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XXIII Valcamonica SYMPOSIUM 2009 Arte Preistorica e Tribale-28 ottobre – 2 novembre “Produrre storia dalla preistoria: il ruolo dell'arte rupestre”

Marks of " The People of the Sun" by f Heliopolitan Theology impressed on Ello's menhir?

Antonia Bertocchi

Abstract Ello's Menhir (Lecco-Italy) is engraved by very charming figures similar to others discovered in the Alpine Arch. The presenter reports of her first results of a research, utilizing an innovative method drawn by integrations between Sistemic and Comparative History of Religions, bringing out the theory of presence in Alpine Arch of the "Sun People", coming by Ancient Egypt, starting from Proto-Historic Period. This paper is a synthesis of a more wide work having the goal to validate the hypothesis of a frequentation of Northern Italy by migratory waves coming out to the Nile Delta, getting up Adriatic See and reaching Alpine zone by the tributaries of the Po River. The interest of Prehistoric Art Studies and the results, make necessary and urgent an Eco-Museums Project of Alpine Prehistoric Art , which are to-day leaved to inclemency of the weather and to the vandalism. In fact, this precious and complex Cultural Heritage needs also appropriate methods of de-codifications, and the author of this paper begins to explore. Traduzione Italiana: Impronte del "Popolo del sole" della teologia Eliopolitana incise sul Menhir di Ello? Il menhir di Ello (Lecco - Italia), rece incise figure molto affascinanti simili ad altre scoperte nell'Arco Alpino.. La relatrice presenta i primi risultati di una ricerca per la quale ha utilizzato un metodo innovativo che, attraverso l'integrazione fra la Sistemica e la Storia Comparata delle Religioni, porta alla teoria della presenza nell'Arco Alpino dei "Popolo del Sole" presente nell'Antico Egitto a patire dal periodo Proto-storico. Lo studio costituisce la sintesi di più ampia opera, avente lo scopo di dimostrare l'ipotesi della frequentazione nell' Italia del Nord di ondate migratorie provenienti dal Delta del Nilo che passando dall'Adriatico, raggiunsero le zone alpine risalendo gli affluenti del Po. L'interesse per gli studi sull'Arte Preistorica e i risultati ottenuti, rendono necessario ed urgente il Progetto di un "Ecomuseo dell' Arte preistorica Alpina " che è tutt'ora abbandonata alle inclemenze del tempo e ai vandalismi. In effetti, questa preziosa e complessa eredità culturale necessita anche di appropriati metodi decodificazione che l'autrice comincia ad esplorare e ad applicare

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XXIII Valcamonica SYMPOSIUM 2009 Arte Preistorica e Tribale-28 ottobre – 2 novembre “Produrre storia dalla preistoria: il ruolo dell'arte rupestre”

Marks of " The People of the Sun" by f Heliopolitan Theology impressed on

Ello's menhir?

Antonia Bertocchi Ello (Ell - dialect ) is an urban district of 1.110 inhabitants in Province of Lecco (Lombardia-Italy ) and a farmer and industrial centre of Brianza) placed on green western lopes of Mount Regina (817 mt.) to SE of Annone Lake. It is known in the field of Pre.historic Art, because in the place of Boggia has been discovered a mysterious rock, an historiated menhir on which are engraved a solar disk with three rays and an human figure with a crown and an axe, and a solar disk pointed into its centre (Copper age: IV°-III° b.C.) (http://www.scoprilecco.it/archeologia/ello/ello.html This discovery is happened within a part of an builtnup area which has given back Square Mouth Pottery( Neolithic Age: VI°- IV° mill. b.C.) and many others bronze weapons, the most ancient in Norhern Italy..

Table 1: Hello Menhir http://www.scoprilecco.it/archeologia/ello/ello.html Casini S. and Fossati A 81994 p.93), have supposed that "disks and circle should precede the anthropomorphous and axe : in fact disk with three raies and axe are present on monuments as Cornal, Caven 3 and Valgella. Table 2 Cornal, Caven 3 (Teglio Valtellina)Valgella

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http://www.castfvg.it/articoli/paleoastronomia/valtellina_002.jpg http://www.dariobenetti.it/fotop/Valgella.jpg. These ancient steles has been attribute to "an ancient period of the evolutionary process of monumentl compositions which is carried out in copper age and which forsees the progressive passage from an almost abstract symbolism to the anthropomrphous representation (De Marinis 1988 pp.143-144): ; Poggiani-Keller R. 1989 fig.23; 3-5) During this work I am not interested to the anthropomorphous, because it has been observed that "The type of stone of Ello's menhir isent' suitable for a careful piece of work , and then the quality of historization , particularly those regarding human figure results very rough (Casini- Fossati -quoted ) . Table 3 Rock of sun (Paspardo) and Borno Rock

Gaspani A. (2008) has put to comparaison the three tailed disck of Ello with the cycle-morph symbol (in the same way mysterious ) engraved on the rock surface near "Capitello two pines" at Paspardo (Valcamonica: on the left ) and with the rock of Borno (Valcamonica: on the right) hypothesizing that these representations should to keep the historical memory of the dawn fall of an asteroid (perhaps that of Koefels or the direct observation of its falling. www.ecoantropolgia.net, Padani mysteries http://antikitera.forumattivo.com/archeologia-in-italia-f1/ Table 4 Gaspani Reproductions od Ello menhir

In fact also previously Gaspani (2000) ascertaining the strong resemblance between Camunians 'symbols and Valtellina's ones, had thought that it should may be a theomorphous symbol representing something of extraordinary really observed in the sky "by peoples geographically distant between them and endowed with a different culture . They were gave evidence of the same event : perhaps the appearance of a very l bright comet passed between two stars which can be seen with the naked eye". In reason of the fact that anthropomorphous should represent a

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praying figure. The impression is that of a praying man turned to a sky in which stands out a three talled symbol between the two others : this suggests by itself the idea that the symbolized object could and be seen high in the sky and than it were an astronomical object" And it is just on this symbol I have focalized my attention , but preliminarily, it ought to make clear that we dont' to exclude that Raetic Alps peoples should be characterized by cultural homogeneity or common cultural roots, dating back to proto-historic age. On the contrary, Camunis (or Camunnis' ) don’t be limited to Camonica Valley (perhaps their latest haunt ) having been described by ancient authors as a "Raetic Culture" because regarding Raetic Alps enclosing Valtellina. ( http://it.wikipedia.org/wiki/Antichi_Camuni ) Classical sources have been considered reliable within academic framework by De Marinis R. (1988b) and Fedele F. (1988) which have connected Camuni to Raetic environment, on the basis of common heritage of manners and social accessories of a region conteined between Italian Alps and the hight region of Reno. http://it.wikipedia.org/wiki/File:Shepherd-c-026-027.jpg cartina Obiouvsly the first communities of neolitic farmers coming out from Delta of Nile River and from Palestina's and Danube Region , completed one-another with those of hunter- gatherers , which were starting from Superior Paleolithic , forming settlements scattered as leopard spots. (Castelletti L 2009. personal correspondence) Table 5 Raetic Region

Please tale also notice of Table 6 Language Homogeneity of Raetic Region http://www.nationmaster.com/encyclopedia/Socii

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Linguistic map of Italy in the 6th century BC. Gallic tribes (in dark blue) had already colonised the region of Piedmont. By 400 BC, they had overrun much of the rest of the Po plain in the North, and Gaulish dialects had displaced Lepontic, Raetic, Etruscan and N. Picene in that region. Raetic survived in the Alps and Etruscan in its heartland, Etruria south of the Appenines. Note the tiny area occupied by the original Latins. Clour scheme: green shades Italic languages; red Etrusco-Raetic; blue Celtic; mauve Illyrian; yellow Greek http://www.nationmaster.com/encyclopedia/Socii Also Gaspani has been appealed by this symbol "formed by a series of three concentric disks by which emerge three series of divergent rays directed toward the lower part " because it "is engraved also on others nine rocks and rock-steles, discovered in Camunian Valley and Valtellina. The analysis conducted by refined Information Technology of "pattern processing", has revealed that the ten symbols are highly correlated between them, even if they are engraved on finds discovered to several kilometres of distance between one another, and more that very probably they trace back their origin by that of Paspardo " http://www.antiqui.it/archeoastronomia/camuni.htm) -- It is a very charming symbol, about which it was advanced the hypothesis that the three solar disks may to represent the sunset on the horizon in front of the lying below landscape, during Solstices and Equinoces (.Codebò M., Barale P., Castelli M., De Santis H., Fratti L., Gervasoni E. (1999) (http://images.google.com/imgres?imgurl=http://www.archaeoastronomy.it/cap2pidis1.JPG&imgrefurl=http://www.archaeoastronomy.it/indagine_archeoastronomica.htm&usg) In this case the metaphorical process had work both on the evident dimensions and on the life force of the sun, considered sacred, immanent and magic , because it culminates both during Summer Solstice and midday. In fact we cannot exclude that the three solar disks being concentric, may to mould and emulate circadian cycle during its three daily phases: as to say :little at the daybreak, greater at the midday and maximum to the sunset. These interpretations are reinforced by the very satisfactory explication of the strange "U" furrows engraved on the theomorphous petroglyph of Caven 3 Stele , Cornal, Borno 1 , Osimo C side, and others sites. In fact, on these petroglyphs, is faithfully engraved a way to furrow the fields still practised at Folk level and photographed by the authors into the fields (of bottom of he valley lying below ) furrowed by several curved and parallel marks , having the form of an "U"(alphabetical letter ). Brunod G. ( 1997 p.58) has found correspondences in the way of furrow fields in Spain- (Brunod G. -1997 p.58 http://www.archaeoastronomy.it/lettera_all'astronomia.htm) On the basis of evidences I am showing by this paper, I think that the symbolic conteiner of the three tailed disk is one among many proof, I am gathering (Bertocchi A. 2008 a); Bertocchi A. 2009 a ) about the presence of cultural marks brought by peoples coming out from Nile Delta in Proto-historic age, previous or contemporary to the age of immigrations of farmers and breeders coming out by Middle eastern countries and Balcan ones' . These problems may be placed correctly by an ethno-anthropological and historical-religious approach, able to frame them into ideology of solar cults, (being inscribed into the arched form of furrows) which has been utilized for expressing myte-rite systems of agrarian type, having the goal to sustain practical needs by magic-religious aims and elaborated with the intent to obtain optimum conditions in capturing sun rays by ears of corn and to obtain their better maturity and the best crop, made possible by ploughing technics: that at "U", probably suitable to the wheat cultivation in the steep alpine highlands .

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It is well true that these type of forrows dont' appear into this three tailed sun, but it, being engraved by three sun , very probably belongs to an agrarian myte-rite system , of which the others steles offer to us the frame. At the light of Comparative History of Religion , we can deduce that into it, it is operating a process of codification belonging to a methaphorical type and process, regarding the cycle: life-death -resurrection and the world of the dead into its' relationships with fields fertility. Since the most ancient and important finds of solar cults connected to agriculture into Mediterranean area, were coming from Ancient Egypt, it is necessary to start from egyptian solar symbols and cults. We start from the solar disk pointed into its centre which in Egypt language is expressed by the hierogliph determinative pointed into the centre formed by syllable of two letters , to be pronounced "Ra" and is the name of the god of Sun. Well then it is possible to recognize some isomorphism between egyptian hierogliphs of the sun and the Proto-camuno period one. Table 7: Isomorphisms between egyptian hierogliph of sun and that Protocamunian

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Isomorfismi tra il geroglifico egizio del sole e quello proto- camuno

Grande alce colpito, Crape roccia 6Grande alce colpito, Crape roccia 6 The great elk belongs to Proocamuno period http://www.arterupestre.it/arterupestre/museo/proto3.html (Datazione del Potocamuno : 8.500-5.500 a.C). This means that peoples coming out from Nile delta up to Alpine area, brought myte-poietic and ritual systems having a solar-agrarian character ,elaborate since Predynastic period, starting from saharian beginnings. Table 8:Virtual Museum of Camunian Rock Art

Stile Fase Periodi archeologici corrispondenti

Datazione Antropo- morfi Cervidi Armi Simboli Idoliformi Aratri Carri Strutture

Proto-

Camuno

Sub- naturalistica

Hialus?

Epi- paleolitico

Prima del 6000 a.C. 5500 a.C.

I . Neolitico 5500- 4000 a.C.

II A B C Di transiz.

Neolitico 4000- 3200 a.C.

www_camunity_it-paesi-img-cultura_folklore-museo_preistoria-2_2_jpg.mht

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Table 9: Ramses II° Title

http://www.cartigli.it/Storica/Titolatura.htm-V Riga: SA RA: Ra MS SW MR AMON (Sun of Ra (Ra has given birth to him- loved by Amon)

Table 10 : Concordances egyptian camunian Concordanze geroglifiche egizio-camune

nel sole che sorge all’orizzonte

Frase in geroglifico con determinativo indicante il sole che sorge all’orizzonte, dalla struttura identica a quella delle

steli camune.

AtonAton--RaRa

Ra nella DuatRa nella Duat

In these Hierogliphs conconrdances egiptian/camunian regarding the image of the sun rising at the horizon and the sentence in hieroglyph with determinative pointing out the sun, rising at the horizon, whose structure is exactly alike that of Camunian steles. In this compative frame it is particulary meaningful its contextual placing into the representation of the "Aker" : the double lion, symbolizing the doors of earth ,every morning the sun is walking through , and into the representation of "Ra into Duat" which brings again us to agrarian cults of death and resurrection.

About Aker symbology see also. http://www.duat.it/egittologia_000023.htmhttp://www.popolizio.com/kmt/aker.html-- http://www.touregypt.net/HistoricalEssays/hyrotutor/Learninghieroglyphs3.htm Regarding symbology ::www.ecoanropologia.net (home page)

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Moreover, for exemple of the sentence with determinative

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Table 12 Hieroglyphs as first example of a phonetic writing , by King Scorpion tomb. (Abydos IVth.° millennium b;C

415 x 239 - 26k - jpg - www.trussel.com/prehist/tablet.jpg Dreyer G. (1992 ): Inardi M, (2006). www.ankhonline.com www.indiana.edu Further Anati E. (1966 p. 88) in his monography on"Borno rock" came to the conclusion that it, "like many other similar monuments was the expression of a prehistoric religion of an enormous expansion starting from Neolithic age and persistent up to Bronze Age gradually penetrating into the most hidden corners of European continent". He reproduces Lagundo stele 3 and 4 ( from Alto Adige) , very interesting because show a kind of a dagger known in ancient Egypt and used into Pyramid Texts in the 3rd millennium b.C. The name of this Hieroglyph was " t p y" meaning "dominator" "owner", the fist"( Gardiner A. 1954 p.511 n. T,8) Table 13: Lagundo Stele by Anati E. (1966 fig.43 p.81))

Table 14: tpy hieroglyph d ( http://glyphics.info/glyph/78 tpy first adjective tpy beginning noun tpy chief adjective tpy to breathe verb tp first adjective

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.Instead its priests were very important during the Ancient Kingdom. The tutor God of Heliopolis was Ra who had a great prestige above all during the First Dynasty when pharaohs used to enclose into their names the term "Ra" . http://digilander.libero.it/ombradeglidei/mappa.htm The God Ra assimilated to Atum, being embodied into the Phoenix and into Mnevis bull. In Heliopolis. just in honour of Ra , kings of the V Dynasty build their temples . The clergy of Heliopolis was, during the wole history of the Egypt, one of he most important and influential. (www. sapere_it eliopoli.mht) Its religious importance ascients to Predynastic period results by the pre-eminence of the local God Atum, primordial divinity of Heliopolitan . Ennead . Atum is followed by four divinity : Shu 8air) and Tefnut (water) Geb (earth) and Nut (sky), by which descend the four generations of Gods: Osiris. Iisis, Seth and Nefty (www.sapere_it eliopoli.mht).

Table 16 : Heliopolis hierogliph Eliopoli in scrittura geroglifica

ỉwnw - Iunu - la città dei pilastri

http://it.wikipedia.org/wiki/Eliopolihttp://www.archaeogate.org/spid/disp_pic.php?cat=delta_nilo&pic=1 Eliopolis belongs to the 13° nomo and is translated in egyptian as " Iunu" Iunu, the egyptian name of Heliopolis brings a linguistic bases enclosed in many toponimous of Tanspadanian regions of a probable egyptian or accadic-sumerian origin , I am interested to, in order to substain the hypotesis of an egyptian presence in Padanian Valley (Bertocchi A. 2008; 2009).For example. Saronno (into Varese province ) seems to descend by Sa-Ra-On (Hun-on) and to mean : "son of Ra", as to say "the city of Sun" ( with Saronni = italian surname, Sharon = female inglish name and jewish name: " Sharon (Hebrew: ָׁשרֹון , Tiberian Hebrew: Šārôn, Spanish: Sharòn, Portuguese: Sharão) can be a female or male name which can be spelled with one "r" or two (Sharron] It also refers to several places in the world.":- http://en.wikipedia.org/wiki/Sharon) These etymologies will stop to seem rash to the light of those at last accepted by academics as .it. Onofrio from Unnefer (english :Humphrey)= the good the perfect person; Susanna from Sashen = she of the Loto and Isidoro (from Isis has done- doro being greek word meaning gift) (( Jacq. C. 1995 pp137-138; Capart J. 2008 p.56. In the same way it is possible to draw Matilde from Maat, Ramon from Ra.Amon and Orazio, orazione from Ra-Harakhty( horakty):Please see on this topic the forum of http://www.cairomontenotte.com/abramo/antares/2003/24.html ) Regarding "Ello" (Dialect Ell), it may derive from Ellu, which Semerano G. (1984 p, 632) derives from accadic "high", meaning " superior" and god (quoted p.693); word indicating also acropolis (elu-elium (ivi p. 516)(as Ilio-Troia): In fact Ello is to an altitude of 817 m on sea level .Very significant is the fact that Atum, born from the primordial ocean (the Nun, similar to the Po Valley always invaded by water ) in order to give beginning to the creation, went up an hill :http://it.wikipedia.org/wiki/Cosmogonia- Analogous is the greek voice "Helios" the God of Sun called by the Romans "Elio" derived by that of the semitic God "El" (Hebrew: אל ; Greek: Ελ) or Eli is the Northwest Semitic word and name either translated into English as "god" or "God" or left untranslated as El, depending on the

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context) , which has correspondence in Ugaritic, Phoenician, Hebrew, Accadic and Aramaic language. http://en.wikipedia.org/wiki/El_(god)#Linguistic_forms_and_meanings Camunian rose , an agyptian symbol? The presence, in Lecco's province and in Val Camonica of egyptian communities could be further confermed by the comparative study of the egyptian determinative for "city" expressed by the ideogram , it is also into the coat of arms of Heliopolis, meaning "city", to be read Niwt ( Niut ) (http://www.cartigli.it/Linguistica/geroglifici.htm ) It has a very surprising resemblance with the camunian rose, which has been found for 92 times among the 300.000 rock art engravings.( http://it.wikipedia.org/wiki/Rosa_camuna) . According to Brunod G.- Ferreri W.- Ragazzi G.( 1999) the most ancient exemple of "rose" belongs to the Vucedol culture : the artist has enclosed four "little cups" within a curve line (which seems a "camunian rose", whereas those outsides are represented by images having form of stars . It is very similar to that of "Nadro Foppe", and let us to think that camunian roses could be an indicators of living centers so as the egyptian determinative for "city". http://www.wwmm.org/storie/storia.asp?id_storia Table 17 : Comparaison among Vucedol rose (at the left) and camunian

www.comune.pisa.it/.../rosacam_p.jpg http://www.wwmm.org/storie/storia.asp?id_storia Vucedol culture developed between 3000 e il 2.400 b..C. was very able to work the copper has been documented near Vukovar, to the present at the eastern confine of Croatia and Serbia into a middle way between Hungary and Bosnia, where Danube River and Vuka are meeting. http://www.adquintum.info/Rosa/rosa3.html I could not to be astonished if further careful investigations will bring out decoding quoted roots (and others paleolanguage roots as Annone Lake "Cur-one" Pak and so on, bringing to the dentification of Camuni (hnmmt ?)" and Raetic peoples ( rhyt?)with ethno-cultural groups coming out from Egypt Is it the question of the mysterious "People of the sun of Heliopolitan Theology?" Here some evidences. into others maps engraved on rocks, with topographic composition into Archeological Park of Bedolina-Seradina -Capo of Ponte (Brescia) (Morretta A. 2006 pp 30-40

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Table 18: Rock Bedolina : topographic map flanked by a camunian rose

http://www.archeocamuni.it/images/img132.jpg (Morretta A. 2006 p.31) Table 19 : Rock Bedolina : topographic map with pointed sun

http://www.archeocamuni.it/images/img139.jpg Morretta A. ( 2006 p. 34) Table 20: Camunian rose with pointed sun

720 x 470 - 146k - jpg - www.themodernantiquarian.com/.../10674.jpg compared with

Heliopolis written by hieroglyphs http://images.google.it/imgres?imgurl=http://www.themodernantiquarian.com/img_fullsize/10674.jpg&imgrefurl=http://www.themodernantiquarian.com/site/95&usg=__r6Xj7SUQl_d_MIY2caFKTi

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s9myU=&h=470&w=720&sz=146&hl=it&start=13&um=1&tbnid=4HE7YRtBPAP9UM:&tbnh=91&tbnw=140&prev=/images%3Fq%3Dcamunian%2Brose%26um%3D1%26hl%3Dit%26rlz%3D1W1GPEA_it%26sa%3DG Please to observe how Tehenu palette is similar Table 21 :Tehenu palette Cairo Mus. C.G. 14238 684 x 1174 - 197k - jpg - xoomer.virgilio.it/.../palettes/tehenu.jpg

ttp://www.antikforever.com/Egypte/Dyn/00.htm side of the Libyan Palette containing seven 'cities' identified by their hieroglyphs, shown within each city wall. Above each city is depicted an animal (http://en.wikipedia.org/wiki/Libyan_Palette ) Unfortunately the very important heritage of Rock Art, is leaved to inclemency of the weather and to many forms of vandalism in vain denounced by several organizations and experts (http://www.google.it/search?hl=it&q=vandalismi+arte+preistorica&btnG=Cerca+con+Google&meta=&rlz=1W1GPEA_it&aq=f&oq= Cerca con Google.mht ) not only in Val Camonica http://www.rupestre.net/tracce_php/modules.php?name=News&file=article&sid=39 but also all over the world http://www.google.it/search?hl=it&q=vandalism+prehistoric+art&btnG=Cerca+con+Google&meta=&rlz=1W1GPEA_it&aq=f&oq= and from Unesco : www.unesco.beniculturali.it/getFile.php?id=61 http://www.google.it/search?hl=it&rlz=1W1GPEA_it&q=umberto+sansoni++ccsp+memoria+ferita&btnG=Cerca&meta= by Seglie D (2004); Seglie D.(2008): (http://oscarb1.blogspot.com/2008/12/arte-rupestre.html- and Seglie D.(2009) and by Dipartimento C.C.S.P. (Sansoni U..2008) http://www.simbolisullaroccia.it/archivio/memoriaferita.htm How to save our precious but wounded and enjured memory http://www.geofilosofia.it/news/Manifesto_Valcamonica.pd f

Fortunately by this point of view Ello's Menhir is a good example of conservation and tutelage , because it is preserved into the Archaeological Museum of Lecco

Table 22 : Ello Menhir preservd into Archaeological Museum of Lecco

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http://www.museilecco.org/museostorianaturale.htm but this form of conservation is practicable only for little objects By consequences it is very necessary and urgent to elaborate an Eco-Museum Project by which to succeed not only in protecting this Rock Art valuable heritage, but also into studying it by appropriated method of decoding coming out from a new hitherto unknown alliance between Anthropology and Ecomuseology, I named “Eco-Museums Antropology”. It must to be considered as an emergent transdisciplinary field of Theoretical and practical investigations which can regenerate both of them http://www.interactions-online.com; in www.ecoantropologia.net. It is founded on the new Paradigm: the “Anthropology of Environmental Culture”,centred on the innovator concept of “Eco-source (Bertocchi A. 2003; 2007; 2009 c) With the purpose to gather necessaries collaborations, I propose -to found " a new Society: the “ECO MUSEUM ANTHROPOLOGICAL SOCIETY” aiming the goal to gate not only to find Ecomuseums having a naturalistic tipology , but also to transform "every DEA Museum in a network of Integrated Eco-museum of environment, inside which an innovator LAB of “Anthropology of Environment Culture” could take up in Eco-sources study, some team-works compounded by physical and cultural anthropologists. Then the Cultural History (Ethnohistory), will be recognized as an integral part of Natural History, and man will be able, while is correcting pathologies of Epistemology, to correct the serious errors of behaviour, which have bring him to the present crisis and, succeeding to pass through it, to be good at re-open to next generations, the horizon of the future."(Bertocchi A. 2003) - The ecomuseums approach is also characterized by a strong involving of local population students and teachers of school o every degree and University and cultural institutions operating on the territory - This paper proposes to the reflections of the Conference rapporteurs, some result of the application of the principle of my new systemic method which can demonstrate to be able to investigate into profound meanings of immaterial culture which has over all an ecomuseums importance ( Bertocchi A. 2009 b)

I hope to be succed into demonstrating the validity of my systemic approach, putting in evidence recursive relationships between egyptian determinatives of three-tailed sun and camunian and retich symbol engraved on Ello Menhir and in more others places of Alpine Arc .

I have also shown a model of the method intedisciplinary and scientific of my research, the hypothesis it brings out, being of a scientific type , because it demands, both to be confirmed and to be contradicted the utilization of scientific tools

In any case, it is necessary to assemble into an équipe , several expert coming by many fields of knowledge (for example: in our case. by Archaeology, Egyptology, Prehistoric Art, Paleo-

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Language Sciences , Comparative History of Religion, and Oral Traditions Ethnohistory , Genethics of Population, Archaeoastronomy, Evolutionary Biology, History of Agriculture and breeding In this way we could take action in corrected investigations of a precious Heritage, and validate the hypothesis of a frequentation of Northern Italy by migratory waves coming out to the Nile Delta, getting up Adriatic See and reaching Alpine zone by the tributaries of the Po River. The interest of Prehistoric Art Studies and the results, make necessary and urgent an Eco-Museums Project of Alpine Prehistoric Art.

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Bernal Martin1994). Atena Nera .Le radici afro-asiatiche della civiltà classica. Edizioni Pratiche, Parma . Vol.I° Tomo I° tav 1 p.XVI

Bertocchi A. (2003): “The eco-source concept for an epistemologica renewal of Eco-Museum Anthropology” XV° Global Congress - ICAES 2K3; Humankind/nature interaction: past, present and future – Florence (Italy) July 5th-12th 200; trad. it. SEAS (Studi Etnoantropologici e Sociologici-Atena, Napoli . n.. 34 anno 2006. ; 2008 www.ecoantropologia.net alla Categoria Antropologia della Cultura Ecomuseale

Bertocchi A..( 2007) : Il concetto di “Ecofonte” come contributo alla rifunzionalizazione della tradizione popolare nel contesto attuale e alla innovazione delle politiche comunicative ecomuseali IX Congresso AISEA sul tema : ” Antropologia e territorio” , 1-3 Luglio 2004- Università La Sapienza, Roma “Etnoantropologia” n° 1 - 2007 - Rivista on Line AISEA; www.aisea.it: Hugues De Varine.web-site www.interactions-online.com) www.ecoantropologia.net

Bertocchi A. (2008 a ): Scoperte tre Piramidi antiche fa le Prealpi

http://digilander.libero.it/primuleverdi/cultura/malanotte (from .La Padania . Milano18-09-

01)

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