Post on 28-Jul-2020
transcript
1
Name: Yuval Shaked Date: July 30, 2011
CURRICULUM VITAE
1. Personal Details
Name: Yuval Shaked
Date of Birth: February 16, 1955
Country of Birth: Israel
Identity Card Number: 053262358
Marital Status: married
Permanent Home Address: 145, Ankor st., Pardess-Hanna 37048
Home Telephone Number: 077-4006360
Office Telephone Number: 04-8240170 (inside the University – 2170)
Electronic Address: yuval.shaked@gmail.com
yshaked@research.haifa.ac.il
2
2. Higher Education
Date of
Degree
Degree Name of Institution
and Department
Period
of
Study
April
1982
B.Mus. and
Teaching Diploma
Tel Aviv University, Rubin Music Academy 1976-
1981
February
1984
Diploma of Artistic
Final Examination
(M.A)
Reihnland State College for Music, Cologne
Music College, New Music Theater
1981-
1984
--- Ph.D. University of Osnabrück, Institute of
Musicology
1984-
1991
3. Academic Ranks and Tenure in Institutes of Higher Education
Rank/Position Name of Institution and Department Dates
Teacher Kibbutzim College Since 1985
Permanent staff member Kibbutzim College Since 1988
Lecturer Kibbutzim College Since 1998
Course Coordinator and
Instructor
Open University 1985-1999
Teaching Fellow University of Haifa, Music Department Since 2000
Lecturer (artist track) University of Haifa, Music Department Since 2003
Teaching Fellow Tel Aviv University, Buchmann-Mehta School
of Music
* 2009-2010
* here and henceforth, indicates activities since last promotion
4. Offices in University Academic Administration
Rank/Position Name of Institution and
Department
Dates
Member of the Teaching Kibbutzim College, School for 1995-1998
3
Committee Dance and Movement
Member of the Teaching
Committee
Kibbutzim College, School for
Dance and Movement
2000-2007
Temporary Head of
Music Department
University of Haifa, Music Dept. * 2009, July-November
Head of Music
Department
University of Haifa, Music Dept. * Since 2011
5. Scholarly Positions and Activities outside the University
a. Pedagogic Activities
1976-1981 Teacher for classical guitar playing and music theory at the Municipal
Music Conservatory in Ramla
1976-1981 Teacher at the Youth Summer Courses for Arts, Jerusalem (during summer
vacations)
1981 Establishment of a branch of the Municipal Music Conservatory in
Ramla, Director of it and teacher for classical guitar playing and music theory
1981-1983 Teacher for classical guitar playing at the Rohrbach Musikschule,
Cologne, West Germany
1987 Coordinator of the Youth Summer Courses for Arts, Jerusalem (during
summer vacation)
1991-1994 Teacher for Music History and Theory at the Kibbutzim Dance Company,
Kibbutz Ga'aton
1994 Teacher for composition at the Music Institute of the Tel-Hai College
1995 & 1996 Master classes for composition and new music at the Lviv Music
Academy, Ukraine
2000-2001 Development of the computer application which manages the databank of the
Feher Jewish Music Center at Beth Hatefutsoth (with Beligal Software)
2000-2003 Coordinator of the Final Project submitted by students at the School for
Dance and Movement, Kibbutzim College, Tel Aviv
2000-2008 Director of the Feher Jewish Music Center at Beth Hatefutsoth (The Nahum
Goldmann of Jewish Diaspora), Tel Aviv
* 2005 Lecturer at an Israeli-Palestinian Study Program held under the auspices of the
Università Pontificia Salesiana, Jerusalem and Rome
* 2005-2007 Member of the Executive Committee for the development of an integrative
computerized program which runs the various databanks at Beth Hatefutsoth
(with Hewlett-Packard Laboratories Israel)
4
* 2006 Master classes for composition and new music at the Kiev and Lviv
Music Academies, Ukraine
* 2010 Teacher for composition, music theory and musical analysis, and (together
with Ulrich Mosch) tutor of a music research seminar (aesthetics, theory,
analysis) at the 45th
International Summer Courses for New Music in
Darmstadt, Germany
b. Editing and Production Activities
1986-1988 Author of lines notes and editor of programs for concerts held at the
Dormitio Abbey, Jerusalem, in the framework of the Israel Festival, Jerusalem
1990-1996 Editor of the IMI-News Quarterly published by the Israel Music Institute, Tel
Aviv, and all other publications of the IMI
1993-1996 Editor of the booklets published with the CDs released by the Music In Israel
Association (MII)
1997-2008 Editor of the booklets published with the CDs released by the Feher Jewish
Music Center at the Diaspora Museum, Tel Aviv
2000-2008 Producer and editor of the CDs released by the Feher Jewish Music Center at
the Diaspora Museum, Tel Aviv
* Since 2009 Editor of the CD series entitled "Contemporary Jewish Music" released by the
Jewish Music Research Center at the Hebrew University, Jerusalem (together
with Edwin Seroussi)
c. Membership in Editorial Boards
Since 1992 Member of the Advisory Board of the MusikTexte magazine, Cologne,
Germany
2002-2004 Member of the Editorial Board of the Tav+ magazine, Haifa
* Since 2011 Editor of Music and Contemporary Culture journal, Haifa
5
6. Participation in Scholarly Conferences
a. Active Participation
Subject of Lecture /
Discussion / Comments
Place of
Conference
Name of Conference Date
The Own and the Other in the
Music of Myself and in the
Israeli Music (German: Das
Eigene und das Fremde in der
eigenen und in der israelischen
Musik)
Bremen,
Germany
The Own and The Other (Das Eigene und das Fremde)
April 1992
Contemporary Israeli Music:
Jewish? – Mediterranean? –
New? (German: Zeitgenössische
israelische Musik: jüdisch? –
mediterran? – neu?)
Bern,
Switzerland
The Politisation of
"Jewish Music" in the
20th century (German:
Die Politisierung der
“jüdischen Musik” im 20.
Jahrhundert)
October 2001
Sacred Jewish Music by
Israeli Composers (German:
Sakrale jüdische Musik
israelischer Komponisten)
Hannover,
Germany
Jewish Music May 2002
Present Political Occupations
in My Own Music (German:
Gegenwärtige politische
Auseinandersetzung in meiner
Musik)
Bremen,
Germany
Musical Occupations
with the Political Present (German: Musikalische
Auseinandersetzungen mit
dem politischen Gegenwart)
November 2002
The Databank and Recording
Collection of the Feher Jewish
Music Center
Jerusalem EVA/MINERVA 2005 –
The Second Jerusalem
Conference on the
Digitation of Cultural
Heritage
* November 2005
The Databank and Recording
Collection of the Feher Jewish
Music Center
Tel Aviv Info 2007 * May 2, 2007
Israeli Music between East
and West (German: Israelische
Musik zwischen Orient und
Okzident)
Potsdam Jewish Music as a
Dialogue between
Cultures and Dimensions
of Conveying it – Ways
for Inter-religious and
Intercultural
Understanding (German:
Jüdische Musik als Dialog der
Kulturen und ihre
Vermittlungsdimensionen –
Wege zur interreligiösen und
interkulturellen
Verständigung)
* July 13, 2010
Julius Chajes’ Family Roots and Görlitz, Jewish art music and its * October 22,
6
his Life Route from Lvov, through Vienna, Tel Aviv and Vienna again, to Detroit – The Viennese Roots of the Mediterranean School of Israeli Music and their Spreading in the US-American Exile
Germany creators in Eastern and
Central Europe:
persecution, expulsion,
rediscovery, perspectives
for the 21st century
2011
Music in the shadow of recognizing the loss of language – Il Canto sospeso by Luigi Nono is 55 years old
Sapir
Academic
College
The (Classical)
Concertante Musical
Discourse
* October 25,
2011
7
7. Invited Addresses (Selection)
Presentation/Comments Name of Forum Place of Lecture Date
Groping and Perceiving
– Music for Children
Lecturers' Colloquium Kibbutzim
College
October 29,
1985
Time Design – Aspects
of Rhythm and Form In
Ianis Xenakis'
Compositions (lecture)
Concert at the Hecht
Museum
University of
Haifa
1995
Ethnic – Yes or No? –
Questioning the Essence
of Ethnic Music (lecture)
Internship for inspectors of
music education at
kindergardens, held by the
Department of Early
Education at the Ministry of
Education
Ramat Gan November 30,
2000
Equivocation Regarding
the Universal Essence of
Classics in Music –
Three Values, Five
Criteria, Moving the
Enjoinment and a Single
Hold Up (lecture)
Music Education
Supervision Conference
Ramat Gan Music
Center
May 10, 2001
The Musical Tradition of
the Bene Israel of
Bombay
Release Ceremony of the
Eliyahoo Hanabee CD
Museum of the
Jewish Diaspora,
Tel Aviv
February 11,
2002
About the Jewish
Identity of Israeli Music
(lecture)
Internship held jointly by
the Museum and the Tel
Aviv University Center for
Educational Staff
Development ("Many Faces
– On the Multi-Cultures of
the Israelis")
Museum of the
Jewish Diaspora,
Tel Aviv
October, 21,
2002
Jewish Composers of
American Songs (lecture)
Internship held jointly by
the Museum and the Tel
Aviv University Center for
Educational Staff
Development ("In Uncle
Sam's Land; American Jews
– from Emigrants to
Americans")
Museum of the
Jewish Diaspora,
Tel Aviv
November 27,
2002
Jewish Themes in Works
by American Jewish
Composers (lecture)
Internship held jointly by
the Museum and the Tel
Aviv University Center for
Educational Staff
Development ("In Uncle
Museum of the
Jewish Diaspora,
Tel Aviv
November 18,
2002
8
Sam's Land; American Jews
– from Emigrants to
Americans")
The Florence Jewish
Music Tradition (lecture)
European Day of Jewish
Culture
Florence
Synagogue
* September
7, 2003
The Fate of Songs Sung
at Concentration Camps
(lecture)
Internship held jointly by
the Museum and the
International School for
Holocaust School at Yad
Vashem ("1945 – End and
Beginning; 60 Years after
World War II")
Museum of the
Jewish Diaspora,
Tel Aviv
* December
28, 2004
Early and Late in the
Work of a Single and
Unique (lecture)
Opening of the Exhibition
"Paul Hindemith: The
Composer in His World"
University of
Haifa
* February 25,
2005
Music Recording
Expeditions – Joel Engel
and his Colleagues at
Eastern European Towns
between 1912-1925
(lecture)
Internship held jointly by
the Museum and the
International School for
Holocaust School at Yad
Vashem ("From My Little
Town; The Jewish Town –
Images, Figures and
Sounds")
Museum of the
Jewish Diaspora,
Tel Aviv
* November
15, 2005
Mokum – The Musical
Tradition of the
Ashkenazi Community
of Amsterdam (lecture)
Internship held jointly by
the Museum and the
International School for
Holocaust School at Yad
Vashem (The Memory
Doesn't Calm Down… –
Coping with the Holocaust
Memory and the Jewish
Past in Europe)
Museum of the
Jewish Diaspora,
Tel Aviv
* April 25,
2006
Tone-Series and Series-
Sound (lecture)
Lecture Series held by the
Box ("In the Footsteps of
Music")
Tel Aviv, the Box
(Jaffa)
* November
10, 2006
The Yagour Pessach
Seder
A Concert in Honor of
Yehuda Sharett
Museum of the
Jewish Diaspora,
Tel Aviv
* April 4 &
13, 2007
The Ruth Rubin Jewish
Music Recording
Collection (lecture)
An Evening in Honor of the
Ruth Rubin Jewish Music
Recording Collection
Haifa Music
Library
* November
22, 2007
Musical Traditions of the
Berlin, Danzig and
Königsberg Synagogues
(lecture)
Internship held jointly by
the Museum and the
International School for
Holocaust School at Yad
Vashem ("Portrait of
Museum of the
Jewish Diaspora,
Tel Aviv
* December
17, 2007
9
German Jewry")
Jewish Composers at the
German Cabaret in the
1920s (lecture)
Internship held jointly by
the Museum and the
International School for
Holocaust School at Yad
Vashem ("Portrait of
German Jewry")
Museum of the
Jewish Diaspora,
Tel Aviv
* December
24, 2007
Jewish Music? – Self
image? An image of
others? (lecture and
discussion)
Seminar directed by Dr.
Yossi Ziegler
University of
Haifa, Ofakim
Program
* January 15,
2008
Tonality: Re-assesment
(lecture)
Lecture Series held by the
Box ("In the Footsteps of
Music")
Tel Aviv, the Box
(Jaffa)
* February 8,
2008
Zion in Berlin, Berlin in
Zion – Jewish
Composers between
Germany and Eretz Israel
from the 1920s onwards
(lecture)
Internship held jointly by
the Museum and the
International School for
Holocaust School at Yad
Vashem ("Portrait of
German Jewry")
Museum of the
Jewish Diaspora,
Tel Aviv
* December
29, 2008
My Mentor Mauro
[Mauricio Kagel]
(lecture)
2009 New Music Marathon Tel Aviv, the Box
(Jaffa)
* June 6, 2009
The Spanish and
Portuguese Jewish
Musical Tradition
Piyyut Festival Jerusalem, Bei
Avi Chai
* Septemer 9,
2009
New Music's Full World
(5 lectures)
Lecture series held by the
Nikel Ensemble ("New
Music's Full World")
Felicia
Blumenthal Music
Center, Tel Aviv
* 2010 (Nov
27, 2009, Jan
29, March 26,
May 28, Jul 1,
2010)
Ballet Music by Israeli
Composers (lecture)
Internship for music
teachers at dance
departments in high schools
Tel Aviv * December
20, 2009
Mordecai Seter Israel Composers' League –
The Founding Fathers of
Israeli Music
Tel Aviv, the Box
(Jaffa)
* May 27,
2010
New Music's Full World
(5 lectures)
Lecture series held by the
Nikel Ensemble ("New
Music's Full World")
Felicia
Blumenthal Music
Center, Tel Aviv
* 2011 (Oct
22, Dec 24,
2010, March
11, April 8,
Jul 9, 2011)
To everything there is a
season, ...yet, how time
passes… – The
Celebration upon the
appearance of the first
volume of Pe'imot, an
Tel Aviv
University,
Buchmann-Mehta
* December
13, 2010
11
compositorial
consolidation of rhythm
and form problems in
new music
annual book on music School of Music
The Orchestral
Conductor as Seen by
Elias Canetti
International Mastercourse
for Conducting
Krieger
Performing Arts
Center, Haifa
* November
16, 2011
On Matters of Notation
for Cello – a masterclass,
together with Lucas Fels
Contemporary Music for
Cello in Germany
University of
Haifa, Music
Department
* December 7,
2011
11
8. Colloquium Talks (Selection)
Presentation/Comments Name of Forum Place of Lecture Date
The Radio Music
Beispiel (lecture and
discussion)
Radio Hörspiele, Seminar
directed by
Dr. Wolfgang Schäffermeyer
Folkwang
Hochschule,
Essen, Germany
July 1, 1985
Universalism in Music
(lecture and discussion)
Seminar directed by Oded
Assaf
Music Teachers'
College, Levisnky
Education
College, Tel Aviv
1993
Universalism in music –
J.S.Bach and Our
Criteria (lecture and
discussion)
Seminar directed by Oded
Assaf
Music Teachers'
College, Levisnky
Education
College, Tel Aviv
1996
[Title unknown anymore]
(lecture)
Course directed by Oded
Assaf
Tel Aviv
University,
Department of
Musicology
1997
Abel Ehrlich – The Art
of Mentoring and the
Mythical Thinking
(lecture and discussion)
Colloquium of the
Department of Musicology
Rubin Music
Academy, Tel
Aviv University
January 1,
1998
My Compositional Labor
(lecture and discussion)
Composition Seminar
directed by Prof. Helmut
Lachenmann
Hochschule für
Musik, Stuttgart
1998
The Essence of Luigi
Nono's Music (lecture
and discussion)
Course directed by Oded
Assaf
Tel Aviv
University,
Department of
Musicology
1999
The Compositional
Thinking of Helmut
Lachenmann (lecture and
discussion)
Colloquium of the
Department of Musicology
Rubin Music
Academy, Tel
Aviv University
2000
Progress in Music
(lecture and discussion)
Course directed by Oded
Assaf
Tel Aviv
University,
Department of
Musicology
June 4, 2001
The Material Conception
in the Music of Mid-
Twentieth Century
(lecture and discussion)
Course directed by Oded
Assaf
Tel Aviv
University,
Department of
Musicology
* March 25,
2003
Helmut Lachenmann –
Thoroughly Thought
Creative Work (lecture
Course directed by Oded
Assaf
Tel Aviv
University,
Department of
* May 4, 2004
12
and discussion) Musicology
Cultural Environment
and Personal Creative
Elaboration (lecture and
discussion)
Course directed by Oded
Assaf
Tel Aviv
University,
Department of
Musicology
* June 6, 2005
Stefan Wolpe – His
Work and Its Place
within Israeli Music
(lecture)
Course directed by Oded
Assaf
Tel Aviv
University,
Buchmann-Mehta
School of Music
* March 4,
2006
Music worlds of
Palestine (discussion
panel)
Goethe Forum (Live
broadcast in
Bayern4Klassik)
München * February
21, 2008
Forgotten and Tormented
Wellspring – Jaromir
Weinberger and his
Chmaber Music
Researching Teachers Tel Aviv,
Kibbutzim
College
* March 21,
2010
On the (Mis-
)Understanding of
Modern Music
(discussion with Helmut
Lachenmann)
Touched by Music (Berührt
von Musik)
Hochschule für
Musik Carl Maria
von Weber,
Dresden
* December
1, 2010
On the Strange Couple –
Art- and Light Music
Dean's Luncheon Lectures University of
Haifa
* February
23, 2011
On Symmetries in Bach's
Musical Offering
Lectures in Memory of Noa
Eshkol
Tel Aviv,
Kibbutzim
College
* March 15,
2011
Musical Thought in the
1960s
Course directed by Prof.
Amnon Wolman
Tel Aviv
University,
Buchmann-Mehta
School of Music
* March 23,
2011
On the Strange Couple –
Art- and Light Music
"Three at a Center" –
3-lecture forum
University of
Haifa
* May 11,
2011
Virtues of Graphic
Notation
Dynamic-Graphic Notation
Exhibition (Kolloquium)
University of
Haifa
* November
27, 2011
My Personal Creative
Work, the Status of
Creative Work and its
Reflection at the
Academy and my Role as
a Teacher
Ofakim Program Encounter Yitzhak Rabin
Merav Center,
Hof Hacarmel
* December
28, 2011
13
9. Research Grants
None
10. Scholarships, Awards and Prizes
1987 DAAD scholarship for composition (4-month sojourn in Cologne, West
Germany; monthly amount, 1,000 DM)
1994 Grant of Stiftung Kulturfond, Wiepersdorf, for composition (4-month
sojourn in Germany; monthly amount, ca. 1,200 DM)
* 2011 Grant of Siemens Music Foundation (Commission of a chamber work, 7,000
Euro)
11. Teaching
a. Courses Taught in Recent Years
Degree
B.A./M.A./M.Sc/Ph.D.
Type of
Course
Lecture /
Seminar /
Workshop
Name of Course Year
B.A. (Kibbutzim College) Seminar Music Life in the Third
Reich – a Precedence?
1986-1989
B.A. (Kibbutzim College) Lecture Introduction to Drama in
Music
1986
B.A. (Kibbutzim College) Lecture Rhythm and Meter 1986-2002
B.A. (Kibbutzim College) Lecture This or That Music 1987
B.A. (Kibbutzim College) Lecture Music and all the Rest 1988
B.A. (Kibbutzim College) Lecture Music and Childhood 1989
B.A. (Kibbutzim College) Seminar Biblical Stories in Music 1989
B.A. (Kibbutzim College) Lecture Declamation and Speaking
Choirs
1989
14
B.A. (Kibbutzim College) Seminar Music – What for? 1990
B.A. (Kibbutzim College) Lecture Beautiful Moments – The
Whole and Its Details
1991
B.A. (Kibbutzim College) Seminar Music in the Radio and
Television – Contexts of Art
and Politics
1992
B.A. (Kibbutzim College) Seminar Interactions of Music Life
and Politics
1992
B.A. (Kibbutzim College) Lecture Which Power has Music? 1993
B.A. (Kibbutzim College) Lecture Main Stations in Music Since 1993
B.A. (Kibbutzim College) Lecture Terpsichore Looking at
Herself and the Others, and
vice versa
Since 1995
B.A. (Kibbutzim College) Lecture This or That Music 1994-1997
B.A. (Kibbutzim College) Lecture Introduction to Music 1994-1997
B.A. (Kibbutzim College) Lecture Music and all the Rest Since 1994
B.A. (Kibbutzim College) Lecture Music Literature Since 1998
B.A. (Kibbutzim College) Seminar Hermeneutics of
Choreographic Works
Since 1998
B.A. (Kibbutzim College) Lecture Introduction to Musical
Perception
1996-1999
B.A. (Kibbutzim College) Lecture Music as an Element of
Stage Works
* 2005-2007
B.A. (Kibbutzim College) Lecture Dance and Technology * Since
2008
B.A. (University of Haifa) Lecture Phenomena and Tendencies
in Contemporary Music
2001/02
B.A. (University of Haifa) Lecture Introduction to Methods of
Formal Analysis
* 2003-2005
B.A. (University of Haifa) Lecture Theory of Musical Forms * 2005
B.A. (University of Haifa) Lecture Introduction to Musical
Analysis
Since 2002
B.A. (University of Haifa) Lecture Presentation of Canonic
Repertoire
* 2003
B.A. (University of Haifa) Lecture Theory of Musical Forms * 2005
B.A. (University of Haifa) Lecture Issues in Musical Notation * 2005
15
B.A. (University of Haifa) Workshop Analysis and Composition * 2003
B.A. (University of Haifa) Lecture Romantic Music in the 19th
-
century
* 2006
B.A. (University of Haifa) Lecture &
Workshop
Composition * 2006
B.A. (University of Haifa) Lecture Integrative Approach to
Tonal Theory
* 2008
B.A. (Kibbutzim College) Lecture Dance and Technology * 2009-2010
B.A. (University of Haifa) Lecture Israeli Music – Idea, Reality
and Dilemmas
* Since
2008
B.A. (Tel Aviv University) Lecture Analysis and Composition
According to 20-century
Models
* 2009-2010
B.A. (Tel Aviv University) Individual
lessons
Composition * 2009-2010
B.A. (University of Haifa,
Ofakim Program)
Lecture Themes in Themes and
Variations and Variations
Thereon
* 2009
B.A. (University of Haifa) Seminar Introduction to a Philosophy
of Music
* 2009 &
2011
B.A. (University of Haifa) Lecture Counterpoint * 2010
B.A. (University of Haifa) Lecture Music and Numbers * 2010
B.A. (University of Haifa) Lecture &
Workshop
Counterpoint (for
progressive students)
* 2011
B.A. (University of Haifa) Seminar Department Seminar * 2011
B.A. (University of Haifa) Lecture Listening and Looking * 2011
B.A. (“Derekh Haru’ach”,
University of Haifa)
Lecture Thoughts on Emotions,
Meaning and Understanding
in Music
* 2012
b. Supervision of Graduate Students
None
16
12. Miscellaneous
1987 Studies of Radio Editing at the music channel (Kol Hamusica), Israel
Broadcasting Authority
PUBLICATIONS
A. Ph.D. Dissertation
None
B. Scientific Books (Refereed)
None
Authored Books – Published
1. Shaked, Yuval (1992). Developing Music – Main Occurances in the Field of Musical
Composition Since 1945. Tel Aviv: Dvir. (173 pages; Hebrew)
Monographs – Published
1. Shaked, Yuval (1989). Meter and Rhythm – A New Theortical Discussion of an Old
Subject Matter. Tel Aviv: Kibbutzim College. (84 pages; Hebrew)
Authored Musical Compositions (Sheet Music)
Published
1. Shaked, Yuval (1989).String.ent/endo for guitar with six equal (E1) strings. Celle: Moeck
(Nr.7040). (German title: Einseitig ruhig; Hebrew title: Yetera Mizot)
2. Shaked, Yuval (1995). Liebeslament aus Der Gesang der Gesänge for oboe. Hamburg:
Peer Music (Nr.3320). (German title: Liebeslament; Hebrew title: Kinat Ahava)
17
3. Shaked, Yuval (1996). Aver dodici for flute and guitar. Hamburg: Peer Music (Nr.3344).
4. Shaked, Yuval (1997). Plotted Music, Octet for flute, oboe, clarinet, piano, percussion,
violin, viola and cello. Hamburg: Peer Music. (German title: Zeitgesonnene Musik (temp.);
Hebrew title: Musica Bat Zmamenu)
5. Shaked, Yuval (1997). 40 Times Presence for (baritone/alt/sopran)-saxophone,
percussion and piano. Hamburg: Peer Music. (German title: 40malige Gegenwart und
Rückmeldung; Hebrew title: Arba'im Pa'am Hove)
6. Shaked, Yuval (1998). 40 Times Presence and Checking It Out for (baritone/alt/sopran)-
saxophone, percussion and piano. Hamburg: Peer Music. (German title: 40malige Gegenwart
und Rückmeldung; Hebrew title: Arba'im Pa'am Hove Uvidu Hitvad'ut)
7. Shaked, Yuval (1998). Following eradicable brandmarks for flute/alt flute, oboe/English
horn and clarinet/bass clarinet. Hamburg: Peer Music. (German title: tilgbaren Brandmalen
folgen; Hebrew title: Be'ikvot Tzrivot Mechikot)
8. Shaked, Yuval (1998). Diaphany from My Wiepersdorf Practice, in Leichte Klaviermusik
aus aller Welt – Israel. Hamburg: Peer Music (Nr.3416; ISMN M-50011-684-4). (German
title: Diaphanie aus Meine Wiepersdorfer Praxis)
9. Shaked, Yuval (1998). Two Late Resonances of Diaphany from My Wiepersdorf Practice,
in Leichte Klaviermusik aus aller Welt – Israel. Hamburg: Peer Music (Nr.3416; ISMN M-
50011-684-4). (German title: Zwei nachzutragende Resonanzen zu Diaphanie aus Meine
Wiepersdorfer Praxis)
10. Shaked, Yuval (2000). Praefix, Etude cycle for two guitarists, Hamburg: Peer Music
(Nr.3483; ISMN M-50011-45-2). (German title: Präfix; Hebrew title: Reisha)
Authored Musical Compositions
CDs Released
1. Shaked, Yuval, "String.ent/endo", in Chimère – Reinbert Evers, (Hamburg: ambitus, amb
97 940, 1996). (German title: "Einseitig ruhig")
2. Shaked, Yuval, "40 Times Presence and Checking It Out", in Wittener Tage für neue
Kammermusik 1998, Trio Accanto, (Cologne: WDR, WD98, 1999). (German title: "40malige
Gegenwart und Rückmeldung")
* 3. Shaked, Yuval, "INMN", in In Nomine – The Witten In Nomine Broken Consort Book,
Ensemble Recherche (Vienna: Kairos, 0012442KAI, 2004).
* 4. Shaked, Yuval, "40 Times Presence and Checking It Out", in So Near So Far, Trio
Accanto, (Berlin: Edition Zeitklang, EZ 31029, 2009). (German title: "40malige Gegenwart
und Rückmeldung")
* 5. Shaked, Yuval, "Eleven Breakings of Silence", in: The Music Department, at the Dr.
Hecht Arts Center, University of Haifa (Haifa: University of Haifa, 2011).
18
Edited Books – Published
1. Shaked, Yuval, Music in the National-Socialist State – A Collection of Primary and
Secondary Documents (Tel Aviv: Kibbutzim College, 1988). (40 pages; Hebrew)
1a. Shaked, Yuval, Music in the National-Socialist State – A Collection of Primary
and Secondary Documents (Tel Aviv: Kibbutzim College, second enlarged edition,
1989). (98 pages; Hebrew)
* 2. Bahat, Avner, Jewish Music – Introduction to its treasures and creators (Tel Aviv:
Hakibbutz Hameuchad, 2011). (512 pages; Hebrew; Yuval Shaked – Scientific Editor)
D. Articles in Refereed Journals
Published
1. Shaked, Yuval, "Scroe and Introduction to the radio piece BEISPIEL", MusikTexte 4
(April 1984):34-39. (German; Original title: "Partitur und eine Einleitung zum Hörspiel
BEISPIEL")
2. Shaked, Yuval, ["Statement as a Response to a Questionaire about the International
Summer Courses for New Music 'Is Darmstadt Alive? – a Questionaire' "], MusikTexte 5
(July 1984):17. (German; Original title: "Statement als Erwiderung auf eine Umfrage zu den
Internationalen Ferienkursen für neue Musik 'Ist Darmstadt alive? – Eine Umfrage' ")
3. Shaked, Yuval, "Apropos Metz – Thoughts Raised by the 13th International
Contemporary Music Encounters in Metz", in MusikTexte 7 (December 1984):55-56.
(German; Original title: "Apropos Metz – Angeregte Gedanken zu den 13. internationalen
Begegnungen der zeitgenössischen Musik in Metz")
4. Shaked, Yuval, " 'Like a Beetle Twitching on its Back' – An Analysis of Helmut
Lachenmann's Composition MOUVEMENTS (– VOR DER ERSTARRUNG)",
MusikTexte 8 (February 1985):9-16. (German; Original title: " 'Wie ein Käfer, auf dem
Rücken zappelnd' – Eine Werkanalyse von Helmut Lachenmanns MOUVEMENTS (–VOR
DER ERSTARRUNG)")
5. Shaked, Yuval [Under the pseudonym: Karl-Heinz Schmitz], "In Our Own Matter", in
MusikTexte 9 (April 1985):S.60. (German; Original title: "In der eigenen Sache")
6. Shaked, Yuval, "Helmut Lachenmann's SALUT FÜR CAUDWELL – An Analysis ",
nova giulianiad / Freiburger Saitenblätter Bd.2, Nr.6 (June 1985):97-109. (German;
Original title: "Helmut Lachenmanns SALUT FÜR CAUDWELL – Eine Analyse")
6a. Shaked, Yuval, "Helmut Lachenmann's SALUT FÜR CAUDWELL – An
Analysis", in http://www.ictus.be/SpecialFiles/saluut.pdf, retrieved on January 3,
2009. (Flemic)
7. Shaked, Yuval, "On the Power of Feebleness – On the Reviews of the Stuttgart Days for
New Music", MusikTexte 10 (July 1985):57-60. (German; Original title: "Über die Macht
der Ohnmacht – Zur Kritik an den Stuttgarter Tage für Neue Musik")
19
8. Shaked, Yuval, ["Reaction to the essay 'Music In Israel' by A.Maayani"], in Prosa 88
(October 1986):47. (Hebrew)
9. Shaked, Yuval, "[Germany isn't a Paradise for Composers] – Interview with Oded
Assaf", in Musica 1, (March 1987):18-19. (Hebrew)
10. Shaked, Yuval, "On the Tradition Conception of the Oldest Among the Young
Composers of his Time – The Affinity of B.A. Zimmermann's INTERCOMUNICAZIONE
and Beethoven's Op.102 No.2", Quaderni Perugini di Musica Contemporanea 7/8 (June
1987):13-17. (Italian; Original title: "Sul concetto di tradizione nel piu anziano tra i giovani
del suo tempo – Le affinita fra l’ 'INTERCOMUNICAZIONE' di B.A. Zimmermann e
Op.102,2 di Beethoven")
11. Shaked, Yuval, "Multi-Facetted Lack of Interest – New Music in Israel", MusikTexte 21
(Oktober 1987):56-58. (German; Original title: "Facettenreiche Interessenlosigkeit – Neue
Musik in Israel")
12. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", IMI-News 90/2 (April
1990):3-9. (Hebrew) (See also under Articles or Chapters in Scientific Books 3)
12a. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", IMI-News 90/2
(April 1990):1-3.
13. Shaked, Yuval, "Stefan Wolpe – Break as a Metaphor and Truth", Gittit 99 (July
1990):14-15. (Hebrew)
14. Shaked, Yuval, "On His Own Right – On Max Brod and Music", IMI-News 91/1, (May
1991):2-9. (Hebrew)
14a. Shaked, Yuval, "On His Own Right – On Max Brod and Music", IMI-
News 91/1, (May 1991):1-3.
14b. Shaked, Yuval, "On His Own Right – On Max Brod and Music", hudebni
rozhledy ‘91/XLIV No.11 (November 1991):484-488. (Czech)
15. Shaked, Yuval, "John Cage – The Anachronism of Radicality", in Opus 8 (Fall
1992):57-60. (Hebrew)
16. Shaked, Yuval, "Continuous Absence to be Regretted", MusikTexte 46/47, (December
1992):47-48. (German; Original title: "Andauernd(e) zu bedauernde Abwesenheit")
17. Shaked, Yuval, "Frank Pelleg – the Practical Intellectual", IMI-News 93/4 (December
1993):9-10.
17a. Shaked, Yuval, "Frank Pelleg – the Practical Intellectual", in IMI-News 93/4
(December 1993):11-13. (Hebrew)
18. Shaked, Yuval, "Joy at the Pen and a Heart in the Hand – On Un-honorable Persons to be
Referred to", in Opus 11 (Spring 1994):17-21. (Hebrew; Original title: Ron Ba'et Velev
Bayad)
19. Shaked, Yuval, "All or Nothing at All – Correspondence with Arik Shapira / Queries",
IMI-News 94/2 (July 1994):2. (Hebrew)
19a. Shaked, Yuval, "All or Nothing at All – Correspondence with Arik Shapira /
Queries", IMI-News 94/2 (July 1994):1-2.
20. Shaked, Yuval, "P.E. Gradenwitz – Champion of Israeli Music (An Interview)", IMI-
News 94/3-4 (December 1994):4-8.
21
20a. Shaked, Yuval, "P.E. Gradenwitz – Champion of Israeli Music (An Interview)",
IMI-News 94/3-4 (December 1994):6-14.
21. Shaked Yuval, "Good Times?", Gittit 115 (March 1995):20-21. (Hebrew)
22. Shaked, Yuval, "The Game and the Mystery – David Alden, director and Paul Steinberg,
designer interviewed", IMI-News 95/2 (May 1995):8-9.
22a. Shaked, Yuval, "The Game and the Mystery – David Alden, director and Paul
Steinberg, designer interviewed", IMI-News 95/2 (May 1995):11-12. (Hebrew)
22b. Shaked, Yuval, "[Excerpts of] The Game and the Mystery – David Alden,
director and Paul Steinberg, designer interviewed", in Josef – Opera by Josef Tal,
published by the New Israeli Opera, p.[16-17]. (Hebrew)
23. Shaked, Yuval, "A Bulbul in a China Shop", IMI-News 95/2 (May 1995):20-21.
(Hebrew)
23a. Shaked, Yuval, "A Bulbul in a China Shop", IMI-News 95/2 (May 1995):14.
24. Shaked, Yuval, "On the Morality of Criticism – A True Story. Karl Kraus and Persons of
the Second Viennese School", Ears to Music 4 (February 2001):18-19. (Hebrew)
25. Shaked, Yuval, "Curses and Deterioration – On Seriouslessness in Our Serious Music",
Tav+ 1, Haifa (Winter 2003):9-13. (Hebrew)
25a. Shaked, Yuval (2003). "Curses and Seterioration – On seriouslessness in Our
Serious Music", in http://www.tav-plus.co.il/articles.asp?PrintID=1&ArticleID=11,
retrieved on December 23, 2009. (Hebrew)
26. Shaked, Yuval, "Ancient Culture, Hirer at a 50-year Old State with Values which
Become Strange, is Looking for a Musical Tradition", Neue Zeitschrift für Musik Vol.159
No.3 (May-June 1998):6-9. (German; Original title: "Uralte Kultur, Untermieterin eines
fünfzigjährigen Staates mit fremd werdenden Werten, sucht eine musikalische Tradition")
27. Shaked, Yuval, "Seemingly One of Us – Iannis Xenakis in Israel", MusikTexte 89 (May
2001):35-36. (German; Original title: "Scheinbar einer unseresgleichen – Iannis Xenakis in
Israel")
28. Shaked, Yuval, "In the Spirit of the Pioneers – Memories of Peter Gradenwitz",
MusikTexte 91 (November 2001):79-80. (German; Original title: "Im Geist der Pioniere –
Erinnerungen an Peter Gradenwitz")
29. Shaked, Yuval, "Always More Independent – Contemporary Palestinian Music",
MusikTexte 93 (May 2002):5-10. (German; Original title: "Zunehmend selbständiger –
Zeitgenössische palästinensische Musik")
30. Shaked, Yuval, "Jewish Sacred Music by Israeli Composers", European Judaism Vol.35,
No.2 (Autumn 2002):36-42. (See also under Articles in Conference Proceedings 2)
* 31. Shaked, Yuval, " The Pigeons Flew Away… – On Contemporary Palestinian Music",
Neue Zeitschrift für Musik Vol.164 No.2 (March-April 2003):44-49. (German; Original title:
"Die Tauben flogen weg... – Zur zeitgenössischen palestinänsischen Musik")
* 32. Shaked, Yuval, "The Florence and Leghorn Jewish musical tradition", Firenze
ebraica 14th year, No.6, (November-December 2003):9-13. (Italian)
* 33. Shaked, Yuval, "Inimitable Associative Acrobatics – Abel Ehrlich (1915-2003)",
MusikTexte 100 (February 2004):113-114. (German; Original title: " Von assoziativer
Akrobatik – Abel Ehrlich (1915-2003)" )
21
* 33a. Shaked, Yuval, "Inimitable Associative Acrobatics", in New Music World
Magazine 14 (November 2004):46-48.
* 34. Shaked, Yuval, "Contemporary Music in Israel – Jewish? – Mediterranean? – New?",
Spuren – Zeitung für Gegenwärtige 3 (September 2008):10-13. (German; Original title: "
Zeitgenössische Musik in Israel – jüdisch? – mediterran? – neu?") (See also under Articles
in Conference Proceedings 3)
* 35. Shaked, Yuval, "Abstinence – Encounters with Mauricio Kagel", MusikTexte 119
(December 2008):28. (German; Original title: "Enthaltsamkeit – Begegnungen mit Mauricio
Kagel")
* 36. Shaked, Yuval, "Messanger for Times to Come – Obituary on Josef Tal",
MusikTexte 119 (December 2008):68. (German; Original title: "Botschafter für kommende
Zeiten – Nachruf auf Josef Tal")
* 37. Shaked, Yuval, "Ein Gev, Symphonic Fantasy (1952) [by Oedoen Partos]", in
http://www.americansymphony.org/dialogue.php?id=467&season=2008-2009, retrieved on
December 23, 2009.
* 38. Shaked, Yuval, "Midnight Vigil, Op.39a [by Mordecai Seter]", in
http://www.americansymphony.org/dialogue.php?id=468&season=2008-2009, retrieved on
December 23, 2009.
* 39. Shaked, Yuval (2009). Mauro My Mentor – A few ways of mine to introduce Maurcio
Kagel (Lecture held at the "Box", Tel Aviv, June 10, 2009), in
http://www.ensemblenikel.com/heb-cat.asp?catalogid=126, retrieved on November 25,
2009. (Hebrew)
* 40. Shaked, Yuval (2011). "On Contemporary Palestinian Music", in: Search – Journal
for New Music and Culture 8 (Summer 2011), http://www.searchnewmusic.org/shaked.pdf, retrieved on July 12, 2011.
* 41. Music Life in Eretz Israel prior to the Founding of the State, in:
http://baderech.hjm.org.il/Article.aspx/He/MusicInIsrael, Internet Exhibition “On the Way –
Jewish Creators who Went Out of Hungary in the 20th
Century”, Memorial Museum of
Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian)
* 42. Oedoen Partos, in: http://baderech.hjm.org.il/Article.aspx/He/PartosEden, Internet
Exhibition “On the Way – Jewish Creators who Went Out of Hungary in the 20th
Century”,
Memorial Museum of Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian)
* 43. Ilona Feher, in: http://baderech.hjm.org.il/Article.aspx/He/FeherIlona, Internet
Exhibition “On the Way – Jewish Creators who Went Out of Hungary in the 20th
Century”,
Memorial Museum of Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian)
* 44. Laszlo Vincze, Ilona Vincze-Krausz, in:
http://baderech.hjm.org.il/Article.aspx/He/VinczeLaszlo, Internet Exhibition “On the Way –
Jewish Creators who Went Out of Hungary in the 20th
Century”, Memorial Museum of
Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian).
22
E. Articles or Chapters in Scientific Books
(which are not Conference Proceedings)
Published
1. Shaked, Yuval, "Seven Questions – From an Interview of Yuval Shaked with Carola
Bauckholt on August 9, 1983", in Neuland, edited by Herbert Henck (Bergisch Gladbach:
Neuland, 1984), Band 4, 59-70. (German; Original title: "Sieben Fragen. Aus einem
Interview von Yuval Shaked mit Carola Bauckholt am 9. August 1983")
2. Shaked, Yuval, "Productivity and Sedan-Chair – On an Aesthetic Cartel", in In and
Around Education – Yearbook of the Kibbutzim College, vol.12 edited by Dorit Hopp, Nili
Keren and Yoel Snir (Tel Aviv: Kibbutzim College, 1990), 173-180. (Hebrew; Original title:
"Piryon and Apiryon")
3. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", in Abel Ehrlich, edited by
Amnon Wolman and Yuval Shaked (Tel Aviv: Israel Music Institute, 1995), 10-15. (Hebrew)
(See also under Articles in Refereed Journals 12)
3a. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", in Abel Ehrlich,
edited by Igal Myrtenbaum (Tel Aviv: Israel Music Institute, 1997), 11-17.
4. Shaked, Yuval, "Abel Ehrlich Hears", in Abel Ehrlich, edited by Amnon Wolman and
Yuval Shaked (Tel Aviv: Israel Music Institute, 1995), 39-45. (Hebrew)
4a. Shaked, Yuval, "Abel Ehrlich Hears", in Abel Ehrlich, edited by Igal
Myrtenbaum (Tel Aviv: Israel Music Institute, 1997), 45-53.
5. [Shaked, Yuval], ["In Honor of Abel Ehrlich"], in Israel State Prizes 1997, Jerusalem,
71-74. (Hebrew)
5a. [Shaked, Yuval], ["In Honor of Abel Ehrlich"], in Ben-Zion Orgad, Abel
Ehrlich, Andre Hajdu – Israel State Prizes 1997, Tel Aviv: Israel Music Institute, 8-
10. (Hebrew)
6. Shaked, Yuval, "To Immune against Music", in Dance Thoughts, edited by Tirza Sapir
(Tel Aviv: Kibbutzim College, 1998), 20-23. (Hebrew)
F. Articles in Conference Proceedings
Published
1. Shaked, Yuval. ["On Emigration, Adaptation, Adoption and Expropriation"], in Das
Eigene und das Fremde – Musik zwischen Aneignung und Enteignung, (Bremen:
Projektgruppe Neue Musik, 1992), 15-18. (German; Original title: "Über Wanderung,
Anpassung, Aneignung und Enteignung")
23
2. Shaked, Yuval. "Jewish Sacred Music by Israeli Composers", in Mit Pauke und Reigen,
Hannover: European Center for Jewish Music, 2002), 104-110. (German; Original title:
"Sakrale jüdische Musik israelischer Komponisten") (See also under Articles in Refereed
Journals 30)
* 3. Shaked, Yuval, "Contemporary Music in Israel – Jewish? – Mediterranean? – New?",
in Jüdische Musik? – Fremdbilder – Eigenbilder edited by Eckhard John and Heidy
Zimmermann (Köln: Böhlau, 2004), 269-288. (German; Original title: "Zeitgenössische
Musik in Israel – jüdisch? – mediterran? – neu?") (See also under Articles in Refereed
Journals 34)
* 4. Shaked, Yuval, and others, " ‚All Good Music is Jewish‘ " – A Diskussion among
Composers, with Chaya Czernowin, Josh Levine, Ruben Seroussi, Yuval Shaked and
Amnon Wolman", in Jüdische Musik? – Fremdbilder – Eigenbilder edited by Eckhard John
and Heidy Zimmermann (Köln: Böhlau, 2004), 303-318. (German; Original title: " 'Jede
gute Musik ist jüdisch" – Ein Gespräch unter Komponisten, mit Chaya Czernowin, Josh
Levine, Ruben Seroussi, Yuval Shaked und Amnon Wolman")
G. Entries in Encyclopedias
1. Shaked, Yuval, "Abel Ehrlich", in Komponisten der Gegenwart, edited by Hans Werner
Heister and Walter Wolfgang Sparrer (München: Edition text + kritik, 1996, 9th
Supplement). (German)
* 1a. Shaked, Yuval, "Abel Ehrlich", in Komponisten der Gegenwart, edited by
Hans Werner Heister and Walter Wolfgang Sparrer (München: Edition text + kritik,
2004, 27th Supplement). (German)
* 2. Shaked, Yuval, "Leef, Yinam", in Encyclopaedia Judaica, edited by Michael
Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.12, 600.
* 3. Shaked, Yuval, "Radzynski, Jan", in Encyclopaedia Judaica, edited by Michael
Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.17, 61-62.
* 4. Shaked, Yuval, "Ran, Shulamit", in Encyclopaedia Judaica, edited by Michael
Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.17, 89.
* 5. Shaked, Yuval, "Sheriff, Noam", in Encyclopaedia Judaica, edited by Michael
Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.18, 462-463.
* 6. Shaked, Yuval, "Starer, Robert", in Encyclopaedia Judaica, edited by Michael
Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.19, 164.
24
H. Other Scientific Publications
Articles in CD Booklets – Published
1. Shaked, Yuval, "Congregate for dialogue – Contact – No Dialogue?", in Mordecai Seter
– Piano works 1982/83, edited by Yuval Shaked (Tel Aviv: Music In Israel, MII-CD-13,
1993):[4-16]. (Hebrew)
1a. Shaked, Yuval, "Congregate for dialogue – Contact – No Dialogue?", in
Mordecai Seter – Piano works 1982/83, edited by Yuval Shaked (Tel Aviv: Music In
Israel, MII-CD-13, 1993):[4-17].
2. Shaked, Yuval, "[On Mediterranean Music and, under different pseudonyms – Notes on
three works], in Pnina Salzman plays Mediterranean Piano Music, edited by Yuval Shaked
(Tel Aviv: Music In Israel, MII-CD-19, June 1996):[?].
* 3. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan Wolpe in
Jerusalem 1934-1938, edited by Yuval Shaked (New York: Mode and Tel Aviv: Beth
Hatefutsoth, CD Mode 156, 2006):4-8.
* 3a. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan
Wolpe in Jerusalem 1934-, edited by Yuval Shaked (New York: Mode and Tel Aviv:
Beth Hatefutsoth, CD Mode 156, 2006):15-20. (German)
* 3b. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan
Wolpe in Jerusalem 1934-, edited by Yuval Shaked (New York: Mode and Tel Aviv:
Beth Hatefutsoth, CD Mode 156, 2006):27-31. (French)
* 3c. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan
Wolpe in Jerusalem 1934-1938, edited by Yuval Shaked (New York: Mode and Tel
Aviv: Beth Hatefutsoth, CD Mode 156, 2006):38-40. (Hebrew)
* 4. Halfon, Daniel & Yuval Shaked, "Preface", in Kamti Lehallel (I Rise in Praise) – The
Musical Tradition of the Spanish and Portuguese Jewish Communities of Amsterdam,
London and New York, edited by Yossi Avner, Anton Kras and Yuval Shaked (Amsterdam:
Joods Historisch Museum and Tel Aviv: Beth Hatefutsoth, BTR 0701, 2007):7-9.
* 4a. Halfon, Daniel & Yuval Shaked, "Preface", in Kamti Lehallel (I Rise in
Praise) – The Musical Tradition of the Spanish and Portuguese Jewish Communities
of Amsterdam, London and New York, edited by Yossi Avner, Anton Kras and Yuval
Shaked (Amsterdam: Joods Historisch Museum and Tel Aviv: Beth Hatefutsoth,
BTR 0701, 2007): ז-ח . (Hebrew)
* 5. Shaked, Yuval, ["On chamber works by Theodor W. Adorno and Artur Schnabel"], in
Theodor W. Adorno, Artur Schnabel – Chamber Music, edited by Yuval Shaked (Tel Aviv:
Beth Hatefutsoth, BTR 0702, 2008): ו-כה
* 5a. Shaked, Yuval, ["On chamber works by Theodor W. Adorno and Artur
Schnabel"], in Theodor W. Adorno, Artur Schnabel – Chamber Music, edited by
Yuval Shaked (Tel Aviv: Beth Hatefutsoth, BTR 0702, 2008):6-27. (Hebrew)
* 6. Shaked, Yuval, ["On Bach's Musical Offering"], in Johann Sebastian Bach – A
Musical Offering (BWV 1079) in der Realisation by Gerd Zacher (Remscheid: Gideon Boss
Musikproduktion, gb 003, 2009):[3-5]. (German)
25
* 6a. Shaked, Yuval (2009). ["On Bach's Musical Offering"], in Johann Sebastian
Bach – A Musical Offering (BWV 1079) in the Realisation by Gerd Zacher
(Remscheid: Gideon Boss Musikproduktion, gb 003, 2009):[5-7].
* 6b. Shaked, Yuval (2009). ["On Bach's Musical Offering"], in Johann Sebastian
Bach – A Musical Offering (BWV 1079) in the Realisation by Gerd Zacher
(Remscheid: Gideon Boss Musikproduktion, gb 003, 2009):[8-10]. (French)
* 7. Shaked, Yuval, ["On chamber works by Arnold Schoenberg and Anton Webern"], in
Arnold Schoenberg, Anton Webern – Chamber Music (Tel Aviv: Beth Hatefutsoth,
BTR 0901, 2009):4-9. (Hebrew)
* 7a. Shaked, Yuval, ["On chamber works by Arnold Schoenberg and Anton
Webern"], in Arnold Schoenberg, Anton Webern – Chamber Music (Tel Aviv: Beth
Hatefutsoth, BTR 0901, 2009):iv-xi.
* 8. Shaked, Yuval, “An Old Master in the New World”, in Jaromir Weinberger – Chamber and
Organ Music (Remscheid: Gideon Boss Musikproduktion, gb 005, 2011):[3-33]. (German)
* 8a. . Shaked, Yuval, “An Old Master in the New World”, in Jaromir Weinberger –
Chamber and Organ Music (Remscheid: Gideon Boss Musikproduktion, gb 005, 2011):[34-
51].
* 8b. Shaked, Yuval, “An Old Master in the New World”, in Jaromir Weinberger –
Chamber and Organ Music (Remscheid: Gideon Boss Musikproduktion, gb 005, 2011):[52-
71]. (French)
I. Other Publications
a. CDs Produced
1. Bahat, Avner and Yuval Shaked, producers, Like the Leaden Sky – The Terezin Ghetto
Remembered in Works by Israeli and Czech Composers (Tel Aviv: Beth Hatefutsoth,
BTR 9902, 2000).
2. Shaked, Yuval, producer, Eliyahoo Hanabee – The Musical Tradition of the Bene Israel of
Bombay (Tel Aviv: Beth Hatefutsoth, BTR 0101, 2001).
3. Bahat, Avner and Yuval Shaked, producers, Singing Dew – The Florence-Leghorn Jewish
Musical Tradition (Tel Aviv: Beth Hatefutsoth, BTR 0201, 2002).
* 4. Shaked, Yuval, and others, producers, Mokum – Jerusalem of the West, the Musical
Tradition of the Ashkenazic Community of Amsterdam (Tel Aviv & Amsterdam: Beth
Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005).
* 5. Brandt, Brian and Yuval Shaked, executive producers, Stefan Wolpe in Jerusalem
1934-1938 (New York: Mode Records, Mode 156, 2006).
* 6. Shaked, Yuval, producer, Kamti Lehallel (I Rise in Praise) – The Musical Tradition of
the Spanish and Portuguese Jewish Communities of Amsterdam, London and New York (Tel
Aviv & Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0701, 2007).
* 7. Shaked, Yuval, producer, "The Jewish Musical Tradition of Alexandria (Egypt) and
Maestro Alberto Hemsi" [CD], in History and Culture of the Jews from Egypt in Modern
26
Times, edited by Ada Aharoni, Aimé Israel-Pelletier and Levana Zamir (Tel Aviv: WCJE,
University of Haifa and Herzl Institute, 2008).
* 8. Shaked, Yuval, producer, Theodor W. Adorno and Artur Schnabel – Chamber Music
(Tel Aviv: Beth Hatefutsoth and Deutschlandradio Kultur, BTR 0702, 2008).
* 9. Shaked, Yuval, producer, The Music Department, at the Dr. Hecht Arts Center,
University of Haifa (Haifa: University of Haifa, 2011).
* 10. Shaked, Yuval, co-producer, Jaromir Weinberger – Chamber and Organ Music
(Remscheid: Gideon Boss Musikproduktion, gb 005, 2011).
b. CD Booklets Edited
1. Shaked, Yuval, ed., Mordecai Seter: Piano Works (1982/83) (Tel Aviv: Music in Israel,
MII-CD-13, 1993).
2. Shaked, Yuval, ed., Ben-Zion Orgad: Mizmorim; Hallel (Tel Aviv: Music in Israel, MII-
CD-14, 1993).
3. Shaked, Yuval, ed., Clarinet Quintets: Paul Ben-Haim; Menachem Zur; Ben-Zion Orgad
(Tel Aviv: Music in Israel, MII-CD-15, 1994).
4. Shaked, Yuval, ed., Yinam Leef: Symphony No.1; Violin Concerto (Tel Aviv: Music in
Israel, MII-CD-16, 1995).
5. Shaked, Yuval, ed., Jacob Gilboa: From the Dead Sea Scrolls; Kathros Upsanterin;
Sonata; Three Vocalises for Peter Breughel (Tel Aviv: Music in Israel, MII-CD-17, 1995).
6. Shaked, Yuval, ed., String Quartets – Mordecai Seter, Tzvi Avni, Josef Tal, Oedoen
Partos (Tel Aviv: Music in Israel, MII-CD-18, 1995).
7. Shaked, Yuval, ed., Pnina Salzman plays Mediterranean Piano Music (Tel Aviv: Music in
Israel, MII-CD-19, 1996).
8. Avner, Yossi and Yuval Shaked, eds., Musica Judaica – Varda Nishry, piano. Works by
Ben-Haim, Hemsi, Yoffe, Blarr, Wolpe (Tel Aviv: Beth Hatefutsoth, BTR 9701, 1997).
9. Avner, Yossi and Yuval Shaked, eds., The Musical Tradition of the Jewish Reform
Congregation in Berlin (Tel Aviv: Beth Hatefutsoth, BTR 9702, 1997).
10. Avner, Yossi and Yuval Shaked, eds., The St. Petersburg School – Music for cello and
piano (Tel Aviv: Beth Hatefutsoth, BTR 9801, 1998).
11. Avner, Yossi and Yuval Shaked, eds., Israel Kibbutz Choir conducted by Avner Itai –
Jewish and Israeli Music (Tel Aviv: Beth Hatefutsoth, BTR 9901, 1999).
12. Avner, Yossi and Yuval Shaked, eds., Like the Leaden Sky – The Terezin Ghetto
Remembered in Works by Israeli and Czech Composers (Tel Aviv: Beth Hatefutsoth,
BTR 9902, 2000).
13. Avner, Yossi and Yuval Shaked, eds., Eliyahoo Hanabee – The Musical Tradition of the
Bene Israel of Bombay, Tel Aviv: Beth Hatefutsoth, BTR 0101, 2001).
14. Avner, Yossi and Yuval Shaked, eds., Singing Dew – The Florence-Leghorn Jewish
Musical Tradition (Tel Aviv: Beth Hatefutsoth, BTR 0201, 2002).
27
* 15. Avner, Yossi, Anton Kras and Yuval Shaked, eds., Mokum – Jerusalem of the West,
the Musical Tradition of the Ashkenazic Community of Amsterdam (Tel Aviv & Amsterdam:
Beth Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005).
* 16. Shaked, Yuval, ed., Stefan Wolpe in Jerusalem 1934-1938 (New York: Mode
Records, Mode 156, 2006).
* 17. Avner, Yossi, Anton Kras and Yuval Shaked, eds., Kamti Lehallel (I Rise in Praise) –
The Musical Tradition of the Spanish and Portuguese Jewish Communities of Amsterdam,
London and New York (Tel Aviv & Amsterdam: Beth Hatefutsoth & Joods Historisch
Museum, BTR 0701, 2007).
* 18. Shaked, Yuval, ed., Theodor W. Adorno and Artur Schnabel – Chamber Music (Tel
Aviv: Beth Hatefutsoth & Deutschlandradio Kultur, BTR 0702, 2008).
* 19. Seroussi, Edwin and Yuval Shaked, eds., Kulmus Hanefesh – A Musical Journey into
the Hassidic Niggun (Jerusalem, Jerusalem Music Center, Jewish Music Research Center &
The Hebrew University of Jerusalem, CJM 0901, 2009).
J. Other Works Connected with my Scholarly Field
a. Essay in a Book
1. Shaked, Yuval, ["On My Work"], in The Sweet Psalmists of Israel – Music and
Musicians in Israel by Yehuda Cohen (Tel Aviv: Am Oved, 1990), 422-424. (Hebrew)
b. Entries in a Lexicon
1. Shaked, Yuval, "Heimat" in Ensemble Recherche Wörterbuch (Freiburg, 2000), [58].
(German)
2. Shaked, Yuval, "Weltmusik" in Ensemble Recherche Wörterbuch (Freiburg, 2000), [150-
151].(German)
c. Press
1. Shaked, Yuval, "Twelve Rods of Wrath", Ha’ir, December 15, 1989, 70. (Hebrew)
2. Shaked, Yuval, ["Neither a Superpanther nor a Subpudel – Reaction on an article by
Hanoch Ron published on May 25"], Tel Aviv, June 29, 1990, [?]. (Hebrew)
3. Shaked, Yuval, ["Intervention in the Dispute Concerning the Award of the Israel State
Prize to Arie Shapira"], Ha’ir, March 4, 1994, [?].
3a. Shaked, Yuval, "His Professionalism and his view of the world –
[Intervention in the Dispute Concerning the Award of the Israel State Prize to
Arie Shapira]", IMI-News 94/2 (July 1994):22.
28
3b. Shaked, Yuval, ["Intervention in the Dispute Concerning the Award of
the Israel State Prize to Arie Shapira"], IMI-News 94/2, (July 1994):26.
(Hebrew)
4. Shaked, Yuval, ["Second Intervention in the Dispute Concerning the Award of the Israel
State Prize to Arie Shapira"], Ha’aretz, March 28, 1994, [?]. (Hebrew)
4a. Shaked, Yuval, "I would be most surprised – [Second Intervention in the
Dispute Concerning the Award of the Israel State Prize to Arie Shapira]",
IMI-News 94/2 (July 1994):23.
4b. Shaked, Yuval, ["Second Intervention in the Dispute Concerning the
Award of the Israel State Prize to Arie Shapira"], IMI-News 94/2 (July
1994):26. (Hebrew)
5. Shaked, Yuval, "Mockery and Laughter", Ha’aretz, August 8, 1997, [?]. (Hebrew)
* 6. Shaked, Yuval, "To the Sounds of Music – [Review of the Book] Des Lagers Stimme,
Musik im KZ Alltag und Häftlingskultur in den Konzentrationslagern 1933 bis 1938 by
Guido Fackler", Ha’aretz, Literary Supplement, issue 539, June 25, 2003, 13. (Hebrew)
* 7. Shaked, Yuval, "Jewish Music – Adventure and Challenge – On the Feher Jewish
Music Center", in Beth Hatefutsoth [Newsletter of the Nahum Goldmann Museum of Jewish
Diaspora] 1 (September 2005): 6-7. (Hebrew)
d. Radio Lectures
1. Shaked, Yuval, "Helmut Lachenmann: MOUVEMENTS (– VOR DER ERSTARRUNG)
– An Analysis", broadcast on Deutschlandfunk (DLF), Wednesday, March 13, 1985, 9:00-
9:30 pm. (German; Original title: "Helmut Lachenmann: MOUVEMENTS (– VOR DER
ERSTARRUNG) – Ein Werkkommentar ")
2. Shaked, Yuval, "Contemporary Palestinian Music", broadcast on Deutschlandfunk (DLF)
– Atelier neuer Musik, Saturday, June 1, 2001, 10:05-10:50 pm. (German; Original title:
"Zeitgenössische palästinensische Kunstmusik")
* 3. Shaked, Yuval, "Forgotten and Tormented Wellspring – Jaromir Weinberger and his
Chamber Music", broadcast on Deutschlandfunk – Musikforum, Tuesday, July 13, 2010,
9:05-11:50 pm. (German; Original title: "Durquällte Quelle")
e. Radio Interviews (Selection)
1. April 17, 1984, 4:30-5:30 pm, WDR 3, Workshop New Music, Conversations about
Compositions
2. July 11, 1993, 8:00-9:30 pm, DRS 2, Between Intifada and Welling Wall – New Music in
Israel, Conversation with the composers Abel Ehrlich and Yuval Shaked
3. September 10, 1996, 4:00-6:00 pm, Kol Hamusica, My Concert
4. June 29, 1998, 9:00-11:00 pm, Kol Hamusica, A Matter of Consense
5. October 31, 2000, 10:00pm-00:00 am, Kol Hamusica, A Matter of Consense
29
6. February 13, 2002, 8:00-9:00 pm, DRS 2, The Israeli Composer Yuval Shaked
7. September 6, 2002, 4:00-6:00 pm, Kol Hamusica, My Concert (repeat)
*8. September 9, 2004, 11:00pm-00:00 am, Kol Hamusica, It isn't Late Yet
*9. April 23, 2005 (& July 9, 2005, repeat), Nordwest Radio, When the Rabbi listens to
Raggae… – Sigrid Brinkmann in Conversation with Yuval Shaked
*10. July 3, 2005, 10-10:30 pm, Music Feuilleton, Arch of World Music – The Composer
Yuval Shaked and the Feher Jewish Music Center in Tel Aviv
*11. March 24, 2006, 12:05 am (& 11:05 pm, repeat), hr2, Double-Head, At the Table with
Yuval Shaked, Sound Archivist
*12. October 12, 2007, 8:50 am, Channel 2, IBA, That's Life, Yuval Shaked – The Feher
Jewish Music Center at Beth Hatefutsoth
*13. August 3, 2008, 7:00-8:00 pm, Kol Hamusica, New at the Mediathek, Kamti Lehallel –
The Musical Tradition of the Spanish Communities, Conversation with Yuval Shaked
*14. September 1, 2009, 4:00-6:00 pm, Kol Hamusica, My Concert (repeat)
*15. March 6, 2011, 6:00-8:00 pm, Kol Hamusica, Music Magazine – On John Cage's
Sonatas and Interludes for prepared piano
*16. April 3, 2011, 6:00-8:00 pm, Kol Hamusica, Music Magazine – On Extended Playing
Techniques.
f. Paper Interviews (Selection)
* 1. Bar-On, Yaacov, "New, Modern and Innovative", JTimes (Makor Rishon), April 25,
2010, 6. (Hebrew)
* 2. Hitron, Haggai, “One Anthology, Four Worlds”, Ha’aretz, September 26, 2011, Art &
Leisure 4. (Hebrew)
g. Concert Programs – Editing & Writing
1. Shaked, Yuval, ["On J.S. Bach’s ST. JOHN PASSION"], in Program of the Israel
Festival, Jerusalem 1986, for a performance at the Dormitio Abbey.
1a. Shaked, Yuval, ["On J.S. Bach’s ST. JOHN PASSION"], in Program of the
Israel Festival, Jerusalem 1986, for a performance at the Dormitio Abbey. (Hebrew)
2. Shaked, Yuval, ["On Claudio Monteverdi’s VESPERS"], in Program of the Israel
Festival, Jerusalem 1986, for a performance at the Dormitio Abbey.
2a. Shaked, Yuval, ["On Claudio Monteverdi’s VESPERS"], in Program of the
Israel Festival, Jerusalem 1986, for a performance at the Dormitio Abbey. (Hebrew)
3. Shaked, Yuval, ["On Mozart’s and Salieri’s REQUIEM"], in Program of the Israel
Festival, Jerusalem 1987, for a performance at the Dormitio Abbey.
3a. Shaked, Yuval, ["On Mozart’s and Salieri’s REQUIEM"], in Program of the
Israel Festival, Jerusalem 1987, for a performance at the Dormitio Abbey. (Hebrew)
31
4. Shaked, Yuval, ["On J.S. Bach’s MAGNIFICAT and some other works by him"], in
Program of the Israel Festival, Jerusalem 1987, for a performance at the Dormitio Abbey.
4a. Shaked, Yuval, ["On J.S. Bach’s MAGNIFICAT and some other works by him"],
in Program of the Israel Festival, Jerusalem 1987, for a performance at the Dormitio
Abbey. (Hebrew)
5. Shaked, Yuval, ["On Anton Bruckner’s MASS in E minor and Heinrich Schütz’s
PSALMEN DAVIDS"], in Program of the Israel Festival, Jerusalem 1987, for a performance
at the Dormitio Abbey.
5a. Shaked, Yuval, ["On Anton Bruckner’s MASS in E minor and Heinrich Schütz’s
PSALMEN DAVIDS"], in Program of the Israel Festival, Jerusalem 1987, for a
performance at the Dormitio Abbey. (Hebrew)
6. Shaked, Yuval, ["On Arthur Honegger’s LE ROI DAVID"], in Program of the Israel
Festival, Jerusalem 1987, for a performance at the Dormitio Abbey.
6a. Shaked, Yuval, ["On Arthur Honegger’s LE ROI DAVID"], in Program of the
Israel Festival, Jerusalem 1987, for a performance at the Dormitio Abbey. (Hebrew)
7. Shaked, Yuval, ["On J.S. Bach’s CHRISTMASS ORATORIO"], in Program of the
Festival Vocal Music in Jerusalem, January 1988, for a performance at the Jerusalem
Theatre.
7a. Shaked, Yuval, ["On J.S. Bach’s CHRISTMASS ORATORIO"], in Program of
the Festival Vocal Music in Jerusalem, January 1988, for a performance at the
Jerusalem Theatre. (Hebrew)
8. Shaked, Yuval, ["On Ludwig van Beethoven’s MASS Op.86 and Felix Mendelssohn’s
PSALM 42"], in Program of the Festival Vocal Music in Jerusalem, January 1988, for a
performance at the Dormitio Abbey.
8a. Shaked, Yuval, ["On Ludwig van Beethoven’s MASS Op.86 and Felix
Mendelssohn’s PSALM 42"], in Program of the Festival Vocal Music in Jerusalem,
January 1988, for a performance at the Dormitio Abbey. (Hebrew)
9. Shaked, Yuval, ["On J.S. Bach’s CANTATAS No.82 & 189, and works by D. Buxtehude,
G. Torelli and A. Vivaldi"], in Program of the Festival Vocal Music in Jerusalem, January
1988, for a performance at the Dormitio Abbey.
9a. Shaked, Yuval, ["On J.S. Bach’s CANTATAS No.82 & 189, and works by
D. Buxtehude, G. Torelli and A. Vivaldi"], in Program of the Festival Vocal Music in
Jerusalem, January 1988, for a performance at the Dormitio Abbey. (Hebrew)
10. Shaked, Yuval, ["On J.S. Bach’s ST. MATTHEW PASSION"], in Program of the Israel
Festival, Jerusalem, May 1988, for a performance at the Dormitio Abbey.
10a. Shaked, Yuval, ["On J.S. Bach’s ST. MATTHEW PASSION"], in Program of
the Israel Festival, Jerusalem, May 1988, for a performance at the Dormitio Abbey.
(Hebrew)
11. Shaked, Yuval, ["On Bulgarian Folk Music"], in Program of the Israel Festival,
Jerusalem, May 1988, for a concert of the Sofia Women’s Choir at the Dormitio Abbey.
11a. Shaked, Yuval, ["On Bulgarian Folk Music"], in Program of the Israel Festival,
Jerusalem, May 1988, for a concert of the Sofia Women’s Choir at the Dormitio
Abbey. (Hebrew)
31
12. Shaked, Yuval, ["On three masses by J. Haydn, a Cantata by D. Buxtehude, and two
concertos by J.S. Bach"], in Program of the Israel Festival, Jerusalem, June 1988, for a
performance at the Dormitio Abbey.
12a. Shaked, Yuval, ["On three masses by J. Haydn, a Cantata by D. Buxtehude, and
two concertos by J.S. Bach"], in Program of the Israel Festival, Jerusalem, June
1988, for a performance at the Dormitio Abbey. (Hebrew)
13. Shaked, Yuval, ["On Myself"], in Concert Program [consisting of compositions by Oded
Assaf and Yuval Shaked], Rubin Museum, Tel Aviv, February 1, 1990.
14. Shaked, Yuval, "Contemporary Music from Israel", in ProgrammMagazin, Düsseldorf,
September 1998, 50-53. (German; Original title: "Zeitgenössische Musik aus Israel")
15. Shaked, Yuval, "About Contemporary Palestinian Music", in Ruhrfestspiele
Recklinghausen, in Program of the 10th European Festival, Recklinghausen, May 1 – June
25, 2000, 104-105. (German; Original title: "Zur zeitgenössischen palästinensischen
Kunstmusik")
h. Exhibition Catalogues
1. Pick, Anat and Yuval Shaked, "Composition for Shot Time", in The Candidate,
Exhibition Catalogue at the Navon Gallery, Neve Ilan, September 22 – October 20, 1993,
[13].
2. Shaked, Yuval, "12 Minutes: Dictation + The Identity Card", in The Poor The State The
Rich, Exhibitiom Magazine, Issued on the occasion of an exhibition by the Forum of Art
Museums at the Bat Yam, Arad and Kfar Saba Museums of Art, Israel; Cologne and Berlin,
Germany, (Yael Katz Ben Shalom, curator & editor), Tel Aviv, March 9, 2000, p.13.
i. Participation in exhibition
* 1. Würfelsequenzen | Pixelsound, Exhibition of drawings, objects and composition at the
Galerie im Kunsthaus, Erfurt, Germany, February 7 – March 25, 2006.
k. Translations (Selection)
1. Braun, Joachim, Aspects of Music Sociology in Israel, in [?]. (German to Hebrew)
2. Some Poems by Zohar Eitan, in Eclat, Program book for a contemporary music festival,
Stuttgart, Germany, February 1998. (Hebrew to German)
3. “Sh(e)lu na’alekhem” by Gershon Shofman, in Four Pieces for mixed chorus (Hamburg:
Peer Musikverlag, 1999), IV. (Hebrew to German)
4. Weil, Shalva,"The Bene Israel of India", in Eliyahoo Hanabee – The Musical Tradition of
the Bene Israel of Bombay (Tel Aviv: Beth Hatefutsoth, BTR 0101, 2001), 3-8. (English to
Hebrew)
32
6. Manasseh, Sara, "The Musical Tradition of the Bene Israel of Bombay", in Eliyahoo
Hanabee – The Musical Tradition of the Bene Israel of Bombay (Tel Aviv: Beth Hatefutsoth
BTR 0101, 2001), 9-13. (English to Hebrew)
7. Salvadori, Roberto G., "The Jewish Communities of Florence and Leghorn (Livorno)", in
Singing Dew – The Florence-Leghorn Jewish Musical Tradition (Tel Aviv: Beth
Hatefutsoth, BTR 0201, 2002), pp. יא-כו . (English to Hebrew)
8. Seroussi, Edwin, "Music from the Synagogue of Florence", in Singing Dew – The
Florence-Leghorn Jewish Musical Tradition (Tel Aviv: Beth Hatefutsoth, BTR 0201, 2002),
כז-ל . (English to Hebrew)
* 9. Ben Zeev, Noam, "Arie Shapira" in Komponisten der Gegenwart (Munich: edition
text + kritik, 26th Supplement, December 2003). (English to German)
* 10. Van Voolen, Edward, "Ashkenazi Jews in Amsterdam", in Mokum – Jerusalem of the
West, the Musical Tradition of the Ashkenazic Community of Amsterdam, Tel Aviv &
Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005), ה-יא .
(English to Hebrew)
* 11. Kras, Anton, "The Choir of the Great Synagogue [in Amsterdam]", in Mokum –
Jerusalem of the West, the Musical Tradition of the Ashkenazic Community of Amsterdam,
Tel Aviv & Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005),
יג-טו . (English to Hebrew)
* 12. Cohen, Julie-Marthe, "The Sephardi Communities of Amsterdam, London, and New
York", in Kamti Lehallel (I Rise in Praise) – The Musical Tradition of the Spanish and
Portuguese Jewish Communities of Amsterdam, London and New York (Tel Aviv &
Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0701, 2007), ט-טז .
(English to Hebrew)
* 13. Seroussi, Edwin, "Liturgical Music at the Spanish and Portuguese Synagogues", in
Kamti Lehallel (I Rise in Praise) – The Musical Tradition of the Spanish and Portuguese
Jewish Communities of Amsterdam, London and New York (Tel Aviv & Amsterdam: Beth
Hatefutsoth & Joods Historisch Museum, BTR 0701, 2007), יז-כו . (English to Hebrew)
* 14. Seroussi, Edwin and Rivka Havassy, ["Commentaries"], in An Early Twentieth-
Century Sephardi Troubadour: The Historical Recordings of Haim Effendi of Turkey
(Jerusalem: Jewish Music Research Centre, The Hebrew University of Jerusalem,
AMTI 0801, 2008), 4-39. (English to Hebrew)
* 15. Seroussi, Edwin, "Preface", in Kulmus Hanefesh – A Musical Journey into the
Hassidic Niggun (Jerusalem, Jerusalem Music Center, Jewish Music Research Center and
The Hebrew University of Jerusalem, CJM 0901, 2009), 4-5. (English to Hebrew)
* 16. Hajdu, Andre, "Introduction", in Kulmus Hanefesh – A Musical Journey into the
Hassidic Niggun (Jerusalem, Jerusalem Music Center, Jewish Music Research Center and
The Hebrew University of Jerusalem, CJM 0901, 2009), 6-20. (English to Hebrew)
33
K. List of Compositions and Their Performances / Broadcasts
a. Music Compositions
1. Plume – un homme paisible (Plume – A Peaceful Person)
Composed: 1979
For: narrator, clarinet, bassoon and viola
Text: Henri Michaux
Duration: ca. 7 min.
First Performance: Tel Aviv University, (?).(?).79
Tel Aviv Museum, (?).3.80
Haifa Auditorium, 19.3.80
Israel Radio, (?)
Feedback Studio, Köln, 11.4.83
Kammermusiksaal, Musikhochschule Köln, 3.5.83
Deutschlandfunk (DLF), 9.1.84
Westdeutscher Rundfunk (WDR III), 21.1.85
WDR III, Workshop Neue Musik, 30.4.85
Israel Radio, 11.3.92
Israel Radio, 31.10.2000
2. Alleluia
Composed: 1980
For: alto und oboe
Duration: ca. 6 min.
First Performance: Kammermusiksaal, Musikhochschule Köln, 3.5.83
Israel Radio, 5.9.84
WDR III, Workshop Neue Musik, 30.4.85
WDR III, Studio Neue Musik, 12.4.88
WDR III, Studio Neue Musik, 12.4.89
Israel Radio, 18.7.91
Israel Radio, 3.6.94
34
3. für Klavier – Hommage à Stravinsky (for piano – Homage to Stravinsky)
Composed: 1981
For: piano
Duration: ca. 5 min.
First Performance: Feedback Studio, Köln, 11.4.83
Kammermusiksaal, Musikhochschule Köln, 3.5.83
Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
4. Genus – Genera II
Composed: 1981
For: 2 trumpets, horn, trombone, tuba
Duration: ca. 10 min.
First Performance: Neue Musik in Delmenhorst, 11.11.82
Osnabrück, Lagerhalle, 12.11.82
Radio Bremen (RB II), 1.3.83
Israel Radio, 8.8.83
5. Auf welche Beschreibungen treffen die Erklärungen zu? (What Descriptions Match
the Explanations?)
Composed: 1982
For: actor, 4 altos, oboe, piano, DIA-projection
Text: phonetic alphabet; German grammar exercises
Dedicated to: John Cage
Duration: ca. 20 min.
First Performance: Musikhochschule Köln, 4.2.82
35
6. Marcia futurista
Composed: 1982
For: 3 rough voices
Text: graphic poem by F.T.Marinetti
Duration: ca. 2 min.
First Performance: Juan Allende-Blin’s lecture, Köln, 13.5.82
Musikhochschule Köln, 6.7.82
Hessischer Rundfunk (HR II), 26.11.82
“Aspekte” Salzburg, 9.5.83
IGNM, Music-theatre Performance, Stadttheater, Basel, 25.3.88
Israel Radio, 27.12.90
Bar Ilan University, Ramat Gan, 16.12.91
Israel Radio, 29.12.91
Sender Freies Berlin (SFB3), 6.3.96
Israel Radio, 31.10.2000
Swiss Radio (DRS2), 13.2.02
Werkstatt, Deutschlandradio Kultur, 20.6.10
7. Tod und Leben sind in der Macht der Sprache (Death and Life are in the Power of
the Tongue)
Composed: 1982
For: lutist, percussionist and accessories
Duration: ca. 10 min.
Dedicated to: the life-wisdom of grandmothers
First Performance: Musikhochschule Köln, 15.6.82
Folkwang Schule, Essen, 7.12.82
36
8. Die Polemik, Blasphemie (Blasphemy, Dispute )
Composed: 1982
For: 3 narrators, 2 horns, 2 trombones and violoncello
Text: Babylonian Talmud; Yuval Shaked; Carola Bauckholt
Duration: ca. 13 min.
First Performance: Musikhochschule Köln, 18.2.83
Feedback Studio, Köln, 11.4.83
Musikhochschule Köln, 3.5.83
Israel Radio, 4.7.83
Deutschlandfunk (DLF), 9.1.84
WDR III, Workshop Neue Musik, 17.4.84
WDR III, 21.1.85
Israel Radio, 3.4.85
Deutschlandfunk (excerpt), 28.1.2005
Norddeutscher Rundfunk (NDR) (excerpt), 23.3.05
DeutschlandRadio Kultur (excerpt), 3.7.05
Radio Bremen (excerpt), 9.7.05
Hessischer Rundfunk, hr2 Kultur, Doppelkopf (excerpt, twice), 24.3.06
9. Züchtigung (Chastisement)
Composed: 1982
For: declamating pianist
Text: Isaiah 1:4; 24:19; 1:16
Duration: ca. 25 min.
First Performance: Feedback Studio, Köln, 11.4.83
Musikhochschule Köln, 3.5.83
“Ensemblia”, Museum Abteiberg, Mönchengladbach, 3.7.83
Musikhochschule Köln, 23.2.84
Astrit Baltzan, Rubin Museum, Tel Aviv, 1.2.90
37
10. RhyMoDo
Composed: 1982
For: violoncello solo
Duration: ca. 8 min.
First Performance: Feedback Studio, Köln, 11.4.83
Musikhochschule Köln, 3.5.83
11. Einseitig ruhig (String.ent/endo)
Composed: 1983
For: guitar solo with 6 equal strings (E1)
Duration: ca. 7 min.
Dedicated to: Fritz Herweg, the first performer
Award of the 1985 Marl Musikimpulse Festival
First Performance: Fritz Herweg, Feedback Studio, Köln, 11.4.83
Musikhochschule Köln, 3.5.83
Fritz Herweg, Stadtbücherei Köln-Bocklemünd/Mengenich, 28.9.83
Deutschlandfunk (DLF), 9.1.84
Altes Museum, Mönchengladbach, 14.7.84
Israel Radio, 5.9.84
Andreas Grün, Kulturzentrum Pforzheim-Dillweissenstein, 11.11.84
Andreas Grün, Spitalkirche, Breisach, 2.12.84
WDR III, 21.1.85
J.Devantski, Dreifaltigkeitskirche, Marl, 27.1.85
Andreas Grün, Süddeutscher Rundfunk (S II), 14.4.85
Werner Rottler, Musikkaffee, Freiburg, 29.6.85
Gunter Schneider, 9th Kärntner Mastercourses f. Actual Music, St.Leonhard, 14.7.85
Musikakdemie, Trossingen, 26.7.85
Rubin Museum, Tel Aviv, 1.2.90
The Guitar Society in Israel, Rubin Museum, Tel Aviv, 26.4.90
Yuval Music Association, Ramat Hasharon, 15.10.90
Berlin, 31.3.92
Lünneburg, 1.4.92
Reinbert Evers, Münster, 18.5.93
Reinbert Evers, Münster, 25.5.93
Reinbert Evers, Enschede, Holland, 16.6.93
38
Reinbert Evers, Unna, 12.11.93
Reinbert Evers, Detmold, 18.11.93
Reinbert Evers, Lublin, Poland, 26.11.93
Reinbert Evers, Sofia, Bulgaria, 1.12.93
Reinbert Evers, Moscow, Russia, 5.12.93
Julia Miller, Chicago, USA, 6.3.94
Reinbert Evers, Kulturzentrum Hardtberg, Bonn-Duisdorf, 25.4.97
Bayerischer Rundfunk (BR2), 24.4.98
Israel Radio, 29.6.98
Ruben Seroussi, Royal Academy of Music, London, 13.11.98
Ruben Seroussi, University of Keele, Keele, 16.11.98
Ruben Seroussi, Tel Aviv University, 14.6.99
(Excerpt), Friedrich Herweg, Swiss Radio (DRS2), 13.2.02
Ruben Seroussi, Montevideo, Uruguay, 11.9.02
Ruben Seroussi, Israel Radio, 10.6.03
Ruben Seroussi, Hecht Auditorium, University of Haifa, 8.1.04
Friedrich Herweg, Israel Radio, 14.1.07
Ruben Seroussi, Hateiva, Tel Aviv, 3.5.07
Friedrich Herweg, DeutschlandRadio Kultur (excerpt), 29.4.08
(Excerpts), in Schizophelia by Nir Vidan, Kibbutzim College, Tel Aviv, 16-20.6.09
(Excerpts), in Schizophelia by Nir Vidan, Kibbutzim College, Tel Aviv, 22-23.7.09
Friedrich Herweg, Israel Radio, 27.3.11
12. Beispiel, Hörspiel (A Fabel: for instance, Radio Composition)
Composed: 1983
For: narrator, oboe, violin, viola and violoncello
Text: Judges 9:9-20 (Martin Buber); Yuval Shaked
Duration: ca. 13 min.
First Performance: Musikhochschule Köln, 16.6.83
WDR III, Hörspielstudio, 21.2.84
Musikhochschule Köln, 23.2.84
39
Acustica international, Musikhochschule Köln, 30.9.85
Acustica International, Audiothek, Kunstverein, Köln, 27.9.-1.10.85
WDR III, Acustica International, C.Bauckholt’s lecture, 22.4.86
ISCM-Weltmusiktage 1987, Audiothek, 23.10.-1.11.87
Israel Radio, 11.3.92
Congress “Das Eigene und das Fremde”, Bremen, 28.4.92
Israel Radio, 12.11.93
Israel Radio, 27.1.94
Israel Radio, 16.1.95
Israel Radio, 31.10.2000
13. Musik zum Beispiel (Music For Instance)
Composed: 1983
For: oboe, violin, viola and violoncello
Duration: ca. 7 min.
First Performance: Feedback Studio, Köln, 2.7.84
Ensemble Recherche, Ars Musica, Brussels, 3.3.96
14. Der Gesang der Gesänge (Song of Songs)
Composed: 1983
For: narrator, actors, 2 recorder players, oboist, dove sounds
Text: Song of Songs; Samuel II 13
Duration: ca. 1 hour
First Performance: Theater am Marienplatz (TAM), Krefeld, 4.11.83
TAM, Krefeld, 11.11.83
TAM, Krefeld, 18.11.83
TAM, Krefeld, 2.12.83
TAM, Krefeld, 9.12.83
TAM, Krefeld, 16.12.83
TAM, Krefeld, 23.12.83
Feedback Studio, Köln, (music only), 2.7.84
41
15. Liebeslament (Love Lamentation)
For: oboe solo
Duration: ca. 5 min.
First Performance: blue rAn dances, Börsentheater, Brussels, 22.1.87
blue rAn dances, Börsentheater, Brussels, 23.1.87
blue rAn dances, Börsentheater, Brussels, 24.1.87
blue rAn dances, Jerusalem Theater, Israel Festival, 10.6.87
Israel Radio, 31.10.2000
Israel Radio, 27.6.02
Christopher Redgate, London, 2.12.02
Jaime Gonzales, Lviv, 6.6.06
Jaime Gonzales, Freiburg, 16.11.06
Jaime Gonzales, Basel, 17.11.06
Undine Röhner-Stolle, MDR-Studio Konzert, Leipzig, 6.11.07
Undine Röhner-Stolle, MDR, 29.11.07
Kristiania, Jaime Gonzales, Lech am Arlberg, Austria, 23.1.08
Hombroich Inselmusik, Jaime Gonzales, Hombroich, Germany, 23.5.10
16. Das Spiegelbild einer Vision, eine Begegnung von Arnold Schönberg mit Karl
Kraus (The Reflection of a Vision, Meeting of Arnold Schoenberg with Karl Kraus)
Composed: 1983/84
For: narrator, violin, viola, 2 violoncellos and documentary recordings
Text: Karl Kraus
Duration: ca. 25 min.
First Performance: Musikhochschule Köln, 23.2.84
Feedback Studio, Köln, 2.7.84
Altes Museum, Mönchengladbach, 14.7.84
WDR III, 21.4.87
Theaterhaus Stuttgart, Stuttgarter Tage für Neue Musik, 19.11.88
Israel Radio (Excerpt), 11.3.92
Concerto Berlin, Künstlerhaus Schloß Wiepersdorf, 24.9.94
Israel Radio, 31.10.2000
41
17. Des Vaters Zähne, Entziffermusik für Söhne (The Fathers' Teeth, Music to be
Deciphered by Children)
Composed: 1985
For: 2-manual harpsichord
Dedicated to: Nevet
Duration: ca. 17 min.
First Performance: WDR III, 28.8.86
WDR III, Studio Neue Musik, 21.11.89
Israel Radio, 11.3.92
Israel Radio, 29.6.98
Israel Radio, 31.10.2000
18. Idependence – My Hatikvah, Homage in form of a persiflage, a piano etude with
sirene for beginners in politics
Composed: 1985
For: piano and sirene
Dedicated to: Nevet
Duration: ca. 3 min.
First Performance: KGNM-Musikfest, Kunstverein, Köln, 9.11.85
Rubin Museum, Tel Aviv, 1.2.90
Petah Tikva Conservatory, 25.6.90
Pit Therre, TAM, Krefeld, 17.4.91
Israel Radio (excerpt), 11.3.92
Israel Radio, 12.11.93
Evangelische Akademie Tutzing, 20.4.96
Beth Hatefutsoth Museum, Tel Aviv, 5.5.97
Benjamin Kobler, Bremen, 16.11.2002
Benjamin Kobler, MDR Kultur, 10.4.03
Hervé Schaal, Strasbourg, 12.11.03
Benjamin Kobler, Bayerischer Rundfunk, Kulturjournal (excerpt), 21.11.04
DeutschlandRadio Kultur, 3.7.05
DeutschlandRadio Kultur (excerpt), 13.4.07
42
DeutschlandRadio Kultur (excerpt), 29.4.08
Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
Pit Therre, TAM, Krefeld, 7.5.10
Pit Therre, TAM, Krefeld, 14.5.10
Pit Therre, TAM, Krefeld, 21.5.10
Pit Therre, TAM, Krefeld, 28.5.10
Werkstatt, Deutschlandradio Kultur, 20.6.10
19. Abortus (Abortion)
Composed: 1985
For: theorbe solo
Duration: ca. 12 min.
Has not yet been performed
20. Etzel, Quintet (To Be-, Quintet)
Composed: 1985/86
For: violoncello, harp, percussion and Maronite chants
Dedicated to: Ronit Land
Duration: ca. 12 min.
Commissioned by: Inbal Dance Theatre for a choreography by Ronit Land
First Performance: Inbal Dance Theatre, Tel Aviv Museum, (?).3.86
Inbal Dance Theatre, Tel Aviv Museum, 17.3.86
(from magnetic tape), Rubin Museum, Tel Aviv, 1.2.90
“Keys”, Israel Radio, 27.9.90
“The End of a Decade”, Israel Radio, 31.12.90
The Israeli Academic Centre in Cairo, Egypt, 2.5.92
Israel Radio, 2.5.95
SFB3, 6.3.96
“Keys”, Israel Radio, 3.7.96
Rivers & Bridge, 5/6.9.1996
Israel Contemporary Players, Tel Aviv, 25.1.97
Israel Contemporary Players, Jerusalem, (Live broadcast in IBA), 26.1.97
Israel Radio, 29.6.98
43
Israel Radio, 31.10.2000
Israel Radio, 3.2.2002
Ensemble Linea, Jean-Philippe Wurtz, Strasbourg, 12.11.03
Israel Radio, 20.11.03
Hessischer Rundfunk, hr2 Kultur, Doppelkopf (excerpt, twice), 24.3.06
Israel Radio, 19.10.06
21. Präfix, Etüdenzyklus für zwei Gitarristen (Praefix, Study cycle for two guitarists)
Composed: 1989
For: 2 guitars
Duration: ca. 18 min.
First Performance: Westdeutscher Rundfunk (WDR III), 12.9.91
Israel Radio, 11.3.92
WDR III, 13.5.2001
Ruben Seroussi, Nadav Lev; Tel Aviv, 13.2.03
Ruben Seroussi, Nadav Lev; Haifa, 17.2.03
Norddeutscher Rundfunk (NDR) (excerpt), 23.3.05
Radio Bremen (excerpt), 9.7.05
Hessischer Rundfunk, hr2 Kultur, Doppelkopf (excerpt, twice), 24.3.06
22. Allotria, die Lage (Allotria, the Situation)
Composed: 1986-89
For: 2 pianos
Dedicated to: Yukiko Sugawara
Duration: 26 min.
Commissioned by: Ministry for Science and Art, Baden-Württemberg, for Yukiko Sugawara
and Gunilde Kraemer
First Performance: Tage für Neue Musik, Stuttgart, 10.10.92
S2 Kultur, 2.2.93
Israel Radio, 16.3.94
Irina Plotnikova, Yuri Lysychenko; Contrasts – 2nd Int. Cont. Music Festival, Lviv,
Ukraine, 17.11.96
Israel Radio, 29.6.98
Swiss Radio (DRS2), (Excerpt) 13.2.02
Israel Radio, 9.10.02
Israel Radio, 30.12.02
44
23. Zikhron Devarim (Particella, Piano quartet)
Composed: 1991
For: piano, violin, viola, cello
Duration: 2:35
First Performance: Tel Aviv, 7.7.91
Israel Radio, 18.12.91
24. Choshekh Legaresh? – Anachnu?! Eikh?! ( Expell (The Darkness)? – We?! How?,
Piano etude for beginners in politics)
Composed: 1992-94
For: piano
Duration: 4:30
First Performance: Benjamin Kobler, Bremen, 16.11.2002
Benjamin Kobler, MDR Kultur, 10.4.03
Benjamin Kobler, Bayerischer Rundfunk, Kulturjournal (Auschnitt), 21.11.04
Hessischer Rundfunk, hr2 Kultur, Doppelkopf (excerpt, twice), 24.3.06
Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
25. Meine Wiepersdorfer Praxis (My Wiepersdorf Practice)
Composed: 1994
For: piano
First Performance (DIAPHANIE): Deutschlandfunk, Köln, 4.3.2001
Yukiko Sugawara, Deutschlandfunk, 3rd Programm, 24.3.2001
Radio Ylen Ykkösen musiikkia, Finnland, 4.2.2002
Yukiko Sugawara, Nürtingen, 21.4.2002
Yukiko Sugawara, SWR2, 26.11.02
Yukiko Sugawara, MDR, 19.9.02
Yukiko Sugawara, 9.9.04
Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
45
Iris Gruber, Alte Schmiede, Vienna, 25.11.09
Reto Staub, Felicja Blumental Music Center, Tel Aviv, 27.4.10
Reto Staub, University of Haifa, 28.4.10
Pit Therre, TAM, Krefeld, 7.5.10
Pit Therre, TAM, Krefeld, 14.5.10
Pit Therre, TAM, Krefeld, 21.5.10
Pit Therre, TAM, Krefeld, 28.5.10
26. Mäeutische Trägheit
Composed: 1994
For: symphony orchestra
Has not yet been performed
27. Apsiden (Apsis)
Composed: 1994
For: piano
Has not yet been performed
28. Scriptum, eine Annäherung an ein Streichquartett (Scriptum, Approaching a
String Quartet)
Composed: 1994
For: string quartet
Has not yet been performed
46
29. Die Wiepersdorfer Wippe und Jüterboger Jitterbug
Composed: 1994
For: piano
Duration: ca. 7 min.
First performance (JITTERBUG): Amit Dolberg, White Night, Tel Aviv, 29.6.2006
First Performance (full): Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
Reto Staub, University of Haifa, 28.4.10
(WIPPE) Pit Therre, TAM, Krefeld, 7.5.10
(WIPPE) Pit Therre, TAM, Krefeld, 14.5.10
(WIPPE) Pit Therre, TAM, Krefeld, 21.5.10
(WIPPE) Pit Therre, TAM, Krefeld, 28.5.10
30. Rasguado
Composed: 1995
For: chamber ensemble
Has not yet been performed
31. Drash (Homily)
Composed: 1995/96
For: flute, guitar
Commissioned by: The National Council of Arts and Culture for Ruben Seroussi and
Marcelo Ehrlich
Duration: 6 min.
First Performance: Jerusalem, Israel Radio (live broadcast), 20.5.96
Marcello Ehrlich, Ruben Seroussi, Israel Radio, 29.6.98
47
32. Aver Dodici
Composed: 1996
For: flute, guitar
Dedication: to my daughter, Nevet
Duration: 3:30
First Performance:Jerusalem Theatre, Israel Radio (live broadcast), 20.5.96
Marcello Ehrlich, Ruben Seroussi, Israel Radio, 10.9.96
Israel Radio, 9.4.98
Israel Radio, 29.6.98
Israel Radio (presented by Oded Assaf), 15.11.99
Israel Radio, 31.10.2000
Israel Radio, 10.9.2002
Eleonore Pameijer, Martin Kaaij, Amsterdam, 21.3.05
M.Ehrlich, R.Seroussi, Radio Bremen (excerpt), 9.7.05
Israel Radio, 19.10.06
NDR Info, 19.3.08
M.Ehrlich, R.Seroussi, DeutschlandRadio Kultur (excerpt), 29.4.08
Marcello Ehrlich, Ruben Seroussi, Israel Radio, 1.9.09
Werkstatt, Deutschlandradio Kultur, 20.6.10
M.Fiedel, L.Stanze, HMT "Felix Mendelssohn-Bartholdy", Leipzig, 20.4.11
48
33. Musica Bat Zmamenu (Plotted Music)
Composed: 1996
For: flute, oboe, clarinet, percussion, piano, violin, viola and violoncello
Duration: 8 min.
Commissioned by: Ensemble Recherche
First Performance: Ensemble Recherche, Kwamè Ryan, Graz, 11.10.96
Ensemble Recherche, Y.Sh., 2nd Int. Cont. Music Festival, Lviv, 22.11.96
Austrian Radio, ORF 1, 4.12.96
Sender Freies Berlin (SFB), 3.2.97
Musica Nova Consort, Tel Aviv Museum, 12.3.97
Ensemble Recherche, Peter Rundel, Freiburg, 2.6.97
Ensemble Recherche, Kwamè Ryan, Zurich, Switzerland, 9.11.97
Israel Radio, 29.6.98
Ensemble Notabu, Mark-Andreas Schlingensiepen, Düsseldorf, 26.9.98
Ensemble für zeitgenössische Musik, Jürg Wyttenbach, Berne, 21.10.01
Swiss Radio (DRS2), 13.2.02
Ensemble Linea, Jean-Philippe Wurtz, Strasbourg, 12.11.03
Ensemble recherche, Peter Rundel, Deutschlandfunk, 21.3.05
Ensemble recherche, Peter Rundel, DeutschlandRadio Kultur (excerpt), 13.4.07
Ensemble recherche, Peter Rundel, DeutschlandRadio Kultur (excerpt), 7.8.07
HMT "Felix Mendelssohn-Bartholdy", Reinhard Schmiedel, Leipzig, 20.4.11
34. 40malige Gegenwart (40 Times Presence)
Composed: 1994-97
For: (bar/t/sop)-saxophone, percussion and piano
Dedicated to: Tobias Stengel
Duration: 8 min.
Commissoned by: Saarlaendischer Rundfunk (SR) for Trio Accanto
First Performance: Trio Accanto, 20th Century Music, Saarbrücken, 8.5.97
Saarländischer Rundfunk (SR 2 KulturRadio), 6.10.97
Trio Accanto, Ars Nova, Rottenburg, 4.4.98
Israel Radio, 29.6.98
Saarländischer Rundfunk (SR 2 KulturRadio), Mouvement, 17.3.2009
49
35. 40malige Gegenwart und Rückmeldung (40 Times Presence and Checking it out)
Composed: 1994-98
For: (bar/t/sop)-saxophone, percussion and piano
Dedicated to: Tobias Stengel and the musicians of Trio Accanto
Duration: 12 min.
Commissoned by: Stadt Witten für die Wittener Tage für neue Kammermusik 1998
First Performance: Trio Accanto, Witten, 26.4.98
WDR 3, 18.6.98
Trio Accanto, International Courses for New Music, Darmstadt, 25.7. 98
Exhibition of Tobias Stengel’s works, European Workshop for art and culture
Hellerau, 4.10.98
Exhibition of Tobias Stengel's works, European Workshop for art and culture
Hellerau, 11.10.98
BR (Bayern 4), 24.1.99
WDR 3, 7.1.2000
Klassik: Musikwelt, NordwestRadio, 21.12.04
Deutschlandfunk (excerpt), 28.1.05
Norddeutscher Rundfunk (NDR) (excerpt), 23.3.05
DeutschlandRadio Kultur (excerpt), 3.7.05
Radio Bremen (excerpt), 9.7.05
Israel Radio, 7.12.06
Nikel Ensemble, Jerusalem, Israel Radio (live broadcast), 11.12.06
Nikel Ensemble, Tel Aviv, 12.12.06
Nikel Ensemble, Jerusalem, Israel Radio, 6.8.07
Trio Accanto, DeutschlandRadio Kultur (excerpt), 7.8.07
51
36. Zwei nachzutragende Resonanzen zu Diaphanie aus Meine Wiepersdorfer Praxis
(Two late resonances of Diaphany from My Wiepersdorf Prctice)
Composed: 1998
For: piano
Dedictaed to: Ruthi
Duration: 9 min.
First Performance: Deutschlandfunk, Köln, 4.3.2001
Kibbutzim College, Tel Aviv, 26.3.2001
Kibbutzim College, Tel Aviv, 27.3.2001
Yukiko Sugawara, Deutschlandfunk, 3rd Program, 9.6.2001
Radio Ylen Ykkösen musiikkia, Finnland, 4.2.2002
Yukiko Sugawara, Nürtingen, 21.4.2002
Yukiko Sugawara, SWR2, 26.11.02
Yukiko Sugawara, MDR, 19.9.02
Yukiko Sugawara, 9.9.04
Yukiko Sugawara, Bayerischer Rundfunk, Kulturjournal (second piece), 21.11.04
Yukiko Sugawara, Norddeutscher Rundfunk (NDR) (second piece), 23.3.05
Yukiko Sugawara, Radio Bremen (second piece), 9.7.05
Yukiko Sugawara, DeutschlandRadio Kultur (excerpt), 7.8.07
Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
Iris Gruber, Alte Schmiede, Vienna, 25.11.09
Reto Staub, Felicja Blumental Music Center, Tel Aviv, 27.4.10
Reto Staub, University of Haifa, 28.4.10
Pit Therre, TAM, Krefeld, 7.5.10
Pit Therre, TAM, Krefeld, 14.5.10
Pit Therre, TAM, Krefeld, 21.5.10
Pit Therre, TAM, Krefeld, 28.5.10
Irena Friedland, Haifa, 11.6.12
51
37. Tilgbaren Brandmalen folgen, Zweiter Annäherungsentwurf zu Tobias Stengels
Varianten zum Würfel (Following eradicable brandmarks, Second Attempt to
approach Tobias Stengel’s Variants on a Cube)
Composed: 1997-99
For: flute/alto flute, oboe/English horn and clarinet/bass clarinet
Dedicated to: my daughters – Nevet, Enmar, Arava
Commissioned by: Wind trio of Ensemble Recherche
Duration: ca. 13 min.
First Performance: Eastern Festival, Innsbruck & Hall, 24.3.99
Ensemble Aventure, Wiesbaden, 9.2.2003
Ensemble Aventure, Freiburg, 21.3.03
Ensemble Recherche, Traiettorie, Parma, Italy, 26.9.03
Ensemble Recherche, Israel Radio, 9.9.04
2nd
-5th
mvnts., Galerie im Kunsthaus, Erfurt, 3.2.06
Ensemble Recherche, Ultraschall, Berlin, 28.1.07
DeutschlandRadio Kultur, "Konzert", 5.2.07
DeutschlandRadio Kultur (excerpt), 13.4.07
Kulturradio vom RBB (Radio Berlin Brandenburg), "Musik der Gegenwart", 25.4.07
38. INMN
Composed: 1999
For: flute, oboe, bass clarinet, percussion, piano, violin, viola and violoncello
Dedictaed to: Harry Vogt
Commissioned by: Ensemble recherche
Duration: 3 min.
First Performance: Ensemble Recherche, Hamburg, 21.11.99
Freiburg, 7.12.99
SWR (Südwestrundfunk) 2, 15.2.2000
Ultraschall, Berlin, 20.1.2001
Bizau (im Bregenzer Wald), Austria, 12.7.03
WDR 3, 14.12.03
Radio Beethoven, Siglo XX, Santiago de Chile, 27.12.05
Projektensemble KlangNetz Dresden, Kennart Dohms, Dresden, 7.12.10
52
39. Spielsplitter und Troptrophäe (Drop Trophy)
Composed: 2001
For: flute and pocket percussion
Dedicated to: Nevet
Duration: 3:30
Has not yet been performed
40. Ume'azLoLamad, Piano etude (with Enmar's voice) for beginners in politics
Composed: 2001/02
For: piano with Enmar reading
Duration: 11 min.
First Performance: Benjamin Kobler, Bremen, 16.11.2002
Benjamin Kobler, MDR Kultur, 10.4.03
Benjamin Kobler, Israel Radio, 9.9.04
Benjamin Kobler, Byerischer Rundfunk, Kulturjournal (excerpt), 21.11.04
Benjamin Kobler, Norddeutscher Rundfunk (NDR) (excerpt), 23.3.05
Benjamin Kobler, Radio Bremen (excerpt), 9.7.05
Hessischer Rundfunk, hr2 Kultur, Doppelkopf (excerpt, twice), 24.3.06
Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
* 41. Esh-Kolot, Incidental music for Rachel Nul-Kahana's Marionettes
Composed: 2002/03
For: two clarinets
Duration: ca. 5:00
Has not yet been performed
* 42. Entente harmonique
Composed: 2003 (revised 2004/05)
For: flute, oboe/Eng. horn, clarinet/bass clarinet, percussion, piano, violin, viola and cello
Dedicated to: Ensemble recherche
Commissioned by: DeutschlandRadio Berlin
Duration: 10 min.
First Performance: Ensemble recherche, Jonathan Stockhammer, Ultraschall, Berlin,
19.1.2004
DeutschlandRadio Werkstatt, 12.2.04
53
Kulturradio (Berlin Brandenburg), Musik der Gegenwart, 19.4.04
Israel Radio, 9.9.04
Ensemble recherche, SWR, Freiburg, 16.3.05
Ensemble recherche, Freiburg, 17.3.05
Ensemble recherche, Basel, 18.3.05
Ensemble recherche, Schwerin, 24.5.06
* 43. L'Augmentation, Incidental music for the theater piece by Georges Perec
Composed: 2008
For: piano
Commissioned by: University of Haifa
Duration: ca. 10 minutes
First Performance: Inbal Guter-Alexandron, Haifa, 3.3.08
Haifa, 4.3.08
Haifa, 5.3.08
Haifa, 6.3.08
Haifa, 7.3.08
Haifa, 8.3.08
Haifa, 9.3.08
Haifa, 10.3.08
Haifa, 11.3.08
Haifa, 12.3.08
DeutschlandRadio Kultur (excerpt), 29.4.08
* 44. L'Augmentation, Suite from the Incidental music for the theater piece by Georges
Perec
Composed: 2008
For: piano
Duration: ca. 10 minutes
First Performance: Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08
Reto Staub, University of Haifa, 28.4.10
Pit Therre, TAM, Krefeld, 7.5.10
Pit Therre, TAM, Krefeld, 14.5.10
Pit Therre, TAM, Krefeld, 21.5.10
Pit Therre, TAM, Krefeld, 28.5.10
54
Reto Staub, Israeli Music Festival, Conservatory, Beer Sheva, 13.9.10
* 45. Footfall
Composed: 2008
For: electric guitar
Duration: ca. 4 minutes
First Performance: Yaron Deutsch, Klangspuren, Innsbruck, 13.9.08
Yaron Deutsch, Tel Aviv, 7.2.09
Yaron Deutsch, Tel Aviv, 9.6.09
* 46. Eleven Breakings of Silence
Composed: 2008
For: (sop/a/t/bar-) saxophone and electric guitar
Duration: ca. 11 minutes
First Performance: Nikel Ensemble, Israeli Music Festival, Jerusalem, 24.9.08
Nikel Ensemble, Hateiva, Tel Aviv, 26.9.08
Nikel Ensemble, Alte Schmiede, Vienna, 29.1.09
Nikel Ensemble, Felicja Blumental Music Center, Tel Aviv, 27.4.10
Nikel Ensemble, University of Haifa, 28.4.10
* 47. One More Question, Piano etude (with Josef Tal's voice) for beginners in politics
Composed: 2008-10
For: piano and pre-recorded CD (Josef Tal's voice)
Duration: ca. 3 minutes
First Performance: Reto Staub, Felicja Blumental Music Center, Tel Aviv, 27.4.10
Reto Staub, University of Haifa, 28.4.10
Pit Therre, TAM, Krefeld, 7.5.10
Pit Therre, TAM, Krefeld, 14.5.10
Pit Therre, TAM, Krefeld, 21.5.10
Pit Therre, TAM, Krefeld, 28.5.10
55
* 48. Outmoded – To the far away ER
Composed: 2008-11
For: flute, oboe/Eng. horn, clarinet/bass clarinet, percussion, piano, violin, viola and cello
Duration: ca. 13 minutes
Has not yet been performed
* 49. Rejection of the Prevention Support
Composed: 2008-11
For: saxophone player, percussion, electric guitar, piano and double bass
Duration: ca. 17 minutes
Has not yet been performed
* 50. In Two Voices
Composed: 2010-11
For: mezzo-soprano, flute, clarinet, bassoon, piano, violin, viola and cello
Text: T. Carmi
Duration: ca. 20 minutes
Has not yet been performed
Commissions:
Ministry for Science and Art Baden-Würtemberg, Germany, for Yukiko Sugawara
(ALLOTRIA); National Council for Culture and Art, Israel, for Ruben Seroussi
(HOMILY); Ensemble Recherche, Germany (PLOTTED MUSIC); Saarländischer
Rundfunk, 20th Century Music Festival, for Trio Accanto (40MALIGE GEGENWART);
City of Witten, Wittener Tage für neue Kammermusik, for Trio Accanto (40MALIGE
GEGENWART UND RÜCKMELDUNG); Wind Trio of Ensemble Recherche, Germany
(TILGBAREN BRANDMALEN FOLGEN); Yukiko Sugawara (DIAPHANIE und ZWEI
NACHZUTRAGENDE RESONANZEN); DeutschlandRadio Berlin (ENTENTE
HARMONIQUE); Ensemble Nikel (ELEVEN BREAKINGS OF SILENCE)
Performances:
Neue Musik in Delmenhorst, 1982; “Aspekte” Salzburg, 1983; “Ensemblia”,
Mönchengladbach, 1983; Theater am Marienplatz (TAM), Krefeld, 1983, 1991, 2010;
Acustica International 1985, Cologne; ISCM World Music Days 1987, Cologne; Israel
Festival, Jerusalem, 1987; Music Conference “Das Eigene und das Fremde”, Bremen, 1992;
Tage für Neue Musik, Stuttgart, 1988 & 1992; Ars Musica, Brussels, 1996; Musikprotokoll,
56
Styrian Autumn, Graz, 1996; “Contrasts” – 2nd International Contemporary Music Festival,
Lviv, Ukraine, 1996; Music in the 20th Century, Saarbrücken, 1997; Tage für Neue Musik,
Zurich, 1997; Ars Nova, Rottenburg, 1998; Wittener Tage für neue Kammermusik, 1998;
International Courses for New Music, Darmstadt, 1998; Musik des XX. Jahrhunderts,
Tonhalle Düsseldorf, 1998; Festspielhaus Hellerau, Dresden, 1998; Royal Academy of
Music, London, 1998; University of Keele, 1998; Osterfestival – Musik der Religionen,
Innsbruck & Hall, 1999; Ultraschall, DeutschlandRadio Berlin, 2001, 2004 u. 2007; Forum
neuer Musik, Deutschlandfunk, Cologne, 2001; Biennale Bern 2001; Music Conference
„Reactions“, Bremen, 2002; Traiettorie, Parma, 2003; Summer Nights, Jerusalem, 2008;
Klangspuren, Innsbruck, 2008; Hochschule für Musik Dresden Carl Maria von Weber,
2010; Hochschule für Musik und Theater "Felix Mendelssohn-Bartholdy" Leipzig, 2010;
Productions:
Westdeutscher Rundfunk (WDR), Cologne; Israel Radio, Jerusalem; Radio Bremen (RB),
1984; Südwestfunk (SWF), Baden-Baden; Süddeutscher Rundfunk (SDR), Stuttgart;
Austrian Radio (ORF), Graz; Saarländischer Rundfunk (SR), Saarbrücken; Deutschland
Radio (DR), Cologne; Hessischer Rundfunk (HR), Frankfurt; Mitteldeutscher Rundfunk
(MDR), Leipzig; Bavarian Radio (BR), Munich; Norddeutscher Rundfunk (NDR),
Hamburg;
b. Video Composition
1. Schlechte Dialektik I-III, Video-Miniaturen (Wrong Dialectics I-III, Video Miniatures)
Composed: 1983
For: video und souffleur
Text: I. Introduction in Time and Energy: Yuval Shaked, from various acoustic books
II. Commentary: Richard Wagner, Sketch for an opera plot (“The Wedding”)
III. Audience Opera: Yuval Shaked, from various opera guides
Duration: I: ca. 5 min.; II: ca. 2 min.; III: ca. 7 min.
First Performance: Musikhochschule Köln, 14.6.83
57
K. Enteries about my Work in Lexica
1. Kölner Gesellschaft für Neue Musik (Hrsg.) (1991). Klangraum – 40 Jahre Neue Musik in
Köln 1945-1985. Köln: Wienand, S. 120.
*2. Tischler, Alice (2011). A Descriptive Bibliography of Art Music by Israeli Composers.
Sterling Heights, Michigan: Harmonie Park Press, pp.318-320.
58
M. Professional Agenda
Over the years, my professional interests are focused on a few fields: new music; specific
theortical and analytical aspects of music; Jewish and Israeli music; and philosophy of music.
My main activities have been teaching and mentoring; writing on music; editing and
translating various texts; collecting, archiving, documenting and producing recordings; and
composing. It is my aim to achieve insight and clarity in the subject matters I deal with.
Cherishing hard labor, I am fully aware of the responsibility with which it must be done.
These are my plans for the near future:
Running the best I can the Music Department of the University of Haifa, trying to make some
significant development plans of it become soon truth.
Writing a book on Luigi Nono and his compositions, commissioned by the Committee for
Music Books at the National Council for Culture and Arts, Israel
An article I wrote about the use of text in compositions by Helmut Lachenmann
(commissioned for issue 2 of Pe’imot, journal for music and culture published by Resling
Publishing House, Tel Aviv) will soon be published.
Composing a large-scale piece for piano for Pavlos Antoniadis
Preparing for print the manuscripts of my two 5-lecture series on specific aspects of
contemporary music (held in (held in 2009/10 & 2010/11 at the Felicia Blumental Music
Center, Tel Aviv)
Teaching Jewish and Israeli Music a whole semester at the Abraham Geiger Kolleg, affiliated
to the Potsdam University upon the invitation of Prof. Walter Homolka, the University's
Rector (probably during winter 2013)
My lecture on “Israeli Music between East and West”, held on July 13, 2010, at a conference
which had been organized at the University of Potsdam, Germany, is soon to be published in
a book (conference proceedings), edited by Jascha Nemtsov.
My lecture on “Julius Chajes’ Family Roots and his Life Route from Lvov, through Vienna,
Tel Aviv and Vienna again, to Detroit – The Viennese Roots of the Mediterranean School of
Israeli Music and their Spreading in the US-American Exile”, held in October 22, 2011, at a
conference which had been organized by Meetingpoint Messiaen in Görlitz, is soon to be
published in a book (conference proceedings), edited by Albrecht Goetze.
My lecture on “Music in the shadow of recognizing the loss of language – Il Canto sospeso
by Luigi Nono is 55 years old”, held on October 25 at the Sapir College in the framework of
its 7th
Forum will be published in a book.
I’ve been invited to lecture in Darmstadt, Germany, on April 14, 2012, in the framework of a
conference held by the Institute for New Music and Music Education. My lecture will focus
on Rebecca Saunder’s Violin Concerto.
I’ve been invited to teach for the second time at the International Summer Courses for New
Music in Darmstadt during the two last weeks of July 2012. Together with Uli Mosch (Sacher
Foundation Basel, Salzburg Music Academy) and Christoph Neidhöfer (McGill University,
Canada) I’ll direct the “Aesthetics, Theory, Analysis” seminar.