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content.alfred.com · B 4fr C#m 4fr G#m 4fr E 6fr D#sus4 6fr D# q = 121 Synth. Bass arr. for Guitar...

Date post:23-Mar-2020
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  • B4fr

    C#m4fr

    G#m4fr

    E6fr

    D#sus46fr

    D#

    q = 121

    Synth. Bass arr. for Guitar[B]

    2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

    5

    Synth. Bass arr. for Gtr. Fig. 2 (below)

    Piano arr. for Gtr.B

    C#m

    G#m

    E

    Fig. 1

    11

    1211

    11 12 12

    14

    13

    13

    12 1114

    1112

    13

    11 12 12

    12

    13

    13

    12 1114

    9

    1.Far

    B

    a way,

    -

    C#m

    this ship

    has tak

    en- me

    far

    G#m

    a way,

    -

    E

    far

    a way

    - from the

    Synth. Bass arr. for Gtr.

    Fig. 2

    2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4

    20

    STARLIGHTWords and Music by Matthew Bellamy

    © 2005 Loosechord Limited Warner/Chappell Music Ltd, London W6 8BS

  • Notation of other guitar techniquesPicking hand techniques:

    P.S.

    6 6 6 6

    0 4 5 7 0 XX

    10

    3 6 11

    3 6 115 8 13

    5 8 10

    3 6 11

    3 6 11

    5 8 13

    5 8

    6 6 6 6

    P.M. P.M.

    P.M.

    rake

    rake

    0

    0

    0

    0

    0

    0 35 35 35

    3366

    35

    XXXXX

    35

    353366

    35

    35

    8XXXX3

    022200

    022100

    1. 3.2. 4.

    5. 6. 7. 8.

    1. Down and up strokesThese symbols show that the first and third notes are to be playedwith a down stroke of the pick and the others up strokes.

    2. Palm muteMute the notes with the palm of the picking hand by lightly touching the strings near the bridge.

    3. Pick rakeDrag the pick across the indicated strings with a single sweep. Theextra pressure will often mute the notes slightly and accentuate thefinal note.

    4. Arpeggiated chordsStrum across the indicated strings in the direction of the arrow headof the wavy line.

    5. Tremolo pickingShown by the slashes on the stem of the note. Very fast alternatepicking. Rapidly and continuously move the pick up and down oneach note.

    6. Pick scrapeDrag the edge of the pick up or down the lower strings to create ascraping sound.

    7. Right hand tapping‘Tap’ onto the note indicated by a ‘+’ with a finger of the pickinghand. It is nearly always followed by a pull-off to sound the notefretted below.

    8. Tap slideAs with tapping, but the tapped note is slid randomly up the fretboard, then pulled off to the following note.

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