The Renaissance
The Renaissance
I. Introduction
A. Definition (French-“Rebirth”, Italian-“Rinascimento”)
Rebirth and rediscovery of classical learning and knowledge spanning
14th-17th centuries beginning in Italy; also introduced courtly and papal
patronage to the arts, developments of perspective in painting, and advancements in science
B. 14th-17th Century
The Renaissance
I. Introduction
II. Characteristics of Renaissance
A. Rediscovered Greco-Roman civilization
B. Emphasized reason, ? Attitude
C. Glorified the individual
D. Approved of worldly pleasures
E. Focused on secular matters
F. Achievements in literature, art, science
The Renaissance
I. Introduction
II. Characteristics of Renaissance
III. Renaissance humanism
The Renaissance
I. Introduction
II. Characteristics of Renaissance
III. Renaissance humanism
IV. Italian Renaissance
A. Beginnings
B. Florence - Medici
The Renaissance
IV. Italian Renaissance
A. Beginnings
B. Florence – Medici
1. Cosimo (1434-1464)
2. Lorenzo (1469-1492)
3. Savonarola (1494-1497)
Cosimo de’ Medici
Lorenzo de’ Medici
Savonarola
The Renaissance
Death of SavonarolaMay 23, 1498
The Renaissance
IV. Italian Renaissance
A. Beginnings
B. Florence – Medici
C. Milan – Sforza
Sforza coat-of-arms Francesco Sforza, Duke of Milan (1401-1466)
The Renaissance
IV. Italian Renaissance
C. Milan – Sforza
Galeazzo Sforza, Duke of Milan (1444-1476)
Ludovico Sforza, Duke of Milan (1454-1508)
The Renaissance
IV. Italian Renaissance
A. Beginnings
B. Florence – Medici
C. Milan – Sforza
D. Rome – Papacy
1. Alexander VI (1492-1503) – Borgia
Alexander VI
Cesare Borgia
Lucrezia Borgia
The Renaissance
IV. Italian Renaissance
A. Beginnings
B. Florence – Medici
C. Milan – Sforza
D. Rome – Papacy
1. Alexander VI (1492-1503) – Borgia
2. Julius II (1503-1513) – Rovere
Julius II
The Renaissance
IV. Italian Renaissance
A. Beginnings
B. Florence – Medici
C. Milan – Sforza
D. Rome – Papacy
1. Alexander VI (1492-1503) – Borgia
2. Julius II (1503-1513) – Rovere
3. Leo X (1513-1521) – Medici
Leo X Martin Luther
Hanno
The Renaissance
IV. Italian Renaissance
A. Beginnings
B. Florence – Medici
C. Milan – Sforza
D. Rome – Papacy
E. Venice – merchants
*Doge
Doge’s Palace
The Renaissance
V. Northern Renaissance (after 1500)
*France, Germany, Holland, England
A. Christian humanism
1. Less emphasis on classical
2. Applied Renaissance ideas to religion
3. Modernized Catholic doctrine, practices
The Renaissance
V. Northern Renaissance (after 1500)
*France, Germany, Holland, England
A. Christian humanism
B. Printing press (1456)
1. Johann Gutenberg
2. Movable typeJohann Gutenberg
(1398-1468)
Printing PressMovable Type
The Renaissance
VI. Renaissance achievements
A. Literature
1. Dante (1265-1321) – Italian
*Divine Comedy
2. Petrarch (1304-1374) – Italian
a. Father of humanism
b. Love sonnets
SONNET XII. Although from falsehood I did thee restrain With all my povv'r, and paid thee honour due, Ungrateful tongue ; yet never did accrue Honour from thee, but shame, and fierce disdain : Most art thou cold, when most I want the strain Thy aid should lend while I for pity sue ; And all thy utt'rance is imperfect too, When thou dost speak, and as the dreamer's vain. Ye too, sad tears, throughout each ling'ring night Upon me wait, w hen I alone would stay ; But, needed by my peace, you take your flight : And, all so prompt anguish, and grief t' impart. You sighs, then slow, and broken breathe your way Aly looks alone truly reveal my heart.
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES PETRARCH TRANSLATED ; IN A SELECTION OF HIS SONNETS, AND ODES ACCOMPANIED WITH NOTES, AND THE ORIGINAL ITALIAN; ALSO WITH THE HEAD OF PETRARCH FROM AN ANTIQUE BRONZE; BY THE TRANSLATOR Or CATULLUS.
SONNET XX. Warfare I cannot wage, yet know not peace; I fear, I hope, I burn, I freeze again ; Mount to the skies, then bow to earth my face ; Grasp the whole world, yet nothing I obtain. His pris'ner Love nor frees, nor will detain ; In toils he holds me not, nor will release ; He slays me not, nor 3'ct will he unchain ; Nor joy allows, nor lets my sorrow cease. Sightless I see my fair ; though mute, I mourn ; I scorn existence, and yet court its stay ; Detest myself, and for another burn ; By grief I'm nurtur'd ; and, though tearful, gay ; Death I despise, and life alike I hate : Such, lady, dost thou make my wayward state !
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES PETRARCH TRANSLATED ; IN A SELECTION OF HIS SONNETS, AND ODES ACCOMPANIED WITH NOTES, AND THE ORIGINAL ITALIAN; ALSO WITH THE HEAD OF PETRARCH FROM AN ANTIQUE BRONZE; BY THE TRANSLATOR Or CATULLUS.
The Renaissance
VI. Renaissance achievements
A. Literature
3. Boccaccio (1313?-1375) – Italian
*Decameron
4. Chaucer (1340?-1400) – English
*Canterbury Tales
The Canterbury Tales
The General Prologue(lines 623-633)
Middle EnglishA somonour was ther with us in that place,That hadde a fyr-reed cherubynnes face,For saucefleem he was, with eyen narwe.As hoot he was and lecherous as a sparwe,With scalled browes blake and piled berd.Of his visage children were aferd.Ther nas quyk-silver, lytarge, ne brymstoon,Boras, ceruce, ne oille of tartre noon;Ne oynement that wolde clense and byte,That hym myghte helpen of his whelkes white,Nor of the knobbes sittynge on his chekes.
The Canterbury Tales
The General Prologue(lines 623-633)
Modern English Middle English
• A summoner was with us in that place, Who had a fiery-red, cherubic face, For eczema he had; his eyes were narrow As hot he was, and lecherous, as a sparrow; With black and scabby brows and scanty beard; He had a face that little children feared. There was no mercury, sulphur, or litharge, No borax, ceruse, tartar, could discharge, Nor ointment that could cleanse enough, or bite, To free him of his boils and pimples white, Nor of the bosses resting on his cheeks.
A somonour was ther with us in that place,That hadde a fyr-reed cherubynnes face,For saucefleem he was, with eyen narwe.As hoot he was and lecherous as a sparwe,With scalled browes blake and piled berd.Of his visage children were aferd.Ther nas quyk-silver, lytarge, ne brymstoon,Boras, ceruce, ne oille of tartre noon;Ne oynement that wolde clense and byte,That hym myghte helpen of his whelkes white,Nor of the knobbes sittynge on his chekes.
The Renaissance
VI. Renaissance achievements
A. Literature
5. Erasmus (1466?-1536) – Dutch
*In Praise of Folly
6. Machiavelli (1469-1527) – Italian
*The Prince
The Renaissance
VI. Renaissance achievements
A. Literature
7. More (1478-1535) – English
*Utopia
8. Cervantes (1547-1616) – Spanish
*Don Quixote
The Renaissance
VI. Renaissance achievements
A. Literature
9. Shakespeare (1564-1616) – English
a. Taming of the Shrew (comedy)
b. Julius Caesar (history)
c. Romeo and Juliet (tragedy)
The Renaissance
VI. Renaissance achievements
A. Literature
10. Milton (1608-1674) – English
*Paradise Lost
The Renaissance
VI. Renaissance achievements
A. Literature
B. Science
1. Copernicus (1473-1543) – Polish
*Heliocentric theory
2. Vesalius (1514-1564) – Flemish
*Science of anatomy
The Renaissance
VI. Renaissance achievements
A. Literature
B. Science
3. Bacon (1561-1626) – English
*Scientific method
4. Galileo (1564-1642) – Italian
a. Law of falling bodies
b. Improved the telescope
c. Confirmed Copernicus
The Renaissance
VI. Renaissance achievements
A. Literature
B. Science
5. Kepler (1571-1630) – German
*Elliptical orbit of planets
6. Harvey (1578-1657) – English
*Circulation of the blood
The Renaissance
VI. Renaissance achievements
A. Literature
B. Science
7. Descartes (1596-1650) – French
a. Laws of optics
b. Analytic geometry
8. Boyle (1627-1691) – English
*Law of gases
The Renaissance
VI. Renaissance achievements
A. Literature
B. Science
9. Leeuwenhoek (1632 – 1723) – Dutch
10. Newton (1642-1727) – English
a. Calculus
b. Laws of light, color
c. Laws of motion
d. Law of gravitation
Leeuwenhoek
Newton