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JEN PEPPER cv www.jenpepper.com CAZENOVIA COLLEGE . Cazenovia . NY 2003 – current Associate Professor of Studio Art, full time appointment Division of Art + Design . Studio Art Program Granted tenure FA 06 and Associate Professor status Fall 07 C O U R S E S T A U G H T + S E R V I C E to the institution SP 2019 anticipated* FA 351 Museum as Medium SA/FA 309 Special Topics in the Arts: Mid-Century European Design & Thought; team taught with Michael Sanders, with a travel abroad component in May to Amsterdam, Berlin and Copenhagen Associate Professor of Studio Art + Design Studio Art Program Director National Association of Schools of Art & Design (NASAD) accreditation task force member CASL Curriculum and Student Learning Assessment Committee member Director of the Reisman Hall Art Gallery Figure Model Coordinator for the Studio Art program Art Club Faculty Advisor FA 2018 FA 111 Art History I: Prehistory to the Middle Ages (2 sections) > FA2018FA111CAZ.blogspot.com SA 111 Drawing: Perception & Composition > FA2018SA111CAZ.blogspot.com SA 131 Design & Color Theory - 2D Explorations > FA2018SA131CAZ.blogspot.com Associate Professor of Studio Art + Design Studio Art Program Director National Association of Schools of Art & Design (NASAD) accreditation task force member CASL Curriculum and Student Learning Assessment Committee member High School Art Teachers reception with Art & Design Division wide workshops TBA in OCT Art + Design nominated representative to serve on Faculty to Board Committee, substituted for Karen Steen while she serves as faculty advisor to students enrolled in Canterbury Christ Church University Director of the Reisman Hall Art Gallery Figure Model Coordinator for the Studio Art program Art Club Faculty Advisor College Art Fair Portfolio reviews at The Everson Museum of Art, Syracuse OCT 28th AiHE (Arts in Higher Education) consortium, CNY regional member NOTE: I have authored and maintained separate BLOG addresses for each of my courses since Fall 2015. I contribute research daily to each digital space that contains all course and supplementary of 1 41
Transcript

JEN PEPPER cv www.jenpepper.com

CAZENOVIA COLLEGE . Cazenovia . NY 2003 – current Associate Professor of Studio Art, full time appointment

Division of Art + Design . Studio Art Program Granted tenure FA 06 and Associate Professor status Fall 07

C O U R S E S T A U G H T + S E R V I C E to the institution

SP 2019 anticipated* FA 351 Museum as Medium SA/FA 309 Special Topics in the Arts: Mid-Century European Design & Thought; team taught with Michael Sanders, with a travel abroad component in May to Amsterdam, Berlin and Copenhagen

• Associate Professor of Studio Art + Design • Studio Art Program Director • National Association of Schools of Art & Design (NASAD) accreditation task force member • CASL Curriculum and Student Learning Assessment Committee member • Director of the Reisman Hall Art Gallery • Figure Model Coordinator for the Studio Art program • Art Club Faculty Advisor

FA 2018 FA 111 Art History I: Prehistory to the Middle Ages (2 sections) > FA2018FA111CAZ.blogspot.com SA 111 Drawing: Perception & Composition > FA2018SA111CAZ.blogspot.com SA 131 Design & Color Theory - 2D Explorations > FA2018SA131CAZ.blogspot.com

• Associate Professor of Studio Art + Design • Studio Art Program Director • National Association of Schools of Art & Design (NASAD) accreditation task force member • CASL Curriculum and Student Learning Assessment Committee member • High School Art Teachers reception with Art & Design Division wide workshops TBA in OCT • Art + Design nominated representative to serve on Faculty to Board Committee, substituted

for Karen Steen while she serves as faculty advisor to students enrolled in Canterbury Christ Church University

• Director of the Reisman Hall Art Gallery • Figure Model Coordinator for the Studio Art program • Art Club Faculty Advisor • College Art Fair Portfolio reviews at The Everson Museum of Art, Syracuse OCT 28th • AiHE (Arts in Higher Education) consortium, CNY regional member

NOTE: I have authored and maintained separate BLOG addresses for each of my courses since Fall 2015. I contribute research daily to each digital space that contains all course and supplementary

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materials for the availability of each student. For me, free access to digital blogs are an efficient way to impart succinct information and notes to my students for their on-going study, date reminders, notes of interest, previous student essay samples, examples of art and design work, links to pertinent videos, additional bibliographies, and more. All course materials may thus accessed any place and at any time.

SP 2018 FA 111 Art History I: Prehistory to the Middle Ages > SP2018FA111caz.blogspot.com SA 499 Senior Project: Thesis Exhibition > SP2018SA499CAZ.blogspot.com SA 121 Painting > SP2018SA121CAZ.blogspot.com SA 321 Intermediate Painting (stacked into SA 121) > SP2018SA321CAZ.blogspot.com SA 421 Advanced Painting (stacked into SA 121) > Follows SP2018SA321CAZ.blogspot.com Note: Course ID prefix changed from FA 372/472 Spring 2014 to SA 321/421 in Spring 2018 Students work under contract tailored to meet both the general learning outcomes of the intermediate (SA321) or advanced course (SA 321), while meeting and succeeding specific discipline goals of the individual student

• Associate Professor of Studio Art + Design • Studio Art Program Director • National Association of Schools of Art & Design (NASAD) accreditation task force member • Art + Design nominated representative to serve on Faculty to Board Committee • Advising Task Force member • Director of the Reisman Hall Art Gallery • Figure Model Coordinator for the Studio Art program • Art Club Faculty Advisor • AiHE (Arts in Higher Education) consortium, Summit on higher education attendee,

recruitment and threats May 21st

FA 2017 FA 111 Art History I: Prehistory to the Middle Ages (2 sections) > FA2017SA111CAZ.blogspot.com SA 131 Design & Color Theory - 2D Explorations > FA2017SA131CAZ.blogspot.com SA 498 Senior Project: Research & Development > FA2017SA498CAZ.blogspot.com

• Associate Professor of Studio Art + Design • Studio Art Program Director • National Association of Schools of Art & Design (NASAD) accreditation task force member • Art + Design nominated representative to serve on Faculty to Board Committee • Advising Task Force member • Director of the Reisman Hall Art Gallery • Figure Model Coordinator for the Studio Art program • Art Club Faculty Advisor • AiHE (Arts in Higher Education) consortium, CNY regional member

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SP 2017 FA 112 Art History II: Renaissance to the Present — new course developed and implemented > SP2017FA112CAZ.blogspot.com SA 131 Design & Color Theory - 2D Explorations SA 302 Graphic Forms — new course developed and implemented > SP2017SA302CAZ.blogspot.com SA 307 Graphic Forms - Intermediate (students stack into SA 302) SA 407 Graphic Forms - Advanced (students stack into SA 302) FA 351 Museum as Medium > SP2017FA351CAZ.blogspot.com NOTE: (course ID prefix changed from SA Spring in 2012 to FA Spring 2017)

SA 499 Senior Project: Thesis Exhibition > SP2017SA499CAZ.blogspot.com

• Associate Professor of Studio Art + Design • Studio Art Program Director • Art + Design nominated representative to serve on Faculty to Board Committee • National Association of Schools of Art & Design (NASAD) accreditation task force member • Director of the Reisman Hall Art Gallery • Faculty representative on Diversity Committee • Figure Model Coordinator for the Studio Art program • Art Club Faculty Advisor

FA 2016 FYS - SB101K I AM Woman, Hear Me Roar - new course developed and implemented > FA2016SB101kCAZ.blogspot.com SA 398 FYS Master Student (follows FA2016SB101kCAZ.blogspot.com) SA 214 Figure Drawing > FA2016SA214CAZ.blogspot.com SA 314 Intermediate Figure Drawing (students stack into SA 214 and work independently under contracts tailored to meet both the general learning outcomes of the program and the specific discipline goals of the individual student > FA2016SA314CAZ.blogspot.com SA 414 Advanced Figure Drawing (students stack into SA 214 Students work under contract tailored to meet both the general learning outcomes of the intermediate (FA 314) or advanced course (FA 414), while meeting and successfully succeeding specific discipline goals of the individual student

SA 498 Senior Project: Research & Development > FA2016SA498CAZ.blogspot.com

• Associate Professor of Studio Art + Design • Studio Art Program Director • Art + Design nominated representative to serve on Faculty to Board Committee • National Association of Schools of Art & Design (NASAD) accreditation task force member • Director of the Art Gallery in Reisman Hall • Figure Model Coordinator for the Studio Art program • Art Club Faculty Advisor

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SP 2016 SA 131 Design & Color Theory - 2D Explorations > SA131SP2016.blogspot.com SA 121 Painting > SA121SP2016.blogspot.com SA 321 Intermediate Painting (students stack into SA 121) FA 321.IS Independent Studies Painting SA 421 Advanced Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the intermediate (FA 321) or advanced course (FA 421), while meeting and succeeding specific discipline goals of the individual student SA 499 Senior Project: Thesis Exhibition > SA499SP2016.blogspot.com

• Associate Professor of Studio Art + Design • Director of the Reisman Hall Art Gallery • Figure Model Coordinator for the Studio Art program • Division of Art & Design representative on Faculty Council (replacement for Jo Buffalo)

FA 2015 SA 131 Design & Color Theory - 2D Explorations > SA131FA2015.blogspot.com FA 311 Women in the Visual Arts: 1960’s - Today – new course developed and implemented

> FA311FA2015.blogspot.com SA 498 Senior Portfolio: Research + Development > SA498FA2015.blogspot.com

• Associate Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall • Figure Model Coordinator for the Studio Art program

NOTE: Following my sabbatical return in FA2015, I authored and maintained separate BLOG addresses for each of my courses. I contribute research daily to each digital space that contains all course and supplementary materials for the availability of each student. For me, free access to digital blogs are an efficient way to impart succinct information and notes to my students for their on-going study, date reminders, notes of interest, previous student essay samples, examples of art and design work, links to pertinent videos, additional bibliographies, and more. Course materials may thus be found any place and at any time.

SP 2015 Granted sabbatical leave - one semester Accepted into three international artist in residence programs including: Invited artist to Kunstnarhuset Messen, Ålvik, NORWAY for the month of March 2015 Invited artist in residence to Nes Artist Residency, Skagaströnd, ICELAND for the month of April 2015 Invited artist in residence to Gæsteatelier Hollufgård, Odense, DENMARK for the month of May 2015

During each residency, I engaged in studio practice with the community and conducted research on Scandinavian wood, metal design and fiber traditions. I presented two, public lectures, engaged in three public exhibitions and received media attention, both print and digital, for my studio work.

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• Associate Professor of Studio Art + Design

FA 2014 Faculty mentor for Study Abroad program at Canterbury Christ Church University Canterbury, England - one semester

• Associate Professor of Studio Art + Design Note: As the Director of the Art Gallery in Reisman Hall, I curated all exhibitions for the academic year FA 2014 & SP 2015 including preparing all correspondences, contracts, post cards, media release information for the Interim Gallery Director, Jeremy Randall during my absence.

SP 2014 SA 121 Painting SA 131 Design & Color Theory - 2D Explorations (2 sections) FA 372 Research in the Visual Arts I: Intermediate Painting (students stack into SA 121) FA 472 Research in the Visual Arts II: Advanced Painting (students stack into SA 121) Note: Course ID prefix changed from FA 372/472 Spring in 2014 to SA 321/421 in Spring 2016)

• Associate Professor of Studio Art + Design • Chair of Faculty Council • Division of Art & Design Foundations Studies Director • Director of the Art Gallery in Reisman Hall • Division of Art & Design Representative on Faculty Council (3rd / 3 years) • Task Force on Written Communication • Figure Model Coordinator for the Studio Art program • Community representative of Artist in Residence programming at Stone Quarry Hill Art Park

FA 2013 SA 111 Drawing: Perception & Composition (2 sections) FA 351 Museum as Medium SA 361 Site and Space FA 371 Research in the Visual Arts I - Site and Space (students stack into SA 361) FA 471 Research in the Visual Arts II - Site and Space (students stack into SA 361)

• Associate Professor of Studio Art + Design • Chair of Faculty Council • Division of Art & Design Foundations Studies Director • Director of the Art Gallery in Reisman Hall • Division of Art & Design Representative on Faculty Council (3rd / 3 years) • Task Force on Written Communication • Figure Model Coordinator for the Studio Art program • Community representative of Artist in Residence programming at Stone Quarry Hill Art Park

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• Peer Review, Pacific University, College of Arts and Sciences Forest Grove, OR (one semester)

SU 2013 CS-2 SA 214 Figure Drawing summer class for Continuing Education / Studio Art program

SP 2013 SA 121 Painting FA 372 Research in the Visual Arts I: Intermediate Painting FA 472 Research in the Visual Arts II: Advanced Painting Students work under contract tailored to meet both the general learning outcomes of the intermediate (FA 372) or

advanced course (FA 472), while meeting and succeeding specific discipline goals of the individual student SA 499 Senior Project: Thesis Exhibition (2 sections)

• Associate Professor of Studio Art + Design • Division of Art & Design Foundations Studies Director • Director of the Art Gallery in Reisman Hall • Program Assessment Committee (3rd / 3 years) • Division of Art & Design Representative on Faculty Council (2nd / 3 years) • Task Force on Written Communication • Figure Model Coordinator for the Studio Art program • Community representative of Artist in Residence programming at Stone Quarry Hill Art Park

FA 2012 SA 111 Drawing: Perception & Composition SA 498 Senior Project: Research & Development (2 Sections)

• Associate Professor of Studio Art + Design • Division of Art & Design Foundations Studies Director • Director of the Art Gallery in Reisman Hall • Program Assessment Committee (3rd / 3 years) • Division of Art & Design Representative on Faculty Council (2nd / 3 years) • Task Force on Written Communication • Figure Model Coordinator for the Studio Art program • Community representative of Artist in Residence programming at Stone Quarry Hill Art Park

SP 2012 SA 111 Drawing: Perception & Composition SA 351 Museum as Medium Note: course prefix ID changed from SA 351 Spring 2012 > FA 351 2017

FA 499 Senior Project: Thesis Exhibition

• Associate Professor of Studio Art + Design • Division of Art & Design Foundations Studies Director

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• Director of the Art Gallery in Reisman Hall • Program Assessment Committee (2nd / 3 years) • Division of Art & Design Representative on Faculty Council (1st / 3 years) • Figure Model Coordinator for the Studio Art program • Community representative of Artist In Residence programming at Stone Quarry Hill Art Park

FA 2011 SA 101B.FYS Threads, Spindles & Skeins: Weaving through the Ages – new course developed + implemented

SA 398 FYS Master Student – new course developed + implemented

SA 121 Painting FA 371 Research in the Visual Arts I: Intermediate Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the course and the specific discipline goals of the individual student

FA 471 Research in the Visual Arts II: Advanced Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the course and the specific discipline goals of the individual student

FA/FD 498 Senior Project: Research & Development (2 sections)

• Associate Professor of Studio Art + Design • Division of Art & Design Foundations Studies Director • Director of the Reisman Hall Art Gallery • Program Assessment Committee (2nd / 3 years) • Division of Art & Design Representative on Faculty Council (1st / 3 years) • Division of Art & Design representative for Diversity Committee • Figure Model Coordinator for the Studio Art program • Community representative of Artist In Residence programming at Stone Quarry Hill Art Park

SP 2011 SA111 Drawing: Perception & Composition SA 351 Museum as Medium – new course developed + implemented SA 499 Senior Project: Thesis Exhibition – new course developed + implemented

SA 499 Honors’ Senior Project: Thesis Exhibition – new course developed + implemented

• Associate Professor of Studio Art + Design • Director of the Reisman Hall Art Gallery • Program Assessment Committee (1st / 3 years) • Division of Art & Design representative for Diversity Committee • Figure Model Coordinator for the Studio Art program • Community representative of Artist In Residence programming at Stone Quarry Hill Art Park

FA 2010 FYS Chromaphilia: for the love of color – new course developed + implemented

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SA 398 FYS Master Student – new course developed + implemented SA 121 Painting FA 371 Research in the Visual Arts I: Intermediate Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the intermediate course and the specific discipline goals of the individual student

FA 471 Research in the Visual Arts II: Advanced Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the advanced course and the specific discipline goals of the individual student

FA/FD 498 Senior Project: Research & Development – new course developed + implemented

• Program Assessment Committee (1st / 3 years) • Associate Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall • Division of Art & Design representative for Diversity Committee • Figure Model Coordinator for the Studio Art program • Peer Review, University of Maryland Baltimore County, Department of Visual Arts

SP 2010 SA111 Drawing: Perception & Composition SA131 Design & Color Theory – 2D Explorations FA 401 Contemporary Developments in the Arts

• Associate Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall • Communication Studies Full Time Search Committee • Division of Art & Design representative for Faculty Council (3rd / 3 years) • Figure Model Coordinator for the Studio Art program • Community representative at Stone Quarry Hill Art Park, Exhibitions committee member

FA 2009 SA 111 Drawing: Perception & Composition SA 121 Painting FA 372 Research in the Visual Arts I: Intermediate Painting (students stack into SA 121) FA 472 Research in the Visual Arts II: Advanced Painting (students stack into SA 121) FA 301 The Creative Process in the Arts FA 401 Contemporary Developments in the Arts

• Associate Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall • Communication Studies Search Committee member • Division of Art & Design representative for Faculty Council (3rd / 3 years) • Figure Model Coordinator for the Studio Art program • Community representative at Stone Quarry Hill Art Park, Exhibitions committee member

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SP 2009 - FA 2008 Granted a one year sabbatical leave

• Associate Professor of Studio Art + Design • Note: As the Director of the Art Gallery in Reisman Hall, I curated all exhibitions for the academic year, preparing all correspondences, contracts, post cards, media release information for the Interim Gallery Director, Jeremy Randall in my absence.

SP 2008 SA 112 Drawing II - Intermediate (2 sections) SA 121 Painting FA 372 Research in the Visual Arts I: Intermediate Painting (students stack into SA 121) FA 472 Research in the Visual Arts II: Advanced Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the intermediate and advanced course and while meeting and succeeding specific discipline goals of the individual student

SA 272 Site and Space - Studio Research II

• Associate Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall • Chair of the Rank & Tenure Subcommittee of Faculty Council • Visual Communications & Design Faculty Search Committee member • Division of Art & Design representative for Faculty Council (2nd / 3 years) • Community representative at Stone Quarry Hill Art Park, Exhibitions committee member

FA 2007 SA 111 Drawing: Perception & Composition SA 131 Design + Color Theory - 2D Explorations (2 sections) FA 401 Contemporary Developments in the Arts

• Associate Professor of Studio Art + Design earned rank FA 2007 • Director of the Art Gallery in Reisman Hall • Division of Art & Design representative for Faculty Council (2nd / 3 years) • Community representative at Stone Quarry Hill Art Park, Exhibitions committee member

SP 2007 SA 112 Drawing II - Intermediate SA 272 Site and Space - Studio Research II SA 493 Professional Practices & Portfolio – new course developed + implemented

• Assistant Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall

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• Division of Art & Design representative for Faculty Council (1st / 3 years) • Curator: RE/figure: gods + monsters exhibition to travel to University of Massachusetts

Dartmouth, on loan, January 24 – March 11, 2007 http://www.umassd.edu/cvpa/universitartgallery/upcomingexhibtions.html (print and digital)

• Community representative at Stone Quarry Hill Art Park, Exhibitions committee member

FA 2006 SA 112 Drawing II: Intermediate SA 121 Painting FA 371 Research in the Visual Arts I: Intermediate Painting (students stack into SA 121) FA 471 Research in the Visual Arts II: Advanced Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the intermediate and advanced course, while meeting and succeeding specific discipline goals of the individual student

SA 131 Design & Color Theory - 2D Explorations SA 112 Drawing II - Intermediate – new course developed + implemented

• Assistant Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall • Division of Art & Design representative for the Sustainability Committee • General Education Assessment Committee • Division of Art & Design representative for Faculty Council (1st / 3 years) • Community representative at Stone Quarry Hill Art Park, Exhibitions committee member

SP 2006 SA 132 Structuring Human Space - 3D Explorations (2 sections) SA 272 Site and Space - Studio Research II

• Assistant Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall • Faculty Search Committee member for full time Photography Director position • General Education Assessment Committee (3rd / 3 years) • Art Club Faculty Advisor

FA 2005 SA 111 Drawing: Perception & Composition (two sections) SA 131 Design & Color Theory - 2D Explorations SA 271 Subject / Object – Studio Research l – new course developed + implemented FA 401 Contemporary Developments in the Arts – new course developed + implemented

• Assistant Professor of Studio Art + Design • Director of the Art Gallery in Reisman Hall - first year • Art Club Faculty Advisor • General Education Assessment Committee (3rd / 3 years)

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SP 2005 SA132 Structuring Human Space - 3D Explorations – new course developed + implemented SA121 Painting FA 371 Research in the Visual Arts I: Intermediate Painting (students stack into SA 121) FA 471 Research in the Visual Arts II: Advanced Painting (students stack into SA 121) Students work under contract tailored to meet both the general learning outcomes of the intermediate (FA 371) or advanced course (FA 471), while meeting and successfully succeeding specific discipline goals of the individual

student SA 272 Site and Space - Studio Research II

• Assistant Professor of Studio Art + Design

• Visual Communications Faculty Search Committee member • Art Club Faculty Advisor • General Education Assessment Committee (2nd / 3 years)

FA 2004 FYS Expanding Field new course developed and implemented – new course developed + implemented SA 398 Master Student Expanding Field SA 131 Design & Color Theory – 2D Explorations – new course developed + implemented SA 111 Drawing: Perception & Composition

• Assistant Professor of Studio Art + Design • General Education Assessment Committee (2nd / 3 years) • Art Club Faculty Advisor

SP 2004 SA 132 Structuring Human Space - 3D Explorations > Off site at Stone Quarry Hill Art Park (two sections) – new course developed + implemented

SA 121 Painting – new course developed and implemented FA 371 Research in the Visual Arts I: Intermediate Painting (students stack with SA 121) – new course developed + implemented FA 471 Research in the Visual Arts II: Advanced Painting (students stack with SA 121) - new course developed + implemented Students work under contract tailored to meet both the general learning outcomes of the intermediate (FA 371) or advanced course (FA 471), while meeting and successfully succeeding specific discipline goals of the individual student SA 272 Site and Space- Studio Research II – new course developed + implemented SA 111 Drawing: Perception & Composition course - Continuing Education evening program

• Assistant Professor of Studio Art + Design • Art Club Faculty Advisor • General Education Assessment Committee (1st / 3 years)

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FA 2003 SA111 Drawing: Perception & Composition - 2D Explorations (two sections) – new course developed + implemented FA 301 Creative Process in the Arts – new course developed + implemented

• Assistant Professor of Studio Art + Design

CAZENOVIA COLLEGE CAMPUS COMMITTEE M E M B E R S H I P + other

Associate Professor of Studio Art + Design FA 2018 - FA 2007

Assistant Professor of Studio Art + Design FA 2003 - SP 2007

Studio Art Program Director FA 2018 - FA 2016 ( since Nov. 1)

Director of the Reisman Hall Art Gallery FA 2018 - FA 2005 (26 semesters)

Deacon Hall Student Art Gallery organizer FA 2018 - FA 2017 (3 semesters)

National Association of Schools of Art & Design (NASAD) accreditation task force member FA 2018 - FA 2016

CASL Curriculum and Student Learning Assessment Committee Division of Art & Design Representative (1 semester - recently joined) FA 2018

Art + Design nominated representative to serve on Faculty to Board Committee SP 2018 - FA 2016 (4 semesters)

Substituted for Karen Steen while she served as faculty advisor to students enrolled in Canterbury Christ Church University (1 semester) FA 2018 only

Faculty Council Chair (2 semesters)

SP 2014 - FA 2013

Division of Art & Design Representative on Faculty Council (16 semesters) SP 2016 SP 2014 - FA 2011

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SP 2010 - FA 2006

Faculty Council Representative to Long Range Planning (1 semester)

SP 2010

Chair of the Rank & Tenure Subcommittee of Faculty Council (1 semester)

SP 2018

General Education Assessment Committee (8 semesters)

FA 2017 - SP 2004

Program Assessment Committee (6 semesters) FA 2013 - SP 2011

Advising Task Force member (2 semesters) SP 2018 - FA 2017

Diversity Committee Faculty representative (5 semesters)

FA 2017 SP 2012 - FA 2010

Division of Art & Design Representative on the Sustainability Committee 2006

Selection Committee, Who’s Who Among American Student candidates (1 semester) SP 2004

Figure Model Coordinator for the Studio Art program (20 semesters) FA 2018 - FA 2009

Art Club Faculty Advisor (8 semesters) FA 2018 - FA 2016 SP 2006 - SP 2004

RECRUITMENT INITATIVES Attend, organize, present materials and speak to potential students and their families at all Open Houses since my tenure in the college 2003

Greet and speak to potential students and their families during campus tours through the academic year and throughout the summer months

Others I have kept record of herewith from the previous two years: 2018

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College Art Fair Portfolio reviews at The Everson Museum of Art, Syracuse 10.28.2018

HIGH SCHOOL ART TEACHERS’ RECEPTION Area High School Art teachers’ reception to JCA reception, tour, workshops TBA in OCT Eatonbrook Annual Kayak Recruiting on the water for possible transfer, yes, I also recruit on the water! 07.04.2014

CNY ARTS: Arts in Higher Education Consortium (AiHE) Summit on higher education, recruitment and threats May 21st

2017 NYSATA (NY State Art Teachers Association) Conference in Binghamton with Sarah Cross 11.17.2017 - 11.20.2017

Vernon Verona Sherrill High School With Studio Art alumna Judith Anderson Whitney 11.07.2017

Cayuga Community College Group of 12 possible transfers coming for the day; tours, class workshops and more 11.08.2017

PAEA (PA Educators in Art) Conference in Pittsburgh with Sarah Cross 10.29.2017 - 10.20.2017

Nottingham High School organized by Mary Handley with 90 students and 10 chaperones, presented and toured students Created Division of Art & Design PPT for media presentation 10.11.2017

HIGH SCHOOL ART TEACHERS’ RECEPTION Area High School Art teachers’ reception to JCA reception, tour, workshops 10.16.2017

CAYUGA COMMUNITY COLLEGE visit with Sarah Cross Present Studio Art & Photography programs 05.08.2017

LAFAYETTE HIGH SCHOOL visit with Kristen Bowers, Sarah Cross, Laurie Selleck 01.27.2017

MONROE COMMUNITY COLLEGE Art Faculty exchange - Monroe Community College Art Faculty have their exhibition in the Art Gallery in Reisman Hall JAN - FEB

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- Cazenovia Faculty exhibit their works in The Mercer Gallery at Monroe Community College APR - MAY

DePaul University, Chicago, IL recruitment for Visual & Performing Arts students09.27 - 09.29. 2016

HIGH SCHOOL ART TEACHERS’ RECEPTION Area High School Art teachers’ reception to JCA reception, tour, workshops 09.30.2016

FACULTY SEARCHES Communication Studies Faculty Search committee member (2 semesters)

SP 2010 - FA 2009

Visual Communications Digital Design Faculty Search committee member – two positions (2 semesters)

Director of Photography Program Faculty Search committee member (1 semester)

Visual Communications Digital Design Faculty Search committee member (1 semester)

C O M M U N I T Y S E R V I C E S Y N O P S I S

Director of the Art Gallery in Reisman Hall (26 semesters) Community outreach co-ordinator of numerous community events, public lectures and the annual Arts & Crafts Fair in conjunction with the Village of Cazenovia Tree Light Festival and collaboration with the Cazenovia Public Library FA 2018 - FA 2005

Cazenovia College representative to CACDA Cazenovia Area Community Development Association Art Trail (6 semesters - occurs Fall semester only) Assist in the planning and organization of the Art Trails Kick off Gala Reception to open the annual event on the Friday evening’s cocktail reception in the Art Gallery in Reisman Hall. Assist in the Art Hub locations on the following Saturday and Sunday. FA 2018 - FA 2013

Peer Review, University of Maryland Baltimore County, Department of Visual Arts FA 2010

Founding Member of CAZENOVIA CULTURE initiating group of cultural leaders in the village community (remain abreast of community group remotely)

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Curator: RE/figure: gods + monsters exhibition travels to University of Massachusetts Dartmouth to be on loan, January 24 – March 11, 2007 http://www.umassd.edu/cvpa/universitartgallery/upcomingexhibtions.html > Exhibition planning occurred over the whole academic year < SP 2007 - FA 2006 (2 semesters)

Stone Quarry Hill Art Park, Selections Review Committee, Artist in Residence programming SP 2014 - FA 2013 (2 semesters)

Stone Quarry Hill Art Park, Exhibitions Committee member SP 2010 - FA 2007 (6 semesters)

ALFRED UNIVERSITY . Alfred . NY FA 1999 - SP 2003 Assistant Professor of Fine Arts, Alfred University, full time appointment

Division of Human Studies, BAFA Program, Alfred, NY Courses Taught :: FNA. 101 Seeing, Perception + Interpretation FNA. 102 Image, Text and Culture FNA. 103 Body, Time + Movement FNA. 104 Space, Structure + Environment

FNA. 201 Special Topics: Identity: The Constructed Self FNA. 201 Special Topics: Re-Collect Site, 2+3 D studio exploration, and theory FNA 301 Women in the Visual Arts: 1960’s – Today, Art History + Theory FNA. 400 Senior Seminar

FNA. 450 Independent Studies, ongoing each semester

GUEST LECTURER Writing About Art in English Comp. 460, Opinion Writing Serve on university wide and Divisional Honors’ Thesis Committees, including numerous Independent Studies

ALFRED UNIVERSITY CAMPUS COMMITTEE WORK + COMMUNITY SERVICE FA01 - SP03 Women’s Study Program Committee, Executive Committee representative FA01- SP03 Member of Omicron Delta Kappa, National Leadership Society FA01 - SP03 WIC, Women’s Issues Coalition, Faculty Advisor FA01 - SP02 Visiting Artist Committee for national + international review, BAFA representative FA01 First Year Experience Faculty Facilitator, Convocation Day, Alfred University FA02 Performing Arts, Scenic & Theatre Technical Director, Faculty Search Committee

member FA03 - SP03 Freshmen student visit to Career Development Center, Alfred University FA02 Trustee Orientation Faculty member

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FA02 - SP03 Herrick Library Renovation Committee, committee member SP2000 - SP01 Kanakadea Hall Restoration Committee, committee member

LONG ISLAND UNIVERSITY Department of Art . Brooklyn Campus . Brooklyn . NY FA 1990 – SP 1998 Adjunct Professor of Art, part time appointment

Studio + Lecture courses taught at LIU include: Art Appreciation Survey courses (2) from Ancient - Renaissance and Renaissance - Modern Painting, introductory level, intermediate and advanced - new course Drawing, introductory level, intermediate and advanced - new course Honors’ Program, NYC Semester: City as Text, visual art component - new course Multi Media Instructor in Bridge BASIS Summer Program for High School at risk (8 years)

N A T I O N A L + I N T E R N A T I O N AL L E C T U R E S

2018 University of Connecticut at Storrs APR 17 - 18

2015 HAKU Kundskule (art school), Norheimsund, NORWAY MAR 20   2013 Visiting artist and juror, University of Wisconsin, Eau Claire MAR 27 - 30   2012 Guest Curator, TONY (The Other New York), Everson Museum of Art and Stone Quarry Hill Art Park, Cazenovia, NY, SEP 22 - JAN 06 2013, authored catalogue essay   “Swell," Foreman Gallery, Hartwick Gallery, Oneonta, NY MAR 16   “Magnolia,” Kershaw Co. Fine Arts Center, Camden, SC, JAN 20

“Dwell” Pocket productions.org, AIR national proposal invited to create site-specific work along the Palmetto Trail annual, Columbia, SC MAY - OCT JUN

2011 "A Glimpse, Spark & Flash," Llewellyn Gallery, Alfred State College, Alfred, NY solo exhibition dates MAR 22 - APR 08   SUNY Oswego, APR 20-21, Oswego, NY

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2010 The Wilton Public Library, Wilton, CT guest lecturer artist in residence at Weir Farm Art Center, MAY27 www.wiltonlibrary.org/events

Artist Open: "That Which Cannot be Held," The Everson Museum of Art . Syracuse . NY MAR 18

2009 Truman State University, Art Department, Kirksville, MO MAR29

2008 Astraea Visual Art Fellows panel, The Sackler Center for Feminist Art, The Brooklyn Museum of Art, NY OCT 25

2007 “Constructing Identity,” authored + presented @ 16th Annual Women + Society Conference Marist College, Poughkeepsie, NY OCT 26 – OCT 28

Great Minds + Great Ideas lecture series “Dipping Digits: From Gramma’s Sweaters, The Ethernet + Back Again,” at the Cazenovia + Manlius Public Libraries SP07

2006 Performing Identity: Women’s Studies Annual Interdisciplinary conference, Middle Tennessee State University, authored + presented paper OCT

Constructing Gender, The Art of Gender in Everyday Life III, Anderson Gender Center, Idaho State University Pocatello, ID, authored + presented paper http://www.isu.edu/andersoncenter/conference_schedule.html MAR 30

Objects + Implications, exhibiting artist + gallery lecture, Onondaga Community College, Syracuse, NY OCT

Macedonian National Radio artist interview, Republic of Macedonia, AUG Macedonian National Television artist interview broadcast, Republic of Macedonia, AUG

Field Notes, exhibiting artist + gallery lecture, University of South Carolina @ Sumter JUN

2005 14th Annual Women’s Studies Conference, Marist College, Poughkeepsie, NY, authored + presented paper: Digital Flickerings + Femme Technology SEP 23-24

Syracuse University, Department of Art, Fibers Program, visiting artist, graduate critiques APR

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Buoyancy of Place, site specific work by J.E. Pepper, Cazenovia Open Forum, Cazenovia, NY APR

2004 Buoyancy of Place, recent site specific installation, Lunch Forum @ Cazenovia College NOV

The Everson Museum of Art, Syracuse, NY Artists Talk on Art, lecture, JAN 30

2003 The Western Social Science 45th Annual Conference, Las Vegas, NV, authored + presented paper: Identity: 3 Postmodern Constructions, APR 9 – 12

Munson Williams Proctor Art Institute, School of Art, Utica, NY

The University of Connecticut at Storrs, Storrs, CT, Department of Art

2000 The Maryland Institute College of Art, Baltimore, MD FA

Panelist: How Feminist Aesthetics has Affected the Arts The American Society for Aesthetics 59th Annual Meeting, Minneapolis, MN, authored + presented paper OCT 24-27

The Beara Arts Society in association with Anam Cara, Artist’s Colony, West Cork, IRELAND

1999 In conjunction with Quirk Work Exhibition, Feed Gallery, visiting artist lecture for Parsons School of Art, Brooklyn, NY

Emory & Henry College, Emory, VA, exhibiting artist lecture 1998 Bergren Forum, Alfred University, Alfred, NY, exhibiting artist lecture

The Maryland Institute College of Art, Baltimore, MD, visiting artist and panelist

Manhattanville College, Art Department, Purchase, NY, exhibiting artist lecture

1997 Syracuse University, Department of Art, Syracuse, NY, visiting artist lecture

University of Connecticut, Department of Art, Storrs, CT, visiting artist lecture

Multiplism as a Feminist Strategy, Phoenix Gallery, New York, NY, panelist, visiting artist

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TRACE, Alice & William Jenkins Gallery, Crealde School of Art, Winter Park, FL, exhibiting artist lecture

Body of Experience, McIntosh Gallery, The University of Western Ontario, CAN, exhibiting artist lecture

1996 Saint Frances’ Residence Program, Art Program, New York, NY, visiting artist

1995 The Maryland Institute College of Art, Baltimore, MD, visiting artist lecture

BACA Downtown Gallery & Performance Space, Brooklyn, NY, visiting artist

1994 The University of California at Santa Cruz, visiting artist and solo exhibition

1993 Second Street Gallery, Charlottesville, VA, visiting artist and solo exhibition

The Maryland Institute College of Art, Baltimore, MD, visiting artist lecture

1992 NYC School District #32, “Multicultural Arts Program in Education,“ Brooklyn, NY, panelist

N A T I O N A L + I N T E R N A T I O N A L A R T I S T in R E S I D E N C E invitations

2017 The Matilda Joselyn Gage Foundation, Fayetteville, NY 2016 Raumas Artist Residency, Rauma, FINLAND - deferred

2015 Kunstnarhuset Messen, Ålvik, NORWAY  MARCH Nes Artist Residency, Skagaströnd, ICELAND  APRIL Gæsteatelier Hollufgård, Odense, DENMARK  MAY   2012 Dwell, Palmetto State Trail Park & Pocket Productions.org artist in residence, national invitation to create site-specific work along the Palmetto Trail annual, Columbia, SC MAY - OCT    2011 South Carolina State Parks artist in residence, Cheraw, SC  JUN

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  2010 Weir Farm Art Center, Wilton, CT MAY

2009 Osage Arts Community, Belle, MO MAR-APR

South Carolina State Parks artist in residence, Hickory Knob, McCormick, SC FEB

2008 Fundación Casa Museo SOLAINA DE PILOÑO internatinal residency program, Galicia, SPAIN JUL

2006 The Art Colony Galichnik, Republic of Macedonia, invited international artist to participate in Macedonian Biennial Exhibition, National Gallery, Skopje, Macedonia JUN-SEP 2007

2004 The Constance Saltonstall Foundation for the Arts, Open Studio Recipient, Ithaca, NY APR

2003 Fundación Valparaiso, Mojacar, Almeria, SPAIN, JUN

Constance Saltonstall Foundation for the Arts, Open Studio Recipient, Ithaca, NY OCT

2002 Virginia Creative Center for the Arts, Sweet Briar, VA JUN

2001 Fulton Street Gallery Funded Residency Program, Troy, NY AUG

Anam Cara Artists’ Colony, Eyeries, Beara, West Cork, IRELAND JAN

2000 The Corporation of Yaddo Colony for the Arts, Saratoga Springs, NY, A.I.R. JUN

Anam Cara Artists’ Colony, The Beara Peninsula, West Cork, IRELAND, A.I.R. DEC ‘00-JAN ’01

1997 Sculpture Space, Inc., Utica, NY, A.I.R. JUL + AUG

1995

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The Millay Colony for the Arts, Inc., Austerlitz, NY, A.I.R. AUG

A W A R D S + H O N O R S INTERNATIONAL + NATIONAL ARTIST IN RESIDENCE INVITATION 2018 Cazenovia College Faculty Development Grant recipient 2017 Cazenovia College Faculty Development Grant recipient

2016 Cazenovia College Faculty Development Grant recipient

2015 Cazenovia College Faculty Development Grant recipient

2014 Marge Pinet Research Fund, Cazenovia College grant recipient Cazenovia College Faculty Development Grant recipient   2013 Cazenovia College Faculty Development Grant recipient   2012 Cazenovia College Faculty Development Grant recipient 

2010 New York Foundation for the Arts, S.O.S. Grant recipient, Strategic Opportunities Stipend recipient Marge Pinet Research Fund, Cazenovia College grant recipient Cazenovia College Faculty Development Grant recipient 

2008 New York Foundation for the Arts, S.O.S. Grant recipient, Strategic Opportunities Stipend recipient Marge Pinet Research Fund, Cazenovia College grant recipient Cazenovia College Faculty Development Grant recipient

2007 New York Foundation for the Arts, S.O.S. Grant recipient, Strategic Opportunities Stipend recipient Cazenovia College Faculty Development Grant recipient Marge Pinet Research Fund, Cazenovia College grant recipient

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2006 Astraea National Visual Artist grant recipient Cazenovia College Faculty Development Grant recipient Pinet Conference Panelist Funding awarded, Cazenovia College New York Foundation for the Arts, S.O.S. invited panelist for grant proposal awards, Strategic Opportunities Stipend, CNY Region, NY 2004 New York Foundation for the Arts, S.O.S. Grant recipient, Strategic Opportunities Stipend recipient The Sumter County Cultural Commission recipient, Sumter, SC Marge Pinet Research Fund, Cazenovia College grant recipient Cazenovia College Faculty Development Grant recipient The Elizabeth Firestone Foundation for the Arts, grant recipient for exhibition catalogue publication

2003 New York Foundation for the Arts, S.O.S. Grant recipient, Strategic Opportunities Stipend recipient Summer Research Grant Recipient, Cazenovia College, Cazenovia, NY Cazenovia College Faculty Development Grant recipient

2001 Summer Research Grant Recipient, Alfred University, Alfred, NY

2000 New York Foundation for the Arts, S.O.S. Grant recipient, Special Opportunities Stipend awarded National Endowment for the Humanities, Research Grant recipient, Alfred University, NY

1999 Constance Saltonstall Foundation for the Arts, Sculpture Fellows Recipient, Ithaca, NY

1994 Funded Residency Program, New York State Council for the Arts, Sculpture Space, Inc., Utica, NY, JUL-AUG

1995 The McClennen Fellows, The Millay Colony for the Arts, Inc., Austerlitz, NY, AUG

1993 Pew Fellows Recipient in Education, Long Island University, Brooklyn, NY

1989

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Solo Exhibition Recipient, The Slater Memorial Museum of Art, Norwich, CT

1988 Second Place Award Recipient, Artworks Gallery, Hartford, CT Open Award Recipient, Chautauqua Art Association Galleries, Chautauqua, NY Phi Kappa Phi Honor Society Member, The University of Connecticut at Storrs Chapter 1987 Graduate Teaching Fellows, The University of Connecticut, School of Fine Arts, Storrs Special Graduate Student Fellows, The University of Connecticut, Graduate School, Storrs

1986 John J. Leidy Merit Scholarship recipient, The Maryland Institute College of Art, Baltimore, MD

S O L O E X H I B I T I O N S

2015 Aurora Sojourn, Gallery 135, Sumter Co. Cultural Center, SC JUL 16 - AUG 14   2014 Lickety Split, video projection, Sumter Co. Cultural Center, SC OCT 24 - 30   2012 Dwell, Pocket Productions.org :: AIR national proposal invited to create site-specific work along the Palmetto Trail annual, Columbia, SC MAY - OCT Swell,  Hartwick College, Oneonta, NY FEB 16 – MAR 16    Magnolia, Kershaw County Fine Arts Center, Camden, SC JAN 20 - FEB 29   2011 A Glimpse, Spark & Flash, Llewellyn Gallery, Alfred State College, Alfred, NY MAR 22 - APR 08  AlfredState.edu.JenPepper

2010 That Which Cannot be Held, Robineau Gallery, Everson Museum of Art, Syracuse, NY JAN 29 - APR 04  EversonMuseum.JenPepper

Architecture of a Cloud, Mural Gallery, The Frank W. Cyr Center, Stamford, NY SEP - OCT

2008 Tautologos, University of Massachusetts @ Dartmouth, New Bedford, MA JAN 19 – MAR  15 UMassd.edu.Tautologos.JenPepper

2007

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Slipstream, STRING ROOM GALLERY, Wells College, Aurora, NY NOV 07- DEC 14

Farm Works, artist project installed on CNY agricultural farm, Madison, Co., NY OCT

2006 Field Notes, UNIVERSITY GALLERY, University of South Carolina @ Sumter, SC MAY-JUN Recent Work, GEORGE WATERS GALLERY, Elmira College, Elmira, NY NOV 14 – DEC 09

2005 Broken English, EARLVILLE OPERA HOUSE, Earlville, NY OCT-NOV

Lickety Split, installation, LOUPE GALLERY, Prattsburgh, NY- MAY

Stream, CHAPMAN GALLERY, Cazenovia College, NY APR – Reviewed in Sculpture - Nov. 05, Vol. 24 No. 9, illustrated (print + digital)

2001 Slieve, FULTON STREET GALLERY, Troy, NY

1999 Anatomy of the Read, 1912 GALLERY, Emory & Henry College, Emory, VA

Above Din, PENELIC GALLERY, Allegheny College, Meadville, PA

1998 Sounding, BROWNSON GALLERY, Manhattanville College, Purchase, NY

1997 Trace, ALICE & WILLIAM JENKINS GALLERY, Crealde School of Art, Winter Park, FL

Body of Experience, McINTOSH GALLERY, University of Western Ontario, CANADA, catalogue (print)

1996 Merging Presence, MANWARING & GALLERY 66, Connecticut College, New London, CT

1995 Built Upon The Body, MARY PORTER SESNON ART GALLERY, University of CA @ Santa Cruz

1994 Sculpture and Works on Paper, SECOND STREET GALLERY, Charlottesville, VA

1992

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Recent Work, CHARTER OAK CULTURAL CENTER GALLERY, Hartford, CT

1990 Recent Work, THE SLATER MEMORIAL MUSEUM OF ART, Norwich, CT

T W O P E R S O N E X H I B I T I O N S

2012 In Words, Drown I, Tammy Renée Brackett + Jen Pepper, Kirkland Art Center Gallery, Clinton, NY NOV 13 - DEC 7   Swell, installation Foreman Gallery, Hartwick College, Oneonta, NY FEB 16 - MAR 16   2006  Erica Duffy + Jen Pepper, OLIN GALLERY, Washington + Jefferson College, Washington, PA SEP 15 - OCT 15

2003 M. Nelson + J. Pepper, Munson Williams Proctor Institute, School of Art, Utica, NY

1998 C. Harper + J. Pepper, THE BARN GALLERY, Middle Tennessee State Univ., Murfreesboro, TN

1997 Accumulations: J. Pepper & C. Prusa, TRAHERN GALLERY, Austin Peay State University, TN

1996 Sedimentations: C. Dobie + J.Pepper, ERECTOR SQUARE GALLERY, New Haven, CT

S E L E C T G R O U P E X H I B I T I O N S

2018 Forest for the Trees, John & Victoria Winner Memorial Gallery, Stone Quarry Hill Art Park, Cazenovia, NY SEP 01 - OCT 01

Made in NY 2018, The Schweinfurth Art Center, Auburn, NY APR 20 - JUN 3 232 entries / 73 accepts

2017 Art & Design Faculty, The Mercer Gallery, Monroe Community College APR 6 - MAY 6 

2016

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Stone Canoe #10, MAR Syracuse, NY

Made in NY 2016, The Schweinfurth Art Center, Auburn, NY MAR 26 - MAY 22 244 entries / 69 accepts

Assembling Wonder, Cazenovia Public Library, NY  MAY 31 - SEP 2015 Kentler International Drawing Space, Brooklyn, NY  APR 10 - MAY 16

Studio OPEN, KH Messen AiR, Ålvik, NORWAY MAR 26   2014 Kentler International Drawing Space, works on paper, Brooklyn, NY APR 12 - MAY 17   Nation II at the Alamo, Sideshow Gallery, Brooklyn, NY JAN 04 - MAR 03 www.sideshowgallery.com   Stone Canoe #8, ArtRage Gallery, Syracuse, NY JAN 11 - FEB 08   2013 Kentler International Drawing Space, works on paper, Brooklyn, NY APR 12 - MAY 12   Sumter Collects II, Sumter Co. Gallery of Art, Sumter, SC FEB 28 - APR 19

Stone Canoe 7, Community Folk Art Center, Syracuse, NY JAN 12 - FEB 23   The Connective Thread, Gandee Gallery, Fabius, NY JAN 18 - MAR 3 

Earlville Opera House, Earlville, NY, group exhibition of works by Studio Art Faculty from Cazenovia College JAN 26 - MAR 2   2012 Clandestine, curated by Gualberto Orozco, Penny W. Stamps School of Art & Design, University of Michigan, NOV 30 - DEC 21   Kentler International Drawing Space, works on paper, Brooklyn, NY APR 13 - MAY 13

2011 Twin Twin II Edition, curated by Matt Freedman, Pierogi Gallery, Brooklyn, NY SEPT 05 - OCT   Impact, Swing Space Gallery, Ohio State University, Columbus, OH OCT 06 - OCT 27 https://immigration.osu.edu/impact-swing-space-gallery

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Made in NY 2011, Schweinfurth Memorial Center, Auburn, NY MAR26 - MAY29 216 entries / 76 accepts

Visual Phrasing, Therese A. Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ JAN 20 - APR 17 www.cse.edu/academics/academic-areas/culture-humanities/art/news-detail.dot?id=132309  Time Lapse: 1971-2011 Four Decades of Art, curated by Shelby Graham & UCSC students,

Mary Porter Sesnon Art Gallery, University of California at Santa Cruz, APR 5 - MAY 7  http://art.ucsc.edu/galleries/exhibitions   Stone Canoe, XL Projects Gallery, Syracuse, NY JAN 26 - FEB 20

Faculty Biennial, The Art Gallery in Reisman Hall, Cazenovia College, NY JAN 26 - FEB 25

2010 Szozda Group, Szozda Gallery, Syracuse, NY DEC

Your Documents Please, Fine Light Inc., 601 West 26th St., 8th Floor, Chelsea, NYC exhibition runs through NOV. 21 www.yourdocumentsplease.com

Made in NY 2010, Schweinfurth Memorial Art Center, Auburn, NY  MAR 27 - MAY 16 294 entries / 72 accepts Stone Canoe, XL Projects Gallery, Syracuse, NY JAN 04- 24

Sabbatical Returns: 4 Faculty, Art Gallery, Cazenovia College, NY JAN 26 - FEB 26 2009 Col·lage & As·sem·blage, The Schweinfurth Memorial Art Center, Auburn, NY AUG29-OCT17

Your Documents Please, traveling group show to the following gallery venues: Galerie Kurt im Hirsch, Berlin, GERMANY JAN09 GALÉRIA Z, Bratislava, SLOVAKI FEB12-MAR8 Galería Ajolote Arte Contemporáneo, Guadalajara, MEXICO APR17-MAY8

2008 Co-curator with John McQueen the 2008 Made in NY group exhibition at the Schweinfurth Memorial Art Center, Auburn, NY JUN - AUG

Your Documents Please, traveling group show to the following gallery venues: THE MUSEUM OF ARTS + CRAFTS – ITAMI, Itami-shi, JAPAN APR 4 – APR 20 ZAIM GALLERY and Galerie Paris, Yokohama, JAPAN AUG2-AUG17 2B Galéria, Budapest, HUNGARY NOV 01- DEC 06

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IX Xuntanza Obradoiro International, A SOLAINA DE PILOÑO, Museo Ramón Maria Aller, Lalin Ponteverra, SPAIN NOV 8- NOV 28

The Object + Beyond: The Everson Museum of Art Biennial Exhibition, Syracuse, NY JUN 13- AUG 28

Open Focus, THE KIRKLAND ART CENTER, Hamilton, NY MAY OCT - NOV 2007 Galichnik Biennial, Mala Stanica, National Galleries of Macedonia, Skopje, MACEDONIA JUN 5 – SEP 10

2006 Schweinfurth Memorial Art Center, Auburn, NY Sculpture: Carved, Cast + Constructed, MAR 4- APR 22

Saltonstall Fellows @ The Herbert F. Johnson Museum of Art, Ithaca, NY JUN 24- AUG 20

Schweinfurth Memorial Art Center, Auburn, NY Made in NY 2006, JUN - AUG

Onondaga Community College Art Gallery, Objects + Implications, OCT 15 - NOV 18

2005 Cracks in the Pavement: Gifts in the Urban Landscape, site specific installation, www.cracksinthepavement.com Charleston, SC

Faculty Exhibition from the Division of Art + Design, The Art Gallery in Reisman Hall, CAZENOVIA COLLEGE, Cazenovia, NY

2004 CON/TEXT: Impulse, Order, Response, GRIMSHAW-GUDEWICZ Art Gallery Bristol Community College, Fall River, MA JAN22 – FEB19

Buoyancy of Place, site specific installation, City of Sumter, SC OCT01 - NOV01

2003 Accessibility: From The Outside In, site specific installation The Finger Poets, Sumter, SC

Conversation, group exhibition, HOWARD CO. CENTER FOR THE ARTS, Ellicott City, MD

2002 SIDESHOW, group exhibition, Brooklyn, NY, December

KENTLER INTERNATIONAL DRAWING SPACE, Brooklyn, NY, Nov-Dec

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Hopscotch: Associative Leaps in the Construction of Narrative, Painted Bride Art Center, Philadelphia, PA

Group Exhibition, BEARA ARTS GALLERY, Castletownbere, Co. Cork, IRELAND

2001 Drawings, MILL COVE GALLERY, Castletownbere, Co. Cork, IRELAND

Word/Text/Language, CLAYPOOL YOUNG ART GALLERY, Morehead State University, KY

Blurred Boundaries, THE ARTS CENTER OF THE CAPITAL REGION, Troy, NY curated by: Thomas Piche, Senior Curator, Everson Museum & Glenn Adamson, Milwaukee Art Museum

Pierogi: The Flatfiles, BLOCK ARTSPACE, Kansas City, MO JAN 19 - FEB 28

2000 The Saltonstall Fellows’ Exhibition, STATE OF THE ART GALLERY, Ithaca, NY

Pierogi 2000: The Flatfiles, YERBA BUENA CENTER FOR THE ARTS, San Francisco, CA

2000 Pierogi 2000: The Flatfiles, POST GALLERY, Los Angeles, CA NOV 18 - DEC 16

1999 Quirk Work: Herzog, Lum, McShane + Pepper, FEED GALLERY, Brooklyn, NY

Take a Notion, curated by Margaret Bodell director of MARGARET BODELL GALLERY, Ltd., alternative space for textile arts at D.L. CERNEY, New York, NY

She, HOLLAND TUNNEL GALLERY, Brooklyn, NY

The Object of Sculpture, WRIGHT STATE UNIVERSITY GALLERIES, Dayton, OH

Pierogi 2000: The Flatfiles, ROSENWALD-WOLF GALLERY, The University of the Arts, Philadelphia, PA NOV04 - DEC 14

1998 Crest Hardware Show, CREST HARDWARE, Brooklyn, NY

Body Parts, THE RICE GALLERY, THE ALBANY INSTITUTE OF HISTORY & ART, Albany, NY

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Selected Alumni Exhibition, THE WILLIAM BENTON MUSEUM OF ART, Storrs, CT

Invitational Showcase, THE UNIVERSITY GALLERY, University of Bridgeport, CT

1997 Art on Paper, WEATHERSPOON ART GALLERY, University of North Carolina at Greensboro

Know New York, ELIZABETH LEACH GALLERY, Portland, OR

Parker, Pepper, Urquhart, Valentine, CHI MEAT, Brooklyn, NY

Multiplism as a Feminist Strategy, NYC Women’s Caucus for Art, PHOENIX GALLERY, NY, NY

Representing Herself; GEORGIA COLLEGE, Milledgeville, GA

Current Undercurrent: Working in Brooklyn, THE BROOKLYN MUSEUM OF ART, NY

New York Drawers: PIEROGI 2000 Flatfiles, GASWORKS GALLERY, London, UK

New York Drawers: PIEROGI 2000 Flatfiles, CORNERHOUSE GALLERY, Manchester, UK

1996 Cross Sections-Beyond Surface, BACA DOWNTOWN GALLERY, Brooklyn, NY

Heat, ARTEMISIA GALLERY, Chicago, IL Light Show, 8th FLOOR PROJECTS, New York, NY, catalogue, illustrated

Rutgers National Works on Paper, STEDMAN ART GALLERY, Camden, NJ, catalogue, illus.

1995 Nine from The Maryland Institute College of Art, GEORGE MASION UNIVERSITY, Fairfax, VA

Contemporary Prints and Drawings, DALTON GALLERY, Agnes Scott College, Decatur, GA

New American Talent Traveling Exhibition, Texas Fine Arts Association, LAGUNA GLORIA ART MUSEUM, Austin, TX, catalogue, illustrated

Women Role Models: Hero/Anti-Hero, BACA DOWNTOWN GALLERY, Brooklyn, NY

1994 Works on Paper, TRANSMISSION GALLERY, Glasgow, SCOTLAND

Water Temple, MARYLAND ART PLACE (M.A.P.), Baltimore, MD

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New American Talent Traveling Exhibition (through 1995), Texas Fine Arts Association, LAGUNA GLORIA ART MUSEUM, Austin, TX, catalogue, illustrated

1993 Promotional Copy, GUGGENHEIM MUSEUM OF ART/SOHO, NY, NY, contributing artist catalogue, illustrated Kelser, Pepper, Miller Smith, 101 WOOSTER STREET GALLERY, SoHo, New York, NY

Beyond Body, 494 GALLERY, New York, NY

August Artifact, E.M. DONAHUE GALLERY, New York, NY

Florida National Exhibition, FLORIDA STATE UNIVERSITY GALLERY, Tallahassee, FL

Aperture, WINDOWS ON FLATBUSH, Long Island University, Brooklyn, NY

Women in the Visual Arts, ERECTOR SQUARE GALLERY, New Haven, CT

1992 Material Girls, GREENVIEW ARTS CENTER GALLERY, Chicago, IL

Women in the Visual Arts, ERECTOR SQUARE GALLERY, New Haven, CT

1990 Duffy, Pepper, Viti: Three Alumni, MUNSON WILLIAMS PROCTOR ART INSTITUTE, Utica, NY

Matrix International, MATRIX GALLERY, Sacramento, CA

Issue:Earth, BRANDSTATER GALLERY, Loma Linda & Las Sierra Universities, Peoria, IL

Elements of Drawing, AMMO ARTISTS’ SPACE, Brooklyn, NY

1989 Connecticut Artists’ Exhibition, THE SLATER MEMORIAL MUSEUM OF ART, Norwich, CT

National Drawing & Print Exhibition, HARTMANN & HEUSER GALLERY, Bradley University, IL

RE/Meaning, MFA Thesis Exhibition, ATRIUM GALLERY, The University of Connecticut, Storrs, CT

1988 The Next Generation, 10 Nation Artists, PENNSYLVANIA SCHOOL OF THE ARTS, Marietta, PA

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Chautauqua National Exhibition of American Art, CHAUTAUQUA ART ASSOC. GALLERY, NY

Connecticut Artists, ARTWORKS GALLERY, Hartford, CT

Women in the Visual Arts, MATRIX GALLERY, Sacramento, CA

C A T A L O G U E S

50 Haikus, Volume 1, Issue 13,  Prolific Press, Johnstown, PA https://prolificpress.com  print and digital, APR 2018

Stone Canoe 12, A Journal of Arts, Literature and Social Commentary Number 12, Downtown Writers Center, Syracuse, NY, illustrated, 2018

50 Haikus, Volume 1, Issue 12, Prolific Press, Johnstown, PA https://prolificpress.com/bookstore/50-haikus-c-5/50-haikus-volume-1-issue-12-p-227.html print and digital, OCT 2017

Stone Canoe 10, a journal of ideas and art from Upstate New York, Vol. 10, Syracuse University Press, Syracuse, NY 2016, illustrated, cover

Skagaströnd Review, editor Andrea Webster, Skagaströnd, ICELAND MAR 2016, illustrated

Stone Canoe 8, a journal of ideas and art from Upstate New York, Vol. 8, Syracuse University Press, Syracuse, NY 2014, illustrated   Stone Canoe 7, a journal of ideas and art from Upstate New York, Vol. 7, Syracuse University Press, Syracuse, NY 2013, illustrated   Catalogue essay & guest curator, TONY (The Other New York), Everson Museum of Art and Stone Quarry Hill Art Park, Cazenovia, NY, SEP 22 - JAN 06 2013   Fundación Casa Museo SOLAINA DE PILOÑO Biennial exhibition catalogue, Galicia, SPAIN 2008

Galichnik Biennial exhibition catalogue, published by MALA STANICA National Galleries of Macedonia, Skopje, MACEDONIA, 2007

Space Questions: art + nature + culture, site specific installations in South Carolina, 2004, Sumter, SC illus., served as art director of catalogue and obtained publication granting funds

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Pepper, Jennifer. Charles W. Goolsby: Sfumato: Italian Landscape Monotypes, authored exhibition catalogue essay: “Liminal Ports: Italian Landscape Monotypes by Charles W. Goolsby,” 1912 Gallery, Emory & Henry College, Emory, VA, March, 2003 http://zeeman.ehc.edu/art/sfumatoessay/sfumatoessay.html

Dobie, Elizabeth Ann, Body of Experience, McIntosh Gallery, The University of Western Ontario, 1997, London, Ontario, Canada, catalogue illustrated

Eighth Floor Gallery, NY SOHO ARTS, 1996, New York, NY, catalogue illustrated

Rutgers University, Rutgers National Works on Paper, 1996, Camden, NJ, catalogue illustrated

Texas Fine Arts Association & Laguna Gloria Art Museum, New American Talent, Tenth Exhibition, 1994 Austin, TX, catalogue illustrated

Florida State University Gallery & Museum, Combined Talents: The Florida National, 1993, Tallahassee, FL catalogue illustrated

Brandstater Gallery, Issue:EARTH, 1991 Exhibition, La Sierra University, 1991, Riverside, CA, catalogue illustrated

Parker, William E., RE/meaning, The University of Connecticut, 1989, Storrs, CT, catalogue illustrated

Waite, William, The 31st Annual Chautauqua National Exhibition of American Art, 1988, Chautauqua Institute, Art Association Galleries, NY, catalogue illustrated

P U B L I C A T I O N S + R E V I E W S DIGITAL + PRINT

Cazenovia College, "Associate Professor Jen Pepper Finds Artistic Enrichment in Norway, Iceland and Denmark," Faculty Profile pages, Cazenovia, NY, June 23, 2016, illustrated. http://www.cazenovia.edu/academics/faculty- profiles/art-design/jen-pepper

Moore, Ivy, "Gallery presents 'Aurora Sojourn,' The Item, Sumter, S.C., July 12, 2015, p.A1 + p.C17, illustrated. http://theitem.com/lifestyles/

Collins, Jane, "'Aurora Sojourn' captures essence of Scandinavia", The Item, July 18, 2015, p.A3, illustrated   Grimelid Oppedal, Vilde,  "Kledde seg i fjorden", Hordaland Folkeblad, Norheimsund, NORWAY, June 19, 2015, p.10,  illustrated  

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Grimelid Oppedal, Vilde, "Strikkar fjorden," Hordaland Folkeblad, Norheimsund, NORWAY, April 7, 2015, p.10, illustrated. Khmessen.no/blog/   Juried art show opens at UW-EC," Leader-Telegram, Thursday, March 28, 2013, Eau Claire, WI p. 1C.   Sculpture magazine - March 2011, a publication of the International Sculpture Center, Washington D.C. Vol. 30 No. 2 illustrated p. 68-69 http://www.sculpture.org/documents/scmag11/mar_11/mar11.shtml Rushworth, Katherine, "A Way with Words; visual artist Jen Pepper molds and shapes language," photos by Michelle Gabel, The Good Life, Central New York Magazine, March/April 2011, illustrated, p. 139-147

"Jen Pepper at Alfred State College," The Alfred Sun, Thursday, April 7, 2011, Alfred, NY Vol. 126 No. 14, p. 5, illustrated

Kern, Steven, “New Everson exhibits grows out of Impressionists,” The Post-Standard, Sunday, February 07, 2010 Syracuse, NY also @ http://blog.syracuse.com/entertainment/2010/02/new_everson_exhibits_grow_from.html

Stone Canoe, a journal of ideas and art from Upstate New York, Vol. 4, Syracuse University Press, Syracuse, NY 2009, illustrated

Dufort, Jon, “The Object and Beyond,” Syracuse New Times, August 13, 2008, Syracuse, NY, illustrated

Moore, Ivy, "Wunderkammers: Why do we collect? Students work with N.Y. artist to create ‘cabinets of wonder’," The Item, December 7, 2008, Sumter, SC, illustrated

Mellor, Carl, “Made to Order,” Syracuse New Times, August 13, 2008 Syracuse, NY

Rushworth, Katherine, “2008 Everson Biennial Stellar,” The Post-Standard, Sunday, June 22, 2008 Syracuse, NY, illustrated

Johnson, Melinda, “2008 Everson Biennial, The Object and Beyond,” The Post-Standard, Sunday, June 8, 2008 Syracuse, NY, illustrated

Coffta-Sims, Kathy, "Art, Farm and Public Intersect at Cazenovia’s Critz Farms,” The Post-Standard, Syracuse, NY, Saturday, October 20, 2007 Sec. B2, illustrated

Moore, Ivy, “Sumter Life: NC Mountains,” The Item, photographic contributions illustrated in the Sunday July 22, 2007 p.6C

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Pepper, J.E., special to The Item, “‘Blues Chapel’ visually arresting, thought-provoking homage,” Sumter, SC Sunday, July 16, 2006 p.5C

Collins, Jane G., The Item, ‘Field Notes’ enters mind…challenges viewer, Sumter, SC, Tuesday, June 27, 2006 illustrated p.1D

Diversions, The Item, listed artist, June 17, 2006 p.2

University of South Carolina Sumter, Times:Calendar, Sumter, SC, June 15, 2006, illustrated p.4 Rushworth, Katherine, The Post-Standard, STARS. Pushing Sculpture’s Boundaries, Syracuse, NY April 2, 2006

The Post-Standard, Art Calendar: Modern Sculpture, Syracuse, NY March 19, 2006

Girdwain, Jessica, Skaneateles/Auburn Citizen, Sculpture exhibit showcases variety, Skaneateles, NY March 8, 2006

Sculpture magazine – Nov. 2005, published by International Sculpture Center, Washington, D.C. Vol. 24 No. 9, illustrated, p. 73 Pepper, J.E., The Item, See ‘Mavens’ for acting, laughs. Sumter, SC, Thurs. June, 2, 2005

The Post-Standard/ Stars, Using Yesterday for Today, Sun. April 10, 2005 . Syracuse, NY, illustrated

Campbell, Caitlin, The Quad, Cazenovia College Student Newspaper, Chapman Gallery Features Professor’s Art, Vol. III, Issue III. Spring 2005

Gikerson, Mary Bentz, Free Times; Columbia’s Free Weekly, Art, Nature and Sumter. Thurs. Oct. 14, 2004 Columbia, SC

Collins, Jane G., The Item, Panorama, Accessibility2004 explores community through art. Thurs. Oct. 7, 2004 Sumter, SC, illustrated

Cook, Dan. Free Times, Columbia’s Free Weekly, Accessibility Highlights Sumter Arts Scene, Columbia, SC.

Boyce, David, The Standard-Times, BCC Exhibit places artists’ dialogue in Con/Text, Sun. Feb. 1, 2004, New Bedford, MA

The Standard-Times, BCC Gallery puts artists into Con/Text, Thurs. Jan. 22, 2004, New Bedford, MA, illustrated

Allen, Mike, The Roanoke Times, Twigmama, Mon. Nov. 3, 2003, Roanoke, VA

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Moore, Ivy, The Item, Panorama, Arts Thrive in 2003, Thurs. Jan. 1, 2004, Sumter, SC, illustrated

Day, Jeffrey, The State, Arts: Giving outside artists Accessibility works beautifully, review, Fri. Oct. 3, 2003, Columbia, SC, illustrated

Collins, Jane, The Item, Panorama, 10 “Installation artists involve, celebrate community,” review Oct. 1 2003, Sumter, SC, illustrated

Carolina Arts: “Accessibility 2003: From the Outside In, Installation Art Exhibit,” Vol. 7, No. 9, Sept. 2003

Moore, Ivy, The Item, “Week Promises Art…,” September 23, 2003, Sumter, SC

Moore, Ivy, The Item, Panorama, “Accessibility 2003 From the Outside In,” Sunday, September 21, 2003 , Sumter, SC

Frost, Steve, The Alphadelphian, Vol. 7, #1, “News From Women’s Studies Faculty & Celebration of Gay History Months,” Alfred University, Fall 2002, Alfred, New York

Inthirakoth, Tim, The Fiat Lux, “Spectrum Brings Awareness to AU,” October 8, 2002, Alfred University Student Newspaper, Alfred, New York

Yaddo News, “Variations Exhibition,” illustrated, Fall 2002, Saratoga Springs, NY

Fallon, Roberta, Philadelphia Weekly, Volume 31, #7, “Talking Outside of the Box,” February 13, 2002 Philadelphia, PA

Young, Angela, The Alphadelphian, Volume 6, #2, “AU Art Professor’s Work Featured in National Exhibition Alfred University,” Spring 2002, Alfred, New York

Times Union; Arts Section; Exhibitions, Sunday, July 22, 2001, Albany, NY

Jaeger, William, Times Union; Life & Leisure; “Crafting an Art Debate,” Friday November 24, 2000, Troy, NY

Richards, Annette; The Alphadelphian, Newsletter of AU Women’s Studies Program; “From Doll Dress to Dipping Digits: The Evolution of Jennifer Pepper’s Art Work,” Vol. 4, Issue 1, Fall 2000, illustrated

Hardman, Emilie; The Fiat Lux, Alfred University Newspaper, “Pepper Knits a Nice Presentation; Women’s Studies Roundtable,” November 15, 2000, Vol.94, Issue 6, Alfred, New York

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Williams, Evan; “The Sculpture of Serendipity,” IthacART Supplement The Bookpress, Oct./Nov. 2000, illustrated

Guariglia, Sarah, The Fiat Lux, Alfred University Newspaper, A & E Features, September 27, 2000, illustrated

The Ithaca Journal, Thursday, September 7, 2000, Ithaca, New York, cover of The Ticket, illustrated

Art In America: Museums, Galleries, Artists Annual 2000-2001, Vol. 88, No. 8, Brandt Art Publications, Inc. NY, NY. Listed artist p. 304

Art In America: Museums, Galleries, Artists Annual 1999-2000, Vol. 87, No. 8, Brandt Art Publications,Inc., NY, NY. Listed artist p. 276

Laster, Paul, “Brooklyn Spice,” http://www.artnet.com/magazine/reviews,laster/laster10-19-99html

Washington, LaSonya, Sidelines Features, “Art Barn Gallery Exhibits Engaging Eye Candy,” September 2, 1999, Murfreesboro, TN Allen, Jane Ingram, Sculpture, “Inspiration and Renewal: Sculpture Residencies,” Vol. 17 No.2, Washington, D.C., 1998, illustrated

Times Union, “Exhibition/Openings,” March 13, 1998, Albany, NY, illustrated

Wright, Peg Churchill, Daily Gazette, “Rice Gallery Displays Art of Human Figure,” January 29, 1998, Schenectady, NY, illustrated

Bishop, Phillip, The Orlando Sentinel, “Artistry Multiplied,” Sunday May 4, 1997, illustrated

Kahn, Robin, editor, “Time Capsule,” Creative Time, Inc., 1995, New York, NY, contributing artist illustrated in print catalogue and exhibited at The Paula Cooper Gallery, NY and The International Women’s Conference, Beijing, China, 1995

Birke, Judy, New Haven Register, “Pepper’s Works Adds Zest to Erector Square Exhibit,” Sunday, May 14 1995

Kahn, Robin & Mimi Somerby, editors, PROMOTIONAL COPY, contributing artist illustrated in print catalogue, D.A.P. Publishers, 1993, New York, NY. Exhibited at The Guggenheim Downtown Museum of Art

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Braid, Bernice & Cris Gleicher, editors, “Orientation Seminar 1: The University – Discovery and Change” photographic contribution, covers, Long Island University, Brooklyn Campus, Copley Publishing Group, 1993, Acton, MA

Scalora, Sal, “Regional Reviews: Connecticut; Jennifer Pepper Recent Work,” Art New England, JUN-JUL 1992

Rousseau, Rita, “Art Show Looks at the Fabric of Women’s Lives,” News-Star, Chicago, IL, 1992

Scalora, Sal, “Car Parts, Body Parts,” Harford Advocate, Hartford, CT, March 1992

Perkins, Isabel, “Critic’s Choice,” New Haven Advocate, New Haven, CT, March, 1992

Dalkey, Victoria, “Show Comes in Loud and Clear,” The Sacramento Bee, Sacramento, CA, March, 1991

Schindler, Richard, “Regional Reviews: CT, Slater Memorial Museum/Jennifer Pepper,” Art New England, April 1990

Bannon, Anthony, “Last CAA National Exhibition for Waite,” Chautauquan Daily, July, 1988

C O L L E C T I O N S

PRIVATE COLLECTIONS that my work belongs to: The Paul J. Schupf Collection, Hamilton, NY Deb & Kevin Ryan, Syracuse, NY Charlotte Bonde, Copenhagen, DENMARK Bolette Mohr Sillassen, Odense, DK Birgitte Lykke Madsen, Odense, DK Hooymans & Pulles, Ålvik, NORWAY  Merete & Bjorn Otto Wallevik, Ålvik, NORWAY  Steve Orman, Rainham, Kent, UK Sherry & Dan Todd, Kirksville, MO Don Nicoulin, Brooklyn, NY Karen Gibbons, Brooklyn, NY Susan & Jim Allen, Sumter, SC Peggy & Booth Chilcutt, Blythewood, SC Ivy Moore, Sumter, SC Watson & Holmes, Sumter, SC Carla Damron, Columbia, SC Maria Kirbey-Smith, Camden, SC Paul Seba, Belle, MO

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Victoria Milne, Brooklyn, NY   PUBLIC COLLECTIONS that my work belongs to: Kunstnarhuset Messen, Ålvik, NORWAY  Fundación Casa Museo SOLAINA DE PILOÑO, Galicia, SPAIN Mala Stanica, National Galleries of Macedonia, Skopje, Republic of MACEDONIA South Carolina National Parks, McCormick, SC Fundación Valparaiso, Mojacar, Almeria, SPAIN

E D U C A T I O N

1987 - 1989 The University of Connecticut, Storrs, CT, Master of Fine Arts, terminal degree 1985 - 1987 The Maryland Institute College of Art, Baltimore, MD, Bachelor of Fine Arts 1979 - 1982 Munson Williams Proctor Art Institute, School of Art, Utica, NY

On-going material and application courses to hone studio skills

T E A C H I N G . M U S E U M + GALLERY EXPERIENCE S Y N O P S I S

2003 - current Associate Professor of Studio Arts, granted rank FA 2007 at Cazenovia College, full time FA 07 - current Associate Professor FA 03 - SP 07 Assistant Professor FA 06 received tenure

FA 2005 - current Director of the Art Gallery in Reisman Hall, Cazenovia College, curate, all aspects of exhibition preparation and care

1999 - 2003 Full time teaching appointment at Alfred University, BAFA program, Assistant Professor of Fine Arts

1989 - 1999 Lived and worked in Brooklyn, New York full time, teaching appointments K-12 and higher education Brooklyn Museum of Art, Brooklyn, NY artist educator Brooklyn Waterfront Artist’s Coalition, Brooklyn, NY artist educator Studio in the Schools, Brooklyn, NY resident artist for Queens, Brooklyn, Manhattan, Staten Island Public Schools

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Achim Moeller Fine Arts Gallery, Ltd., 20th Century American & European Masters, NYC, NY, gallery assistant

—— jep

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