AMEBMusic Theory Grade 1
Clefs and Staff
A Treble Clef is also called G Clef because it comes from the old- fashioned letter G
A Bass Clef is also called F Clef because it comes from the old- fashioned letter F
F G A B C D E F G A B C D E F G A B C D E F G
G Line
F Line
Brace (Bracket)
Treble Staff and Bass Staff are combined with brace, a Grand Staff is created
Grand Staff
Miss Yvonne Piano Home Studio
Gene
rated
by C
amSc
anne
r
Gene
rate
d by
Cam
Scan
ner
Note and Rest Value
Length
(Beats)Brittish Term American TermNote Value
4 Semibreve Whole note
2 Minim Half-note
1 Crotchet Quarter-note
1/2 Quaver Eighth-note
1/4 Semi-Quaver Sixteenth-note
Length
(Beats)Brittish Term American TermRest Value
Whole Bar Semibreve rest Whole note rest
2 Minim rest Half-note rest
1 Crotchet rest Quarter-note rest
1/2 Quaver rest Eighth-note rest
Gener
ated b
y Cam
Scanne
r
Time Signature A Time Signature tells you how many beats in a bar.
24
Top number tells you how many beat in a bar.
A crotchet gets one beat.
Simple Duple Simple Triple Simple Quadruple
Simple time means an un-dotted note gets one beat
24
2 34
3 44
4
Rules for writing quavers
24
24
Beats:
or
Quavers can be written in a group of 2 or group of 4
24
False Confusing, where is the 2nd
crotchet beat
Writing Quavers in 2/4 TimeG
ener
ated
by
Cam
Scan
ner
44
Beats:
Quavers can be written in a group of 2 to show each crotchet beat.
Quavers can be also written in a group of 6 when there are 6 quavers in a bar.
When there are 8 quavers in a bar, quavers must be written in group of 4, and the 2nd and 3rd crotchetbeats must be separated.
44
Beats:
34
44
Beats:
34
34
Beats:
or
False
Rhythm can be writtenlike this.
False
Writing Quavers in 3/4 Time
Writing Quavers in 4/4 Time
Rules for writing rests a Semibreve rest is also called“whole - bar rest”It’s value depends
on the time signature
24
34
44
Rests in 34 Time
34
34
Use a separate rest for each beat Do Not use minim rest.
Beats: Beats:
44
44
Beats: Beats:
A minim rest must be used for 1st and 2nd beats, or 3rd and 4th beats
44
Beats:
A separate rest must be used for 2nd and 3rd beats.
False44
Beats:
Example:
False
Rests in 44 Time
or
Semitone and Tone
A semitone is also called a“half- tone”, It is the smallest distance (interval) between any pitches.
A tone is the distance (Interval) that is made of two semitones.
C
Db
A Semitone
C D
A tone
Scale and Key Signature
A scale is a selection of certain notes (usually within an octave)It is made of a combination of seven intervals: tone, tone, semitone, tone, tone, tone, semitone.
Tone Tone Tone Tone Tone
SemitoneSemitone
C Major
Tone ToneTone Tone Tone
Semitone Semitone
# #Key Signature:
Key Signature:
G Major
Tone Tone Tone Tone Tone
Semitone Semitone
b
Key Signature:
bF Major
The word Scale comes from the Latin word
“ Scala”, which means “ladder”.
C Major
Example:
Scale Degree Numbers
A scale degree is a number given to each note of the scale. It shows how a parcticular note of the scale relates to the tonic (Scale degree 1 )
1 2 3 4 5 6 7 1 1 1765 4
G Major
Example:
1 2 3 4 5 6 7 1 1 1527 4
#
#
Chord - Tonic Triads
When there are two or more sound played or sung simultaneously, it is called a chord.If a chord is made of three line notes or spaced notes, a note together withthe notes a 3rd and 5th above it, we call it a “triad”.
Writing a Tonic Triad
C Major
Example:
1 2 3 4 5 6 7 1 1 53
1. Pick up the notes of the 1st, 3rd, and 5th degree of the scale.2. Write these notes one above the others to make a three- note chord.
Tonic Triad
Writing Transposition
Steps:1. Identify the key of the original melody.2. Write down the scale degree numbers for the original melody.3. Write down the key signature of the transposed melody on the given staff4. Follow the scale degree numbers and transpose the melody in the given key.5. Keep the same articulations as the original melody.
G Major
Example:
2 3 4 5 6 7 1 53
#
1 1
F Major
Example:
2 3 4 5 6 7 1 531 1
b
Tonic Triad
Tonic Triad
44
1 1 5 5 6 6 5 4 4 3 3 2 2 1
44
#
1 1 5 5 6 6 5 4 4 3 3 2 2 1
Key Signature Slur and Staccato
C Major
G Major