| Date post: | 04-Jun-2018 |
| Category: |
Documents |
| Upload: | angelisiao |
| View: | 218 times |
| Download: | 0 times |
of 11
8/13/2019 451_ the Pilgrim Art
1/11
14. Chinese blue-and-white bowl. Ming dynasty, Xuande period (142635). Jingdezhenware, porcelain painted in underglaze cobalt blue. : 8 in. (20.6 cm). Eugene FullerMemorial Collection, Seattle Art Museum. The bowl is decorated with lotus scrolls on theinterior and double rows of lotus petals on the exterior, where the Xuande emperors reignmark also appears. Photo: Paul Macapia. 49.154.
8/13/2019 451_ the Pilgrim Art
2/11
15. Chinese blue-and-white dish. Ming dynasty, Chenghua period (148187). Jingdezhenware, porcelain painted in underglaze cobalt blue. : 7 in. (19 cm). Eugene FullerMemorial Collection, Seattle Art Museum. The dish is decorated with the eight auspiciousemblems derived from Tibetan Tantric Buddhism. In the well of the dish, highly stylized versions of lotus buds encircle the Wheel of Law; the remaining seven emblems are paintedon the rim of the vessel. Photo: Paul Macapia. 51.85.
8/13/2019 451_ the Pilgrim Art
3/11
16. Chinese blue-and-white dish. Yuan dynasty, 14th century. Jingdezhen ware, porcelainpainted in underglaze cobalt blue. : 18 in. (47 cm). Purchased in memory of Elizabeth M. Fuller with funds from the Elizabeth M. Fuller Memorial Fund and theEdwin and Catherine M. Davis Foundation, Seattle Art Museum. Dishes such as thiswere made at Jingdezhen for Southwest Asia, where communal dining made large vesselsnecessary. Clay molds were used to produce such pieces. Photo: Paul Macapia. 76.7.
8/13/2019 451_ the Pilgrim Art
4/11
17. Korean blue-and-white bottle. Choson dynasty, ca. 18001850.Porcelain with underglaze blue decoration. : 8 in. (20.3 cm). Giftof Frank S. Bayley III in Memory of Dorothy Stimson Bullitt, SeattleArt Museum. Photo: Paul Macapia. 82.127.
8/13/2019 451_ the Pilgrim Art
5/11
18. Japanese blue-and-white ewer. Edo period, ca. 164050. Imari ware, porcelain withunderglaze blue decoration. : 8 in. (22.5 cm). Eugene Fuller Memorial Collection,Seattle Art Museum. Photo: Paul Macapia. 70.11.
8/13/2019 451_ the Pilgrim Art
6/11
19. Japanese blue-and-white plate for the VOC, ca. 166080. Porcelain, Imari ware.: 15 in. (38.9 cm) Floyd A. Naramore Memorial Purchase Fund, Seattle ArtMuseum. The monogram for the Vereenigte Oost-Indische Compagnie is in the centerof this plate, encircled by two phoenixes, a owering camellia, and pomegranates. Thepanels, in which decoration of bamboo plants alternate with peonies, are modeled onthe style developed in Jingdezhen for Dutch Kraakporselein. Photo: Paul Macapia. 75.78.
8/13/2019 451_ the Pilgrim Art
7/11
20. German saucer. Meissen manufactory, ca. 1725. Porcelain with enamel colorsand gilding. : 5 in. (12.7 cm). Dorothy Condon Falknor Collection of EuropeanCeramics, Seattle Art Museum. Photo: Paul Macapia. 87.142.101.
8/13/2019 451_ the Pilgrim Art
8/11
21. A collection of blue-and-white pottery. Large vessel on left: Vietnamese pottery, 15th16thcentury. Large vessel on right: Chinese porcelain, 15th16th century. Vessel at top center: Chineseporcelain, 17th century. Vessel in center, between two large vessels: Syrian pottery, 15th century.Vessel to left of Syrian piece: Japanese porcelain, 17th century. Vessel to right of Syrian piece: Persianpottery, 17th century. Three shards, Chinese porcelain, 14th century.
8/13/2019 451_ the Pilgrim Art
9/11
8/13/2019 451_ the Pilgrim Art
10/11
23. Ottoman plate. Late 16th century. Pottery with underglaze blue, black, and greendecoration. : 12 in. (30.5 cm). Eugene Fuller Memorial Collection, Seattle ArtMuseum. The ornament mixes motifs used on vessels produced at the Iznik pottery and Jingdezhen. Photo: Paul Macapia. 57.17.
8/13/2019 451_ the Pilgrim Art
11/11
24. Chinese blue-and-white plate. Ming dynasty, ca. 162550. Jingdezhen ware, porcelainwith underglaze blue decoration. : 14 in. (36.2 cm). Gift of Mr. and Mrs. Ford Q.Elvidge, Seattle Art Museum. The plate is Kraakporselein, probably modeled on a wide-rimmed Dutch wooden platter, with decoration of tulip buds and radiating panels withstylized owers; the four panels represent down-to-earth rural labor and scholarly medi-tation, activities that stand for ideal pursuits among Chinese literati. Photo: Paul Macapia.75.51.
