Seiichi Niikuni, Adriano Spatola, Hansjörg Mayer, Aram Saroyan, MaurizioNannucci, Burkhardt, Heinz Gappmayr, Alain Arias-Misson, Jiri Valoch, Timm Uhlrichs,John Furnival, Frans Vanderlinde, Henri Chopin, Maurizio Spatola, Emmett Williams, ArrigoLora-Totino, Pedro Xisto, Carlo Belloli, Dick Higgins, Gerhard Rühn, Edwin Morgan, DomSylvester Houedard, Kitasono Katué, Jean Francois Bory, Mary Ellen Solt, Jaroslav MolinaSource: Chicago Review, Vol. 19, No. 4, Anthology of Concretism (Sep., 1967), pp. 3-144Published by: Chicago ReviewStable URL: http://www.jstor.org/stable/25294139 .Accessed: 20/12/2010 05:32
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crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets criokets crickets crickets crickets crickets
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silences in tribute t
o SILENCE j cage
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words & plastic struc
ture selected at rand
48 om
silence of Butte silence of motivity silence of Euphorbia s ilence of ite, missa est silence of litigant silence of embl em silence of polite
silence
of Portland silence of dog's e ar silence of entwist
silence
of chaw silence of Gueudecour
t silence of ramsons silence silence of fermail
silence of designable
silence
of sacramental silence
silence of muddy silence of indecent silence of chrom
ato silence silence of over-capitalization silen
ce silence of rarefactive silence of divalent si
lence silence silence silenc
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diplomatize silence of
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silence of indigent silence silence of me et silence silence silence of nig si lence of Pressburg silence of Maeander silence of obvious s
ilence of flask silence silence of pub silence
silence silence silence of
pit silence of county
silence
of quarter silence
silence of recur silence of superior maxillary silence of
curacy silence of medicinable silence of reservation silen ce of Lauraceae silence of man-at-arms silence of premorse silence of professor
silence
of deeply silence of Kt. ?ile nee of consignable silence of ointment silence of erly sile
nee of brandish
silence
silence of choriamb
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roseroseros er?se
roseroseroseroserose
roseroseroseroserose
roseroseroseroserose
roseroseroseroserose
roseroseroseroserose
roseroseroseroserose
roseroseroseroserose
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bombl bombJ
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bombM
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poem to be
read aloud
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water water water water water water water water water water water water
water colorless color transparent water voice and voice water sea drop
sphere a hand water vertical sky a mouth water plain river a house water
thread rock a flower water rain face a child water clouds atmosphere goods
well echo a village water ice crystal an eskimo water sun leaves a
woman water boat silence a man water sky medusa moon water horizon
eye fish water ship water men water palm sun voices voices sun palm
water men water ship water fish eye horizon water moon medusa sky
water a man silence boat water a woman leaves sun water an eskimo
crystal ice water a village echo wall water goods atmosphere clouds water a
child face rain water a flower rock water a house river plain water
a mouth sky vertical water a hand sphere drop sea water voice and voice
distance water transparent color colorless water water water water water
88 Carlo Belloli
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua incolore colore trasparente acqua percorso voce e voce acqua mare goccia sfera una mano acqua verticale cielo una bocea acqua piano fiume una casa acqua filo roccia un fiore acqua pioggia volto un bimbo acqua nubi atmosfera d?i acqua pozzo eco un villaggio acqua ghiaccio cristallo un esquimese acqua sole foglie una donna acqua barca silenzio un uomo acqua cielo medusa luna acqua orizzonte occhio pesce acqua nave acqua uomini acqua palma sole voci voci sole palma acqua uomini acqua nave acqua pesce occhio orizzonte acqua luna medusa cielo
acqua un uomo silenzio barca acqua una donna foglie sole acqua un esquimese cristallo ghiaccio acqua un villaggio eco pozzo acqua d?i atmosfera nubi acqua un bimbo volto pioggia acqua un fiore roccia filo acqua una casa fiume piano acqua una bocea cielo verticale acqua una mano sfera goccia mare acqua voce e voce
percorso acqua trasparente colore incolore acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
FIMTEINFINITEINFIOTTEINFIOTTEINFIOTTEmFIOTTEINFINITEINFINITEINFINITE FIMTEmFIOTTEINFIMTEINFIOTTEINFIOTTEmFIOTTEINFIOTTEmFINITEINFINITE FIOTTEIlSTFiraTEmFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOT FIOTTEINFIOTTEINFIOTTEINFINITEINFIMTEINFIOTTEINFIOTTEINFIOTTEmFIOTTE FiraTEINFiraTEINFIOTTEINFIOTTEINFIMTEINFIMTEINFIMTEINFIOTTEINK FIOTTEINFIOTTEINFIMTEINFIOTTEINFiraTEINFiraTEINFIOTTEINFINITEINFINITE FIOTTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOT FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEmFIOTTEINFINITEINFIOTTEIlOTINITE FIOTTEINFIOTTEINFIOTTEINFIlSnETEINFIOTTEINFIOTTEINFimTEINFTNITEINFINITE FIMTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIMTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFimTEINFIOTTEINFIMTEINFINITEINFINITE FINITEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFINITEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEmFINITEINFIOTTEINFIOTTEINFINITEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFINITEINFINITEINFINITE FIOTTEINFIMTEINFIOTTEINFIOTTEINFiraTEINFIMTEINFIOTTEINFINITEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFINITE FiraTEmFIOTTEINFIMTEINFiraTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE infiniteinfiniteinf?nteinf^
FIOTTEIl^IOTTEINFiraTEINFIMTEINFINITEINFIOTTEINFIOTTEINFiraTEINFIOT FIOTTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFINITEINFIMTEINFINITE FIOTTEINFiraTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIMTEINFIMTEINFIMTEINFIOTTEINFIN1TEINFINITEINFINITE FIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIlSriTEINFIOTTEINFIOTTEINFIMTE FIMTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFINITE FIOTTEINFIMTEINFIOTTEINFimTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFIMTEINFIOTTEINFINITEINFINITE FIMTEINFINITEINFIOTTEINFIlSriTEINFIOTTEINFiraTEINFIMTEINFIOTTEINFINITE FIOTTEmFIOTTEINFIOTTEINFIMTEINFINITEINFIOTTEINFINITEINFINITEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFIOTTEINFINITE FIOTTEINFIOTTEINFINITEINFIOTTEINFIOTTEINFINITEINFINITEINFINITEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFINITEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE FINITEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFIMTEINFIOTTEINFIOTTEINFINITE FIOTTEIl^IOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFiraTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIOTTEINFiraTEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFINITE FIMTEINFIOTTEINFINITEINFIOTTEINFIOTTEINFIOTTEINFiraTEINFINITEINFINITE FIOTTEINFIOTTEINFINITEINFIMTEINFIOTTEINFIMTEINFIOTTEINFINITEINFINITE
uepea
schwelgen um sich nicht reden zu h?ren
tun uepea
schweigen um sich nicht reden zu
qo-js tun uepea
schweigen um sich nicht reden
^ijotu i?d^s mn uepea
schwelgen um sich nicht
ue9-?eMi}08 ^qo^u uoie tnn uepea
schwelgen um sich
nz ue2-?eMt[0B ^qo^u qo-?e ran uepea
schwelgen um
ueaoq nz ueSjeMqas ^qo^u qoi;s mn uepea
schwel gen
to keep silent in order not to hear oneself speak
to speak in order not to hear oneself keep silent
Timm Uhlrichs 93
?nstant juan, a description
uanj naju njau anju
ujan aunj jaun jnau
janu ujna unja unaj
uajn aujn ajun ajnu
anuj nauj nuaj nuja
njua jnua juna juan
uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuduuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu
wand wand wand wand bild bild bild
wand wand wand wand bild bild bild
wand wand wand wand wild wild
hand wild
hand hand wild
wund
ASTRODOME
fAs real grass withers in the Astrodome (at Houston, Texas), it has been replaced by Astrograss.1
(news item)
all is not grass that astrograss that astrograss is not all grass that grass is not all astrograss astrograss Is not all that grass is that astrograss not all glass not all astrograss is that glass all that glass Is not astrograss that is not all astrograss glass that glass is not all flbreglass not all that flbreglass Is glass flbreglass is not all that glass Is that not all flbreglass glass that flbreglass is not all grass glass is not all that flbreglass is all astrograss not that glass
all is not grass that fibregrass
ORIGINAL SIN AT THE WATER HOLS
asp on
taneousobstreperousos tentatlousstentorianosmos
isofhys tericallysnortlngpossesofs portingshehlppopotamus3es pottingalittlefloatin
S a spf.
ARCHIVES
generation upon generation upon generation upon generation upon generation upon generation upon generation upon
generation upon
generation upon
generation upon
generation upon
generation upon
generation upon
generation upon
generation upon generation upon generation upon
generation upon
generation upon
g neratlon upon
g neratlon up n
g nerat on up n
g nerat n up n
g nerat n p n
g erat n p n
g era n p n
g era n n
g er n n
g r n n
g n n
S n S
h s h 1 a a 1
all a salh hlas
all a 1 a a 1
h s h 1 a a 1
a 11 a salh hlas
a 11 a 1 a a 1
h s h 1 1
a a
salh hlas a a
1 1 h s h
1 a a 1 alla
salh hlas alla
1 a a 1 h s h
1 a a 1 a 11 a
salh hlas alla
1 a a 1 h s h
mmmmmmmm mmmmmm m
m m m
mmmmmm m
m mmmmmm m mmmmmm m mmmmmm
m mmmmmm mmmmmmmm
mmmmjmiimm mjiimmm mm mmmmm mm ??i??immm mm mmmmm mm mmmmm mm mmmmmmmm
mm mmmmm mm mmmmm mm mmmmm mm mmmmm mm mmmmm mmmmmmmm
mmmm mmm mmmm mmm mmmm mmm mmmm nimm mmmm mmm mmmmmmmm
mmm mmmm mmm mmmm mmm mmmm mmm mmmm mmm mmmm
mmm mmmm mmm mmmm mmm mmmm mmm mmmm mmm mmmm mmmmmmmm
mTnmmrmT|m.m mmmm mmm mmmm mmm mmmm mmm mmmm mmm mmmm mmm
mmmmmmmm mm mmmmm mm mmmmm mm mmmmm mm mmmmm mm mmmmm mmmmmmmm
mmmmmmmm mmmmm mm mmmmm mm mmmmm mm mmmmm mm mmmmm mm mmmmmmmm
mmj^mjiimrairi m mjiimmmm
m mmmmmm
mmmmmmmm
mmmmmm m
miiMmmm m mmmmmm m
mmmmmmmm
1 come? and -all the suminfl
dtamp?ng with life. |??| WmS?aMSS?S???0?m
walk widi a bucket of w. Hi surveyed the fence, ?nd i
...... .... . W "Ac ... . .....
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Pw po~i~Lt6.~jL??;~~p~lB~; ~ i
light circle light circus
I seek light light I seek
I seek circus I seek circle
light
114 Carlo Belloli
God's summer
Exit times
Resounds summer
Acapella answers
No one each
I nterprets sun
Vmbellar red Measures silence
Note: The aim of this anthology has not been comprehensiveness, nor
even (primarily) selectivity. Above all the objective was to illustrate
some of the effects that could be produced by this new kind of poetry, to put together
a concrete Book.
Book is an invention that is ideally suited for narrative material, therefore the problem
was to make it work also for non-narrative mate
rial. The Book had to become an environment, had to be made trans
formable, out of its structure as a book, into a kinetic and generative art object.
None of this would have been possible without the help of Alain
Arias-Misson, who undertook to contact poets in all parts of the world,
and who allowed himself to be used as a sort of postal clearing house.
Leonard Shaykin, who has been travelling in Europe, helped set up the
initial correspondence. There has been a great deal of omission of extremely important poets.
Some of this was due to production difficulties; other omissions resulted
from the mystique which the organic concept eventually became. How
much was due to editorial ignorance will be left to the judgment of
those who are qualified. Mr. Hiroaki Morino, the ceramicist at the University of Chicago's
Midway Studios, was kind enough to do, with the five and dime brush
made available to him, the calligraphy work accompanying the poems of Seiichi Niikuni and Kitasono Katu?. The customary Notes on
Contributors has been dispensed with for this issue because it was felt
that its relevance for a primarily American audience would be even less
than usual.
?Eugene Wildman