BACKGROUNDMore cultural heritage resources digi0zed and accessibleontheweb
Ethnomusicologists relymore on the use of the Internetforinforma0onseeking(Liew,etal.,Itoh)
Variousformsandversionsofmanifesta0onsinmusics0lldemands tools to comprehensively meet the needs ofprofessionalstoamateurs
Seman0cwebtechnologiesinterlinkmul0mediaresourcesdispersedontheInternet(Raimond)
OBJECTIVESØ Toclarifytherela0onshipsbetweenworksoftradi0onal
music
Ø To examine proper vocabularies for music resourcediscovery in the context of retrieving cultural heritageresourcesacrossheterogeneousareas
Mari Itoh [email protected]"
METHODS1.Exploredthevocabulariesusedinexis0ngdatabases
2.Examinedtherela0onshipsofworksintradi0onalmusic
Samplesextractedfrom:
v Na0onalDietLibraryDigitalcollec0ons(Japan),whichincludeSPrecordingsandmusicscorespublishedbefore1945
v EMDB, EwhaMusic database (Korea),which is the collec0onof EastAsianmodernmusic
v Gugak Archives (Korea), which maintains a variety of assets including thecourtmusic, danceand folkmusic aswell as the contemporary tradi0onalmusic
3.Appliedtherela0onshipstotheproper0esofexis0ngontologies
ACKNOWLEDGMENTS ThepresenterthanksDr.AllenFosterandDr.PaulineRaffertyfortheiradvice,andalsotheEMDB,GugakArchivesandtheNa0onalDietLibraryfortheuseoftheirdata.ApartofthisresearchwasfundedastheacademicresearchprojectbyAichiShukutokuUniversityin2014.
PROJECTSUSINGSEMANTICWEBTECHNOLOGIES(NOTCOMPREHENSIVE)
REQUIREMENTTOLINKMULTIPLEAREASØ Employ the ex i s0ng onto logy schemas for
interoperability
Ø Considerapplicabilityofvocabularies toheterogeneousgenresofculturalheritageresources
National Diet Library (Japan)
Bibliothèque nationale de France
British Museum
Indiana Univ. V/FRBR
Europeana
Sheet Music Consortium
FURTHERWORKØ Itwillberesolvedbytrea0ngtheconceptofworkflexibly,notrigidlyfollowing
apar0cularconceptualmodelsuchasFRBRØ Exploretherela0onshipsfoundinthisstudywiththeproper0esofexis0ng
ontologiesØ Refinetherela0onshipsbetweenworksintradi0onalmusic
BIBLIOGRAPHYBaca,Murtha;Clarke,Sherman(2007).FRBRandworksofart,architecture,and
materialculture.”UnderstandingFRBR:whatitisandhowitwillaffectourretrievaltools(2007):227-242.(hbps://vrametadataworkshop.files.wordpress.com/2010/04/bacaandclarkeonfrbrforartobjects.pdf)(accessed2016-06-22).
Coyel,Karen(2016).FRBRreview.(hbp://kcoyle.net/frbr/)(accessed2016-06-22).
Itoh,Mari(2016).Preliminarystudyofmusicinforma0onservicesinEastAsiancountriesexaminedfromethnomusicologists’informa0onseekingbehaviors.Bulle0nofGraduateSchoolofCrea0vityandCulture.Vol.3,p.1-17.
Kelly,ElizabethJoan(2015).Linkeddataandmusic:currentprojectsandopportuni0es.TheIndexer.Vol.33,no.1,p.2-7.
Liew,ChernLi;Ng,SiongNgor(2006).BeyondtheNotes:aQualita0vestudyoftheinforma0on-seekingbehaviorofethnomusicologists.TheJournalofAcademicLibrarianship.vol.32,no.1,p.60-68.
Raimond,Yves;Subon,Christopher;Sandler,Mark(2009).Interlinkingmusic-relateddataontheweb.IEEEMul0media.April-June,p.52-63.
Rafferty,Pauline(2015).FRBR,Informa0on,andIntertextuality.LibraryTrends.Vol.63,no.3,p.487-511.
FINDINGSØ Theargumentsabout‘work’(Coyle,Rafferty)alsoaroseintradi0onalmusicExample:“Cho-cho”(Children’ssong)withJapaneselyrics,whichisthoughtto
bebasedonthetuneof“Lightlyrow”(MotherGooserhyme)thatwasbroughtfromGermanfolksong“Hänshcenklein”
TheyallarediscreteworkswithdifferentlyricsindifferentlanguagesaccordingtotheFRBRmodel,althoughstronglyconnectedwitheachotherinhistoricalaspectandmoreresponsibili0esareinvolved
