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A National Cultural Precinct for Indonesiaby Muhammad Reza
Grounding Optimism
Yogyakarta, a city full of records of both Indonesian joyful and struggle moments in its architecture contextualized this project. A project with the ambitions to be a democratic space where everyone can use, occupy, and be valuable to. An architecture which reveals an identity of 21st century Indonesia.
The strong art and university student community dictates the need of new cultural facilities. The site, located at the main historic axis of the city, is divided into different parts housing programs of an art museum, theatre, multi-function hall and a hotel, which all are connected by one retail arcade overlooking a new tropically landscaped forecourt. An integrated heritage is building is refurbished into a cinema complex catering the young communities of the city.
This project aims to create a space where Public can use, occupy, enjoy, and be valuable to all of them. The space should be a device which gives an understanding to the public
that they are living in 21st Century Indonesia, not before, not somewhere else.
Muhammad Reza - Major Project 2011 1/9
NATIONAL ART MUSEUM
Arrival
Vehicle Drop Off 50 m2
Visitor Entry Foyer 200 m2
Group Entry Foyer 200 m2
Visitor Ticketing and Booking 30 m2
Group Ticketing and Booking 30 m2
Information Desk 20 m2
Main Hall 750 m2
Museum Shop 30 m2
Restrooms (Men and women, disabled, change room) 100 m2
Net Total 1410 m2
Gross TOTAL 1833 m2
Exhibition Halls
Permanent Exhibition Hall 2000 m2
Indonesia Historic Art Exhibition Hall 1000 m2
International Historic Art Exhibition Hall 1000 m2
Temporary Exhibition Hall 1 1000 m2
Temporary Exhibition Hall 2 500 m2
Childrens Exhibition Hall 500 m2
Net Total 6000 m2
Gross TOTAL 7800 m2
Education
Multi-Purpose Activity (x3) @25m2 75 m2
Lunch Area 20 m2
Storage 5 m2
Library 400 m2
Archive Room 100 m2
Restrooms (Men and Women) 40 m2
Restroom (Disabled) 5 m2
Net Total 645 m2
Gross TOTAL 839 m2
Artist and Research Facilities
Administration 10 m2
Studios (x25) @15m2 375 m2
Muhammad Reza - Major Project 2011 2/9
Workshop 50 m2
Storage 50 m2
Research Offices 250 m2
Meeting Room 25 m2
Lounge 20 m2
Amenities 5 m2
Restrooms (Men and Women) 40 m2
Restroom (Disabled) 5 m2
Net Total 830 m2
Gross TOTAL 1079 m2
Administration
Directors Room 1 20 m2
Directors Room 2 20 m2
Administration Office 300 m2
Volunteers Room 100 m2
Meeting Room 30 m2
Amenities 5 m2
Print Room 5 m2
Restrooms (Men and Women) 40 m2
Restroom (Disabled) 5 m2
Net Total 525 m2
Gross TOTAL 683 m2
Storage and Maintenance
Art Storage Space 1 500 m2
Art Storage Space 2 500 m2
Curatorial Space 150 m2
Data Warehouse 50 m2
General Storage 50 m2
Cleaning Storage 10 m2
Plant 10 m2
Security Office Room 20 m2
Loading Entry 10 m2
Loading Bay 20 m2
Restrooms (Men and Women) 10 m2
Net Total 1330 m2
Gross TOTAL 1729 m2
NATIONAL ART MUSEUMNet Total 10740 m2
Gross TOTAL 13962 m2
Muhammad Reza - Major Project 2011 3/9
THEATRE
ArrivalVisitor Entry Foyer 750 m2
Lounge 150 m2
Candy Bar 30 m2
Visitor Ticketing and Booking 30 m2
Group Ticketing and Booking 30 m2
Information Desk 20 m2
Restrooms (Me and women, disabled, change room) x2 200 m2
VIP Lounge 50 m2
Net Total 1260 m2
Gross TOTAL 1638 m2
Theatre
Main Theatre - Seating (1000 seats) 5500 m2
Main Theatre - Stage 150 m2
Salon Room 350 m2m2
Net Total 6000 m2
Gross TOTAL 7800 m2
Backstage
Backstage Foyer 150 m2
Performer's Entry 20 m2
Make-Up Room 1 (Inc. toilets and showers) 40 m2
Make-Up Room 2 (Inc. toilets and showers) 40 m2
Rehersal Room 40 m2
Performers Lounge 40 m2
Theatrical Storage 75 m2
General Storage 25 m2
Restrooms (Men and Women) 40 m2
Workshop 20 m2
Loading Bay 20 m2
Plant 10 m2
Net Total 520 m2
Gross TOTAL 676 m2
THEATRENet Total 7780 m2
Gross TOTAL 10114 m2
Muhammad Reza - Major Project 2011 4/9
HOTEL
Public Access
Vehicle Drop Off 50 m2
Entry Foyer 200 m2
Reception Area 20 m2
Entry Lounge 50 m2
Restrooms (Men and Women) 40 m2
Restroom (Disabled) 5 m2
Net Total 365 m2
Gross TOTAL 475 m2
Bedrooms
Type A (50)Bed Area 25 m2
Bathroom 5 m2
Storage 5 m2
Net Total 35 m2
Net Total (x50) 1750 m2
Gross TOTAL (x50) 2275 m2
Type B (10)Bed Area 1 20 m2
Bed Area 2 15 m2
Bathroom 1 10 m2
Bathroom 2 5 m2
Kitchenette 5 m2
Seating 10 m2
Storage 5 m2
Net Total 70 m2
Net TOTAL (x10) 700 m2
Gross TOTAL (x10) 910 m2
Restaurants
Type A operated by hotelEntry 5 m2
Seating 100 m2
Kitchen 30 m2
Service Entry 5 m2
Storage 5 m2
Restrooms 20 m2
Restroom (disabled) 5 m2
Muhammad Reza - Major Project 2011 5/9
Net Total 170 m2
Gross TOTAL 221 m2
Type B for lease (x2)Entry 5 m2
Seating 50 m2
Kitchen 30 m2
Service Entry 5 m2
Storage 5 m2
Restrooms (Men and Women) 20 m2
Restroom (disabled) 5 m2
Net Total 120 m2
Net TOTAL (x2) 240 m2
Gross TOTAL (x2) 312 m2
Staff and Administrations
Laundry 20 m2
General Storage 20 m2
Cleaning Storage 10 m2
Administration office 75 m2
Directors Office 1 20 m2
Directors Office 2 20 m2
Print Room 5 m2
Amenities 5 m2
Safe 10 m2
Plant 10 m2
Loading Bay 20 m2
Restrooms (Men and Women) 20 m2
Restroom (Disabled) 5 m2
Net Total 240 m2
Gross TOTAL 312 m2
HOTELNet Total 3465 m2
Gross TOTAL 4505 m2
Muhammad Reza - Major Project 2011 6/9
MULTI-PURPOSE HALL
Public Access
Vehicle Drop Off 50 m2
Entry Foyer 100 m2
Hall 1 750 m2
Restrooms (Men and women, disabled, change room) 100 m2
Hall 2 500 m2
Restrooms (Men and women, disabled, change room) 100 m2
Net Total 1600 m2
Gross TOTAL 2080 m2
Staff and Administrations
Administration office 25 m2
Catering Preparation Hall 1 25 m2
General Storage Hall 1 50 m2
Catering Preparation Hall 1 25 m2
General Storage Hall 2 50 m2
Cleaning Storage 5 m2
Service Entry 10 m2
Loading Bay 20 m2
Control Room 20 m2
Plant 10 m2
Restroom (men and women) 10 m2
Net Total 250 m2
Gross TOTAL 325 m2
MULTI-PURPOSE HALLNet Total 1850 m2
Gross TOTAL 2405 m2
Muhammad Reza - Major Project 2011 7/9
RETAIL ARCADE
Retail
Shops - type A (inc. toilet) @35 m2 x 10 350 m2
Shops - typeB (no toilet) @25 m2 x 5 250 m2
Restaurants (inc. kitchen) @ 75m2 x 3 225 m2
Restrooms (Men and women, disabled, change room) 100 m2
Net Total 925 m2
Gross TOTAL 1203 m2
Cinema
Theatre - type A - 175 seats @165m2 x 3 495 m2
Theatre - type A - 225 seats 230 m2
Projection Rooms @10m2 x 4 40 m2
Entry Foyer 100 m2
Box Office 10 m2
Candy Bar 15 m2
Restrooms (Men and Women) 50 m2
Net Total 940 m2
Gross TOTAL 1222 m2
Staff and Administrations
Admin Office 150 m2
Director's Office 15 m2
Restroom (men and women) 10 m2
Net Total 175 m2
Gross TOTAL 228 m2
RETAIL ARCADENet Total 1450 m2
Gross TOTAL 3874 m2
Muhammad Reza - Major Project 2011 8/9
CAR PARK
Parking
Cars (x500) @13m2 6500 m2
Busses (x30) @25m2 750 m2
Net Total 7250 m2
Gross TOTAL 14500 m2
Facilities
Drivers Lounge 50Restrooms 20Circulation Core 15
Net Total 85 m2
Gross TOTAL 170 m2
CAR PARKNet Total 7335 m2
Gross TOTAL 21835 m2
60% POPULATION
RULLING MONARCHY
LARGEST UNIVERSITY
BALI
TOURIST DESTINATION2ND MOST VISITED
CENTRE FOR THE ART
Out of over 250,000,000 population of Indonesia, 136,000,000 of them live in the island of Java. The Special Region of Yogyakarta resides 3,400,000 of them with 511,000 of whom live in the city of Yogyakarta. The city of Yogyakarta has a population density of 11,941/km2 (Melbourne = 1,566/km)
The state of Yogyakarta is categorised as Special Region due to its governance system being led by Sultan. The Royal Family had such a significant role in supporting the independence of Indonesia, and agreement to maintain its leadership for the area was signed in 1949.
Yogyakarta is in fact the second most visited Indonesias tourist destination after Bali. The authenticity of city towards its historic and cultural presence has been the main point of interest for its tourism.
Yogyakarta houses the largest university in Indonesia, Gajah Mada University, by student population. It provides tertiary education to over 300,000 students onshore (RMIT = 72,000 onshore and offshore)
Besides the fact that it is one of the Indonesias centres for the traditional art industries, such as batik (traditional textile), wayang (traditional puppet), etc. the contemporary art communities is also really developed producing and exhibiting works both locally and internationally. Jogja Bienalle is held yearly.
central java
yogyakartaspecial region
sleman
yogyakarta
mt.merapi
wates
wonosari
railway
Yogyakarta Special Region
pouplation
area
signicance
242 million136 million in Java
1,811,569 sq km (land)93,000 sq km (water)
Governed by a Royal FamilyCentre of Indonesias culture and historyCentre of Indonesias educationSecond most visited tourist destination
java
jakarta
borneosulawesi
west papua
east timor
australia
philipines
malaysia malaysia
bali
YogyakartaSpecial Region
sumatra
N
Hotel Inna Garuda
Garuda Inna HotelStasiun Tugu
Tugu Station
Parkir Bus Pariwisata
Tourist Bus Parking
PROPOSAL
Contemporary Art Precint
The chosen project site is located along the axis with the ambitions of providing a new landmark of 21st century Indonesia, taking part in the continuation of Yogyakartas history line.
Tugu
The Monument
Tugu Jogja was built approximately one year after the bregining of Yogyakarta Kingdom. At the early time of its construction, it clearly described the philosophy of the unity of Gods creatures that means the spirit of togetherness of lay people and authorities to fi ght colonials. In Javanese term, the spirit of togetherness is called golong gilig that is clearly described in the construction of the monument: the pole is of gilig (cylinder) form and the top part is golong (rounded). This monument was known as Tugu Golong-Gilig. Everything changed on Monday, 10 June 1867, when a big earthquake in Yogyakarta ruined the monument.
Yogyakarta is equipped with one city axis directing north-south. Besides functioning as an urban axis where most activities occur, it carries such strong historic and philosophic meaning to the public connecting the Merapi Volcano, the Tugu (Monument), the Kraton (Palace), and south sea. Remnants of stories across different generations are expressed along this axis.
Yogyakarta City Axis
Kantor DPRD
Regional Representative
Kantor Departemen Pariwisata
Department of Tourism
Istana Kepresidenan
House of Precidency (1949-1952)
Yogyakarta was in fact used to be the capital city of Indonesia before allocating back to Jakarta in 1949. After Indonesias proclamation day in 1945, the Dutch colony had not yet given up the land until agreed in the UN meeting, 1949. Due to the situation in Jakarta was considered unsafe, Indonesian government was operating temporarily in Yogyakarta, with a big support by the Sultan, until its return to Jakarta.
Jalan Malioboro
Malioboro Street
Malioboro is the main commercial street of Yogyakarta, located along the main city axis. Besides its importance being the main tourist attraction of Yogyakarta to get local souvenirs and art and crafts, it also functions as 24 hour street, where activities happen day and night catering the different communities of Yogyakarta.
Historical Sginifi cance
Political Siginifi cance
Signifi cant Landmarks
Proposed Site
N
Benteng Vredeburg
Vredeburg Fortress
The Government of Netherlands Colonial built Vredeburg Fortress the fi rst time during 1760s named the Rustenberg Fortress or the Rest Fortress. in 1765, development of this fortress was completed and the name replaced to the Vredeburg Fortress which meansthe Peace Fortress. This complex is now functioning as museums for Indonesias struggle towards its independance.
Taman Budaya
Cultural Park
Taman Budaya is one of the current centres for the art communities in Yogyakarta to exhibit their works. It was built by the federal government in 1970s and still currently operated by government body. Facilities in Taman Budaya include main exhibition space (approx. 600m2), proscenium theatre for 1000 seats, outdoor performance space, studio spaces, and a number of art shops.
Mall Malioboro
Malioboro Shopping Mall
Kantor Gubernur
Governors Offi ce
Museum Sosono Budoyo
Museum of Culture
Masjid Agung
The Great Mosque
Masjid Agung, or the great mosque is located on the west side of the forecourt pointing its direction towards Mecca. The main aspect of this mosque which does not occur in many other mosques in Indonesia is the fact that it maintains the vernacular language of its architecture, where others are generally signatured by the dome and its ornametation, which really reference the characteristic of middle eastern architecture, instead of the real value of Islam.
Kraton
Keraton House of Royal Family
The kraton complex has been the complex of the Royal family since the 18th century. The current architecture is a result of major refurbishment in 1930s under the leadership of Sultan Hamengkubuwono VIII. Various areas are currently opened for public functioning as the palace museum. Surrounding the Kraton complex, there are homes of the nobbled public working to support the activities of Palace.
Taman Pintar
Science Park
Alun-alun Utara
North Palace Forecourt
Alun-alun,the Palace Forecourt which works as the city square is currently used to house numorous public events and festivals. There are two main forecourts surrounding the palace, one located on the north end of the palace complex and one on the south end. The northern alun-alun functioned as the primary and offi cial entrance to the kraton. Javanese offi cials dismount their carriages and horses before entering the alun-alun to continue to the kraton. There are two centrally located holy beringin or banyan trees, framing the contiunation of the axis.
Pasar Beringharjo
Beringharjo Market
to South Sea
to Merapi Volcano
Hotel Inna Garuda
Garuda Inna HotelStasiun Tugu
Tugu Station
Parkir Bus Pariwisata
Tourist Bus Parking
PROPOSAL
Contemporary Art Precint
The chosen project site is located along the axis with the ambitions of providing a new landmark of 21st century Indonesia, taking part in the continuation of Yogyakartas history line.
Tugu
The Monument
Tugu Jogja was built approximately one year after the bregining of Yogyakarta Kingdom. At the early time of its construction, it clearly described the philosophy of the unity of Gods creatures that means the spirit of togetherness of lay people and authorities to fi ght colonials. In Javanese term, the spirit of togetherness is called golong gilig that is clearly described in the construction of the monument: the pole is of gilig (cylinder) form and the top part is golong (rounded). This monument was known as Tugu Golong-Gilig. Everything changed on Monday, 10 June 1867, when a big earthquake in Yogyakarta ruined the monument.
Yogyakarta is equipped with one city axis directing north-south. Besides functioning as an urban axis where most activities occur, it carries such strong historic and philosophic meaning to the public connecting the Merapi Volcano, the Tugu (Monument), the Kraton (Palace), and south sea. Remnants of stories across different generations are expressed along this axis.
Yogyakarta City Axis
Kantor DPRD
Regional Representative
Kantor Departemen Pariwisata
Department of Tourism
Istana Kepresidenan
House of Precidency (1949-1952)
Yogyakarta was in fact used to be the capital city of Indonesia before allocating back to Jakarta in 1949. After Indonesias proclamation day in 1945, the Dutch colony had not yet given up the land until agreed in the UN meeting, 1949. Due to the situation in Jakarta was considered unsafe, Indonesian government was operating temporarily in Yogyakarta, with a big support by the Sultan, until its return to Jakarta.
Jalan Malioboro
Malioboro Street
Malioboro is the main commercial street of Yogyakarta, located along the main city axis. Besides its importance being the main tourist attraction of Yogyakarta to get local souvenirs and art and crafts, it also functions as 24 hour street, where activities happen day and night catering the different communities of Yogyakarta.
Historical Sginifi cance
Political Siginifi cance
Signifi cant Landmarks
Proposed Site
N
Benteng Vredeburg
Vredeburg Fortress
The Government of Netherlands Colonial built Vredeburg Fortress the fi rst time during 1760s named the Rustenberg Fortress or the Rest Fortress. in 1765, development of this fortress was completed and the name replaced to the Vredeburg Fortress which meansthe Peace Fortress. This complex is now functioning as museums for Indonesias struggle towards its independance.
Taman Budaya
Cultural Park
Taman Budaya is one of the current centres for the art communities in Yogyakarta to exhibit their works. It was built by the federal government in 1970s and still currently operated by government body. Facilities in Taman Budaya include main exhibition space (approx. 600m2), proscenium theatre for 1000 seats, outdoor performance space, studio spaces, and a number of art shops.
Mall Malioboro
Malioboro Shopping Mall
Kantor Gubernur
Governors Offi ce
Museum Sosono Budoyo
Museum of Culture
Masjid Agung
The Great Mosque
Masjid Agung, or the great mosque is located on the west side of the forecourt pointing its direction towards Mecca. The main aspect of this mosque which does not occur in many other mosques in Indonesia is the fact that it maintains the vernacular language of its architecture, where others are generally signatured by the dome and its ornametation, which really reference the characteristic of middle eastern architecture, instead of the real value of Islam.
Kraton
Keraton House of Royal Family
The kraton complex has been the complex of the Royal family since the 18th century. The current architecture is a result of major refurbishment in 1930s under the leadership of Sultan Hamengkubuwono VIII. Various areas are currently opened for public functioning as the palace museum. Surrounding the Kraton complex, there are homes of the nobbled public working to support the activities of Palace.
Taman Pintar
Science Park
Alun-alun Utara
North Palace Forecourt
Alun-alun,the Palace Forecourt which works as the city square is currently used to house numorous public events and festivals. There are two main forecourts surrounding the palace, one located on the north end of the palace complex and one on the south end. The northern alun-alun functioned as the primary and offi cial entrance to the kraton. Javanese offi cials dismount their carriages and horses before entering the alun-alun to continue to the kraton. There are two centrally located holy beringin or banyan trees, framing the contiunation of the axis.
Pasar Beringharjo
Beringharjo Market
to South Sea
to Merapi Volcano
Hotel Inna Garuda
Garuda Inna HotelStasiun Tugu
Tugu Station
Parkir Bus Pariwisata
Tourist Bus Parking
PROPOSAL
Contemporary Art Precint
The chosen project site is located along the axis with the ambitions of providing a new landmark of 21st century Indonesia, taking part in the continuation of Yogyakartas history line.
Tugu
The Monument
Tugu Jogja was built approximately one year after the bregining of Yogyakarta Kingdom. At the early time of its construction, it clearly described the philosophy of the unity of Gods creatures that means the spirit of togetherness of lay people and authorities to fi ght colonials. In Javanese term, the spirit of togetherness is called golong gilig that is clearly described in the construction of the monument: the pole is of gilig (cylinder) form and the top part is golong (rounded). This monument was known as Tugu Golong-Gilig. Everything changed on Monday, 10 June 1867, when a big earthquake in Yogyakarta ruined the monument.
Yogyakarta is equipped with one city axis directing north-south. Besides functioning as an urban axis where most activities occur, it carries such strong historic and philosophic meaning to the public connecting the Merapi Volcano, the Tugu (Monument), the Kraton (Palace), and south sea. Remnants of stories across different generations are expressed along this axis.
Yogyakarta City Axis
Kantor DPRD
Regional Representative
Kantor Departemen Pariwisata
Department of Tourism
Istana Kepresidenan
House of Precidency (1949-1952)
Yogyakarta was in fact used to be the capital city of Indonesia before allocating back to Jakarta in 1949. After Indonesias proclamation day in 1945, the Dutch colony had not yet given up the land until agreed in the UN meeting, 1949. Due to the situation in Jakarta was considered unsafe, Indonesian government was operating temporarily in Yogyakarta, with a big support by the Sultan, until its return to Jakarta.
Jalan Malioboro
Malioboro Street
Malioboro is the main commercial street of Yogyakarta, located along the main city axis. Besides its importance being the main tourist attraction of Yogyakarta to get local souvenirs and art and crafts, it also functions as 24 hour street, where activities happen day and night catering the different communities of Yogyakarta.
Historical Sginifi cance
Political Siginifi cance
Signifi cant Landmarks
Proposed Site
N
Benteng Vredeburg
Vredeburg Fortress
The Government of Netherlands Colonial built Vredeburg Fortress the fi rst time during 1760s named the Rustenberg Fortress or the Rest Fortress. in 1765, development of this fortress was completed and the name replaced to the Vredeburg Fortress which meansthe Peace Fortress. This complex is now functioning as museums for Indonesias struggle towards its independance.
Taman Budaya
Cultural Park
Taman Budaya is one of the current centres for the art communities in Yogyakarta to exhibit their works. It was built by the federal government in 1970s and still currently operated by government body. Facilities in Taman Budaya include main exhibition space (approx. 600m2), proscenium theatre for 1000 seats, outdoor performance space, studio spaces, and a number of art shops.
Mall Malioboro
Malioboro Shopping Mall
Kantor Gubernur
Governors Offi ce
Museum Sosono Budoyo
Museum of Culture
Masjid Agung
The Great Mosque
Masjid Agung, or the great mosque is located on the west side of the forecourt pointing its direction towards Mecca. The main aspect of this mosque which does not occur in many other mosques in Indonesia is the fact that it maintains the vernacular language of its architecture, where others are generally signatured by the dome and its ornametation, which really reference the characteristic of middle eastern architecture, instead of the real value of Islam.
Kraton
Keraton House of Royal Family
The kraton complex has been the complex of the Royal family since the 18th century. The current architecture is a result of major refurbishment in 1930s under the leadership of Sultan Hamengkubuwono VIII. Various areas are currently opened for public functioning as the palace museum. Surrounding the Kraton complex, there are homes of the nobbled public working to support the activities of Palace.
Taman Pintar
Science Park
Alun-alun Utara
North Palace Forecourt
Alun-alun,the Palace Forecourt which works as the city square is currently used to house numorous public events and festivals. There are two main forecourts surrounding the palace, one located on the north end of the palace complex and one on the south end. The northern alun-alun functioned as the primary and offi cial entrance to the kraton. Javanese offi cials dismount their carriages and horses before entering the alun-alun to continue to the kraton. There are two centrally located holy beringin or banyan trees, framing the contiunation of the axis.
Pasar Beringharjo
Beringharjo Market
to South Sea
to Merapi Volcano
Jl. A.M
. SangajiJl. M
alioboro
Jl. Mataram
Jl. Kleringan
Jl. Abu Bakar Ali
9
8
8
11
121
2
3
7 5
4
N
7 Junction of Kleringan and Abu Bakar Ali Streets looking west towards Garuda Inna Hotel
1 view towards project site from south west corner showing existing heritage buildings
8 Urban characteristic of Malioboro Street
2 view towards Kleringan Street from west
9 Junction of Kleringan Street and railway track
3 Kleringan Street from East showing level changes on topography and roofscape of existing village
10 Existing heritage building and landscape on project site
4 Kleringan Street looking south showing traffic condition and landscape characteristic
11 Existing heritage building on project site
5 Junction of Kleringan and Abu Bakar Ali Streets looking east showing adjacent monument
6 Current condition of adjacent tourist bus parking
12 Existing plants and garden merchants
Noise diagrams
ABANDONED LAND11,521 m2
HERITAGE SITE
9,140 m2heritage buildings preserved
RESIDENTIAL SETTLEMENTS
20,375 m2
TOTAL SITE AREA41,036 m2
residence relocated
Context
Vehicular Traffic
Site Area
TRAIN STATIONTOURIST BUS PARKING
BUS STOP
BUS STOP
BUS
ROU
TE
RAILWAY TRACK
ABANDONED LAND11,521 m2
HERITAGE SITE
9,140 m2heritage buildings preserved
RESIDENTIAL SETTLEMENTS
8,765 m2
TOTAL SITE AREA29,426 m2
residence relocated
Public Transport
Urban intensity dictated by the cutting railway track
Jl. A.M
. SangajiJl. M
alioboro
Jl. Mataram
Jl. Kleringan
Jl. Abu Bakar Ali
existing condition of project site
Streetscape study of Jalan A.M. Sangaji facing east
Streetscape study of Jalan A.M. Sangaji facing west
Street Elevation of Jalan A.M. Sangaji
Street Elevation of Jalan Kleringan
education line
culture line
Borobudur
temple
Gadjah M
ada Uni.
urban axis
Monumnen
t of Yogyak
arta
Merapi Vo
lcano
The Missing Monument and ItsAxial ImportanceThe idea of Grounding Optimism came about by initially looking at the missing original monument of Yogyakarta. It was built by the first Sultan in 1756, carrying the meanings of uniting the public and building optimism towards independence. However, major earthquake caused its destruction in 1887. The Dutch colonies then attempted to rebuild it in a manner that is believed to be loosing its originality. The completely different formal geometry and much smaller scale are believed to lose its original meaning monumentality.
This project attempts to bring back the impact that it had originally at a site that is only 500 meters away from it. The idea the monument being a centre point of the city axis is reintroduced. The centre point of the project, which to be the dome of the art museum main hall, is a result of projecting lines to the Temple of Borobudur, being the main cultural landmark of the city, and Gadjah Mada University, being the largest university in the country. These major imaginary axis lines ground the idea that the new art facilities act as the meeting point educational and cultural activities for 21st century society. Minor axis lines are then projected from that centre point accommodating the different programs of the project.
Circular geometry is explored widely as an initial approach referencing back to importance of the original monuments geometry.
Batik Pattern as Living IdentityOut of the many Indonesian traditional arts and crafts, Batik clothing plays such an important role connecting the past generations and the 21st centurys. The pride of the societies towards it is clearly shown by the fact it is still widely worn across the country both for occasional cultural ceremonies and daily activities, mostly for the working societies and university students.
Besides the different meanings that different patterns carry, they also sign the different locations of where they were produced. Patterns authentic to the city of Yogyakarta is explored widely in this project allowing articulations of geometry, floor patterning, wall screening, etc.
Learning from Wayang PuppetWayang, the traditional shadow puppet show, is one of the most historically important show that its popularity is at the stake of diminishing in the current society. Yogyakarta is one of the very few other cities that still continually produces and performs it.
Considering the importance of it to the city, the architectural language development of this project also references highly to the aesthetic of it. The way the juxtaposition between the solid and semi permeable surfaces work and how they are composed to create the specific character are what
influenced project the most.
View to main forecourt
Jl. A.M
. Sangaji
Jl. Kleringan
Jl. Abu Bakar Ali
Jl. A.M
. SangajiJl. M
aliobor o
Jl. Mataram
Jl. Kleringan
Jl. Abu Bakar Ali
RESTARURANT
MULTI FUNCTION HALL
MUSEUM
ART STUDIO
ACCOMODATION
RETAIL
RESEARCH FACILITY
LIBRARY
OFFICE
RETAIL
RESTARURANT
MULTI FUNCTION HALL
THEATRE
RETAIL
-6
THEATRE-2TEMPORARY GALLERY
-3 LOUNGE
-1.5
+0RETAIL
FOYER
MAINHALL
FOYERFOYERMULTI FUNCTION HALL
MUHAMMAD REZASCALE 1:500NORTH GROUND FLOOR PLAN
ART STUDIO
RETAIL
+0
-3
-6
RETAIL
ARTIST ACCOMODATION
MULTI FUNCTION HALL
MULTI FUNCTION HALL
CAFECAFE
RETAIL
ADMINISTRATION
THEATRE
MAIN HALL
PERMANENT GALLERY
PERMANENT GALLERY
ENTRY
MAINHALL
PERMANENT GALLERY
CHILDREN GALLERY
FOYER
LIBRARY
STAGE
BACKSTAGE
PERFORMERSACCESS
MULTI-FUNCTION HALLFOYER
RETAIL
ATRIUM
ENTRY
Proposal Transformations
CHILDREN MUSEUM
RETAIL
FOYER
MULTI-FUNCTION HALL
FOYER
STAGE
PERMANENT GALLERY
RETAIL
CINEMA
entry
entry
entry
entry
entry
entry
entry
entry
M01
M02
M03
M04
M15
M12
T01
T02T03
T04
T05
T06
T08
T07
T07
T13
T11
F01
H01
H02
H03
H06H07
F02
F06F07
F08
514m2
restaurant413 m2
storage
offices
entry
entry
entry
entry
entry
entry
entry
entry
M01
M02
M03
M04
M15
M12
T01
T02T03
T04
T05
T06
T08
T07
T07
T13
T11
F01
H01
H02
H03
H06H07
F02
F06F07
F08
National Art Museum
M01 FoyerM02 TicketingM03 CloakingM04 Museum ShopM05 Permanent Exhibition HallM06 Indonesian Historic Art M07 Exhibition HallM08 Indonesian Contemporary Art HallM09 International Art HallM10 Contemporary Exhibition Hall M11 Childrens Exhibition HallM12 Archive RoomM13 LibraryM14 Research OfficeM15 Administration OfficeM16 RestaurantM17 Museum StorageM18 Loading Bay
Theatre
T01 FoyerT02 Box OfficeT03 CloakingT04 BarT05 SeatingT06 Stage areaT07 Stage-WingT08 BackstageT09 Dressing RoomT10 Rehearsal RoomT11 Administration OfficeT12 Backstage Supervisor OfficeT13 Loading Bay
Multi-Function Hall
F01 Multi-Function HallF02 FoyerF03 Information DeskF04 Administration OfficeF05 Staff AreaF06 StorageF07 KitchenF08 Loading Bay
Hotel
H01 FoyerH02 Reception DeskH03 Hotel LoungeH04 Hotel Room Type-AH05 Hotel Room Type-BH06 Restaurant H07 Staff AreaH08 Administration Office
Retail Arcade
A01 Retail SpaceA02 Information DeskA03 Cinema TheatreA04 Cinema Projection RoomA05 FoyerA06 Box OfficeA07 Candy BarA08 Administration Office
Jala
n M
alio
boro
Jalan Abu Bakar Ali
Jalan Kleringan
Jala
n Pa
nger
an M
angk
ubum
i
entry
entry
entry
entry
entry
entry
entry
entry
view 1
view 2
view 5
view 3
B
C
C
B
A
A
M01M02
M03
M04
M05
T02
T01
T04
F01
F03
H02
H03
H06
H07
H01
A02
A02
A03
A03A03A03
A04
A05
A05
A06
A07
A08
A08
A01
F02
F06
F06
F04F07
F05
T03
T06
T08
T09
T07
T07
T05
M05
M12
view 4
M08
M09
T09
T10
T10
T11
T11
T13
M08
M07 M06
M10
M10
Basement 1 Floor Plan
M18 M18
Basement 2 Floor Plan
M15
M13
M17
T01
F08
F01
H05H04
H08
F02F07
F06
F06
F05
T05
M14
Basement 1 Floor Plan
View to Museum Main Hall
Section A - A
Section B - B
Section C - C
View to Retail Arcade
View to Theatre Foyer
Overall view to project site from south-west
RMIT Architecture Major Project - supervised by Peter Corrigan