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PPRO CH TO R CTISING TÓ IOL
ON RTO
Sebastian ee
PRELIMINARY VERSION
Degree Project, Master of Fine Arts in Music,
Symphonic Orchestra Performance
Spring Semester 2013
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Degree Project, 30 higher education credits
Master of Fine Arts in Music, Symphonic Orchestra Performance
Academy of Music and Drama, University of Gothenburg
Spring
Semester 2013
Author: Sebastian Lee
Title: An Approach to Practising Bartok’s Viola Concerto
Supervisor: Joel Speerstra
Examiner: Einar Nielsen
ABSTRACT
A master’s project on the process of practice that went towards learning the Viola
Concerto by Bèla Bartók, with a progressive breakdown of the work and a specific
look at the technical difficulties that needed to be overcome in each section, how and
why they were tackled in specific ways and what the positive result was that arose.
The reflection on the learning process includes references to the tuition by violist
Rivka Golani and pianist Michael Hampton, and the documented practice methods
of the violist William Primrose.
Key Words:
Bèla Bartók. Viola Concerto, practice, shifting, intonation, rhythms, accents,
structure, double-stops, open strings, arpeggiated figures, melody, harmony, bwoing,string-crossing, triplet, sequencing, chromaticism, articulation, vibrato, Rivka Golani,
Michael Hampton.
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