Post on 09-Sep-2018
transcript
PRODUCTION NOTES
For additional publicity materials and artwork, please visit:
http://lionsgatepublicity.com/theatrical/blackbutterfly/
Rating: R for language Run time: 93 minutes
U.S. Release Date: May 26, 2017
For more information, please contact:
Liz Berger Lionsgate
2700 Colorado Avenue Santa Monica, CA 90404
P: 310-255-3092
E: lberger@lionsgate.com
SYNOPSIS
The worst scares come from chance meetings, and the best stories are worth killing for, as a desperate
writer and a young drifter find out in the dramatic thriller BLACK BUTTERFLY. Outside a mountain town
grappling with a series of murderous abductions, Paul (Antonio Banderas) restlessly stalks his remote
cabin property, trying to start work on a career-saving screenplay. After a tense encounter at a diner with
a hitchhiker named Jack (Jonathan Rhys Meyers), Paul offers Jack a place to stay – and soon the tough,
edgy, demanding Jack muscles his way into Paul’s work. As a storm cuts off power to the isolated cabin,
the two men enter into a jagged game of one-upmanship that will bring at least one tale to an end.
Antonio Banderas (Desperado, Haywire, The Skin I Live In), Jonathan Rhys Meyers (Match Point, Mission:
Impossible III, The Tudors) and Piper Perabo (The Prestige, Looper) star in this riveting adaptation of the
acclaimed French thriller, Papillon Noir. Directed by Brian Goodman and written for the screen by Justin
Stanley & Marc Frydman, BLACK BUTTERFLY will be in theaters and on May 26.
ABOUT THE PRODUCTION
“You would kill me without a second thought. I like that.”
There’s a part of all of us that wants to help each other, give directions to lost travelers, or commit
random acts of kindness. But there’s another, more primal side that thrives on suspicion, antagonism,
and brutality. It flutters on the edges of our psyches, emerging with a vengeance when the right
combination of events unfolds. For Paul Lopez, those events occur at a critical juncture of his life. A writer
living in a rural pocket of Colorado, Paul is several decades into a career but a long way from his last
success. Now, he’s having trouble starting a screenplay. Drinking alone day and night, sobering up
enough to go hunting, he has minimal contact with people besides the pretty realtor Laura (Piper Perabo)
who’s preparing to sell Paul’s rustic home.
But Paul’s not the only loner in his area. There’s a serial killer on the loose who has abducted four women
– including, it’s believed, Paul’s missing wife. After a dangerous run-in with a truck driver on a winding
highway, Paul stops at a diner to discuss the house sale with Laura. But when the truck driver shows up
spoiling for a fight, a drifter, Jack (Jonathan Rhys Meyers), steps into the situation and stops it. To show
his appreciation, Paul offers him a ride. After striking up a conversation, Paul lets Jack stay in his guest
house, doing odd jobs around the grounds.
Yet as Jack begins to offer ideas and motivations for Paul’s screenplay, their dynamic changes, and Paul
sees a different side to Jack. Questions start to emerge: What was this vagabond doing in the diner at
that moment? Where is the prison Jack did time in? What do all of his cryptic butterfly tattoos mean? And
what does he know about all the local women who’ve gone missing?
As Paul and Jack face off, truth and anger come to the surface. Ferocity kicks in, tensions rise. When
Laura arrives at the cabin, the violence and deceptions increase. As a storm rages outside, the mystery
deepens. Is everyone really who they say they are? Is the conflict headed toward a dead-end? And who
is trapped with their hands tied behind a chair, trying to find a way out?
TAKING FLIGHT:
THE MAKING OF BLACK BUTTERFLY
“I just wanted to show you something real. Sorry for the scare.”
BLACK BUTTERFLY began its life as a French thriller from 2008. The acclaimed drama, directed by
Christian Faure and starring Eric Cantona (formerly a star of England’s Manchester United team),
Stéphane Freiss and Hélène de Fougerolles, was praised for having an “effective scenario [that] puts
nerves to the test, with Eric Cantona and Stéphane Freiss offering a masterful duel.” The set-up was ripe
to get an English-language adaptation, with cinematic themes that draw from classic noir, psychological
dramas, serial killer crimes, who’s-conning-who thrillers, and a face-off anchoring a three-character
triangle that hides even more sides.
It was director Brian Goodman’s job to visually realize the script by Justin Stanley and Marc Frydman.
Goodman – a veteran TV (Revenge, Rizzoli & Isles, Aquarius) and film actor who’s appeared in films by
Steven Spielberg (Catch Me If You Can, Munich) as well as Annapolis, The Fast and the Furious: Tokyo
Drift, and Mark Ruffalo’s directorial debut Sympathy for Delicious – cut his teeth on dramatic thrillers with
his first turn behind the camera, What Doesn’t Kill You, costarring Ethan Hawke, Ruffalo, Amanda Peet,
and Donnie Wahlberg.
“This is a film where emotions cascade as the story unfolds with twists and turns that create unrelenting
drama and thrills,” says producer Andrea Iervolino. Adds producer Silvio Muraglia, “BLACK BUTTERFLY is
a rollercoaster ride of suspense, twists, and turns that relies on superb writing, sophisticated acting, and
character work. We couldn’t have been happier to put this film in the hands of Brian, whose vision and
passion for this project is tremendously inspiring.”
To play the two forces of nature at the center of the story, the filmmakers chose a pair of actors whose
collective body of work have thrilled, excited, and seduced filmgoers in both blockbusters and indie films,
in Oscar®-nominated dramas and in edge-of-your-seat actioners: Antonio Banderas and Jonathan Rhys
Meyers.
“We are thrilled to be producing a film with such amazing talent on both sides of the camera,” Muraglia
says. “Antonio and Jonathan are each a powerful force on screen, and they have roles here that will tap
into his amazing versatility as an actor.” Adds Iervolino, “Antonio’s intensity and versatility, and
Jonathan’s depth and range, are the key to bring this film to life.”
Banderas became a star in the 1980s in his native Spain starring in director Pedro Almodóvar’s Labyrinth
of Passion, Matador, and Law of Desire. He came to worldwide attention after starring in Almodóvar’s
Women on the Verge of a Nervous Breakdown and the filmmaker’s buzz-making (and controversial)
international hit Tie Me Up! Tie Me Down!, playing an obsessed psychiatric patient who kidnaps an adult-
film actress to make her fall in love with him. As he became a major Hollywood talent, Banderas starred
in The Mambo Kings, Philadelphia, Interview with the Vampire, Assassins, Evita, The Mask of Zorro, and
Femme Fatale, among many others. He collaborated with acclaimed filmmakers including Robert
Rodriguez (Desperado, Once Upon a Time in Mexico, the Spy Kids movies), Steven Soderbergh
(Haywire), Woody Allen (You Will Meet a Tall Dark Stranger), and Terence Malick (Knight of Cups).
Banderas also voiced the swashbuckling feline Puss in the Shrek and Puss in Boots animated adventures,
reunited with Almodóvar for the scintillating psychosexual thriller The Skin I Live In, and headlined the
true-life drama The 33, about Chilean miners trapped for 69 days in 2010.
“To me, acting means visiting many different genres and very different characters,” Banderas told The
Associated Press in an interview as he made BLACK BUTTERFLY. “I really like the possibility of change
and since I came to the United States I have virtually tried it all…. This is my way of understanding this
profession.”
“BLACK BUTTERFLY is very special,” Banderas said in another interview during the making of the film. “I
like being part of movies that tell good stories.”
Says Iervolino, “To pull this role off, you need an actor with real gravitas and proven connectivity with
audiences. We’re fortunate to have Antonio step into this incredible role and do what he does best —
own a role and deliver an amazing performance.”
Starring opposite Banderas is the incomparable Jonathan Rhys Meyers, who came to acting from a
different direction and a different time, but connects with Banderas in variety and scope. The Dublin-born
actor caught audiences’ attention by assassinating Liam Neeson’s Irish leader in Michael Collins, then
appearing as a 1970s Brit glam rocker in Todd Haynes’ Velvet Goldmine and a young British football
coach in Bend it Like Beckham. He gave gripping performances for directors Ang Lee (Ride With the
Devil), Mira Nair (Vanity Fair), and Oliver Stone (Alexander), then lit up Woody Allen’s Oscar®-nominated
Match Point opposite Scarlett Johansson. Rhys Meyers followed that up with action-packed hits including
Mission: Impossible II and From Paris With Love before holding court as King Henry VIII on Showtime’s
The Tudors. He costarred in the Oscar®-nominated Albert Nobbs and returned to rock ’n’ roll with a
portrayal of The Clash’s Joe Strummer in London Town, and gave major TV turns in Roots, Vikings, and
starring as the original bloodsucking villain, Dracula.
“I often play the bad guy, I think, because I look like one,” Rhys Meyers told Parade magazine with a hint
of winking self-amusement. “People have sort of put me into that thing. It’s not something I would have
chosen for myself. Some people say it has something to do with me being a very intense character
onscreen, and that’s usually the bad guy. There’s something in my physicality that lends to it.”
Yet that doesn’t mean the actor has ever shied away from more intense roles. “I have a lot of fear in my
life – I live in the world of fear,” Rhys Meyers from the Cannes red carpet last year. “But I’ve never been
afraid of any role I’ve taken on.”
MULTIPLE DESIGNS:
THEMES AND ECHOES IN BLACK BUTTERFLY
“I thought a writer would appreciate being cut off from the world.”
In addition to being a visceral face-off between characters pushing each other to the limit, BLACK
BUTTERFLY joins a long list of movies that burrow into deeper areas of drama.
First and most prominently is the tradition of “doubling.” Famously utilized by director Alfred Hitchcock in
a number of films including Shadow of a Doubt, Rear Window, The Wrong Man, Vertigo, Psycho, and
Frenzy, the narrative notion of the Illuminating Other can serve many purposes: to heighten antagonism
(as in Sleuth and The Double); to depict a psyche divided against itself (as in Dead Ringers and Enemy);
to make two characters become, in essence, the same (as in Persona, Sisters, and Single White Female);
and to bring out a hidden side to a protagonist (as in Something Wild, The Double Life of Veronique, Lost
Highway, Mulholland Drive, and Black Swan), among many other motifs.
In BLACK BUTTERFLY, Paul – who at one point early on states to Laura that his name is really Pablo, “but
Paul is fine” – and Jack may not necessarily represent alternate sides of each other, but they certainly
trigger things in each other. While working to help Paul overcome his writer’s block, Jack is a window to
the world Paul wasn’t expecting. Whether the truth is going out or coming in that window, however, is
part of the film’s mystery.
Another part of the mystery is the rare Lepidoptera image that gives the film its memorable title. A black
butterfly is the tattoo Jack has on his shoulders, a keepsake, he says, of his days behind bars. It
represents freedom to him. (“Ironic, isn’t it?” Jacks asks ruefully.) The butterfly that he identifies with –
the one, because of its position on his body, will forever be shadowing him – could also be a symbol of
what Paul is or isn’t seeking. He certainly wants freedom from his writer’s block. But is it going to wind up
representing a freedom he doesn’t have, the way it was for Jack? And the fact that it’s colorless – stark,
silhouetted, noir – could predict doom.
The cultural and literary depictions of butterflies are evocative and full of meaning. According to Diderot's
Encyclopédie, the mid-18th century encyclopedia that annotates the Age of Enlightenment, butterflies
symbolize the soul. Some native cultures use butterflies to represent rebirth, while in the Philippines, a
black butterfly in the house precedes a death in the family.
Alternately, butterflies often represent freedom, especially at the movies: Think of the tattoo on the chest
of the Devil’s Island inmate played by Steve McQueen as the real-life author Henri Charrière in the action
drama Papillon. But they can also remind us of cages that create a yearning for escape, like the mental
(and literal) one a serial killer with a butterfly fetish resides in in The Silence of the Lambs, or the locked
room in The Collector, where a disturbed butterfly collector (Terence Stamp) keeps his new beauty, a
kidnapped local girl (Samantha Eggar). And then there’s the haunting poetry of the butterfly’s brief life,
and humanity’s interaction with it: Fans of Ray Bradbury’s 1952 short story A Sound of Thunder recall all
too well what happens when a time traveler accidentally steps on a butterfly.
The rich, wide-ranging symbolism of BLACK BUTTERFLY could cut many ways, including in the most
literal: According to Nature, the weekly journal of science, insects can use trickery to make their wings
look darker.
As for the darkness around us, few locales seem ready-made for thrillers than the far-flung,
underpopulated landscapes of rural America. Though BLACK BUTTERFLY was filmed in 2016 near
Subiaco, Lazio, Italy, outside of Rome, its setting is the mountain towns of Colorado – and, more
generally, an unreachable outpost in today’s ultra-connected world. Paul’s overgrown foliage represent an
unkempt life made messier by the writer’s block that has driven him to drink.
It’s the type of setting familiar from thrillers like Straw Dogs, Blue Velvet and Fargo, as well as River’s
Edge, Red Rock West, A Simple Plan, and A History of Violence, to name a few. In BLACK BUTTERFLY,
Goodman presents many markers of the lonely American West – truck-stop diners, remote cabins,
winding highways, rural overgrowth. This is a picturesque setting where even wide-open spaces contain
places to hide. In the second half of BLACK BUTTERFLY, Paul’s cabin loses Internet and phone service
due to a storm that descends on the area. It’s another turn of the screw for a story that holds its grip on
audiences until the final twist.
Of course, in thrillers, writers often face dangers far more deadly than just a little creative block.
In Rob Reiner’s film of Stephen King’s Misery, a novelist (James Caan) falls prey to an obsessed fan
(Kathy Bates). In Deathtrap, a playwright (Michael Caine) finds himself involved in a diabolical triangle
with a student (Christopher Reeve) and the playwright’s hysterical wife (Dyan Cannon). In Swimming
Pool, a mystery writer (Charlotte Rampling) finds herself diving into a psychosexual pas de deux with a
young woman (Ludivine Sagnier). And, of course, in Stanley Kubrick’s film of Stephen King’s The Shining,
a writer (Jack Nicholson) caretaking an empty hotel starts to get a little…violent.
In BLACK BUTTERFLY, Paul is hoping to recapture elusive fame with a screenplay. But it’s a hurdle Paul
can’t leap until Jack enters the picture – yet what kind of conclusion are they facing?
“This is all going to end the way I want.”
The stage is set, the pieces are in place: One man is trying to break through the walls of creativity.
Another, to break the perception of his past. A woman doesn’t know what lies beneath the surface. A
town in the middle of nowhere hides secrets no one wants to discover. As the tense, exciting BLACK
BUTTERFLY forces its characters into a puzzle with more than one solution, and violence threatens to
trap anyone who comes close, we’re gripped and spun into a match-up of wits and murderous ingenuity.
There’s only one way to escape. And only one man who will.
# # #
ABOUT THE CAST
ANTONIO BANDERAS (Paul) is irrefutably one of the most highly acclaimed, leading international
actors of his generation since his introduction to American cinema. He has received critical praise for his
performances in film, television and theater, as well as behind the scenes as a feature film director. In
2005, he was honored with a Star on the Hollywood Walk of Fame.
His second directorial feature is the Spanish film El Camino De Los Ingleses (titled Summer Rain in the
U.S.). A coming of age story, the film follows the first loves, lusts and obsessions of friends on vacation
at the end of the 1970s. He made his directorial debut with Crazy in Alabama starring Melanie Griffith.
In 2003, Banderas earned a Tony nomination for Best Actor in a Musical for his Broadway debut in the
Roundabout Theater Company production of NINE, a musical inspired by Fellini’s 8 ½ . He also received
a Best Actor Drama Desk Award, Outer Critics Circle Award, Drama League Award and Theatre World
Award. NINE, directed by David Leveaux, also starred Chita Rivera.
Banderas has worked with some of Hollywood’s best directors and leading actors including Robert
Rodriguez’s Desperado opposite Salma Hayek and the sequel Once Upon a Time in Mexico opposite
Johnny Depp; Original Sin opposite Angelina Jolie; Alan Parker’s Evita opposite Madonna, in which he
received his first Best Actor Golden Globe® nomination; Martin Campbell’s The Mask of Zorro opposite
Catherine Zeta-Jones, in which he received his second Best Actor Golden Globe® nomination, and the
sequel The Legend of Zorro; Neil Jordan’s Interview with a Vampire with Tom Cruise and Brad Pitt;
Jonathan Demme’s Philadelphia opposite Tom Hanks and Denzel Washington; Bille August’s House of
the Spirits with Meryl Streep and Glenn Close; and Brian de Palma’s Femme Fatale. He was nominated for
his third Best Actor Golden Globe® for his performance as the infamous Pancho Villa in HBO’s 2003
release of And Starring Pancho Villa as Himself.
Born in Malaga, Spain, Banderas attended the School of Dramatic Arts in his hometown, and upon
graduation he began his acting career working in a small theater company based there. He later moved
to Madrid and became an ensemble member of the prestigious National Theater of Spain.
In 1982, Banderas was cast by writer/director Pedro Almodovar in Labyrinth of Passion. It was the first
of seven films Banderas would do with Almodovar, the others being Matador, Law of Desire, Women on
the Verge of a Nervous Breakdown and Tie Me Up! Tie Me Down! The international success of these
films introduced to him to Hollywood. Banderas can also be seen in La Piel Que Habito (The Skin I Live
In) and I’m So Excited, also written and directed by Almodovar.
Other film credits include: Automata, Knights of Cups, The Expendables 3, SpongeBob: Sponge Out Of
Water, Machete Kills, Justin and the Knights of Valour, Ruby Sparks, Haywire, Black Gold, Day of the
Falcon, Puss In Boots, You Will Meet A Tall Dark Stranger, The Big Bang, The Other Man, Shrek 2 and
Shrek the Third, Shrek Forever After Take the Lead, Spy Kids trilogy, Miami Rhapsody, Four Rooms,
Assassins, Never Talk to Strangers, Two Much, The 13th Warrior, Play it to the Bone and Ballistic: Ecks
vs. Sever.
Banderas can also be seen in The 33, directed by Patricia Riggen starring alongside Juliette Binoche and
Rodrigo Santoro. Banderas upcoming projects include Simon West’s action film Salty starring opposite
Olga Kurylenko and Alan Derroche’s action film Security. Banderas recently wrapped production on Isaac
Florentine’s Stoic alongside Paz Vega, Karl Urban, and Robert Forster.
It was recently announced he will star in Aleksandr Boguslavskiy’s Beyond The Edge and the Andrea
Bocelli biopic The Music of Silence with Michael Radford directing.
JONATHAN RHYS MEYERS (Jack) continues to land leading roles opposite today’s hottest film actors
and directors, and has emerged as one of Hollywood’s most sought after leading men.
Born in Ireland, Rhys Meyers made his film debut in A Man of No Importance, but it was his starring role
in Todd Haynes’ Velvet Goldmine in 1998 that gained him international attention and a London Film
Critics Circle Award. Rhys Meyers also earned critical acclaim for his role in the edgy Woody Allen film
Match Point. Dubbed as Allen’s “comeback,” the film was nominated for three Golden Globes® including
Best Picture. The film debuted at the Cannes Film Festival in 2005 with Rhys Meyers winning the
festival’s Chopard Trophy for Male Revelation.
Rhys Meyers is also recognized for his role as the girls’ soccer coach in the award-winning sleeper hit
Bend It Like Beckham along with other notable film credits including a starring role in Mira Nair’s Vanity
Fair.
His film credits also include Neil Jordan’s Michael Collins, Kirsten Sheridan’s August Rush, Telling Lies in
America, Mike Figgis’ The Loss Of Sexual Innocence, Ang Lee’s western Ride with the Devil, Roland
Emmerich’s Stonewall and most recently the spy thriller Damascus Cover and Derrick Borte’s London
Town. He has also worked with such talented directors as Michael Radford, Oliver Stone, Julie Taymor,
Luc Besson and Harald Zwart.
Rhys Meyers has also garnered 2 Golden Globe® Award nominations for his role as Henry the VIII in The
Tudors and was rewarded with a Best Actor Globe® for his starring role in the CBS television miniseries
“Elvis” as well as an Emmy® nomination. Among his television credits is the NBC drama “Dracula”, which
he was also a producer, the mini-series “Roots” for The History Channel and most recently just finished
shooting “VIKINGS” for the History Channel.
PIPER PERABO (Laura) is one of the most talented and versatile actresses working today.
Perabo most recently co-starred with Daniel Sunjata in ABC’s 2016 legal drama “Notorious.” Prior to that,
she starred as Annie Walker in all 5 seasons of USA Network’s spy drama, “Covert Affairs.”
In May 2009, she made her stage debut in Neil Labute’s controversial play Reasons To Be Pretty directed
by Terry Kinney. She co-stared alongside Alison Pill, Thomas Sadoski and Pablo Schreiber. In fall 2015,
Perabo returned to the stage in the MCC Theater’s off-Broadway production of Lost Girls.
Although new to the theater, she is no stranger to the screen. In 2007, she was seen in Christopher
Nolan’s The Prestige with Hugh Jackman and Christian Bale, in Because I Said So with Diane Keaton and
Lauren Graham and in First Snow, a film directed by Mark Fergus, costarring Guy Pearce and Adam Scott.
Next, Perabo was seen in John Glenn’s disturbing thriller The Heaven Project with Paul Walker and
Disney’s Beverly Hills Chihuahua alongside Jaime Lee Curtis.
Perabo was also seen in Paramount Vantage’s Carriers in New Mexico. She played the female lead
opposite Chris Pine and Lou Taylor Pucci in the post-apocalyptic thriller about four friends trying to
escape a viral pandemic.
Shortly after, Perabo starred alongside Bruce Willis, Joseph Gordon Levitt, Emily Blunt and Jeff Daniels in
the sci-fi action film, Looper.
Some of her other film credits include Adam Shankman’s Cheaper By The Dozen 2 in which she reprised
her role as the eldest daughter to Steve Martin and Bonnie Hunt, along with the romantic comedy
Imagine Me & You with Lena Heady and Matthew Goode and the crime drama 10th & Wolf with an
ensemble cast that included James Marsden and Dennis Hopper.
Her feature film debut was in the comedy WHITE BOYZ, written by Danny Hoch. She also starred in
Coyote Ugly.
Outside of her work on screen and stage, Perabo became an IRC Voice to raise awareness of the refugee
crisis in Europe and help those displaced by conflict, religious persecution and political oppression around
the globe.
Perabo lives in both Los Angeles and New York City.
ABOUT THE FILMMAKERS
BRIAN GOODMAN (Director) is an American film and television director, writer, and actor. After
growing up in Boston and deciding to pursue acting, he went to an audition for a low-budget film called
Southie with Donnie Wahlberg where he landed his first role. At this time, Goodman also began writing.
In 2008, Goodman and Wahlberg co-wrote and directed the Ethan Hawke/Mark Ruffalo film What Doesn’t
Kill You. Goodman has also had recurring and guest-starring roles in a number of different films and
television series, including all thirteen episodes of “Line of Fire” (as Donovan Stubbin) and three episodes
of “Lost” as Ryan Pryce. Some of his other appearances include 2001 film The Last Castle, 2006 film The
Fast and the Furious: Tokyo Drift, two episodes of “24” and a recurring role on the first two seasons of
“Rizzoli & Isles.” His recurring role on “Rizzoli & Isles” led to him becoming a main cast member starting
with the season 3 premiere.
Goodman resides in Los Angeles.
JUSTIN STANLEY (Screenwriter) was born into a working class family in the small town of Sandwich
where discovered a passion for cinema and filmmaking at a young age. This passion led him to organize
a London-based film festival which garnered a stateside job offer as an assistant in the film industry from
one of the festival's VIP guests. He jumped at the chance and hasn’t looked back since and now counts
Los Angeles as his second home.
As an assistant he worked alongside some of the most respected producers and directors in the business.
It was during a later stint in motion picture and television creative development that he discovered a
knack for writing, which then became his career of choice. He has now co-written projects for companies
like Universal Pictures, Arnon Milchan’s New Regency, Marc Platt Productions, Atlas Independent, Fox
Television and HBO, which involved producers and filmmakers such as David Kirschner (of the Child’s Play
series and Frailty), Oscar® winner Arnold Kopelson, and visionary director Timur Bekmembatov.
He is represented by Ed Hughes at Linda Seifert Management in the United Kingdom.
MARC FRYDMAN (Screenwriter/Producer) began his career as part of the founding team that created
the French pay TV channel Canal+, serving as Vice President of Feature Film Co-productions. In 1992,
when Canal+ created Hexagon Films, Frydman became Hexagon’s President of Film Production. After
Hexagon, Marc moved on to form Battle Plan Productions with his producing partner, writer-director Rod
Lurie.
In television, Marc and his partner Rod Lurie executive produced the drama Commander In Chief for
Touchstone Television and ABC as part of an overall multi-year deal between the studio and their
company, Battle Plan Productions. In 2006 the show’s star, Geena Davis, was awarded the Golden
Globe® for Best Performance by an Actress in a Television Series. In 2002 Frydman executive produced
Lurie’s one hour television drama pilot, Line of Fire, in conjunction with ABC, Touchstone, and
DreamWorks. The series was given a thirteen episode commitment and aired on ABC in the fall of 2003,
making Frydman the first French executive producer of a major network television series. The drama
series was called the “best new show of the year” by the Associated Press and the Miami Herald.
SILVIO MURAGLIA (Producer) is a respected international producer and television executive,
possessing extensive knowledge of both the European and the American entertainment industries and
film markets. For the past 20 years, Muraglia has specialized in the field of international co-production,
developing extensive expertise in multi-national film financing, financial credit enhancements and tax
incentives. And he has established a reputation for successfully combining financial responsibility with
commercial viability.
Born in Italy, Muraglia completed his studies in Literature and Philosophy at the University of Milan. He
subsequently attended the University of Southern California (USC) receiving a degree in broadcast
journalism. He began his media career in Los Angeles working on the news assignment desk at KHJ-TV.
He then became an entertainment reporter covering major Hollywood events for Radio Televisione
Italiana (RAI), one of the largest and oldest European television networks, which in turn led to producing
major RAI news events that included coverage of the Los Angeles Olympic Games, the Soccer World
Championship in Mexico and Pope John Paul II’s visits to the USA, Canada, Australia, New Zealand and
Fiji.
Muraglia was subsequently promoted to senior vice president and put in charge of creating and managing
the Los Angeles office of RAI. In this capacity, he developed a steady dramatic co-production business,
serving as executive in charge of production for RAI’s feature films and television co-productions
including the first ever motion picture utilizing Sony’s high-definition technology, Julia and Julia, a co-
production of RAI and Japan’s NHK Network starring Kathleen Turner and Sting.
Muraglia left RAI to serve as President of Los Angeles-based Quinta Communications USA, a joint venture
between Silvio Berlusconi's Finivest, the French bank Credit Agricole and the French insurance company
AXA. Under Muraglia’s direction Quinta produced for USA Network Nobody’s Children, starring Ann-
Margret and Voyage, starring Rutger Hauer, Karen Allen and Eric Roberts,; for ABC Yes Virginia, There Is
a Santa Claus, starring Charles Bronson and Ed Asner,; for NBC Drug Wars II: The Colombia Connection,
a four-hour mini-series written and produced by Michael Mann. Muraglia also exec-produced the
Universal Pictures release Foreign Student, starring Robin Givens and Marco Hofschneider.
Muraglia left Quinta Communications to start his own film production company, Cine Grande Films, under
a three-year production deal with USA Network and continued to make commercial independent films
with his US company Cine Grande Films and his European company Mediterranean Films for the next
twelve years. Notable among films Muraglia produced under this banner is the Golden Globe nominated
Prayers for Bobby, starring Sigourney Weaver.
Muraglia was in charge of production for Bavariapool, a company owned by Telepool and the Bavaria Film
Studios.
In total, Muraglia's entertainment industry career spans two decades as a television and motion picture
executive. He has five Executive in Charge of Production credits, three Executive Producer credits and
thirteen primary Producer credits. Muraglia’s current project Finding Steve McQueen starring Travis
Fimmel, Rachael Taylor and Forest Whitaker will be released in the US by Open Road Films.
Muraglia is currently President and CEO of Paradox Studios LLC a partnership between Swedish Financier
Mikael Wiren’s TKOF and AMBI Group.
Muraglia holds dual citizenship in Italy and the USA.
Muraglia possesses a fluent command of Italian, English, French and Spanish.
ANDREA IERVOLINO (Producer), 29 years old, was awarded as Best Producer at the 71st Venice Film
Festival, together with Al Pacino and Barry Levinson.
He was named Filmmaker Of The Year for his roles as producer of In Dubious Battle at Capri Hollywood
Film Festival 2016.
In 2015 he became “Ambassador of Italian Cinema in the World” and “Best Italian Businessman of the
World”. He received many other awards during his successful career.
He was named one of Variety’s 2015 Dealmakers.
In 2016 he awarded at ICFF – Italian Contemporary Film Festival as Best Producer and Businessman.
Andrea Iervolino, who has been a producer since the age of 16, produced, financed and distributed over
60 films.
Co-founder of a number different production companies, he is currently the youngest and most highly
regarded Italian entrepreneurs in the world of film-making.
Andrea Iervolino and Monika Bacardi’s AMBI Group is currently on a strong upward roll, producing and
putting together many of those films that will be screened in forthcoming movie and television seasons.
ROD LURIE (Producer) wrote and directed the widely-praised Academy Award® and Globe Award®
nominated political thriller The Contender, starring Joan Allen, Jeff Bridges, Gary Oldman and Christian
Slater. The film was also honored by the Broadcast Film Critics with the first-ever Alan J. Pakula Award.
In television, Lurie created the series “Commander In Chief,” which was nominated for the Best Drama
Series Golden Globe®, and for which Geena Davis won the Best Actress Golden Globe® for her depiction
of the first female President of the United States.
His other recent projects include writing and directing the films Straw Dogs, a remake of the 1971 classic
starring James Marsden, Kate Bosworth, and Alexander Skarsgard, Nothing But the Truth, starring Kate
Beckinsale, Alan Alda, and Matt Dillon, and Resurrecting the Champ, starring Samuel L. Jackson and Josh
Hartnett. Additionally, created and executive-produced Line of Fire, a one-hour FBI drama for ABC, and
directed the feature film The Last Castle, which starred Robert Redford, James Gandolfini, and Mark
Ruffalo.
Lurie made his film writing and directing debut in 1998 with the dramatic short Four Second Delay, which
won the Best Short Film award at the Atlanta Film Festival and the Crested Butte Reel Fest. The film also
won the Prix du Jury at the Festival of American Cinema in Deauville, France. Lurie followed in 2000 with
his first feature film, Deterrence, a drama about America coming to the brink of nuclear war, starring
Kevin Pollak and Timothy Hutton.
Before he segued to filmmaking, Lurie graduated from the United States Military Academy at West Point
in 1984 and went on to serve for four years as a Combat Arms officer in the U.S. Army. After the military,
Lurie first enjoyed success as a film critic and entertainment reporter, breaking into journalism as a
reporter for the New York Daily News, and was also a film critic and interviewer for Channel 12 in
Fairfield, Connecticut. In addition, he was a frequent contributor to such magazines as Premiere,
Movieline and Entertainment Weekly.
ALBERTO BURGUEÑO (Producer) is the former Partner of the Entertainment and Film Finance Practice
in KPMG Spain for the last five years, Burgueño was invited to join Elipsis Capital as a partner and
shareholder of the company on January 2016.
Elipsis Capital is a boutique merchant bank focused in project finance for entertainment and live events
industries, incorporated in 2014. Since then, Elipsis Capital has participated in films with above 100
million Euro budgets and has a project portfolio above 120 million Euro. Additionally, Elipsis has
incorporated a film fund (RAIF) to channel investments of several institutional and private investors
through a regulated investment vehicle.
ALEXANDRA KLIM (Producer) started as a TV-presenter, model and actress for several German TV-
stations. Amongst other activities she was host of the travel journal "Schlaflos" and "Die Redaktion" on
RTL2 (1999, 2002-2004), "Welt der Wunder" and "Wissen und Technik" on n24. From 2005 until 2007
she was the news anchor of "K1 Nachrichten" on kabel eins. Since 2014 she is the host of "Screen - Das
Kinomagazin", on Welt der Wunder TV. As an actress she is featured in Eine Insel zum Träumen - Koh
Samui and Huldra: Lady of the Forest. Since 2013 she’s been working as a producer and developer for
Paradox Studios. She was credited as a producer in the movies All Roads Lead to Rome, Lavender,
Reclaim and Finding Steve McQueen.
CREDITS
Directed by
BRIAN GOODMAN
Screenplay by JUSTIN STANLEY & MARC FRYDMAN
Produced by SILVIO MURAGLIA
ANDREA IERVOLINO MONIKA BACARDI
ALEXANDRA KLIM
Producers
MARC FRYDMAN ROD LURIE
Producers
ALBERTO BURGUEÑO
JUAN ANTONIO GARCÍA PEREDO
Executive Producers MIKAEL WIRÉN
ANTHONY MASTROMAURO
Executive Producers
MIKAEL WIRÉN ANTHONY MASTROMAURO
Executive Producers
BARRY BROOKER STAN WERTLIEB
Executive Producers EMMANUEL PAINTENDRE
GERARD BARBA
Executive Producers JASON GARRETT
DAVID ROGERS
Executive Producers
CHRISTOPHE CARMONA FRANCOIS CHARLANT
Co-Executive Producers
ANDREA ZOSO
GUGLIELMO MARCHETTI
Supervising Producer DANIELLE MALONI
Co-Producer
VIKI MARRAS
Associate Producer
MATT VAROSKY
Director of Photography JOSÉ DAVID MONTERO
Production Designer MICHAEL FISSNEIDER
Editors
JULIA JUANIZ MARK SULT
Costume Designer MASSIMO PARRINI CANTINI
Original Music by
FEDERICO JUSID
Casting Directors
SCOT BOLAND VICTORIA BURROWS
ANTONIO BANDERAS
JONATHAN RHYS MEYERS
PIPER PERABO
LIONSGATE PREMIERE GRINDSTONE ENTERTAINMENT GROUP and
AMBI DISTRIBUTION Present
A
PARADOX STUDIOS
ELIPSIS CAPITAL and BATTLEPLAN PRODUCTIONS
Production
In Association With
AMBI MEDIA GROUP and PREMIERE PICTURES
Based on the French Film
“PAPILLON NOIR” Written by
HERVÉ KORIAN
“BLACK BUTTERFLY”
CAST
Paul Jack Laura
LT Carcano Truck Driver/ Agent Rothwell
Nancy AJ
Sam Mr. Owen Mrs. Owen
Pat Delivery Man
Julie Waitress
Diner Manager News Reporter
Michelle Emerson Paul’s Wife
ANTONIO BANDERAS
JONATHAN RHYS MEYERS PIPER PERABO VINCENT RIOTTA BRIAN GOODMAN KATIE MCGOVERN JAKE DALEY CRAIG PERITZ
RANDALL RICHARD PAUL CRISTINA MOGLIA ABEL FERRARA NICHOLAS AARON NATHALIE RAPTI GOMEZ GIOIA LIBARDONI TRACY SHERMAN GREENE TIMOTHY MARTIN CHERISH ANN GAINES ALEXANDRA KLIM
CREW
Stunt Coordinator Stunts
ALESSANDRO NOVELLI EMILIANO NOVELLI MAURO AVERSANO GAIA AMATO FEDERICO BENVENUTI SIMONE GIROLAMI DIEGO GUERRA ANDREI JDANOV GIONATA MARZEDDU MASSIMILIANO UBALDI
ANGELA DENISE URGESI VITTORIO VERDIROSI
DAVIDE TOVI GIUSEPPE MANZI
Line Producer Unit Production Manager
Unit Manager
2nd Unit Manager Production Coordinator
Production Secretary
Assistant Producer Production Assistants
PIERPAOLO DI ROSA FABIO MANCINI FEDERICA NARDELLI EDOARDO CATELLANI GIOIA LIBARDONI TULLIO ABRUZZESE MASSIMILIANO SORIA LORENZO VANDINI EVA VIVO VALENTINA RIBEZZI SARA PELUSO CARMELO MICCOLI VALERIO GIUBILEI ORLANDO ORLANDI EDVIGE DE TOMMASO
Additional Production Assistants
Unit Publicist
1st Assistant Director 2ND Assistant Directors
Additional 2nd Assistant Directors
ROY BAVA LUCA JOHN ROSATI VALENTINA DE CASSAN MARCO DELLA TORRE JACOPO FOURNIER ABBEY SPACIL RENATA MALINCONICO YOLANDA POLINO JAMIE O’KEEFFE
Director’s Assistants
Assistant to Antonio Banderas Assistant to Jonathan Rhys Meyers
Director of Photography
A Camera Operator
B Camera Operator
Additional Camera Operator
1st AC A Camera 1st AC B Camera
2ND AC A Camera 2ND AC B Camera
Data Manager Digital Imaging Technician
Video Assistant
JOSE DAVID MONTERO
SACHA IPPOLITI
JOSE DAVID MONTERO
ROBERTO DE FRANCESCHI DUCCIO MACCARI FABIO CIOTTO EUGLEN SOTA FLORIANA COSENTINO UMBERTO BENDINI DAVIDE LEONE FILIPPO SILLI
Still Photographer
Still Photographer – Day Player Backstage
Backstage Boom Operators
ROMOLO EUCALITTO
PIERRE ANDRE TRANSUNTO
PIERRE ANDRE TRANSUNTO
GUIDO SPIZZICO EDUARDO MARTIN
Gaffer ANTONIO LA BARBERA
Electricians MASSIMO DI DOMENICO LORENZO LA BARBERA ANTONIO FORTUNATI MARCO RAIMONDI CLAUDIO TERLIZZI ALESSIO GABRIELE FABIO DELL’ORCO ALESSIO NANNICINI
Daily Labor
Key Grip Grips
SANDRO FABBRIANI DANIELE BONANNI MARCO SALLUSTI CLAUDIO FABBRIANI ALESSANDRO COLINI PATRIZIO DEL TOSTO ANDREA DI BENEDETTO MANUEL INCAGNOLI FABIO DI MICHELE MAURIZIO AGOSTINELLI VALENTIN CIOBANU MAURIZIO CONSOLI ION GHEORGHITA LUIGI LOMBARI ANGELO MARCHESANI TONINO AURANTA MARTINO ROBERTO STEFANO ROSATI ANIELLO GUARNIERI EDUARDO PESHISOLIDO GIANLUCA ROSETTA LUCA STEFANINI
Daily Labor
Generator Operator Drivers
Additional Drivers
Sound Mixer Sound Mixer
Boom Operator
MARIO IAQUONE EDUARDO MARTIN GUIDO SPIZZICO
Script Supervisor ELIDE CORTESI
Production Designer Assistant Production Designer
Set Decorator Assistant Set Decorator
Property Master Leadman
MICHAEL FISSNEIDER MAURO PARADISO AMENAH MONEM GUENDALINA BARBIERI STEFANO MORBIDELLI MASSIMILIANO PAONESSA
Property Man Stand-by Props
Graphic Designer Daily Labor
BRUNO FALCONI ALESSANDRO MORBIDELLI STEFANO VECCHIARELLI ALESSANDRO BERNABEI MARIO COURRIER EMILIANO DE VECCHIS ROMANO DI MASCIO NUNZIO MASINO KAMIL STANISZ ADRIANO TORRE MAURO TOZZI VITTORIO DI PERSIO ADA TRIFILO
Painters
Costume Designer Costume Supervisor
1st Assistant Costume Designer
2nd Assistant Costume Designer Costume Seamstress
MASSIMO CANTINI PARRINI JESSICA ZAMBELLI VALENTINA FUCCI LAURA RICCARDI SABRINA FABRIZI SILVIO GUIDONI ANTONIETTA PARMEGIANI
Make-up Department Head Make-up Artist
Additional Make-up Artist Hair Department Head
Hair Stylists Additional Hair Stylists
JORGE HERNANDEZ BARBARA PELLEGRINI FEDERICA BASTREGHI FRANCESCO PEGORETTI ANNA DE SANTIS SOFIA AMABILE MARTA VICINI
Special Effects Coordinator Special Effects Assistants
RENATO AGOSTINO STEFANO CORRIDORI MARCO CORRIDORI MONETA
Location Managers FEDERICO SANTANGELO FRANCESCO COLICIGNO ANTONIO MESSINO
Transportation Captain Genny Facilities
Machinist Grip Truck MDP Camera Truck
Wardrobe Truck Make-Up Truck
FABIO DI MICHELE STEFANO ROSATI MAURIZIO CONSOLI LUIGI LOMBARI VALENTIN CIOBANU MAURIZIO AGNOSTINELLI
Tricamper Camper #1 Camper #2
WC Honey Wagon
MARTINO ROBERTO TONINO QUARANTA ANGELO MARCHESANI ION GHEORHITA
Picture Vehicles
Drivers
PRONTIMOTOREAZIONE.COM
DEVIS MOCCI
MARCO MOLINARO MANOLO MOLINARO NICOLAS MOLINARO DIEGO MONTINARI GIANLUCA CATERINI
Head Production Accountant Cashier
ANNA MARIA TURCHI FRANCESCA SCUTTI
Italian Casting Director Extras Casting
AOSM UK Casting
GAIA CASANOVA ANGELA D’AGUANNO BENEDETTA CATUFA SHARON HOWARD FIELD, CDG SUZANNE M. SMITH, CDG
Post-Production Supervisor ERIKA SCARAMELLA
Editors JULIA JUANIZ MARK SULT NAGORE GARCIA FRANCESCO CUCINELLI ALESSANDRO SALVATORI MARINELLI EFFETTI SONORI S.r.L THEO FRANCOCCO MARCO MARINELLI MASSIMO MARINELLI ENZO DI LIBERTO MASSIMO MARINELLI FABIO PALMISANO ALESSANDRO PELLICCIA IVAN TOZZI GABRIELE CHITI SUSANNA GIORGI GIANNI MONCIOTTI CARLO FANFONI MARK ASHWORTH EMILIANO COBAI
Assistant Editor Re-recording Mixer
Sound Editor Sound Effects
Sound Effects Editors
Foley Artists
Foley Recording Mixer Video Post Production Supervisor
Color Correction Conforming
Dallies Audio Post Production Coordinator
Mix Assistant Dubbing Director
Dubbing Mixer
Original Music Composer and Conductor
Music Production Manager Associate Music Producer
Orchestrations
FEDERICO JUSID MARIA ULLED ADRIAN FOULKES GUSTAVO GINI FEDERICO JUSID JUAN CORTES Music Programming & Session
Preparation
Piano Prepared Pianos, Percussions, and
Electronic Sounds Conductor Budapest Orchestra Budapest Orchestra Contractor
Budapest Orchestra Recording Engineer Budapest Orchestra Protools Assistant
Metronome MP Mix Engineer Recorded in Hungary with
FEDERICO JUSID ADRIAN FOULKES
PETER PEJTSIK MIKLOS LUKACS JR GABOR BUCZKO MIKLOS LUKACS JOSE VINADER THE BUDAPEST ORCHESTRA
Original Soundtrack Produced By ALA BIANCA GROUP S.r.L IERVOLINO ENTERTAINMENT S.p.A GIOVANNI MAROLLA METRONOME MP TAKA TAKA STUDIO METRONOME MP
Music Supervisor Music Recording-Budapest and Madrid
Music Mix-Madrid
Production Supervisor-Canada Post Production Supervisor-Canada
VFX Supervisor Production Accountant-Canada
Bookkeeper-Canada VFX Production Manager
VFX Artists
FERDINANDO DELL’OMO MEGHAN ARMSTRONG PETER NALLI
JOCELYN ARMAH PETER NYKIEL JAMES ANTHONY YOUNG JIN SUNGJIN AHN ALEX FREITAS ANDREA GIL JAY KINSELLA ZANE KOZAK
BLAYKE NADEAU ROSHAN PINTO AYAZ AHMED VIJAPURWALA JAMES ANTHONY YOUNG
End Credits Animation Rolling Credits
PETER NALLI AIC STUDIOS
Stock Footage SHUTTERSTOCK.COM
Production Insurance Provided by STUDIO M DI MASSIMO FORGES DAVANZATI HARRY FINKEL, ESQ. AVV. BRUNO DELLA RAGIONE AVV. FILOMENA CUSANO DELLA RAGIONE-CUSANO & ASSOCIATES CLIC CATERING DI LEURINI CRISTINA
Production Legal Italian Legal Services
Rome Catering
Rome Hotels HOTEL DE RUSSIE SPAGNA ROYAL SUITES ROME CAVALIERI WALDORF ASTORIA HOTEL REGINA MARGHERITA EUROSTARS ROMA AETERNA
Travel Agency GEA ELABORAZIONI VIAGGI
Telephone and recharges H3G SPA NEGOZIO 3 DI DAVID MALONI
Wardrobe Suppliers PRONTIMOTOREAZIONE.COM PIKKIO S.r.L SIGNORINA GRANDI FIRME S.r.L EMME ERRE INTERNATIONAL S.r.L SARTORIA CINE-TEATRALE NORI S.N.C. – BRACCIANO – ROMA
SFX Supplier Camera Rentals
Grip/Lighting Equipment
CORR. G.& A. CINEMATOGRAFICA PANALIGHT S.p.A PANALIGHT S.p.A
Camera Equipment Supplier Hard Drives Purchases Sound Dept. Materials
REC S.r.L MARCHEGIANI S.r.L PRESADIRETTA DI A. FIORENTINI LAMBDA S.r.L
Radio Rental LATEL-COM S.r.L
Construction Suppliers FERRAMENTA PIACENTI A.L.C.A. S.r.L
Shipping LINE EXPRESS
Translation WTC S.r.L
Driver and Vehicle Services PALAZZI AGENCY
AUTOSERVIZI TIBERINA DI ANDREA ORFEI
Transport LEUR TRASPORTI – F.LLI LEURINI
Courtesy Cars FCA ITALY
FIAT PROFESSIONAL
Rome Location Studio in Rome
STUDIOS S.r.L
Wardrobe Special Thanks AVIREX
LOZZA OCCHIALI GALLO BLAUER LOST AND FOUND S.A.S.
Post Production Services Provided by
AUGUSTUS COLOR
ELIBET NAVARRA
VFX Provided By
AIC STUDIOS
AUGUSTUS COLOR
3D Conversion Services
3D EVOLUTION SYSTEM
Italian and EU Production Services Provided by
NOTORIOUS PICTURES S.p.A
CINEFINANCE ITALIA S.r.L
HAPPY FILM S.r.L
For PARADOX STUDIOS
Executive Assistant to Silvio Muraglia REID ACKERMAN VP Business Affairs HARRY FINKEL
For BATTLEPLAN PRODUCTIONS
Director of Development MATT VAROSKY
For PREMIERE PICTURES
Distribution Rights Traders ROSTIM PARTNERSHIP UTOPIAN FILMS PARTNERSHIP BEAR ROAD LLP MARCUS SEARANCKE SHELLY BANCROFT JOE RAYNER ALENA WALKER FIONA KIHLSTROM NICK KENT HAZEL WOODLAND DAVE PECK SURIA O’CONNOR JODI HOWARD CHRISTOPHER MARTIN
Premiere Pictures Personnel
FLEUR DUTSON CLAIRE GERRARD ALEX MARTIN
“I Just Wanna Luv U”
Composed By: Aaron Akins Performed By: Aaron Akins
The Producers Wish to Thank
THE BUDAPEST ORCHESTRA EMANUEL NUNEZ JIMMY DARMODY
FONDAZIONE FERROVIE DELLO
STATO ITALIANO AGRITURISMO ‘IL CASALE SUL FIUME
TREJA’ BAR NOEMI MECCI SAS
STEVEN BROWN STACY O’NEIL KAREN GARNER COMUNE DI CERVARA DI ROMA COMUNE DI SUBIACO COMUNE DI CAMPO DI GIOVE
ENTE PARCO NATURALE REGIONALE DEI MONTI SIMBRUINI FCA ITALY
LOGOS: Grindstone
Lionsgate Premiere Paradox Studios
AMBI Battleplan
Ellipsis Premiere
John Adam Street 3D Evolution System
Ala Bianca
Iervolino Entertainment Augustus Color
Fiat Professional Studios
AIC REGIONE LAZIO
Opera realizzata con il sostegno della Regione Lazio – fondo regionale per il
cinema e l’audiovisivo SAG
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ANY UNATUTHORIZED DUPLICATION, DISTRIBUTION OR EXHIBITION OF THIS FILM OR ANY PART THEROF (INCLUDING SOUNDTRACKS) IS AN INFRINGEMENT
OF LAW, WHICH MAY RESULT IN CIVIL AND CRIMINAL LIABILITY, PROSECTUTION AND PENALTIES.
THE PERSONS, FIRMS, EVENTS, STORY, NAMES, CHARACTERS AND INCIDENTS PORTRAYED IN THIS FILM ARE FICTITIOUS, AND ANY SIMILARITY TO
THE NAME, CHARACTER OR HISTORY OF ANY PERSON, LIVING OR DEAD, OR ACTUAL EVENTS OR FIRMS IS UNINTENTIONAL.
2016 © Black Butterfly Film LLC & Zipser Productions AIE A Spanish/ US Co-Production
All Rights Reserved.