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Black White - Absolut Art Gallery · 2018. 7. 9. · “Of brutalist architecture and the...

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27 July - 29 August [email protected] www.absolutart.co.za 021 882 9296 Black White & Featuring artists such as: JH Pierneef, Rentia Retief, Marlene Dumas, Ben Eagle, William Kentridge, Schalk van der Merwe and more.
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  • 27 July - 29 [email protected] 882 9296

    Black

    White&

    Featuring artists such as:JH Pierneef, Rentia Retief,

    Marlene Dumas, Ben Eagle,William Kentridge, Schalkvan der Merwe and more.

  • Black and white. Few phrases in the English lan-guage are more loaded than these three words. Putting something in black and white means we know exactly where we stand, it creates distinction. The metaphorical value of these words go as far back as the beginning. When there was light and dark.

    For the artist, black and white means clarity. Fa-voured by the minimalist. A cleaner canvas means the viewer has more space to appreciate the beau-ty.The profile and texture underscores the beauty of the brush. Picasso was a proponent of the idea that colour weakens.

    An observation of his works shows his obsession with line and form.

    While colour is by no means the dark horse in the art family, it is obvious that the absence of colour plays an important in role in one’s perception and attitude towards the picture. The absence of co-lour opens the door to our own imagination.

    Elliott Erwitt is credited with the following wise words: “Color is descriptive. Black and white is in-terpretive.”

    Intro

  • ArtistsArtists

  • J.H PIERNEEF“Twee jonge gezellen”, KP, Dated 1931, Linocut, 300 x 360mm

    1

  • TINUS DE JONGH“Center of Amsterdam”, Charcoal, 400 x 520mm

    2

  • RENTIA RETIEF“Of brutalist architecture and the possibility to live in concrete”, Charcoal on Fabriano, 355 x 360mm

    3

  • J.H PIERNEEF“Kromme rivier, Stellenbosch”, Dated 1925, Linocut, 140 x 200mm

    4

  • KARIN JAROSZYNSKA“Man, Horse and cart”, Etching, 540 x 660mm

    5

  • PAUL PAINTING“Cavalry’, Linocut on Hahnemuehle, 780 x 1060mm

    6

  • RENTIA RETIEF“Nog ‘n dag op soek”, Charcoal on Fabriano, 1000 x 700mm

    7

  • SCHALK V.D MERWE“The Slow Disintegration of Sanity #29”, Mixed media on Fabriano, 700 x 500mm

    8

  • MARLENE DUMAS“Chernobyl child”, Dated 1986, Numbered 1/20 in pencil, Lithograph, 760 x 570mm

    9

  • SCHALK V.D MERWE“The Slow Disintegration of Sanity # 34”, Mixed media on Fabriano, 700 x 500mm

    10

  • LEANDRI ERLANK“Nude I”, Charcoal, 700 x 1000mm

    11

  • ANDRE STEAD“Modern Venus”, Dated 2012, Edition 4 of 6, GRP on Granite, 670 x 280 x 170mm

    12

  • PAUL PAINTING“Infantry”, Linocut on Hahnemuehle, 1060 x 780mm

    13

  • ANDREW BARLOW“Triumph”, Charcoal on Paper, 1140 x 840mm

    14

  • MARLENE DUMAS“Incubatie”, Dated 1991, Signed and numbered 40/40 in pencil, Lithograph, 330 x 310mm

    15

  • ANJA VAN WYK“Broken”, Charcoal op hahnemuhle paper, 700 x 500mm

    16

  • ROBERT HODGINS“Fruit on table”, Lithograph, 370 x 300mm

    17

  • BEN EAGLE“Composition of black and white I”, Acrylic on Paper, 840 x 590mm

    18

  • WILLIAM KENTRIDGE“Atlas procession 1”, Drypoint and etching , 1580 x 1070mm

    19

  • LEANDRI ERLANK“Nude II”, Charcoal, 610 x 840mm

    20

  • ANDRE STEAD“Die cast love”, Dated 2016, Edition 3 of 6, Bronze on Crystal Glass, 360 x 150 x 110mm

    21

  • MARLENE DUMAS“Evidence of virtue”, Lithograph, 650 x 500mm

    22

  • ANDREW BARLOW“Surrender”, Charcoal on Paper, 920 x 800mm

    23

  • WILLIAM KENTRIDGE“Self-Portrait as a coffee pot”, Litograph, 985 x 800mm

    24

  • ZANDER BLOM“Untitled”, Dated 2012, Oil on linen, 1740 x 1200mm.

    25

  • BEN EAGLE“Composition of black and white II”, Acrylic on Paper ,840 x 590mm

    26

  • ANJA VAN WYK“Life”, Charcoal on hahnemuhle paper, 700 x 500mm

    27

  • RENTIA RETIEF“Ondier”, Charcoal on Fabriano , 1000 x 700mm

    28

  • SCHALK V.D MERWE“The Slow Disintegration of Sanity #33”, Mixed media on Fabriano, 700 x 500mm

    29

  • MARLENE DUMAS“Tripoli Baby”, Signed and numbered 1/20 in pencil, Lithograph, 760 x 570mm

    30

  • LEANDRI ERLANK“Nude IIII”, Charcoal, 610 x 840mm

    31

  • TINUS DE JONGH“Amsterdam”, Etching, 400 x 520mm

    32

  • J.H PIERNEEF“Wilkerboom Winter”, Dated 1954, Linocut, 350 x 450mm

    33

  • Index1 - J.H Pierneef: “Twee jonge gezellen”2 - Tinus de Jongh: “Center of Amsterdam”3 - Rentia Retief: “Of brutalist architecture and the possibility to live in concrete”4 - J.H Pierneef: “Kromme rivier”5 - Karin Jaroszynska: “Man, Horse and cart”6 - Paul Painting: “Cavalry”7 - Rentia Retief: “Nog ‘n dag op soek”8 - Schalk v.d Merwe: “The Slow Disintegration of Sanity #29”9 - Marlene Dumas: “Chernobyl child”10 - Schalk v.d Merwe: “The Slow Disintegration of Sanity #34”11 - Leandri Erlank: “Nude I”12 - Andre Stead: “Modern Venus”13 - Paul Painting: “Infantry”14 - Andrew Barlow: “Triumph”15 - Marlene Dumas: “Incubatie”16 - Anja van Wyk: “Broken”17 - Robert Hodgins: “Fruit on table”18 - Ben Eagle “Composition of black and white I”

    19 - William Kentridge: “Atlas procession 1“20 - Leandri Erlank: “Nude II”21 - Andre Stead: “Die cast love”22 - Marlene Dumas: “Evidence of virtue”23 - Andrew Barlow: “Surrender”24 - William Kentridge: “Self-Portrait as a coffee pot“25 - Zander Blom: “Untitled”26 - Ben Eagle: “Composition of black and white II”27 - Anja van Wyk: “Life”28 - Rentia Retief: “Ondier”29 - Schalk vd Merwe: “The Slow Disintegration of Sanity #33”30 - Marlene Dumas: “Tripoli Baby”31 - Leandri Erlank: “Nude IIII”32 - Tinus de Jongh: “Amsterdam”33 - J.H Pierneef: “Wilkerboom Winter,”

    pot“

    pierneeftinus de jonghrentia retiefkarin jpaul paintingschalk vd merwemarlene dumasleandri erlankandre steadandrew barlowanja van wykrobert hodginsben eaglewilliam kentridgeblom

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