Post on 12-Jan-2016
transcript
Le Théàtre
Beginnings• In France, began in the Middle Ages (12th
century)• Dramatizations of rituals – Christmas and
Easter• Plays transferred from church hall
open air• Latin was substituted for vernacular
12th-15th centuries: The Middle Ages
• Farce (humorous satire of human failings)• Sottie (conversation among idiots)• Mystery play (Christian mysteries/Saints’
lives)• Morality play (educate through entertainment
– choose a Godly life over one of evil)• Physical humor and deliberate absurdity• Miracle play (re-enactments of real-life
miracles in ordinary lives)• Passion play (re-enactment of Passion of Jesus
Christ)
12th-15th centuries: The Middle Ages
• Farce (humorous satire of human failings)• Sottie (conversation among idiots)• Mystery play (Christian mysteries/Saints’
lives)• Morality play (educate through entertainment
– choose a Godly life over one of evil)• Physical humor and deliberate absurdity• Miracle play (re-enactments of real-life
miracles in ordinary lives)• Passion play (re-enactment of Passion of Jesus
Christ)
16th century:Renaissance Theatre
• Biblical tragedy (stories taken from the Bible)
• Ancient tragedy (stories taken from mythology or history)
• Contemporary tragedy (stories taken from recent events)
17th century: Baroque theatre
• Royal court had gotten tired of tragedies• Molière (1622-1673) – a favorite of the
king• Satire – ridicules individuals and society
for its shortcomings with a goal of improvement
• Tartuffe ou L’Imposteur• Le Maladie Imaginaire• Bourgeois Gentilhomme
Le Maladie Imaginaire
• http://www.youtube.com/watch?v=igh_D0t2SOE
18th century: Classicism
• Three Unities• Unity of place (the setting should not
change)• Unity of time (the entire play should take
place in 24 hours)• Unity of action (one central story, all
secondary plots linked to it)
Late 18th century: French Revolution
• Theater served as a forum for political expression and debate
20th century
• Theatrical experiments• Influenced by Dada and Surrealism• “Theatre of the Absurd” – refused simple
explanations, abandoned traditional characters, plots, and staging
• Eugène Ionesco – Rhinoceros• Berenger (protagonist) watches all his
friends turn into rhinoceroses one by one until he is left alone
• Horror of ideological conformism
Rhinocéros
• http://www.youtube.com/watch?v=J9F1WE8qlsU
La Danse
La Danse
Ballet: Beginnings• Began in Italian Renaissance courts of
15th and 16th centuries• Quickly spread to French court• Creation of classical ballet – Louis XIV• Académie Royale de Danse• 1672 Paris Opera Ballet – first
professional ballet company
Types of Ballet
• Classical ballet (traditional ballet technique)
• Neoclassical ballet (more extreme tempos and more technical feats, less rigid, focus on structure)
• Contemporary ballet (influenced by ballet and modern dance – abdominal strength from classical ballet + greater range of movement)
Classical Ballet
• http://www.youtube.com/watch?v=sWStlaBdxcg
• http://www.youtube.com/watch?v=jjDYW46PjA8&feature=related
Neoclassical Ballet
• http://www.youtube.com/watch?v=O5UWI9NZOEk&feature=results_main&playnext=1&list=PLB18F9005C5B833B8
Contemporary Ballet
• http://www.youtube.com/watch?v=mF2k4RRfBb0
The Can-Can• First appeared in working-class ballrooms in
Paris• Originally a dance for couples and individuals• “Can-can” – “tittle-tattle” or “scandal”• Many attempts to repress it (groups of men
were arrested at public dance halls)• Highly paid women performers at Moulin
Rouge• Now performed on stage in a chorus line• French Can-Can: choreographed routine with
opportunities for individuals to display their “specialties”
The Can-Can
• http://www.youtube.com/watch?v=lK0gYi1YEZ8