07/05/12 Various Tunings For Acoustic Guitar - Consult-Eco
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VARIOUS TUNINGS FOR GUITAR
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Various Tunings For Guitar Including Open and Alternative Tunings
TUNINGS: SoundMidi Files:
USUALNAME:
ALTERNATIVE NAMES &INFORMATION:
T'n'TNo.:
6 5 4 3 2 1
E A D G B E EADGBE StandardTuning
Normal Tuning,Universal Tuning,Old Standard Tuning,OST
001
D A D G B E DADGBE Dropped 'D'Tuning
'D' Tuning,Lowered 'D' Tuning, Low 'D' Tuning,Drop 'D'Open G6 TuningDown D Tuning
002
D G D G B E DGDGBE Dropped 'G'Tuning
Lowered 'G' Tuning,Low 'G' Tuning,Double Dropped 'D' Tuning,Drop 'G', Bastard 'G',Open G6th Tuning,Dropped D-G,Pseudo Russian TuningEnglish TuningEnglish D TuningDropped DG, Drop D
003
D G D G B D DGDGBD Open 'G'Tuning
Slack-Key,Spanish Tuning,Hawaiian Tuning, Sebastopol Tuning,Open G Major Tuning
004
D A D F# A D DADF#AD Open 'D'Tuning
Vestapol Tuning,Sebastopol Tuning,'D' Tuning,Nick Drake (9)Vasserpoo TuningVestibule Tuning
005
C G C G C E CGCGCE Open 'C'Tuning
006
E A C# E A E EAC#EAE Open 'A'Tuning (1)
007
E A E A C# E EAEAC#E Open 'A'Tuning (2)
008
E B E G# B E EBEG#BE Open 'E'Tuning (1)
009
E A E G# B E EAEG#BE Open 'E'Tuning (2)
010
E B E G# C# E EBEG#C#E Open 'E6th'Tuning (1)
C# minor 7th Tuning 011
E B E G# B C# EBEG#BC# Open 'E6th'Tuning (2)
012
E A E A C E EAEACE Open 'Aminor'Tuning (1)
013
E A C E A E EACEAE Open 'Aminor'Tuning (2)
014
D A D F A D DADFAD Open 'Dminor'Tuning
Cross-Note Tuning,D-Cross-Note TuningOpen Dm
015
E B E G B E EBEGBE Open 'Eminor'Tuning
Cross-Note Tuning,E-Cross-Note Tuning
016
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D G D G Bb D DGDGBbD Open 'Gminor'Tuning
G-Cross-Note Tuning 017
D G D G C D DGDGCD G-ModalTuning
Saw-Mill Tuning, Mountain Modal Tuning,Strathspey TuningGsus4 Tuning
018
D A D G A D DADGAD D-ModalTuning
'DADGAD' Tuning 019
E A D F# B E EADF#BE Lute Tuning Vihuela TuningElizabethan Lute TuningNick Drake (5)
020
E A D G B D EADGBD Lowered 1stTuning
Fake GFlip D Tuning
021
E A Db G B E EADbGBE Lowered 4thTuning
022
C G C G A D CGCGAD 'C-D' Tuning Rememberance TuningMichael Hedges Tuning (3)
023
C G D G B E CGDGBE Drop 'CG'C Wahine TuningKeola’s C
024
D A D G A E DADGAE Dropped 'D' (2) 025
E A D E A E EADEAE Open 'E' [modal] 026
C G C G C F CGCGCF Ravi Shankar Tuning 027
D A E G B E DAEGBE 028
D A D A A D DADAAD Raga Tuning 029
C G D G A D CGDGAD Low 'C' Lowered 'C' Tuning,New Jersey TuningFace Tuning
030
C G D G B D CGDGBD Drop C Open 'G' [major] (with C bass),Wahine (1)Ozzie Kotani Tuning
031
D G D G A D DGDGAD 032
D A D G B D DADGBD Nick Drake(8)
Double-drop 'D' Tuning,Double Dropped 'D' TuningDrop D High D
033
D A D E B C# DADEBC# 034
C G C G A C CGCGAC Pastoral TuningC6 no 3rd
035
D A D F# B D DADF#BD Phil Keaggy (1) 036
C G D G Bb D CGDGBbD 037
D A D F# A C DADF#AC 038
D A D F# A C# DADF#AC# Wahine (2)D maj7 TuningSoft Tuning
039
D A D E B D DADEBD 040
D A D E A D DADEAD Pelican TuningHalloween Tuning
041
D G D E A D DGDEAD 042
D G D E B D DGDEBD G6 Tuning 043
D A D G D D DADGDD 044
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D F# D G B E DF#DGBE 045
E G D G B E EGDGBE 046
G G D G B D GGDGBD NickDrake (7)
Open 'G' TuningKeith Richard's Tuning
047
D A D D A D DADDAD Open 'D' (2) Too Many D's
Four & TwentyModal TuningD ModalPapa-Papa
048
D A D E A E DADEAE Overpower Tuning 049
D B D G B F DBDGBF 050
C A B A B E CABABE 051
G D G D B D GDGDBD 052
C G C G B E CGCGBE 053
C G C G C C CGCGCC McDonald Tuning 054
D G D G G D DGDGGD Open 'G' (2) Too Many G's 055
C G C G G C CGCGGC 056
D A D A D D DADADD 057
D A D F# A C# DADF#AC# 058
D F# D G B D DF#DGBD 059
E E B E B E EEBEBE 060
D G D D A D DGDDAD 061
C G D G C D CGDGCD MountainMinor
Shifted DADGAD, Orkney Tuning, Gsus4 with C bass
062
D A D F# A B DADF#AB 063
C# F# C# F# C# F# C#F#C#F#C#F# 064
D A D G G D DADGGD 065
E E E E B E EEEEBE Still's Tuning Too Many E's 066
D A D G C C DADGCC Hedge'sTuning (1)
067
D A E E A A DAEEAA Hedge'sTuning (2)
068
E A D G B E EADGBE Hi-Note
Tuning (See Note 2.Below)
Hi-String Tuning,Nashville Tuning
069
D B G D G D DBGDGD Open 'G'Tuning (2)
070
G B D G B D GBDGBD Open 'G'Tuning (3)
Dobro TuningHigh Bass Tuning
071
G Bb D G Bb D GBbDGBbD Open'Gminor'Tuning (2)
072
G C D G C E GCDGCE 073
G G G G G D GGGGGD 074
E A B E A E EABEAE 075
07/05/12 Various Tunings For Acoustic Guitar - Consult-Eco
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D G G D G A DGGDGA 076
D A D A A E DADAAE 077
C G C D G A CGCDGA A Martin Carthy Tuning 078
D G D G G D DGDGGD 079
C G C G C Eb CGCGCEb C minorTuning
080
B F# B E G# C# BF#BEG#C# Heavy MetalTuning
Drop 'B' Tuning,Dropped 'B' Tuning
081
D D D D D D DDDDDD VelvetUndergroundTuning
The strings are tuned in pairs in unison(i.e. strings 6&5, 4&3, 1&2) Ostrich Tuning
082
E Ab B E Ab B EAbBEAbB Jackie LevenTuning
083
E A D G C F EADGCF StanleyJordanTuning
Tom Noonan Tuning 084
D G C F A D DGCFAD Ben HarperTuning
085
F# A D F# A E F#ADF#AE 086
C G D A E G CGDAEG NewStandardTuning
As used by the:California Guitar Trio.Fripp TuningRobert Fripp TuningNST
087
D A D A D E DADADE RobinWilliamson(1)
RW 1 088
C G C G C D CGCGCD Robin
Williamson(2)
Same as (RW 1) (tuning 088) but
1 whole tone down , RW 2.Modified Orkney TuningOpen C
089
C G C F A D CGCFAD 090
D A D G C D DADGCD D-ModalVersion 1a
ex Trey Buchanan (Ill)Four d'en Haut
091
B E B E B E EEBEBE Nick Drake 1 092
D A C E B E DACEBE Sergio 1 093
C G C F C D CGCFCD Csus4/9 094
A A D G B E AADGBE Dropped 'A'Tuning
Drop 'A' Tuning 095
E A D G C E EADGCE 096
C A D G C E CADGCE 097
C A D G B E CADGBE Dropped 'C'Tuning
098
F G D G C D FGDGCD Eric Schoenberg 01 099
Eb Ab C F C Eb EbAbCFCEb HamadaTakasiRagtimeTuning 1OtarunayTuning
100
C Ab C F C Eb CAbCFCEb HamadaTakasiRagtime
101
07/05/12 Various Tunings For Acoustic Guitar - Consult-Eco
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Tuning 2
E F# B E B E EF#BEBE 102
E B E G A D EBEGAD Peter FingerTuning
103
D G D G A# D DGDGA#D Open 'Gminor'
104
C A D F A D CADFAD CADFAD Open D [minor] (with C bass) 105
E G C G C E EGCGCE Open 'C' (2) 106
E G# C# F# B E EG#C#F#BE Shifted 'E'Tuning
Sinisa Petric Tuning 107
D G D G A E DGDGAE Old Spanish
Tuning
108
E A D F# A E EADF#AE Lute Tuning(2)
109
A D A D A D ADADAD Roger Tallroth Tuning 110
D A D E B E DADEBE. Wizz Jones Tuning 111
B A G D A D BAGDAD A John Renbourn Tuning 112
B A D D A D BADDAD 113
C C# D D# E F CC#DD#EF 114
E B G D A E EBGDAE ReverseStandard
Upside-down TuningUpside-down StandardLefty Tuning
115
B E B E B E BEBEBE Nick Drake(2)
A Nick Drake-ism 116
C G C F C E CGCFCE Nick Drake(3)
Back Country Tuning (2)Open C Alternate
117
B B D G B E BBDGBE Nick Drake(4)
118
E A D E B E EADEBE NickDrake (6)
119
E A D G A E EADGAE Nick Drake(10)
120
A A D E B E AADEBE Nick Drake(11)
121
C G C F G E CGCFGE Nick Drake(12)
122
D A D G D F# DADGDF# NickDrake (13)
123
D A D G D G DADGDG Nick Drake(14)
124
D A D G A G DADGAG 125
G G D G G A GGDGGA Open GAdd 9
126
E A D E E A EADEEA Balalaika Tuning 127
C F C G C D CFCGCD Cittern Tuning (1) 128
C G C G C G CGCGCG Cittern Tuning (2) 129
C G C E A E CGCEAE Charango Tuning 130
C E G A# C D CEGA#CD Overtone Tuning 131
A C D E G A ACDEGA Pentatonic Tuning 132
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A C D E G A ACDEGA Pentatonic Tuning 132
C G D G B C CGDGBC Admiral Tuning 133
C F C G A# F CFCGA#F Buzzard Tuning 134
D A C G C E DACGCE Layover Tuning 135
A B E F# A D ABEF#AD Hot Type Tuning 136
C F C G A E CFCGAE Magic Farmer Tuning 137
D G D F A A# DGDFAA# Processional Tuning 138
D G D F C D DGDFCD Slow Motion Tuning 139
C# A C# G# A E C#AC#G#AE Spirit TuningWill Ackerman Tuning
140
E C D F A D ECDFAD Toulouse Tuning 141
F A# D F C D# FA#DFCD# Simon Fox Tuning (1) 142
E G D G B D EGDGBD 143
F G C G C E FGCGCE Occasionally written as "FGCGB#E" 144
C G C E G C CGCEGC David Crosby TuningOpen C
145
D A D D A F# DADDAF# 146
F# A D F# A D F#ADF#AD Dobro 'D' Tuning 147
B E B E G# B BEBEG#B Low 'E' Tuning 148
C F C F A C CFCFAC Taropatch Albert King TuningTaro Patch TuningSpanish Fandango
149
F C F G# C F FCFG#CF Albert Collins Tuning 150
C# A C# A C# E C#AC#AC#E 151
D G D G B C DGDGBC 152
C G C F G Bb CGCFGBb Sitar Tuning 153
C G D G C F CGDGCF Modal Tuning, Passover Tuning 154
A A C# A A E AAC#AAE 'A' Unison Tuning 155
A E C A C E AECACE 'A' Minor Tuning 156
A A E E E A AAEEEA Drone Tuning 157
B E E G# B E BEEG#BE Octave 'E' Tuning 158
B F# D D F# D BF#DDF#D 'B' Minor Tuning 159
B G B D G B BGBDGB Low 'G' Tuning 160
C G C G Bb Eb CGCGBbEb 'Cm7' Tuning 161
C G D D A E CGDDAE Fifths Tuning 162
C G# C F G# F CG#CFG#F 'Fm' Tuning 163
D G D A B D DGDABD 'Gadd9' Tuning 164
D G D F# G D DGDF#GD 'G' Modal Tuning 165
D A D F# G C DADF#GC Harmonic Tuning 166
D A E F# C D DAEF#CD 'D9' Tuning 167
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D A E F# C D DAEF#CD 'D9' Tuning 167
Eb G C G C D EbGCGCD 'C minor add 9' Tuning 168
Eb G Eb Bb G Eb EbGEbGEb Inverted String 'Eb' Tuning 169
E E E E B B EEEEBB Unison Tuning 170
E A E G A C EAEGAC 'Am7' Tuning 171
E B D G A D EBDGAD Graham Nash (1) Tuning 172
E B E F# G D EBEF#GD 'E minor' Modal Tuning 173
F F C G G D FFCGGD High Fifths Tuning 174
F G C D C D FGCDCD 'F' Modal Tuning 175
C G C G A E CGCGAE C6 Tuning 176
D A D E G C DADEGC C6add9 Tuning 177
D A D A C F DADACF Dm7 Tuning 178
E A E F# C# E EAEF#C#E A6 Tuning 179
D A A E A E DAAEAE Dick GaughanSimon Fox Tuning (2)
180
C G E G C E CGEGCE Eric Lugosch TuningBig Wreck Tuning
181
F A D G B E FADGBE Precious Bryant Tuning 182
D A D F C D DADFCD 1/2 cercle 183
D A C G A D DACGAD McLynn 184
D G D G A C DGDGAC Quebec 185
D G D F Bb C DGDFBbC Memor 186
C G D E A D CGDEAD Contest 187
G C E G C E GCEGCE Peg-Leg Howell C Tuning 188
C E G C E G CEGCEG 189
C E G A C E CEGACE C6th Tuning 190
C# E G A C E C#EGACE C6th/A7th Tuning 191
C D F# A B C CDF#ABC D13th Tuning 192
C# D# F# A C# E C#D#F#AC#E B11th Tuning 193
F# A# C# F# A# F# F#A#C#F#A#F# Mayfield Tuning 194
E A B E B B EABEBB Steve Baughman (1) Tuning 195
B E A D G C BEADGC 6-string bass tuning 196
C A C F A C CACFAC Open F (2) Tuning 197
D G C G C D DGCGCD Rainsong Tuning 198
E B D F# G D EBDF#GD E Minor Modal Tuning 199
B F# B E G# B BF#BEG#B Isis Tuning 200
C F C G A C CFCGAC F Modal Tuning,Back Country Tuning
201
C G C A G E CGCAGE C6 (2) Tuning 202
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C C C G C E CCCGCE C (3) Tuning 203
D G D F# B D DGDF#BD Gmaj7 Tuning 204
D A E F C E DAEFCE William Eaton Tuning 205
D Bb D F Bb D DBbDFBbD Bb Tuning 206
E A E A C# D EAEAC#D A Modal Tuning 207
E B F# G# B E EBF#G#BE Steve Vai Tuning 208
F C D A C F FCDACF F6 Tuning 209
F# C# F# A# C# F# F#C#F#A#C#F# Slash Tuning 210
D A D G A C DADGAC Compact Tuning,'D' Slow Motion Tuning
211
C G C G Bb D CGCGBbD G minor C bass Tuning 212
E A E E B E EAEEBE A Modal Tuning 213
D G C G C E DGCGCE Ragtime Passion Tuning 214
C F Bb Eb G C CFBbEbGC 'C' Standard Tuning 215
D A E A C# E DAEAC#E A/D Tuning 216
E G C G C D EGCGCD Csus4/E Tuning 217
F# B E G B E F#BEGBE Em/F# Tuning 218
F# G D G B D F#GDGBD G/F# Tuning 219
D G D G Bb F DGDGBbF Open Gm7 220
F F C G A C FFCGAC Open F Alternate 221
D C G D G D DCGDGD Dominique Rivière Tuning (1) 222
E B B E A B EBBEAB Frailing Tuning 223
B G D A D G BGDGAD G Modal TuningChatanooga Tuning
224
C F C G G C CFCGGC Modal Master Tuning(the second string (a G) is tuned slightly sharp to create a chorusing effect)
225
D G D A Bb F DGDABbF Modal G Minor Tuning 226
E A E G# A C# EAEG#AC# Alternate A Major 7th Tuning 227
F Bb D G Bb D FBbDGBbD Bb/G Minor Tuning 228
E A D F# A D EADF#AD Open D9th Sweet Jivin Mama Tuning 229
E A B E B C# EABEBC# . 230
E A C# G B D EAC#GBD A11 Tuning 231
D A D A B C DADABC Graham Nash 2 232
C Bb D G A E CBbDGAE C13 Tuning 233
B E A E G# C# BEAEG#C# 1/2 Bent 1 Step-Up 234
F# F# C# G# A E F#F#C#G#AE F#m7 Tuning The second F# (5th string) is tuned slightly sharp to obtain a slight chorusing effect 235
B E A G B E BEAGBE 7/6 Tuning 236
B F# C# F# B D BF#C#F#BD Condemned Tuning 237
C G C G Ab Eb CGCGAbEb Spooky Tuning 238
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CGCGAbEb
D A C# F A C# DAC#FAC# Kryptonic Tuning 239
E G C A C E EGCACE C6 Tuning 240
Eb Bb F Bb C C# EbBbFBbCC# Ambient Tuning 241
E A C# F# B E EAC#F#BE 242
E A B G B E EABGBE Josh Tuning 243
E A B G B D EABGBD Josh Alternative 244
E A D G A D EADGAD McLachlan TuningMichael Hedges Tuning (5)
245
E A C E A C EACEAC Accord Nouveau Alternative 246
E A D F A C EADFAC Flat Tuning 247
E A D G Bb F EADGBbF Swallow Tuning 248
E F# B E A D EF#BEAD Turkish Oud Alternative 249
E A B F# B D EABF#BD Josh Alternative 250
E G# Eb G# B C EG#EbG#BC Melt Banana Tuning 251
E A D G B C# EADGBC# We Never Change 252
E A D F# A Eb EADF#AEb Sharp Tuning 253
E A D G# B E EADG#BE Soft As Snow 254
E A D G Bb Eb EADGBbEb Off Your Face 255
D A D F C E DADFCE Nick Drake Tuning (15) 256
D Eb F A Bb D DEbFABbD Koto Tuning 257
D E G A B D DEGABD Koto Alternative 258
D A D E A C# DADEAC# 259
D A C F A D DACFAD 260
D A C# E A E DAC#EAE 261
D A E B A E DAEBAE Armenian Oud Tuning 262
D A E B F# C# DAEBF#C# Armenian Oud Alternative 263
D G A D G C DGADGC Egyptian Oud Tuning 264
D A C E A D DACEAD Kora Reverse 265
D A E A C# D DAEAC#D Ambient-type 266
D A D A B D DADABD Stephen Malkmus Tuning 267
D A B E A B DABEAB Portugese Guitarra (1) 268
D A B E A D DABEAD Portugese Guitarra (2) 269
D G C# F# B E DGC#F#BE Laud Alternative 270
D Bb C F A D DBbCFAD Cuba Tuning Cibao Alternative
271
D G C E A D DGCEAD New Lute Tuning 272
D A C G C F DACGCF Winter Funk Dm11 Tuning
273
D A A F# A E DAAF#AE Big Tuning 274
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D A A F# A E DAAF#AE Big Tuning Dadd9 Tuning
274
D A D E C D DADECD Blue Vertigo 275
D F B G D E DFBGDE Virch 276
D A D C# A C# DADC#AC# 277
D A C# E B C# DAC#EBC# Peppino D'Agostino Tuning 278
C G C F C F CGCFCF Nick Drake Tuning (16) 279
C G E G A E CGEGAE 280
C A C G C E CACGCE Goo Goo Dolls Tuning 281
C G D F C E CGDFCE Joni Mitchell (2) 282
C G C G B C CGCGBC Beau Tuning 283
C G Eb G C E CGEbGCE Cheb Minor 284
C F C F A F CFCFAF Bron Y Aur Stomp 285
C G D G B B CGDGBB Pavement 286
C A D G A D CADGAD C6/9no3rd Tuning'CADGAD' Tuning
287
C G D A A C CGDAAC Zither Melody Tuning 288
C E B E B C CEBEBC Oddity 289
C G C Eb B C CGCEbBC Luna 290
C A C G G# C CACGG#C Thurston Jag Alternative 291
F A D A D E FADADE Swervedriver 292
F A C G C C FACGCC 293
F A Eb G C E FAEbGCE F9 Tuning 294
F Bb D F G# C FBbDFG#C 295
F A D D G D FADDGD The Edge 296
F Bb C F A D FBbCFAD Keola Beamer 297
F C D G C F FCDGCF Iraqi Oud Alternative 298
F A D G C F FADGCF Mid-Eastern Oud 299
F G C F A D FGCFAD Argentinian Tiple 300
F A C G C E FACGCE Poetic TuningFmaj9 Tuning
301
D Bb D G A D DBbDGAD Michael Hedges Tuning (4) 302
C# E G Bb C D C#EGBbCD Leavitt 303
B D E G# B E BDEG#BE E7th 304
A C# E A C# E AC#EAC#E Old-time Hawaaian 305
G G C G C E GGCGCE 306
B F# B B F# B BF#BBF#B Joni Mitchell (1) 307
A A D G A D AADGAD Ani DeFranco (1) 308
E E B A B D EEBABD Ani DeFranco (2) 309
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O nline Guitar Tuner
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NOTES ON VARIOUS TUNINGS
1. The most commonly used tunings are the first three in the list, Standard Tuning, Dropped 'D' Tuning (or Low D Tuning) and Dropped 'G' Tuning
(occasionally called Double Dropped D Tuning). Following this the major 'favourites' seem to be Open 'G' Tuning, Open 'D' Tuning, Open 'C' Tuning andDADGAD Tuning. Some players use only one of the others and do not experiment any further. Some players, notably Classical guitar players, stick solely
with Standard Tuning. However, by far the majority of players use a small few for most of their playing and occasionally experiment with something a little
more outlandish. The main point is to try a couple; see if you can get along with them and if they can enhance your music; most of all have FUN with them.
2. Hi-Note or Hi-String Tuning: - (also known as Nashville Tuning) uses the notes EADGBE which looks as though it is the same as Standard Tuning. Do
not be fooled, it is not the same! The reason is that the bass strings are removed from the guitar and are replaced with another set of treble strings which are
then tuned to the relative notes. Consequently a much higher sound is produced which has a greater tendency to cut through when other instruments are being
played as part of a band. Be careful however, as not all finger-picked tunes which sound well on a normally strung guitar will sound well with this string
arrangement; some do and some don't - you'll have to try them and make the decision yourself. The tuning is most often used in 'Country & Western' musicbut it does have other possibilities, which need investigating, for both solo/instrumental work and also for providing a contrasting backing accompaniment for
a low pitched singing voice. This restringing of a guitar and replacing one or more bass strings with higher, thinner treble strings is called re-entrant stringing
and nearly all of the tunings in the above table can be applied when they will be called re-entrant tunings as the bass strings will now be higher than some of
the mid/treble strings.
Nashville tuning is a little more involved than just tuning your guitar differently. It's also known as high-stringing a guitar because different strings need to be
used. It creates a 12 string effect on a 6 string guitar. The simplest way to explain it is, you use the high octave strings of a 12 string set of strings on a six-
string guitar. The first two strings of your instrument (high E and B) remain unchanged, and the lower four strings (G through low E) are tuned an octave
above standard tuning. It is possible to buy ready-made string sets for Nashville tuning but they may be hard to find. You can use a 12-string set ( just use the
octave or thin strings) but that's kind of expensive. The best way for you may be to buy the strings individually from your local music store's single-string bin.
The gauges for a medium set would be .012, .016, .010, .014, .020, .030 high to low.
A light set would be .010, .014, .009, .012, .018, .027 high to low.
All strings are unwound except for the low E which is wound.
3. The most accurate method of tuning available today (2001) is via one of the portable battery operated tuning machines distributed by companies such as
Boss, Sony, Yamaha, etc. All of the better models have a jack-socket input so that they can be placed between the guitar and the amplifier for electric and
electro-acoustic guitars. This has made tuning on stage very simple and direct and is not troubled by sounds from other instruments in the band or from
people in the audience. A new idea has recently appeared for those with purely acoustic (i.e. un-amplified guitars) and this is a small clip-on microphonewhich clips to the edge of the sound-hole of the guitar, or even to the headstock, and then plugs into the jack-socket of the tuner. Again, this is said to allow
an acoustic guitar to be tuned accurately even while other people are playing and/or singing - this is a definite advantage as trying to tune a guitar by ear in a
room full of people playing is something I find impossible - I normally have to go and tune in the loo. Some people find they can tune by ear in a noisy
environment by placing the ear against the side of the guitar, not for me I'm afraid. Give me a decent tuner any day of the week!
A newer form of an electronic tuner (as at 2008) is the 'vibration' or 'headstock' tuner. This clips to the headstock of your instrument and instead of having a
microphone it picks up the vibration of the string through the neck and headstock of your guitar. They seem to work well, are relatively cheap (£20.00) and
have the advantage of working in noisy environments. They also light the note display area making them excellent for on stage tuning. A good example is the
Intelli IMT-900 Clip-on Chromatic Tuner. Crafter also produce a decent one at £14 - the TG-200H. Both the IMT-900 and the TG-200H are Chromatic
Tuners.
A tuner will most definitely simplify changing to some of these altered tunings, particularly when you are under pressure in a performance either on stage or
even in front of your friends and relatives. At all these times you will often find that your 'ear' goes and you cannot even decide whether the note you need is
higher or lower than the note you are starting with. The machine does not get nervous and will give you the correct answer every time no matter what the
pressures. There is no great 'macho-ness' involved in being able to tune by ear. In fact even the best of the people who do so are usually still slightly out when
they have finished and are rarely in 'concert pitch' - (the standard for tuning for all orchestral instruments (A=440Hz)). Surely the most important thing, as faras your audience is concerned, is that your instrument is in tune - no matter how good a picker you become you will still sound dreadful if your instrument is
not in tune. This becomes even more important if you want to play along with other people; then you must all be in tune together. Invest in a machine; it is well
worth it!
4. If you know of any other tunings please do e-mail me and let me know about them. I can then add them to the list above. E-mail me at:
5. See also, the Wikipedia article on guitar tunings over at: en.wikipedia.org/wiki/List_of_guitar_tunings
07/05/12 Various Tunings For Acoustic Guitar - Consult-Eco
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6. Open Tunings - are those tunings where the strings on the guitar are specifically tuned to notes which when played unfretted will produce a recognisable
chord (e.g. Open 'G' produces a chord of 'G' (now there is a surprise) when it is strummed without any strings being fretted; likewise Open 'D' produces a
chord of 'D' and Open 'A' produces a chord of 'A').
7. Altered Tunings (occasionally called Amended Tunings or Extended Tunings, or even Enhanced Tunings) - are those tunings where the strings are tuned
to notes other than those in Standard Tuning (EADGBE - 6th to 1st string (thickest to thinnest)) but which do NOT play a chord when they are strummed
unfretted (e.g DADGAD).
Many thanks. Hope you enjoyed dropping in. Cheers, take care and keep on pluckin'.
Chord Shapes for Stringed Instruments
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