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A Spate of Bald Pates ELA 10-2. SACRIFICE Think about your friends. What would you be willing to...

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A Spate of Bald Pates ELA 10-2
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A Spate of Bald PatesELA 10-2

SACRIFICE

• Think about your friends. What would you be willing to sacrifice for them?

• What would your friends be willing to sacrifice for YOU?

A Spate of Bald Pates

. . . explanation . . .• Andrew Gillespie is surrounded by nearly 30 of his

Roanoke Catholic School classmates May 3, 2005 in Roanoke, Virginia.

• Gillespie, 18, knew he would begin losing his hair shortly after starting chemotherapy for bone cancer, so at an after-prom party, he shaved his head.

• Then someone at the party produced scissors, clippers and a basket to catch the clippings, and 14 more boys cut back to stubble or beyond.

• Back at school May 3, more than two dozen classmates followed suit.

• Matthew Tyler, whose head is partially shown on the left, center edge of the picture organized the head shaving and fund raising for his friend Andrew.

definitions (dictionary.com)

• spate - a sudden flood, rush, or outpouring

• pate - the human head, especially the top of the head

• Explain the title given to the photograph.

camera shots• A long shot is roughly the same distance as that which

separates an audience from a theatre stage. It includes the full human figure and often provides a clear view of the environment or setting in which we find a character.

• A medium shot shows the human body from the ankles or knees up and is generally used to show interaction between characters, including dialogue. Medium shots are also used to show movement, for instance when two characters are having a conversation while walking down a corridor.

• A close-up focuses in on the human face and is generally shot from the mid-torso up. It is used to create intimacy or to show emotional responses from characters. A close-up can also be used to focus on an object as a way of highlighting the importance of that object in the story.

camera angles• bird's-eye view - the camera is placed virtually on top of

the subject looking down towards the subject and the ground.

• high angle - this shot positions the camera above eye-level, looking down on the subject, which consequently appears insignificant, weak, helpless, or small according to how extreme the angle is.

• eye-level - this shot is roughly the same level an observer might see the scene.

• low angle - this shot has the camera looking up at the subject, who then appears important, powerful, or domineering, again depending on how exaggerated the angle is.

• oblique angle - is shot by laterally tilting the camera frame.

lighting• front light (sunlight) - the scene is well lit and bright sunny days

bring out the colors of a scene.

• side light - sculpts a subject, revealing contours and textures. Side lighting may exaggerate dimension and depth. Side lighting can separate the subject from the background, convey depth, or convey texture.

• lighting a character from below creates a feeling of power and authority.

• silhouette - low key lighting. Outlines, not details, are seen.

• lighting a character from above - creates a "halo" effect, which tends to suggest beauty or innocence.

• backlight - light that comes from behind the subject may simplify a complicated scene by emphasizing the subject, as in a silhouette. It provides a flattering halo of light in portraits.  However, backlighting tends to obscure the features of the person.

colours

• red: urgency, passion, heat, love, blood

• purple: wealth, royalty, sophistication, intelligence

• blue: truth, dignity, power, coolness, melancholy, heaviness

• black: death, rebellion, strength, evil

• white: purity, cleanliness, lightness, emptiness

• yellow: warmth, cowardice, brightness

• green: nature, health, cheerfulness, environment, money, vegetation

• primary colors such as red, blue, and yellow may convey a sense of clarity or newness

• muted colors such as greys, pastels, and mauves may leave a feeling of sadness, loss, or depression

• cool colours (green, blue, violet) suggest peace, aloofness, tranquility

• warm colours (red, orange, yellow) suggest violence, aggressiveness, seduction

deconstruction

1. Define which type of camera shot was used and present evidence that supports your idea. What effect does the camera shot have on the subject of the photo?

2. Define which camera angle the photographer used, complete with evidence that supports your idea. What effect does the camera angle have on the subject of the photo?

3. Describe the type of lighting used in the photograph.  What effect does the lighting have on the subject of the photo?

4. Describe the colours used in the photograph. What effect does the colour choice have on the subject of the photo?

5. Discuss what you believe to be the theme, or message of the photo.

“the soundtrack”• Consider your answers to the questions posed in the

lesson, especially the one dealing with theme.

• Collect three poems and/or song lyrics that would provide the proper atmosphere for this photograph.

• For EACH poem or song, you will write a paragraph, of at least five sentences that will justify its inclusion.

• You should identify specific aspects of the poem or song that you found appropriate - emotions, events, mood, characters, etc.

You may use the poetry and songs found • in your anthology, Elements of English 10• in your personal collection• on the Internet


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