Post on 20-Jan-2015
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Interaction of Three-dimensional and
Two-dimensional Art
By Helmut Satzinger(Univ. of Vienna)
Art and Society: Ancient and Modern Contexts of Egyptain Art13–15 May 2010
Museum of Fine Arts, Budapest
Three-dimensional Reality
Rendered in Two-dimensional Art
Two-dimensional Reality
Rendered in Three-dimensional Art
How to render two-dimensional items in the round:
How to render two-dimensional items in the round:
2 possible solutions.
How to render two-dimensional items in the round:
2 possible solutions.
(1) Application of painting.
How to render two-dimensional items in the round:
2 possible solutions.
(1) Application of painting.
(2) Transformation into three dimensions.
How to render two-dimensional items in the round:
2 possible solutions.
(1) Application of painting.
(2) Transformation into three dimensions.
Good example in European art: the Veil of Veronica.
Transformation into three dimensions:
Transformation into three dimensions:
St. Veronica’s Veil in the sculpture of Breton calvaries.
Transformation into three dimensions:
St. Veronica’s Veil in the scultures of Breton calvaries.
Pleiben, ur kalvar / Pleyben, calvaire Notre Dame de Tronoën
Transformation into three dimensions:
Transformation into three dimensions:
Greek sculpture —
folds of the chiton seen though the cloak.
Istanbul, Archaeo-logical Museum
Vertical folds of Chiton visible under the horizontal folds of thecloak.
Wien,
Antiken-
sammlung
I 1052
Vertical folds of Chiton visible under the diagonal folds of the cloak.
Transformation into three dimensions:
Egyptian Art.
Wien 7789
January 1914 discovered in the rubble south-west of mastaba of Shepses-ptah (S 338/339) by Herrmann Junker’s team.
Appendix I.
Two-dimensional ArtArt
Rendered in Two-dimensional Art
Vermeer: die MalkunstVermeer: the art of painting
Kunsthistorisches Museum Wien
After Miral LashienMiral Lashien “Artist’s Training in the Old and Middle Kingdoms.”
Göttinger Miszellen 224, 2010, 81–85.
Abb. 41, 42 Die beiden Maler-gruppen sind an der Nordwand des Grabes des Baker III. (BH 15) jeweils beim Bemalen eines hölzernen Schreins abge-bildet; in der einen Hand wird der Farbnapf gehalten, die an-dere führt den feinen Pinsel. Ein außergewöhnliches Bild ist die obere Gruppe, die gerade dabei ist, ein Kalb und einen schwarz-weiß gefleckten Wind-hund, der eine Antilope zu Boden gerissen hat, aufzumalen, da sel-ten bei solchen Szenen ein gegen-ständliches Motiv mit dargestellt wird...
Abdel Ghaffar Shedid: Die Felsgräber von Beni Hassan in Mittelägypten. Mainz 1994. Abb. 41.
Appendix II.
Three-dimensional ArtArt
Rendered in Three-dimensional Art
ÆGYPTUS[RIVISTA ITALIANA DI EGITTOLOGIA E PAPIROLOGIA]FIRENZE—ANNO LXXXV/1-2 (2005) La pratica della religione nell’antico Egitto. Atti del X convegno nazionale di egittologia e papirologia (Roma, 1-2 febbraio 2006)Pp. 175–184
SERGIO DONADONI, “Statue di statue.„SERGIO DONADONI, “Statue di statue.„
• The Abu Simbel colossi bear names that are known to be names of statues.
• Colossal statue of Amenophis III from the Luxor cachette as a base in the form of a sledge.
Etc. ...
Appendix III.
Three-dimensional ArtArt
Rendered in Two-dimensional Art
Marianne Eaton-KraussMarianne Eaton-Krauss.
The representations of statuary in private tombs of the Old Kingdom
(= Ägyptologische Abhandlungen 39)1984, Harrassowitz (Wiesbaden)
Marianne Eaton-KraussMarianne Eaton-Krauss.
The representations of statuary in private tombs of the Old Kingdom
(= Ägyptologische Abhandlungen 39)1984, Harrassowitz (Wiesbaden)