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PORTFOLIO OF MARINA [email protected] 403.627.7349
A creative abstract logo developed to express an origami type style. It expresses design as being creative, yet functional, being both abstract and concrete to express the fine arts and design sides of the Visual Communications program.
Visual CommunicationsConcept Logo (2012) - 4” x 5”
A Holiday themed container intended to store gift cards or other small objects for gifts. When assembled, it takes on a flat-bottomed diamond shape that gives that packaging a unique look and also keeps the top of the box shut.
Christmas PackagingGift Card Box (2011) - 3” x 5”
The city of Medicine Hat, located in South-Eastern Alberta, is known as ‘The Gas City’, and as such uses a gas lantern as its logo. Paying tribute to Fukuda Shigeo’s talent at creating impossible objects, the impossible lantern plays with perspective and illusion to showcase Fukuda’s unique style in an imaginary poster exhibition.
Fukuda Shigeo Hypothetical Poster Exhibition (2012) - 20” x 42”
I was challenged to design a book cover that expressed a step-by-step process to understanding graphic design. My idea took geometric shapes and started on the back cover, the shapes becoming larger and multiplying as they moved toward the right side of the front cover, growing, from step one to the final size.
A Guide To Graphic DesignHypothetical Book Cover Design (2012) - 8.5” x 17.25”
At the 1
2th an
nual
Design
Thinke
rs Con
feren
ce,
the in
dustr
y’s le
ading
visu
al
commun
icator
s com
e tog
ether
once
again
to di
scus
s how
desig
n buil
ds re
lation
ships
betw
een o
rganiz
ation
s,
produ
cts an
d peo
ple.
From br
andin
g to
susta
inabil
ity, in
terac
tive t
o
edito
rial d
esign
, fi lm
titlin
g
to inn
ovati
on, o
ur vis
ionary
think
ers ar
e draw
n from
the
many d
iscipl
ines t
hat re
fl ect
the di
versi
ty of
graph
ic de
sign
commun
icatio
ns. J
oin us
as
they p
resen
t their
persp
ectiv
es
and g
ave u
s a de
eper
unde
rstan
ding o
f the i
mporta
nt
and i
nfl ue
ntial
role d
esign
and
commun
icatio
ns pl
ay in
our
ever-
chan
ging w
orld.
To ce
lebrat
e how
our
commun
ity co
nnec
ts,
the Ass
ociat
ion of
Reg
istere
d
Graphic
Des
igners
of O
ntario
(RGD) a
nd Parc
el Des
ign
have
invit
ed de
sign t
hinke
rs
to pa
rticipa
te in
an “E
xquis
ite
Corpse
”. In t
he le
ad-up
to
Design
Thinke
rs 20
11, th
is
large
-scale
, coll
abora
tive w
ork
will grow
, piec
e by p
iece,
on al
l
commun
icatio
n mate
rials.
Novem
ber
2 & 3
Metro T
oronto
Conve
ntion
Cen
tre.
Additio
nal e
vents
all w
eek
long.
Debor
ah A
dler
Stefan
Buc
her
Bill Bux
ton
Brian
Collins
Steve
Edge
Rob G
iampiet
ro
Stanle
y Hain
swor
th
Jess
ica H
ische
Rei Ina
mot
o
Chip K
idd
Jenn
ifer K
inon
Georg
e Lois
Bobby M
artin
Lelan
d Mas
chm
eyer
Patric
k Mitc
hell
Craig
Mod
Richar
d Mor
rison
Christ
oph
Nieman
n
Eddie Opar
a
Bill Pou
ndsto
ne
Aaris
Sherin
Rober
t Won
g
Speake
rs
Special
Rat
es:
Regist
er
(Sup
er ea
rly bi
rd de
adlin
e end
s Jun
e 24)
Inform
ation
& Reg
istrat
ion: T
el +1
888 2
74 36
68 x2
4,
info@
desig
nthink
ers.co
m
www.desig
nthink
ers.co
m
ACIDO, A
DC, AIG
A, ARID
O,
CAPICA, G
DC, IABC, Ic
ograd
a,
SDGQ & UCDA m
embe
rs.
Connect.
Let’s
Let’s
conn
ect a
t
Design
Thinke
rs 20
11 to
see
where
it tak
es us
. It w
ouldn
’t
be sa
me with
out y
ou. R
egist
er
befor
e Jun
e 24 t
o sav
e at o
ur
supe
r earl
y bird
rates
!
CONNECT
Let’s
DESIGN
Thinkers
2011
Challenged to create an imaginative, grid based invitation; I produced a unique solution using an interactive ‘connection’ on the front cover, and a two-direction grid on the inside.
Let’s Connect Design Thinkers 2011Redesigned Invitational Envelope (2011) - 8” x 9”
I took two action words and creatively displayed their meaning, using only the word itself. Throw, thus, is throwing the O, so that the word catch, can catch it.
Throw to CatchConceptual Typography (2010) - 10” x 4”
The purpose of this image is to display ambiguous space. It is sometimes difficult to tell where one object begins and the other ends. I chose imagery that normally isn’t associated with each other, in order to really play with the ‘unknown’ that the ambiguous space creates.
Ambiguous Charcoal Drawing (2011) - 18” x 25”
I chose to display a typical Xbox 360 gaming controller in an interesting perspective in order to create new interest in something generally ignored aside from being used as a tool to have fun.
Pop GamingPen and Marker Drawing (2010) - 12” x 22”
I created this image out of reference material that I found interesting. My goal was to combine different elements from other works that I have done, such as the ideas from ‘Ambiguous’, in order to create an interesting image that, the longer you looked at it, the more icons and symbols you found hidden within.
CubePen, Marker, Pencil Drawing (2011) - 20” x 35”
2010 - 1012 FINE ART & DESIGN [email protected]