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01Humour 3rd proofs checked · PDF fileStories have been selected and lesson plans written...

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58 © Pearson Education Ltd 2008 58 Brave New Words resources The short stories in this collection are grouped into four genres: Humour, History, Diaries and Sport. An eight-lesson scheme of work accompanies each genre section, with two lesson plans provided for each story. Each of these schemes is organised so that the first two stories could be used for Year 7 students and the second two for Year 8 students. However, all of the stories have been mapped for both Year 7 and Year 8 Framework Objectives, so that the stories can be taught in genres rather than year groups if desired. Stories have been selected and lesson plans written primarily to target students who are working at Level 4 towards Level 5. However there are differentiated resources to suit less able students working at Level 3, as well as extension tasks for students working towards Level 6. Possible homework tasks are provided for each lesson, although these do not have to be used in order for the lesson to be successful. Resource sheets are provided to support each lesson and can be photocopied, used as OHTs or displayed using an interactive whiteboard or data projector. The Assessment Foci (AFs) are referenced throughout each scheme to aid preparation for the Year 9 National Tests. Each scheme contains one formal Assessment Task, modelled on the QCA Assessing Pupil Progress (APP) reading tasks. The QCA mark sheets can be used to mark each assessment. I hope that in these schemes of work you will find a good range of valuable teaching and learning resources to support delivery of texts by a wonderful range of contemporary children’s writers. Introduction
Transcript
Page 1: 01Humour 3rd proofs checked · PDF fileStories have been selected and lesson plans written primarily to target students ... Making predictions. 3. ... use inference and deductions

58 © Pearson Education Ltd 2008 58

Brave New Words resources

The short stories in this collection are grouped into four genres: Humour, History, Diaries and Sport. An eight-lesson scheme of work accompanies each genre section, with two lesson plans provided for each story. Each of these schemes is organised so that the first two stories could be used for Year 7 students and the second two for Year 8 students. However, all of the stories have been mapped for both Year 7 and Year 8 Framework Objectives, so that the stories can be taught in genres rather than year groups if desired. Stories have been selected and lesson plans written primarily to target students who are working at Level 4 towards Level 5. However there are differentiated resources to suit less able students working at Level 3, as well as extension tasks for students working towards Level 6. Possible homework tasks are provided for each lesson, although these do not have to be used in order for the lesson to be successful. Resource sheets are provided to support each lesson and can be photocopied, used as OHTs or displayed using an interactive whiteboard or data projector. The Assessment Foci (AFs) are referenced throughout each scheme to aid preparation for the Year 9 National Tests. Each scheme contains one formal Assessment Task, modelled on the QCA Assessing Pupil Progress (APP) reading tasks. The QCA mark sheets can be used to mark each assessment. I hope that in these schemes of work you will find a good range of valuable teaching and learning resources to support delivery of texts by a wonderful range of contemporary children’s writers.

Introduction

Page 2: 01Humour 3rd proofs checked · PDF fileStories have been selected and lesson plans written primarily to target students ... Making predictions. 3. ... use inference and deductions

Brave New Words resources

© Pearson Education Ltd 2008 59

Med

ium

-ter

m p

lan:

His

tory

T

itle

and

aut

hor

Les

son

outc

ome

and

obj

ecti

ves

Ren

ewed

Fra

mew

ork

Obj

ecti

ves

Yea

r 7

Ren

ewed

Fra

mew

ork

Obj

ecti

ves

Yea

r 8

AF

R

esou

rces

1

‘A P

lace

on

the

Pia

no’

by E

va

Ibbo

tson

Les

son

1

1.

Wor

d as

soci

atio

ns b

ased

on

the

them

es.

2.

Mak

ing

pred

ictio

ns.

3.

Rea

d th

e st

ory,

mak

ing

char

acte

r no

tes

usin

g a

spid

er d

iagr

am.

4.

Ass

imil

ate

info

rmat

ion

abou

t the

ch

arac

ters

.

5.1a

use

ski

mm

ing

and

scan

ning

to

loca

te in

form

atio

n fr

om a

text

or

sour

ce

5.1b

use

infe

renc

e an

d de

duct

ions

to

rec

ogni

se im

plic

it m

eani

ngs

at

sent

ence

and

text

leve

l

5.1a

use

a r

ange

of

read

ing

stra

tegi

es to

ret

riev

e re

leva

nt

info

rmat

ion

and

mai

n po

ints

fr

om te

xts

5.1b

use

infe

renc

e an

d de

duct

ion

to e

xplo

re la

yers

of

mea

ning

AF

3 1.

1, 1

.2,

1.3,

1.4

, 1.

5, 1

.6,

1.7,

1.8

.

2 ‘A

Pla

ce o

n th

e P

iano

’ by

Eva

Ib

bots

on

Les

son

2

1.

Vis

uali

se th

e st

ory,

sel

ectin

g qu

otat

ions

fo

r pi

ctur

es.

2.

Em

path

ise

wit

h a

char

acte

r. D

iscu

ss ‘

Is

it e

ver

mor

ally

rig

ht to

lie?

3.

Exp

lore

the

endi

ng o

f th

e st

ory.

Dis

cuss

an

d m

ake

note

s fo

r ar

gum

ents

for

and

ag

ains

t.

4.

Dic

tiona

ry d

efin

itio

n of

new

vo

cabu

lary

.

5.

Lea

rn s

pell

ings

or

wri

te a

sho

rt s

tory

ca

lled

‘T

he L

ie’.

6.1a

und

erst

and

the

diff

eren

t way

s in

whi

ch te

xts

can

refl

ect t

heir

so

cial

, cul

tura

l and

his

tori

cal

cont

exts

6.2b

rec

ogni

se a

nd c

omm

ent o

n ho

w w

rite

rs’

choi

ces

and

tech

niqu

es h

ave

an e

ffec

t on

read

ers

9.3b

incr

ease

kno

wle

dge

of w

ord

fam

ilie

s

6.1a

und

erst

and

and

expl

ore

the

conc

ept o

f li

tera

ry h

erit

age

6.2b

rec

ogni

se a

nd c

omm

ent o

n ho

w w

rite

rs’

choi

ce o

f la

ngua

ge

cont

ribu

tes

to th

e ov

eral

l eff

ect

AF

3

AF

4

AF

6

1.9,

1.1

0,

1.11

, 1.1

2,

1.13

. D

ictio

nari

es

3 ‘T

he D

augh

ter’

by

Jacq

uelin

e W

ilso

n

Les

son

1

1.

Ass

ess

prio

r kn

owle

dge

of w

omen

du

ring

the

reig

n of

Eli

zabe

th I

.

2.

Pre

dict

ions

bas

ed o

n th

e fi

rst s

ente

nce

of th

e st

ory.

3.

Rea

d th

e st

ory.

4.

Dis

cuss

que

stio

ns a

nd r

epor

t fin

ding

s.

5.

Fur

ther

dis

cuss

ion

topi

cs. C

arry

out

In

tern

et r

esea

rch

to d

evel

op h

isto

rica

l un

ders

tand

ing.

6.1

unde

rsta

nd th

e di

ffer

ent w

ays

in

whi

ch te

xts

can

refl

ect t

heir

soc

ial,

cultu

ral a

nd h

isto

rica

l con

text

s

6.1

unde

rsta

nd a

nd e

xplo

re th

e co

ncep

t of

heri

tage

and

why

ce

rtai

n te

xts

are

impo

rtan

t wit

hin

it

AF

2

AF

7

2. 1

, 2.2

, 2.

3, 2

.4,

2.5,

2.6

. 2.

7, 2

.8,

2.9.

Page 3: 01Humour 3rd proofs checked · PDF fileStories have been selected and lesson plans written primarily to target students ... Making predictions. 3. ... use inference and deductions

Brave New Words resources

© Pearson Education Ltd 2008 60

T

itle

and

aut

hor

Les

son

outc

ome

and

obj

ecti

ves

Ren

ewed

Fra

mew

ork

Obj

ecti

ves

Yea

r 7

Ren

ewed

Fra

mew

ork

Obj

ecti

ves

Yea

r 8

AF

R

esou

rces

4 ‘T

he D

augh

ter’

by

Jacq

uelin

e W

ilso

n

Les

son

2

1.

Rec

ap th

e th

emes

usi

ng th

e sp

ider

di

agra

ms

from

pre

viou

s le

sson

.

2.

Intr

oduc

e st

uden

ts to

the

AP

P r

eadi

ng

Ass

essm

ent T

asks

.

3.

Stu

dent

s ca

rry

out t

he A

PP

Ass

essm

ent

Tas

ks.

4.

Self

-ass

essm

ent u

sing

QC

A m

ark

shee

ts.

5.

Wri

te a

dia

ry e

ntry

fro

m a

cha

ract

er’s

po

int o

f vi

ew.

5.1a

use

ski

mm

ing

and

scan

ning

to

loca

te th

e m

ain

poin

ts

5.1b

use

infe

renc

e an

d de

duct

ion

to

reco

gnis

e im

plic

it m

eani

ngs

5.2b

mak

e pe

rson

al r

espo

nses

to a

te

xt a

nd p

rovi

de s

ome

text

ual

refe

renc

e in

sup

port

5.3

mak

e in

form

ed p

erso

nal c

hoic

es

of te

xts

and

expr

ess

thei

r pr

efer

ence

s

5.1a

use

a r

ange

of

read

ing

stra

tegi

es to

ret

riev

e re

leva

nt

info

rmat

ion

5.1b

use

infe

renc

e an

d de

duct

ion

to e

xplo

re m

eani

ng w

ithin

a te

xt

5.2b

res

pond

to a

text

by

mak

ing

prec

ise

poin

ts a

nd p

rovi

ding

re

leva

nt e

vide

nce

in s

uppo

rt o

f th

ose

poin

ts

5.3

broa

den

thei

r ex

peri

ence

of

read

ing

and

expr

ess

pref

eren

ces

and

opin

ions

abo

ut t

exts

All

AF

s 2.

10, 2

.11,

2.

11, 2

.12,

2.

13, 2

.14

QC

A M

ark

shee

ts

5 ‘T

he P

rinc

ess

Spy

’ by

Jam

ila

Gav

in

Les

son

1

1.

Wor

d as

soci

atio

n w

ith

‘her

oine

’.

2.

Sho

w p

ictu

res

as s

tim

uli f

or d

evel

opin

g qu

esti

ons;

ann

otat

e pi

ctur

es.

3.

Rea

d th

e st

ory

and

coll

ect q

uota

tion

s ab

out a

cha

ract

er.

4.

Quo

tati

ons

that

sho

w th

e se

ttin

g an

d hi

stor

ical

con

text

of

the

stor

y.

5.

Usi

ng w

ebsi

tes

to r

esea

rch

the

life

of

Pri

nces

s N

oor

Inay

at K

han.

3.2

mak

e cl

ear

and

rele

vant

co

ntri

buti

ons

to g

roup

dis

cuss

ion

5.1c

mak

e re

leva

nt n

otes

whe

n ga

ther

ing

idea

s fr

om te

xts

3.2

mak

e a

sust

aine

d co

ntri

buti

on to

gro

up d

iscu

ssio

n an

d il

lust

rate

and

exp

lain

thei

r id

eas

5.1c

mak

e re

leva

nt n

otes

whe

n re

sear

chin

g di

ffer

ent s

ourc

es

AF

2

AF

7

3.1,

3.2

, 3.

3, 3

.4

Web

pag

e

6 ‘T

he P

rinc

ess

Spy

’ by

Jam

ila

Gav

in

Les

son

2

1.

Ana

lyse

fig

urat

ive

lang

uage

, usi

ng

Poi

nt, E

vide

nce

Exp

lana

tion

cha

rt.

2.

Seq

uenc

e ev

ents

fro

m th

e st

ory.

Fin

d an

d se

lect

quo

tati

ons.

3.

Plo

t 15

even

ts o

n a

tens

ion

grap

h.

4.

Com

pare

tens

ion

grap

hs.

5.

Exp

lain

hig

hest

and

low

est s

core

s.

6.2a

iden

tify

and

desc

ribe

the

effe

ct

of s

peci

fic

feat

ures

of

wri

ter’

s us

e of

lang

uage

and

gra

mm

ar

6.2b

rec

ogni

se a

nd c

omm

ent o

n ho

w w

rite

rs’

choi

ce a

nd te

chni

ques

ha

ve a

n ef

fect

on

read

ers

6.2a

exp

lore

the

rang

e va

riet

y an

d ef

fect

of

lingu

isti

c gr

amm

atic

al a

nd li

tera

ry f

eatu

res

used

6.2b

rec

ogni

se a

nd c

omm

ent o

n ho

w w

rite

rs’

lang

uage

cho

ices

co

ntri

bute

tow

ards

the

over

all

effe

ct

AF

4

AF

5

3.5,

3.6

, 3.

7, 3

.8.

3.9.

3.1

0.

3.11

Acc

ess

to

the

inte

rnet

fo

r ex

tens

ion

task

.

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Brave New Words resources

© Pearson Education Ltd 2008 61

G

enre

: H

isto

ry

Tit

le a

nd a

utho

r

Les

son

outc

ome

and

obj

ecti

ves

Ren

ewed

Fra

mew

ork

Obj

ecti

ves

Yea

r 7

Ren

ewed

Fra

mew

ork

Obj

ecti

ves

Yea

r 8

AF

R

esou

rces

7 ‘R

eal T

ears

’ by

C

elia

Ree

s

Les

son

1

1.

Mak

e th

ree

pred

ictio

ns b

ased

on

the

titl

e of

the

stor

y.

2.

Dis

cuss

‘W

hat k

ind

of r

ecep

tion

mig

ht a

so

ldie

r re

ceiv

e w

hen

he c

omes

hom

e on

le

ave

from

Ira

q?

3.

Rea

d th

e st

ory.

4.

Mak

e no

tes

abou

t Ben

fro

m d

iffe

rent

ch

arac

ters

’ vi

ewpo

ints

.

5.

Con

side

r w

hy th

e au

thor

has

pre

sent

ed a

ra

nge

of a

ttit

udes

tow

ards

Ben

.

3.2

cont

ribu

te to

dis

cuss

ions

in

diff

eren

t way

s

5.2a

iden

tify

and

unde

rsta

nd th

e m

ain

idea

s, v

iew

poin

ts, t

hem

es a

nd

purp

oses

in te

xts

3.2

take

a v

arie

ty o

f de

sign

ated

ro

les

in d

iscu

ssio

n

5.2a

trac

e th

e de

velo

pmen

t of

wri

ters

’ id

eas,

vie

wpo

ints

and

th

emes

in d

iffe

rent

text

s

AF

2

AF

4

4.1,

4.2

, 4.

3.

8 ‘R

eal T

ears

’ by

C

elia

Ree

s

Les

son

2

1.

Dis

cuss

adv

anta

ges

and

disa

dvan

tage

s of

join

ing

the

Bri

tish

Arm

y.

2.

Dis

cuss

and

mak

e no

tes

abou

t the

au

thor

’s c

raft

and

the

endi

ng.

3.

Exa

min

e an

d ex

plor

e th

e di

ffer

ent

devi

ces

used

to s

how

cha

ract

er.

4.

Cha

nge

phra

ses

to s

how

att

itud

e.

5.

Dia

logu

e be

twee

n tw

o ch

arac

ters

to

show

att

itude

and

beh

avio

ur.

3.2

cont

ribu

te to

dis

cuss

ions

in

diff

eren

t way

s.

6.2b

rec

ogni

se a

nd c

omm

ent o

n ho

w w

rite

rs’

choi

ces

and

tech

niqu

es h

ave

an e

ffec

t on

read

ers

3.2

take

a v

arie

ty o

f de

sign

ated

ro

les

in d

iscu

ssio

n

6.2b

rec

ogni

se a

nd c

omm

ent o

n ho

w w

rite

rs’

lang

uage

cho

ices

co

ntri

bute

to th

e ov

eral

l eff

ect

AF

4

AF

6

4.4,

4.5

, 4.

6, 4

.7

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62

Brave New Words resources

© Pearson Education Ltd 2008 62

‘A Place on the Piano’ by Eva Ibbotson Lesson 1

Class: 7 Date: Period:

As a result of this lesson:

• all students will be able to: listen to a discussion based on predictions, read the story ‘A Place on the Piano’ and select quotations about Michael and Marianne.

• most students will be able to: contribute ideas to a discussion based on predictions, read the story ‘A Place on the Piano’, select and infer what the quotations show about a variety of aspects about the character of Michael’s mother.

• some students will be able to: make predictions using their inference and deduction skills, read the story ‘A Place on the Piano’ and select and infer what the quotations show about characters including Mrs Glossop and Mrs Wasilewski.

Assessment focus (Reading):

AF3 deduce, infer or interpret information, events or ideas from texts

Renewed Framework Objectives:

Yr 7 5.1a use skimming and scanning to locate information from a text or source

Yr 7 5.1b use inference and deductions to recognise implicit meanings at sentence and text level

Yr 8 5.1a use a range of reading strategies to retrieve relevant information and main points from texts

Yr 8 5.1b use inference and deduction to explore layers of meaning

Resources:

1.1: Word-association instruction cards

1.2: Word-association notes

1.3: Predictions for ‘A Place on the Piano’

1.4: Michael

1.5: Michael’s mother

1.6: Mrs Glossop

1.7: Marianne

1.8: Mrs Wasilewski

Personal teaching notes

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63

Brave New Words resources

© Pearson Education Ltd 2008 63

‘A Place on the Piano’ by Eva Ibbotson Lesson 1

Class: 7 Date: Period:

Starter:

5 minutes

Before reading the short story, using Resource 1.1: Word-association instruction cards, play the word-association game. Students should be in groups of four. Each member of a group has a designated role: A is the referee, B and C play the game by saying the first word they think of which is linked to the previous one. D is the scribe, using Resource 1.2: Word-association notes. These roles can be rotated for each word.

Introduction:

10 minutes

As a class, or in groups of four, read up to ‘“She’ll live like a little princess,” said Cook. Imagine, after being brought up with peasants.’ Using Resource 1.3: Predictions, complete the Point, Evidence, Explanation table, which you could model using inference and deduction skills.

Development:

30 minutes

In groups of five, (or still in their groups of four) students read the story ‘A Place on the Piano’.

Each member of the group takes one of the character spider diagrams from Resources 1.4–1.8 as they are reading. After reading, they should make notes about their character’s appearance, personality/attitude, actions, relationships, importance to the plot. Quotations are to be written down, with adjectives to describe each attribute.

Characters: Michael, Michael’s mother, Mrs Glossop, Marianne, Mrs Wasilewski.

Plenary:

10 minutes

Organise the students into groups with the same characters to share ideas, e.g. all the students who looked at Michael should compare notes and share ideas.

Students then go back to their original group and share ideas.

Homework / Extension

Students write their own Point, Evidence, Explanation paragraph about at least one of the characters from the story. They will need to have copies of the quotations in order to be able to carry out this task.

Try to encourage single-word explanation.

Additional teaching guidance

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64

Brave New Words resources

© Pearson Education Ltd 2008 64

Word association instruction cards

In groups of four, label yourselves A, B, C and D. Now distribute the cards

with your instructions.

✂ A’s role: You are the referee; your job is to make sure that:

• words are not repeated

• words are only counted if they are connected to the topic, e.g. war.

Keep a tally mark for both B and C, to see who says the most words. (A tally

looks like this: /// = 3 things.)

The words for you to introduce are:

1. Adoption 2. War 3. Class system 4. Love 5. Lying

✂ B and C: Your task is to think quickly. You have to say a word linked to the

last word that was said. You must listen carefully to each other. You are not

allowed to repeat a word that has already been used, or simply change a

singular to a plural, e.g. ‘child’ then ‘children’.

✂ D

Your role is to write on the spider diagram all the words that B and C say. Try

to keep up, the diagram is to help you organise your ideas. Don’t worry about

neatness! If you miss a word, don’t worry, just move on to the next one that

you can catch.

Resource 1.1

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Word-association notes Use this spider diagram to keep a note of the words B and C say during the

word-association game.

Lying

Love Class system

War

Adoption

Word associations

Resource 1.2

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Predictions for ‘A Place on the Piano’

Read ‘A Place on the Piano’ by Eva Ibbotson, up to ‘She’ll live like a little

princess…brought up with peasants’ (page 54).

Try to make at least three predictions about the rest of the story. For each

one, provide evidence (quotations from the story) and an explanation of why

you think this might happen, or the effect it could have on the story.

Pre

dic

tio

ns

Point (your

prediction)

Evidence (words from

the story that support

your prediction)

Explanation (why this

might happen; what

effect this might have

on the rest of the

story)

1 The little girl they

find will not be the

one they expect.

‘Wars are expensive’ Her family can’t afford to

feed her, so they decide

to send her to England,

even though she is the

wrong girl.

2

3

4

Resource 1.3

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Michael

Find quotations on as many of the points in the diagram as you can. If the

text is not explicit, say what you think, for example, if the character’s

appearance is not described, say how you imagine it.

Why is this character

important to the plot?

Actions Relationship with others

Personality / attitude

Appearance

Michael

Resource 1.4

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Michael’s mother

Find quotations on as many of the points in the diagram as you can. If the

text is not explicit, say what you think, for example, if the character’s

appearance is not described, say how you imagine it.

Why is this character

important to the plot?

Actions

Relationship with others

Personality / attitude

Appearance

Michael’s mother

Resource 1.5

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Mrs Glossop

Find quotations on as many of the points in the diagram as you can. If the

text is not explicit, say what you think, for example, if the character’s

appearance is not described, say how you imagine it.

Why is this character

important to the plot?

Actions Relationship with others

Personality / attitude

Appearance

Mrs Glossop

Resource 1.6

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Marianne

Find quotations on as many of the points in the diagram as you can. If the

text is not explicit, say what you think, for example, if the character’s

appearance is not described, say how you imagine it.

Why is this character

important to the plot?

Actions

Relationship with others

Personality / attitude

Appearance

Marianne

Resource 1.7

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Mrs Wasilewski

Find quotations on as many of the points in the diagram as you can. If the

text is not explicit, say what you think, for example, if the character’s

appearance is not described, say how you imagine it.

Why is this character

important to the plot?

Actions

Relationship with others

Personality / attitude

Appearance

Mrs Wasilewski

Resource 1.8

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‘A Place on the Piano’ by Eva Ibbotson Lesson 2

Class: 7 Date: Period:

As a result of this lesson:

• all students will be able to: visualise a quotation and draw a picture; take part in a discussion about lying;

discuss why Michael’s mother lies; look up a variety of words and write ten sentences using them correctly.

• most students will be able to: visualise images from the story and select the correct quotation; discuss the

theme of lying and give reasons why Michael’s mother made this decision; look up more challenging words

and write ten sentences. Students may even plan their story called ‘The Lie’.

• some students will be able to: visualise and select accurate quotations; contribute towards discussion about

lying and chart the reasons that provide the clues to why Michael’s mother lies; select the most challenging

words and write ten sentences; plan and start writing a story called ‘The Lie’, which could be developed as

homework.

Assessment foci (Reading):

AF3 deduce, infer or interpret information, events or ideas from texts

AF4 identify and comment on the structure and organisation of texts, including grammatical and presentational features at text level

AF6 identify and comment on writers’ purposes and viewpoints, and the overall effect of the text on the reader

Renewed Framework Objectives:

Yr 7 6.1a understand the different ways in which texts can reflect their social, cultural and historical contexts

Yr 7 6.2b recognise and comment on how writers’ choices and techniques have an effect on readers

Yr 7 9.3b Increase knowledge of word families

Yr 8 6.1a understand and explore the concept of literary heritage

Yr 8 6.2b recognise and comment on how writers’ choice of language contributes to the overall effect

Resources:

1.9: Quotations to support visualisation

1.10: Is it ever morally right to lie?

1.11: Why does Michael’s mother lie?

1.12: Plenary dictionary work

1.13: Extension task, writing a story called ‘The Lie’

Dictionaries

Personal teaching notes

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‘A Place on the Piano’ by Eva Ibbotson Lesson 2

Class: 7 Date: Period:

Starter:

5 minutes

Ask students to visualise parts of the story. They are to select parts of the story that evoke a strong mental image and draw what they see. Students should write their selected quotations below their pictures. Any students who struggle with selecting quotations could use Resource 1.9: Quotations to support visualisation.

Introduction:

10 minutes

In order to empathise with the character of Michael’s mother and the decision that she makes, ask the class: ‘Is it ever morally right to lie?’ In groups, or as a whole class, students should discuss the question, with two people invited up to the board to be the scribes (one writing the points ‘for’, the other writing the points ‘against’). Students can make notes on Resource 1.10: Is it ever morally right to lie?

Development:

30 minutes

To explore the ending of the story and how it is constructed, ask: ‘Why does Michael’s mother lie?’ Using Resource1.11: Why does Michael’s mother lie?, work through the story, charting the reasons why Michael’s mother makes this decision. Discuss the question: ‘Do you think Michael’s mother was right to lie?’ List the arguments for and against.

Plenary:

15 minutes

Use Resource 1.13: Plenary dictionary work. The words below are all used in the story. If students are unsure of their meanings, they should look them up in a dictionary and write a sentence for each one, using the word correctly.

Some students:

Terrifying, gelatinous, perished, convenient, nuisance, destruction, commandeered, persecuted, special, ancient.

Most students:

Defeated, excited, massive, fetch, journey, trudging, countryside, strange, gently, peasants.

All students:

Adopt, piano, train, princess, bravery, passport, birthmark, puppies, crying, frames.

Homework / Extension

Students could learn to spell their ten words for homework.

Students could write a short story called ‘The Lie’. Resource 1.12: Story structure can be used to help them plan their writing.

Additional teaching guidance

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Quotations to support visualisation

1. ‘Snoek is a South African fish and when Cook opened the tin it turned out to be a bluish animal with terrifying spikes, swimming in a sea of gelatinous goo –’ (page 53)

2. ‘Marianne had been thrown out of a cattle train when she was a baby.’ (page

53) 3. ‘Their house was the largest in the square, double-fronted – and furnished as

though the war had never been.’ (page 55) 4. ‘– and I knew old Mrs Glossop’s boudoir on the first floor with the gilt mirrors

and claw-footed tables – and the piano.’ (page 55) 5. ‘It was an enormous piano…It was a piano for keeping relations on.’ (page 55) 6. ‘New curtains of pale blue satin to be sewn, and the bed canopied with the

same material. A white fur rug on the floor, the walls repapered with a design of forget-me-nots and rosebuds, and a new dressing table to be lined with a matching pattern.’ (page 56)

7. ‘…she would be taken to a school outfitter to buy a brown velour hat and a

brown gymslip and a hockey stick and go off with Daphne to St Hilda’s, …’ (page 57)

8. ‘Marianne has a birthmark on her arm, …It’s on her right arm and it runs from

her shoulder to her elbow…’ (page 59) 9. ‘She [Marianne] had thick, fawn, curly hair and brown eyes and she wore a

dirndl, and over it a knitted jersey which covered her arms.’ (page 60) 10. ‘The Waslilewskis had a smallholding, …’ (page 61) 11. ‘She led me to a part of the stream where the water ran clear over a bed of

pebbles.’ (page 62) 12. ‘It was an ancient oak standing on its own on a small hill and it was the kind of

tree that is a whole world in itself.’ (page 63) 13. ‘Her head dropped forward on to the table and she began to cry…she erupted

in tears…’ (page 65)

Resource 1.9

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Is it ever morally right to lie?

Make notes below in answer to this question.

Yes No

Resource 1.10

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Why does Michael’s mother lie?

Chart the clues in the story that explain why Michael’s mother lies about

Marianne.

Clues

1. …………………………………………………..……………

2. ……………………………………………………..…………

3. ………………………………………………………..………

4. ……………………………………………………..…………

5. ……………………………………………………..…………

Do you think Michael’s mother was right to lie? Explain your answer.

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

........................................................................................................................

Resource 1.11

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Plenary dictionary work The words below are all used in the story ‘A Place on the Piano’. If you are

unsure about what a word means, look it up in a dictionary.

Now write your own sentences using the words correctly.

For homework, complete any outstanding sentences and revise how the

above words are spelt.

Resource 1.12

A

terrifying, gelatinous, perished, convenient, nuisance,

destruction, commandeered, persecuted, special, ancient

B

defeated, excited, massive, fetch, journey, trudging,

countryside, strange, gently, peasants

C

adopt, piano, train, princess, bravery, passport, birthmark,

puppies, crying, frames

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Extension task

This story ends with Michael’s mother making the decision to lie about

Marianne.

Write your own story called ‘The Lie’. Your story should have a clear

structure. If you need to, use the planning table below to help you.

Stages of the story Ideas

Opening

Development

Complication

Crisis

Resolution

Resource 1.13

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‘The Daughter’ by Jacqueline Wilson Lesson 1

Class: 7 Date: Period:

As a result of this lesson:

• all students will be able to: take part in a quiz about Elizabeth I and Women’s Rights; make a prediction based on the first sentence; read the story and listen to a discussion about one of the issues.

• most students will be able to: take part in a quiz about Elizabeth I and Women’s Rights; make various predictions based on the first sentence; read the story and discuss one of the issues.

• some students will be able to: take part in a quiz about Elizabeth I and Women’s Rights; make various predictions based on the first sentence; read the story and discuss one of the issues and select quotations to support their opinions.

Assessment focus (Reading):

AF 2 understand, describe, select or retrieve information, events or ideas from texts and use quotation and reference to text

AF 7 relate texts to their social, cultural and historical contexts

Renewed Framework Objectives:

Yr 7 6.1 understand the different ways in which texts can reflect their social, cultural and historical contexts

Yr 8 6.1 understand and explore the concept of heritage and why certain texts are important within it

Resources:

2.1: True or false quiz

2.2: Quiz answers

2.3: Women’s Rights timeline

2.4: ‘Spit’

2.5: Questions to examine ‘The Daughter’

2.6: Theme: Superstition

2.7: Theme: Witches

2.8: Theme: Children

2.9: Theme: Abuse

Personal teaching notes

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‘The Daughter’ by Jacqueline Wilson Lesson 1

Class: 7 Date: Period:

Starter:

10 minutes

Discuss students’ prior knowledge about the reign of Elizabeth I and the position of women, using Resource 2.1: True or false quiz. Students could stand up if they think a statement is true, or raise their hands if they think it is false (sitting and doing nothing is not an option!). Alternatively, students could raise red cards for false and green cards for true. Resource 2.2 has the answers and Resource 2.3: Women’s Rights timeline contains the historical information. Using Resource 2.2, ask students to write down at least two facts that they were previously unaware of.

Introduction:

10 minutes

Before students look at the story, show them Resource 2.4, which has just the first sentence of the story: ‘I turn the handle of the spit.’ Ask students to make predictions, which can be written below the sentence. Encourage them to think about the historical context of the story, what they know about the language, who the character might be, what they can deduce about the character and the image the first sentence creates.

Students could draw a picture of what they know.

Development:

30 minutes

Since this is a reading assessment, it will be best if students read the story by themselves, but if this is too difficult, they could read it aloud in small groups, reading a paragraph each before the person to their left continues.

In small groups, students should discuss the questions on Resource 2.5. Questions to examine ‘The Daughter’. Using Resources 2.6–2.9, one student can be the scribe, summarising the discussion and writing down the different ideas.

These topics (especially ‘d’) can be emotive. If it is not appropriate for some students to discuss these issues, the class could be split into groups and then feed back their findings.

Plenary:

10 minutes

Each group should report back the main findings of its discussion, using the spider diagram to help them.

Explain that in the next lesson the students will be answering seven questions about the story, with the questions assessing each of the AF criteria.

Homework / Extension

Students could be given further discussion topics, rather than splitting them up.

Additional teaching guidance

http://www.spartacus.schoolnet.co.uk/TUDelizabeth1.htm

A useful website for historical background information about Elizabeth I.

http://www.bbc.co.uk/history/interactive/timelines/british/index.shtml

A useful website for looking at women’s rights (click on ‘Explore Timeline’, click on ‘Take a journey’, select ‘Women’s Rights’).

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True or false quiz

The following are statements about Elizabeth I.

For each one, say whether you think it is true or false.

The following statements are about women since Elizabethan times.

For each one, say whether you think it is true or false.

Resource 2.1

1. Elizabeth I was the daughter of Henry VIII and Anne

Boleyn.

2. Elizabeth I was born in 1583.

3. Elizabeth I was brought up as a Protestant.

4. Elizabeth I became queen in 1563.

5. Elizabeth I died in 1610.

1. Until 1883, women could not own property after they were

married.

2. Women could not receive university degrees until 1901.

3. It was only after 1945 that a female was able to take a seat

in Parliament.

4. All women over the age of 21 have only been able to vote

since 1888.

5. Before 23rd December 1919, women could legally be

excluded from many jobs.

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Quiz answers

1. Elizabeth I was the daughter of Henry VIII and Anne Boleyn.

True

2. Elizabeth I was born in 1583. False – she was born in 1533

3. Elizabeth I was brought up as a Protestant. True

4. Elizabeth I became queen in 1563. False – she became queen

in 1558.

5. Elizabeth I died in 1610. False – she died in 1603.

1. Until 1883, women could not own property after they were

married. True

2. Women could not receive university degrees until 1901. False

– women weren’t able to receive degrees until 1920 (during

the nineteenth century, women could attend degree courses,

but could not receive the degree).

3. It was only after 1945 that a female was able to take a seat in

Parliament. False – in 1919, Lady Astor was the first female

to take a seat in parliament.

4. All women over the age of 21 have only been able to vote

since 1888. False – it was actually 1928.

5. Before 23rd December 1919, women could legally be

excluded from many jobs. True

Resource 2.2

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Women’s Rights timeline 9 August 1870

Women obtained limited rights to retain their property after marriage

This act changed the previous situation, in which all a woman’s property

automatically transferred to the control of her husband on marriage. It granted

some limited separate protection to a married woman's property and also

permitted women to keep up to £200 of their own earnings. Similar changes

did not take effect in Scotland until 1877.

1 January 1883

Married women obtained the right to acquire property after marriage

The 1870 Married Women's Property Act had been widely criticised for failing

to provide sufficient safeguards for married women. A further Act provided

something approaching equality for women, since it allowed them to acquire

and retain any property that was deemed separate from that of their husband.

They also received the same legal protection as men if they needed to

defend their right to property.

10 October 1903

Women's Social and Political Union is formed to campaign for women's

suffrage

The Women's Social and Political Union (WSPU) was founded by six women,

of whom Emmeline and Christabel Pankhurst soon became the most

prominent. Frustrated at the lack of progress on women's rights, their

activities soon became more confrontational, and included prison hunger

strikes.

6 February 1918

Limited numbers of women are given the vote for the first time

The Representation of the People Act enfranchised all men over 21, and

women over 30 who owned property. Now, 21 million people could vote, 8

million of whom were women. However, working-class women, who mostly

failed the property qualification, still had no vote.

Resource 2.3

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1 December 1919

Lady Astor becomes the first woman to take her seat in parliament

American-born Nancy Astor was not the first British woman member of

parliament (MP), but she was the first one to take her seat. Constance

Markievicz became the first woman MP in 1918, but as a member of Sinn

Fein she had refused to take her seat.

23 December 1919

Exclusion of women from many jobs is made illegal

The Sex Disqualification Removal Act made it illegal for women to be

excluded from most jobs, and allowed them to become magistrates, solicitors

and barristers and enter the professions.

1920

Women at Oxford University are allowed to receive degrees

Academic halls for women were first established at Oxford in the nineteenth

century, but although women had been able to attend degree-level courses,

they could not receive degrees until 1920.

1928

All women over the age of 21 get the vote

The fifth Reform Act altered the 1918 Representation of the People Act,

which had only given the vote to women over 30 who owned property. The

new Act gave women the vote on the same terms as men.

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‘Spit’

‘I turn the handle

of the spit.’

Resource 2.4

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Questions to examine ‘The Daughter’

✂ a. Are you superstitious? How? Why?

Are the characters in this story superstitious?

✂ b. Do you believe in witches? Why?

Do the different characters in this story believe in witches?

✂ c. Do you think children can be ‘evil’? Why? How do you think the

daughter is thought of by her father?

✂ d. What evidence is there that the daughter is abused?

Resource 2.5

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Theme: Superstition Are you superstitious? Why?

Are the characters in this story superstitious?

Superstitious?

Characters?

Resource 2.6

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Theme: Witches Do you believe in witches? Why?

Do you think the different characters in this story believe in witches, why?

Witches?

Why?

Resource 2.7

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Theme: Children

Do you think children can be ‘evil’? Why?

How do you think the daughter is thought of by her father?

Children evil?

How the father sees

his daughter

Resource 2.8

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Theme: Abuse

What evidence is there that the daughter is abused?

Evidence that the

daughter is abused

Resource 2.9

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‘The Daughter’ by Jacqueline Wilson Lesson 2

Class: 7 Date: Period:

As a result of this lesson:

• all students will be able to: attempt the APP questions and show some understanding of ‘The Daughter’.

• most students will be able to: complete the APP questions and show a clear understanding of ‘The Daughter’.

• some students will be able to: complete the APP questions and show a thorough appreciation of the ‘The Daughter’.

Assessment foci (Reading):

AF2 understand, describe, select or retrieve information, events or ideas from texts and use quotation and reference to text

AF3 deduce, infer or interpret information, events or ideas from texts

AF4 identify and comment on the structure and organisation of texts, including grammatical and presentational features at text level

AF5 explain and comment on writers’ use of language, including grammatical and literary features at word and sentence level

AF6 identify and comment on writers’ purposes and viewpoints, and the overall effect of the text on the reader.

AF 7 – relate texts to their social, cultural and historical contexts

Renewed Framework Objectives:

Yr 7 5.1a use skimming and scanning to locate the main points

Yr 7 5.1b use inference and deduction to recognise implicit meanings

Yr 7 5.2b make personal responses to a text and provide some textual reference in support.

Yr 7 5.3 make informed personal choices of texts and express their preferences.

Yr 8 5.1a use a range of reading strategies to retrieve relevant information

Yr 8 5.1b use inference and deduction to explore meaning within a text

Yr8 5.2b respond to a text by making precise points and providing relevant evidence in support of those points

Yr 8 5.3 broaden their experience of reading and express preferences and opinions about texts

Resources

2.10: APP ‘The Daughter’ 1

2.11: APP ‘The Daughter’ 2

2.12: APP ‘The Daughter’ 3

2.13: Venn diagram to compare characters

2.14: Diary-writing toolkit

Personal teaching notes

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‘The Daughter’ by Jacqueline Wilson Lesson 2

Class: 7 Date: Period:

Starter:

5 minutes

Recap the story using the spider diagrams from Lesson 1. Students skim-read the story again.

Remind students of the APP marking criteria, using the mark scheme.

Introduction:

5 minutes

Introduce the students to the assessment and explain that they are to work individually, since this is an assessment. Students should work through the seven questions on Resources 2.10–2.12, referring to and quoting from the text when required.

Development:

40 minutes

Ask students to turn back to their resource sheets. Instruct them to work independently through activities 1–8 while you circulate around the room, offering guidance and support where necessary.

If there is a teaching assistant, they can assist a small group, but remember to take this into account when marking that group’s responses.

Plenary:

10 minutes

Students are to be reminded of the APP-style marking grid. In pencil, students should self-assess their work, by ticking the boxes that show their attainment for each AF. If students are unfamiliar with the AF language or self-assessment process, this will take more than 10 minutes.

Homework / Extension Students could write a diary entry from the point of view of the daughter, using Resource 2.14: Diary-writing toolkit to help them. Alternatively, to challenge the students further, they could write the father’s diary entry.

If students have studied the diary genre set stories, they could create a Venn diagram to compare the daughter’s life with that of another female character, using Resource 2.13: Venn diagram to compare characters.

Additional teaching guidance

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APP questions ‘The Daughter’: 1

1. What celebratory event is being prepared for? (AF2)

_________________________________________________________

2. List four phrases that the writer has used to show that the father dislikes

his daughter. (AF2)

a. _______________________________________________________

b. _______________________________________________________

c. _______________________________________________________

d. _______________________________________________________

3. Explain why the writer might have repeated the word ‘hate’ in the

paragraph that starts ‘He hates me.’ (AF4)

_________________________________________________________

_________________________________________________________

_________________________________________________________

4. How do we know that the daughter is afraid of her father? Find at least

three words or phrases to support your answer. (AF3)

a. _______________________________________________________

b. _______________________________________________________

c. _______________________________________________________

Resource 2.10

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APP questions ‘The Daughter’: 2

5. Complete the table below by explaining what literary device the author

has used and why she might have used it. (AF5)

Quotation Which device? Why has it been used?

‘Turn and turn and

turn.’

‘My father is very

flushed, very

fuddled.’

‘Is it my mother?’

6. Why do you think the Pudding Cook blames the Cook’s daughter for the

milk being curdled? Explain what happens as a result. (AF2 and AF3)

________________________________________________________

________________________________________________________

________________________________________________________

Resource 2.11

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APP questions ‘The Daughter’: 3 7. How does the wise woman help the Cook’s daughter? (AF2) Why do you

think she does this? (AF3)

_________________________________________________________

_________________________________________________________

_________________________________________________________

8. Below are three responses to the story. Tick or write out the one that you

think is the strongest message behind ‘The Daughter’, then write two

sentences explaining your choice. (AF6)

a. During the sixteenth century there were superstitions about girls.

b. During the sixteenth century girls did not have equal status with

boys.

c. During the sixteenth century people believed in witches.

I think this is the strongest message behind the story ‘The Daughter’

because

_________________________________________________________

_________________________________________________________

_________________________________________________________

_________________________________________________________

_________________________________________________________

_________________________________________________________

Resource 2.12

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Venn diagram to compare characters

A Venn diagram to compare the character ………………………………. from

..…………………………... with the character …………………………………

from ……………………………………………..

……

……

……

……

Resource 2.13

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Diary-writing toolkit Choose a character, and write their diary entry for the day.

• Write in the first person narrative: ‘I’.

• Start with ‘Dear Diary’ or the date, to show purpose.

• The purpose of writing a diary is to share your feelings

about things that have happened to you (the character)

and those around you (them).

• Concentrate on specific events.

• Write about your personal feelings in detail.

• Describe the settings and events (remember to use the

past tense if the events have already occurred).

• Try to use quotations, to show your understanding. You

must explain how you are feeling and what your reaction

was.

• Consider what might happen (remember to write this in

the future tense and consider why you might feel that

way).

Resource 2.14

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‘The Princess Spy’ by Jamila Gavin Lesson 1

Class: 8 Date: Period:

As a result of this lesson:

• all students will be able to: understand the term ‘heroine’, read the story ‘The Princess Spy’ and have some insight into the historical understanding of the story.

• most students will be able to: make word-association links, develop their understanding of the historical context and find a range of evidence to support their findings.

• some students will be able to: make word associations, develop their understanding of the historical context which is supported with evidence. These skills are then applied to students’ independent research of a hero/heroine and possibly a creation of a collage.

Assessment foci (Reading):

AF2 understand, describe, select or retrieve information, events or ideas from texts and use quotation and reference to text

AF7 relate texts to their social, cultural and historical contexts

Renewed Framework Objectives:

Yr 7 3.2 make clear and relevant contributions to group discussion

Y8 3.2 make a sustained contribution to group discussion and illustrate and explain their ideas

Yr 7 5.1c make relevant notes when gathering ideas from texts

Yr 8 5.1c make relevant notes when researching different sources

Resources

3.1: Heroine

3.2: Questions before reading

3.3: Evidence that Princess Noor Inayat Khan was a heroine

3.4: Evidence of the setting and historical context.

Personal teaching notes

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‘The Princess Spy’ by Jamila Gavin Lesson 1

Class: 8 Date: Period:

Starter:

5 minutes

Using Resource 3.1: Heroine, ask the class ‘What do you associate with the word ‘heroine’?’ Ask students to come to the board to act as scribes for the discussion. Keep these notes to refer back to later.

Introduction:

5 minutes

Using the notes from the starter activity, introduce the story of ‘The Princess Spy’ and explain that this story is based on a real person and real events. Before reading the story, show the class the pictures on the web page http://www.spartacus.schoolnet.co.uk/SOEnoor.htm

As a class, ask students to discuss the questions on Resource 3.2: Questions before reading – ‘When might “The Princess Spy” be set?’ ‘Why do you think that?’ ‘What clues could you look for in the story to support your ideas?’ Write notes on the board while the questions are being asked.

Development:

30 minutes

Students read the story ‘The Princess Spy’. As they read, ask each group to collect quotations that show that Princess Noor Inayat Khan was a heroine. These notes could be collected in the form of a spider diagram using Resource 3.3: Evidence that Princess Noor Inayat was a heroine, or the quotes could just be listed.

Plenary:

10 minutes

Return students to the questions raised in the Introduction to the story, and ask them to collect quotations that show the story’s setting and historical context. These quotations could be collected on Resource 3.4: Evidence of the setting and historical context.

Homework / Extension

Using the websites below, students could research the life of Princess Noor Inayat Khan in greater detail. Alternatively, they could carry out research on a hero or heroine of their choice, to present in the form of a collage for display and as a possible speaking and listening task.

Additional teaching guidance

This story ends in a violent manner, be aware that some students might find this upsetting.

Useful websites to start research about Princess Noor Inayat Khan:

http://www.bbc.co.uk/history/programmes/timewatch/gallery_spy_01.shtml

http://www3.sympatico.ca/tomlipscombe/noorphotos.jpg

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Heroine

What do you associate

with the word

‘heroine’?

Resource 3.1

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Questions before reading 1. When might ‘The Princess Spy’ be set?

2. Why do you think that?

3. What clues could you look for in the story to support your ideas?

Resource 3.2

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Evidence that Princess Noor Inayat Khan was a heroine

Evidence that Princess Noor Inayat Khan was a

heroine

Resource 3.3

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Evidence of the setting and historical context

Evidence of the setting

and historical context

Resource 3.4

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‘The Princess Spy’ by Jamila Gavin Lesson 2

Class: 8 Date: Period:

As a result of this lesson:

• all students will be able to: identify and explain a simile, attempt to sequence the events correctly, plot the events on a tension graph.

• most students will be able to: identify and explain similes and metaphors from the extracts provided; sequence most of the events correctly, plot the events on tension graph.

• some students will be able to: identify and explain figurative language from the extracts and from the rest of the story, explore the comparisons made, sequence the events correctly and plot the events on a tension graph. Explain the reasons for the two highest and lowest scores.

Assessment focus (reading):

AF4 identify and comment on the structure and organisation of texts, including grammatical and presentational features at text level

AF5 explain and comment on writers’ use of language, including grammatical and literary features at word and sentence level

Renewed Framework Objectives:

Yr 7 6.2a identify and describe the effect of specific features of writer’s use of language and grammar

Yr 7 6.2b recognise and comment on how writers’ choice and techniques have an effect on readers

Yr 8 6.2a explore the range variety and effect of linguistic grammatical and literary features used

Yr 8 6.2b recognise and comment on how writers’ language choices contribute towards the overall effect

Resources:

3.5: Figurative language

3.6: Figurative language chart (if photocopied, this could be enlarged to A3)

3.7: Sequencing events

3.8: Sequencing events table

3.9: Sequencing events answers (1)

3.10: Sequencing events answers (2)

3.11: Tension graph

Access to the Internet in order to carry out the extension / homework tasks.

Personal teaching notes

This story ends in a violent manner; be aware that some students might find this upsetting.

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‘The Princess Spy’ by Jamila Gavin Lesson 2

Class: 8 Date: Period:

Starter:

15 minutes

(Or longer if students are unfamiliar with similes and metaphors)

Show the students Resource 3.5: Figurative language. The modelled examples of similes and metaphors are highlighted and definitions are included, to aid revision. Ask students to find similes and metaphors from the two extracts. As an extension task, they can look for further examples in the rest of the story. Students are to use their identified similes and metaphors to help them complete Resource 3.6: Figurative language chart. Explain that if they can give the definition and quote correctly, they would reach Level 4, but in order for them to progress to Level 5, they need to work on their explanations of why the comparisons are being made.

Introduction:

15 minutes

Use Resource 3.7: Sequencing events. Each event could be cut out and stuck down on a separate sheet of paper; alternatively, students could fill in the table using Resource 3.8: Sequencing events table, listing the letters A–O in the correct order. Answers for this are on Resources 3.9 and 3.10. As an extension task, students could find a quotation to support each event.

Development:

25 minutes

Go through the correct sequence; possible quotations are on Resource 3.8: Sequencing events table.

Using Resource 3.11: Tension graph in pairs, students could take the 15 events and plot a graph to enable discussion about tense moments during the course of the story.

Plenary:

10 minutes

In small groups, students could compare their graphs. Alternatively, different pairs could be invited up to the board to plot their graphs.

Homework / Extension

Students can explain their two highest and two lowest scores and make notes below their tension graph.

Students could continue (from last lesson) using the websites below to research the life of Princess Noor Inayat Khan in greater detail. Alternatively, they could carry out research on a hero or heroine of their choice, to present in the form of a collage for display and as a possible speaking and listening task.

Additional teaching guidance

Useful websites to start research about Princess Noor Inayat Khan.

http://www.bbc.co.uk/history/programmes/timewatch/gallery_spy_01.shtml

http://www.spartacus.schoolnet.co.uk/SOEnoor.htm

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Figurative language Explore how figurative language has been used in ‘The Princess Spy’. (AF5)

Definition of a simile: A figure of speech comparing one thing to another

using ‘as’ or ‘like’.

As you read the following passage, highlight or underline the similes used.

Then add them to the table on Resource 3.6, which encourages you to

think about why the comparisons are being made.

‘The stone walls surround me, yet the chains fall from my limbs and I am

an infant again, crawling up the long scarlet-carpeted staircase in the

Russian palace. There is an outburst of girlish laughter, and a flurry of

princesses surround me like swans, gathering me up, pinching my cheeks

and passing me round like a parcel: Olga, Tatiana, Maria and Anastasia.

“Let me hold her! Let me!” Their voices tinkle like bells.’ (page 74)

Scan for further similes (i.e. look for the words ‘as’ or ‘like’), and add

them to the chart.

Definition of a metaphor: A figure of speech in which one thing is

identified with and compared to another, without using ‘as’ or ‘like’.

‘…At first, she won’t speak, but – I know these sorts of people – she’ll

crack. She’ll spill the beans. But they’ll be our beans and they’ll swallow

them whole.’ (page 78)

As you read the following sentences, highlight or underline the metaphors.

Add the metaphors to the table on Resource 3.6 and think about why the

comparison is being made.

Scan for further metaphors and add them to the chart.

Resource 3.5

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Figurative language table Complete the table below using any similes that you have found.

Simile or

metaphor?

Quotation What is being compared to what

and why?

Simile ‘a flurry of princess surround me

like swans’

The princesses are being compared

to swans, this might be because the

girls are flapping their arms like wings.

Swans are also regal animals.

Resource 3.6

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Sequencing events For each event in the story, find a quotation and write it below each event.

A. The Princess Spy is locked up.

……………………………………………………………………………..

B. The Princess Spy fights against being taken captive.

……………………………………………………………………………..

C. She refuses to give any information other than her name, number and

rank.

……………………………………………………………………………..

D. The Princess Spy recounts that the Tsar and his queen are dead.

……………………………………………………………………………..

E. A Nazi comes into her room and helps with her aerial, mistaking it for a

washing line.

……………………………………………………………………………..

F. She is tortured, but feels the real torture was the death of her father.

……………………………………………………………………………..

G. The Princess Spy is sent to Dachau concentration camp.

……………………………………………………………………………..

Resource 3.7

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H. The Princess Spy joins the WAAF.

……………………………………………………………………………..

I. The War Office send her to France as a radio operative. They send her

false information, thinking that she will betray them and pass it on.

……………………………………………………………………………..

J. The Princess Spy is taken out and shot. She becomes a hare.

……………………………………………………………………………..

K. The Princess Spy’s father calls her a hare, for the first time.

……………………………………………………………………………..

L. The Princess Spy arrives in Russia.

……………………………………………………………………………..

M. The Princess Spy is sent to France.

……………………………………………………………………………..

N. The Princess Spy enjoys storytelling.

……………………………………………………………………………..

O. The rest of the Prospero network are dead.

……………………………………………………………………………..

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Sequencing events table In the table below, write the letter of each of the fifteen events listed in

Resource 3.7, in the correct order.

Number Letter

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

Resource 3.8

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Sequencing events: answers (1)

Number Letter

1 A

2 L

3 D

4 K

5 N

6 F

7 H

8 M

9 I

10 O

11 E

12 B

13 C

14 G

15 J

Resource 3.9

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Sequencing events answers (2)

In the story, the main character is called by several names, e.g. Noor, Nora

Hazarat, Norah, Indian princess, Nora Baker. To simplify things, here she is

always called ‘The Princess Spy’.

A. The Princess Spy is locked up. ‘In the darkness I see no light.’ (page 73)

L. The Princess Spy arrives in Russia. ‘Their first child, Noor, was born in the Kremlin palace on 2 January

1914…’ (page 74)

D. The Princess Spy recounts that the Tsar and his queen are dead.

‘They are all dead now. The tsar and his queen, my lovely swan

princesses, all captured…the Bolshevik revolutionaries who shot

them…’ (pages 74–5)

K. The Princess Spy’s father calls her a hare, for the first time. ‘Go to sleep, my little hare…’ (page 75)

N. The Princess Spy enjoys storytelling. ‘A child of the Muses – full of poetry, stories, dance and music.’ (page

75)

F. The Princess Spy is tortured, but feels the real torture was the death of her father.

‘My torturers have made me scream and cry…It is the pain of loss

because you are dead and gone.’ (page 75)

H. The Princess Spy joins the WAAF. ‘…she the Women’s Auxiliary Air Force – the WAAF’ (page 76)

Resource 3.10

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M. The Princess Spy is sent to France. ‘If you send me to France, you are sending me home.’ (page 77)

I. The War Office send her to France as a radio operative. They send her false information, thinking she will betray them and pass it on.

‘Send her into France as one of our operatives…she’ll crack.’ (page

78)

O. The rest of the Prospero network are dead. ‘Some are dead.’ (page 80)

E. A Nazi comes to her room and helps with her aerial, mistaking it for a washing line. ‘He thought it was a washing line and helped me.’ (page 80)

B. The Princess Spy fights being taken captive. ‘She was like a wild cat,’ (page 81)

C. She refuses to give any information, other than her name, number and rank.

‘My name is Norah Baker. My number is 9901 – assistant section

officer for the Women’s Auxiliary Air Force.’ (page 81)

G. The Princess Spy is sent to Dachau concentration camp. ‘So this is where I am, Papa: Dachau.’ (page 82)

J. The Princess Spy is taken out and shot. She becomes a hare. ‘The sand is stained with blood. I am a hare.’ (page 82)

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Tension graph Plot the events and give each one a mark out of 10 for how tense that moment is.

Ten

sio

n

10

9

8

7

6

5

4

3

2

1

0

A L D K N F H M I O E B C G J

Explain the reasons behind your two highest scores

………………………………………………………………………………………………………

………………………………………………………………………………………………………

………………………………………………………………………………………………………

Explain the reasons behind your two lowest scores

………………………………………………………………………………………………………

………………………………………………………………………………………………………

………………………………………………………………………………………………………

Resource 3.11

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‘Real Tears’ by Celia Rees Lesson 1

Class: 8 Date: Period:

As a result of this lesson:

• all students will be able to: make at least one prediction; think of one adjective to describe the reception a soldier might receive; make notes from just the narrator’s point of view.

• most students will be able to: make at least two predictions; think of several adjectives to describe the reception a soldier might receive (they may still only perceive it from one angle, e.g. positively); make notes from the narrator, Ginny and the man at the end of the novel’s point of view.

• some students will be able to: make three different predictions; think of a range of adjectives and consider both positive and negative angles; make notes from all the characters’ viewpoints.

Assessment foci (Reading):

AF2 understand, describe, select or retrieve information, events or ideas from texts and use quotation and reference to text

AF4 identify and comment on the structure and organisation of texts, including grammatical and presentational features at text level

Renewed Framework Objectives:

Yr 7 3.2 contribute to discussions in different ways

Yr 7 5.2a identify and understand the main ideas, viewpoints, themes and purposes in texts

Yr 8 3.2 take a variety of designated roles in discussion

Yr 8 5.2a trace the development of writers’ ideas, viewpoints and themes in different texts

Resources:

4.1: Predictions and receptions of a soldier

4.2: Attitudes towards Ben

4.3: Plenary questions

Personal teaching notes

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‘Real Tears’ by Celia Rees Lesson 1

Class: 8 Date: Period:

Starter:

5 minutes

From the title of the story ‘Real Tears’, ask the students to make three predictions about what this story might be about and give reasons for their ideas.

Introduction:

5 minutes

As a class, discuss the question: ‘What kind of reception might a soldier receive when he comes home on leave from Iraq?’ (or from anywhere else that is relevant). Use Resource 4.1: Predictions and reception of a soldier. Make notes using adjectives.

Development:

40 minutes

Students should read the story ‘Real Tears’. As they read, they can make notes using Resource 4.2: Attitudes towards Ben, about the different attitudes towards Ben from different characters’ point of view. Students can select quotations that show the different points of view.

Plenary:

10 minutes

Using Resource 4.3: Plenary questions, ask students to consider the different questions and choose one to answer.

Homework / Extension Extension task: students should add to their spider diagrams, giving reasons why they think the author has presented a range of attitudes towards Ben.

Additional teaching guidance

The ending is violent, although handled well by Celia Rees. Be aware that some students might find Ben’s death difficult to deal with. There may also be students with relatives in the armed forces, who may also have strong views or feelings.

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Predictions and reception of a soldier List at least three predictions about the short story ‘Real Tears’, based on the

title.

1 .....................................................................................................................

.....................................................................................................................

2 .....................................................................................................................

.....................................................................................................................

3 .....................................................................................................................

.....................................................................................................................

Using adjectives, describe the kind of reception that a soldier might

receive when he comes home on leave from Iraq.

1 .....................................................................................................................

2 .....................................................................................................................

3 .....................................................................................................................

4 .....................................................................................................................

5 .....................................................................................................................

Resource 4.1

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Attitudes towards Ben As you read ‘Real Tears’, select quotations that show the different characters’

thoughts and attitudes towards Ben.

Extension task: Add to your spider diagrams reasons why the author has

presented a range of attitudes towards Ben.

Narrator

Narrator’s brother –

Jake

Steph Ginny

Man at the end of the

story

Attitudes towards Ben

Resource 4.2

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Plenary questions Choose at least one of the questions from the list below and answer it.

1. Which part of the lesson did you enjoy the most today and why?

2. Select one part of the lesson and explain what you did and why.

3. Which part of the lesson did you find the most challenging and why?

4. What do you know now that you did not know at the start of the lesson?

5. What three questions would you like to ask a character? Why would you

like to ask them these things? (Don’t forget to say which character you

have chosen to ask.)

Resource 4.3

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‘Real Tears’ by Celia Rees Lesson 2

Class: 8 Date: Period:

As a result of this lesson:

• all students will be able to: discuss an advantage and a disadvantage of joining the British Army; identify and comment on the purpose and viewpoints that the author expresses; address how the story made them feel; identify at least one way in which speech can show attitudes.

• most students will be able to: discuss a range of advantages and disadvantages of joining the British Army; address how the story made them feel and what the ending might mean; identify a range of ways in which speech can show attitudes and opinions.

• some students will be able to: discuss a range of advantages and disadvantages of joining the British Army; address how the story made them feel, what the ending made them think about and why the author may have written the ending; identify a range of ways in which speech can show attitudes and opinions and construct their own.

Assessment foci (Reading):

AF4 identify and comment on the structure and organisation of texts, including grammatical and presentational features at text level

AF6 identify and comment on writers’ purposes and viewpoints, and the overall effect of the text on the reader

Renewed Framework Objectives:

Yr 7 3.2 contribute to discussions in different ways

Yr 7 6.2b recognise and comment on how writers’ choices and techniques have an effect on readers

Yr 8 3.2 take a variety of designated roles in discussion

Yr 8 6.2b recognise and comment on how writers’ language choices contribute to the overall effect

Resources

4.4: Advantages and disadvantages of joining the British Army

4.5: Purpose and viewpoints

4.6: Speech and tone of voice

4.7: Speech

Personal teaching notes

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‘Real Tears’ by Celia Rees Lesson 2

Class: 8 Date: Period:

Starter:

10 minutes

For 10 minutes, in groups of four, and in two pairs, students are to discuss the question: ‘What advantages and disadvantages should be considered when thinking about joining the British Army?’ Pair A could focus on the advantages and pair B the disadvantages. Students could make notes using Resource 4.4: Advantages and disadvantages of joining the British Army.

Introduction:

10 minutes

Return to the students’ answers to the question: ‘What kind of reception might a soldier receive when he comes home on leave from Iraq?’ Ask students to make notes on the reasons why Celia Rees ended the story in this way. They should consider the following points: ‘How did the ending make you feel?’ ‘Why?’ ‘What did the ending make you think about?’ ‘Why?’ ‘Why might the author have ended her story in this way?’ Resource 4.5: Purpose and viewpoints can be used to support less able students, or to remind students of the questions.

Development:

30 minutes

Recap the different devices that are used to show a character’s point of view and attitudes through speech, using Resource 4.6: Speech and tone of voice. Questions 1–5 and the modelled example support the students before they scan for and write down their own examples. Students can then label their examples with either the numbers, or abbreviated notes of the key shown with coloured highlighters.

Plenary:

10 minutes

Using different phrases, students should add more information in order to change the attitude and tone of voice of the phrases: ‘Yes’, ‘No’, ‘Fine’, ‘I will do that now’.

Students can then make up their own dialogue and share with a partner.

Homework / Extension

Using Resource 4.7: Speech, students should write their own sentences and explain the technique that they used. Students could create a dialogue between two characters. By keeping the dialogue the same, the second dialogue will adjust the words around the speech to change the character’s attitudes, behaviour and actions.

Additional teaching guidance

This story ends in a violent manner; be aware that some students might find this upsetting.

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Advantages and disadvantages of joining the British Army List at least three advantages and disadvantages in the table below.

Advantages of joining the British

Army

Disadvantages of joining the

British Army

1.

2.

3.

1.

2.

3.

Resource 4.4

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Purpose and viewpoints Identify and comment on Celia Rees’s purpose and viewpoints and the

story’s effect on the reader.

Return to the question: What kind of reception might a soldier receive when

he comes home on leave from Iraq? Consider your first responses when

thinking about the following questions.

1. How did the ending make you feel? Why?

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2. What did the ending make you think about? Why?

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3. Why might the author have ended her story in this way?

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Resource 4.5

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Speech and tone of voice

Scan for words that are used to show how characters are speaking, for

example:

1. How can tone of voice be created through the use of italics?

2. How can words be used to indicate how the character is speaking?

3. How can tone of voice be created through actions?

4. How can the author indicate the tone of voice with the choice of

vocabulary?

5. Can you identify any other ways?

Modelled example:

‘It’s important to put something back.’ She glared at Ben. ‘Help to repair the

damage some people are doing in that part of the world.’

‘It’s dangerous there.’ His tone was mild, even affable. ‘You be careful.’

‘Oh,’ she flashed back, ‘and who’s made it like that?’ You and those like

you. Look at Iraq.’ I groaned and shut my eyes.

Task: Scanning for text structure – how feelings and attitudes are

inferred

1. Continue reading the story, then either:

a) Choose a short part of the story which you think uses all of the four

methods and write it out, then either highlight the differences, or

label them 1, 2, 3, and 4.

or:

b) Scan for different examples from different parts of the story and

label them 1, 2, 3, and 4.

Resource 4.6

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Speech

Using the four different techniques, write the following sentences to show

different tones of voice, e.g. anger, happiness, annoyance.

Below, explain what you were trying to show and how you managed to

achieve this effect.

‘Yes.’ He said, but his head hung low and his body gently shook.

With his head hanging low and his body shaking, this could imply

that he was crying and did not want to show anyone his face, but

he can’t stop people from seeing that he is trying to hide his

sadness.

a) ‘Yes.’

b) ‘No.’

c) ‘Fine.’

d) ‘I will do that now.’

Now try to write at least five of your own sentences with accompanying

explanations.

Extension activity

Write two dialogues between two characters. Keep the dialogue the same,

but for the second piece, adjust the words around the speech to change the

character’s attitudes, behaviour and actions.

Resource 4.7


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