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Page 1: Gary Snyder (1930- )

Gary Snyder (1930- )

Page 2: Gary Snyder (1930- )

Gary Snyder (1930- )

“I try to hold both history and wildness in my mind, that my poems may approa

ch the true measure of things.”

Page 3: Gary Snyder (1930- )

His quest of the balance (between Nature and Culture)

has led him to…• 1. The natural world (Nature

Writing)• 2. The study of mythology • 3. Eastern religions• 4. Oral traditions The most archaic values on

earth.

Page 4: Gary Snyder (1930- )

Snyder’s Poetry

Poetry as recovery and healing. (like the shaman-poet of primitive cultures

From Poetry and the Primitive)

• His poems are acts of cultural criticism, challenges to the dominant values of the contemporary world.

Page 5: Gary Snyder (1930- )

Literary Life

• In 1947, he entered Reed College, where he studied anthropology and was interested in Native American cultures. (published Myth and Texts in 1960s)

• 1950s: San Francisco Renaissance. With Allen Ginsberg

Page 6: Gary Snyder (1930- )

Literary Life II

• Also study classical Chinese at Berkeley and translated some of the Cold Mountains Poems

• Mid 1950s to 1968 lived in Japan: learned Buddhism under Zen masters (poetic vision in The Blue Sky)

Page 7: Gary Snyder (1930- )

• Worked as a timber scaler, a forest fire lookout, a logger

• “My poem follow the rhythms of the physical work I’m doing and the life I’m reading at any given time”

• Riprap (a forester’s term)

Page 8: Gary Snyder (1930- )

• Snyder’s poem often fllow a trail of ascent or descent, as in Stright-Creek—Great Burn (from Turtle Island, 1975)

• Hiking with friends, he experiences the world as dynamic and flowing (running water and “changing clouds”)

• But the journey brings the walker to a still point

Page 9: Gary Snyder (1930- )

• The achievement of stillness in a universe of change is pivotal.

• The mind empties itself, the individual ego is erased, and the local place reveals the universal.

• A Zen-like stillness and also an appealing energy (source: love of wildness and celebration of Eros)

Page 10: Gary Snyder (1930- )

A Walk

• Sunday the only day we don't work:• Mules farting around the meadow,

• Murphy fishing,• The tent flaps in the warm• Early sun: I've eaten breakfast and I'll

• Take a walk • To Benson Lake. Packed a lunch,• Goodbye. Hopping on creekbed boulders• Up the rock throat three miles P

uite Creek --

Page 11: Gary Snyder (1930- )

P2

• In steep gorge glacier-slick rattlesnake country• Jump, land by a pool, trout skitter,The clear sky.

Deer tracks.• Bad place by a falls, boulders big as houses,• Lunch tied to belt,• I stemmed up a crack and almost fell• But rolled out safe on a ledge

and ambled on.

Page 12: Gary Snyder (1930- )

Related Links

• http://virtualguidebooks.com/CentralCalif/Yosemite/NorthernYosemite/BensonBeachMorning.html

• http://some-landscapes.blogspot.com/2006/02/piute-creek.html

• comment

• http://mail.sju.edu.tw/cocomo/

Page 13: Gary Snyder (1930- )

P3

• Quail chicks freeze underfoot, color of stone• Then run cheep! away, hen quail fussing.• Craggy west end of Benson Lake -- after ed

ging Past dark creek pools on a long white slope –

• Lookt down in the ice-black lake

• lined with cliff• From far above: deep shimmering trout.

Page 14: Gary Snyder (1930- )

P4

• A lone duck in a gunsightpass

• steep side hill• Through slide-aspen and talus, to the east end,• Down to grass, wading a wide smooth stream• Into camp. At last. • By the rusty three-year-• Ago left-behind cookstove• Of the old trail crew,• Stoppt and swam and ate my lunch.

Page 15: Gary Snyder (1930- )

Big Tooth Aspen

Page 16: Gary Snyder (1930- )

Aspen 北美齒楊

Page 17: Gary Snyder (1930- )

Aspen Closeup

Page 18: Gary Snyder (1930- )

Piute Creek


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