12
Arturo Venegas Jr. 92359 Hawthorne Avenue 91526 Lawndale, California (816) 529-8534 Hello! Let’s Start
Arturo Venegas Jr.
92359 Hawthorne Avenue91526 Lawndale, California
(816) 529-8534
Hello!
Let’s Start
What WouldYouLike ToSee?
1. Resume & Identity System . . . . . . . .
2. GD Lecture Series . . . . . . . . . . . . .
3. ITC American Typewriter . . . . . . . . .
4. On The Grid . . . . . . . . . . . . . . . .
5. Granite City Animation . . . . . . . . . . .
6. Granite City Annual Report . . . . . . . .
7. Hive Website . . . . . . . . . . . . . . . .
8. MCC Wayfinders . . . . . . . . . . . . . .
9. Wood block stamp . . . . . . . . . . . . .
10. Conclusion/About Me . . . . . . . . . . .
Arturo Venegas Jr.Graphic Design
(816) [email protected]
Objective
“I am seeking a begining position as a starter graphic designer or an internship.”
Education
Associate in applied science (May 2020)Metropolitan Community College-Penn Valley, Kansas City MO
Design Programs
Adobe PhotoshopAdobe InDesignAdobe DreamweaverAdobe IllustratorAdobe AnimateMicrosoft Word
Experience
Graphic designExperience in creating designs through Research, Sketching, and execution.
Linwood YMCA Front Desk• Membership sales• creating accounts• tours• Space prep• Answering phones• collection calls
YMCA Children Center CampusReceptionist• Program Support• Answering Phone• Tours• Space prep for 100+ people• Basic use of google suite• Material delivery• project assistance• Copying, printing, & lamination• Temporary Substitute in classrooms
(ages 6 weeks - 5 years)
Arturo Venegas Jr. [email protected] 1/10
Adress:Mushroom Ave1562 Mars city
(816)[email protected]
Adress:Mushroom Ave1562 Mars city
(816)562-9564www.rturtle.com
[email protected] www.Twitter.com/rturtle
Mushroom Ave1562 Manderine City,New York 65489
Mailing Adress
________________________________
________________________________
September2017
April2019
Adress:Mushroom Ave1562 Mars city
(816)[email protected]
Adress:Mushroom Ave1562 Mars city
(816)562-9564www.rturtle.com
[email protected] www.Twitter.com/rturtle
Mushroom Ave1562 Manderine City,New York 65489
Mailing Adress
________________________________
________________________________
September2017
April2019
Resume & Identity System
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Arturo Venegas Jr. [email protected]
GD Lecture SeriesShepard Fairey
My goal for this piece was to make sure the design resembled shepard faireys style while informing you about theevent.
1. Poster2. Social Media Version3. Takeaway4. Sketch
1 2
34
2/10
Arturo Venegas Jr. [email protected]
ITCAmerican Typewriter
I wanted to represent the American Typewriter in a informative and organized manner while also including a style that goes well with the font.
-Booklet
The piece to the left is the booklet. The circles found on the first page are buttons like the ones found in typewriters while the lines that are found throughout are inspired by the font itself.
-Poster
The poster takes inspiration from the elements and pieces from the booklet while adding it’s own new elements that make it a bit more unique from the booklet while not being too different and still recognizable.
3/10
American Typewriter
“There are a few typefaces, however, that I have a great fondness for. One of those typefaces is ITC American Typewriter.” I
1! ?
T
9
C
7 4http://typedia.com/explore/typeface/itc-american-typewriter/
https://www.myfonts.com/fonts/adobe/itc-american-typewriter/
https://www.myfonts.com/fonts/adobe/itc-american-typewriter/
https://www.linotype.com/555/tony-stan.html
http://www.identifont.com/find?font=American+typewriter&q=Go
https://tesscottomabj.wordpress.com/2016/09/15/the-history-of-american-typewriter-typeface/
http://courtneybrooke-art.blogspot.com/2011/10/type-history-poster.html
https://www.behance.net/gallery/58454739/American-Typewriter-Poster-(2016)
http://luc.devroye.org/fonts-67477.html
About this font family The typewriter was patented in 1868 by Christopher Latham Sholes, who sold his rights to the Remington Arms Company in 1873. The first typewriters were initially thought to be replacements for printing and so typewriter keybars utilized printing types; monospaced typefaces, that is those designed so every letter takes up the same amount of space, were a more practical alternative and soon replaced printing types.
Monospaced designs are still in use as typewriter typefaces today. In 1974, Joel Kaden and Tony Stan adapted the friendliness and immediacy of typewriter letter styles into a proportionally spaced typeface, ITC American Typewriter.ITC American Typewriter can be used for business correspondence or in any work that requires an old-fashioned, personal look.
Designers: Joel Kaden & Tony Stan
Background ITC American Typewriter was designed by Joel Kaden and Tony Stan. It is an ode to the invention that shaped reading habits and the idea of legibility, the typewriter. A compromise between the rigidity of its ancestor and the expectations of the digital age, ITC American Typewriter retains the typical typewriter alphabet forms, lending the font a hint of nostalgia.
Tony Stan was born in 1917 and died in 1988. He worked as a typeface designer for Photolettering Inc. and ITC.
Joel Kaden is an American designer and works together with Herb Lubalin and ITC. He created the font ITC American Typewriter™ together with Tony Stan in 1974.
Joel Kaden Tony Stan
THE HISTORY OF AMERICAN TYPEWRITER TYPEFACEhttps://tesscottomabj.wordpress.com/2016/09/15/the-history-of-american-typewriter-typeface/
As technology continues to shift and shape, some people still can’t shake the basics. Typewriters have a vintage appeal with qualities that just can’t be duplicated—their bright colors, audible clicking and signature slab font have an old-timey charm attractive to a few users even today.
That’s why as typewriter popularity began to dwindle in the 1970s, two men were dedicated to preserving one element of the iconic writing tool. Joel
Kaden and Tony Stan created the American Typewriter font in 1974 for International Typeface Corporation. It was issued in honor of the 100th anniversary of the invention of the typewriter. The slab serif typeface was meant to mimic the text created by the Sholes and Glidden typewriter, which dates back nearly 100 years before the font was created. Sholes’s typewriter was the first one to use a QWERTY keyboard, which was designed so common letter combinations are spaced out so they don’t jam.
Art by: Milton Glaser 1977
Though it looks similar to that of a typewriter, the American Typewriter typeface is a bit easier to read. It has a proportional design, meaning its characters don’t all have the same width like that of an original typewriter. The font was originally released in cold type, which was used in phototypesetting until personal computers and desktop publishing software grew more popular. Phototypesetting was a way of setting type by using a photographic process to generate columns of type on a scroll of photographic paper.
As phototypesetting died, though, the American Typewriter typeface prevailed. MyFonts.com distributes the font to plenty of computers and devices now, like those part of Apple, Inc., which includes the font in its OS X and iOS operating systems. Both Adobe and Linotype publish the font as well. Though many other fonts have tried to mimic that same typewriter look, from Gabriele to Love Letter, American Typewriter was the first to implement a proportional design, which set it apart from competitors like Courier. Most typewriters used monospaced typefaces where every letter took up the same amount of space. American Typewriter’s proportional design, however, adjusts how much space each letter consumes based on its size.
Over the years, American Typewriter has only undergone slight changes. All of its letters look the same as the original release except for the characters &, $, R and e, which have since had some design
adjustments. The font comes with six different weight options: regular, light, bold, condensed regular, condensed light and condensed bold. All of those styles also come as italics, though some releases of the font do not include italics, including the release on the Apple operating systems.
Even without a computer, the font can be seen all over as a popular choice for posters and logos. For car enthusiasts, the font was used from 1983 to 1989 in the TV show MotorWeek’s closing credits. American Typewriter got its big break, though, when it was used in the I Love New York logo designed in 1977. From television to popular logos, the font is a fan favorite, even to the past executive vice president of ITC, Allan Haley, who once said: “I have spent most of my life and all of my career with type and typography. As a result, I’m often asked about my favorite typeface. Almost always, I dodge the question. Truth be known, I don’t have a favorite. There are a few typefaces, however, that I have a great fondness for. One of those typefaces is ITC American Typewriter.”
RegularABCDEFGHIJKLMNOPQRSTU-VWXYZ
CondensedABCDEFGHIJKLMNOPQRSTUVWXYZ
LightABCDEFGHIJKLMNOPQRSTU-VWXYZ
Condensed LightABCDEFGHIJKLMNOPQRSTUVWXYZ
BoldABCDEFGHIJKLMNOPQRSTU-VWXYZ
Condensed BoldABCDEFGHIJKLMNOPQRSTUVWXYZ
American Typewriter
“There are a few typefaces, however, that I have a great fondness for. One of those typefaces is ITC American Typewriter.” I
1! ?
T
9
C
7 4http://typedia.com/explore/typeface/itc-american-typewriter/
https://www.myfonts.com/fonts/adobe/itc-american-typewriter/
https://www.myfonts.com/fonts/adobe/itc-american-typewriter/
https://www.linotype.com/555/tony-stan.html
http://www.identifont.com/find?font=American+typewriter&q=Go
https://tesscottomabj.wordpress.com/2016/09/15/the-history-of-american-typewriter-typeface/
http://courtneybrooke-art.blogspot.com/2011/10/type-history-poster.html
https://www.behance.net/gallery/58454739/American-Typewriter-Poster-(2016)
http://luc.devroye.org/fonts-67477.html
About this font family The typewriter was patented in 1868 by Christopher Latham Sholes, who sold his rights to the Remington Arms Company in 1873. The first typewriters were initially thought to be replacements for printing and so typewriter keybars utilized printing types; monospaced typefaces, that is those designed so every letter takes up the same amount of space, were a more practical alternative and soon replaced printing types.
Monospaced designs are still in use as typewriter typefaces today. In 1974, Joel Kaden and Tony Stan adapted the friendliness and immediacy of typewriter letter styles into a proportionally spaced typeface, ITC American Typewriter.ITC American Typewriter can be used for business correspondence or in any work that requires an old-fashioned, personal look.
Designers: Joel Kaden & Tony Stan
Background ITC American Typewriter was designed by Joel Kaden and Tony Stan. It is an ode to the invention that shaped reading habits and the idea of legibility, the typewriter. A compromise between the rigidity of its ancestor and the expectations of the digital age, ITC American Typewriter retains the typical typewriter alphabet forms, lending the font a hint of nostalgia.
Tony Stan was born in 1917 and died in 1988. He worked as a typeface designer for Photolettering Inc. and ITC.
Joel Kaden is an American designer and works together with Herb Lubalin and ITC. He created the font ITC American Typewriter™ together with Tony Stan in 1974.
Joel Kaden Tony Stan
THE HISTORY OF AMERICAN TYPEWRITER TYPEFACEhttps://tesscottomabj.wordpress.com/2016/09/15/the-history-of-american-typewriter-typeface/
As technology continues to shift and shape, some people still can’t shake the basics. Typewriters have a vintage appeal with qualities that just can’t be duplicated—their bright colors, audible clicking and signature slab font have an old-timey charm attractive to a few users even today.
That’s why as typewriter popularity began to dwindle in the 1970s, two men were dedicated to preserving one element of the iconic writing tool. Joel
Kaden and Tony Stan created the American Typewriter font in 1974 for International Typeface Corporation. It was issued in honor of the 100th anniversary of the invention of the typewriter. The slab serif typeface was meant to mimic the text created by the Sholes and Glidden typewriter, which dates back nearly 100 years before the font was created. Sholes’s typewriter was the first one to use a QWERTY keyboard, which was designed so common letter combinations are spaced out so they don’t jam.
Art by: Milton Glaser 1977
Though it looks similar to that of a typewriter, the American Typewriter typeface is a bit easier to read. It has a proportional design, meaning its characters don’t all have the same width like that of an original typewriter. The font was originally released in cold type, which was used in phototypesetting until personal computers and desktop publishing software grew more popular. Phototypesetting was a way of setting type by using a photographic process to generate columns of type on a scroll of photographic paper.
As phototypesetting died, though, the American Typewriter typeface prevailed. MyFonts.com distributes the font to plenty of computers and devices now, like those part of Apple, Inc., which includes the font in its OS X and iOS operating systems. Both Adobe and Linotype publish the font as well. Though many other fonts have tried to mimic that same typewriter look, from Gabriele to Love Letter, American Typewriter was the first to implement a proportional design, which set it apart from competitors like Courier. Most typewriters used monospaced typefaces where every letter took up the same amount of space. American Typewriter’s proportional design, however, adjusts how much space each letter consumes based on its size.
Over the years, American Typewriter has only undergone slight changes. All of its letters look the same as the original release except for the characters &, $, R and e, which have since had some design
adjustments. The font comes with six different weight options: regular, light, bold, condensed regular, condensed light and condensed bold. All of those styles also come as italics, though some releases of the font do not include italics, including the release on the Apple operating systems.
Even without a computer, the font can be seen all over as a popular choice for posters and logos. For car enthusiasts, the font was used from 1983 to 1989 in the TV show MotorWeek’s closing credits. American Typewriter got its big break, though, when it was used in the I Love New York logo designed in 1977. From television to popular logos, the font is a fan favorite, even to the past executive vice president of ITC, Allan Haley, who once said: “I have spent most of my life and all of my career with type and typography. As a result, I’m often asked about my favorite typeface. Almost always, I dodge the question. Truth be known, I don’t have a favorite. There are a few typefaces, however, that I have a great fondness for. One of those typefaces is ITC American Typewriter.”
RegularABCDEFGHIJKLMNOPQRSTU-VWXYZ
CondensedABCDEFGHIJKLMNOPQRSTUVWXYZ
LightABCDEFGHIJKLMNOPQRSTU-VWXYZ
Condensed LightABCDEFGHIJKLMNOPQRSTUVWXYZ
BoldABCDEFGHIJKLMNOPQRSTU-VWXYZ
Condensed BoldABCDEFGHIJKLMNOPQRSTUVWXYZ
Out
side
Inside
Arturo Venegas Jr. [email protected] 4/10
A modular typeface is an alphabet constructed out of a limited number of shapes or modules. The intention of creating an entire alphabet from a few shapes is a design challenged problem solving at it’s purest. for those with minimalist tendencies, the temptation is to strip away the decoration and produce a simpler form.
An Exhibition of Modular Design
Card front
inside
Card back
Notes
goes inside box
pen
Outer Design bottom
outer design top
By: Arturo Venegas
By: Arturo Venegas
Carter Art Center GalleryJanuary 20-February 24, 2019
An Exhibition of Modular DesignA modular typeface is an alphabet constructed out of a limited number of shapes or modules. The intention of creating an entire alphabet from a few shapes is a design challenged problem solving at it’s purest. for those with minimalist tendencies, the temptation is to strip away the decoration and produce a simpler form.
By: Arturo Venegas
Carter Art Center GalleryJanuary 20-February 24, 2019
An Exhibition of Modular DesignA modular typeface is an alphabet constructed out of a limited number of shapes or modules. The intention of creating an entire alphabet from a few shapes is a design challenged problem solving at it’s purest. for those with minimalist tendencies, the temptation is to strip away the decoration and produce a simpler form.
On The Grid
The Assignment started with an understanding of creating letters using basic shapes.Through that understanding i also played with color combinations, I was originally going to use many colors
but the red, blue, and purple caught my attention more and my inspiration went further as the colors gave me an 80’s style feel.The takeaway is a card box that would contain note cards shaped like a triangle and would also inclue a pen section with a pen included.
The other 2 are the poster and the social media version with the poster being the start of the whole endeavor.
Arturo Venegas Jr. [email protected] 5/10
Assets
Granite City Animation
The length of this animation is 20 seconds and goes through 3 scenes before concluding. The first scene has the background transition from night to day as a car parks in the driveway. The Other 2 scenes include 2 people talking to eachother at their table as food and beer arrives and a table with a beer glass filling to reveal the granite city logo.
The sketch was simple, i knew what i wanted and knew how it would start and end. The assets we’re made by me including the building in the image above. I kept the style simple since the animation would be what brings life to the piece.
The assets seen on the right are beer glasses, a car, tire, sun, moon, person, and pizza. The car tires in the animation are even turning because i felt like still tires on a moving car just didn’t make sense.
Arturo Venegas Jr. [email protected] 6/10
ANNUAL REPORT 2008
20082007
3
Bussiness OverviewBussiness OverviewWe are a Modern American upscale casual restaurant chain. As of February 20, 2009, we operated 26 restaurants in 11 Midwestern states featuring on-premises breweries, substantially all of which operate
under the name of Granite City Food & Brewery. We believe our menu features high quality yet affordable family favorite menu items prepared from made-from-scratch recipes and served in generous portions.
We believe that the sophisticated yet unpretentious restaurants, proprietary food and beverage products, attractive price points and high service standards
Granite City Food & Brewery Concept and Business Strategy
Our objective is to develop and operate successful restaurants by consistently exceeding our guests’ expectations in product, service and overall dining experience, thereby becoming a leader in the casual dining industry. Although we have no further plans for expansion during 2009 other than the restaurant we opened in Indianapolis, Indiana in February 2009, our long-term expansion plans include growth in restaurant and overall company earnings in
an effort to provide returns for our shareholders. Our concept targets a broad guest base by incorporating two popular national dining preferences:
high quality, made-from-scratch, casual, value-priced food, and fresh, handcrafted, quality
beers. We believe this concept
differentiates us from many of our competitors, who feature pre-prepared, smaller portioned food items and mass-produced, pre-packaged beers.
The key elements of our concept and strategy are as follows:
• Offer a broad selection of quality foods at reasonable prices. • Offer Old World, classic beers made with an efficient brewing process. • Create a fun, energetic atmosphere and destination dining experience. • Create a passionate culture of service. • Achieve attractive restaurant and microbrewery economics. • Pursue deliberate and careful expansion.
Legal Proceedings.
From time to time, lawsuits are threat-ened or filed against us in the ordinary course of business. Such lawsuits typically involve claims from cus-tomers, former or current employees, and others related to issues common to the restaurant industry. A number of such claims may exist at any given time. Although there can be no assur-ance as to the ultimate disposition of these matters, it is our management’s opinion, based upon the information available at this time, that the expect-ed outcome of these matters, individu-ally and in the aggregate, will not have a material adverse effect on the results of operations, liquidity or financial condition of our company.
2
approximate high and low sales prices for our common stock for the periods indicated as reported by the NASDAQ Stock Market.
Risk FactorsThe following are certain risk factors that could affect our business, financial condition, results of operations and cash flows. These risk factors should be considered in connection with evaluating the forward-looking statements contained in this Annual Report on Form 10-K because these risk factors could cause our actual results to differ
materially from those expressed in any forward-looking statement. The risks we have highlighted below are not the only ones we face. If any of these events actually occur, our business, financial condition, operating results and cash flows could be negatively affected. We caution you to keep in mind these risk factors and to refrain from attributing
undue certainty to any forward-looking statements, which speak only as of the date of this report.
$3.08
$1.76 $1.80 $0.40 $0.25 $4.53 $5.08 $4.08 $2.58
$2.80 $2.10
$0.84
$6.48 $6.61 $5.75 $4.50
First
First
First
First
Second
Second
Second
Second
Third
Third
Third
Third
Fourth
Fourth
Fourth
Fourth
Low Quarters
High Quarters
LETTER TO SHAREHOLDERSLETTER TO SHAREHOLDERS
Oct 31st, 2008Dear Granite City SHareholders:
Granite City Food & Brewery Ltd is pleased to announce that we have reached an agreement for a debt conversation with DHW Leasing LLC, Our primary source of financing for the acquisiton of furniture, fixtures and equipment. the agreement will allow us to convert approximately $15.0 million of indebtedness to DHW into 28.0 million shares of Granite City common stock at a per share conversion price of approimately $0.54. The agreement also includes a share buyback provision that allows us to repurchase, on a one time basis ove the next 12 months, subject to certain conditions, any portion of the shares issued to DHW in this transaction to the extent that the value of the shares originally issued in this transaction exceeds $20.0 million. This transaction will also include separate agreements for rent deferrals and other consessions from landlords and third parties. Continuing to operate without restructuring our debt with DHW and our leases with landlords would not be financially viable. A series of lengthy and detailed negotiations with DHW and several other parties led to our decision to pursue this transaction. In view of our negative cash position, rely on the NASDAQ exemption, and seek to close the transaction on a rapid basis w/out the approval of our shareholders. This economy has caused a major shift in the restaurant industry as the vast majority of restaurants in the casual dining space are experiencing significant declines in revenue. Many restaurants have either gone out of business or filed for bankruptcy. We are pleased taht our landlords understand the strength of the Granite City Food & Brewery brnad and have chosen what we regard as a better solution to this situation. Upon completing the transaction, we will be on a much more firm financial footing and then can begin the task of further stabalizing our operations and planning for further growth on a prudent time table. In the meantime, we want youto be aware of our financial issues and the actions we are taking to solve them.
Asalways, we appreciate your continued support.GRANITE CITY FOOD & BREWERY LTD.
Robert Doran CEO of Granite City
1
Balance SheetASSETS
Current assets:Cash & cash equinalentsInventoryPrepaids and others
Total Current
Prepaid rent, net of current portionproperty and equipment, netIntangible and other assets
Total assets:
Liabilities and Shareholders’ Equity
Current liabilities:Accounts PayableAccrued expensesAccrued exit or disposal activities, current portionDeferred rent, current portionLong-term debt, current portionCapital lease obligations, current portion
Total current liabilities:
Accrued exit or disposal activities, net of current portionDeferred rent, net of current portionLong-term debt, net of current portionCapital lease obligations, net of current portion
Total liabilities:
Shareholders’ equity:Common stock, $0.01 par value, 90,000,000 shares authorized;
16,197,849 and 16,158,945 shares issued and outstanding at December 30, 2008 and December 25, 2007, respectivelyAdditional Paid-in capitalAccumulated deficit
Total shareholders’ equity:
Total liabilities and shareholders’ equity:
December 30, 2008$2,652,411
773,468473,343
3,899,222
456,64476,251,463
1,503,336
$82,110,662
$2,000,8125,962,487
19,999203,062320,697
3,201,829
11,708,886
882,494
2,817,593
1,668,134
62,616,992
79,634,099
161,97843,844,373
(41,529,785)
2,476,566
$82,110,665
December 25, 2007$7,076,835
827,370519,505
8,423,710
514,50372,410,886
1,061,691
$82,410,790
$3,628,4446,473,894
---195,707284,620
1,509,342
12,092,007
---
2,189,278
1,732,416
48,719,728
64,733,429
161,58943,264,493
(25,748,721)
17,677,361
$82,410,790
4
Table of Contents
LETTER TO SHARE HOLDERS............................1
BUSINESS OVERVIEW, STRATEGY & LEGAL PROCEEDINGS ....................................2
COMPANY STOCKHOLD, RISK FACTORS..........3
FINANCIAL STATEMENT BALANCE SHEET........4
BENEFICIAL OWNERS share/stock holders.......5
Beneficial OwnersShares/Stock
Controls and Procedures.Evaluation of Disclosure Controls and Procedures
We maintain a system of disclosure controls and procedures that is designed to ensure that information required to be disclosed in our Exchange Act reports is recorded, processed, summarized and reported
within the time periods specified in the SEC’s rules and forms, and that such information is accumulated and communicated to our management, including our Chief Executive Officer and Chief Financial Officer, as
appropriate, to allow timely decisions regarding required disclosures.Under the supervision and with the participation of our management, including our Chief Executive
Officer and Chief Financial Officer, we conducted an evaluation of our disclosure controls and procedures (as defined in Exchange Act Rules 13a-15(e) and 15d-15(e)). Based on this evaluation, our Chief Executive
Officer and our Chief Financial Officer concluded that, as of December 30, 2008, our disclosure controls and procedures were effective.
Steven J. Wagenheim
1,532,614
William Blair & Company, L.L.C
1,255,937
Arthur E. Pew III
1,204,262Brewing Ventures
LLC997,500
Gary M. Winston
973,201
Solstice Capital Managment, LLC
961,617
Eugene E. McGowan443,597James G.
Gilbertson215,000
Dermot F. Rowland158,381
Bruce H. Senske
158,381
Darius H. Gilanfar
25,485
All Current directors and
executive officers as a group (8)
2,735,666
9.2%
2.7%
7.8%
1.3%
7.4%
1.0%
6.0%15.8%
5.9%*
6.2%
*
5
Granite CityAnnual Report
Arturo Venegas Jr. [email protected] 10/10
Hello My Name is Arturo Venegas, I was born in California and lived there from birth to the end of 2009. I had to get used to living here in missouri since california seems alot more loud and busy but i grew to fall in love with the amount of plant life and changing seasons. after graduating High School I had no plans on what I was going to do for at least 2 years i felt lost, my big sister was the one who convinced me to go to community college and it was then i decided to go for Graphic Design. I spoke to someone at a career fair about how to get into animation since and they pointed me to Graphic Design. I noticed that I liked analize how movies and shows are made and even what there strengths are and who the target audience was which I learned to do from my time in graphic design. I chose a turtle for my logo because that used to be my nickname back in highschool because Arturo was apparently too hard for most people to say so they just called me Arturtle. The turtle takes things at a steady pace and keep a hard shell for it’s own sake, I enjoy how determined the turtle is despite it’s slow movement speed.
I’m an optamistic person who knows that there’s always room for improvement, I love and support my little sister.
Thank you for your time!
