, I
! J.
I
r,'--_ j
I
,
JIi
nri
.h
1["
I'
11',
I .•
- .. \.
"",I
I(
'i ''It
li,U'i
.j
,.
"GREFN HONEY"r <I !!
"NO nARRIE~ EL!
d,j'\ J~ :'.)i. iL. JrhJ '1I.'th..'.'<tIn: ,-j'!:h,\ '\','1
1<,; <I
;1 '\
11 \\
,JQUITE OPEN fOR BU5INtSS":
i;
\, ",IJ
r .f\'lIk'! (I J ''I'.I
1. ;'\ I i I: il
,d!,\
\I" ~ ,1
,~_ Ih'" f"'L n~\1<.1...., !-U!,.'. l.~r
h, h,·.
"
",',\1'!
"l !)1I d"\' t) ,,(I, !\'~'n-.J ~ )j] ) ,'~t rH 1
, '~{;'.,iil'!7 \ns ~\1 \\' t
I"NOTI I'I "YOU WERE THERE":
'] }'~-I- Hu! \t
A.a. MOVEMENT COLLECTIVE
IIn>· I 11 l'ji
,'k"l,,:h ,. "JO AND JACK; JOAND JOHN WESLEY IN THE SIX fleS": rk"
:'" \\, t " •• _1_ j i !liTHE PENCIL ~t-10V>lH: j !••~ '-.,!.. ~! •...- h t \' b"SPRAY''': !\ \ 1'1' 1 \'.
_ ! _ 1~1 ( ,I i) -\
" I" "'o.~~M~E~STAGE IN '~:CKIE ~oB7~s~N': ;~~'~
\ \ .11'
Th .•. '....! 1
"CRHDS, COlORS, ANDJ-,<,Hil t) ••.~r _~ (f '..-11.11";~! .2 L':
'.'" " "DULL AS ' AM I
THESE INES":
I I"
..•.i ;!" I,
!: \<: ,'! -H,!~
tlZ j j.., !.•• ·1 ""PI
d IJ'.
,1"\\(. ,k cl~, ..., 'i! 'll ,....I
\\ ',' I I ·~...I1 .\l I',~ .2 \ ;(, \ :;.:. _
111 I)' \' .~ \ if ,.I rh:- \lL.;.
LINCOLN CENTER OUT OF DOORS
] 11\' \j,: '(.l ')'in 'I
PILOBOLUS
I
'.,,'
I.
'. )1H
','.,1I
,1'1e I,'11
i'1
11",
) ' •• Vi,
;thc! ·)! ..i',I: l' 11
(i
1111' }!,j '."!1
IT \ 1'-, "rH)',', I.. ;;',il;.:"
'f nh;!1E'i \\\.
~\! ...•• '--,;
! ~\~ " 1
,\ I'11. \~.:- "
"t INETHN
".ir' I I I~iJ , "SUM
i-I
'" ,I..\\ \!h
\11 \ I!!;
h,. ~i ,:
!t',!!- '<I! 1 lIj
\l ,~.(
(\~ J!; d j\ >r1Jt'r,.;.'-:' 11
h
i H~ .• );J(
,." I ..-.i:.-'lT\
-:,,, j1.1\ -',!,1,,\
q(,r-"'J11 '\1"_
r 'LUr 1k '~>!\'--;('J
". "111J:'\lc '\:, ': l,\T,,:'.\ ' ;~('1,\"l. r...1~.L'(, i.h. h,
dJ\ I ~h.'''I.:! 'h.·t
i.. )~, ~ii' \ :'" \i' ... )' Je'
j !\Jh \'H
h ...:1' n
"
1i: 1111h ),~ \\ "21:<...
"" ';. 'Ray LlGH-.:.: \\. ~1 ' I ' --1
"GRASS GROWS BY
, .:;.1..;:'\\ 1" '):. I'" 1)
'" ,.f. i '" "J, 'l·'t. ,] "DANIEL HESiDENCE CU-RATES": \\ 1 ,'11'. \\ ';, i~
I,t_ .t
\1'111(, l (,I' .::1'1
)! '1' 11; ,d). d I H.:l '1; ;"1,,'1,1>- 1- q
\1 'I 'I: \ \\'i Il •• i!1 '11[!"
\\. --/r '-.,; ') )
H:!!'I'_ '- "-'lli!\', j cl (.)
I"! '1'\'-[" j: f1 en J !l1;[ 11' !)'..., ';1; L
IT (:"jl"; ;1'·ii..(r\ ',',h l r.'i
kick '- '\,-i ;111..<
HL lln':'Y"~ :,. ,lh,-,t ,il.:~ \ .••. :(11'1
; 't ;(d,hhtc","" "\\,"RETRATOS DINTADOS'
\ ,t:,!hl ! 'ill_I! li\' I' H h,unw Lrc1 11 1"1 .Ill J .I
r ;[ ....tlidu'J. d- n 'id i1
\U~.I' )~uk'\. \Y'2~"n 21~EfROSTED: A LIFE Of vtALT DISNEY"
r\1Tr~ -" j );']\"1\ ! 1 n11 I i." d\d1!j ( \. t,!)!!,(,I I", ,'" 11i1" ,J(IXS]li \Irt
{il!, (,:\ •.!dlS!LL' ",' J";h •.. dIll...' ~;. (d \11!1!,1 ··{>.h\.!d· ._,. 1 hr\.·'~ !')L," d:-. Iv
n 1\1 •• 'rl \\-iT'~ ,--'~jl,,1";i ! !:i if!;L__P' -~k \' \-\'l'~1t-; 1'1 ~h (! 11 ..
I): q l!:. " I.T! " 'IJ!U ,J [J,"i'
Il1lt':11: I I!.. '{ 1ft. j-.l;!'_
\';! !\, ,. t li t' \1! ~\ c.. ',q 1-! I'
"ru .. ! (;I!<I11,
LONNlt HOLLEY
! It ~') .,\, HI ',h
'T' it til! ,<;
d I~, '·1 h '<: 'f. \ j'
JENNIE C. JONES:\'
"THE MASS ORNAMENT"
\ ! (V'',"> n~ kr:",1! :: h,Ul.i 1L (IVl' Ul iT'.:" -,dui \. j, iIll, \'
\'-", ~.., '-I-, "t '\ -( 'i,1
FAIRElhP rORTr:R: I"",~_1_1.,.~,_-:-.!!i j\,;.., !EIGHTY-FOUR". ' ,
. ~_lhj ,,;,.:: 2. ~ ;IHJ, 1 hr
>.iER PLACE": hr""
- Ti'1'(J'
I cl,
C/~II.FI\IFS-CHFI -SI A
r 1tY lun., "~.",('I' •..it •..• r hi, h'::l1\t'l1ti.\.J tit-.. H-'-!~:-'" -,\-IH p; p\,\ 'nL ! II 1;1q\'i1/·-,~1 "C~ ,1ff'.>' '{':h It (I d: ... ,j '! ""
; 'ib ;1;·<1 ':~/'~lJ~j~::,\::: Ill:!, iJ~ 1,~~:~·t·.'~tt~L1'r:'~;-'U'~!),1 1<'" )n~1 t'h ,~r i'~l·'."
l1! 1)-.:.; '\\..! ~'\1' " <.,-:, \';'( it 1U I
'h" l,j '.~,: l \ !ii'I..."'-V';'" d>.: .. T'1:'1. \ ~) ~ \\! <."t. 2 ) ·,t j
" h, '"
I'" :!!\h~. q,ldu 11',1:1 • )ut
111
"'t .. ~. 2. 9~l}22 LTENSTEIN; I"
111.1'11\'1"
ITSELF": \1.
el iC:"<..:,i;:..., ""'f}
I..':-::"',;.:L:( h, ,'j'.!f'
'r\II1'
housing, they recall theinhabitants of domestic
settings in pichlres byDiane Arbus, Bill Brandt,
Bill Owens, and, especially,\Valker Evans, whose
images of sharecroppers intheir shacks feature similarlymeagre belongings and wallspapered with newspapers,magazine pages, and flyers.Some of Mthethwa's sittersare uncomfortable with
his camera-one pregnantwoman looks especiallywary-but most arewelcoming, leaving us fi'ee
to PlY into their bedroom
or inventory the contentsof their kitchen cupboard.Even when the occupantsare absent, as in a series of
poignantly empty beds,the care that informs each
decorative detail suggests
a quiet, tenacious presence.But it's Mthcthwa's
presence, implicit yet keenlyfelt, that turns what could
have been dry ethnographicdocuments into images nlllof warmth and wit.
-VinceAletti
CI\ITIC'S NOTEBOOK.ON THE INSIDE
\Ve don't know much about
the subjects ofZwelethu
Mthethwa's big calorphotographs at the StudioMuseum except that theyare South Mrican migrantworkers living outsideJohannesburg. Posedinformally in temporal}'
