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Page 1: Quiver (for solo cello) - Raven Chacon

Quiver(forsolocello)RavenChacon(commissionedbyMichelleKesler,2018)PartIIIofsolocelloworksonthetrackingofanimals.approximatetotalduration:8minutesTheapproximatedurationofeachmeasure/systemisindicatedaboveeach.Notedurationvaluescanrangeinpreferencetotheperformer.Theymayfluctuate,butshouldmaintainavaluerelativetodurationofthemeasure.Spacesbetweengesturesequatetoaproportionalsilence.Barlinesmayimplydownbeat.Thebottomstaffisanormalbassclef,5linestaff,indicatingpitchandproportionalduration.Whenmoreinformationisneededregardingatechniqueorgesture,atopstaffisaddedtothemeasureas:-4linestaffrepresentingthecelloandherstrings;thescroll/nutrepresentedbytheverticallinetotheleftedgeandthetailpiecerepresentedbytheverticallinecompletingthestaffontherightedge.-Onmeasures16+17,thisstaffisusedtoindicatethechangesindirection,speed,andangleofthebariolagebowingsoverthedurationalspanofthe5linestaff.-2stafflinesrepresentarangeof100cents.graphicallypresentingamagnificationofmicrotonalpitchactivityoftheindicatednote.SP=SulPontMSP=MoltoSulPontST=SulTastoMST=MoltoSulTastoORD=Ordinary/neutralbowingposition

= ¼ step flat = ¼ step sharp

Lightlytouched

vibrato wide vibrato

Highestpitchpossible(onindicatedstring)

Page 2: Quiver (for solo cello) - Raven Chacon

StutterTremolo–anunmeasured,uneven,jagged,stutteredtremolo,usingasmallsectionofbowlength.Mayrequireatighteningofthemusclesintheforearmandwrist.

Circularbowings–clockwiseorcounter-clockwisebowingpatternsperslurredpassage.Bowpositionandspeedofthecyclemayalsobeindicated.*-Measure1:Bowinaclockwisespiralmotionbeginningatthetip,withintheSulPontrange.Beginthegesturewithtightermotions,expanding/lengtheningthestrokestiptofrog.Frominnerspiralgesturetoouter,shouldtakeapprox.20secMeasure2:Positionadouble-stoponIIandIstrings,wheretheuppernoteis¼flat.Thiscanbeachievedbyslightlyanglingthestop.CreateasimilarartificialharmonicstopaM4above,andundulatetremolobetweenthetwostartingslowandspeedingupbytheendofthemeasure(openstringtonesmaysound).Towardtheendofthemeasure,graduallyslideup1or2steps.Measure3:DepresstheIIIstringabout2or3inchawayfromthebridgesothatIV,III,andIIstringsarelevel.Bowallthreestringsoccasionallywhilequivering/vibratotheIIIstring.Measure4:ORD.Stutterspiccato.withweightedstaccatodrops.Measure5:Silence(yourowntime).Perhapsstareatthefloor.Measure6:WoodMute–freebowMeasure7:Using left hand, pinch the stick of the bow to help guide it, bow extremely slow (with light pressure) so as to produce ‘pops’. After 20 seconds, slightly change degrees of SP, bow angle and twist, and pressure. Entire minute should require only a single bow length. (as if pinching the bow with l.h. and pulling it away with the right hand, only using approx. 2” of bow) Measure8:PlaywithinarangeofE3andF3.Pitchnotatedgraphicallyabove.Measure9:(highestpitchoffthefingerboard)vibrato+lhdepressing+micro-gliss+_varityofbowpressure+SPMeasure10:pre-bend IV string up m3, then slow release to a lightly touched A, Then slide up to C. (as if you are hunting a deer to your right)

Page 3: Quiver (for solo cello) - Raven Chacon

Measure11:Whilestoppingharmonicdouble-stopswiththethumb,bowinacircularmotionasindicated,usingthe1st,2nd,and3rd,fingersofthel.h.todrumontothecenter-to-tipendofthebow.Measure12:BowingIV,III,andII,butliftingIVstringnearG2positionwiththelefthandpointerfinger(hookingitunderneaththestring),sothatallthreestringsarelevelandinline.Bowatthatplace.(as if you are hunting a deer behind you or inside of you) Measure13:OnstringsIIIandII,slowlydepressandun-depressthestringsatthehighestpositionpossiblebeyondthefingerboardwhilebowinginaslightSulPontposition.In4gestures,alternatewhichstringgetsdepressedmore.Thebowingshouldbeshakybutstiff,stuttering.Perhapswithshortbowstrokes.Measure14:Silence(sharedwiththeaudience).Stareintotheaudience.Measure15:SameasMeasure7,butbowingIVandIsimultaneously,underneaththestrings.MoltoST.Bowstickispressingupagainstthebuttendofthefingerboard,bowhairmayevenberidingonthetopofthefingerboard.Measure16:Rapidlytapharmonicquadruple-stops.BowingshouldalternatebetweenangledST–to-SPbowstrokesandSP–to-STbowstrokes,arpeggiatedacrossall4strings.Measure17:sim.Measure18:PlaywithinarangeofDb3andD3.Pitchnotatedgraphicallyabove.

Page 4: Quiver (for solo cello) - Raven Chacon

36"

pp mf mp

mp

14"

25"

mf f

mf

26"

/1

? wIV + III (open)w

within SP range ORD/ord. ≈

trem. slow ?

II + Ifree bow SP trem. fast 2

,, œ 7 /3

? III

IVII ¯¯¯¯ ÍÍÍÍ ¯¯¯

alternate ≥ ≤ Uœ? í ™™ >. >. î™™pp

4

œ œB œb œ

OOB OOnB

œww

œœ

Page 5: Quiver (for solo cello) - Raven Chacon

ff

13"

18"

(pp - p)

60"

30"8

mp

? ∑ (apply wood mute)5

?6

?III

Slowest bowing imaginable≥7

? wOrd.

œ

2

Page 6: Quiver (for solo cello) - Raven Chacon

mf

19"

mp

29"

28"

mf

mf

27"

(remove wood mute) ? I9

≤IV

? F;

≥10

OO» 123//

11

? ≤Slow bow between ST - ORD III + II drum on the bow 1-2-3 1-2 1-2 1-2-3 1-2-3 1-2-3-1-2-3 í ™™ î™™

III + II

ST ? ≥ Y

IV1

12

!

œj

O O

OO OO# OO OO

ww

3

Page 7: Quiver (for solo cello) - Raven Chacon

16"

mp

ff

10"

(p - mp)

50"

œœ 77 /13

? III + II

∏∏∏∏∏∏∏∏

? ∑14

?IV+I

≥15

7

11

œœ

4

Page 8: Quiver (for solo cello) - Raven Chacon

22"

mf

17"

ppp

20"18

p

≤≥

≤16

? ∏∏∏∏∏∏∏∏

3 2 1∏∏∏∏∏ ∏∏∏∏∏ ∏∏∏∏∏

3

≥faster bow speed ≥ ≥ ≥17

? sim.

≤ ≤

≤ ≤

? Molto SP

œœœœ

OOOOOOOO

OOOO

wb

5


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