American & European Works of Art
Fine Prints & PhotographySale 2609B September 7, 2012 Boston
SKINNER
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specialists in charge
Robin S. R. StarrDepartment Director 508.970.3259
Kathy Wong508.970.3297
Elizabeth C. Haff508.970.3258
American & European Works of ArtFine Prints & Photography
American & European Works of Art Department - 508.970.3206
General Inquiries: [email protected]
auction 2609B
preview
Wednesday, September 5, 2012 12 to 5 p.m. Thursday, September 6, 2012 12 to 8 p.m. Friday, September 7, 2012 9 to 10 a.m.
Friday, September 7, 2012 at 12 noonLots 1–260, followed by Fine Paintings & Sculpture at 4 p.m.
63 Park PlazaBoston, Massachusetts
absentee bidding
Tel: 617.874.4318Fax: 617.350.5429
Online: www.skinnerinc.com
general inquiries
617.350.5400
cover: 147 (detail); frontispiece: 125; inside back cover: 257; back cover: 221
View all lots online at www.skinnerinc.com
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table of contents
1 Auction & Specialist Information
2 Web Site & Online Bidding
4-5 Event Announcements
7 Lots 1-260
145 Glossary of Terms
146 Artist Index
150 Conditions of Sale
151 Absentee Bid Form
152 Company Directors & Specialty Departments
153 Administrative Staff & Client Services
154 Map & Driving Directions
155 Parking & Accommodations
156 Dining
157 Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 150 of this catalogue for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2012
All rights reserved
MA/Lic. #2304
DS Graphics, Inc.
120 Stedman Street, Lowell, MA 01851
800-536-8283 • dsgraphics.com
Proudly printed by
DS Graphics, Inc.
120 Stedman Street, Lowell, MA 01851
800-536-8283 • dsgraphics.com
Proudly printed by
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SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr, Director of Skinner’s Paintings & Prints Department
Thursday, September 6, 2012
5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park PlazaBoston, MA
R.S.V.P. 617.350.5400Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinner’s September 7th auctions of Fine Paintings & Prints
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Upcoming Auction
Fine Prints & PhotographyFebruary 1st, 2013 Boston, MA
Andy Warhol (American, 1928-1987), Northwest Coast Mask, from COWBOYS AND INDIANS, 1986
Consignment Deadline: November 16th, 2012
For more information please contact our Fine Prints & Photography department at 508.970.3206 or email [email protected]
www.skinnerinc.com
1.Yaacov Agam (Israeli, b. 1928)
Two Images from the BIRTH OF THE STAR Series: Star of Chanukah and The Blessing Star, both editions of 99. Both signed “Agam” in ink l.r., numbered in ink l.l., and identified on a label affixed to the backing. Agamographs, sight sizes approximately 14 x 14 in. (35.5 x 35.5 cm), framed.Condition: Not examined out of frames. $800-1,200
2.Yaacov Agam (Israeli, b. 1928)
Untitled, edition of 144. Signed “Agam” in dark blue ink l.r., numbered “57/144” in dark blue ink l.l. Color screenprint overlaid with Lucite (or similar) prisms, sight size 18 x 18 in. (45.5 x 45.5 cm), framed.Condition: Not examined out of frame. $400-600
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3.Anni Albers (German, 1899-1994)
Fox II, 1972, edition of 150. Signed and dated “Anni Albers 1972” in pencil l.r., titled and numbered “...92/150” in pencil l.l. Screenprint in brown and gray on paper, image size 13 1/4 x 14 3/4 in. (33.7 x 37.4 cm), framed.Condition: Margins over 2 1/2 inches, not examined out of frame. $300-350
4.Josef Albers (German/American, 1888-1976)
Three Images from DIE OBERFLÄCHE: Concord, Silent, and Opalescent, 1965, edition of 120, published by Ives-Stillman, Inc., New Haven (Danilowitz, 167.1-3). Each signed and dated “JAlbers ‘65” in pencil l.r. and titled and numbered “...88/120” in pencil l.l. Color screenprints on paper, image sizes 11 x 11 in. (27.8 x 27.8 cm), framed.Condition: Not examined out of frames.
N.B. A copy of the book DIE OBERFLÄCHE by Josef Albers and R.G. Dienst accompanies the lot. $2,000-3,000
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5.Pierre Alechinsky (Belgian, b. 1927)
Untitled, 1963 (see van de Loo, 103 & 104). Signed and dated “Alechinsky/63” in blue pencil l.r., numbered “ea 1/1” in blue pencil l.l. Color lithograph on gift wrap or similar, image size 16 x 21 1/2 in. (40.5 x 54.5 cm), matted, unframed.Condition: Minor creases to edges.
Provenance: Ex-collection of Walasse Ting.
N.B. This image appears to be a unique overprinting of the stones for Comme des Chiens, 1962, and En Société, 1962. $600-800
6.American School, 20th Century
New Orleans Jazz. Indistinctly signed in pencil l.r. Etching and aquatint on laid paper with “F.J. Head” watermark, plate size 7 3/8 x 6 1/2 in. (18.5 x 16.4 cm), framed.Condition: Margins over 1 inch with deckled edges, several fox marks, unobtrusive toning. $150-200
7.Karel Appel (Dutch, 1921-2006)
Untitled (Animal). Signed “Appel” in pencil (within the image) l.r., inscribed “HC” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 21 1/2 x 29 3/8 in. (54.5 x 74.4 cm), framed.Condition: “Floating” within the mat, not examined out of frame. $400-600
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8.John Taylor Arms (American, 1887-1953)
Through Wind and Weather, alternatively titled Notre Dame Gargoyle, Through Wind and Weather, 1922, edition of 75 (Fletcher, 118). Signed “John Taylor Arms” in pencil l.r. Etching on laid paper with “F.J. Head & CO” watermark, plate size 7 1/8 x 8 in. (17.7 x 20.3 cm), matted, unframed.Condition: Margins 1 3/4 inches or more with two deckled edges, thinned area with break to paper in upper margin. $500-700
9.John Taylor Arms (American, 1887-1953)
Two Architectural Views: Notre Dame de Laòn, 1929, third state of three, from the 1929 edition of 100 (Fletcher, 219), and The Piazza, Venzone, 1931, second state of two, edition of 127 (Fletcher, 239). Both signed and dated “John Taylor Arms-...” in pencil l.r. and annotated in pencil l.l. Etchings on laid papers, plate sizes to 14 1/8 x 9 5/8 in. (35.7 x 24.3 cm), matted, unframed.Condition: Pale soiling and fox marks, pinhole to upper margin of Laòn, crease to upper margin of Venzone. $250-300
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10.John Taylor Arms (American, 1887-1953)
Four Village Views: Norwich (Sketch), 1938, edition of 21 from the Demonstration Series (Fletcher, 314), Lavenham, England, 1939, third (published) state, edition of 224 (Fletcher, 322), Ledbury, England (Sketch), 1939, edition of 36, from the Demonstration Series (Fletcher, 328), and Aspiration, La Madeleine, Verneuil-Sur-Avre, 1939, fifth (published) state, edition of 419 (Fletcher, 329). Each signed and dated “John Taylor Arms...” in pencil l.r., three dedicated to Proctor Houghton by the artist. Etchings on paper, plate sizes to 15 1/2 x 10 in. (39.3 x 25.4 cm), three framed, the fourth matted.Condition: Mat burn, not examined out of frames. $600-800
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11.Otto Henry Bacher (American, 1856-1909)
Two Venetian Views: Laguna Venita, 1880, and In Port, 1880. Both signed and dated in the plate. Etchings on paper, plate sizes to 6 7/8 x 10 in. (17.4 x 25.4 cm), framed.Condition: Subtle toning to latter, not examined out of frames. $400-600
12.Peggy Bacon (American, 1895-1987)
The Haunted House, 1939, edition of 250, published by Associated American Artists, New York (Flint, 134). Signed “Peggy Bacon.” in pencil l.r., titled in pencil l.l., identified on a label from AAA affixed to the mat. Etching on cream wove paper, plate size 7 x 5 in. (17.7 x 12.6 cm), matted, unframed.Condition: Margins over 1 1/4 inches with deckled edges, crease (probably from printing) to margin u.l., pale fox mark to upper margin. $400-600
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13.Will Barnet (American, b. 1911)
Introspection - 5733, 1972, edition of 144 plus proofs (Cole, 147). Signed “Will Barnet” in pencil l.r., titled in pencil l.l., inscribed “Artist’s proof” in pencil l.c. Color screenprint on paper, image size 29 1/2 x 35 1/8 in. (74.8 x 89.1 cm), framed.Condition: Minor surface accretions, not examined out of frame. $400-600
14.Will Barnet (American, b. 1911)
The Blue Bicycle, 1979. Signed and dated “© Will Barnet 1979” in pencil l.r., titled in pencil l.l., inscribed “Artist’s imp.” in pencil l.c. Color screenprint on paper, image size 26 3/8 x 25 1/2 in. (66.8 x 64.7 cm), framed.Condition: Not examined out of frame. $600-800
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15.Leonard Baskin (American, 1922-2000)
Six Portraits: Blake, From Life Mask by Deville, 1956, edition of 90, wood engraving (Fern & O’Sullivan, 268); Samuel Palmer, After the Watercolor by Walter, 1956, edition of 50, wood engraving (F&O, 275); Jacques Callot, 1958, wood engraving (F&O, 724); Theodule Ribot, 1969, edition of 525, wood engraving (F&O, 548); Samuel Sewall, 1970, edition of 100, wood engraving (F&O, 558); and Goethe, 1970, edition of 100, etching (F&O, 563). Each signed “Baskin” in pencil l.r., some numbered in pencil l.l. Image/plate sizes to 5 1/2 x 3 7/8 in. (14.0 x 9.8 cm), five matted, all unframed.Condition: Wide margins. $600-800
16.Leonard Baskin (American, 1922-2000)
Six Images from OTHELLO, 1973: The Bard, Emilia, Grieving Othello, The Handkerchief, Iago (Profile), and Othello, an edition of 400 (Fern & O’Sullivan, 625, 627-630, 632). Unsigned. Woodcuts on paper, image sizes 12 5/8 x 6 3/4 in. (32.0 x 17.0 cm), presented in a single frame.Condition: Not examined out of frame. $700-900
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17.Leonard Baskin (American, 1922-2000)
Isaiah, 1976, edition of 100 (Fern & O’Sullivan, 664). Signed “Baskin” in pencil (within the image) l.r., numbered “90/100” in pencil (within the image) l.l., signed and dated in the matrix, identified on a label from Graphic 1 & Graphics 2, Boston, on the backing. Color lithograph on paper, image/sheet size 41 3/4 x 29 1/4 in. (106.0 x 74.2 cm), framed.Condition: Deckled edges to three sides, “floating” in the frame, not examined out of frame.
Provenance: A private Massachusetts collection. $1,500-2,000
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18.Jean-Michel Basquiat (American, 1960-1988)
Beat Bop. Test Pressing, Version One, Volume One, 1983, white vinyl edition of unknown size, published by Tartown Record Co., New York. Identified on the cover and record label. Screenprinted jacket and label, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed.Condition: Minor soiling and handling creases, wear to spine and corners of jacket, the record has not been played to confirm its condition.
N.B. The lot is accompanied by a copy of the album The Painter by Paul Anka, with cover art after Andy Warhol (American, 1928-1987). $400-600
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19.Max Beckmann (German, 1884-1950)
Mink, Frontal, with Elaborate Coiffure, 1913, total edition of 130 plus proofs (Hofmaier, 63). Signed “Beckmann” in pencil l.r. Drypoint on wove paper, plate size 6 3/4 x 5 in. (17.0 x 12.6 cm), matted, unframed.Condition: Margins 3 3/4 inches or more, mat burn, light-struck, staining to upper edge (from tape hinging facing and backing mats). $1,500-2,500
20.William J. Behnken (American, b. 1943)
Three Nocturnes: Bronx Icon, Opening Soon, and Radiance, each published in 1989 in an edition of 30. Each signed and dated “Behnken 1989” in pencil l.r., titled in pencil l.c., and numbered in pencil l.l. Aquatints on paper, plate sizes to 9 3/4 x 7 3/4 in. (24.6 x 19.5 cm), framed.Condition: Not examined out of frames. $500-700
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21.Frank Weston Benson (American, 1862-1951)
Goose and Teal, 1917, published state of 150 (Paff, 125). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 20.0 cm), framed.Condition: Subtle toning and rippling, not examined out of frame. $500-700
22.Frank Weston Benson (American, 1862-1951)
Two Waterfowl Subjects: Flying Brant, 1925, published state of 150 (Paff, 241), and Alert!, 1925, published state of 150 (Paff, 242). Both signed “FrankWBenson.” in pencil l.l. Drypoints on paper, plate sizes approximately 4 7/8 x 7 in. (12.3 x 17.5 cm), framed.Condition: Not examined out of frames. $500-700
23.Frank Weston Benson (American, 1862-1951)
Bunch of Bluebills, 1931, published state of 300 (Paff, 312). Signed “FrankW.Benson.” in pencil l.l. Drypoint on paper, plate size 3 3/4 x 4 7/8 in. (9.4 x 12.2 cm), framed.Condition: Not examined out of frame. $400-600
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24.Thomas Hart Benton (American, 1889-1975)
In the Ozarks, alternatively titled Homestead, 1938, edition of 250, published by Associated American Artists, New York (Fath, 20). Signed “Benton” in pencil l.r. and in the matrix, identified on a label from AAA affixed to the reverse. Lithograph on paper, image size 10 1/4 x 13 1/8 in. (26.0 x 33.3 cm), framed.Condition: Gently light-struck, not examined out of frame. $1,500-2,000
25.Thomas Hart Benton (American, 1889-1975)
Loading Corn, alternatively titled Shucking Corn, 1945, edition of 250, published by Associated American Artists, New York (Fath, 65). Signed “Benton” in pencil l.r., signed within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 1/2 x 12 3/4 in. (24.0 x 32.3 cm), framed.Condition: Toning, not examined out of frame. $1,200-1,800
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26.Thomas Hart Benton (American, 1889-1975)
Island Hay, 1945, edition of 250, published by Associated American Artists, New York (Fath, 68). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 10 x 12 5/8 in. (25.4 x 32.0 cm), matted, unframed.Condition: Margins 1 inch or more. $2,000-2,500
27.Thomas Hart Benton (American, 1889-1975)
The Boy, 1948, edition of 250, published by Associated American Artists, New York (Fath, 72). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 9 1/2 x 13 3/4 in. (24.0 x 34.7 cm), matted, unframed.Condition: Margins 1 inch or more. $2,000-2,500
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28.Carroll Thayer Berry (American, 1886-1978)
Two Maine Coast Views: Between Forest and Sea - Maine Coast, c. 1946, edition of 200 to 300 (Dearborn, 57), and Winter Morning - Deer Isle, c. 1960, first state of two, edition of approximately 50 (Dearborn, 127). Both signed “Carroll Thayer Berry...” in ink l.r. and titled in pencil l.l. Wood engravings on paper, image sizes to 10 1/8 x 12 in. (25.5 x 30.4 cm), framed.Condition: Not examined out of frames. $300-500
29.Guillaume Cornelis van Beverloo, known as Corneille (Dutch, 1922-2010)
Two Works: Heure matinale, 1961, edition of 120 (Donkersloot-Van de Berghe, 100), and Après midi de l’été, 1961, edition of 120 (D-VdB, 101). Both signed and dated “Corneille ‘61” in pencil l.r., numbered in pencil l.l., and with “L’OEUVRE GRAVEE” dry stamp l.l. Color lithograph on paper, image sizes approximately 18 1/4 x 22 in. (46.3 x 55.5 cm), framed.Condition: Deckled edges, gentle toning, not examined out of frames. $250-300
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30.William Blake (British, 1757-1827)
My Son! My Son!, 1793, plate 8 from FOR CHILDREN, THE GATES OF PARADISE, 1793 (Russell, 8.xi). Identified within the plate, inscribed with provenance on the backing paper (see below). Etching on paper, plate size 4 3/4 x 3 1/2 in. (12.0 x 8.8 cm), framed.Condition: Toning, not examined out of frame.
Provenance: Max Sands to Lucy M. Stanton to W. Stanton Forbes to Lucy Stanton Forbes through to the present owner. $1,200-1,800
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31.Mortimer Borne (American, 1902-1987)
Three New York Views: Stone Street, 1940, Hicks Street, So. B’klyn, 1940, and The Bathers, Coney Island, 1945. Each signed and inscribed “Mortimer Borne Imp.” in pencil l.r. and titled and dated within the lower margin. Color etchings on paper, plate sizes to 9 x 11 7/8 in. (22.7 x 30.0 cm), unmatted, unframed.Condition: Margins approximately 1 inch (some with minor creases), pale staining/striations to Bathers. $700-900
32.Eugène Louis Boudin (French, 1824-1898)
Mathurins (Jack Tars), 1897, total edition of 525 (Melot, 2). Signed within the matrix. Lithograph on paper, image size 4 3/8 x 6 1/8 in. (11.0 x 15.5 cm), framed.Condition: Evenly light-struck, subtle mat burn, not examined out of frame. $200-300
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33.Georges Braque (French, 1882-1963)
Untitled (Oiseaux), 1955, edition of 200, probably published by Editions de la Revue Verve, Paris. Signed “G. Braque” in pencil l.r., numbered “41/200” in pencil l.l. Color lithograph on paper, image size 7 7/8 x 13 1/8 in. (19.9 x 33.2 cm), framed.Condition: Unobtrusive mat burn, not examined out of frame. $1,000-1,500
24 additional information and photos at www.skinnerinc.com
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34.After Georges Braque (French, 1882-1963)
Ciel gris I, edition of 275 (Maeght, no. 1032; Vallier, p. 295). Signed “G Braque” in pencil l.r., numbered “173/275” in pencil l.l. Color lithograph on paper, image size 9 x 2 3/4 in. (23.0 x 7.0 cm), framed.Condition: Margins over 4 1/2 inches, subtle toning, not examined out of frame.
Provenance: A private Massachusetts collection. $1,000-1,500
25online bidding at www.skinnerinc.com
35.Bernard Buffet (French, 1928-1999)
La Château de Culan, 1965, outside of the edition of 300, printed by Charles Sorlier, Paris. Signed “Bernard Buffet” in pencil l.r., inscribed “E A” in pencil l.l., signed, dated, and with printer identified in the matrix. Color lithograph on BFK Rives paper with watermark, image size 25 1/2 x 19 5/8 in. (64.6 x 49.7 cm), framed.Condition: Subtle toning, not examined out of frame. $500-700
36.Bernard Buffet (French, 1928-1999)
Brussele Town-Hall, 1966, outside of the edition of 150 (Mourlot, 66). Signed “Bernard Buffet” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image size 25 1/2 x 19 3/4 in. (64.7 x 50.0 cm), framed.Condition: Subtle toning, not examined out of frame. $500-700
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37.George Elbert Burr (American, 1859-1939)
Piñon Trees, New Mexico, 1920 (Seeber, 217). Signed and inscribed “George Elbert Burr Del. et Imp.” in pencil l.l., titled in pencil l.r., inscribed “Edition of 40 proofs Trial proof” in pencil l.r., monogrammed within the plate. Etching and aquatint on paper, plate size 9 3/4 x 11 7/8 in. (24.7 x 30.1 cm), matted, unframed.Condition: Margins over 1 inch with deckled right edge, unobtrusive toning, scattered fox marks, staining (primarily to margins). $400-600
38.George Elbert Burr (American, 1859-1939)
Sketch on Apache Trail (Seeber, 298). Signed “George Elbert Burr” in pencil l.l., titled in pencil l.r., monogrammed within the plate. Etching on tissue, plate size 6 7/8 x 4 3/4 in. (17.3 x 12.0 cm), matted, unframed.Condition: Margins over 1 inch with deckled right and lower edges, unobtrusive toning and foxing, pale staining near upper corners. $300-350
39.George Elbert Burr (American, 1859-1939)
Giant Cactus - Tucson - Arizona (Seeber, 206). Signed and inscribed “© George Elbert Burr Del. et Imp.” in pencil l.l., inscribed “Trial Proof/40” in pencil l.r., titled in pencil l.c., monogrammed within the plate. Etching with drypoint on tissue, plate size 8 x 6 in. (20.3 x 15.2 cm), matted, unframed.Condition: Unobtrusive toning, several scattered fox marks, crease to upper margin, staining near upper corners. $300-350
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40.George Elbert Burr (American, 1859-1939)
Desert Night, edition of 40 (Seeber, 187). Signed and inscribed “© George Elbert Burr” in pencil l.l., numbered “No 35/40” in pencil l.r. Etching with aquatint on paper, plate size 9 5/8 x 7 3/8 in. (24.4 x 18.6 cm), matted, unframed.Condition: Margins 1 inch or more with deckled right and lower edges, unobtrusive toning, several scattered fox marks, pale staining near upper corners. $400-600
41.Jack Bush (Canadian, 1909-1977)
Untitled, 1971, edition of 100. Signed, dated, and numbered “Jack Bush 1971 100/100” in pencil l.r. Color screenprint on paper, image size 30 x 22 in. (76.2 x 55.8 cm), framed.Condition: Deckled edges, no longer attached to hinges, not examined out of frame. $200-300
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42.Alexander Calder (American, 1898-1976)
Black Sun - Black Man, 1969, edition of 75. Signed “Calder” in pencil l.r., numbered “31/75” in pencil l.l. Color lithograph on paper, image size 29 x 41 1/4 in. (73.5 x 104.6 cm), framed.Condition: “Floating” in the frame, not examined out of frame. $1,500-2,000
43.Alexander Calder (American, 1898-1976)
Image from the MAGIE EOLIENNE Suite, 1972, edition of 75. Signed “Calder” in pencil (within the image) l.r., numbered “2/75” in pencil (within the image) l.l., identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing. Color lithograph on paper, image/sheet size 25 1/2 x 19 5/8 in. (64.5 x 49.7 cm), framed.Condition: Deckled edges, not examined out of frame. $400-600
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44.Alexander Calder (American, 1898-1976)
McGovern, 1972, edition of 200, printed by Styria Studios Ltd., New York. Signed “Calder” in pencil l.r., numbered “54/200” in pencil l.l., printer’s dry stamp l.r. Color screenprint on paper, image size 28 x 21 3/4 in. (71.2 x 55.2 cm), framed.Condition: Rippling, not examined out of frame.
Provenance: A private Massachusetts collection. $500-700
45.Alexander Calder (American, 1898-1976)
Homage to the Sun, 1975, edition of 125. Signed “Calder” in pencil (within the image) l.r., numbered “100/125” in pencil (within the image) l.l. Color lithograph on paper, sight size 28 5/8 x 42 1/2 in. (72.5 x 107.8 cm), framed.Condition: Not examined out of frame. $800-1,200
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46.Alexander Calder (American, 1898-1976)
For Young Artists. Signed “Calder” in pencil (within the image) l.r., inscribed “E.A.” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 29 3/4 x 22 in. (75.5 x 55.8 cm), framed.Condition: Two deckled edges, not examined out of frame. $800-1,200
47.Alexander Calder (American, 1898-1976)
L’Acier, published by Galerie Lelong/Maeght. Signed “Calder” in pencil l.r., inscribed “H.C.” in pencil l.l., titled in pencil on the reverse. Color lithograph on Rives paper with partial watermark, image/sheet size 26 1/2 x 19 in. (67.3 x 48.2 cm), unmatted, unframed.Condition: Minute creasing to l.r. corner.
Provenance: Purchased from Galerie Maeght, Paris, through to the present owner. $800-1,200
48.No lot.
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49.Alexander Calder (American, 1898-1976)
Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r., numbered “48/125” in pencil l.l. Color lithograph on paper, image size 14 3/8 x 11 in. (36.4 x 27.8 cm), framed.Condition: “Floating” within the mat, not examined out of frame. $250-300
50.No lot.
51.Alexander Calder (American, 1898-1976)
Untitled (Pyramids, Ovals, and Stripes), edition of 175. Monogrammed “CA” in pencil l.r., numbered “112/175” in pencil l.l. Color lithograph on paper, image size 12 3/8 x 11 5/8 in. (31.4 x 29.4 cm), framed.Condition: Not examined out of frame. $400-600
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52.Jean-Pierre Cassigneul (French, b. 1935)
Promenade by the Sea. Signed “Cassigneul” in pencil l.r., inscribed “E.A” in pencil l.l. Color lithograph on paper, image size 13 1/4 x 19 1/2 in. (33.5 x 49.4 cm), framed.Condition: Margins 1 inch or more, not examined out of frame. $200-300
53.Jean-Pierre Cassigneul (French, b. 1935)
Les Geraniums, from LES TEMPS PERDU, 1978, edition of 100 (Passeron, 196). Signed “Cassigneul” in pencil l.r., numbered “XX/C” in pencil l.l. Color lithograph on buff Japan paper, image size 25 1/4 x 18 1/2 in. (64.0 x 46.8 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame. $250-350
54.Jean-Pierre Cassigneul (French, b. 1935)
L’Oiseau, 1984, edition of 200 plus proofs (Passeron, 283). Signed “Cassigneul” in pencil l.r., inscribed “E.A” in pencil l.l. Color lithograph on paper, image size 24 3/4 x 18 in. (62.8 x 45.8 cm), framed.Condition: Margins over 1 inch, not examined out of frame. $500-700
33online bidding at www.skinnerinc.com
53
54
55
55.Jean-Pierre Cassigneul (French, b. 1935)
Late Summer, 1985, edition of 200 plus proofs (Passeron, 314). Signed “Cassigneul” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image size 29 x 20 3/4 in. (73.5 x 52.5 cm), framed.Condition: Deckled right and lower edges, floating within the mat, not examined out of frame. $500-700
56.Jean-Pierre Cassigneul (French, b. 1935)
Barbara, 1986, edition of 250 plus proofs (Passeron, 332). Signed “Cassigneul” in pencil l.r., numbered “232/250” in pencil l.l. Color lithograph on paper, image size 11 3/4 x 8 5/8 in. (29.8 x 21.8 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame. $200-300
57.Lynn Chadwick (British, 1914-2003)
Composition Red and Black I, 1963, total edition of 75, published by Associated American Artists, New York, 1964 (AAA/Czestochowski, 1964.005). Signed and dated “Chadwick 63” in pencil l.r., numbered “14/30” in pencil l.l., titled on a label from AAA affixed to the backing. Color lithograph on paper, image size 21 x 15 3/4 in. (63.4 x 40.0 cm), framed.Condition: Subtle mat burn, not examined out of frame. $500-700
34 additional information and photos at www.skinnerinc.com
56
57
58.Marc Chagall (Russian/French, 1887-1985)
L’acrobate au violon, 1924, final state of three, edition of approximately 150, published by Vollard, printed by Louis Fort (Kornfeld, 40). Signed “Marc Chagall” in pencil l.r. Etching with drypoint on paper, plate size 16 1/4 x 12 3/8 in. (41.2 x 31.3 cm), framed.Condition: Toning, staining, mat burn, gentle rippling, not examined out of frame. $800-1,200
59.Marc Chagall (Russian/French, 1887-1985)
Le loup devenu berger, from FABLES by Jean de la Fontaine, 1952, total edition of 200 (Cramer, 22). Signed within the plate. Etching with aquatint and hand-coloring on paper, 11 1/2 x 9 3/8 in. (29.2 x 23.7 cm), unmatted, unframed.Condition: Margins 1 inch or more with two deckled edges, subtle toning. $800-1,200
35online bidding at www.skinnerinc.com
58
59
60
60.Marc Chagall (Russian/French, 1887-1985)
Two Images from THE STORY OF EXODUS, 1966: Il lui donna deux tables de la Loi... and Il écrivit sur les tables les termes du pacte et même dix commandements, edition of 250 plus proofs (Mourlot, 459 & 462). Unsigned. Color lithographs on paper, image sizes 18 x 13 in. (45.7 x 33.0 cm), framed.Condition: Toning, not examined out of frames. $800-1,200
61.After Marc Chagall (Russian/French, 1887-1985)
Paris l’Opera, 1964, edition of 5,000, printed by Mourlot, Paris (Sorlier, 97). Identified within the matrix. Color lithograph on paper, image/sheet size 25 x 39 in. (63.4 x 99.2 cm), unmatted, unframed.Condition: Creases to edges and corners. $600-800
36 additional information and photos at www.skinnerinc.com
61
62
62.Christo (Bulgarian/American, b. 1935) and Jeanne-Claude (American, 1935-2009)
The Pont Neuf Wrapped (Project for Paris), 1984. Signed “Christo” in pencil l.r., identified within the matrix. Color offset lithograph on paper, image size 28 x 23 1/2 in. (71.0 x 59.1 cm), framed.Condition: Minor creases to image, not examined out of frame. $500-700
37online bidding at www.skinnerinc.com
63
63.Eduardo Chillida (Spanish, 1924-2002)
Harvard III, 1977, edition of 50 (Van der Koelen, 77013). Signed “Chillida” and with cipher in pencil l.l., numbered “26/50” in pencil l.r. Woodcut on paper, image size 5 3/4 x 7 1/8 in. (14.5 x 18.0 cm), framed.Condition: Subtle toning, not examined out of frame.
Provenance: A private Massachusetts collection. $1,000-1,500
38 additional information and photos at www.skinnerinc.com
64.Antoni Clavé (Spanish, 1913-2005)
Carmen, 1977, edition of 250, published by the Metropolitan Opera Company. Signed “Clavé” in pencil l.r., numbered “24/250” in pencil l.l., publisher’s dry stamp l.r. Color etching with aquatint, embossing, and carborundum on paper, sheet/plate size 30 1/4 x 22 1/4 in. (76.6 x 56.4 cm), framed. Condition: Deckled edges, not examined out of frame. $300-500
65.Antoni Clavé (Spanish, 1913-2005)
Untitled. Dedicated and signed “...Clavé” in pencil l.r. Color lithograph on BFK Rives paper with watermark, image size 21 x 28 in. (53.2 x 71.1 cm), unmatted, unframed.Condition: Margins approximately 3/4 inches with deckled left edge, very subtle toning. $200-250
39online bidding at www.skinnerinc.com
64
65
66
68
66.Enrique Climent (Spanish, d. 1980)
Portfolio 10 GRABADOS EN LINOLEO, 1951, edition of 300. Each signed “Climent” in pencil l.r., identified and numbered “107” on the colophon page, dedicated “Al amigo Stanton Forbes...” in ink on the title page. Color linocuts on paper, image sizes 11 1/4 x 8 3/4 in. (28.5 x 22.2 cm), presented in the original portfolio cover.Condition: Subtle toning, creasing to left edge of some sheets. $1,800-2,000
67.No lot.
68.Chuck Close (American, b. 1940)
Phil, 1976, edition of 1,000, published by Parasol Press, Ltd., New York. Unsigned, numbered “224” in pencil and identified in text on the reverse. Offset print, image size 7 x 5 5/8 in. (17.7 x 14.3 cm), unmatted, unframed, presented in its original envelope.Condition: Good. $400-600
40 additional information and photos at www.skinnerinc.com
69
69.Max Arthur Cohn (American, 1903-1998)
Rainy Day (Victor Food Shop), 1940. Signed within the matrix. Color screenprint on paper, image size 8 3/4 x 13 1/4 in. (22.2 x 33.5 cm), framed.Condition: Several tiny pale fox marks, not examined out of frame. $300-500
70.Max Arthur Cohn (American, 1903-1998)
Harvesting. Signed within the matrix. Color screenprint on paper, image size 13 5/8 x 20 in. (34.5 x 50.8 cm), framed.Condition: Not examined out of frame. $250-350
41online bidding at www.skinnerinc.com
70
71
71.Howard Norton Cook (American, 1901-1980)
The Desert Tree, alternatively titled Mexican Landscape, 1933, from the edition of 250 published by Associated American Artists, New York, 1941 (Duffy, 177). Signed “Howard Cook” in pencil l.r., identified on a label from AAA affixed to the backing. Etching and aquatint on paper, plate size 8 7/8 x 11 7/8 in. (22.4 x 30.1 cm), framed.Condition: Toning, not examined out of frame. $400-500
72.Lovis Corinth (German, 1858-1925)
Two Images from DIE LIEBSCHAFTEN DES ZEUS, 1920: Frontispiece and Ganymed und der Adler (Schwartz, 401 & 401iv). The latter signed in pencil l.r. Lithographs (the latter in color) on paper, image sizes to 11 1/2 x 12 1/2 in. (29.0 x 31.6 cm), matted, unframed.Condition: Several minor fox marks. $500-700
42 additional information and photos at www.skinnerinc.com
72
73.Joseph Cornell (American, 1903-1972)
Hotel du Nord, 1972, edition of 125, published by Brooke Alexander Editions, New York. Signed “Joseph Cornell” in pencil l.r., numbered “121/125” in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color screenprint on paper, image size 14 3/4 x 11 1/4 in. (37.4 x 28.5 cm), framed.Condition: Not examined out of frame. $1,000-1,500
74.José Luis Cuevas (Mexican/American, b. 1933)
Three Images from CRIME, 1968: Dreams of Rasputin, Man in Jail, and Jack the Ripper, each from the proof edition of 25. Each signed and dated “Cuevas 68” in pencil (within the image) l.r. and numbered “VI - XXV” in pencil (within the image) l.l. Lithographs (two in color) on paper, image/sheet sizes 22 1/4 x 30 in. (56.4 x 76.2 cm), unmatted, unframed.Condition: Each with two deckled edges and minor handling creases. $250-300
43online bidding at www.skinnerinc.com
73
74
75.Adolf Arthur Dehn (American, 1895-1968)
Three Landscapes Published by Associated American Artists, New York: The Lake, alternatively titled Lake in Minnesota, 1948, edition of 250 (Dehn, 440); Pennsylvania Farm, 1948, edition of 250 (Dehn 441); and Lake in the Garden of the Gods, 1949, edition of 250 (Dehn, 457). Each signed “Adolf Dehn” in pencil l.r. and identified on a label from AAA affixed to the mat. Lithographs on paper, image sizes approximately 9 x 13 1/2 in. (22.7 x 34.2 cm), matted, unframed.Condition: Most edges deckled. $500-700
76.Sonia Delaunay-Terk (Ukrainian, 1885-1979)
Untitled, 1961, edition of 50. Signed and dated “Sonia Delaunay 1961” in pencil l.l., numbered “26/50” in pencil l.l. Color pochoir on paper, image size 25 3/8 x 19 3/4 in. (64.5 x 50.0 cm), framed.Condition: Deckled edges, not examined out of frame. $300-500
44 additional information and photos at www.skinnerinc.com
75
76
77.Raoul Dufy (French, 1877-1953)
Petite Baigneuse aux Papillons, c. 1930. Signed in the plate. Etching on paper, plate size 8 5/8 x 12 1/4 in. (21.8 x 31.0 cm), framed.Condition: Mat burn, not examined out of frame. $300-500
78.Kerr Eby (American, 1889-1946)
Two Shore Views: Foggy Morning, Brittany, 1930, edition of 90 (Giardina, 146), and Wet Sand, 1932, edition of 100, final state of two (Giardina, 173). Both signed “Kerr Eby imp.” in pencil l.r. and numbered in pencil l.l. Etchings on paper, plate sizes to 8 1/2 x 11 3/8 in. (21.5 x 28.7 cm), framed.Condition: Not examined out of frames. $300-500
45online bidding at www.skinnerinc.com
78
77
80
79.Shepard Fairey (American, b. 1970)
Three Posters: André the Giant, 2008; VOTE, 2008, edition of 5,000; and Flag. André signed and dated in pencil l.r., VOTE numbered in pencil. Offset lithographic posters, sheet sizes to 36 x 24 in. (91.4 x 60.9 cm), unmatted, unframed.Condition: Very minor handling creases. $300-500
80.Shepard Fairey (American, b. 1970)
Three Skate Decks. Identified within the matrix. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm). Condition: Unused, extremely minute wear. $500-700
46 additional information and photos at www.skinnerinc.com
79
81.Vadim Dmitrjewitsch Falilejeff (Russian, 1879-1950)
Landscape on the Volga, 1927. Signed “W. Falilejeff” in pencil l.r., dated and monogrammed within the block, identified on a label affixed to the backing. Color woodcut on paper, image size 11 x 9 1/8 in. (27.9 x 23.1 cm), framed.Condition: Toning, unobtrusive staining, not examined out of frame. $200-250
82.No lot.
83.Léonard Tsuguharu Foujita (French/Japanese, 1886-1968)
Linge, from LA MESANGER, 1963 (Buisson, II. 63. 40). Signed “L. Foujita” in pencil l.r., numbered “5/80” in pencil l.l., titled and signed within the matrix. Color lithograph on paper, image size 7 1/2 x 7 1/2 in. (19.0 x 19.0 cm), unmatted, unframed.Condition: Mat burn, thinned spots to corners on the reverse. $400-600
47online bidding at www.skinnerinc.com
83
81
84
84.Sam Francis (American, 1923-1994) and Walasse Ting (Chinese/American, 1929-2010)
Blue Eye Over Red China - Ting Tong - Uncle Sam loves Marilyn - Red Eye - Sweet Beat, 1964 (see Lembark, L78-81). Signed “Sam Francis” in pencil (within the image) l.r., signed with chop (within the image) l.l., inscribed “(proof of Artist)” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 32 1/2 x 23 in. (82.5 x 58.3 cm), unmatted, unframed.Condition: Deckled edges to two sides, minor creases to edges.
Provenance: Ex-collection of Walasse Ting.
N.B. The composition is a varied arrangement of compositions for 1¢ Life. $1,000-1,500
85.No lot.
48 additional information and photos at www.skinnerinc.com
86.Erich Fuchs (German, 1890-1990)
Model in Studio. Signed “Erich Fuchs imp” in pencil l.r. Etching on paper, plate size 6 3/4 x 4 7/8 in. (17.0 x 12.3 cm), framed.Condition: Gentle rippling, not examined out of frame. $200-250
87.Edwin L. Fulwider (American, b. 1913)
The Senator Arrives, 1948, edition of 50. Signed “Edwin Fulwider” in pencil l.r., inscribed “50” in pencil l.c. Color screenprint on paper, image size 9 x 11 1/4 in. (22.8 x 28.5 cm), framed.Condition: Not examined out of frame. $200-250
49online bidding at www.skinnerinc.com
86
87
88.R.C. Gorman (American, 1932-2005)
Standing Figure, 1986. Signed and dated “R.C. Gorman 1986” in pencil (within the image) l.l., inscribed “presentation proof” in pencil (within the image) l.c., dry stamp l.r. Color lithograph on paper, image/sheet size 38 1/4 x 26 in. (86.9 x 66.0 cm), unmatted, unframed.Condition: Deckled edges. $800-1,200
89.Walter Gramatté (German, 1897-1929)
Five Plates from FRAU, 1924: La Mujer; La Amable; La Confiada, a regular impression plus one with hand-coloring; and La Amante (Eckhardt, 177, 178, 180, & 181). Each signed and dated “Walter...24” in pencil l.r. and inscribed in pencil l.l. Etchings printed in umber on cream paper, plate sizes 12 5/8 x 10 5/8 in. (32.0 x 27.0 cm), matted, unframed.Condition: Margins 1 1/2 inches or more with deckled edges. $1,500-2,000
50 additional information and photos at www.skinnerinc.com
89
88
90
90.Sir Francis Seymour Haden (British, 1818-1910)
Greenwich, 1879, state seven of nine, edition probably of 125 (Schneiderman, 187vii). Signed “Seymour Haden” in pencil l.r., signed and dated within the plate. Etching on paper, plate size 13 1/4 x 20 1/2 in. (33.5 x 51.8 cm), framed.Condition: Loss to corner of margin u.r., gentle toning, not examined out of frame. $700-900
91.Dmitri Hadzi (American, 1921-2006)
Two Compositions Printed at the Garner Tullis Workshop: W6, 1991, proof impression, and W12, 1991, edition of 4. Both signed and dated “Hadzi, 91” in pencil l.r. and numbered/inscribed in pencil l.l. Woodcuts on heavy handmade paper, image sizes to 11 1/4 x 10 in. (28.3 x 25.4 cm), unmatted, unframed.Condition: Good. $400-600
51online bidding at www.skinnerinc.com
91
92
92.Yozo Hamaguchi (Japanese, 1909-2000)
Ball of Yarn, 1981, edition of 120 (Hamaguchi, 156). Signed “hamaguchi” in pencil l.r., numbered “27/120” in pencil l.l. Color mezzotint on paper, plate size 3 1/8 x 4 3/4 in. (7.8 x 11.8 cm), framed.Condition: Not examined out of frame. $300-500
93.Richard C. Harden (American, b. 1956)
Brooklyn Bridge, 1984, edition of 35. Signed “Richard C. Harden” in pencil l.r., numbered “17/35” in pencil l.l. Mezzotint with drypoint on paper, plate size 35 1/8 x 23 3/4 in. (89.2 x 60.3 cm), framed.Condition: Not examined out of frame. $1,500-2,000
52 additional information and photos at www.skinnerinc.com
93
94
94.Hans Hartung (German, 1904-1989)
L 37, 1958, edition of 100 (Schmücking, 100). Signed “Hans Hartung” in pencil l.r., numbered “3/100” in pencil l.l. Lithograph on paper, image size 24 1/4 x 16 1/2 in. (61.5 x 41.7 cm), framed.Condition: Deckled edges, even toning, not examined out of frame. $300-500
95.Frederick Childe Hassam (American, 1859-1935)
Portsmouth Doorways, 1916 (Cortissoz, 104). Monogrammed and inscribed “CH imp” in pencil l.r., monogrammed and dated within the plate, inscribed “Christmas Greetings” in ink (upside down) in the upper margin. Etching on paper, plate size 5 1/2 x 4 3/8 in. (13.9 x 11.3 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $1,000-1,500
96.-97.No lots.
98.Paul César Helleu (French, 1859-1927)
Ellen 11 ans 1/2, edition of 20. Signed “Helleu” in pencil l.l., inscribed “Tiree a 20” in pencil l.r., titled in the plate. Etching with drypoint on paper, plate size 15 1/2 x 9 1/2 in. (39.3 x 24.2 cm), unmatted, unframed.Condition: Margins 2 inches or more, prevalent toning and foxing.
N.B. Ellen is the artist’s daughter. $500-700
53online bidding at www.skinnerinc.com
95
98
99
99.David Hockney (British, b. 1937)
Peter, 1969, edition of 75, published by Petersburg Press, London, 1970. Signed and dated “David Hockney 1969” in pencil l.r., numbered “34/75” in pencil l.l. Etching and aquatint on paper, plate size 27 x 21 3/8 in. (68.5 x 54.2 cm), unmatted, unframed.Condition: 3 inch margins with deckled edges. $3,000-5,000
100.No lot.
101.Friedensreich Hundertwasser (Austrian, 1928-2000)
Olympische Spiele München (Poster Version), 1972, edition of 3,999 (Koschatzky, 54). Identified within the matrix, stamped number “2002/3999” l.l. Screenprint in colors with metallic embossing on heavy brown paper, image/sheet size 40 1/4 x 25 1/4 in. (102.0 x 64.0 cm), framed.Condition: Not examined out of frame. $700-900
54 additional information and photos at www.skinnerinc.com
101
102.Louis Icart (French, 1888-1950)
Coup de Vent, 1925 (Holland et al., 235). Signed “Louis Icart” in pencil l.r., numbered “300” in pencil l.l., identified in publication text within the plate. Etching with aquatint and hand-coloring on paper, plate size 22 1/8 x 18 1/2 in. (56.0 x 47.0 cm), framed.Condition: Toning, foxing, not examined out of frame. $800-1,200
103.Louis Icart (French, 1888-1950)
Vitese, 1927 (Holland et al., 311). Signed “Louis Icart” in pencil l.r., dated and with publisher within the plate, artist’s dry stamp l.l. Etching with hand-coloring on paper, plate size 15 1/2 x 26 in. (39.3 x 65.8 cm), in a Deco-style frame.Condition: Not examined out of frame. $800-1,200
55online bidding at www.skinnerinc.com
102
103
104
104.Robert Indiana (American, b. 1928)
The Neuberger Art, 1975, edition of 50, made for The Neuberger Museum, State University of New York, Purchase, New York. Signed “RobertIndiana” in pencil l.r., titled in pencil l.c., numbered “26/50” in pencil l.l., signed and dated in the matrix. Color screenprint on paper, image size 24 x 24 in. (60.8 x 60.8 cm), framed.Condition: Margins over 2 inches, not examined out of frame.
Provenance: A private Massachusetts collection. $1,000-1,500
56 additional information and photos at www.skinnerinc.com
105
105.Yvonne Jacquette (American, b. 1934)
Northwest View from Empire State Building, 1982, edition of 60, published by Brooke Alexander Editions, New York. Numbered, dated, and signed “54/60 1982 Jacquette” in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 50 1/2 x 34 3/4 in. (128.2 x 88.2 cm), unmatted, unframed.Condition: Extremely minor handling creases. $1,000-1,500
57online bidding at www.skinnerinc.com
106
106.Paul Jacoulet (French, 1902-1960)
Two Genre Scenes: Les Paradisiers, Menado, Celebes, 1937, edition of 350, and Le Repas des Mendiants, Seoul, Coree, 1938, edition of 350. Both signed “Paul Jacoulet” in pencil (within the image) and with the Tea Jar seal. Color woodcuts on paper, image sizes approximately 11 3/4 x 15 3/8 in. (29.7 x 38.9 cm), framed.Condition: Not examined out of frames. $600-800
107.Wolf Kahn (German/American, b. 1927)
Santa Maria della Salute, Venice, 1989. Signed and dated “W. Kahn 1989” in pencil l.r. Color monotype on paper, plate size 18 x 23 1/2 in. (45.7 x 59.5 cm), framed.Condition: Margins 1 inch or more, not examined out of frame. $1,500-2,000
58 additional information and photos at www.skinnerinc.com
107
108
108.Hubert Kim Kempshall (British, b. 1934)
Crash Victim, 1968, edition of 20. Signed and dated “Kempshall 68” in pencil l.r., titled in pencil l.c., numbered “7/20” in pencil l.l. Color etching with aquatint on paper, plate size 23 1/2 x 19 5/8 in. (59.5 x 49.7 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame. $300-500
109.Rockwell Kent (American, 1882-1971)
Home Port, 1931, edition of 150 (Jones, 62). Signed “Rockwell Kent.” in pencil l.r. Wood engraving on Shogun paper with partial watermark, image size 6 1/2 x 7 3/8 in. (16.4 x 18.5 cm), matted, unframed.Condition: Margins over 1 3/4 inches with deckled lower edge, hinged with brown paper tape along upper edge. $700-900
59online bidding at www.skinnerinc.com
109
110
110.Rockwell Kent (American, 1882-1971)
Prometheus Unchained, alternatively titled Breaking the Shackles, 1938, edition size unknown (Jones, 119). Signed “Rockwell Kent” in pencil l.r. Lithograph on paper, image size 14 1/8 x 11 3/8 in. (35.8 x 28.7 cm), matted, unframed.Condition: Margins 2 inches or more with deckled right edge, hinged with brown paper tape along upper edge, minor soiling to margins. $500-700
111.Max Klinger (German, 1857-1920)
Bär Mit Elfe, plate I from INTERMEZZI, 1881 (Singer, 52). Identified within the plate. Etching with aquatint on chine collé, plate size 16 3/8 x 11 in. (41.5 x 27.8 cm), matted, unframed.Condition: Pale foxing, staining and pencil annotations to supporting sheet. $400-600
60 additional information and photos at www.skinnerinc.com
111
112
112.Jeff Koons (American, b. 1955)
Balloon Dog (Blue), 2002, edition of 2,300, published by the Museum of Contemporary Art, Los Angeles. Identified and numbered “822” on a label on the reverse. Metallic porcelain multiple, diameter 10 1/4 in. (26.0 cm), presented in the original box with the artist’s name printed in metallic blue, foam interior, and plastic stand. Condition: Dust to interstices, several extremely subtle surface rubs, wear and tear to box. $4,500-5,500
61online bidding at www.skinnerinc.com
113
113.Lee Krasner (American, 1908-1984)
Free Space, 1975, edition of 175, published by Alex Rosenberg, Transworld Art, New York. Signed and numbered “Lee Krasner 63/175” in pencil (within the image) l.l. Color screenprint on paper, image/sheet size 19 1/2 x 26 in. (49.4 x 66.0 cm), framed.Condition: Deckled edges, “floating” within the mat, several pale fox marks l.l., not examined out of frame. $1,000-1,500
114.Lawrence Kupferman (American, 1909-1982)
Floating. Signed “Lawrence Kupferman” in pencil l.r., titled in pencil l.l., inscribed “unique print” in pencil l.c. Color monotype on paper, image size 19 1/4 x 25 1/2 in. (48.8 x 64.6 cm), framed.Condition: Not examined out of frame. $250-300
62 additional information and photos at www.skinnerinc.com
114
117
115
115.Paul Landacre (American, 1893-1963)
Some Ingredients, 1954, edition of 250, published by The Woodcut Society, New York. Signed “Paul Landacre” in pencil l.r., numbered and titled “199/250...” in pencil l.l., identified in publication text accompanying the print. Wood engraving on paper, image size 5 1/4 x 7 1/2 in. (13.3 x 19.0 cm), matted, unframed.Condition: Margins over 3/4 inches. $500-700
116.No lot.
117.After Marie Laurencin (French, 1885-1956)
Trois jeunes femmes en buste, edition of 200. Signed “Marie Laurencin” in pencil l.r., numbered “160/200” in pencil l.l. Color etching with aquatint on chine collé, plate size 13 5/8 x 22 1/4 in. (34.5 x 56.4 cm), framed.Condition: Staining c.r., scattered fox marks, not examined out of frame. $500-700
63online bidding at www.skinnerinc.com
118
119
118.Le Corbusier (French/Swiss, 1887-1965)
Unité V, from the UNITÉ Suite, 1953, edition of 130, published by Alain C. Mazo, Paris. Signed “Le Corbusier” in pencil l.r., numbered “124/130” in pencil l.l., monogrammed and dated within the plate. Color aquatint on paper, plate size 16 1/2 x 12 1/2 in. (41.8 x 31.6 cm), framed.Condition: Deckled edges to at least three sides, not examined out of frame.
Provenance: A private Massachusetts collection. $500-700
119.Le Corbusier (French/Swiss, 1887-1965)
Totem, 1963, possibly a later printing (Weber 2009, p. 74). Signed and dated within the matrix. Color lithograph on paper, image size 27 3/4 x 30 7/8 in. (70.3 x 78.3 cm), framed.Condition: Toning and soft creases near the upper edge, not examined out of frame.
Provenance: A private Massachusetts collection. $500-700
64 additional information and photos at www.skinnerinc.com
121120
120.Sol LeWitt (American, 1928-2007)
Plate 4 (Blue-gray), from VERTICAL NOT STRAIGHT LINES NOT TOUCHING ON COLOR, 1991, edition of 30, published by Riverhouse Editions, Steamboat Springs, Colorado (Krakow, 1991.12 iv). Signed “S. LeWitt” in pencil (within the image) l.r., numbered “11/30” in pencil (within the image) l.l., publisher’s dry stamp l.l. Etching with aquatint in teal and black on paper, image/sheet size 47 x 33 in. (119.4 x 83.8 cm), framed. Condition: Deckled edges, “floating” within the mat, not examined out of frame. $2,500-3,000
121.Sol LeWitt (American, 1928-2007)
Plate 6 (Ochre), from VERTICAL NOT STRAIGHT LINES NOT TOUCHING ON COLOR, 1991, edition of 30, published by Riverhouse Editions, Steamboat Springs, Colorado (Krakow, 1991.12 vi). Signed “S. LeWitt” in pencil (within the image) l.r., numbered “11/30” in pencil (within the image) l.l., publisher’s dry stamp l.l. Etching with aquatint in ochre and black on paper, image/sheet size 47 x 33 in. (119.4 x 83.8 cm), framed. Condition: Deckled edges, “floating” within the mat, not examined out of frame. $2,500-3,000
65online bidding at www.skinnerinc.com
122
122.Roy Lichtenstein (American, 1923-1997)
Shipboard Girl, 1965, edition of unknown size, published by Leo Castelli Gallery, New York (Corlett, II.6). Signed “Roy Lichtenstein” in pencil l.r. Color offset lithograph on paper, image size 26 x 19 1/4 in. (66.0 x 48.8 cm), framed.Condition: Laid down, fading. $7,000-9,000
66 additional information and photos at www.skinnerinc.com
124
123.Roy Lichtenstein (American, 1923-1997)
As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes each 25 1/4 x 20 3/4 in. (64.1 x 52.7 cm), unmatted, unframed.Condition: Very minor handling marks and creases, possible subtle toning. $500-700
124.Roy Lichtenstein (American, 1923-1997)
Pyramids, 1969, edition of 101 plus proofs, printed by Atelier Mourlot, New York (Corlett, 87). Signed and dated “Roy Lichtenstein ‘69” in pencil l.r., numbered “7/101” in pencil l.l. Color lithograph on paper, image size 11 1/2 x 34 7/8 in. (29.3 x 88.4 cm), framed.Condition: Rippling, visible margins of 1 3/4 inches or more, not examined out of frame.
N.B. This work was commissioned for the Print Collectors of the Friends of Art, Kansas City, Missouri, a group associated with what is now the Nelson-Atkins Museum of Art, Kansas City. $7,000-9,000
67online bidding at www.skinnerinc.com
123
125
125.Roy Lichtenstein (American, 1923-1997)
...Huh?, 1976, printer’s proof outside of the edition of 100, published by the Jerusalem Museum, Israel, Castelli Graphics, New York, and Multiples, Inc., New York (Corlett, 149). Signed “Roy Lichtenstein” in pencil l.r., inscribed “PP” in pencil l.l. Color screenprint on BFK Rives paper with watermark, image size 39 3/4 x 28 in. (100.8 x 71.0 cm), unmatted, unframed.Condition: Deckled edges, minor handling creases, surface rub l.r. $7,000-9,000
68 additional information and photos at www.skinnerinc.com
126.Robert Longo (American, b. 1953)
The Wave, 2003, edition of 108. Signed and dated “RLongo. 2003” in pencil (within the image) l.r., numbered “10/108” in pencil (within the image) l.l. Screenprint on paper, image/sheet size 15 1/4 x 39 1/2 in. (38.5 x 100.3 cm), framed.Condition: Not examined out of frame. $700-900
127.Elyse Ashe Lord (British, 1900-1971)
Two Compositions: Pastoral Music, edition of 75, and K’ossu, edition of 75. Signed “Elyse...Lord” in pencil and in ink l.r., respectively, and numbered l.l. Etchings with hand-coloring on paper, plate sizes to 14 3/4 x 10 1/2 in. (37.3 x 26.5 cm), framed.Condition: Minor rubs or crease to K’ossu within image at l.r. corner, not examined out of frames. $500-700
128.Alexandre Lunois (French, 1863-1916)
Danae. Signed “Alex. Lunois” in pencil l.r., inscribed “épr d’essai” in pencil l.r., titled in pencil l.l. Color lithograph on paper, image size 9 1/4 x 15 1/2 in. (23.4 x 39.3 cm), matted, unframed.Condition: Subtle toning. $300-350
69online bidding at www.skinnerinc.com
127 128
126
129.Man Ray (American, 1890-1976)
Vivian, from BALLADE DE DAMES HORS DU TEMPS, 1970, total edition of 100 (Anselmino, 60H). Signed “Man Ray” in pencil l.r., inscribed and numbered “H.C. IX/XXV” in pencil l.l. Color etching and aquatint on paper, plate size 19 1/2 x 15 1/2 in. (49.4 x 39.3 cm), framed.Condition: Gentle rippling, not examined out of frame. $400-600
130.Man Ray (American, 1890-1976)
Concert, from BALLADE DE DAMES HORS DU TEMPS, 1970, total edition of 100 (Anselmino, 60D). Signed “Man Ray” in pencil l.r., inscribed and numbered “H.C. IX/XXV” in pencil l.l. Color etching and aquatint on paper, plate size 15 1/2 x 19 1/2 in. (39.3 x 49.4 cm), framed.Condition: Gentle rippling, not examined out of frame. $400-600
70 additional information and photos at www.skinnerinc.com
129
130
132
131.Conrad Marca-Relli (American, 1913-2000)
Metal Repeat Collage - C, 1968, edition of 40. Incised signature and date “MARCA-RELLI/68” l.r., incised number “5/40” l.l. Stainless steel multiple, 17 3/4 x 17 3/4 in. (45.0 x 45.0 cm), framed.Condition: Surface abrasions. $600-800
132.Marino Marini (Italian, 1901-1980)
Plate I from PERSONNAGES DU SACRE DU PRINTEMPS, 1974, edition of 75 plus proofs (Guastalla, L114). Signed “MARINO” in pencil l.r., numbered “17/75” in pencil l.l. Color lithograph on paper, image size 20 1/4 x 15 3/8 in. (51.4 x 39.1 cm), framed.Condition: Margins over 1 1/2 inches, not examined out of frame.
Provenance: A private Massachusetts collection. $500-700
133.Marino Marini (Italian, 1901-1980)
Miracolo, 1978, edition of 75 plus proofs (Guastalla, A210). Signed “MARINO” in pencil l.r., numbered “37/75” in pencil l.l. Color etching with aquatint on paper, plate size 22 x 17 1/4 in. (55.8 x 43.8 cm), framed.Condition: Margins over 1/2 inch, not examined out of frame.
Provenance: A private Massachusetts collection. $500-700
71online bidding at www.skinnerinc.com
133
131
135
134.Reginald Marsh (American, 1898-1954)
Subway - Three People, 1934, final state of three (Sasowsky, 149). Number, inscribed, dedicated, and signed “10/40 On the R.I.T. - Best wishes, Sue & Joe Walker Reginald Marsh sc. et imp.” in pencil beneath the image. Etching on paper, plate size 9 x 7 in. (22.8 x 17.5 cm), matted, unframed.Condition: Tear along plate mark at lower edge and lower part of the right edge, unobtrusive handling creases, brown paper tape to the edges of the reverse. $200-250
135.After Henri Matisse (French, 1869-1954)
Four Images from THEMES ET VARIATIONS: F4, K6, L14, and N7, published in 1943, total edition of 950. Each signed and identified within the matrix. Lithographs on paper, sheet sizes 12 3/4 x 9 1/2 in. (32.3 x 24.0 cm), matted, unframed. Condition: Good. $1,800-2,200
72 additional information and photos at www.skinnerinc.com
134
136
136.Michael Burton Mazur (American, 1935-2009)
Storm Clouds, 1975. Signed “Mazur” in pencil l.r., titled in pencil l.l., inscribed and dated “monotype - Summer ‘75” in pencil l.c., identified on a label from the Barbara Krakow Gallery, Boston, affixed to the backing. Color monotype on paper, image size 17 7/8 x 35 1/4 in. (45.4 x 89.4 cm), framed.Condition: Not examined out of frame. $400-600
137.Michael Burton Mazur (American, 1935-2009)
Ossabaw Study, c. 1975. Signed “Mazur” in pencil (within the image) l.r., titled in pencil (within the image) l.l. Color monotype heightened with pastel on paper, image size 22 3/4 x 31 3/4 in. (57.6 x 80.5 cm), framed.Condition: Not examined out of frame. $500-700
73online bidding at www.skinnerinc.com
137
138
138.Roberto Matta (Chilean, 1911-2002)
Pan-Ton-Lo, 1968, edition of 190. Titled and signed “...Matta” in pencil (within the image) l.r. Color lithograph on Arches paper with watermark, image size 18 3/8 x 25 3/4 in. (46.5 x 60.3 cm), unmatted, unframed.Condition: Deckled edges, several pale fox marks, minor creasing to deckle on upper edge. $200-300
139.No lot.
140.William Meyerowitz (American, 1887-1981)
Gloucester Harbor. Signed “Wm Meyerowitz” in pencil l.r. Etching on paper, plate size 7 7/8 x 11 7/8 in. (19.9 x 30.0 cm), framed.Condition: Subtle toning, not examined out of frame. $500-700
141-142.No lots.
74 additional information and photos at www.skinnerinc.com
140
144
143
143.Joan Miró (Spanish, 1893-1983)
Plate from JOAN MIRÓ, by Jacques Prévert and Georges Ribemont-Dessaignes, published in 1956 (Mourlot, 168; Cramer, 39). Identified in the matrix. Color lithograph on paper, sight size 8 3/8 x 14 1/4 in. (21.0 x 36.0 cm), framed.Condition: Not examined out of frame.
N.B. While the central image is by Miró, the figures were drawn by Prévert and the olive trees were created by Ribemont-Dessaignes. $200-250
144.Joan Miró (Spanish, 1893-1983)
L’équarrisseur à l’ouvrage, 1968, edition of 75 (Mourlot, 516). Signed “Miró” in pencil l.r., numbered “63/75” in pencil l.l. Color lithograph on paper, image size 21 1/2 x 21 1/2 in. (54.5 x 54.5 cm), framed.Condition: Minor handling crease to lower margin, not examined out of frame. $3,500-5,500
75online bidding at www.skinnerinc.com
145
145.Joan Miró (Spanish, 1893-1983)
Chevauchée - vert, violet, brun, 1969, edition of 75 (Mourlot, 543). Signed “Miró” in white pencil (within the image) l.r., numbered “60/75” in white pencil (within the image) l.l. Color lithograph on paper, 33 x 23 in. (83.7 x 58.3 cm), framed.Condition: Rippling, not examined out of frame. $2,500-3,000
146.Joan Miró (Spanish, 1893-1983)
Les Coquillages, 1969, edition of 75, published and printed by Maeght, Paris (Mourlot, 641). Signed “Miró” in pencil l.r., numbered “58/75” in pencil l.l. Color lithograph on paper, image/sheet size 30 1/4 x 44 1/4 in. (76.7 x 112.3 cm), unmatted, unframed.Condition: Deckled edges to three sides, scattered staining, unobtrusive creases to edges/corners, thinned spots near edges on the reverse, annotated on the reverse. $5,000-7,000
76 additional information and photos at www.skinnerinc.com
146
147
147.Joan Miró (Spanish, 1893-1983)
La Fronde, 1969, edition of 75 plus proofs, published by Maeght éditeur, Paris (Dupin, 501). Signed “Miró” in pencil (within the image) l.r., inscribed “H.C.” in pencil (within the image) l.l. Color etching with aquatint and carborundum on paper, sheet size 41 3/4 x 27 1/2 in. (105.8 x 69.7 cm), framed.Condition: Deckled edges, “floating” within the mat, gentle rippling, not examined out of frame.
Provenance: A private Massachusetts collection. $20,000-30,000
77online bidding at www.skinnerinc.com
148.Joan Miró (Spanish, 1893-1983)
Untitled Image (Soleil Rouge), from MIRÓ LITHOGRAPHS I, 1972, edition of 80 (Mourlot, 859). Signed “Miró” in pencil l.r., numbered “V/LXXX” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.5 cm), framed.Condition: Deckled right and lower edges, “floating” within the mat, not examined out of frame. $600-800
149.Joan Miró (Spanish, 1893-1983)
Untitled, from the series BARCELONA 1972-1973, 1973, edition of 50, published by Sala Gaspar, Barcelona, printed by J.J. Torralba, Barcelona (Dupin, 602). Signed “Miró” in pencil l.r., numbered “21/50” in pencil l.l. Color etching, aquatint, and carborundum on paper, sight size 26 1/2 x 40 1/2 in. (67.3 x 102.9 cm), framed. Condition: Deckled edges, gentle rippling, not examined out of frame. $2,000-3,000
78 additional information and photos at www.skinnerinc.com
149
148
150
150.Joan Miró (Spanish, 1893-1983)
Poster for the Exhibition Josep Lluis Sert, 1978, from the edition before letters of 25, published by the Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts (Mourlot, 1168). Signed “Miró” in pencil l.r., numbered “11/25” in pencil l.l. Color lithograph on paper, image size 27 1/2 x 20 in. (69.7 x 50.6 cm), framed.Condition: Not examined out of frame.
Provenance: A private Massachusetts collection. $1,200-1,800
79online bidding at www.skinnerinc.com
151
151.Joan Mitchell (American, 1925-1992)
Sunflower VII, 1972, edition of 75 plus proofs, published by Maeght Editeur, Paris. Signed “Joan Mitchell” in pencil l.r., inscribed “EA” in pencil l.l. Color etching with aquatint on paper, plate size 26 3/4 x 17 1/4 in. (67.8 x 43.8 cm), framed.Condition: Margins 1 inch or more, not examined out of frame. $2,500-3,000
152.Benson Bond Moore (American, 1882-1974)
Five Ornithological Subjects: Ring-necked Pheasant, edition of 40; Wood Ducks, edition of 40; Prince of Wales Pheasant, edition of 40; Red Jungle Fowl, edition of 50; and Yellow-breasted Chat, edition of 30. Each signed “Benson B Moore” in pencil l.l., numbered in pencil l.r., and titled in pencil within the lower margin. Etchings with aquatint and hand-coloring on paper, plate sizes approximately 9 x 6 3/4 in. (22.7 x 17.0 cm), unmatted, unframed.Condition: Margins approximately 1 inch, creases, nicks, and/or minor losses to some corners. $250-300
80 additional information and photos at www.skinnerinc.com
152
153
153.Henry Moore (British, 1898-1986)
Reclining Figure (Title Page), 1978, from THE RECLINING FIGURE Album, 1977-78, from the Louisiana Museum edition of 25 (Cramer, 471). Signed “Moore” in pencil l.r., numbered “L19/25” in pencil l.l. Etching on paper, plate size 7 1/2 x 9 7/8 in. (19.0 x 25.0 cm), framed.Condition: Margins 1/4 inch or more, gentle rippling, not examined out of frame.
Provenance: A private Massachusetts collection. $600-800
154.Henry Moore (British, 1898-1986)
Reclining Figure 6, from THE RECLINING FIGURE Album, 1977-78, from the Louisiana Museum edition of 25 (Cramer, 477). Signed “Moore” in pencil l.r., inscribed and numbered “Pl. 6 L19/25” in pencil l.l. Etching on paper, plate size 8 3/4 x 11 5/8 in. (22.2 x 29.5 cm), framed.Condition: Margins 1/2 inch or more, gentle rippling, not examined out of frame.
Provenance: A private Massachusetts collection. $600-800
154
81online bidding at www.skinnerinc.com
155.Robert Motherwell (American, 1915-1991)
Capriccio, 1961, edition of 200 plus proofs, published by Berggruen & Cie, Paris (Terenzio & Belknap, App.1). Signed “Robert Motherwell” in pencil l.r., numbered “33/200” in pencil l.l., initialed within the matrix. Color collotype with pochoir coloring on Arches paper, image size 20 3/8 x 15 3/4 in. (51.5 x 40.0 cm), unmatted, unframed.Condition: Margins 2 inches or more with two deckled edges, old hinges at upper corners, minor handling creases to sheet. $800-1,200
156.Robert Motherwell (American, 1915-1991)
Plate 9 from THE BASQUE SUITE, 1970, edition of 150 (Terenzio & Belknap, 58). Initialed and numbered “RM 136/150” in pencil l.r., signed within the matrix. Screenprint in orange and black with embossed double plate marks on paper, image size 20 1/2 x 17 in. (52.0 x 43.1 cm), framed.Condition: Rippling, not examined out of frame.
Provenance: A private Massachusetts collection. $1,800-2,200
82 additional information and photos at www.skinnerinc.com
155 156
157.Shiko Munakata (Japanese, 1903-1975)
Untitled, cover for MUNAKATA NO SAKU, 1956, printed in 1985. Signed with chop and identified within the image. Woodcut on paper, image size 16 1/2 x 12 in. (41.8 x 30.4 cm), framed.Condition: Not examined out of frame. $600-800
158.Edvard Munch (Norwegian, 1863-1944)
Porträt Dr. Max Linde, 1902 (Woll, 223). Signed “Edv. Munch” in pencil l.r. Lithograph in gray/green on paper, image size 11 1/2 x 8 in. (29.2 x 20.3 cm), framed.Condition: Toning, not examined out of frame.
N.B. Munch executed a number of portraits of some of his more prominent patrons, such as Dr. Linde. Munch also created a drypoint of Linde in 1902. $2,500-3,500
83online bidding at www.skinnerinc.com
157
158
159.Louise Nevelson (American, 1899-1988)
City-Sunscape, 1979, edition of 150, published by Pace Editions, Inc., New York. Incised signature and numbered “145” on plaque affixed to the verso. Polyester resin multiple painted black, 12 3/4 x 9 in. (32.3 x 22.8 cm), designed with its own shadow box.Condition: Dust to interstices.
Provenance: A private Massachusetts collection. $400-600
160.Louise Nevelson (American, 1899-1988)
Sun-Set, 1981, edition of 125, published by Pace Editions, Inc., New York. Incised signature and numbered “24” on a plaque affixed to the verso. Polyester resin multiple painted black, 12 3/8 x 18 in. (31.3 x 45.7 cm), designed with its own shadow box.Condition: Dust to interstices.
Provenance: A private Massachusetts collection. $400-600
84 additional information and photos at www.skinnerinc.com
159
160
161
161.Gabor F. Peterdi (American, 1915-2001)
Suite of Six Works Created in Conjunction with the Publication of GABOR PETERDI: GRAPHICS 1934-1969 by Una Johnson: Hawaii, Maui, The Reef, Red Eclipse II, Mauna Loa II, and Blue Surf, 1969, edition of 200 (Johnson, 277-282). Each signed and dated “Peterdi ‘69” in pencil l.r. and numbered “26-200” in pencil l.l. Color relief prints on paper, image sizes 10 1/8 x 7 1/8 in. (25.5 x 18.0 cm), matted, unframed.Condition: Margins approximately 1 inch, each with one deckled edge. $700-900
85online bidding at www.skinnerinc.com
162
162.Pablo Picasso (Spanish, 1881-1973)
Scène d’intérieur, 1926, aside from the edition of 100, published by Galerié Simon, Paris (Bloch, 74). Unsigned. Lithograph on cream laid paper, image size 8 5/8 x 10 7/8 in. (21.8 x 27.4 cm), framed.Condition: Margins 2 3/4 inches or more with deckled upper and lower edges. $1,000-1,500
163.Pablo Picasso (Spanish, 1881-1973)
Trois acteurs, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch 145; Geiser 296 ). Signed or inscribed “Picasso” in pencil l.r., signed and dated within the plate. Etching on laid paper with “Picasso” and figural watermarks, plate size 11 x 7 1/8 in. (28.0 x 18.0 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, minor breaks to surface fibers along areas on the plate mark, toning, staining, and soiling. $3,000-5,000
86 additional information and photos at www.skinnerinc.com
163
164
164.Pablo Picasso (Spanish, 1881-1973)
Le repose du sculpteur devant le petit torse, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch, 162; Geiser et al., 315). Signed or inscribed “Picasso” in pencil l.r., signed and dated within the plate. Etching on laid paper with “Picasso” and figural watermarks, plate size 7 5/8 x 10 1/2 in. (19.5 x 26.5 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, breaks to surface fibers along areas on the plate mark, staining, and soiling. $3,000-5,000
87online bidding at www.skinnerinc.com
165.Pablo Picasso (Spanish, 1881-1973)
Famille de saltimbanques, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch, 163; Geiser et al., 316). Signed or inscribed “Picasso” in pencil l.r., signed and dated within the plate. Etching on laid paper with “Picasso” and figural watermarks, plate size 7 5/8 x 10 1/2 in. (19.5 x 26.5 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, breaks to surface fibers along areas on the plate mark, staining and soiling. $3,000-5,000
166.Pablo Picasso (Spanish, 1881-1973)
L’age de soleil (pour Roby), 1950 (Bloch, 680). Signed and inscribed in the plate. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed.Condition: Margins 1 inch or more, pale toning, not examined out of frame. $300-350
88 additional information and photos at www.skinnerinc.com
166
165
168
167.Pablo Picasso (Spanish, 1881-1973)
Fish Subject, 1952, edition of 500 (Ramie, 139). Inscribed “EDITION PICASSO” and stamped “MADOURA PLEIN FEU” and “EDITION PICASSO” on the underside. Red earthenware pitcher painted in black and white, height 4 3/4 in. (12.0 cm).Condition: Minor soiling. $1,000-1,500
168.Pablo Picasso (Spanish, 1881-1973)
Dessins d’un Demi-Siècle, 1956, edition for the cover of the catalogue for L’exposition 1956 de Berggruen & Cie (Bloch, 792). Identified in the matrix and on the title page of the booklet. Color lithograph on paper, image size 8 3/8 x 9 3/8 in. (21.2 x 23.7 cm), unmatted, unframed.Condition: Toning, minor wear to corners. $300-500
89online bidding at www.skinnerinc.com
167
169
169.Pablo Picasso (Spanish, 1881-1973)
Maison de la Pensée Française...Exposition de Céramiques, 1958 (Bloch, 1280). Signed, dated, and identified within the matrix. Color lithograph on paper, image size 23 x 15 1/4 in. (58.4 x 38.6 cm), framed.Condition: Pale toning and mat burn, not examined out of frame. $500-700
170.Pablo Picasso (Spanish, 1881-1973)
Man’s Face, 1966, edition of 500 (Ramie, 539). Unsigned, dated within the matrix, stamped “MADOURA PLEIN FEU” and “EMPREINTE ORIGINALE DE PICASSO” and numbered “52/500” on the back. Red earthenware clay with engobe in black, 6 1/8 x 3 7/8 in. (15.5 x 9.8 cm), presented in a Plexiglas box.Condition: Not examined out of box.
Provenance: A private Massachusetts collection.
N.B. The image is based on a composition transfered from a linoleum printing block. $1,200-1,800
90 additional information and photos at www.skinnerinc.com
170
171
171.Doel Reed (American, 1895-1985)
Evening Music, 1946, edition of 100, published by Associated American Artists, New York (Cohen, 62; AAA/Czestochowski, 1946.084). Signed “Doel Reed” in pencil l.r., identified on a label from AAA affixed to the backing. Etching and aquatint on paper, plate size 15 7/8 x 11 3/8 in. (40.3 x 28.8 cm), framed.Condition: Toning, not examined out of frame. $700-900
91online bidding at www.skinnerinc.com
172
172.Rembrandt van Rijn (Dutch, 1606-1669)
Nude Man Seated on the Ground with One Leg Extended, 1646 (Hind, 221; Bartsch/Hollstein, 1966 II/II). Signed and dated within the plate, collector’s marks l.r. and to verso (see below). Etching on laid paper, plate/sheet size 3 3/4 x 6 in. (9.0 x 15.1 cm), matted, framed.Condition: Trimmed to plate mark, foxing, gentle toning.
Provenance: Pierre Matiette, Paris, 1634-1716 (Lugt, 2096 - mark with date “1681”); through to Pierre Remy, Paris, second half of the 18th century (Lugt, 2173 - the mark with date “1749”); through to John Barnard, London, died 1784 (Lugt, 1419); through to Ugi Battenberg, German, 1879-1957; gifted by him to Oscar and Edna Stirling in 1946; gifted to the present owner by the Stirlings in 1987. $4,000-6,000
92 additional information and photos at www.skinnerinc.com
173
172A
172A.Rembrandt van Rijn (Dutch, 1606-1669)
The Circumcision in the Stable, 1654, probably an early 18th century impression (Hind, 274; Bartsch/Hollstein, 47 I/II). Signed and dated within the plate, collector’s marks (see below) and pencil annotations to the reverse. Etching on laid paper, plate/sheet size 3 7/8 x 5 3/4 in. (9.6 x 14.5 cm), matted, unframed.Condition: Trimmed to and/or within the plate mark, soft, gray impression, subtle surface rubbing, upper corners reinforced.
Provenance: Ex-collection of Herman Weber, Bonn, 1817-1854 (Lugt, 1383); through to August Artaria, Vienna, 1807-1893 (Lugt, 33); through to the present owner. $1,000-1,500
173.Ker Xavier Roussel (French, 1867-1944)
La Source, from L’ALBUM DE PAYSAGE, c. 1900, edition of 100, printed by Auguste Clot, Paris, published by Vollard, Paris (Salomon, 20). Unsigned. Color lithograph on chine vollant, image size 12 1/2 x 16 1/4 in. (31.6 x 41.2 cm), matted, unframed.Condition: Margins over 3/4 inches, subtle toning to margins. $800-1,200
93online bidding at www.skinnerinc.com
174
174.Kiyoshi Saito (Japanese, 1907-1997)
Stillness. Signed “Kiyoshi Saito” in ink (within the image) l.r. Color woodcut on paper, sight size 14 x 9 in. (35.5 x 22.8 cm), framed.Condition: Not examined out of frame. $400-600
175.David Salle (American, b. 1952)
Plates 2 and 4 from the CANFIELD HATFIELD Suite, 1989, edition of 60 plus proofs, published by Waddington Graphics, London. Both signed and dated “David Salle 1989” in pencil l.r. and numbered “30/60” in pencil l.l. Color etchings with aquatint and photo-etching on paper, plate sizes 23 3/4 x 36 in. (60.2 x 91.4 cm), matted, unframed.Condition: Deckled edges. $1,200-1,800
94 additional information and photos at www.skinnerinc.com
175
176
176.Giuseppe Santomaso (Italian, 1907-1990)
Untitled, 1952, edition of 60. Signed and dated “Santomaso ‘52” in pencil l.r., numbered “39/60” in pencil l.l. Color lithograph on paper, image size 19 1/2 x 13 1/4 in. (49.5 x 33.5 cm), framed.Condition: Pinpoint foxing, not examined out of frame. $500-700
177.Fritz Scholder (American, 1937-2005)
Red Indian, edition of 100. Signed “Scholder” in pencil l.r., numbered “20-100” in pencil l.l. Color lithograph on paper, image/sheet size 33 1/2 x 22 1/8 in. (85.0 x 56.0 cm), unmatted, unframed.Condition: Crinkling to u.r. corner, slight creasing, shrink-wrapped. $300-500
178.Gino Severini (Italian, 1883-1966)
Composition, 1955, edition of 220, published by La Guilde de Grauvre, Paris (Meloni, 28). Signed “GinoSeverini” in pencil l.r., numbered “197/220” in pencil l.l., publisher’s dry stamp l.l. Color lithograph on Rives paper with watermark, image size 19 3/8 x 12 5/8 in. (49.2 x 32.0 cm), unmatted, unframed.Condition: Margins 1 inch or more with two deckled edges. $800-1,200
95online bidding at www.skinnerinc.com
177
178
179
179.Joel Shapiro (American, b. 1941)
Untitled, 1992, edition of 60. Signed and dated “Joel Shapiro 92” in pencil l.r., numbered “27/60” in pencil l.l. Color etching with aquatint on paper, plate size 23 7/8 x 18 in. (60.6 x 45.7 cm), framed.Condition: Gentle rippling, not examined out of frame. $2,500-3,000
180.Joel Shapiro (American, b. 1941)
Untitled, 1992, edition of 60. Signed and dated “Joel Shapiro 92” in pencil l.r., numbered “27/60” in pencil l.l. Color etching with aquatint on paper, plate size 23 3/4 x 18 in. (60.3 x 45.7 cm), framed.Condition: Gentle rippling, not examined out of frame. $2,500-3,000
96 additional information and photos at www.skinnerinc.com
180
181
181.Harry Shokler (American, 1896-1978)
Coney Island, 1942, edition of 100. Signed within the matrix. Color screenprint on paper, image size 12 5/8 x 16 in. (32.0 x 40.5 cm), framed.Condition: Not examined out of frame. $200-250
182.Harry Shokler (American, 1896-1978)
Vermont Landscape, 1947, edition of 100. Signed and dated within the matrix, signed “Harry Shokler/ed 100” in pencil l.r., titled in pencil l.l. Color screenprint on paper, image size 13 x 16 in. (33.0 x 40.5 cm), framed.Condition: Not examined out of frame. $300-500
97online bidding at www.skinnerinc.com
182
183
183.Pierre Soulages (French, b. 1919)
Eau-forte No. 1, 1952, edition of 100, printed and published by Lacourière, Paris (Rivière, 1). Signed “Soulages” in pencil l.r., numbered “38/100” in pencil l.l. Color aquatint on paper, plate size 19 1/2 x 13 1/8 in. (49.4 x 33.3 cm), framed.Condition: Mat burn, not examined out of frame. $800-1,200
184.Pierre Soulages (French, b. 1919)
Eau-forte No. 17, 1961, edition of 100, published by Berggruen & Cie, Paris (Rivière, XVII). Signed “Soulages” in pencil l.r., numbered “50/100” in pencil l.l. Color aquatint on paper, image size 18 1/4 x 22 3/4 in. (46.3 x 57.7 cm), framed.Condition: Deckled edges, subtle toning, not examined out of frame. $800-1,200
98 additional information and photos at www.skinnerinc.com
184
186
185
185.Frank Stella (American, b. 1936)
Ifafa I, from the V SERIES, 1968, edition of 100 plus proofs (Axsom, 21). Numbered, signed, and dated “11/100 F. Stella ‘68/100” in pencil l.l., identified on a label from Pace Editions, Inc., New York, affixed to the backing. Color lithograph on paper, image size 11 1/8 x 19 1/4 in. (28.2 x 49.5 cm), framed.Condition: Staining to image l.l., not examined out of frame.
Provenance: A private Massachusetts collection. $1,000-1,500
186.David Sullivan (American, b. 1941)
Monument II, edition of 70. Signed “David Sullivan” in pencil l.r., titled in pencil l.l., numbered “55/70” in pencil l.c. Color screenprint on paper, image size 20 x 30 in. (50.7 x 76.1 cm), framed.Condition: Gentle rippling, not examined out of frame. $300-500
99online bidding at www.skinnerinc.com
187
187.George Tooker (American, 1920-2011)
Voice, 1977, edition of 125, published by Editions Press, San Francisco (Garver, 3). Signed “George Tooker” in pencil l.r., inscribed “Artist’s proof” in pencil l.l. Lithograph on paper, image size 11 x 9 3/4 in. (27.9 x 24.6 cm), framed.Condition: Not examined out of frame. $1,000-1,500
188.-189.No lots.
100 additional information and photos at www.skinnerinc.com
190.Victor Vasarely (Hungarian/French, 1906-1997)
Two Images from the PERMUTATIONS Series, 1968, edition of 150, published by Denise René, editeur, Paris. Both signed “Vasarely-” in pencil l.r., numbered “13/150” in pencil l.l., with publisher’s dry stamp l.l., and identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprints on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed.Condition: Subtle water staining to lower margins, abrasion/surface loss to left margin and just into image of one, not examined out of frames. $600-800
191.Victor Vasarely (Hungarian/French, 1906-1997)
Two Op Art Images: Diago CC, 1968, edition of 250, published by Denise René, editeur, Paris; and Diaf, 1968, edition of 200, published by Denise René, editeur, Paris. Both signed “Vasarely-” in pencil l.r., numbered in pencil l.l., with publisher’s dry stamp l.l., and identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprints on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed.Condition: Water staining to lower and side edges (just barely effecting the images), not examined out of frames. $600-800
101online bidding at www.skinnerinc.com
191
190
192
192.Victor Vasarely (Hungarian/French, 1906-1997)
Untitled (Blue Sphere), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “231/250” in pencil l.l. Color screenprint on paper, image size 20 x 20 in. (50.6 x 50.6 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame. $300-500
193.Victor Vasarely (Hungarian/French, 1906-1997)
Untitled (Green, Blue, Orange Vertical), edition of 250. Signed “Vasarely” in pencil l.r., numbered “72/250” in pencil l.l. Color screenprint on paper, image size 32 1/4 x 16 1/4 in. (81.8 x 41.2 cm), framed.Condition: Not examined out of frame. $300-500
194.Victor Vasarely (Hungarian/French, 1906-1997)
Untitled (Polygons), edition of 175. Signed “Vasarely-” in pencil l.r., numbered “76/175” in pencil l.l. Color screenprint on paper, image size 27 1/2 x 13 3/4 in. (69.8 x 34.8 cm), framed.Condition: Not examined out of frame. $300-500
102 additional information and photos at www.skinnerinc.com
194
193
195
195.Jacques Villon (French, 1875-1963)
Two Portraits: Tête de fillette, 1929, edition of 50 (Ginestet/Pouillon, E324); and Le grand dessinateur assis, 1935, edition of 50 (Ginestet/Pouillon, E385). Both signed “Jacques Villon” in pencil l.r. and numbered in pencil l.l., Tête dedicated in pencil l.c., Dessinateur with “H.M.P.” collector’s stamp on verso. Drypoints on laid paper, plate sizes to 10 7/8 x 8 3/8 in. (27.5 x 21.2 cm), matted, unframed.Condition: Margins 1 3/4 inches or more with deckled edges, annotations to lower margins, Tête with crease to right margin and old hinges tape to right edge on verso, Dessinateur with minor nicks and creases to upper and lower edges. $800-1,200
103online bidding at www.skinnerinc.com
196
196.Andy Warhol (American, 1928-1987)
Edward Kennedy, 1980, edition of 300 plus proofs, published by the Kennedy for President Committee, Washington, D.C. (Feldman & Schellmann, II.240). Numbered and signed “AP 2/25 Andy Warhol” in pencil (within the image) l.r., dry stamp l.l. Screenprint with diamond dust on paperboard, image/sheet size 40 x 32 in. (101.5 x 8.3 cm), framed.Condition: Not examined out of frame. $5,000-7,000
104 additional information and photos at www.skinnerinc.com
197
197.Andy Warhol (American, 1928-1987)
Saint Apollonia, plate IV from SAINT APOLLONIA, 1984, edition of 250 plus proofs, published by Dr. Frank Braun, Dusseldorf, printed by Rupert Jasen Smith, New York (Feldman/Schellmann, II.330). Numbered and signed “3/250 Andy Warhol” in pencil (within the image) l.l., stamped “© ANDY WARHOL 1984” on the reverse. Color screenprint on paper, image/sheet size 30 x 22 in. (76.2 x 55.8 cm), framed.Condition: Tear to left edge (approximately 1/4 inch), minor unpressed creases near lower corner along right edge.
Provenance: Purchased from Heern Horst-Wolfgang Haase, Berlin, 1984; then through to the present owner. $3,000-5,000
198.After Andy Warhol (American, 1928-1987)
Three Skate Decks from the Alien Workshop. Identified within the matrix and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink wrap, containing original stickers.Condition: Not examined out of wrap. $600-800
105online bidding at www.skinnerinc.com
198
199
199.Everett Longley Warner (American, 1877-1963)
Two Industrial Views: Speeding Locomotive and Tug Working near the Shoreline. Both signed “Everett Warner imp” in pencil l.r. Etchings on paper, plate sizes to 8 7/8 x 11 7/8 in. (22.4 x 30.0 cm), framed.Condition: Not examined out of frames. $500-700
200.Neil Welliver (American, 1929-2005)
Briggs’ Meadow, from LANDSCAPES, 1973, edition of 144 (Welliver, 27). Signed “Welliver” in pencil l.r., numbered “63/144” in pencil l.l. Color screenprint on paper, image size 36 x 35 1/2 in. (91.4 x 90.0 cm), framed.Condition: Margins 3/4 inches or more, not examined out of frame. $1,500-2,000
106 additional information and photos at www.skinnerinc.com
200
201
201.Stow Wengenroth (American, 1906-1978)
Long Cove (Rockport, Massachusetts), 1935, edition of 30 (Stuckey, 51). Signed “Stow Wengenroth” in pencil l.r., dedicated “To Marjorie Mitchell - 1936” in pencil l.l. Lithograph on paper, image size 7 7/8 x 12 1/4 in. (19.8 x 31.0 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $300-350
202.Stow Wengenroth (American, 1906-1978)
Kindred McLean Print (Rockport, Massachusetts), 1939, edition of 290 (Stuckey, 91). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 9 7/8 x 14 in. (25.0 x 35.5 cm), framed.Condition: Unobtrusive mat burn, not examined out of frame. $400-800
203.Stow Wengenroth (American, 1906-1978)
Maine Lobsterman (Port Clyde, Maine), 1945, edition of 210 (Stuckey, 144). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 8 3/16 x 12 in. (20.7 x 30.4 cm), matted, unframed.Condition: Margins over 1 1/2 inches with deckled right and lower edges, light-struck. $300-500
107online bidding at www.skinnerinc.com
202
203
204
204.Stow Wengenroth (American, 1906-1978)
Two Images: The Chickadees (Corea, Maine), 1953, edition of 60 (Stuckey, 213), and Downy Woodpeckers (Greenport, New York), 1955, edition of 60 (Stuckey, 225). Both signed “Stow Wengenroth” in pencil l.r. and numbered in pencil l.l. Lithographs on paper, image sizes approximately 10 5/8 x 15 7/8 in. (26.8 x 40.2 cm), matted, unframed.Condition: Deckled edges, pale mat burn and toning to images. $400-600
205.Stow Wengenroth (American, 1906-1978)
Three Images: Bufflehead (Greenport, New York), 1967, edition of 50 (Stuckey, 312), River Light (Stockton Springs, Maine), 1968, edition of 40 (Stuckey, 319), and Spring Visitors (Greenport, New York), 1970, edition of 75 (Stuckey, 330). Each signed “Stow Wengenroth” in pencil l.r. and numbered in pencil l.l. Lithographs on paper, image sizes to 14 3/4 x 11 1/4 in. (37.4 x 28.5 cm), matted, unframed.Condition: Deckled edges, pale mat burn and toning to images, scattered pale staining. $600-800
206.Stow Wengenroth (American, 1906-1978)
Forest Ferns (Glenport, New York), 1969, edition of 60 (Stuckey, 323). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/60” in pencil l.l. Lithograph on paper, image size 9 x 15 1/2 in. (22.8 x 39.0 cm), framed.Condition: Not examined out of frame. $300-500
108 additional information and photos at www.skinnerinc.com
205
206
208207
207.Wilhelm Woelke (German, 19th/20th Century)
Jahrehundertfeier der Freiheitsteiege Breslau, 1913. Signed, dated, and identified in the matrix. Color lithographic poster, image size 33 3/4 x 22 1/2 in. (85.6 x 57.0 cm), unmatted, unframed.Condition: Minor staining, minor tears to margins, shrink-wrapped. $300-500
208.Grant Wood (American, 1891-1942)
Approaching Storm, 1940, edition of 250, published by Associated American Artists, New York (Czestochowski, W17). Signed “Grant Wood” in pencil l.r., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 11 3/4 x 8 7/8 in. (29.7 x 22.5 cm), framed.Condition: Scattered foxing, not examined out of frame. $1,200-1,800
109online bidding at www.skinnerinc.com
209
209.Lisa Yuskavage (American, b. 1962)
Untitled (Profile), 1989, printed by the Garner Tullis Workshop, Santa Barbara, California. Signed and dated “Lisa Yuskavage 1989” in pencil l.r. Monotype on buff paper, image size 12 1/2 x 14 1/2 in. (31.5 x 36.7 cm), framed.Condition: Not examined out of frame. $2,000-3,000
110 additional information and photos at www.skinnerinc.com
Photography
210.Ansel Adams (American, 1902-1984)
Zabriskie Point, Death Valley National Monument, 1942, from PORTFOLIO TWO: THE NATIONAL PARKS AND MONUMENTS..., published 1950. Signed “Ansel Adams” in pencil on the mount l.r., stamped and numbered “...12 of set no. 88” on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed.Condition: Soiling to mount.
N.B. A cover for PORTFOLIO TWO accompanies the lot. $4,000-6,000
111online bidding at www.skinnerinc.com
210
211.Ansel Adams (American, 1902-1984)
Dawn, Autumn, Great Smoky Mountains National Park, Tennessee, 1948, probably a later printing. Signed “Ansel Adams” in pencil on the mount l.r., titled and stamped with artist’s Carmel, California, stamp on the reverse of the mount. Gelatin silver print on paper, image/sheet size 19 1/8 x 13 5/8 in. (48.5 x 34.5 cm), framed.Condition: Minute nick to upper edge and to corners of image l.l. and u.r., mount very gently light-struck. $8,000-12,000
112 additional information and photos at www.skinnerinc.com
211
213
212
212.Ansel Adams (American, 1902-1984)
Oak Tree - Snowstorm, Yosemite National Park, California, 1948, a later printing from the special edition of prints Photographs of Yosemite. Signed “Ansel Adams” in ink on the mount l.r., stamped and with print number on the reverse. Gelatin silver print on paper, image/sheet size 9 7/8 x 7 3/4 in. (25.0 x 19.5 cm), framed.Condition: Not examined out of frame. $3,000-5,000
213.Ansel Adams (American, 1902-1984)
Dead Tree, Sunset Crater National Monument, Arizona, 1947, plate 11 from PORTFOLIO TWO: THE NATIONAL PARKS AND MONUMENTS..., published 1950. Signed “Ansel Adams” in pencil on the mount l.r., stamped and numbered “...11 of set no. 81” on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 5/8 x 7 1/2 in. (24.3 x 19.0 cm), unmatted, unframed.Condition: Soiling to mount. $3,000-5,000
113online bidding at www.skinnerinc.com
214
215
214.Ansel Adams (American, 1902-1984) Related Ephemera:
Including Four Architectural Renderings by Spencer & Lee, San Francisco, depicting the Adams Studio-Residence in Carmel, California, 1961, together with a mailing tube addressed from Adams to Mrs. E.H. Land, Cambridge, Massachusetts; twelve half-tone reproductions of images shot by Adams in Yosemite (each stamped and inscribed on the reverse); five portraits (four of Ansel Adams), each with the original proof and presented in a folder marked “Custom print by Polaroid”; two menus for celebrations at The Ahwahnee, Yosemite National Park (Christmas and New Year’s Eve, 1960) featuring Adams’s images on the covers.Condition: Most works worn, especially at edges/corners. $600-800
215.Ansel Adams (American, 1902-1984)
Forest Detail, Winter, Yosemite National Park, California, c. 1949, printed in the 1970s. Initialed “AA” in pencil on the mount, stamped on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), framed.Condition: Mount affixed to facing mat with masking tape on the reverse. $2,500-3,500
114 additional information and photos at www.skinnerinc.com
216
216.Fratelli Alinari (Italian, established 1852)
View of the Acropolis. Photographer’s dry stamp l.r. Albumen print on paper, sight size 15 7/8 x 22 3/4 in. (40.3 x 57.7 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $150-200
217.James Balog (American, b. 1952)
Giraffe Neck, 1979, printed 1992, edition of 30. Signed, dated, and numbered “James Balog 92/1979 4/30” in felt-tip pen (fading) l.r. Chromogenic print, image size 14 x 14 in. (35.5 x 35.5 cm), framed.Condition: Not examined out of frame.
Provenance: Purchased from the Robert Klein Gallery, Boston. The original receipt accompanies the lot. $400-600
218.John Benson (American, b. 1927)
Three Portraits: Woman in Chair, 1969, Family Portrait, 1969, and Couple, c. 1970. The last with the artist’s stamp on the mount. Gelatin silver prints on paper, image sizes to 9 x 11 in. (22.7 x 27.8 cm), matted, unframed.Condition: Each mounted with mounting film.
N.B. Benson was a student of Harry Callahan’s at the Rhode Island School of Design. A closely related image was included in the portfolio Photographs: Rhode Island School of Design, published in 1970, which contained twenty-three works by RISD students. $600-800
115online bidding at www.skinnerinc.com
218
217
218A
218A.Erwin Blumenfeld (German, 1897-1969)
Aubade, 1937-38, published in Coronet magazine. Annotated, titled, and signed “...Erwin Blumenfeld” in pencil beneath the image, Coronet stamp on the reverse. Gelatin silver print on paper, image size 9 1/4 x 7 3/8 in. (23.4 x 18.6 cm), matted, unframed.Condition: Subtle silvering-out to edges of image.
Literature: Coronet, volume 3, 1938, p. 147. $2,500-3,500
219.Harry Callahan (American, 1912-1999)
Lake Michigan (Reeds), c. 1949, probably a later printing. Signed “Harry Callahan” in pencil l.r. Gelatin silver print on paper, image size 7 1/4 x 7 1/8 in. (18.3 x 18.0 cm), matted, unframed.Condition: Unmounted, rippling. $4,000-6,000
116 additional information and photos at www.skinnerinc.com
219
220.Henri Cartier-Bresson (French, 1908-2004)
Visite du Cardinal Pacelli, Montmarte (Later Pope Pius XII), 1938, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print on paper, image size 9 3/8 x 14 1/8 in. (23.7 x 35.8 cm), framed.Condition: Gentle rippling, not examined out of frame.
Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $6,000-8,000
220A.Henri Cartier-Bresson (French, 1908-2004)
La danse Alloeng Kotjok, Sayan, Bali, Indonésie, 1949, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print, image size 9 3/8 x 14 1/8 in. (23.7 x 35.8 cm), framed.Condition: Gentle rippling, not examined out of frame.
Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $7,000-9,000
117online bidding at www.skinnerinc.com
220
220A
221
221.Henri Cartier-Bresson (French, 1908-2004)
Abruzzo, Aquila, 1951, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print on paper, image size 14 x 9 3/8 in. (35.5 x 23.8 cm), framed.Condition: Gentle rippling, not examined out of frame.
Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $8,000-10,000
118 additional information and photos at www.skinnerinc.com
222
222.Henri Cartier-Bresson (French, 1908-2004)
Bougival, Yvelines, France, 1956, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print on paper, image size 14 x 9 3/8 in. (35.5 x 23.8 cm), framed.Condition: Gentle rippling, not examined out of frame.
Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $7,000-9,000
119online bidding at www.skinnerinc.com
224
223.Harold Eugene Edgerton (American, 1903-1990)
Wes Fesler Kicking a Football, 1934, probably a later printing. Signed “HAROLD EDGERTON...” in felt-tip pen or similar on the reverse. Gelatin silver print on paper, image/sheet size 11 x 9 in. (27.9 x 22.8 cm), unmatted, unframed.Condition: Unmounted, 1 inch crease to image l.r., minor wear to edges and corners. $800-1,200
224.Harold Eugene Edgerton (American, 1903-1990)
Judy Garland and Mickey Rooney at MGM Studios, 1940, probably a later printing. Signed “HAROLD EDGERTON” in felt-tip pen or similar on the reverse. Chromogenic print on Kodak paper, image size 10 1/2 x 13 1/2 in. (26.5 x 34.2 cm), unmatted, unframed.Condition: Unmounted.
N.B. The lot is accompanied by a photograph of Edgerton receiving the U.S. Medal of Science, awarded to him in 1973 by President Richard M. Nixon at the White House. $1,500-2,000
120 additional information and photos at www.skinnerinc.com
223
225
225.Harold Eugene Edgerton (American, 1903-1990)
Atomic Bomb Explosion, before 1952, probably a later printing. Signed “HAROLD EDGERTON...” in pencil on the reverse. Gelatin silver print on paper, image size 11 1/2 x 8 3/4 in. (29.2 x 22.0 cm), unmatted, unframed.Condition: Unmounted. $800-1,200
226.Harold Eugene Edgerton (American, 1903-1990)
Apple Sauce Maker, 1964. Titled, signed, and dated “...Harold Edgerton - 1964” in felt-tip pen or similar on the reverse. Chromogenic print on Kodak paper, image size 7 5/8 x 9 1/2 in. (19.3 x 24.2 cm), unmatted, unframed.Condition: Unmounted, possible fading, small area of soiling/color change along upper edge of image, handling creases to image resulting in color changes to surface. $1,000-1,500
121online bidding at www.skinnerinc.com
226
227
227.Harold Eugene Edgerton (American, 1903-1990)
Two Images: Antique Gun Firing and Bullet Through Jack. The former signed “HAROLD EDGERTON” in pencil on the reverse, the latter with the artist’s stamp twice on the reverse. Gelatin silver prints on paper, image sizes to 9 x 12 in. (22.8 x 30.4 cm), unmatted, unframed.Condition: Unmounted, minor handling creases to Jack. $1,000-1,500
122 additional information and photos at www.skinnerinc.com
228
228.Rudolf Eickemeyer (American, 1862-1932)
Three Landscapes: Summer Hillside, 1901; Woodland Stream, 1902; and Lone Tree, 1923. Each monogrammed and dated on the mount. Platinum prints on paper, image/sheet sizes to 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), unmatted, unframed.Condition: Subtle toning. $1,500-2,000
229.Rudolf Eickemeyer (American, 1862-1932)
Two Landscapes: Snowy Field, 1902, and Country Road, 1906. Both monogrammed and dated on the mount. Platinum prints on paper, image/sheet sizes approximately 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), unmatted, unframed.Condition: Subtle surface rubs to sky in Road, discoloration to Field. $1,500-2,000
123online bidding at www.skinnerinc.com
229
230
230.Alfred Eisenstaedt (American, 1898-1995)
Running Statues, c. 1928. Signed “Alfred Eisenstaedt” in pencil on the mount. Gelatin silver print on paper, sheet/image size 9 3/8 x 7 in. (23.7 x 17.7 cm), matted, unframed.Condition: Toning, unobtrusive silvering-out. $1,500-2,000
230A.Stephen Frank (American, b. 1947)
Palace of Fine Arts, San Francisco, 1979, edition of 80. Signed, inscribed, titled, and numbered “© Stephen Frank...2/80” in pencil on the reverse. Gelatin silver print on paper, image size 8 1/4 x 12 1/4 in. (20.8 x 31.0 cm), matted, unframed.Condition: Unmounted.
Provenance: From the collection of Austin Lamont, by family descent. $200-250
124 additional information and photos at www.skinnerinc.com
230A
231
231.Adam Fuss (Anglo/American, b. 1961)
Untitled, from the MY GHOST Series, 2000, edition of 40. Purportedly signed on the reverse of the mount. Gelatin silver print on paper after a photogram, 19 x 23 1/2 in. (48.9 x 50.0 cm), framed.Condition: Mount affixed at the edges to a supporting mount. $3,500-5,500
232.Paul A. Greenberg (American, b. 1935)
Duane Michals, Famous New York Photographer Visited Dallas.../A Diptych, 1976. Signed, dated, and titled “P. Greenberg ‘76...” in ink on the mount beneath the first image. Gelatin silver prints (one with collage) on paper, image sizes to 8 7/8 x 7 1/8 in. (22.8 x 18.0 cm), unmatted, unframed.Condition: Minute rub to edge of larger image, subtle silvering-out to left edge of smaller image. $700-900
125online bidding at www.skinnerinc.com
232
233.Danny Lyon (American, b. 1942)
Uptown Chicago, 1965. Titled, dated, and signed “…1965 Danny Lyon” in felt-tip pen l.r. Gelatin silver print on paper, image size 9 1/8 x 13 1/2 in. (23.0 x 34.3 cm), matted, unframed.Condition: Unmounted, minor wear to corners, minute indentation into image u.l. $1,200-1,800
234.Stuart W. Melvin (American, 20th/21st Century)
Sandia Mountains, New Mexico, 1994, edition of 100. Signed and dated “Stuart W. Melvin ‘94” in pencil on the mount, numbered “8/100” in pencil on the mount, identified and with artist’s stamp on the backing. Gelatin silver print on paper, image/sheet size 15 3/8 x 19 1/2 in. (39.0 x 49.3 cm), framed.Condition: Not examined out of frame. $500-700
234A.Joel Meyerowitz (American, b. 1938)
Vivian’s Things, 1977, printed 1987. Titled, signed, and dated “…Joel Meyerowitz 1987” in ballpoint pen on the reverse. Chromogenic print on Kodak paper, image size 23 1/4 x 18 1/2 in. (59.0 x 47.0 cm), framed.Condition: Unmounted, held to facing mat with masking tape at lower corners and upper edge, subtle handling crease near u.l. corner, fine abrasion to image (from towels to the window shade). $1,800-2,200
126 additional information and photos at www.skinnerinc.com
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233
234A
234B.Duane Michals (American, b. 1932)
The Young Girl’s Dream (in Five Parts), 1969, edition of 25. The first titled, signed, and numbered “…Duane Michals 7/25” in ink beneath the image. Gelatin silver prints, image sizes 3 3/8 x 5 in. (8.4 x 12.6 cm), framed.Condition: Not examined out of frames. $1,200-1,800
127online bidding at www.skinnerinc.com
234B
235
235.Duane Michals (American, b. 1932)
It was the Happiest Moment…, 1976, edition of 25. Titled, signed, and numbered “...Duane Michals 3/25” in ink beneath the image. Gelatin silver print on paper, image size 4 3/4 x 7 in. (12.0 x 17.5 cm), unmatted, unframed.Condition: Unmounted, unobtrusive soiling and unpressed minor creases to margins, annotated in pencil on the reverse. $500-700
128 additional information and photos at www.skinnerinc.com
236
236.Eadweard Muybridge (British, 1830-1904)
Two Images from ANIMAL LOCOMOTION: Plate 307 (Discus Throw) and Plate 536 (Hands Writing), 1887. Both identified within the image. Collotypes on paper, sheet sizes 19 x 24 in. (48.2 x 60.9 cm), unmatted, unframed.Condition: Creases, nicks, and soiling to margins. $1,000-1,500
237.Eadweard Muybridge (British, 1830-1904)
Two Images from ANIMAL LOCOMOTION: Plate 698 (Gazelle) and Plate 750 (Tree Sloth), 1887. Both identified within the images. Collotypes on paper, sheet sizes 19 x 24 in. (48.2 x 60.9 cm), unmatted, unframed.Condition: Creases, nicks, and soiling. $1,000-1,500
129online bidding at www.skinnerinc.com
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130
238.Arnold Newman (American, 1918-2006)
Yasuo Kuniyoshi, 1941, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 7 5/8 x 9 3/4 in. (19.3 x 24.6 cm), framed.Condition: Mount gently bowed, not examined out of frame. $2,000-3,000
239.Arnold Newman (American, 1918-2006)
Max Ernst New York City, 1942, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/4 in. (24.0 x 18.3 cm), framed.Condition: Not examined out of frame.
Provenance: Estate of Charles Rand Penney (1923-2010), Lockport, New York. $2,000-3,000
238
239
240.Arnold Newman (American, 1918-2006)
Alfred Stieglitz, 1944, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 7 5/8 x 9 /8 in. (19.3 x 24.3 cm), framed.Condition: Mount gently bowed, corners slightly disadhered from mount, not examined out of frame. $2,000-3,000
131online bidding at www.skinnerinc.com
240
241.Arnold Newman (American, 1918-2006)
Igor Stravinsky, New York City, 1946, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 6 1/4 x 11 3/4 in. (15.7 x 29.6 cm), framed.Condition: Not examined out of frame. $3,000-5,000
132 additional information and photos at www.skinnerinc.com
241
242.Arnold Newman (American, 1918-2006)
Carl Sandberg, 1959, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 10 x 7 3/4 in. (25.4 x 19.6 cm), framed.Condition: Mount gently bowed, not examined out of frame. $1,800-2,200
243.Arnold Newman (American, 1918-2006)
Alfred Krupp, 1963 Essen Germany, 1963, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 13 5/8 x 9 7/8 in. (34.6 x 25.0 cm), matted, unframed.Condition: Minute abrasions to lower and left edges. $1,800-2,200
133online bidding at www.skinnerinc.com
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242
244.Eliot Porter (American, 1901-1990)
CERTAIN PASSAGES/A Portfolio of Eight Landscapes, published 1989, edition of 300, published by Daniel Wolf Press, Inc., New York. Each signed “Eliot Porter” in pencil (on the mount) l.r., identified and numbered “139” on the colophon page. Dye transfer prints, mount sizes 24 x 20 in. (60.9 x 50.8 cm), presented in the original clamshell box.Condition: Good.
Provenance: Through the family of the artist.
N.B. Porter has a unique place in the history of photography. At twelve years old, his father gave him his first camera, a Kodak Brownie. Porter grew up to study medicine and became a research biologist, but constantly returned to photography and nature walks. An accidental meeting with Ansel Adams spurred his interest in a more serious direction, and when his brother, painter Fairfield Porter, introduced him to Alfred Stieglitz, Porter shifted careers. While he was successful with his black and white work in the 1930s, it was his dye transfer work that was both unique in the 1940s and pioneering. $2,000-3,000
134 additional information and photos at www.skinnerinc.com
244
245.Aaron Siskind (American, 1903-1991)
Badlands 56 (S.D.), 1970. Titled, dated, and signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print on paper, image size 8 x 9 7/8 in. (20.3 x 25.0 cm), unmatted, unframed.Condition: Unmounted, minute wear at corners, rippling and crease to upper edge. $1,000-1,500
246.Aaron Siskind (American, 1903-1991)
Jalapa 31, 1973. Signed “Aaron Siskind” in ink l.r., titled, dated, and signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print on paper, image size 10 x 9 3/4 in. (25.4 x 24.6 cm), unmatted, unframed.Condition: Unmounted, minute wear to corners. $1,000-1,500
135online bidding at www.skinnerinc.com
246
245
247.Aaron Siskind (American, 1903-1991)
Jalapa 63 (Homage to Franz Kline), 1974. Signed “Aaron Siskind” in pen l.r., titled, dated, and inscribed “…(Homage to F.K.)” in pen l.l. Gelatin silver print on paper, sheet size 13 7/8 x 10 7/8 in. (35.2 x 27.6 cm), framed. Condition: Margins over 1/4 inch, subtle rippling. $1,000-1,500
248.Aaron Siskind (American, 1903-1991)
Westport 87, 1988. Titled, dated, and signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print on paper, image size 14 x 14 in. (35.5 x 35.5 cm), unmatted, unframed.Condition: Unmounted. $1,200-1,800
136 additional information and photos at www.skinnerinc.com
247
248
249.Chuck Stewart (American, b. 1927)
John Coltrane, NYC, May 66, printed 1995, edition of 100. Signed “Chuck Stewart” in ink l.r., numbered “8/100” in ink l.l., titled, numbered, signed, and dated in pencil on the reverse. Gelatin silver print on paper, image size 18 1/2 x 15 in. (46.5 x 38.0 cm), unmatted, unframed.Condition: Unmounted, indentation and an unpressed crease to the image near the right edge, gentle cockling. $800-1,200
137online bidding at www.skinnerinc.com
249
250.Jerry Uelsmann (American, b. 1934)
Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink and with the artist’s mailing label on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 3/4 x 12 1/2 in. (24.7 x 31.5 cm), framed.Condition: Good. $1,000-1,500
251.Jerry Uelsmann (American, b. 1934)
Rock-Tree, 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., titled in pencil on the mount l.l. Gelatin silver print on paper, image/sheet size 12 7/8 x 8 3/4 in. (32.5 x 22.0 cm), framed.Condition: Not examined out of frame. $1,000-1,500
138 additional information and photos at www.skinnerinc.com
250
251
252.Jerry Uelsmann (American, b. 1934)
Untitled (Double-spired Stump), 1975. Inscribed, signed, and dated “ORIGINAL PRINT - PLEASE TREAT KINDLY JERRY N. UELSMANN 1975” in ink and with artist’s address label in the right margin. Gelatin silver print on paper, image size 13 1/2 x 9 in. (34.2 x 22.8 cm), framed.Condition: Unmounted, gentle rippling. $1,000-1,500
139online bidding at www.skinnerinc.com
252
253.Cole Weston (American, b. 1919)
Palo Corona Ranch, Carmel, 1962. Signed and dated “Cole Weston 1962” in pencil on the mount l.r. Dye transfer print on paper, image/sheet size 10 3/4 x 13 7/8 in. (27.2 x 35.2 cm), framed.Condition: Possible subtle fading, toning to mat at edge of print, not examined out of frame. $600-800
254.Edward Weston (American, 1886-1958)
Shell, 1927, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 3/8 x 7 1/4 in. (23.7 x 18.3 cm), framed.Condition: Abrasion to upper edge, 1/4 inch scratch to background visible only in raking light. $4,000-6,000
140 additional information and photos at www.skinnerinc.com
253
254
255.Edward Weston (American, 1886-1958)
Pepper, 1930, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/4 x 7 3/8 in. (23.4 x 18.5 cm), framed.Condition: Minor wear to mount corners. $4,000-6,000
256.Edward Weston (American, 1886-1958)
Charis on Dunes/Nude, 1936, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 7 3/8 x 9 1/2 in. (18.5 x 24.0 cm), framed.Condition: Abrasion to right edge of sheet, short rub to image by figure’s right heel. $3,000-5,000
141online bidding at www.skinnerinc.com
256
255
257.Edward Weston (American, 1886-1958)
Charis, Santa Monica/Nude, 1936, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), framed.Condition: Minor wear to image at lower edge and at u.l. corner, subtle toning to mount. $4,000-6,000
142 additional information and photos at www.skinnerinc.com
257
258.Edward Weston (American, 1886-1958)
Civilian Defense, 1942, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 7 3/8 x 9 1/2 in. (18.7 x 24.2 cm), unmatted, unframed.Condition: Extremely subtle silvering-out (visible only in strong raking light). $3,500-5,500
259.Edward Weston (American, 1886-1958)
Two Portraits of Lt. Roswell Drake Ison, 1944. Both initialed and dated “E W 1944” in pencil on the mount, and identified on a label affixed to the reverse. Gelatin silver prints, image/sheet sizes 4 5/8 x 3 5/8 in. (11.5 x 9.0 cm), framed.Condition: Subtle toning, minor staining to mounts, not examined out of frames.
N.B. The lot is accompanied by an undated letter from Weston to Frances Ison, in an envelope postmarked 1949. $2,500-3,500
143online bidding at www.skinnerinc.com
259
258
260.Edward Weston (American, 1886-1958)
Point Lobos, 1946, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed.Condition: Subtle unpressed crease along right edge, staining to edge of mount l.l. $4,000-6,000
END OF SALE
144 additional information and photos at www.skinnerinc.com
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145
All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking. - In our judgment, the work is by the artist.
Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.
School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.
Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.
After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist.
American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.
Other terms:
Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.
Glossary of Terms
146
Artist Index
Adams, Ansel ........................................................................... 210-215Agam, Yaacov ................................................................................. 1, 2Albers, Anni ......................................................................................... 3Albers, Josef ....................................................................................... 4Alechinsky, Pierre ................................................................................. 5Alinari, Fratelli .................................................................................. 216American School, 20th Century ........................................................... 6Appel, Karel ......................................................................................... 7Arms, John Taylor ........................................................................... 8-10
Bacher, Otto Henry ........................................................................... 11Bacon, Peggy .................................................................................... 12Balog, James .................................................................................. 217Barnet, Will .................................................................................. 13, 14Baskin, Leonard ........................................................................... 15-17Basquiat, Jean-Michel ...................................................................... 18Beckmann, Max .............................................................................. 19Behnken, William J. ........................................................................... 20Benson, Frank Weston ................................................................. 21-23Benson, John .................................................................................. 218Benton, Thomas Hart ................................................................... 24-27Berry, Carroll Thayer .......................................................................... 28van Beverloo, Guillaume Cornelis ....................................................... 29Blake, William ................................................................................... 30Blumenfeld, Erwin .......................................................................... 218ABorne, Mortimer ................................................................................ 31Boudin, Eugène Louis ........................................................................ 32Braque, Georges ............................................................................... 33Braque, Georges (After) ..................................................................... 34Buffet, Bernard ............................................................................ 35, 36Burr, George Elbert ....................................................................... 37-40Bush, Jack ...................................................................................... 41
Calder, Alexander ............................................................. 42-47, 49, 51Callahan, Harry ................................................................................ 219Cartier-Bresson, Henri .............................................................. 220-222Cassigneul, Jean-Pierre ................................................................ 52-56Chadwick, Lynn ................................................................................ 57Chagall, Marc ............................................................................. 58-60Chagall, Marc (After) ......................................................................... 61Chillida, Eduardo ............................................................................... 63Christo and Jeanne-Claude ............................................................... 62Clavé, Antoni ............................................................................. 64, 65Climent, Enrique ................................................................................ 66Close, Chuck ..................................................................................... 68Cohn, Max Arthur ........................................................................ 69, 70Cook, Howard Norton ....................................................................... 71Corinth, Lovis ................................................................................... 72Corneille ......................................................................................... 29Cornell, Joseph ................................................................................. 73Cuevas, José Luis ............................................................................. 74
Dehn, Adolf Arthur ............................................................................ 75Delaunay-Terk, Sonia ......................................................................... 76Dufy, Raoul ....................................................................................... 77
Eby, Kerr ......................................................................................... 78Edgerton, Harold Eugene ......................................................... 223-227Eickemeyer, Rudolf ................................................................. 228, 229Eisenstaedt, Alfred ........................................................................... 230
Fairey, Shepard ............................................................................ 79, 80Falilejeff, Vadim Dmitrjewitsch ............................................................ 81Foujita, Léonard Tsuguharu ................................................................ 83
Francis, Sam ..................................................................................... 84Frank, Stephen ............................................................................. 230AFuchs, Erich ...................................................................................... 86Fulwider, Edwin L. ............................................................................. 87Fuss, Adam ................................................................................... 231
Gorman, R.C. .................................................................................... 88Gramatté, Walter ............................................................................... 89Greenberg, Paul A. ......................................................................... 232
Haden, Sir Francis Seymour .............................................................. 90Hadzi, Dmitri .................................................................................... 91Hamaguchi, Yozo .............................................................................. 92Harden, Richard C. ........................................................................... 93Hartung, Hans ................................................................................. 94Hassam, Frederick Childe .................................................................. 95Helleu, Paul César ............................................................................ 98Hockney, David ................................................................................ 99Hundertwasser, Friedensreich .......................................................... 101
Icart, Louis ............................................................................... 102, 103Indiana, Robert ................................................................................ 104
Jacoulet, Paul ................................................................................. 106Jacquette, Yvonne ........................................................................... 105
Kahn, Wolf ..................................................................................... 107Kempshall, Hubert Kim .................................................................... 108Kent, Rockwell ....................................................................... 109, 110Klinger, Max ..................................................................................... 111Koons, Jeff ..................................................................................... 112Krasner, Lee .................................................................................... 113Kupferman, Lawrence ..................................................................... 114
Landacre, Paul ............................................................................... 115Laurencin, Marie (After) .................................................................... 117Le Corbusier ............................................................................ 118, 119LeWitt, Sol .............................................................................. 120, 121Lichtenstein, Roy ...................................................................... 122-125Longo, Robert ............................................................................... 126Lord, Elyse Ashe .............................................................................. 127Lunois, Alexandre ............................................................................ 128Lyon, Danny ................................................................................... 233
Man Ray ................................................................................. 129, 130Marca-Relli, Conrad ......................................................................... 131Marini, Marino ......................................................................... 132, 133Marsh, Reginald .............................................................................. 134Matisse, Henri (After)........................................................................ 135Matta, Roberto ............................................................................... 138Mazur, Michael Burton ............................................................. 136, 137Melvin, Stuart W. ............................................................................. 234Meyerowitz, Joel ............................................................................ 234AMeyerowitz, William ......................................................................... 140Michals, Duane ..................................................................... 234B, 235Miró, Joan ............................................................................... 143-150Mitchell, Joan ................................................................................. 151Moore, Benson Bond ..................................................................... 152Moore, Henry .......................................................................... 153, 154Motherwell, Robert ................................................................. 155, 156Munakata, Shiko .............................................................................. 157Munch, Edvard .............................................................................. 158Muybridge, Eadweard .............................................................. 236, 237
Nevelson, Louise ..................................................................... 159, 160Newman, Arnold ...................................................................... 238-243
Peterdi, Gabor F. ............................................................................. 161Picasso, Pablo ......................................................................... 162-170Porter, Eliot .................................................................................... 244
Reed, Doel .................................................................................... 171van Rijn, Rembrandt .............................................................. 172, 172ARoussel, Ker Xavier .......................................................................... 173
Saito, Kiyoshi .................................................................................. 174Salle, David ..................................................................................... 175Santomaso, Giuseppe ..................................................................... 176Scholder, Fritz .................................................................................. 177Severini, Gino ................................................................................. 178Shapiro, Joel ......................................................................... 179, 180Shokler, Harry ......................................................................... 181, 182Siskind, Aaron ......................................................................... 245-248Soulages, Pierre ...................................................................... 183, 184Stella, Frank .................................................................................. 185Stewart, Chuck ............................................................................... 249Sullivan, David ................................................................................. 186
Ting, Walasse .................................................................................. 84Tooker, George ............................................................................... 187
Uelsmann, Jerry ....................................................................... 250-252
Vasarely, Victor ......................................................................... 190-194Villon, Jacques ................................................................................ 195
Warhol, Andy ........................................................................... 196, 197Warhol, Andy (After) ......................................................................... 198Warner, Everett Longley ................................................................... 199Welliver, Neil ................................................................................... 200Wengenroth, Stow .................................................................... 201-206Weston, Cole ................................................................................... 253Weston, Edward ...................................................................... 254-260Woelke, Wilhelm .............................................................................. 207Wood, Grant ................................................................................... 208
Yuskavage, Lisa ............................................................................... 209
147
148
149
Upcoming Auction
Fine Paintings & SculptureFebruary 1st, 2013 Boston, MA
Consignment Deadline: November 16th, 2012
For more information please contact our American & European Paintings department at 508.970.3206 or email [email protected]
www.skinnerinc.com
Karel Appel (Dutch, 1291-2006), Presque Une Joie, sold for $118,500
Skinner, Inc. - Conditions of Sale
150
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via On-line Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via On-line Auctions will be in an amount up to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised April 17, 2012
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SKINNERAuctioneers and Appraisers of Antiques and Fine Art
63 Park P laza , Bo s t on , MA 02116 Te l : 617 .350 .5400 Fax : 617 .350 .5429274 Cedar Hi l l S t re e t , Mar lborough , MA 01752 Te l : 508 .970 .3000 Fax : 508 .970 .3100
www. sk inner inc . c om
SKINNERAuctioneers and Appraisers of Antiques and Fine Art
63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 274 Cedar Hill Street, Marlborough, MA 01752 Tel: 508.970.3100
SKINNERAuctioneers and Appraisers of Antiques and Fine Art
The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 • 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241
SKINNERAuctioneers and Appraisers of Antiques and Fine Art
The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are
executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Absentee Bid Form
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First Time Bidder? YES NO Customer #
152
SKINNER, INC.Auctioneers andAppraisers of Antiquesand Fine Art
63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429
274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100
www.skinnerinc.com
Board of Directors
Administration
Expert Departments
Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. KeaneAndrew Payne
President/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
20th Century Design - Jane D. PrentissAmerican & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. HaffAmerican Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistant: Karen LangbergAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - Judith DowlingAssistants: Biying Zhang, Karen MakBooks & Manuscripts - Devon GrayBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Cara ElmslieDiscovery Auctions - Cara ElmslieAssistants: Garrett J. Sheahan, Melissa RiebeEuropean Furniture & Decorative Arts - Stuart G. SlavidAssistants: Leah Kingman, Stephanie OpolskiFine Wines - Marie KeepAssistant: Michael J. MoserJewelry - Victoria BratbergAssistants: John Colasacco, Julie KhouriJudaica - Kerry ShrivesMusical Instruments - David BonseyDeputy Director: Jill ArbetterOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant: Jonathan DowlingSilver - Stuart G. SlavidToys & Dolls - Kerry ShrivesAuctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney
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Marlborough: Warehouse Manager - Fred Trottier; 508.970.3261
Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329
Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283 Credit Supervisor - Joe Monteyro, 508.970.3266
Marlborough: Heather Retzke, 508.970.3240
Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley BridgmanAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica TurnerCatalogue Production - Pamela Van de Houten, Kristina HarrisonConsignment Services - Patricia Walker King, Megan J. Blomgren, Carol ZeiglerCustomer Relations - Carol McCaffreyInstitutional Relations - L. Emerson TuttleHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa RiebeManaging Director - Marie C. KeepMarketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather RetzkePhotographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John CorneliusReceptionists - Marlborough: Jessica BedenbaughBoston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric JonesAssistant: Mark McCaffrey
Service Departments
Exhibitions & Property Distribution
Finance Department
Subscriptions
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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
The Back Bay Hotel (formerly Jurys)350 Stuart StreetBoston, MA 02116Tel: 617-532-3800
Beacon Hill Hotel & Bistro25 Charles StreetBoston, MA 02114Tel: 617-723-1133
The Colonnade120 Huntington AvenueBoston, MA 02116Tel: 617-424-7000Fax: 617-424-0968
Eliot Hotel370 Commonwealth Ave. Boston, MA 02215Tel: 617-267-1607
The Park Plaza64 Arlington StreetBoston, MA 02116Tel: 617-457-7488Fax: 617-426-2000
INDOOR PARKING GARAGES
City Place Parking GarageTransportation Building12 Charles StreetLocated at the end of Park PlazaUnderground multi-level garage All day–closes at 2:30amFirst hr/$5, after 2 hrs/$14
AllRight ParkingBoston Common GarageLocated on Charles Street, on the Common, two blocks from Skinner1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10
The Four Seaons Hotel Parking Garage200 Boylston StreetAdjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30
The Taj Hotel Parking Garage2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-upUp to 24 hrs/$42
Back Bay Garage222 Berkeley Street (entrance off St. James)One block from SkinnerAll day/$35, evening (5pm-7am)/$10
Radisson Hotel Parking GarageStuart Street (near intersection of Charles)Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31
Motor Mart Garage26 Park Plaza(Same building as Legal Sea Food)Up to 1 hr/$8, 1 to 2 hrs/$12,2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8
OUTDOOR PARKING LOTS(recommended for trucks)
Pin Stripe ParkingArlington Street617-338-7984All day/$14, after 6pm and weekends/$10, overnight/$15
Billy’s Parking222 Stuart Street617-423-77818am-5pm/$18, after 5pm/$20
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BOSTON HOTELS WITH SKINNER CORPORATE RATES
PARKING
BOSTON HOTELS
Boston Harbor Hotel70 Rowe’s WharfBoston, MA 02110Tel: 800-654-2000Fax: 617-345-6799
Fairmont Copley Plaza138 St. James AvenueBoston, MA 02116Tel: 617-267-5300Fax: 617-375-9648
Four Seasons200 Boylston StreetBoston, MA 02116Tel: 617-351-2036
The Liberty Hotel215 Charles St.Boston, MA 02114617-224-4000
Marriott Copley Place110 Huntington AvenueBoston, MA 02116Tel: 800-228-9290Fax: 617-236-5885
Nine Zero Hotel90 Tremont St.Boston, MA 02108617-772-5800
Radisson Hotel200 Stuart StreetBoston, MA 01740Tel: 617-482-1800 Fax: 617-451-2750
The Ritz-Carlton, Boston Common10 Avery Street Boston, MA 02111Tel: 617-912-3315 Fax: 617-912-3375
Taj Boston15 Arlington St.Boston, MA 02116617-536-5700
Westin-Copley Plaza10 Huntington AvenueBoston, MA 02116Tel: 800-228-3000Fax: 617-424-7483
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RESTAURANTS
FINE DINING
DanteRoyal Sonesta Hotel5 Cambridge Parkway617-806-4200Mediterranean restaurant with great views of the Charles River and Boston skyline.
Davio’s75 Arlington St.617-357-4810Northern Italian steak house.
Grill 23 & Bar161 Berkley Street (Stuart Street)617-542-2255Great steak, seafood, wine list, and service.
L’Espalier774 Boylston St.617-262-3023Fine French dining and wines with a wonderful pre-fixe menu.
No. 9 Park9 Park St.617-742-9991Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill.
Radius85 High St.617-426-1234Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list.
ScampoThe Liberty Hotel215 Charles St.617-536-2100Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.
Troquet 140 Boylston St.617-695-9463French restaurant and wine bar perched at the edge of the Boston Common and the theatre district.
Via Matta79 Park Plaza617-422-0008Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.
MODERATE
Aquitaine569 Tremont Street617-424-8577Parisian bistro style fare.
The Bristol Lounge at Four Seasons Hotel200 Boylston St.617-338-4400Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden.
East Ocean City25-29 Beach St.617-542-2504Outstanding Chinese food restaurant highlighting seafood dishes with a full-service bar.
Lala Rokh on Beacon Hill97 Mt. Vernon Street617-720-5511Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff.
McCormick and Schmick’s Seafood Restaurant36 Columbus Ave617-482-3999Fresh seafood offerings that change daily.
Summer Shack50 Dalton St.617-867-9955Jasper White serves well-executed seaside favorites in a casual Back Bay setting.
INEXPENSIVE
Au Bon Pain26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street)617-338-8948Casual café offers quick service.
Davio’s To Go10 St. James Galleria Atrium617-357-4810Casual Italian take-out lunch spot with daily special pastas, soups, and salads.
Flash’s310 Stuart St.617-574-8888American comfort food served with classic cocktails in a casual setting.
Parish Café361 Boylston St.617-247-4777American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs.
Piattini226 Newbury Street617-536-2020Italian wine bar with an eclectic menu; specializes in Italian-style tapas.
The Upper Crust20 Charles Street617-723-9600Gourmet thin crust pizza.
Name __________________________________________ Business Name
Mailing Address ____________________________________________________
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email address ____________________________________ __________ Tel: ( ) _____________________________
Quarterly Brochure No charge No charge
Included with catalogue subscription
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks $60 $73
Fine Wines $60 $73
All Above Departments $750 $915
subtotal
ma residents 6.25% sales tax
total
PLEASE ENCLOSE PAyMENT WITH SUBSCRIPTION FORM AND MAIL OR FAX TO:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
SKINNER catalogue subscription formPRICES EFFECTIVE JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
MasterCard/VISA # Exp. Date
Signature Check enclosed
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SKINNERAuctioneers and Appraisers of Antiques and Fine Art
SKINNERAuctioneers and Appraisers of Antiques and Fine Art
SKINNERAuctioneers and Appraisersof Antiques and Fine Art
SKINNERJanuary/February 1995 Auction Schedule
SKINNERJanuary/February 1995 Auction Schedule
SKINNERAuctioneers and Appraisersof Antiques and Fine Art