CHAPTER 11
Voicing Formations
WRITTEN EXERCISES
1. On the staff below, notate the following upper-structure formations.
2. Analyze the following upper-structure chords with lead-sheet symbols and slash notation.
11–4 VOICING FORMATIONS
3. Using upper-structure triads on the dominant 7th chord, provide a six-voice harmonization for thefollowing two-note segments. Make sure that your harmonization follows the rules of good voiceleading.
VOICING FORMATIONS 11–5
4. Analyze the following four-note rootless formations in the context of complete four-, five-part, andlarger chord structures.
5. Analyze the following three-note rootless formations in the context of complete four-, five-part, andlarger chord structures.
KEYBOARD SKILLS
1. Play the progression as written. Transpose it up a minor second.
11–6 VOICING FORMATIONS
2. Play the progression as written. Transpose it up a minor second.
VOICING FORMATIONS 11–7
EAR TRAINING SECTION AUDIO TRACKS
Track 72 contains FIFTY major formations with major and minor upper-structure triads. Identify thequality of each triad and its scale-degree position in relation to the root of the major chord. (AnswerKey)
VOICING FORMATIONS 11–9
Track 73 contains FIFTY minor formations with major and minor upper-structure triads. Identify thequality of each triad and its scale-degree position in relation to the root of the minor chord. (AnswerKey)
VOICING FORMATIONS 11–11
Track 74 contains FIFTY dominant formations with major and minor upper-structure triads. Identifythe quality of each triad and its scale-degree position in relation to the root of the dominant 7th chord.(Answer Key)
VOICING FORMATIONS 11–13
IMPROVISATION
Practice the following pairs of triads in the manner shown below. Transpose to all keys.