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Art Appreciation Ch. 14 (2007) Journal PowerPoint

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Art Appreciation Ch. 13 (2012) Journal PowerPoint Sculpture
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Page 1: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Art Appreciation Ch. 13

(2012) Journal PowerPoint

Sculpture

Page 2: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Name and briefly describe the 7 (or 8)

sculptural processes included in this

chapter.

Page 3: Art Appreciation Ch. 14 (2007) Journal PowerPoint

• Carving

• Modeling

• Casting

• Assemblage

• Installation and Site-Specific Art

• Earthworks

• Performance Art as Living Sculpture

Page 4: Art Appreciation Ch. 14 (2007) Journal PowerPoint

What process (from question #1)

do you think would work best if you

wanted to make sculpture of a

person with extremely long, thin

arms projecting away from the

body?

Page 5: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Casting

Page 6: Art Appreciation Ch. 14 (2007) Journal PowerPoint

What is the term to

describe a weight shift

or S-curve in a figural

sculpture?

Page 7: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Contrapposto

PRAXITELES FOLLOWER

Hermes and the Infant Dionysos

ca 300-250 B.C.

attributed by Pausanias

Page 8: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Differentiate relief sculpture

from sculpture in-the-round.

Page 9: Art Appreciation Ch. 14 (2007) Journal PowerPoint

How is installation art

different from other

sculptural works?

Page 10: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Installation: An environment

that is indoors (or outdoors, a

space transformed artistically)

Installation art: Sculptural and

other materials introduced into

a space in order to transform

our experience of it (the

space).

Page 11: Art Appreciation Ch. 14 (2007) Journal PowerPoint

James Turrell

"The Light Inside"

1999

Electric lights, wires,

metal and paint, site-

specific permanent

installation at The

Museum of Fine Arts,

Houston, Texas

Page 12: Art Appreciation Ch. 14 (2007) Journal PowerPoint

http://www.youtube.com/watch?v=gjRMs0izHSE

The Light Inside

The Museum of Fine Arts, Houston

Page 13: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Judy Pfaff, 3D, 1983

Holly Solomon Gallery, New York, NY

Page 14: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Nancy Rubins,

Pleasure Point,

2006, MOCA, San

Diego

Page 15: Art Appreciation Ch. 14 (2007) Journal PowerPoint

Additional… Would you visit Lightning Field?

Page 16: Art Appreciation Ch. 14 (2007) Journal PowerPoint

The Lightning Field, 1977, by the American sculptor Walter De

Maria, is a work of Land Art situated in a remote area of the high

desert of western New Mexico. It is comprised of 400 polished

stainless steel poles installed in a grid array measuring one mile

by one kilometer. The poles—two inches in diameter and

averaging 20 feet and 7½ inches in height—are spaced 220 feet

apart and have solid pointed tips that define a horizontal plane.

A sculpture to be walked in as well as viewed, The Lightning

Field is intended to be experienced over an extended period of

time. A full experience of The Lightning Field does not depend

upon the occurrence of lightning, and visitors are encouraged to

spend as much time as possible in the field, especially during

sunset and sunrise. In order to provide this opportunity, Dia

offers overnight visits during the months of May through

October.

Page 17: Art Appreciation Ch. 14 (2007) Journal PowerPoint

In terms of performance art, what could possibly supersede Licking Jam off a Car Hood? Fig. 13-42

Page 18: Art Appreciation Ch. 14 (2007) Journal PowerPoint

EARTHWORK: The Great Serpent Mound is a 1,330-foot-long, three-foot-high prehistoric effigy mound located on a plateau of

the Serpent Mound crater along Ohio Brush Creek in Adams County, Ohio. Ceremoniail purpose? No burials here. Including all three

parts, the Serpent Mound extends about 1,370 feet (420 m), and varies in height from less than a foot to more than three feet (30–

100 cm). Conforming to the curve of the land on which it rests, with its head approaching a cliff above a stream, the serpent winds

back and forth for more than eight hundred feet and seven coils, and ends in a triple-coiled tail. The serpent head has an open mouth

extending around the east end of a 120-foot-long hollow oval feature. Scholars posit that the oval feature symbolizes an egg, the sun,

the body of a frog, or merely the remnant of a platform. It has also been interpretated as being an eclipse. The effigy's extreme

western feature is a triangular mound approximately 31.6 feet (9.6 m) at its base and long axis.

Page 19: Art Appreciation Ch. 14 (2007) Journal PowerPoint

http://en.wikipedia.org/wiki/Performance_art

Page 20: Art Appreciation Ch. 14 (2007) Journal PowerPoint

The End


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