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THE

BOSTON HANDEL AND HAYDN SOCIETY

BEING A SELECTION OF THE MOST APPROVED

PSALM INJ) HYMJY TUJYES ;

TOGETHER WITH MANY BEAUTIFUL EXTRACTS FROM THE WORKS OF

HARMONIZED FOR THREE AND FOUR VOICES, WITH A FIGURED BASE FOR THE ORGAN OR PIANO FORTE.

Assembled men, to the deep Organ join

The long-resounding voice, oft breaking clear,

At solemn pauses, through the swelling Base ;

And, as each mingling flame increases each,In one united ardour rise to Heaven !" Thomson.

@econt> €tntton, toitf) aotJitions ano improvements

PUBLISHED BY RICHARDSON AND LORD, No. 75 CORNHILL.PHINTED BI..J. H. A. FROST, CONGRESS-STKEET.

1823

m

|| HAYDN, MOZART, BEETHOVEN, AND OTHEM EMINENT MODERN COMPOSERS. Xfy

P

mm

If

DISTRICT OF MASSACHUSETTS, to wit

:

District Clerk's Office(L. S.) BE IT REMEMBERED, that on the seventh day of July, A. D. 1823, itt

the forty-eighth year of the Independence of the United States of America,Joseph Lewis, Secretary of the Handel and Haydn Society, of the said Dis-

trict, has deposited in this office the title of a bookj the right whereof heclaims as proprietor, in the words following, to wit:" The Boston Handel and Haydn Society Collection of Church Musio ; be-

ing a selection of the most approved Psalm and Hymn Tunes; together with

many beautiful extracts from the works of Haydn, Mozart, Beethoven, andother eminent modern composers. Harmonized for three and four voices',

with a figured Base for the organ or piano forte.

-Assembled men, -fco the deep Organ join

The long-resounding voice, oft breaking clear,

At solemn pauses, through the swelling Base j

And, as each mingling flame increases each,

In one united ardour rise to Heaven !'.'- -Thomson.Second Edition, with additions and improvements."

In conformity to the Act of the Congress of the United States, entitled,

" An Act for the Encouragement of Learning, by securing the Copies of

Maps, Charts and Books, to the Authors and Proprietors of such Copies, dur-

ing the times therein mentioned :" and also to an Act entitled, " An ActSnpplementary to an Act, entitled, An Act for the Encouragement of Learn-

ing, by securing the Copies of Maps, Charts and Books, to the Authors and

Proprietors of such Copies during the times therein mentioned ; and extend-

ine the Benefits thereof to the Arts of Designing, Engraving and Etching His-

torical and other Prints." JOHN W. DAVIS,Clerk of the District ofMassachusetts.

/£«?3

PREFACE.

THE Handel and Haydn Society, having been instituted for the purpose of improving the style of Church Music, have felt it

-their duty to keep two objects continually in view ; the first to acquire and diffuse that style and taste in performance, without which even

the most exquisite compositions lose their effect; the second, what was indeed a necessary pre-requisite, to furnish the public with a

selection of the most approved and useful compositions, from both ancient and modern authors.

With regard to the first of these objects, they reflect with great pleasure upon the success which has attended their efforts. A visible

improvement has taken place in the style of singing, and consequently in the taste of the community. Not only the practice bul the science

and theory, have been the objects of great attention ; the increase of patronage has been commensurate with the increase of knowledge and

fondness for the art : and the various collections of psalmody, and the number of editions to which some of them have passed, are sure and

certain indications of increasing refinement in the public taste.

These favourable appearances have animated the exertions of the Society, with regard to what they have mentioned as the second object

of their attention. It is obvious that no collection of Sacred Music, can be so extensively useful in this country, as one of Psalmody. Theonly question which can arise therefore, is with respect to the peculiar advantages to be derived from that which is now presented to the

public.

The Handel and Haydn Society have certainly no disposition to detract from the merits of the respectable collections which are now in

use ; and they wish to avoid any appearance of depreciating the efforts of those whom they consider as fellow-labourers for the promotion

of a common benefit. They are highly gratified with the improvement in the selection and performance of Psalmody, which has, within the

last few years, been made iri the American Churches. But while much attention has been bestowed upon the selection of appropriate

iv PREFACE.

Melodies, it is evident thnt a correspondent attention has not been paid to correct HarmoDy. To remedy this defect, has been the special

object of the Society-, in the present work.

Many of the oldest and best psalm tunes, as they were originally composed, were simple melodies; and as the practice of singing metrepsalms in public worship was only allowed, not enjoined in England, and was confined to the parish churches, it was not much attended to

by the principal masters, who were chiefly engaged in the composition of Cathedral Music. When therefore the other parts were added

to these simple melodies, metre psalmody being considered of minor importance, the harmonies were mostly added by inferior composers.

And even when the harmonies were original parts of the composition, a beautiful air might be composed without any of that science whichwas necessary to direct with propriety the subordinate parts.

Of late years however, a great change h„s taken place in the public sentiment with regard to the importance of psalmody, and this has of

course called the attention of the most eminent masters in England to the subject. Several of them have been recently employed in har-

monizing anew, many of the old standard airs, and also in selecting and adapting movements from the works of Hsndel, Haydn, Mozart,

Beethoven, and other great masters, whose mighty talents have been displayed and acknowledged throughout Europe.

The Society are fully aware of the cautious delicacy with which variations should be admitted into tuaes, that by long use have become

familiar, and by the power of association with holy purposes have been in some measure sanctified. They have been careful therefore to

retain in general, the airs of the several tunes unaltered ; but as the longest usage cannot reconcile science and correct taste with false har-

mony, it has been found indispensably necessary to introduce changes into the accompanying parts. The leading part, however, being un-

altered, the change will not be such as to shock even the most accustomed ear ; while the increased richness of the harmony cannot fail to

increase the delight of every lover of Sacred Music.

The very rapid sale of the first edition of the Handel and Haydn Society Collection of Church Music, while it has encouraged the hope

that their labours have not been in vain, has stimulated them to renewed efforts to render their work more worthy the patronage of the

public. The best collections of Church Music, which have recently appeared in Europe have been procured. It is believed indeed that

few publications of Psalmody of any importance, have escaped the notice of the Society.

The form in which some of the best European Organists have lately presented many of the old Church Melodies, has, in several instances,

been preferred to that of the copies in the. first edition. On account of the purchasers of that edition, it is regretted that these alterations

PREFACE. Y

were necessary : but it would have been unpardonable to have published a new edition, without those improvements which it was in the

power of the Society to make.

A method of indicating; the precise time in which any piece of music should be performed, has long been considered a desideratum. Theterms Adagio, Largo, Andante, Allegro, and others, commonly used to denote the time of music, are very indefinite. The proportions

which they bear one to another are undecided; composers, as to this point, differing from one another, and sometimes being inconsistent

with themselves. And even if the proportions were decided, the actual degree of velocity denoted by any one of the terms would yet remain

undetermined.

Malcolm, in his Treatise of Music, published in 1721, describes a machine invented by M. Loulie, a French musician, for the purpose of

measuring time by means of a Pendulum: and Rousseau in his Dictionary speaks of a similar instrument, called a Chronometer, which

appeared about 1750. But the machine most recently invented, and which now deservedly possesses the greatest celebrity, is Maelzel's

Metronome, or Musical Time-Keeper.

" The object of this invention is twofold : 1st. It affords to the composers of every country the means of indicating, in a simple and

decisive manner, the degree of quickness with which their works are to be executed. 2ndly. It accustoms the young- practitioner to a

correct observance of time, which it beats with unerring precision, and according to any velocity required, during the whole perform-

ance."* Many of the most respectable composers in Europe, now mark their compositions, by this Metronome, and within a few years-it

has been employed in several publications of Sacred Music.

To those patrons of the following work, who possess Maelzel's Metronome, it will be sufficient to say, that the time is marked at the

commencement of erery tune, with a view to the use of that instrument. This notation of the time, however, will not be without its use

to such as do not possess the Metronome.

The degrees marked on the Metronomic Scale, denote the number of vibrations performed by the Pendulum in one minute;hence if a

tune be marked ^80, or £ 80, &c. the meaning is that it is to be sung at the rate of 80 crotchets, or quavers, &c. per minute ; in which

case we have only to adjust the sliding gauge of the Metronome to the 80th degree of the scale, and the Pendulum will then perform 80

* Jones' History of Music.

vi PREFACE.

vibrations in a minute, or one vibration for every crotchet, or quaver, &c. Old Hundred, for example, is marked (•• 60, and of course i9

to be sung at the rate of 60 crotchets per minute, or one crotchet per second. In this tune there are 32 minims, equal to 64 crotchets :

—

allowing a pause of half a measure at the end of each line, which is in general a good rule, the time requisite for the performance of the

tune will be 70 seconds. Il is evident therefore, that the exact time of anytune marked for the Metronome may be determined by the aid

of a stop-watch, with a second-hand.

The Society would not have it inferred that a tune ought, on all occasions, to be performed in the exact time here marked : for the time

should necessarily be slower, when singing is performed by a congregation, than when it is performed by a choir ; and not so slow in the

chamber, as in the church ; and " Church Tunes, which are to be performed with a great variety of Hymns and Psalms, will require often

very different movements."*

-In the general selection of the music and revision of the harmonies of this edition, the Society are happy in acknowledging their obliga-

tions to BIr. Lowell Mason, one of their members, " a gentlemen whose musical science is highly honorable to American talent."

The Society are far from thinking, that with all their care and advantages, they have produced a perfect work. Imperfection is the

characteristic of every human effort ; and works of this nature especially will approach the ideal standard, only by a slow and gradual ap-

proximation. They indulge the hope, however, that, in presenting- to the public the following collection of Church Music, they contribute

something towards the promotion of correct taste, and the improvement of an interesting and a delightful part of PUBLJC WORSHIP-

* Templi Carmina, Tenth Edition.

INTRODUCTION TO THE ART OF SINGING.

XS©fi>@©©®©®®®@$)©t>< I

OF THE STAFF.MUSIC is written upon five parallel lines, with their intermediate

spaces. These lines and spaces are called a STAFF, and are count-

ed upwards, from the lowest.

EXAMPLE.

Lines. * g

—

Spaces. < g

Every line or space is called a degree : thus the Staff includes

nine degrees, viz. five lines and four spaces. When more than nine

degrees are wanted, the spaces below and above are used ; and if a

still greater compass is required, Leger Likes are added either be-

low or above the staff.

EXAMPLE.Leger Lines above.

Z_ Leger Lines below.

The distance hetween any two degrees of the Staff is called «fn

Interval : as from the first line to the first space, or from the first to

the second line, &c\

Of CLEFS, and the application of Letters to the Staff.

There are seven original sounds in music, and these are namedfrom the first seven letters of the alphabet : viz. A, B, C, D, E, Fand G. The application of these letters to the Staff is determinedby a character called a Clef.There are three Clefs : viz. the Base, or F Clef ; the Tenor, or

C Clef ; and the Treble, or G Clef. The Base Clef always denotes

F, is placed upon the fourth line of the Staff, and is used for the

lowest voices of men.EXAMPLE.

mi

The- Tenor Clef always denotes C, and is placed either on the

third or fourth line of the Staff* When placed upon the third line,

it is called the Alto, or Counter Tenor Clef, and is used for the high-

est voices of men.EXAMPLE.

* This Cfef was formerly used upon the first, second, and fifth, as well rts

upon the third and fourth line of the Staff.

INTRODUCTION TO THE ART OF SINGING.

When placed upon the fourth line, it is called the Tenor Clef, and

is used for the middle voices of men.

EXAMPLE.

= ——C——

—

:

The Trehle Clef always denotes G, is placed upon the second line

of the Staff, and is used for female voices.

EXAMPLE.

The following Example exhibits at one view the different Clefs with their relative situations

:

Treble^^ *_ - - ©_ -Q_ JT^l

Alto.

C DEFGABCDE_ o -©- -a-

FGABC DEFGABC„. Tenor- *_ _ _ _Q _q_ j§-

CDEFGABCDEFGBase. _ -©-

'a'F G A

illBCDEFGABC* TInicnn. r\V tfip camp ennnd.

INTRODUCTION TO THE ART OF SINGING.

In many late publications, the C Clef has been omitted, and the Fand G Clefs only have been used ; the latter being appropriated to

the Tenor and Alto as well as to the Treble. This indiscriminate

use of the G Clef, inasmuch as it exhibits the harmony in a false

point of light, is certainly calculated to embarrass and mislead bothcomposer and performer : it is much to be regretted, therefore, that

its general prevalence in this country, has created a sort of necessity

* Dr. John Clarke, Professor of Music, Cambridge, (in his late edition ofHandel's works,) and a few other respectable English Composers, have em-ployed the G Clef for Tenor and Alto. Horsley, in a late publication of SacredMusic, observes that " this absurd expedient is adopted in no country but ourown, (England,) and it is earnestly to be hoped that it will quickly be banishedfrom among us, by the spirit of musical improvement which has gone abroad."Webbe, in his excellent collection of Psalm Tunes, 3d. ed. expresses a hope that

of its admission into the present work.* It should be observed, how-ever, that when the G Clef is used for Tenor or Alto, it denotes G an

octave, or eight notes, lower than when used in its proper place

;

viz. for the Treble. This will explain some apparently forbidden

progressions, as those interval^ which appear to be a fifth above, are

often in realitv a fourth below ; and vice versa.

" this undistinguishing use of the G Clef will in tim* be altogether abandoned :V

and Jacob, in the preface to his National Psalmody, " greatly laments that to

conform to an absurd custom he had set the Tenor in the G Clef." Crotch, Att-

wood, Gardiner, Noveilo, and other composers of the highest standing, bothancient and modern, have employed the C Clef; and a knowledge ot it is there-

fore indispensable to every one who would form an acquaintance with then-

works.

The foRowing example will exhibit, at one view, the Clefs as used in this work, with their relative situations.

Treble.

*ttXI*ti&

Tenor and Alto.

-©-CDE FGABCDEFGA-a- -Q- :§:

Base.

ODEFGABC D E*

_e.T_Q. -§?- —T

ABC

FGABCDEFGABC* Unison,

H. & H. S

x INTRODUCTION TO THE ART OF SINGING.

As it is of the greatest importance that the situation of the letters upon the Staff, should be perfectly known, the student is advised tocommit to memory, with great care, the following

GAMUT.Treble, Alto, and Tenor.

C- Second leger line above.B Second space above.

-First leger line above.First space above.

-Fifth line.

Fourth space.

Fourth line

Third space.

Third line

Second space.

Second line.

First space.

First line.

First space below.-First leger line below.-

m

Base.

-Second leger line above.

Second space above.

-First leger line above.First space above.

-Fifth line.

Fourth space.

-Fourth line

Third space.

-Third line

Second space.

-Second line.

-G-First space.

-First line.

F First space below.

—E First leger line below..

OF NOTES AND RESTS.

Notes are the representatives of sound ; Rests are marks of silence :

of each of these there are six kinds in modem use, as follows t

Semibreve. Minim. Crotchet Quaver. Semiquaver. Bcnusemiquavek

Notes ^5z~"Z EE~5~ EEEkE zF~w~ "^"hE E^ziERests zE~zz zEEzE zEzzz iteziz EtiEzz Es_?z

INTRODUCTION TO THE ART OF SINGING. XI

The proportion which the different notes bear to each other is

exhibited in the following table :

One Semibreve

2 Minims . . .

4 Crotchets . .

8 Quavers - -

zaz, ,——— is equal in duration to

ZPZBZor

z&eie&zizzizz—K-fK-=- Mrs

—

I^b

" ,**™ ^s^SIee32 Demi-

2

semi- _quavers.31

mi- -1 . 11 1 1

.1

.1 1

.1 I 1 , 1 J

... „M|n^^,i'

Consequently one Minim is equal in duration to two Crotchets; one

Crotchet to two Quavers; one Quaver to two Semiquavers, &c.

The Rests are equal in duration to their corresponding notes : thus

a Semibreve rest is equal to a Semibreve ; a Minim rest is equal to a

Minim, &.C.

A Semibreve rest is used to fill a measure in all kinds of time.

A Dot, after a note or rest, adds one half to its original length :

thus, a dotted Semibreve, is equal in duration to three Minims ; a

dotted Minim to three Crotchets, &c.

EXAMPLE.

A figure 3, placed over or under three notes, signifies that they areto be performed in the time of two notes of the same kind withoutthe figure : thus, three crotchets, with the figure 3 over or underthem, are to be performed in the time of two crotchets without the

figure, &c.

EXAMPLE.

A figure six, placed over or under six notes, signifies that they art

to be performed in the time of four notes of the same kind withoutthe figure.

OF VARIOUS OTHER MUSICAL CHARACTERS.

A Flat —&— lowers a note half a tone.

A Sharp —#— raises a note half a tone.

a to- —¥— $ restores a note made flat ar sharp to its originiu——— I sound.

INTRODUCTION TO THE ART OF SINGING.

Flats Or Sharps placed at the beginning of a tune or strain are

called a Signature.

Flats, Sharps or Naturals, when placed before a note are called

Accidentals.

A Bar ~f~ i3 usecl to divide the notes into equal measures.

A Double Bar —a— or —HH—— ( denotes the end of a strain or move-—

{ ment, or of a line of the poetry.

A Braceshows how many parts belong to a score, or are

to be performed together.

A Slur, or Tie, v , is drawn over or under so many notes as are

to be sung to one syllable.

:s

. „ —J— —.— i shows what part of a tune is to be sungA Repeat,^ or =ZZ K^

before repeating,A Double Ending zfl"il43Z?z3jf signifies that

the note under figure 1 is to be sung, and at repeating, the note

under figure 2, omitting the first ; but when united by' a tie, both are

to be sung at repeating.

A Crescendo _~-" signifies a gradual increase of sound.

\ Diminuendo —

,

signifies a gradual decrease of sound.

A Swell, f^-—--, signifies a gradual increase and decrease of

sound.

A Pause, «\ leaves the time of a note or rest to be protracted at the

pleasure of the performer.

Staccato Marks i i i t or • • • • are placed over such notes as are to

be performed in a short and distinct manner.

EXAMPLE.Written.

I i I I

Sun?

ij—

r

6—fee—p—f—r—f~r—fa*3?*—?-—i\. _ ""

i is employed at the end of a staff, to show the placeA .Direct, -^- ^ of thg firgt nQte upoa {he f jiowin„ Sta ff_

A Shake, <rr is of all graces the most brilliant and elegant. It consists

of a quick alternate repetition of the note above, with that over

which the character is placed, and usually ends with a turn from

the note below.

Written.

EXAMPLE.Sung.

3lPiPPPil^@^EgllAn Appogiature, or Leaning Note, is a note of embellishment.

Its chief office is to suspend the completion of the subsequent harmo-

ny, and thus to soften and smooth the effect of certain Intervals. It

borrows its time from the succeeding note and is most frequently half

its duration. It always occurs on an accented part of a measure.

INTRODUCTION TO THE ART OF SINGING. xiu

EXAMPLE.Written.

Performed. or, or,

fEzfE3=fcErEH=^^

An After Note is also a note of embellishment. It borrows its

time from the preceding note, and always occurs on an unaccented

part of a measure.

EXAMPLE.Written.

lies

As the insertion of the Appogiature and After Note is a matter oftaste, no definite rule can be given for their performance^ whichmust vary according to the expression of the passage. They areusually written in a smaller character than common notes, to showthat they do not properly belong to the chord in which they appear

;

by which means a visible breach of the laws of harmony is avoided.

Syncopated, or Driving Notes, are those which commence on an

unaccented, and are continued on an accented, part of a measure-.

EXAMPLE.

pzszizzzsz*zPz£iiZj£i£zz2zzzzzzi::z::i—tz|z£ztzHziz£zfz^rtzffizrz£z£z*iz:J

OF SOLMIZATION.Solmization, or Solfaing, is the application of certain syllables to

musical notes. It enables the young practitioner to Mtter the soundof a note with fulness and freedom, and assists him to secure a correctintonation. By associating the idea of the several syllables used,

with their corresponding sounds, he becomes familiar with the exactrelation which one note bears to another, and acquires the power ofexpressing those notes with ease and certainty.

The syllables usually adopted in Solmization, are either

Fa, Sol, La, Fa, Sol, La, Mi ;* or,

Do, Re, Mi, Fa, Sol, La, Si.t

* Pronouncedt Pronounced

Faw, Sol, Law, Faw, Sol, Law, Mee,Doe, Rae, Met, Faw, Sol, Law,. See;

II* INTRODUCTION TO THE ART OF SINGING:

In the former method the first six syllables are dependent upon the

Mi, and in the latter they depend upon the Si. To find the Mi or

Si observe the following rule :

—

The natural place for Mi (Si) is on B.

—

If F be sharp Mi {Si) is on F#If F and C be sharp Mi {Si) is on C#If F, C and G be sharp Mi {Si) is onG *If F, C, G & D be sharp Mi{Si) is onD *

If B be flat Mi {Si) is on . EIf B and E be flat Mi (Si) is on AIf B, E and A be flat Mi {Si) is on D5 f B, E, A and D be flatM i {Si) is on G

The Mi or Si being found—above Mi are Fa, Sol, La, Fa, Sol, La,

and below Mi are La, Sol, Fa, La, Sol, Fa: in like manner above Si

are Do, Re, Mi, Fa, Sol, La, and below Si are La, Sol, Fa, Mi, Re,

Do.EXAMPLE.

Base. _

^;zzzzz"i©::nz§zrz§za=eizzz=z=zz|2 -a- -' - — -- '-©-rt-spj=S=en2== :zzzzzzz=Zz2zari

mi, fa, sol, la, fa, sol, la, mi, la, sol, fa, la, sol, fa, mi.

si, do, re, mi, fa, sol, la, si, la, sol, fa, mi, re, do, si.

Tenor, Alto, or Treble.

=feE5=S=EE==ie-o:

mi, fa, sol, la, fa, sol, la, mi, la, sol, fa, la, sol, fa, mi.

si, do, re, mi, fa, sol, la, si, la, sol, fa, mi, re, do, si.

From mi to fa, and from la to fa ; or from si to do, and from mi to

fa, are semitones ; the rest are whole tones.

To secure a perfect intonation, which is an essential quality of good

ringing, it often becomes necessary to change the syllables applied to

notes that are affected by Accidentals. Various modes of -effecting

this change have been adopted by the most respectable teachers of

vocal Music. Mr. Hastings, author of an able " Dissertation on Mu-sical Taste,"* and of several other valuable musical publications,

observes in his " Musical Reader," page 8, that " in general, whennotes are to be raised by Accidentals, the syllables appropriated to

them may be altered by adding to their initials the letter i, in imita-

tion of the syllable Mi. When Accidentals are designed to depress or

lower sounds, the syllable Fa may be used. Or in other words

—

when Fa, Sol, kc. are sharped, they may be called Fi, Si, he. (pro-

nounced Fee and See.) and when Mi is flatted it may be called Fa.

When the effect of Naturals is to elevate notes, their appropriated

syllables may be altered as in the case of sharps ; but when they are

to depress them, the syllable Fa may be used.

Another method of producing correct intonation where Accidentals-

are used, is to consider and treat them as occasional changes of Sig-

nature ; thus, if in a tune whose original Signature is B flat, the Ebecomes flat by an Acciden'tal, the Signature for the time being, may-

be considered as consisting of two flats, and the Mi (St) transferred

to A. When an accidental C sharp occurs after the Signature of one

sharp, the Mi (Si) while the accidental continues, may be removedto C sharp, &c."

But although either of these methods may be generally adopted

with success, chromatic passages! will sometimes occur, especially in

modern music, to which it will be almost impossible to apply any

system of Solmization, and in the performance of which it maybe proper to substitute the open vowel A, as in far, or as in fall, in

place of the syllables in common use.

• This work should be in the hands of every one who is desirous of acquiring

a correct taste, or style of performance.

t That is, such passages as are affected by Accidentals.

INTRODUCTION TO THE ART OF SINGING. xv

OF TIME.

By Time, in music, is meant the duration and regularity of sound.

There are two kinds of time : viz. Common, or Equal, and Triple, or

Unequal. Common time contains two equal notes in each measare,as two minims, two crotchets, two dotted crotchets, &c. Triple

time contains three equal notes in eaeh measure, as three minims,

three crotchets, three dotted crotchets, &c.

Simple Common Time, has three signs :

—

The first,

/ contains one semibreve, or its equal in other notes

1 or rests, in a measure. It has four motions, or

i beats, and is accented on the first and third parts* of a measure.

t 2

ES

EXAMPLE.3 4. _ 1

zzj: i 3

The second,

• contains one semibreve, or its equal in other

i notes or rests, in a measure, it has two mo-

i

tions, or beats, and is generally accented on the

• first part of a measure.

EXAMPLE1 2 1

Tie third

2 fit i

(which is also called Half Time,) contains one min-

or its equal in other notes or rests, in a measure,

is beat, and accented, as the former?

EXAMPLE._l__2 a 2

Simple Triple Time, has three signs i

—

, contains three minims, or their equal in other notes

Th fit H / or restsii" a measure - I* has three motions or

' a \ beats, and is accented principally on the first, and' slightly on the third parts of a measure.

EXAMPLE.12 3 __ 1 2 3

i contains three crotchets, or their equal in other

The second, 52 1 notes or rests, in a measure. -It is beat, and ac-

2 f cented as the former.

1 23

EXAMPLE.1

Introduction to the art of singing.

The third,

contains three quavers, or their equal in other notesr rests, in a measure. It is beat, and -accented as

33 f the former.

EXAMPLE.12 3 1

zI==EEzEz|E^EE^Ef!EJ

Compound Common Time has two signs in common use :

—

, contains two dotted minims, or their equal in other

U S notes or rests, in a measure. It has two motions,

4( J or beats, and is accented on the first and fourth parts' of a measure.

EXAMPLE.2 1 2

The first,

]

:£5

-v ( contains two dotted minims, or their equal in

The second, SI < other notes or rests, in a measure. It is beat and

32 Iaccented, as the former.

EXAMPLE.__^ 2_ 2_ 2_

Compound Triple Time, has several signs ; as f , f, -,%, &c.

They are found in the works of Correlll, Hjjndel, ajid others 5

bat seldom occur in modern music.

The Semibreve (now the longest note in common use) is madethe general standard of reckoning : therefore, when figures are em-ployed as signs of time, those figures express the fractional parts of asemibreve contained in each measure : as f, three crotchets, or three

fourths of a semibreve; f , three quavers, or three eighths of a semi-

breve, &,c.

On the subject of beating time, Dr. Arnold makes the following

remark :—" I am by no means ah advocate for the smallest motion or

gesticulation, either with the hand, foot, or head, when a performerooce begins to play with any degree of exactness ; but, at the com-mencement, it is absolutely necessary that the right hand should be

taught to make the beats in every measure, till it becomes to the

pupil what the pendulum is to the clock, which is to keep it regular

and in exact motion."

OF THE DIATONIC SCALE, AND MAJOR ANDMINOR MODES.

The natural scale of music is called Diatonic^ and is a gradual suc-

cession of eight regular sounds, including five whole tones and two

semitones. The whole doctrine of melody of tune, depends on

rightly understanding the application of the two semitones and their

places in the scale. These vary according to the Mode.

There are two Modes, Major and Minor. In the Major, the semi-

tones are always found (ascending from the Tonic or Key note) be-

tween the third and fourth, and between the seventh and eighth

notes. The only natural series of this Mode i9 that which commen&eswith C.

INTRODUCTION TO THE ART OF SINGING: xTii

Example of the Diatonic Scale in the Major Mode of C.

Q_-§-

EEEiEaEIE?E?EzEEEII

Do, Re, Mi, Fa, Sol, La, Si, Do.

In the Minor, the semitones are found between the second and

third, and between the fifth and sixth notes. The only natural series

of this Mode is that which commences with A.

Example of the Diatonic Scale in the Minor Mode of A.

3==«-I

La, Si, Do, Re^ Mi, Fa, so), la.

In the Major Mofc the series of sounds are the same, both in as-

cending and descending; but in the Minor Mode the ascending scale

and the descending scale differ. In the ascending scale of the MinorMode, the seventh is raised a semitone as the proper Leading Noteto the Octave. This leaves the interval,- between the sixth andseventh, a tone and a half ; but as the Diatonic Scale must consist of

tones and semitones only, the sixth is also sharped, by which meansthis harsh Interval (the extreme sharp second) is avoided. Thus the

ascending scale of the Minor Mode is artificial, and is formed withtwo notes altered from- the Signature.

But in the descending scale the seventh is depressed a semitone to

accommodate the sixth,, and the natural scale of the Signature re-

mains unaltered.

H. & H„ 3

SE

Examples of the Ascending and Descending Scale in the MinorMode.

La, Si, Do, Re, Mi, FirSi, La, La, Sol, Fa, Mi, Re, Do, Si, La.

But the note which determines the Mode to be either Major or

Minor, and which constitutes the principal difference between the

two, is the Third. By the arrangement of the Semitones in the two

Modes, it is evident that the third of the Major Mode, as from Do to

Mi, is comparatively great, and the third of the Minor Mode, as from

La to Do, is of course comparatively small ; the former consisting of

two tones, and the latter consisting of one tone and one semitone :

and it is chiefly to this difference of the tkird in the two Modes, that

we are to attribute the effect peculiar to each ; the Major Mode be-

ing cheerful and vigorous; and the Minor Mode being plaintive and

languid.

As these two series of tones and semitones form the constituent

characteristics of the two modes, Major and Minor, it follows that

upon whatever note or pitch either of these series begins, the sameproportion and order of Intervals must be strictly observed. Hencethe utility of flats and sharps. If, for instance, we begin with G,

instead of C, and from it form the Diatonic Scale in the Major Mode,

the seventh, or F, will require to be raised, by a sharp, one semi-

tone.

Example of the Diatonic Scale in the Key of G Major,

-a- ~~E^EIEE^T"EIE5EDo, Re, Mi,' Fa, SoJ, La, Si, Do.-

I

-¥X INTRODUCTION TO THE ART OF SINGING.

-©-

Octave ; as from C to C, consisting of five > -p gfe-—

{ones and two semitones. \ ' ——E——When the lowest note of an Interval is placed an Octave higher,

,

,

, , , , •

or when the highest note of an Interval is placed an Octave l|wei,j

j *™£*JyflatS

'a SCaIe 1S f°med °f Semlfones onlJ> which u called

such change is called Inversion. Thus by inversion a

Second

Third

Fourth

Fifth

Sixth

Sevenths

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3ZZ j becomes a Sixtk,

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becomes a Fourth,

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becomes a Second,

and a

The Diatonic Intervals are either Consonant or Dissonant. The

Octave, Fifth, Fourth, Thirds, and Sixths, being agreeable to the

ear are called Consonant ; and the Seconds, Sevenths, and Sharp

Fourth being less pleasing are called Dissonant.

OF THE CHROMATIC SCALE, CHROMATICINTERVALS, &c.

By a division of the Diatonic Scale, ascending by sharps, and de-

ending by

Chromatic

Example of the Chromatic Scale ascending by sharps.

6 7 8 10 11 12 13

=£=gSiiS§22S==3Example of the Chromatic Scale descending by flats.

1 2 3 4 5 6 7 8 9 10 11 12 13

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—

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Here we have twelve distinct sounds, from each of which as a

Tonic, l>y the use of flats or sharps, we may form the Diatonic Scale

in either mode.

.From this Scale are also derived the following Chromatic Inter-

vals, viz

:

^Extreme sharp, or Superfluous, Unison ; as > Ffrom C to C#. $

tiX '

'Extreme sharp, or Superfluous, Second ; as ) F r$| uS~3from C to D*. \

Lx" ^E?E?z5J

INTRODUCTION TO THE ART OF SINGING. xxi

"Extreme flat,

from D# to F.

or Diminished, Third ; asEx.

Extreme flat, or Diminished, Fourth ; as from ) F rfc'ml '1d* to g. 5

M- —.rs^z^z^

Extreme sharp, or Superfluous, Fifth ; as > vfrom C to G#. S

Extreme flat, or Diminished, Sixth ; as from ) vD# to Bb. $

Extreme sharp, or Superfluous, Sixth ; as from > FBb to G*. S

Extreme flat, or Diminished, Seventh ; as > &from D# to C. S

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Extreme flat,

from C# to C.

or Diminished, Octave; asi

Ex. m=*£MThe Scale is also subdivided into smaller intervals called Dieses,

or Quarter tones, as from C# to Db, or from G# 1o Ab, &c. and thus

divided, it is called the Enharmonic Scale. These distinctions, how-

ever, although theoretically important, are of little practical utility

;

since upon keyed instruments, us the Organ, or Piano Forte, the ex-

treme sharp second, is the 6ame as the Minor third ; the extreme

flat third is the same as the Major -second, &c—and the same key is-

used for C# and Db—for G# and Ab, &c.

It is believed that, with the assistance of a judicious instructor, the

foregoing principles will be sufficient for all the purposes of vocal

performance. To such as wish to become acquainted with the The-ory of Music, Callcott's Musical Grammar, Kollman's Essay on Mu-sical Harmony, and the articles on Music in Rees' Cyclopedia, are

recommended as the best works which have been published in this

country.

LESSONS FOR THE EXERCISE OF THE VOICE.

G Major ascending and descending. G Minor ascending and descending.

MSSB^^^^SSIil^^^fa, sol, la, fa, sol, la, mi, fa, fa, mi, la, sol, fa, la, sol, fa,

do, re, mi, fa, so), la, si, do, do, si, la, sol, fa, mi, re', do.

la, mi, fa, sol, la, fe, si, la, la, sol, fa, la, sol, fa, mi, la.

la, si, do, re, mi, fi, si, la, la, sol, fa, mi, re, do, si, la.

g^:*—zzjidzdiJixz-z—gz^iaiaziiz-ziLiidz^^ —:izzjizpq-:

EXPLANATION OF MUSICAL TERMS.

A, signifies in, for, at, with, &e.

Adagio, {or Ado.') signifies the slowest time.

Ad libitum, as you please.

Affetluoso, tender and affecting.

Air, the leading part.

Allegretto, a little brisk.

Allegro, {or Alio.) brisk.

Alto, {or Counter Tenor,) that part which lies betweenthe Treble and Tenor.

Amoroto, in a soft and delicate style.

Andante, rather slow and distinct.

Andantino, somewhat quicker than Andante.Animated, with spirit and boldness.

Anthem, a composition for vocal music, the words of

which are generally selected from the Psalms, andused in divine service.

Ardito, bold and energetic.

Assai, generally used with other words, to express anincrease, or diminution of the time of any compo-sition ; as, Adagio assai, more slow ; Allegro assai,

more quick.

Base, the lowest part in a harmony.Brillianle, signifies that the movement is to be per-

formed in a gay, showy and sparkling style.

Canon, a vocal composition, in two or more parts, soconstructed as to form a perpetual fugue.

Cantabile, in a graceful, elegant and melodiousstyle.

Canto, {or Canlus,) the Treble.Chorus, signifies that all the voices sing on their re-

spective parts.

Con, with ; as Con Spirito, with spirit.

Crescendo, {or Cres.) to increase the sound.

Da Capo, {or D. C.) to return and end with the first

strain.

Diminuendo, to diminish the sound.Dolce, sweet and soft.

Duo, {or Duetto,) two ; as two voices or instru-

ments.E, and ; as Moderate 'e Maestoso, moderate and ma-

jestic.

Eccpressione, an expressive manner.Expressii-o, with expression.

Forte, {or For. or F.) loud.

Fortissimo, {or F. F.) very loud.

Forzando, {orfz.) implies that the notes over which it

is placed is to be struck with particular force andheld on.

Fugue, a piece in which one or more parts lead, and

the rest follow in regular intervals.

Giusto, in an equal, steady and just time.

Grave, {or Gravemente,") denoting a time slower than

Largo, but not so slow as Adagio.Grazioso, a smooth, flowing and graceful style.

Largo, somewhat quicker than Grave.

Larghelto, not so slow as Largo.Lamentevole, denotes that the movement over which

it is placed is to be sung in a melancholy style.

Legato, signifies that the notes of the passage are to

be performed in a close, smooth and gliding man-ner.

Lento, very slow.

Maestoso, with majesty.

Mod-erato, moderately.

Mezzo, half, middle, mean.Mezzo Forte, moderately loui.

Mezzo Piano, rather soft.

Perdendosi, signifies a gradual decreasing of time to

the last note ; and a diminishing of tone, till en-

tirely lost.

Piano, {or Pia.) soft.

Pianissimo, {or P. P.) very soft.

Poco, little j as Poco piu lento, a little slower ; Pocopiu allegro, a little quicker.

Quartello, four voices, or instruments.

Quintelto, five voices, or instruments.

Sempre, always, throughout ; as Sempre piano, soft

throughout.

Siciliano, a composition of ^ or -^, to be performed

slowly and gracefully.

Solo, for a single voice or instrument.

Soprano, the Treble or higher voice part.

Soslenuto, a word implying that the notes are to besustained, or held on to the extremity of. their

lengths.

Spirituoso, {or Con Spirito,) with spirit.

Staccato, notes to he staccated, must not be slurred^

but performed in a distinct manner.Symphony, a passage for instruments.

Taslo, no chords.

Tempo, time.

Trio, three voices or instruments.

Tutti, all ; a word used in contradistinction to Solo,

Verve, one voice to a part.

Vivace, in a brisk and animated style.

ERRATA.

^Second base staff, 8th measure, the minim on E should be on F

35 First Tenor staff, 5th measure, the minim on D should be on G 2d line.

1, Second A^to staff, 10th measure, the first crotchet on Eb ,should be a numm.

38, Tenor, 8th measure, the crotchet on C, should be on D.

38, Tenor, 8th measure.the dotted semibreve on F*, should be on t,.

42, Alto, 2d measure, the crotchet on D, should be on Eb •

44 Tenor, 6th measure, the two first crotchets should be quavers.

48, Tenor, 8th measure, the last semiquaver on C*, should be on u.

72, Base, the last note on C should be on Bb •

84, Base, the 4th note from the close on'E, should be on C.

85 Tenor, 1st staff, the two crotchets in the fifth measure should be quavers.

95,' Treble staff, 3d measure, the two crotchets on G# and A, should be two quavers.

119, Alto staff, the last note on Eb , should be on D.

174, Alto staff, the 1st note on D should be on C.

182, 2d Alto staff, the first note on C, should be on E.

183, 1st Tenor staff, the first quaver on E should be on D.

183 2d Treble staff, 3d measure, the first crotchet on A, should be on «.

184* 2d Treble staff, the first crotchet in the 5th measure on G, should be a minim.

189 2d Treble staff, last measure but one, the first quaver on A b ,should be on Bb •

203' 2d Treble staff, the third quaver in the last measure but one should be on u.

205! 2d Alto staff, 2d measure, the fifth and sixth notes 011 C and B should be on E and U-

206,' Tenor, 2d measure, the crotchet on G should be on D lourth line.

207' 2d Alto staff, 4th measure, the semibreve on C, should be on D.

208! 2d Treble staff, the crotchet on A in the 9th measure, should be on C.

210, 2d Tenor staff. 3d measure, the second crotchet on B should be on G„

"38, 2d Treble staff, 2d measure, the crotchet on F#, should be on D.

278, 1st Alto staff, 8th measure, the semibreve on F should be on E,

THE

BOSTON HANDEL AND HAYDN SOCIETY

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OLD HUNDRED. L. M.

"Tenor.

Maelzel's Metronome.

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Be thou, O God, exalted high, And as tby glory fills the sky, So let it be on earth display'd, Till thou art here as there obey'd.

H. & H.

6 S#6 S7 5 "V 5^" " °""-7#6

36 £80.Sestenuto Adaeio.

OWENS. L. M. 6 liaes. Mozart.

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Lord, when my thoughts delighted rove, Amidst the wonders of thy love, Sweet hope revives my drooping heart, And

fi. P.

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MORNING HYMN. L. M. 6 lines. Costellow. 27

Iliiiiiiiiililliiiiiplilii^llIIili

•Soon as the morn sa - lutes your eyes, And, from sweet sleep, re - fresh'd you rise, Think on the Au-thor of the light,

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And praise him for the glo-rious sight ! His mer - ey in - fi - nite a - dore, His good - ness in - fi - nite im-plore.

4. 6 6 4. 6 42 * 2 3

6 6 74.

6 6 4. 6 4* 2 3

6 6 74i

28 84. ANGELS HYMN. L. M. Tansur.

High in the heav'ns, eternal God, Thy goodness in full glory shines ; Tby truth shall break thro' ev'ry cloud, That veils and darkens thy designs.

6 5 64.

3

'69. VIENNA. L. M.

6 87 5

Beethoven.

The rising morn, the closing day, Repeat thy praise with grateful voice ; In both their turns thy pow'r display, And, laden with thy gifts rejoice.

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6 76 *63

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PORTUGAL. L. M. Thorley.

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soar to worlds a - bove, The blest a - bode of peace and love,

87 87 6 #6*3

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g£How glad - ly would I mount and fly,

-*•-'— farOn an - gels' wings, To worlds on high !

6 — 63 4. 63 l\

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92. St. PETER's. L. M. Harwood.

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To God the great, the ev - er blest, Let songs of hon - our be ad - drest ;

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Up to the fields where angels lie, And living waters gent - ]y roll ; Fain would my thoughts ascend on high, But sin hangs heavy on my soul.

—

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WINCHESTER*

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2 3 3 3

L. M. Dr. Croft.

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My God, accept my early vows, Like morning incense, in thy house ; And let my nightly worship rise, Sweet as the ev'ning sac-ri-fice.

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STERLING. L. M. An Ancient Chant. 33^^^pgM^fflMPi_-£z

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O come, loud anthems let us sing, Loud thanks to our Al - migh - ty King ! For we our voices high should raise, When our salvation's Rock we praise.

6 6 6 5— —7 6 6~ ~ 5- — 7~43 — 5 43 —

^60.Sosteuuto Adagio.

GARDNER. L. M.

l^SH^^^glS^^M^MsSI*:-.*-*. fz

How pleas-ant, how di-vine-ly fair, O Lord of hosts, thy dwellings are ! With long de-sire my spirit faints, To meet th'as-sem-blies of thy saints.

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34 •84. BATH. L. M.

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Life is the time to serve the Lord, The time t'insure the great reward ; Aud while the lamp holds out to burn, The vilest sin » ner may return.

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EASONS. L. M. Pleyel.

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Thy goodness, Lord, doth crown the year, Thy paths drop fatness all around ; And barren wilds thy praise declare, And vocal hills return the sound.

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POLAND. L. M. 6 lines. Wranizky.

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GLOUCESTER. L. M. 6 lines. Milgrove. 37

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Angels of light, e - the - real fires

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To raise the lay, and lead our songs. Ye in his courts of glo-ry dwell, And best his pow'r and grace can tell.

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Bu-ried in sha-dows of the night, We lie, till Christ re-stores the light. Wis-dom de-scends to heal the blind, And chase the dark-ness of the mind.

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Accompt.

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60. MONMOUTH. L. M. Martiu Luther. 39t Maestoso. /t\ <T>

i7\ _ -S- >•—

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<*gg^l^ggB^gEglIq robes of judg - ment, lo ! he comes, Shakes the wide earth, and cleaves the tombs ; Be - fore hin

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burns de - vour - ins fire, The moun-tains melt, the seas re - tire. The moun-tains melt, the seas re - tire.

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40 ;8fi. PORTSMOUTH. L. M. Gelineck.

Indulgent still to ray request, How free thy tender mercies are ! With full consent my thoughts attest, My gracious God, thy faithful care.

t6 6 5 4.66 9867 6

""" 6— 6 3 3 3~3 3 +3 .J 3 6 - 3 6 7543 25764 5 3 4

:92.

4 6 6 9 8 6 72 5 7 6 4

ROTHWELL. L. M.

£*

Praise ye the Lord, let praise employ, In his own courts, your songs ofjoy I The spacious firmament around, Shall echo back, Shall echo back the joyful sound.

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6 6 4— 6 53— 4 36 6 8 7 6

5 35 46 7*

84. W1NCHELSEA. L. M. Prelleur 41

!e.

»Incumbent on the bending sky, The Lord descended from on high ; And bade the darkness of the pole, Beneath his feet tremendous roll.

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6*643

8-7 4. 6 63

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3-743=

f72. NEW-MARKET. L. M. Dr. Wainwright.

n.

Thy mercies, Lord, shall be ruy song, My song on them shall ever dwell ; To ages yet unborn, my tongue Thy never failing truth shall tell.

6 6

H. & H.

6 435

4 6 4 62 3

6 5 7 8 743 6 5

6 874

92*43 £ LUTON. L. M.

ll^ISiliiillSiSiililiilppiiii

With all my pow'rs of heart and tongue, I'll praise my Maker is my song ) Angels shall hear the notes I raise, Approve the song and join the praise.

6 5 6 6 7%- * 6 j 3 6 6 .57- 6 | 3 6 7

88. TRURO. L. M.

5 7 - 6 § 3

Dr. Charles Burney.

-©-lillilSIIIIiliSillii^Iil

Now to the Lord a noble song, Awake, my soul, awake my tongue ! Hosanna to tli'Eternal name, And all his boundless love proclaim.

-p .,._-«-

S48

6 56 7 6 66 464 2

4f3 6* 3 6 IS 67 333 b 733 33 6 66 6 7

>84.

^l Dolce e legato.

MILTON. L. M. 6 lines. Haydn. 43

There is a stream, whose gentle course Surrounds the cit - y of our God. There is a stream, whose gentle course

76 6 5— 6 — 987 6 6 7 87 6 6 —5 4 3 4 4— 4 5 —

l^iliiiiilliiliPlMill^ifi^lSHSurrounds the cit - y of our God—A sac - red riv - er, from whose fount, The liv - ing wa - ters flow abroad.

94 6 #6 9 8 6 7 7665-6765 6—- 4 6 987 6 74 6 #63 4

3

6 74 # 766 5-6 76 5 6—-4 6

4 3 3 %

H 76. EVENING HYMN. L. M. Tallis.

Glo - ry to thee, my God, this night. For all the blessings of the light; Keep me, O keep me, King of kings, Beneath thine own Almighty wings!

6 5 7 8 6 64 3 5 5 5

f3

6 6 75

J80.Adagio e sempre piano.

GERMANY. L. M.

65 78 643 55 5

4. 32

6 -556- 5 64. 6 6 6 75—4.34.3 3 5 4

Beethoven.

§:J3|irzzsigi:Sz£Ti:gzsTezz:iftaipz^k-3_p_p_pi-p_;_ic_|—riP-fj I rTF-Fl"trf-S^3i"CTt~r"i"E~^"i"F^El"'^"^" tiE~Fi"F—F~i£" E Tt~fHI

Softly the shade of ev'ning falls, Sprinkling the earth with dewy tears j While nature's voice to slumber calls, And silence reigns amid the spheres.

4.6667 a 7 6 ^4, 65986 7 76 6—76 6 7 65667—4. 6 6 6 73 45

7 6-^-4 6 5 986 7.fcf

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t92. CASTLE-STREET. L. M. 45

-e—•~r-f*-i—

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s—•-<

Lord, in thy great, thy glorious name, place my hope, my on - ly trust : Save me from sorrow

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~" ~ ~4.7~ 66~

4. 6 6 "iPl; 7 ~ ~ ~£ "

63 3 b 5 *

y—>. ^—

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Second Treble. Alto.

guilt and shame, Thou ev - er gra - cious, ev - er just. Thou ev - er gracious ev - er just.

Siiiiiiiiiil£iSBiiiiiSPiiiilii:SiHTasto.

6 543

6

b 5 f 8(j7 5a

6 7

46b>

88. NEW SABBATH. L. M. Isaae Smith.

For thee, O God, our con - stant praise, In Z\ - on waits, thy cho - sen seat

;

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4

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5 6 ~^^4' 6 5

4 3 4 3 3 4.3

Our prom - is'd al - tars we will raise, And there our zeal - ous vows com - plete.

6 * 6 567 65 6 466 675 66573 4 J 333354 4 3=

Largo

MEDWAY. L. M. Pergolesi. 47ijffi^^M^^m^nm,.T_ T_-___ T _._T_____ * ._e- T p..

My God, permit me not to be, A stranger to myself and thee ; Amidst ten thousand tho'ls I rove, Forgetful of my highest love.

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P-I-P

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6 6 7— 4 #

•80. ELLENTHORPE. L. M.

7 6 74

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Say, how may earth and heav'n unite .' And how shall man with angels join ? What link harmonious may be found, Discordant natures to combine.

Loud swell the pealing organ's notes ! Breathe forth your souls in raptures high ! In praises men with angels join ;—Music's the language of the sky.

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6^7a 4 5 4 # 6 4 3 4_- 6 3 6 5

5 436 * .6 7 4

8 * 3i7 6 515 43

48 £80. WESTON. L. M.Cantabile k Sostenuto.u cantaone e oosiemuo.

neetnoven.

Now night in silent grandeur reigns, And holds the slumb'ring world in chains ; Pale from the cloud the

6 6 5*66 666 7— 32 J. 5— 8

6 43

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mo jnbeam steals, And half ere - a - tion's face reveals

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And half ere

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87 *3 6 6 6 433 2 H 6 7 3

4565 6

4.

£69.Moderate

ZION. L. M. 6 lines. Pleyel. 49

wmwmmmmmmwmmmmmwmmzzizpzilzE—Hzz^zizp—EzzEz" -f-p izjzEzzfzzCzizEzzfzzEzzjzzizpzil

How sweet thy dwellings, Lord, how fair, What peace, what bliss, in - hab - it there. With ardent hope, with strong desire,

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6 7 7 6657 t —~ 6 7~ ~6 6 5 7 6

5 —

i3i||;iiag;iii=^^|ip^SiPEs^iiii!

My heart, my flesh to thee aspire ; I burn to tread thy courts, and thee, My God, the living God, to see.

* — 6

H. & H. .7

6 5 6 6 5 74 3-

dO £80.Audantino.

CAMDEN. L. M. % verses. Mozart.

l§3^pp^ipppig|;3sggggggaPg^=^^|;i^^—,.-£.

The saffron tints of morn appear, And glow across the blushiDg east : The brilliant orb of day is near.

74.

2

742

%3 7 - 7 5 6 5 6 #

5

To dis - si - pate the ling'ring mist ; And while his mantling splendors dart, Their radiance o'er the kindling skies,

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65 — 7 - 6 5 6

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51

pppiilliSl^liiiislliiilliliiS^

To chase the darkness of my heart, A - rise, O God of light, a - rise, a - rise, a - rise, a - rise.

56*6•72.

#6 6 £7 —

St. PAUL'S.

3

L. M.

6 7

Dr. Green.

^^^^^B^P^^^^P^^^Is^pimgOTMsiM§§aiGreat Source of life, our souls confess, The various riches of thy grace ; Crown'd with thy mercy, we rejoice, And inthy praise exalt our voice,

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6 563

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—ALL SAINTS. L. M.

'-i— c_l_p_! p_i_s_D a—I a

—

j mW. Knapp.

tztzh=tzizrzztzzzE=i=_zz3

God of the Sab - bath, hear our vows, On this thy day, wi-lh in thy honse

!

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64 — S 4 6 6 6 5 7

3 3 46 M4

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;^P^^P^a^^^g^^^^^^g^^^gzfczz|zjzpz| *zpzjz§zz§z*zizgzgi

iizzzzSziztzzztAnd own, as grateful cri - fice, The songs wiiich in thy tem - pie rise !

~~6~ _~6 54 87 " 5-^6 5 56 6 ~6 4 ~

6 4 66 573 AS 34423 43

92. PARK STREET. L. M. Venua. 53

(f

_-. -e- p.

Hark! how the choral song of heav'n, Swells full of peace and joy, a - bove i Hark! how they strike their

iii^lglllillilJiiill^lilliiiiyiPiil

'6*6 ~6 6 7"

6 66*^ 6~ " 7 £"

.- - £ —

fii^^igiiiiipIiiliilieiiliilii^IPIg

golden harps, And raise the tuneful notes of love ! And raise the tone - ful notes of love.

F. fz fz

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26 6 7

34 reo.Cantabile e Sostenuto.

WALTHAM. L. M. 6 lines. Beethoven.

S^IliirSii-SiiiligllSilSPPJ

With ho-ly fear and hum-ble song, The dread-ful God, oar souls a - dore ; Rev'-rence and awe be-come the tongue That

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3 £87 *%

tr

4 62

9 8 667 6 43

6 5 6

«fmm^mmmmm^mmm^iSi?Eis=i^i;yppiB iliigiiiiiiH

speaks the ter-rors of his pow'r. Rev'-rence and awe be - come the tongue That speaks the ter-rors of his pew'r.

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5'6 5 6 6 5#6 5 8 7 #* 6 6 6 9 8 6 5

tj3 . * 76 *34.

3 I3 4,

b3

SALSBURY. L. M. 6 lines. Haydn.£30.Alto Dolce.

igg^illi^^i^igl^ElsiillilEilEsSlii

Lord, thou hast known my inmost mind, Thou dost my path and bed inclose ; My wak-ing soul on thee relies,

•-•"'76 6

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76 i 3"

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5-6 6 65 f 675 #

7|» T d. -d_ ,_.tH_ ...

Ig^^^li^Si^l^^i^^Si^iffliOn thee my sleeping thoughts repose Where from thy presence ean I fly, Lord, ever present ever nigh ?

4. 36 #6 87 6 6 ~ 6 6 6 <

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56 76. WESTVILLE. L. M. 6 lines. Klose.

My God, in thee are all the springs, In which my comfort can arise ; I seek the shadow of thy wings,

7 5 7 6 ' 7*

5 7tr

* 6 5—663 62 3—4

rf:

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When gath'ring clouds obscure the skies. I seek the shadow of thy wings, When gath'ring clouds obscure the skies.

tr6 6 6 6 6 7 7 3 8 7 5 4. 6 62 *

6 74,

*88.

Alto. Fuge.

NEWARK. Stanley.

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mTreble. We bless the Lord, the Lord, the just, the good, Who fills our hearts with joy and food ;

Ii3iiiliiiiSiiiiiliiiiiii^iS:i^UBase. We bless the Lord, we bless the Lord, the just, the good, Who fills our hearts with joy and food ;

" "*' Webless the ~Lord, &c. 7 7"

3 6 7 6~- 7 6~- . 7 3~

" "We bless the

§ 6 -5- 63 3

Who pours his blessings from the skies, And loads our days with rich sup plies.

i^il^^iil^iili^Pii^iiPiillPllliWho pours his bles - - sings from the skies, And loads our days with rich sup plies.

Who pours, &c. 5 3 6766 65 5 5 7

H. & H.

Who pours, &c. 5-

6 6 36 7 6 65 5

S 5 74 3-

58 £8Con spirito.

EATON. L. M. 6 lines. Wyvill.

rtegiligpiiii^llffip^iillE=^=i=y?=JSecond Treble.

5=p. iii

A - wake our souls, a - way our fears, Let ev'ry trembling thought be gone ! A - wake, and run the heav'nly race,

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1_

6 - 6~ H 7 #6 8-—~^ 6~ 7 "~~

4 333 4 #

llliisiiipiilgiiiiliiigiiiiiipiff^liii'

. Alto. . F.' "

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And put a cheerful courage on ! A - wake, and run the heav'nly race, And put a cheerful courage on !

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£80.Amoroso.

SOUTH STREET. L. M. Haydn. 59

iiy=iEiiEiriig=i=lE^Pi=iPS§i=isii^ySoftly the shade of ev'ning falls, Sprinkling the earth with dewy tears ;

" While nature's

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voice to slum - ber calls. And silence reigns a - mid the spheres—a - mid the spheres.

BrI i75#-

feiiiiitailPiiilliiiiilMliia!:

60 K0. WATSON'S. L. M.

llSrzzjE?:::zzp: !ila^iMiyfe1ii^=!fe|Eg=iEll=il

mmw^^mmmmmmmmmmmmmiO thou, to whose all - search - ing sight, The dark - ness shin - eth as the light ;a^5iSsi^B-'LLciygyilEg|g&^S

._»___•_,

46*646 6 43 6" ' 6 53 2 3 4 3

^tfffrfm^-W ii==-^t^-"i=f^^^^^=Second Treble.

F.

Alto.

isiiliiliiiHi-i^^iiii-SiiiiiiBiiP. F.

Search, prove my heart, it pants for thee, O burst these bonds, and set me free.

^liliilPl=E^plgi&liiilSi^iliri

43

e, 7 3 5 5 §7<5

:92. EFFINGHAM. L. M. 6T

If: iiSIiiiigJISigiliiiiiilliSIIIi^lii,-v —~^ •—

s

Second Treble. P. Alto. F. -.'

At anchor laid, remote from home, Toiling I cry, sweet spirit come. Celestial breeze, no longer stay, But swell my sail', and speed my way.

P. Tasto.

iilliiiifHiig!Mi—v

— _^_ —

^

r. i asio.

6 4 6 4 6 43 4 2 3

6 5 — 6 4 6 4. 6 674 3 — 2 3 4

-5HEEF1§!i7

.•66. DUKE STREET. L. M. J. Hatton.

l^iisi^liliiiillii-IPl§ii§Iils?:Sididst ascend on high, Ten thousand angels fill'd the sky ; Those heav'nly guards around thee wait, Like chariots that attend thy stale.

4 6 43 3

654hr

6 563

6 3 6 4 8 6 6 8?3 3 3 3 4

1*66.

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DKESDEN7 L. M. 6 lines.

-bjr - 9s^/Fine. " w >

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art* -Q"+h- -+£""£+- --P--t -^-'p-th-P-l- '

Preserve me, Lord, in time of need, For succour to thy throne I flee, But have no merit there to plead, M}r goodness cannot reach to thee.by throne I flee, But have no merit there to plead, M}r goodness cannot reach to thee.

Fine. D. C.

~ ~ ~6K " 65 6 ~6 ~ e~ 7 ' ' 5 6 5 5 6* 5 56 6 7~43 43 4 34 3 34.334 4

84. LINTON. L. M. Dr. G. K. Jackson.

llllSIliiiiSli^PiS^liSiiiiSSS-1

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No change of time shall ever shock My firm affection, Lord, to ihee, For thou hast always been a rock, A fortress and defence to me.

± *<*:zi:=zd: :gzp:i:i=:

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6 6 7 6 3*6 6*66464 64 4 44243 5

6 74 3 6 6 73 4

fS4. NAMUR. L. M. W. Paxton. 63

izSiizszPzizEzjfzgzirgzpz©:!-

Thou Lamb of God, thou Prince of Peace, For thee my tliirs - ty soul doth pine

;

My long-ing

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heart itn - plores thy grace, Oh ! make me in thy like-ness shine ! Oh ! make me in thy like - ness shine

!

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64 ;so. SURRY. L. M. Costellow.

ffiEf5=£Ei5i33E=3SMfcfcfcE

No more fa - tigue, bo more dis - tress, Nor sin nor death shall reach the plane ; No groans shall miugle

i^PPiiiii^iyillt^i^liiiaiPiililiil

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with the songs, Which war . ble from im - mor - tal tongues, Which war - ble from im - mor - tal tongues.

^^E§ilSiili^iS^§Ei^^^l^§^il^iiBI

6 4 7 6 7~ 6~" *» ^ 5 6 — 5 5

~ >—-T 73 4 663 4—3666 6

4

,•69. BOSTOCK. L. M.

crii=i=B=iiiii=fei=i=MiEgiyEil

Vogler. 6§

EiEIE|=?E3EE:fEjill

The hope of sin - ners lies be - low, 'Tis all the hap - pi - ness they know ;

liilS^JliilSl^pisi^lili^lliliiliil

4 63

98 64 3

6 8 7 6 7—=— 34 6 5 4 5

4 6-3

£"~ ~

P. F.. _

'Tis all they seek; they take 1heir shares, And leave the rest— And leave the .rest a - mong their heirs.

Tasto.

CI CrrHrr^B o" C H £L ^7 fi Aft"76 7 6 7 fi 7 6 5 34 5 4 5 4 5 4 3 8

6-7 6'

4 — 46 8:4

H. & H.

66 ,*69 RICHMOND. L. M. 2 verses. De La Main.

-Si-^C--=T-P^ -C

When we, our wearied limbs to rest, Sat down by proud Eu - phra - tes' stream ; We wept, with doleful

4 3 4. 6 4.3 "876 5"6 — — - *64 6

35 6 fi 4 3 4 6

38 7 6 56 5 43

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thoughts op - prest, And Si - on was our mourn-ful theme. Our harps, that, when with joy we sung, Were wont their

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67

feia^BaaiigiagiiiiBa^rf

tune - ful parts to bear, With si - lent strings ne - gleet - ed hung, On wil - low trees that wither'd there.

^PIiliiLS^ii"&ii^lE#lgiSiSilmmmmEm^mmmmmmmmi

3 3~3 3*17 67.5 4#

8 S 4 8 —333 3 3 3 333 3 3 36 6465 8767

6 5 4

f69. NORFOLK. L. M. J. Ashton.

:Si*:

Amidst the various scenes of ills, Each stroke some kind design fulfils ; And shall I murmur at my lot, When sov'reign love directs the rod ?

76 87 5 6 43 #6 6 74 * 6 #§

4to

6 5 6 74

68 ,»69 St. ALBAN's. L. M. Vincent Novello.

iMSal-va-tion is for - ever nigh, The souls that fear and trust the Lord ; And grace descending from on high, Fresh hopes of glory shall afford.

6 74

,•96.

#+ 6 #6 6 7 872 4. 5 # #-

3

St. OLAVES. L. M.

57 * 8 7~ 6

Hudsou

87 6 6 75 4

-Q-lS feprdiT

ISiCome hither, all ye weary souls, Ye heavy laden sinners, come ; I

1]] give you re6t from all your toils, And raise you to my heav'nly home.

6 5—6 6 6 5*i- 4 3

65— 6 6 6 74fcj—

' 4 tf

6"6 65 6 6 5 5 - 8 ,7 6 5 75 66 74 3 4 3 3-65 43 4

f69. ASTOR. L. M, J. MeMurdie. 69

q^E^E^^t^^^gE^^^^^KJ^^^SE^fe^^^:^^^ ::E^^^E^[^^^KLet ev-er-last-ing glories crown Thy head, my Saviour, and my Lord ; Thy hands have brought salvation down, And writ the blessings in thy word.

6 43 87 8 7 6 5fa- 5 tr

8 7 6 5 — 66\*3 -

K72. WATERVILLE. L. M.jx Second Treble.

-©-©-

4. 6 6 6 6 72 .4

S. Webbe.

p.

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This is the word of truth and love, Sent to the nations from above, Jehovah here resolves to show, What his almighty grace can do.

P. F.

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Eternal Rul - er of the skies, How various are thy works, how wise ! How great the wonders

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Retire, O sleep, from ev'ry eye ! The rising morning re-ap-pears ; The sun ascends the dappled sky, And drinks cre-a-tiou's dewy tears.

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Thus saith the high and lof- ty One, I sit up - on my ho - ly throne, My name is God, I

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:±:S:tffi=HEEbEiE=-iEJ:ti:brE:lErtS^Praise to thy name, eternal God ! For all the grace thou shed'st abroad ; For all thine influence from above, To warm our souls with sacred love.

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Great God ! to thee my ev'ning song With humble grati - tude I raise j O let thy mercy tune my tongue, And 611 my heart with lively praise.

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^imMmmmmmimMmwmmmmimmmStand up, my soul, shake off thy fears, And gird the gospel armour on ; March to the gates of endless joy, Where thy great Captain—Saviour's gone.

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88. CHARLESTON. L. M. R. Cook.

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From vocal air and concave skies, Let wafted hal - le - lu -jahs sound ; And let the sacred triumphs rise, Till vaulted heav'n the notes rebound.

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Great God, at - tend, while

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z\ The joy, that from thy presence springs,

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2 day with thee on earth, Ex - ceeds a thou - sand days of mirth.To spend one day with

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h66. TRENTON. L. M. Wm. Shield. 77

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Maestoso.

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Stand up, my sou], shake off thy fears, And gird the gospel armour on ; March to the gates of endless joy, Where thy great Captain—Saviour's gone.

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*=#-E-ter-nal Source of evVy joy, Well may thy praise our lips employ ; While in thy temple we appear, Thy goodness crowns the circling year.E - ter - nal Source of ev'ry joy, Well may thy praise our lips employ ; While in thy temple we

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78 1*72. PEUG0LES1 L. M. Pergolesi.

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IBless, O my soul, the liv - - ing God

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Let all the pow'rs with - in me j°*n jIn work and wor - ship so di - vine.

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ANTIGUA. L. M.—1__—

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The King of saints, how fair his face, A - dorn'd with roaj ty and grace .'

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Were I inspir'd to preach and tell All that is done in heav'n or hell,

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mmmfMmmmmmmmmmwmmmWhen 'mid the gloom of night I stray, And heav'n's re - splen-dent arch survey— And mark with rapture and sur - prize,

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The va - ried glories of the skies, Ah ! what is man ? thou great Su - preme, That thou should stop to Tisit him ?

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80. EVENING HYMN. L. M. Jer. Clark. 83

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Dr. Hayes.

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My humble soul its crimes shall own, Behold me bow before thy throne ; To thee my inmost guilt disclose, And in thy bosom pour my woes.

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MUNICH. L. M. Ad old German Air.

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'Twas on that dark, that doleful night, When pow'rs of earth and hell arose Against the Son of God's delight, And friends betray'd him to his foes.

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BABYLON. L. M. ltavenscroft.

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Shew pity, Lord ! O Lord, forgive ! Let a re-pent-ing sinner live ! Are not thy mercies large and free ? May not a sinner trust in thee ?

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t84. DARWEN. L. M. 85Affetuoso.

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Can bid the eoul re - turn to light, And break th( slum - ber of the dead ?

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60. WESTBURY. L. M. Prelleur. 87

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88 f84. LIMEHOUSB. L. M.

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In mem'ry of your dy - ing Lord, : Do this, he i said, till time shall end,

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Meet ta - ble and The love of your de ed Lord.

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30. NANTWICH. L. M. Dr. Madan. 89

Thus saith the high and lofty

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dwell on high, Dwell in my own e - ter - ni - ty. Dwell in my ter - ni - ty.

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90 84. MUSIC. L. M. 6 Hues. Dr. Arne.

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God of my life, through all its days, My grateful pov'rs shall sound thy praise ; The song shall wake with op'ning light,

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And warble to the si - lent night. The song shall wake with op'ning light, And warble to the si/ - lent night.

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PILESGROVE. L. M. 91

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69. St. PATRICK'S. L. M. T. A. Geary.

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With humble pleasure, Lord, we trace, The ancient records of thy grace ; And our own con-so-la-tion draw, From what thy servant Moses saw.

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Life is the time to serve the Lord, The time t'ensure the great reward; And while the lamp holds out to burn, The vilest sinner may return.ure the great reward; And while the lamp holds out to burn, The vilest sinner may return.

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WOODSTOWN. L. M. 93

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From all that dwell below the skies, Let the Creator's praise arise ; Let the Redeemer's name be sung, Through ev'ry land hy evVy tongue.

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so. MNETY-SEVENTH PSALM TUNE. L. M. Tuckey.

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Darkness and clouds of awful shade His dazzling glory shroud in state, Justice and truth his guards are made, And fix'd by his pavilion wait.

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94 69. St. DAVID's. C. M. Ravenscroft.

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St. JAMES'. C. M.

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How shall I praise th'eternal God, That in'-fi- nite unknown? Who can ascend his high abode, Or come be - fore his throne ?

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My God, my portion and my love, My ev - er - last - ing all ! I've none but thee in heav'n above, Or on this earthly ball.

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1:88.

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HOWARDS. C. M.

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Mrs. Cuthbert.

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Jfcz^EsEtELord, hear the voice of my complaint, Accept

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mulaint, Accept my secret pray'r ; To thee, alone, my Kins, my God, \\ ill I for help repair.

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Shepherds re-joice, lift up your eyes, Ami send your fears away! News from the region of the skies ! Salvation's born to-day!

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The glorious armies of the sky, To Thee, Almighty King, Har-mo-ninus anthems consLcrate, And hal - le - lu-jahs sing.

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Dr. Croft. 97

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" Let heav'u arise, Jet earth ap - pear!" Said the Almighty Lord: The beav'ns arose, the earth appear'd, At his ere - a - ting word.

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'hick darkness brooded o'er the deep : God said, " Let there be light !*' The light shone round with smiling ray, And scatter'd ancient night.

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GREAT MILTON. C. M.

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lii^lgiiiiiliiillSliSiggllThou art my portion, O my God, Soon as I know thy way, My heart makes haste t'obey thy word, And suffers no de - Jay.

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1 choose the path of heav'nly truth, And glory in my choice : Not all the riches of the earth, could make me so rejoice.

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Adagio Affettuoso.

ARLINGTON. C. M. Dr. Arne. 99

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Jesus, I love thy charming name, 'Tis music to my ear ; Fain would I sound it out so loud, That earth and heav'n should hear.

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Ravenscroft

O thou, from whom all goodness flows, I lift my heart to thee; In all my sorrows, conflicts, woes, Dear Lord, remember me!

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Corue, Holy Spirit, heav'nly dove, With all thy quick'ning pow'rs, Come, shed abroad a Saviour's love, And that shall kindle ours, And that, &c. And that, &c.

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'•*• Maestoso TALLIS' CHANT. C. JV1.

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O all ye nalions, praise the Lord, Each with a diff'rent tongue ; In ev'ry language learn his word, And let his name be sung.

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Hap - - py the man, whose grac - es reign, Where love in - spires the breast

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•-84. NEWTON. C. M. T. Jackson. 103

Come, happy souls, approach your God With new melodious songs ! Come, render to Al - migh - ty grace, The tribute of your tongues.

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•84. St. GREGORY'S. C. M. Dr. Wainwright.

I'm not asham'd to own my Lord, Or to defend his cause, Maintain the honour of his word, The glo - ry of his cross.

^ ^ 56 6 6 6 if 6 F6 7 ° §- 6 |4 6 8-7 6 5 6* 6 6 5 7<i. 4 3 *b 33 h5 32 6 5 4 o o 4 3—6 •*•

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101 69. BRATTLE STREET. C. M. Pleyel.

^^^^^S^^S^s^^^^^^S^^^^^^^While thee I seek, protecting Pow'r, Be my vain wishes stilPd ; And may this con-se-crat-ed hour, With better hopes be fill'd !

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Thy love the pow'r of thought bestow'd, To thee my thoughts would soar, Thy mercy o'er my life has rlow'd, That rner - cy I adore.

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Great God, how in - fi - nite art thou ! What worthless worms are we ! Let the whole race of creatures bow, Aud pay their praise to thee.

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•88. LIVERPOOL. C. M.

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Dr. WaiDwright.

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:tapgaAs=pigS=5iQAWhen I with pleasing wonder stand, And all my frame survey, Lord, 'tis thy work, I own thy hand, That foriu'd my humble clay.

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WAL1EHAM. C. M. Dr. Arnold.

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As originally published by Dr. Arnold.

How large the promise, how divine, To Abr'ham and his seed! "I'll be a God to thee and thine, Sup-

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ply - ing all "their need." " I'll be a God to thee and thine, Sup - ply - ing all their need."

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Maestoso.

BLAIN DFUttlJ. TJ. 1VJ. TTJaeKSon. 107^

Awake, ray soul, arise, my tongue ! Prepare a tuneful voice, In God the life of all my joys, Aloud will I rejoice.

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BRAY. C. M.

6 5 6 6 74<

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N. Herman, 1550.

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Eii^ilgilliiiilSiiiiliSiiiiliiilliil^To God, our never failing strength, With loud applauses sing ; And jointly make a cheerful noise, To Jacob's awful King I T o Jacob's awful King

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108 £92Maestoso.

TEMPEST. C. M. 3 verses. Haydn.

The Lord, our God, is full of might, The wiuds obey his will-; He speaks, and in his heav'nly height, The rolling sun stands still.

6 5 5 5 6 7 64 4 3 45 4.

2

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-9- -©-Re - bel ye waves, and o'er the land, With threat'ning aspect roar ; The Lord uplifts his awful hand, And chains you to the shore.

T" s ...:.... - . . -• -Z- 5 6 &6 6- 6 6 7

•34. St. JOHN'S. O. M. 109

Now to the Lamb that once was slain, Be end - less hon-ors paid ; Sal - va - tion, glo - ry, joy remains, For - ev - er on his head.

7 4 63

4. 65 6 5tl6 6 6 73 4.3

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66. ALDBOROUGH. C. M. V. Novello.

O praise the Lord with one consent, And mag-ni - fy his name ; Let all the servants of the Lord, His worthy praise proclaim.

6~ 7~ ~67~"#~~ 6~" ~6 7 ' " 6 5 6 '"" 4 # *" '~7 '

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110 84. SWANWICK. C. M. Lucas.

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Soon shall the glorious morning dawn, When. all thy saints shall rise ; And cloth'd in their im-

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mor - tal bloom, At - tend thee to the skies. At - - tend thee to the skies.

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£80. DUNUENESS. C. M. Mozart. litCantabile.

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My God, the steps of pi - ous men, Are order'd by thy will ; Though they should fall, they rise again, Thy hand sup - ports them still. "%

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pliiiiiiiiiii^siiiiiiiiiiiiiiiiiaiThe Lord delights to see their ways, Their virtue he approves ; He'll ne'er deprive them of his grace, Nor leave the man he loves.

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112 :84. OXFORD. C. M. Coombs.

While shepherds watoh'd their flocks by night, All seated on the ground, The angel of the Lord came down, And glo - ry shone a - round.

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In all my vast concerns with thee, In vain my soul would try, To shun thy presence, Lord, or flee The notice of thine eye.

6 5 „3*

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84. HAVANNA. C. M. Dr. Harrington. 113

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rpJe__- T_,_©_T.Q-mm&gmmmgmmm&BmmmHow vain are ^all things here below ! How false, and yet how fair ! Each pleasure hath its poison too, And ev' - ry sweet a snare.

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87 6 — 46 6 "64—2 4 56 6 4

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C. M. I. Clark.

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Some seraph lend your heav'nly tongue, Or harp of golden string, That I may raise a lofty song, To our e - ter - nal King !

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11* 1*88. CHESTERFIELD. C. M. Dr. Haweis.

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Lord, when my raptur'd thought surveys Creation's beauties o'er, All nature joins to teach thy praise, And bid my soul re-joice.

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84. ABRIDGE. C. M. 1. Smith.

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Great God, to thee my grateful tongue, My fer - vent thanks shall raise ; Inspire my heart to raise the song, Which eel - e - brates thy praise

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Allegro.

Ashley. c. M. Dr. Madau. 115

Salvation, O the joyful sound ! 'Tis pleasure to our ears ; A sov'reign balm for ev'ry wound, A cordial for our fears.

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CHORUS. Assai Allegro

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Glory, honour, praise and power, be unto the Lamb forever, Jesus Christ is our Redeemer 1 Hallelujah Hallelujah ! Hallelujah ! Praise the LordJ

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416 f92. TWEED. C. M. Dr. Carter.

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ffdS^iraHS lilili^SiligiJlSweet is the mem'ry of thy grace, My God, my heav'nly King : Let age to age thy righteousness In sounds of glo - ry sing !

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PETERBOROUGH. (3. M.

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Once more, my soul, the rising day, Salutes my waking eyes : Once more, my v»ioe, the tribute pay, To him that rules the skies !

87 73 5 67

88. SALEM. C. M.

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^^^mmmmm^mHummi ^ppjjppsPpi^Et|i£=iipi' The va - rious months thy good - ness crowns : How

-*i—ri:-:i-~z—:-^mbeauteous are thy ways !

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The bleat-ing flocks spread o'er the downs, And shepherds shout—And shepherds shout—And shepherds shout thy praise

5 6 7 8 7~5 6 ~" 6 5 6 6 6 5 6 714 5 4 3 5 4

118 ,»72. DEVIZES. C. M.

Awake, my soul, a - - rise, my tongue, Pre-- pare a tune - ful voice; In God, the life of

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r»-i-~^ -) |-r—I —A - loud will I re - joice. A - loud will I re - joice.

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»84. C. M. Dr. Wainwright. 119MANCHESTER.

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There is a land of liv - ing joy, Beyond the ut - most skies, Where scenes of bliss without al - loy, In boundless prgspect rise.

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BRIDGEPORT. C. M.3 5 4 3 3

L. Mason.

Great is the Lord ; his works of might Demand our noblest songs: Let his as - sem - bled saints unite Their harmony of tongues.

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120 ,»72. CLIFFORD. C. M.

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God, From Zi - on's hill and Zi - on's God, Who heav'n and earth has made, Who heav'n and earth has made.

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•72. HULL. C. M.Animated.

Dr. G. K. Jackson. 131

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O thou, to whom all creatures bow, WHhin this earthly frame, Through all the world how great art thou, How glorious is thy na

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My Shepherd is the living Lord, No thing therefore I need; In pastures fair, near pleasant streams, He setteth me to feed.

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132 84. COLCHESTER. C. M. Williams.

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_a .d "^»teissnBssm^seisLord, in the mosning thou shalt hear, My voice ascending high ; To thee will I direct my pray'r, To thee lift up mine eye.

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O, 'twas a joyful sound to hear, Our tribes de-vout - ly say, Up, Is-r'el, to the temple hasle, And keep the festal day!

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84. ABINGTON. C. M. Dr. Heighington. 123

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Lord, I flee, From strife and tu - molt far ;

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121 •88. ORENBURG. C. M. Haydn.

Be g'", sou], the lof - ty strain, la sol ac - cent

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sacred hymn of ?rate ful praise, To heav'n's Al mish - ty King!

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LONDON. C. M.

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Dr. Croft.

Plac'd on the verge of youth, my mind Life's op'ning scene surveys ; CVer all its ills of various kind; With awful fear I gaze.

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WALNEY. (3. M. Dr. Boyce.

Sing to the Lord, Je - ho - vah's name. And in his strensth rejoice ! When Ids sal - va - tion is our theme, Ex - alt - ed be our voice !

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^mmmmmmmmmmmm^mmmAH glory be to God on high, And on the earth be peace ! Good will, henceforth, from heav'n to men, Begin and never cease.

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God, nay sup-port-er, and my hope, My help for - ev-er near; Thine arm of mercy held me up, When sinking in de-spair

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CHRISTMAS. C. M. Handel.

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A - wake, my soul, stretch ev'ry nerve,

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thy zeal, And

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an im - mor - tal crown. And an im - mor - tal crown.

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YORK. C. M. John Milton, father of tlie Poet. 139

Thee we adore, E - ter-nal Name, And humbly own to thee, How feeble is our mortal frame, What dying worms are we

!

6 6 6 5 75 4 #

.6 875 3—

t80. BRADFORD. C. M. Handel.

P—a-i-P—•~r£h

*«&I know that my Re - deem-er lives, And. ev - er prays for me ; Sal - va - tion to his saints he gives, And life and lib - er - ty.

67 5 6 7 7 6 7#6 6 7 7 §7 5

ill=fi$675 6 -t 6 5 756 6 7* 3 4 3

H. & H. 17

BRA1NTREE. C. M.130 £88.Con. Spirito

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In God's own house pro - nounce his praise, His grace

1 ^~"E-^

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f^m&smmmwmm^m=Mm=m=To beav'n your joy and won - der raise, For there his glo - ry dwells.

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1*84.

Moderate.

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BEDFORD

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C. M. W. Wheall. 131

mmmmmmztmaummmmaLord, thou wilt hear me when I pray, I am for - ev - er thine ; I fear be - fore thee all the day, Nor would I dare to sin.

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MEDFIELD. C. M.

6

Mather

6 6 874

In early morn, without de - lay, O Lord, I seek thy face ; My thirsty spirit faints away, Without thy cheering grace.

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5 4 # 46 63 4.66 6 #6 3 4 6 43 3 4 4 2 3

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132 |»G6. DUNDEE. C. M. Scottish.

Let not despair nor fell re - venge, Be to my bosom known ; O give me tears for oth - ers1 woes, And patience for my own !

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57 5 # 6 6 56 5 7

5 #-84. BARBY. C. M.

^-g-^^-lTr-lT—nT-^-T—rrttr-lliEt^Ei^flE^

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Hope looks beyond the bounds of time, When, what we now deplore, Shall rise in full im - mor-tal prime, And bloom to fade no more !

6 6 6 74 4

6 65

6 6 6 5 6t3

6 74 ,

,•"60.

Grave. ^—

^

WINDSOR. C. M. G. Kirbj. 133

My God, how many are my fears, How fast my foes increase ! Their number how it mill - ti - plies, How fa - tal to my peace '.

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I""• Lamentevole.

6 6 5 7-:- 3—

BURFORD. C. M.

87#- 87 5 8 7 5 7

Purcell.

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Dark was the night, and cold the ground, On which the Lord was laid ; His sweat like drops of blood ran down, in ag - o - ny he prav'd.

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hS0. CROWLE. C. M. Dr. Green.

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Life is a span, a fleeting hour, How soon the vapour flies ! Man is a tender, transient flow'r, That e'en in blooming dies.

6 #6 # - 6 66574 4 #-

60.

* 7 6 S — 6- # K3 5 6 7 3 #5 3 — 6* M 34 5

St. MARY's.

* #6 6 #6 6 6 5 74 4. 4 #—3 3

liHiiiiiiiiiPxiEiiiiiiiisiiLiiifEiiiii

Lord, what is man, poor feeble man, Born of the earth at first ? His life a shadow, light and vain, Still hastfning to the dust.j^vjuj, v.uut jo iuhii, pvui iwun, man, "«'" ^i mc caiiu ai U131 ! J.I13 JJ1C it SHilUOff, llgllL O.UU VttlU, QUU naSl'Iling TO IQe QUSt.

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60.Lamentevole.

BANGOR. C. M. Ravenscroft. 135

~il^lPiigiili'iliilliiiS!

Hark ! from the tombs, a doleful sound, My ears at - tend the cry ; Ye living men, come view the ground, Where you must shortly lie.

P3i

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ZTCC67 5 6 874#

?-60. FUNERAL HYMN. C. M.

#6 8- 6 6 6 874 33 4 #-3

Dr. Miller.

The righteous souls that take their flight, Far from this world of pain, In God's pa - ter - nal bosom blest, For - ev - er shall re - main.

6 #6 6 6 874 #-3

#6 6 #6 3 6- #5 4 #*

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6 M 875 ##46 #4. 6 87Z 3 4 #—

136 ,•60. BETHER. C. M. Dr. Howard.—l—

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hrEzErtizEse

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Return, O God of love, re - turn, Earth is a tiresome place; How long shall we, thy children, mourn, Our absence from thy face?MlB«OTBaSBi~6 # ' ii" ~<f 87* "

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Now I forbid my carnal hope, My fond desires recall ; I give my mortal infrest up, And make ray God my all.

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mTenor and Alto.

PLYMPTON. C. M. Dr. Arnold. 137

l^m^^m^^^^^mm^m=^m^Now let our droop - ing hearts re And ev - - ry tear be dry !

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Why should these eyes be drown'd in g"ef5

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Which view a Saviour

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nigh ?

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60. St. AUSTIN'S. C. M. Wra. Horsley.

Behold thy waiting servant, Lord, De - vot - ed to thy fear ; Re - member and confirm thy word, For all my hopes are there.

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ELGIN. C. M.

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iiiSilgPli^iiililllgiiiiiilfThat awful day will surely come, Th'appbinted hour makes haste ; When I must stand before my Judge, And pass the solemn test.

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80. / WORKSOP. C. M. 139

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To calm the sorrows of the mind, Our heav'nly Friend is nigh ; To wipe the anxious tear that starts, And trembles in the eye.

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HASELTON. C. M.

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See1, Jackson.

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Help, Lord, for men of virtue fail! Re - li - gion los « es ground ; The sous of wickedness pre- vail, And treacheries a - bound.

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140 84. WALTON. C. M. Dr. Thos. Busby.'r.»-

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wake, ye saints, and raise your eyes, And raise your high

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A wake, and praise that reign love, That shows sal va - tion

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687 434

,»60. WALSALL. C. M. Purcell. 141

gillliiSiiilitlil^liiigiliiiiilSiRebuke me - not, O Lord, for-give; In mercy O reprove; And in thy mercy grant re - lief, Nor cast me from thy love.

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80. COLLINGHAM. C. M. 1. Jackson.

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By foreign streams that murmurM round, While captive Israel mourn'd, Their mind was free—their thoughts unbound, Were still t'wards Zion bound.

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112 1*76. EXETER. C. M. Bond.t

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My lot is fall'n in that blest land ; Where God is tru - ]y known

;

He Alls my

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He fills my cup with lib' - ral, lib1 - ral hand ; 'Tis

—

cup with lib' - ral hand, with lib 1 - ral hand ; 'Tis he supports my throne. 'Tis he, 'Tis he supports my throne.

He fills my cup with lib' - ral, lib' - ral hand; 'Tis

—

6 5 — 6 — 44 3- 4 6 6 43 6

3 47

•so. CHRISTMAS HYMN. C. M. Win. Jacksou. 143

rr£?te€

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While shepherds watch'd their flocks by night All seated on the ground ; The angel of the Lord came down, And glory shone around,

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" Fear not," said he, (for mighty dread Had seizM their troubled mind,) " Glad tidings of great joy I bring, To you and all man - kind >'

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14sl< §8 IRISH. C. M. A. Williams.

Now shall my inward joys arise, And burst into a song ; Almighty love inspires my heart, And pleasure tunes my tongue.

f69.

4 6 43- 3

4 6 7

CLARENDON.6 3 6 56 4 6 5— 6 4

3 43— 36 6 6 7

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C. M.

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What shall I render to my God, For all his kindness shown ? My feet 6hall visit thine abode, My songs address

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ITthy throne.

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f8-l. WESTON FAVEL. C. M. 145

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Come, let us

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lift our joy - ful eyes Up to the courts above, And smile to see our Fath - er there

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Upon a throne of love. And smile to see our Fath - er there Upon

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88. FOUNDLING. C. M. I. Scott.

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The Lord himself, the mighty Lord, Vouchsafes to be my guide ; The shepherd by whose constant care, My wants are all supplied.

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IHHS

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if**^f69.

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CHELTENHAM. C. M. Ravenscroft.

My God, my everlasting hope, I live up - on thy truth ; Thine hands have held my childhood up, And strengthen'd all my youth.

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6~ 56~

8 7 '"# £5* 8 7 6 5 7

S 41

1*84.

a Second Treble

COMPTON. C. Mo Dr. Croft. 147

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Raise thee, my soul, fly up and run Thro' ev'ry heav'nly street, Aad say, there's nought below the sun, That's worthy of thy feet.

6 * 64 6 65 65 7 6 * 6 5 7 6- # 6 5 6 6 75 2 3 *- # *~ *3 tj ^* *

•88.

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ASYLUM. C. M. Win. Horsley.

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Thee I'll ex - tol, my God and King, Thy endless praise proclaim ; Thjsjribute jjf%^ ' will bring, And ev^- er b!ess thy name.

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14S f-80. GENEVA. C. M. J. Cole.

1

When all, &c. My rising, &c.

^ii^lli—^i^HiEEWhen all thy O my God, My rising soul veys

•7 R £ R ^?

When all, &c.

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„- Trans - port - ed, &c. In won - der, &c.

Trans - port

won - der, &c.

ed with the view, I'm lost

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In wonder, love and praise.

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6 * 8 - 63 3 S 5

6 76 745 4

50. FUNERAL THOUGHT. C. M.

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Smith. 440

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Hark ! from the tombs, a doleful sound, My ears at - tend the cry ; Ye Jiving men, come view the ground, Where you must shortly lie.

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h84. EVERSLEY. C. M.

6 874 #-

Dr. Nares.

I

My soul arise ! shake off thy fears, And wipe thy sorrows dry ; Je - sus, in heav'n thy witness bears, Thy record is on high.

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6 6 6 7 43 -fe75#6 6 6 6 73 4

150 so.

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CAROLINA. C. M. Coombs.

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Re - - turn, O God of love, re turn, Earth tire - some place

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How long shall we, thy chil - dren mourn, Our ab - sence from thy face.

6 '563

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6 S 74#-

84. HUDDERSF1ELD. C. M. Dr. Madan. 15i

My hiding place, my re - fage, tow'r, And shield art thou, O Lord ; I firm - Iy anchor

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Alto. F.Second Treble.

all my hopes, On thy un

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err - ing word, On thy un - - err word.

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152 80. FROOMSGROVE. C. M.

O render thanks and bless the Lord

;

In - yoke his holy name, Ac - quaint the

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liations with his deeds, His matchless

i

1 V-1—deeds pro - claim, His matchless deeds pro - claim.

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,*80. SILVER STREET. S. M.Allegro

I. Smitb. 153

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Come, sound his praise abroad, And hymns of glory sing ! Je - ho-vah is the sor'reign God, The u - ni - ver - sal King.

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6 65 6 4. 6 6 874.

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Praise ye the Lord ! Hallelujah ! Praise ye the Lord ! Hallelujah ! Hallelujah ! Hallelujah ! Hallelujah ! Praise ye the Lord !

P. ' P. y^-v _J «>_

Solo. Tutti. Dnison. Solo. Tutti. Unison. F. F.

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6 6 6 6 4 6 6.5 5 3 56 8 74>

154

i

•92. PELHAM. S. M. (xiardini.

^SSSiiiai^S^iife^iaSMy soul, re - peat his praise, Whose mercies are so ereat ; Whose anger is

'so slow to rise, So ready to a - bate.

f.-ytry

6667 7 6 6 7+6 4. 66* 6 5* 4 4 3 3 3 43

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Unison. F. P. F. ^~s °.Q. JO.

7-6 5 6—4 3 4— -7 6 -5— 4

ii5 6 6 73 4 #

6 6 6 74

£U4. MUUJNT ErjtiKAlM. S. M. Milgrove. 155

f:

1:

Your harps, ye trembling saints, Down from the willows take ! Loud to the praise of love divine, Bid ev' - ry strino- awake '

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WESTMINSTER. S. M. Dr. Boyce.

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Behold the lofty sky, Declares its Maksr, God ; And all the starry works on high, Pro - claim his pow'r abroad

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!56 St. THOMAS. S. M. A. Williams.

High as the heav'ns are rais'd, Above the ground we tread ; So far the riches of his grace Our highest thoughts exceed

6 #64.

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66. DOVER. S. M.

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Great is the Lord our God, And let his praise be great ! He makes the church his blest abode, His most de - light - ful seat.

6 4.

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6 8 7 6 6 6 74

£66

~tf~7T~~1"

EASTBURN. S. M. Harwood. 157

liilSililiiiigIiSSliiilHIiiliii3S

To God, in whom I trust, I lift my heart and voice ; Oh let me not be put to shame, Nor let my foes rejoice !

IllpIllsiiiiliilllsfglgiigi^Siiii

6 4 6 3* 4 6 98 65 4 6 5- 36- 87 8-66 6 7333 7 6 4# 3 334k69. CLAPTON. S. M. Jones.

Maestoso.

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Thy name, Almighty Lord, Shall sound thro' distant lands : Great is thy grace and sure thy word ; Thy truth for - ev - er stands.

r -T-n-0-.

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SH1KLAJN1J. ». M. Stanley.

Behold the morning sun, Begins his glorious way ; His beams through all the na - tions run, And life and light convey.

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ATHOL. S. M. Rev. R. Harrison.B/~s

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How various and how new, Are thy com - pas - sions, Lord ? Each morning shall thy mercy shew, Each night thy love record.

i^SiiiliilillglilSillilll^iPlilii•szSzgz

zt:czzG6 67

46 5 6 6 56 87 6 7

4

*84. SUTTON. S. M. 159

and sovereign Lord, Of beav'n and earth and seas, Thy prov - i - dence confirms thy word, And answers thy decrees.

-X X |_.X 1 X X.I1 1

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6 64

84.

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4 6 * 6- 4. 66 673 43 5 3 4.

A. Williams.

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iillliiiiliiillilllilii^Silll?Welcome, sweet day of rest, That saw the Lord arise ! Welcome to this re - -viv - ing breast, And these re - joic - ing eyes !

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160

|f^fcS=q-3=:^oo. ELYSIUM. S. M.

I

He leads me to the hills, Where saints are blest a - bove, Where joy like morning

6 4. 3 6-3 5

3 6 74

#6 6

E^yHEy=!EE^Ey=ii=yi!-#T-ft — £• 1

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dew dis - til=, And all the air is love.

mmmmmmmmmlove. And all the air is

§fe**E£EgES

. 7 7 6 5 6—^5 6 ~6 3*6 9 8 65—5 5 5 4. 3 * —3 6-47 6S-5 5 5 4.3- £3 *

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,*72. MORNINUTON. S. M. Lord Mornington. 161

m- iilliliiigiiiiliilgigiilliiiiii?giiiPigiii^iiigiSi^iijiiiifiiioMy gracious God, how plain, Are thy di - rec - tious giv'n ! O may 1 never read in vain, But .find the path to heav'n.

6 6 6 87"1"

6~ 6 5 6~ " 6 6 43 4 6* 4 65 6 574 4 5 3.34

THESSALIA. S. M.f-

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^-1~g§^|g£^EgE^^gEE^Egjg£|g^gEgSee what a living stone, The builders did re -fuse; Yet God hath built his church thereon, In fpite of envious Jens.

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INVOCATION. S. M. Lockhart.162 |»69.

Come, Holy Spirit, come, Let thy bright beams a - rise ; Dispel the darkness from Our minds, And open all our eyes !

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6 665 4 6 '4 65665 4<T * 6 4. 6 6 6 4 mJ^ ^_- 6 743 2 3 43 2 3 4 2 4 3. 8-- 6 6 4

84.

2 3 43

FAIRFIELD. S. M.

3. 8 6 6 43 3

li. Harrison.

llgiililiiiSiB^lgiliailHli hG-

^^BBr^BBgJ^B^^SJLet diff'ring nations join, To celebrate thy fame; And all the world, O Lord, com -bine, To praise thy glorious name!

;p^P- Q.

6--_4 - ~6687 5 6 7 87 5 7

I7

f-69. BLANDENBURG. S. M. German. 163

i^iiiiji^iiiiiiiii^iiiiyiiiiiiiigiExalt the Lord our God, And worship at his feet ; His nature is all ho - li - ness, And mercy is his seat.

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36 * 3 6

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^69.

torCROYDON. S. M.

6 6

German.

The God Je - ho - vah reigns, Let all the nations fear ; Let sinners tremble at his throne, And sainls be humble there.

6 5 6 * s— tr| i I6 6 7

5 IS

7 5 S 5 • S 7

161 f80.Con Spirito.

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NORTHAMPTON. S. M.

F. s—»^ Heav'n with the echo shall resound,

iound, Har - mo - nious to the ear ; P. Heav'n with the echo shall re-

-9- ^—^ N»—* v_y >^_^ -*_^ v-J? Heav'n with the echo shall re - sound, ------

Grace ! 'tis a charming sound, Har - mo - nious to the ear ; P

-&8 7 6 76 5 4 5

8. 665 65 67 6 56543 43 43P.

Heav'n with, &c. 6 6 6re-

Heav'n, &.c. P. And all, &c. F.

sound, with the echo shall resound, And all the earth shall hear, And all the earth shall hear. And ali the earth shall hear.

Heav'n, &c.P P i F

sound, 6 6 *— And all, ice. And all the earth, And all, &c. 3 6 S 7

6 6 4 3—

,•72. WATCHMAN. S. M. Leach. 165

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My soul with patience waits, For thee the living God ; My hopes are on thy promise built, Thy nev - er failing word.

6 5-

60.

S— 6 5 6 7tr- * tl

AYLESBURY.

6 | 6tf 6 5 6 5 63

S. M. Dr. Green.

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From lowest depths of woe, To God I send my cry : Lord, hear my sup - pli - cat - ing voice, And gra - cious - ly re - ply !

*V 66687 +15 6 65 6 #8 -—#6 * 6 6 6 874 *- 3 33 +

3V #—

166 £80. LITTLE MARLBOROUGH. S. M.

lifellSiieiyiiPil^llilliilie^To God, in whom 1 trust, 1 lift my heart and voice ; O let me not be put to shame, Nor let my foes rejoice 1

6*6 66575 4 #.-

SO.Grave.

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DUNBAR.

# - - 64

87 S 6 6 54#

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6 #6 6 6 5 74 4 •#—3

Corelli.

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When overwhelm'd with grief, My hear? within me dies, Helpless and far from all re - lief, To heav'n I lift my eyes.

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435 6 87

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60. YARMOUTH. S. M. Dr. Wainwright. i67

«-i_l~L,..

For my desponding soul, What comfort shall I find j Where is the sovereign healing balm, For an af - flict - ed mind.

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,•"60.

Lamentevole.

6 fe-643

St. BRIDE's. S. M.

6 tl 6 6 87 65 — tj6 66 6 5

3 3 M

Dr. Howard.

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And must this body die ? This mortal frame decay ? And must these ac - live limbs of mine, Lie mould'ring in the clay ?

6~' 6 8

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168 . ,*88. PEOKHAM. S. M. Isaac Smith.

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pleas'd was I lo hear Is of Zi - - on say,

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pleas'd wasHdW The friends

6 64

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to her courts let And keep the sol

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IIBIpair. ae soi - emn day.

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h76. PRINCETON. S. M. B. Jacob. 169

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Blest are the sons of peace, Whose hearts and hopes are one, Whose kind designs to serve and please, Thro' all their actions run. Thro' all, &c.

i6 56 109 7 8 6 5

8 7 65 434. 6 62 4

88. FliOOME. S. M.

Tasto. Solo. I -© 6

I. Husband.

6 874

Ye saints, in concert join, Your tuneful voic - es raise ; And celebrate in songs divine, Your great Creator's praise. Your great Creator's praise.

c c c c c c n c c *• *? c r. * t. c c c n65 6 6 6 6 74

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6 6 64 tr

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170

til111II-

f88* BOXGROVE. L. P. M. franthany.

of the Lord, The triumphs of his name record ; His sacred name for - ev - er bless. Where'er theYe saints and servants

Kisa

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circling sun displays His ris • ing beams or set * ting rays^ Due praise to his great name address. Due praise to his great name address.

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6 7 564 6 10 987 6 5.2 8 7 65 43

89 7 8-^7 3#4 6 6 fig34 3 43

6 8743-

•72. MARTIN'S LANE. As 113th. Dr. Artie. 171

I'll praise my Maker with my breath, And when my voice is lost in death, Praise shall em - ploy my nobler pow'rs.

566 5 6 6567 43 6 88-7 6543 43 7 6—543 •&6 6 6 6 5 7

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My days of praise, shall ne'er be past, While life, and thought, and being last, Or im r mor - tal - i - ty endures.

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iT-2 f-84. St. HELEN'S. L. P. M. Jennings,

i—

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1 T£lEdH~E5I:=EipE3^^

iiPigiiiEii^^giiiii^iii^igiiiiiLet all the earth their voices raise, To sing a lof - ty psalm of praise, And bless the great Je - ho - vah's name

!

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4 3 5 5 4, *— 3 3 4

liiiisiigl^iiyii^iijiiiiggiiiiiii^His glory let the heath - en know ; His wonders to the nations show ; And all his works of grace pro - claim !

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69.Andante.

JNEWCOURT. L. P. M. 173

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,

Great God, the heav'n's well order'd frame, De - clares the glory of thy name ; There thy rich works of wonder shine :

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A thousand star - ry beau - ties there, A thousand ra - diant marks appear, Of boundless pow'r and skill di - vine.

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3 3 5-3 4

174 88. kew. c. p. m. Dr. Randall.

The joyful morn, my God, is come, That calls me to thy honor'd dome, Thy presence to adore.

6 4.

36 6 3 6 6 6 74> 4.

*§ 6 6 £ I3

^

S3

My feet the summons shall attend, With willing steps thy courts ascend, And tread the hal - low'd floor.

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6 ™ ' "4. 7~ 76587 "643663 6 ~3 6 5 6 64. 6—7643 663 636 5 6-

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h 76. RAPTURE. C. P. M. Harwood. 175

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Be - gin my soul, th'ex-alt - ed lay, Let each en- rap -, tur'd thought o - bey, And praise th'Almighty'a name!Be - gin my soul, th'ex-alt - ed lay, Let each en- rap -.tur'd thought o - bey, And praise th'Almighty'a name!

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6 SI 632

6 5 7 6 tig43

6 74 5

4. 62

5 6 7

Alto.

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Lo ! heav'n and earth, and seas and skies, In one me - lo - dious concert rise, To swell th'iu-spir- ing theme.

5 — fa 63 " 3*

§ 7

176 £72. AITHLONE. C. P. M. German Air.

O Thou that hear'st the pray'r of faith, Wilt thou not save a soul from death. That casts it - self on thee ?

«l:6 P 5 4 6 4 6466 67 63

4J 33 424 4 5

aziz!

I have no refuge of my own, But fly to what my Lord hath done, And sufier'd once for me.

IliliiSliiiiPiilllgiiliiliilliiiilSi

4 6 13 3

64 6642 4

6 6 875 4

f-84. BIZANTIUM. C. P. M. Dr. P. Hayes. 177

The Lord th'e - ter - nal sceptre rears, And nature's pow'r ob - serv - ant hears, Whate'er his will en - joins :

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His head with purest splendors crown'd, With majesty he vests him round, And girds with strength his loins.

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H. & H.

6 .=>

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23

o 5 8 74 3

178 £

I

REDEEMING LOVE. C. P. M.

=iiliiliiii^l^ii=ii=iiiy^iliiiiSNow far a hymn of praise to God, Ye trophies of a Saviour's blood ; Join the sweet choir a - > bove ;

,i&itti^PiliipgiiiPBlliillilifilf^ 7 **6 6 657

?!i3All your harmonious accents bring, Wake ev'ry high ce - les - tial string, To chant re - deem - ing ^love.

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6 57

,»06. DALSTON. S. P. M. A. Williams. 179

t-i :t:

The Lord Je - ho - vah reigns, And royal state maintains, His head with awful glo - ries crown'd

;

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^liliggMIPIiiipfelllliiiiSlilliArray'd in robes of light, Be - girt with sov'reign might, And rays of rnaj - es - t_v a - round.

.liiilliilli^iiiiiiiliMiiiiilillli.6 7 £ 6 6 6 7

180 84. WORSHIP. S. P. M.

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How pleas - ant 'tis to see, Kind - red and friends a - gree, Each in their proper sta - tion more,

4 6 62 . 4

6 5 6 4 3 6673 4

5 *!3

8 7 5 3 6 7tl- 4tl

£:k=P-rf=^=EEE^fEz^

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Aad each fill - lil their part, With sym - pa - thiz - ing .heart, In jll the cares of life and love.

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*84.Maestoso.

St. PHILIP'S. H. M. Levesque. 48i

To God, the m'ghty Lord, Your joyful thanks re - peat ; To him due praise af - ford, As good as

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he is great. For God does prove our constant friend, His boundless love shall have 5>n end.

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183 £88.Maestoso.

TRIUMPH. H. M. Lock hart.

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Re - joice ! the Lord is KingT Tour God and King adore ! Mortals, give thanks and sing, And triumph

6 6 74 5 4 3 4 5* 3

ev - er - more 1 Lift up your hearts, Lift up your voice ! Re - joice ! a - gain, I say, re - joice

!

6 8 7 6 54.65 * tr s n= 6 5 6 6 6 7

4 3 *

£80. SHAFTSBURY. H. M.

f:

"W. Burney. 183

drowsy souls, And burst the slothful band ;The wonders of this day, Our noblestA - wake, our drowsy souls, And burst the

W**n

656 65 " " 6 * #4,63

songs de - maDd. Au - spi - cions morn, Thy bliss - ful rays, Bright seraphs hail, In songs of praise.

6 8 74 #- 6 3 6

46 874

184 f-80. WEYMOUTH. H. M. Harrison.

Second Treble. Alto.

\ Jesus, our great High Priest, Hath shed his blood and died : My guil - ty conscience seeks

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No sa - cri - fice beside.

4. " ~6 *6 7~2 4.

6 S 64 63654 3 3 5 4. 3

Second Treble.

I

I Alto. F.__T r ._(£.

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His precious blood Did once atone, And now he pleads before the throne—His precious blood did once atone, And now he pleads before the throne.

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£80. BETHESDA. H. M. Dr. Greeu.

1- t—i

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—185

Lord of the worlds a - bove, How pleasant and how fair, The dwellings of thy love, Thy earthly

mmmmmmMmmwmmmwm-j=p=p~i

6—6 4.•4 3

temples are ! To thine abode, My heart aspires, With de - sires, To 6ee ray God.

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6 56 34.

5- 6*6 £ 87

H. & B. 24

186 ,*72. DARWELL's. H. M. Rev. Mr. Darwell.

yi=iiii^iii=ii=y=i^^i=§3§^i=^EyE]A - wake ! A - wake ! a '- rise, And hail the glorious morn ! Hark ! how the angels sing, " To you a

Tasto,

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Saviour's born !" Now

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let our heart?, In concert move, And ev'ry tongue Be tun'd to love.

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£88.

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TRUMPET. H. M. HandeL IS?

Ye boundless realms of joy, Exalt your Maker's fame, His praise your songs employ, His praise your songs employ, Above the starry frame : A-

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bove the starry frame. Your voices raise, Ye cherubim And seraphim, To sing his praise. Your voices raise, Ye cherubim And seraphim, To sing his praise.

6367 4.6 9 & sr ^ 3 6 6 3 6 3 4.^ 66 674*2 3 4

188 T76.Moderato, a tempo Giusto.

MILTON. Sevens. David Rizzio.

he is kind ; For hisLet us, with a joyful m.ind,"* Praise the Lord, for

U

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:--DL_dure,shall en Ever faithful,faithful, ev - er sure, Er - er faithful, ever

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72. HOTHAM. Serens. Dr. Madan. 189

Jesus, lover of my sou!, Let me to thy bosom fly, While the nearer waters roll, While the tempest still is high. Hide me, O my

6 6 5 6 7 434

6 5 6 7 434

6 6- 43 65 6 6 ^6 3 6 £

s_^ " *—' 2d Treble. P. Alto. F.""

Saviour, hide, Till (he storm of life is past, Safe into thy haven guide, O receive, O receive, O receive my soul at last.

3=

*6--5-^~4—35 6— 5 8765 a- 6" 6 7

3 4— 3 3543 fc— 5 4 fa6 ~ 6 5

43 47

190 ,*60.

Largo 6 sempre piano.

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PLEYEL's HYMN. Sevens. Pleyel.

#-c-s-s-t-s-:i

II

SliililliililElliiifliiiil^iiiCljildren of the heav'nly King, As ye journey sweetly sing ! Sing your Saviour's worthy praise, Glorious in his works and ways !

©~*-e6 7 3 6

£ £

Andante e sempre piano.

6 7 87 #BERMOE. Sevens.

6 6 875 4 #- 6 6 7 87

Handel.

Hark ! my soul, it is the Lord, 'Tis thy Saviour, hear his word ! Jesus speaks and speaks to thee, " Say, poor sinner, lov'st thou me ?"

6 6 6 5—KG 4 3 64 #6 76574 3 H 4 3 * 5 4.3

3 3 3

6 6 6 6 5-fer6 43 6-6 875 87 5-4 3 H 4 4 6543

••88. WALES. Sevens. Mozart.Dolce.

191

_t__ fz2n_ C"S_ _

Light of life, se - rapli - ic fire,

T-S-

Ev' - ry faint-ing soul in - spire ! Love divine, thyself impart,

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IZ.-C :sz:tzd li=PI^=i!giMpilii^i^Sl!ll

Shine in ev'ry drooping heart

!

Light of life, se - raph - ic fire, Ev'ry fainting soul inspire t

76 £ e~4 5—«•T 5 6J

3 6 7&

Moderato

TURIN. Sevens. Giai'diui.

fz.

I;

Son of God, thy blessing grant ! Still supply my ev'-ry want ! Tree of life, thine influence shed,

64

7 5 6 6-34—3

6 54 3

6 6 5

With thy sap my spirit feed ! Tree of life, thine influence shed, With thy sap my spirit feed.

r.

1 6-7676 5 66 6743 66 674 — A 4 o 4 4

£84.-

Affettuoso.

-#gr—I

—

t—-

NAPLES. Sevens. Pleyel. 103

Sov'reign Ruler, Lord of all, Prostrate at thy feet I fall; Hear, O hear, my ardent cry; Frown not, lest I faint and die !

"~66 5 #6~ ~6~4

6 6 5 7 ~5"~^=*f " *6 6 5?" fi 6 6 7434. 3 4 3— h5 b 1 #— 5 46 6 5 #64 3 4

3

£88.

6 4 6 6 5 73 4 3-

PILTON.

5 -#«tj5

6 6 5 7tf 4 *-

Sevens. Weklon.

i^i^g^ii^|^;g^p|^gpii^||@ia5i5^:ft^-^-n-srr: .o_fi,s.t r.-,

Praise to God, im -rnor - tal praise, For the lo?e that crowns our days! Bounteous source of ev'ry ioy, Let tby praise our tongues employ 1

& 7 6 74

.. P. ..

6 6 #643

6 6 543

6 * ^ 6 7 6-73 3 4

191 ^72. ALCESTER. Sevens.

When, my Saviour, shall I be, Per-fect-ly resign'd to tliee, Poor and vile in ray own eyes, On - ly in thy wisdom wise.

£72. SICILIAN HYMN. 7. or 8 & 7.

Come, thou Fount of ev'ry blessing, Tune my heart to sing thy grace ! Streams of mercy, never ceasing, Call for songs of loudest praise.

5 fi s3 4 3

S 6 a3 4 3

6 tf6 35 6 87> 4. w-3

87 6 6 6 5 6 68735 *3 *3 4

h60. BENEVENTO.

rf£Andanlino.

—I T

Sevens Webbe. 195

izzjzztza

J™I fr —I 1 1 1— -l-l ^—

I

-! 11 1 1—

I

! ! i-^—jp_X J 1 1 L- >^

While, with ceaseless course, the sun, Hasted through the former year, Many souls their race have run, Never more to meet us here

ilililiilillllfiii^HiiiiliiilEeMiiiiiii^

SeII—¥ -i—-I—

742

7 65 4

6 —4 — 6 4. 6

25 6

43

5 3

lf£=fc=teK±aaISZIEZ »Z] —

bI-f-

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_, ^-^..^.-a.-.

Fixt in an e - ter-nal state, They have done with all below j We a little longer wait, But how little none c;in know.

, :*-_:®-_.a_.i!-3l-i^:zF

:z1IzHzzH:zEz&

^i^zizz^rfzl^rizfetl 7

2

7 6i %

— 44-2 6 4 6 3 64

196 80.Largo.

VENICE. Sevens. Handel.

Ho - ly Father, God of love, Look with mercy from above

!

Let thy streams of somfort roll,

7 s" "i_"6- """" " *7 T ~~67~ff

"4 ' "6 *" " #6 S

_#"

5

Pia.

ia^M5^^M=tt^3iiii^iliigi^iLet them fill and cheer my soul !

Pia

iiii^lii^liillilgi^lEllIi^iliilEyilLet them fill and cheer mv soul ! Let them fill - - - - and cheer my soul !Let them

Pia.

._.&«_ -©- __ ^i2: ;_+#««-—

— — 6 #63 65 6 Let them fill and cheer my soul !

** KB fi #6—

-

3soul !

Venice, continued. 197

feaeTutti.

;—- t—-— v-j~-—p~r"~g~ i_L~~r

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ft'TTE— *~J"a~j:t g—f" rf:~rrr'P^rr

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Ho - ly Father, God of love, Look with mercy from a - bove

!

Look with mercy from above !

7 5 46-3

t80. WORTHING.

7 5 67 875

Sevens.

*____ 6 56 6 7

Sehelz

(M^^^^S^i^^^^^§U^iwMMMM^f4SGlorious things of thee are spoken, Zion, City of our God ; He whose word cannot be broken, Form'd thee for his own abode.

llililgllll6-6 J|: «-*• 4.6 5 67863 6 5 6 7 43!

3 34 53 5 34 «5 67 43 8765 6634 6 5 43 4

6 6 6 5 7 4 3.4*

198 »6#.

Largo eon expressions

P.

SWEDEN

1

7- or 8 & 7- Clementi.IC.-MUUBi

I:iillSiiIi§II:HlSliiiiiiiilil

Think, O ye who fondly languish, O'er the grave of those yon love. While your bosoms throb with anguish, They are warbling hymns above !

% %8J II % §

6i |

6 6SI II •ag|Ptf56~ 7 5 7 5 SHa

60. ALSEN. 7- or 8 & 7.

Largo.

F. L. Abel.

^^^^^^^^3Bfe^^^^s=^35S^^s^§^^^^^E:^^^^^^^S

Sovereignlluler of the skies, Ever gracious, ever wise, All my times are in thy hand, All even's at thy command.

__-i—,|~-!~l£j6 7"T 6 "5 3 5 6» Q 6*6 6 6 87

53=6 6 6 3 7 6 S S 7

ir «3 S— * *8 4.35 t?5

<iL%

f76. LINCOLN. Sevens. Dr. Buyce. 199

:-£ llillgSi^Siiilililligite^iiliMorning breaks upon the tomb, Jesus dissipates its gloom .' Day of triumph through the skies—See, the glorious Saviour rise !

6 6 7 6 6 6 5 6

P— -r-

6 1 87 87

88. STANLEY. 8's. & 7's. Stanley.

^l^^l^^^^^^^^pgEglpp^^^^QtWith my heart's sincere intention, Lord, my pray'r shall be preferr'd ; I will make melodious mention, Of the wonders of thy word.

tr-—

6 6 5 6 " 6 5 6 S-&6 " ~ 6~fi5~ ~5— #6* "8 7 5— 6 ' ~6* 6~6 6 6~ 6 65

* 3 . *tr 3- 65 3— *3

200 L66. AUSTRIA. 7. or 8 & 7.Largo. Affettuoso.

ff 1

Mozart.

mmmwmm±1: :fe^

O'er the hills I lift mine eyes, To those hills beyond the skies ! Thence ujy soul her help de - rives,

ggjs/ g

E=S=EH=E=fc

6 5 6 4 3 7 6 6 5— 6~" 5—4. 6S6 65 6

~5 6*376 65-""

43- 3- 3 3* 43 4 3-

|igfc=E

5---P

.__-ffl e ^_« a-„_.._£^£

There my ho - - ly Re - fuge live? There my ho - ly Re - fuge lines.

t£EE£SHjisiiPiiiiiiiii^iii^

6 ~f~6

4 3*6

t

"F5S ~76 n = i

£76.Allegro

BATH ABBEY. 7, or 8 & 7. Milgrove. 201

High in yonder realms of light, Far above these lower skies, Fair and ex - quis - ite - ly bright, Heav'n's unfading mansions rise.

43 67—3 4 (T 6 66' 6= £57—3 #6 6*6 656 743 35 4.3 4* 444*§-^3=:3-;

3I=sI:*r:^=izl :P z:?=r»2:^:T :^=^=1=l:i^:i

l

:^^-Hl==]:::::1—3=¥3W^=afti&-3ii=.

gtz=fc*=BibffiBuilt of pure and massy gold, Strong and du - ra - b!e are they ; Deck'd with gems of worth untold, Subjected to no decay.

iiiiiiiip^lil^llipiiiliilliilgiip

46 6 6 A'2 4

H. & H.

7 43 6 5 6 3 67654 3 5 4 54

26 .

6 5 6 57—3 666 64 *

6 74

203

*7*

••76.

Andante.

AMBOYNA. 7, or 8 & 7- Battishill.

II %?=^S^lg^i^-#-^-n-D-c

fcsi-^:Er:FfFFp|:

pz-P:

f:ig=:

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1

Gracious Spirit, Love divine, Let thy Iig-ht with - in me shine ! All my guilty fears remove, Fill me full of heav'n and love

!

r x_®"xpz2l —h ~±~pzi:pr:g:i:?d

64. 675 6 674,:45 5 43

6 64

4, 436 5— 64. 675 667 4.3 6 #6 66 <j &73 43- 3 45 5 43 * 4. #-

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f

Ppeak thy pard'ning grace to me, Set the burden'd

gT^.p"T-1--JT|9-pg T—|—1 IZZlZ^Z^Z,LlA-&i*J.SZ^

sinner free! Lead me to the Lamb of God, Wash me in his precious blood

!

: : -3li^^Ef£Pi#g]£9 ea

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7 5 4. 5~6^ 6 5 7 6 6 76 s-Sr 6#6tr 43 4. 4 54. —3— 4

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6 7 6 -'l- 6 #6 " 6 7 5 6 6 7 6 5— 56 4.

4. 5 4. —3— 4 4.5 5 4 3

•a|rizd:{zj=^ziaipl:z3r

6 874

£80 -

Allegretto, Maestoso.

WESTBOROUGH. 8 & 7, or 8, 7 & <*• Haydn. 203

j_r_:--E-_-----£EjEJ--_^:z___

m ________

Mighty God, E - ter - nal Father, Now we glo - ri - fy thy name j Lord of all ere - at - ed nature,

H:^^^^^^p^^^^^^^^i^^^^^i^^^gi^6 7 5

izgrizzsiii-Pfz^z^iii—gzz3i?fz?=T;P— —-s.:j_|(i.|»-.

;,.-«_iisrz:— f*~~T—6~"ii~

Thou art ev'ry creature's theme— Hal - le - lu - jah ! Hal - le - lu - jah ! Hal - le

-» i£ __________ __ _______ — fl_— £» ___— -__ .—

—

j

lu - jah

!

A - - men

-i—ra_.

$___-__-_l-__5l=l_3i

_^Mii_|s^i^_^-^__-_i_^_li-!iSIi-li_lfel--il-S6 37 5 I* 7 — 6- 7 * — " §:./ 6 6 7

# 5 2- — 34. 4

204

n'3

i*- 2.

Andante

:#ziz t

ATHENS. 8 #7.

^P?h

r"I"P"f"T^'f^ipzgirPzfrfzzpziieZiiiliiTii ^zp:i£fpzc=3nrsi|!czizzttz

Pleyel.

Lord Almighty, gracious Father, Thou art all my hope and fear ; When in danger thou in mercy, Lord, dost hear my humble pray'r;

Piigliiig^iiilfiiligiiiiSfiS

*— « — 3 6436 8 7 8 7 6 5" "6 3 4 #6 —

" 6-tl7 656 7~I -

3

0- 70b Dolce e Sostenuto

l :&zszzzzizzz:z

6 43 6

REUBENS.

8 7 8 7 6 535 65 43

8&7.

4 #6 - 6-tr7 6 5 63 4 — M 4

Paesiello.

fS fs

j^zsipzpizpzz(*ix2i£i:-z~zizpzp:x:pzp:^^

1. When the winter's tempest lowers, O'er a bleak and cloudy sky, Nature's fading fruits and flowers, Hang their diooping heads and die.

2. So my bosom comforts languish, Like a lil-ly over-blown, And my heart isfiU'd with anguish, When I see my Saviour frown-

EgzgzgzgjigzzgzjgzgEpzgzE

6 76 6 6 87* b—

6 6 74

£69. HELMSLEY. 8> 7, & 4. Dr. Madan. 205

Lo ! he comes, with clouds de - scend - in?, Once for favour'd sin - ners slain,

ii^piiiiiii=iiiEiiiii=^ifipgiiiiii!&*-

Thousand, thousand saints at - tend - ing, Swell the triumph of his train.

2i?^==1==i=F=:zq"qz=zq-qzi=qr3^]=zq^—zqzqzz-~i—qzzzqzzzjzzzzsizzzsizis—rr-zzzz;*

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8 7 6 535 13

6 8- 6-53

6 3 6 55 43

zJEzjxazz:gz*zz:pzzgE|zriz=zizrzgEz3—fziz^rrizgz-jz^—j=jz^~^=g=jzfzj~j ~dzj|l

:

"Tu"

I

Tutti. F.

;feEE Iiig=ir—: azzz^

Hal - le - lu - jah ! Hal - le - lu - jah

!

Hal - le - lu - jah ! Je - sus now shall ever reigu.

,_£;

r^a

Solo. Tutti. F.

!3 § 6 5

34 3 1 87

206 *72. ANGOLA. Sevens. Himmel.

Rise, je saints, to praise your King ! All your sweetest passions raise, Holy pleasure while you sing, Blending with your notes of praise

k:

iililiiillliiiipEiiillSsliiSSiSiiiipf

zz?^E£~£fcEfbr:E:i£:i=rr:^fc^35 56 6 7-6 5 36#63 6 76 65 #*6#63 ^-7 16 13 7 *6 66 346 6 6 873 5 5

4. 342

Maestoso.

5—4.343

2 4.

GANGES. 8, 7, or 8, 7 & *.

3

Beethoven.

Praise the* Lord,The ?reat Creator, Bounteous source of ev'ry joy: Praise him all ye works of nature : Let his^ praisejuir tongues employ !p

.

* 6 f 6 r-iS: * _ f-- 6 5 7 *6 .6 6-b 7 5-= 6 #6 6 — 6 -54, 3- 4 #-

S * 5 4. 3- t,5

,•-72. CALVARY. 8 & 7, or 8, 7 & 4. Stanley. 207

Hark! the voice of lore and mercy, Sounds a - loud from Cal - va - ry ! See! it rends the rocks a - sun - der,

I-8 7 8 7 6 5

35 436 #6

46 8 7 + 3#7 8

6 5 4 32

pi p.,«jti_*Pt-.rdendosi.

A tempo.

^TzSzri-riP-F-p^Dz^i-

Shakes the earth and veils the sky ! " It is fmish'd !" " It is finish'd !" Hear the dying Saviour cry !

, . A tempo. ,—

v

/—~n-(I- a^v _^^ __Perdendosi. ^^ ^^ ^ _l£bg. _Q _

5 6 #6 3 6 fi 5 73 4 4. *—

3

4,3 4 4 6 6 8# 2 4 4

208 Woelfl.Andante,

H"

SEVILLE. 8&7, or 8, 7 & *.

In the floods of trib - u - lation, While the billows o'er me roll, Je - sus whispers con - so - lation,

#fi— 4 6" 6~~

4 ~6 "*-6~ 6354 3 3 5-5-g— ' * «__p_ !—r~i-r-—Pl»

I—

And sup - ports my fainting soul— Sweet af - flic - tion !—Sweet af - Die - tion—That brings Je - sus to my soul !

6 7 R5 6 #6 3#6 64 4.

3 3

5 5 —5 34 3 —42 2

6 6 4 6 C4 2

£72.Dolce.

SMYRNA. 8 & 7, or 8, 7 & *- Mozart. 209

iffegFF - :~

Gently, .Lord, oh ! gently lead us, Thro' this lowlv vale of tears ; And, O Lord, in mercy give us, Thy rich grace in all our fears!

lfA:.::z; i.

634 5 6 6 5

4 36 6

46 6 87 4 3 6 45 4 3

6 6 7 5-^6 64 4

5 6 64

Oh ! re-fresh us with thy blessing : Oh ! re - fresh us with thy grace—Oh ! re - fresh us—Oh ! re - fresh us—Oh ! re - fresh us with thy grace.

liiiliiliiliEgiiiiiiii^liiil^iiSliP6 6 6

5

H. & H.

6 *%

§7

6 64 5

6 54

6 6 6 74

§10 £72.Affettuoso.

WILNA. 8, 7, or 8, 7 & 4. Monsigni.

bzzjgzt: :p: Ill=lleiilllllilii&==i

3*3zzszir*'zz__;iz_-~

Lord, in raer-cy, oh ! pro - tect us ! Keep, oh ! keep us thro' the day ! Thou a - lone canst on - ly save us ;

6-755

56 6 74 13

6 7 6 * 64, 54, 2

$mmmmmmwmmmmmmmmmmUn - to Thee we sing and pray. Lord, in mer - cy, oh ! pro - tect us ! Keep, oh ! keep us thro' the day !

6 6 6 7 I4, — 6 763

6 74

p72.MoJerato.

GREECE. 8&7, or 8, 7&4. 2U

Lord, dis - miss us with thy blessing, Fill our hearts with joy and peace ! Let us, each thy love pos - sess - ing,

Triumph in re - deem - ing grace. Oh ! re • fresh us ! Oh ! re - fresh us, Trav'ling thro' this wil - der - nesB !

6 6~-b6~"r~ ~6 7~ 6~ ~* 6

~ 6~7 ~6 *

>—£ 6 J~^4*tT 25 66*

212 £60.Largo. Cantabile e sostenuto.

AUTUMN. 8 & y. Viotfi.

mmmmmmmmmmmmmmmmumSee the leaves, around us falling, Dry and wither'd to the ground ! Thus to thoughtless mortals calling, In a sad and solemn sound

—

666 6 6 6874 5 4

6 54 a

6 63 6 6 7

fSiiSSslfepl^plililg^g^lig^^^^^i&— , '-*J'T-B>~VP P

W" Sons of Adam, (once in Eden, " When like us, he blighted fell,) " Hear the lecture we are reading, " ''Tis, a - las ! the truth we tell \

a

*| H*43* 6 54 S

6-63 64

6 7

so. AMSTERDAM. 7 & 6. Dr. Nares. 213

QifeHzlzzfetH

Rise, ray soul, stretch out tliy wings, Thy better portion trace ; Rise from tran - si r to . ry things, Tow'rds heav'n thy native place.

S -ff- »., :pi_*.,. a ,

4 63

6 4 33

4 63

6 43

1!**==::;—;«—:|zz:«zz:fzz ezzx:*zfzz:?zz:±zz:5zz:t=z3~=z=riEsiJz:^:—E^ztEffinz ^Ei:?zr=^:±:?r=z^z±EE~ ^pr± "?"—,? E

:

pz"J"-i]f

2d Treble. P. Aito. « « - - F - • _-•<-.• ^

Sun and moon and stars decay, Tirce shall soon this earth remove j Rise, my soul, and haste away, To seats prepar'd above.P. F.

6 43

6 6 6 74>

2H< £72.Andante e dolce.

TR1VOL1. 8 & 7, or 8, 7 & 4. Pleyel.

See from Zion's sacred mountain, Streams of liv - ing water flow! God has open'd there a fountain,

fi§ 67 '3 57 36 ~<?~sT 5 8 7~ ~5 6 6* 6 7 -" ~ 11' 6 7 8~ ~5 7 3 6~ 6 8-743 4 4 *- 5 4. — 4. 3 * 4

Blessed, Blessed,

• •±i *J»P

'S0l°' TUtt'' S0'°' TUUl

'P

'S°l°"

This sup - piies the plains be - low. They are blessed— They are blessed, Who its sovereign

Blessed. Blessed.Blessed,

Tulti. Solo.

Blessed,

Tutti. P. Solo.

*5 |f ' 66 6|

-"3~ "" "

"Blessed,

~" ?~" 6 -- 7 ~

TR1V0LI. Continued.

Tutti. F.

#-tr;r~~~~'T ~'Z—1~r~

ri*"T~l*'rF—ii~T~r*

—

P— I"*—r*1"i"*'""T I

gr~n I~(*—F—T-r*^»~~~Tl"~~

virtue know. They are blessed,-!- They are blessed, Who its sov'reign virtue know,

|ilililiiiiieii^iiElill!iii?i^^iiiiTutti. F.

n 6 76 5 65 "6 7 ' 3~ ' 57 3™ 6

' ~6 8 7~ ~ 5 87~"

5 6 6 6 7 3* o 1 4 3 4 4 #— 5 4 .->

<a-'

l-rqpV^' Expressive EASTABROOK. 8 & 7.

7 --- 3

Dr. Boyce.

i5:--z:iz:*;izpz^=^3Zi:--;sr:=iz?ip^;s:1=ir^z«z?;i^--=zpz

Weigh the words of my profession, Lord, in thine in - dul-gent scale, Of a Father's prepossession, Let my thoughts themseivc-s avail

!

Lord, not e'en an - gel - ic nature, Can sustain thy brightness near ; How then can a mortal creature, Dare to meet thy eye severe i

#gg^p^S^B^I^^r^^^^^i-piipj65 7 6 * 7 6 # 6#6 3 65 6 7 87 5 87 8 7

6 5 *-

216

IT

L80. Andante TAMWORTH. 8, 7 & 4.

izzzJtoszzzzzzKz*-Loekbart.

—2E-1- L ha *— L 4 J,-b>-fci—'h»-n«-l Lj-i »-hi "=- JUJ 1-1- '-La i ka-»*-l U- 1- * s—

Guide me, O thou great Je-ho-vah, Pilgrim thro' this barren land !

^:|^±fcip=^372r|i=dfez^=f=trfcfzE4:EzJ=frzi65::—3-™ 1—-h=. *_I__ZU,-t=-h=-I— i* •

—

r~-X.'Z J~~:£r H9 9 - -g- fcj-p-

I am weak, but thou art mighty, Hold me with thy pow'rful hand!—Bread of heaven, Bread of heaven, Feed me till I want no more

!

Tast0 --l» « -r*" -.A. "8"

zjpgzzf-^szrzztz-piZjJZtzzzpEz^z^sizi_.i^_j---j—4-.p—^_i—u-ti—JJ——p—

x

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1

—szaz's^B—izt—tzJz z —i~s?zj3ztzii"zzjjt

4.u *

•80.

Andante.

TREVECCA. Sevens.The first 8 measures are by Milgeove, the other 8 by Wbjtakeb.

:zizzz:-z:«za:i^z:^zffziizzz:-z:«z:ft:i;ti:sz:pz-3Ztz:pz:ez:ff:f-^z:pz:t

<L —-. —J

?%

6 6 -J

7 3 | -- 6 | — t 6 - . » 7 — |4

TREVECOA. Continued

fe^ii^^ii^^gi^^^Sp^piiS' -B* 9 ' 9 -&—&-< ' 9—w ' 9 »—iai-l 1»—»—' S>"*—&—*~'

—""Bi 9 1 U»

Others sing of worldly things. Themes like these to men belong ; But when Israel's Psalmist sings, Sacred themes inspire his song.

lffc=*=i=

Jesse's son awakes the lyre : Listen while the Psalmist sings ! His the Spirit's sacred fire, And his theme the King of kings.

6 * -~ * 6 6 * Z 5 » —r 6 3 4 7 6 9T7 ^ S 5J 3 3 5 3 3 3 3 4 3

H. & H. S8

2i8 J80.Largo Expressivd.

Florio.WICKLOW. 8 & 7, or 8, 7 & 4.

ii^il^SIglPillSlSliiil^lliiil^lSolo. Tutti. ,.

—

Solo.

When the vale of death ap - pears, (Faint and cold this mor - tal clay,) Kind Fore-runner soolh my fears,

Solo. Tutti. Solo.

EBM7S2 7 6 87

4

3

Tutti. F.

ZZZ£Z^Z^S1±±Z&.M¥-' Ei^lg^isiliiiililPiillili=S=te7|Light me thro' the darksome way ! Light me thro' the darksome way

!

Break the shadows, Break^ the shadows,

jjga^j^E^pggi^giippppgji^ggpppip^Tutti. F.

ifcrtii^Mim^ii^ili[il.liyiiBi

WICKLOW. Continued. 219

3JL3I p t_f|

p_C..r P—-y—

-I ~ •*

n~^^^^^ZT f~"

T"ZZ -T~— '

B"?

Ush ' - er in e - ter - nal day.

* b3 I

7*7 • -a-

84. GOSHEN. Eights.

m^^^^MmEmmmiMlmMwmiYe angels, who stand round the throne, And view my Immanuel'g face, In rapturous songs make him known, Ture all your soft han s to his praise !

i6

$4 6 43.3 6 4

36

i6 54 3

"" ^~7 -3S 5

66 6 874

220

m84. WANWORTH. Eights. Harwood.

armies above, To shot

iiiiiMy gracious Redeemer I Jove, His praises aloud I'll proclaim, And join with the armies above, To shout his a - dor - a - ble name.

rsirrSiillliiilPiiiiiJiiiil^Slii^- TP_Q_P,

6 6 87 6 * 6I jjz 65

g6 || J<}}< 8"

SPUING. Eights.;•84.

S Grazioso.

I. Tlie winter is over and gone : The thrush whistles sweet on the spray, The turtle breathes forth her soft moan, The lark mounts and warbles away.

Thos. Clark.

mm

^ == * f f |f . « 7 -3 J«ft J U U " * 6 6*6546 6J |7_6.5

3. Awake,4. His love

5 3 5 6 7 -34. 3*5 —2

then, my harp and my lute! Sweet organs your notes softly swell ! No longer my lips shall be mute, The Saviou/s high praises to tell,

in my heart shed abroad, My graces shall bloom a6 the spiing ; This temple, his Spirit's abode, My joy, i, as my duty, to sing.

>66. SAVANNAH. Tens. Pleyel. 221

From Jesse's root, behold a branch a - rise, Whose sacred flow'r with fragrance fills the skies

:

23 7

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The sick and weak, the healing plant shall aid, From storms a shelter, and from beat a ihade.

85

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3

223 »oo. EASTER HYMN. Sevens, Dr. Worgaa.

&&mChrist our Lord is ris'n to-day, Hal - - - - le - lu - jah, Sons of men and angels say, Hal - - - - - le - lu - jah,

6 6 «

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46 56 6 687 6 6 56 65 46 566 68743 3 * 4 4 4 3 3*446 56 6 687

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Raise your songs and triumph high, Hal le - lu - jah, Sing, ye heav'ns, and earth reply, Hal - - le - lu - - jah.

immwmmmimm&mmmmmmm:#6 - 6 4 ~ v>- ~^-^Tv—'"

§ 87 ' ' ~4* 6~ '6 " ~6 5 64 6 *6_6 fi 57

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6 874

65 643

46 6 6 5 73 4

•72jl Dolce.

PORTUGUESE HYMN. Elevens. 223

^EzEi^EEfzEiEjiEir^

The Lord is qur shepherd, our guardian, and guide : "What - ev - er we want he will kindly provide. To sheep of his

" * 65 W 65 *H — 3 * 3*6 6367— "* 6 4, 343 434.— 4j 4 * — 3

3 — 3

Solo. P. Tutli. F.

I

pasture his mercies a - bound. His care and protection, His care and protection, His care and protection his flock will surround.

Solo. P. Tutti. F.

63—66 4.6*6 3*66 67-5 3 4 2 5 4

324 £84.Affettuoso.

HAMILTON. 10 & 11.

^pi^ig^i^jiifii^iiii^^iiiigyiiiiiiiThe day is far spent, the ev'ning is nigh, When we must lay down the body and die.

Great God, we sur - ren-der our dust to thy care; But, oh! for the summons our spirit prepare!

^£**—

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2 2 2.

,•66. WALWORTH. 10 & M. Dr. Waitiw light. 225

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Behold ! the Judge descends, his guards are nigh : Tempest and fire attend him down the sky. Heav'n, earth, and htll draw near ;let all things come,

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To hear his justice and the sinners doom !" But gather first my saints," (the Judge commands,) " Bring them, ye angels, from their distant lands !"

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326 - ,*68 MONTAGUE. 10 & 11.

Not to our names, thou only just and true, Not to our Worthless names is glory due ; Thy pow'r and grace, thy truth and justice claim,

7 5 6 57 7 5I !

7 6 4. 6 #63

s

Immortal honours to thy sov'reign name. Sbine thro' Hie earth from heav'n thy blest abode, Nor let the heathen say, " Where is j our God I"

5 6 — *3 3

B 7 6 55 * a

6—4. 6 6 74 *

6 43

6 874

J80.Adagio e sempre piano.

HAVRE. lO&li. Beethoveu. -237

—T ,-«._ —j—

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My Father, my God, I long for thy love, Oh ! shed it a - broad j send Christ from a - - hove

!

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My heart ever fainting he only can cheer, And all things are wanting, till Je - sus is here.

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2

228 £88.Maestoso.

LYONS. 10 & IL Haydn.^^^^^^W^^^^S_b_Z±I p_I _L L_.

Oh ! praise ye the Lord, pre - pare And let all his saints in

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new son a; full concert join !

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With voices u - nit - ed, the anthem pro - long, And shew forth his praises in mo - sic di - vine.

2

h88.

m Maestoso.

St. MICHAEL'S. 10 & 11. Handel. 229

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His praise in the great as - sem - bly to sing !Oh ! praise ye the Lord, prepare your glad voice,

6"

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t^:sp:iz^sp P-

p^=^ig^i|§li||^pilllpl^llgEgig||iIn their great Cre - a - tor let all men re - joice, And heirs of sal - va - tion be glad in their King

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The God of glory semis his summons forth, Calls the south nations and awakes the north; From ease to west his sov'reign orders spread,

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* 56 1 6 87 *H 6 87

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^^ Thro' distant worlds and regions of the dead.

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The trumpet sounds ; hell trembles, heav'n rejoices ; Lift up your heads, ye saints, with cheerful voices '

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88. St. DENIS. Eleveus.Maestoso.

Irish Air. £31

Alto ad Lib.

bft£Come, saints, and a - dore him : come bow at his feet ! Oh ! give him the glory, the praise that is meet

!

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1^lli^i!iii=liiilii^lPILet- joyful ho - san - nas urt - ceas - ing A - rise, And join the full chorus that gladden* the skies!

b 87 65t>5 43

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£32 £92. HERMONDSEY. 6 & 4. Milgrove.

«£_ . ,__ _ ft_ _ _ _."»*8. ;•-(»-,

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Glory to God on high ! Let earth and skies reply, Praise ye his name ! His love and grace adore, Who all our sorrows bore ! Sing aloud,

Taste. .p^'.tl*. P'«-p-» Cres-

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evermore, Worthy the Lamb !— Worthy the Lamb !

—

Worthy the Lamb!

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Sing aloud, evermore, Worthy the Lamb!

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ITALIAN HYMN. 6 & 4. Giardini. 238

\--mMagiiM^^MiiCome, thou Almighty King, Help us thy name to sing, Help us to praise ! Father all glorious, O'er all victorious, Come and reign over us, Ancient of days

!

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6 6 57 6 4 63 5

$66.

67 73 67 73 166 6 5 645 5 4 S 4434 4i

2 2

GREENVILLE. 8 & 7, or 8, 7 & 4.

;iis^ii:^||iigiSSSiriiSPiiPi|pGently, Lord, oh ! gently lead us, Thro' this lowly vale of tears ; And; Lord, in mercy give us, Thy rich grace in all our fears !

Fine.

Oh ! refresh us—Oh ! refresh us—Oh ! refresh us with thy grace. D. C.

Fine.

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HINTON. Elevens. German Air.

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The Lord is our shepherd, our guardian, and guide : What - ev - er we want he will kind - ly provide.

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To sheep of his pas - ture his mercies a - bound, His care and pro - tec - tion his flock will sur - round.

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DENMARK. Dr. Madan. 235

macauuau. ._ _,

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Be - fore Je - ho - vah's aw - ful throne, Ye na - tions bow with sa - cred joy ! Know that the Lord is

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236 £88.Andante, "

DENMARK. Continued.

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P. His - reign pow'r, with - out our aid, Made us of clay, and form'd us men ; And when, like

^Slgg^i^^^gSiigi^^^iwand'ring" ahetp, "we "strand, He brought us to his fold a - gain. He Brought us to his fold a - gain.

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We'll crowd thy gates with thank - ful songs, High as the heav'ns our

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iiiliigilttiiiiiliifeiiililiiiearth, and earth with her ten thousaud thousand tongues. Shall fill thy courts with sounding praise, Shall

-fBi Unison. -a- -(*- -!*-

787 876 ~8~ 76S ~\ T Uni-; ""

515 254 3 543 5ms

4 4 42 2 2

338 DENMARK. Continued.

fill thy courts with sounding praise, Shall fill, Shall fill thy courts with sounil - ing praise.

Unison. -m- .8- .^. .ft.

6 6 5-13

IWide

!

Wide as the world is thy com - mand, Vast as e - ter - m - ty, e - ter - ni - ty thy love;

Unison. Unison.

6 7 5 b^ 6 -™ 5

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"Firm as a rock thy truth shall" stand, When roll - ing years shall cease to move, shall cease to

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SCOTLAND. Twelves. Dr. Clark.

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The voice of free grace cries escape to the mountain \ For all that believe Christ hath open'd a fountain, For sin and uncleanness, and

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ev' - rj? transgression : His blood flows so freely, in streams of salvation, His blood flows so freely, in streams of salvation.

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CHORDS.SCOTLAND. Continued. 24 i

Hal - le - lu - jah ! to the Lamb who has bought us SI pardon ! We'll praise him a - gain, when we

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mwmmmmmWMmmwmmmmmFrom all that dwell be - - low the skies, Let the Cre - a - tor's praise a - rise ; Let the Be-

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deem - er's name be sung, Thro' ev'ry land by ev' - ry tongue. E - ter - nal are thy mercies,

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Lord, E - ter - nal truth at - tends thy word ; Thy praise shall sound from shore to shore, Till suns shall

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344 £60 THE DYING CHRISTIAN. Harwood.Largo. Second Treble.

p.

Vital spark of heav'nly flame, Quit, oh ! quit this mortal frame ! Trembling1

, hoping1

, ling'ring, flying !

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p. .-_

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Oh ! the pain, the bliss of dying ! Cease, fond nature, cease thy strife, And let me languish into life '.

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88. DYING CHRISTIAN. Continued. 2-1.?

Allegro. Tenor. ^ ,-,

P. Haik! Alto. Hark! Hark! Hark!*

~Hark! Hark!

an - gels say, they whis - per, an - gels say, they whisper, they whisper, angels

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P. Hark ! they whisper, an - gels say, they whis - per

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P. 2d Treble."

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" Sister spirit come a - way !" " Sister spi - rit, come away !" What is this ab - sorbs me quite,

P. F. P.

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DYING CHRISTIAN. Continued.

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Steals my senses, shuts my sight, Drowns my spirits, draws my breath ? Tell me, my soul, can this be death ?

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DYING CHRISTIAN. Oontinoed. £112.Con Spirilo.

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my ears, With sounds se - - raph - ic ring

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Lend, lend your wings

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348 DYING CHRISTIAN. Continued.

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6—3

DYING CHRISTIAN. Continued.

15

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vie - to - ry I thy vie - to - ry

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death, O death, where is thy siing !

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£63

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25.0 60.Larghetto

f-fl—#rTHE LAST DAY. Whitaker.

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That day of wrath, that dread - ful day, When heav'n and earth shall pass a - way,

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When heav'n and earth shall pass away, What pow'r shall be the sin - ner's stay > How shall he meet that

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251

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dreadful day, When shiiv'ling like a parched scroll, The flam - ing lieav'ns to - geth - er

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roll. - - to - geth - er roll

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352 THE LAST DAY. Continued.

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rf=ffgeth - er roll—to • geth - - er roll—to-geth-er roll; When louder yet, and yet more dread, Swells the high trump -

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THE LAST DAY. Continued. f60. 253Larghetto.

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on that day, that wrathful day, When man to judgment wakes from clay, Be thuu the trembling

5 6 6 874 3-

251 THE LAST DAY. Continued.

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=li=sinners stay, Though heav'n and earth shall pass away ! Though heav'n and earth shall pass a - way ! Be thou the trembling

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sinners stay, Though heav'n and earth shall pass away ! Though heav'n and earth shall pass a - - way

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5 3—53 4 43

,»63. BLESSED BE THE LORD FOREVERMORE. Rev. A. Thompson. 255

Eg-—--—©-H

i<si :t-HP. Second Treble.

Blessed, Blessed, Blessed be the Lord for - ev - er - more. Blessed be the Lord, Blessed be the Lord,

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4 63

a6 54 #

Cres. Alto.

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Blessed be the Lord, for - ever - more, Blessed be the Lord, for - ev - er - more. A - men and A - men, A - men.

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256

n

06. ANTHEM.=#-=*

Chorus. Allegro assai.

Chappie.

J x j. , e— s. ^—^—^—^O come, let us sing un - to the

~#- iU;come, let us sing un - to the Lord ; O

O come, let us sine un - to the Lord

;

O come, let us sing un - to the

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Lord ;BffiE^^&glet us hear - ti - ly re - joice, - let us

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Lord ; let us3 38 -fa-

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ANTHEM. Continued. 257

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let us hear - ti - ly re-

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joice, ,. v

let us • hearti - ly re joice in the strength of our sal va - tion.

let us hearti - ly re - joice

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H. & H. 33

258 £96.Verse. Treble and Base.

ANTHEM. Continued.

*4^^S^^B^SPSSS^SilzSEEiEE

Let us come be - fore his presence, let us come be • fore his ' presence with thanks - giv - ing, with thanks-

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giving

;

come before his presence, let us come before his presence with thanksgiving

;

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IliiilipiEllliiiirilll^Ill^ii^lpliiiiiAnd shew our - selves glad, and shew ourselves glad, and shew ourselves glad

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And she* ourselves- glad, and shew ourselves glad, and shew our - selves

6

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ANTHEM. Continued,

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259

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i

rf"j

=T=j^i^]3^

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in him with psalms.

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CHORUS. Largo Expressive

sagFor the Lord is a great God j the Lord is a great God, and a great King above ail gods i a great King above all gods.

mS

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2(50 •100. AN TilEM. Continued.Itecit. Base.

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In his hands are all the concerns of the earth, and the strength of the hills is his also. The sea is his and he made it: and bis hands prepared the dry land.

-9- 6 — 5 6 £ 3 3— 6 5 6 _, _ 9-

\rDuet. ,*100.

S O come, let us worship, come, let us worship, and fall down, and kneel be - fore the Lord, the Lord our Maker.

-# *JE—I

Inst. Ease.

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ANTHEM. Continued. 261

jj. CHORUS,

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Voice. ~§ "~7~ "" ~ 7~

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Duet.

For he is the Lord, the Lord our God ; and we are the people, we are the people, we are the people of his pasture, and the sheep of his hand.

Inst. Base. _ J3.

6 5 6 8 7 -•-4 3 45 5 S

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263

irg-«h*CHOKUS.

ANTHEM. Continued.

~_ -Q. ~ -e_

•rtf zzzzz:*:1'or he is the .Lord, the Lord our God! we are the

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_ And we are the people,

T-;S. Inst.~

6

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Adagio. 9

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-#-*-people, we are the people of his pasture, ar.d i the sheep of his h;nd.

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Maestoso. Chorus.

ANTHEM Kcv. Mr. Mason. 263

Lord of all pow*r and might,~ mm»Es«=4E==J=:&r£=S=lE£^=E=:!=fe

lliiiiliiiiMiillLord of all pow'r and might,

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Solo. P.

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Thou that art the

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author, Thou that art the author, Thou that art the giver of all goud things j

Solo. P. s- -v _ Sill-.

S 6 5 6 — 5 —3 4 3 4 — 3 — I

3 6543

261 ANTHEM. Continued.Chorus.

P. F. Chorus. P,

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Graft in our hearts the love of thySolo. P.

Name, increase in us true

#F. Chorus. Solo. P.

Name, the love of thy

V, Chorus,

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^z&azzFszzrEzJit - gipri. Lord of ail

P- Solo., **£!__.azz^zzzzz^zzzj-gEz^ziz^^

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Lord of ail pow'r and might, nourish us -in all goodnourish

P. Solo.

ness,

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ANTHEM. Continued. 26 ;i

Solo.

|l|illii^iliyi:miilill^lliiiiii^iiChorus. F. _ .. —.. Solo. Second Treble. Alto.

Lord of all pow'r and might, and of thy great mercy, and of thy great mer - cy, Keep us, Keep ^s,

Chorus. F. -~i Solo. ^ N ^ < ^ -P- Keep us

98 6 77 6 4

Solo. Voice.

If

P. Chorus. Solo. P. Chorus. F. F.JF.

Keep us in the same, thro' Jesus Christ our Lord, thro' Je - sus Christ our Lord ! Amen ! A - men !

F. Chorus. So'.o. V. Chorus. F. s-^ F F. ^v—

^ /»^

6 *36#S43

H. & H.

6

31

6 54.3

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266 -M4. THANKSGIVING. Jno. Smith.

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O give u.unks, O give thanks un •: to the Lord, give thanks unSolo.

to the Lord, give thanks, give

jj fj '- - \- -I - -Tutti.

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ISZZZZ

Tutti.

Alio. Second

I L_ Q ~t~zd:

thanks, give thanks un - to the Lord, give thanks un - to the Loid, give thanks un - to the Lord, for

S ^ Solo. y s, Tutti.

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Solo.

a. a. c „"s* 6-0 5 —

THANKSGIVING. Continued. 267

5Ei==Ei=yi=biE^iiP;^iliEl^PiyEiE=?ElTreble. Solo.

Tutti.

Alto.

-P-S--.-Solo. Second Treble.

he is good, for he is g°°d, is good, for his mercy en - dur - eth for - ever, his mercy en - durelh, his

s—

v

^-~s. Tutti. Solo.

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mercy en - dureth for - ever, his mercy en - dureth for - ever,

Tutti.

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A - men, A - men.

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Tutti.

6 ti 6 6 5~

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368 ADVENT. Dr. Callcott.

FUGE. Moderate

t3r~"Let"" Zion and her sons re - - joice, Behold the JponnVd^ Jhourj

Let Zion and her sons re - - joice,Her God hath

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Let Zi - on and her sons re - - joice, Be - hold the promis'd hour ; Her God hath heard he*

"'Let "zion"" and her Ions" her sons re~- joice, Behold the promis'd hour, the promis'd hour ;

6 43 8—6 3 76 65 4 3 6 5 6a 6— 7 7

if

rning voice, Her God hath heard her mourning voice,Her God hath heard her mourning voice, Her God hath heard her mourning voice,

xi'tzzzf.z

heard, lialh heard her mourning voice, And will ex - aU__ his

^mourning voice, Her God hath jieard her mourning

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S 6 h7 3-56 36 6 596 4 3 *

fT3F

Fe6,orfH2.Allegro.

THANKSGIVING ANTHEM. Kent. 269

liliiiililliiilli^fililli^liliiElF. O - be joy - ful. be joy - ful

F. O - - - be joy • ful, O be joy - ful

in the Lord, all ye lands.

in the Lord, all ye lands.

ye lands.

EE ;i=iebe joy - ful, O be joy - ful in the Lord, all -

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Be joy -

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T, S.

3?0 ANTHEM. Continued.

s ' Serve the Lord with glad - - . - - . - - ness,

joyful in the lord all ye lands, Serve the Lord with glad ness, the

_ Serve the Lord with

m6 6 5 Serve theServe the

6

if:

with glad - - ness, and come

—

^—

^

Lord with gladness, and come before his. presence, come before his presence with a song.

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glad ness, and come

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fioo.DUET. Trebles. Andante.

ANTHEM. Continued. 27i

IfeEfSS^^^S^I^^I^^^sS-EH^iSfc^=5

i3=HEBe je sure that the Lord he is God. it is he, it is he that hath made us, and not we our-

~3L

Organ.

SOEE~b&z—

:

64 3 '3-+ 5 +i5 6 *tr6 *br

-e-selves, We are his people, we are his people1

, and the sheep of his pasture.

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5 7 64

'6 543

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272 ,

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Chorus. Allegro.

ANTHEM. Continued.Unison.

\\W =— !—3E^EfE3—i:—i_p—-E—^~i~:i—i:rE~ip:irz_r:i~jEi?i

O go your way, O go your way, O go your way, go your way in - to his

f £=£ 1

Eig=iE^=ysi=i=i^=3=iisa=§zr±=zz=gates with thanks - giv - ing, and in - to his

a~—

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courts, withcourts, his praise, be

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ANTHEM. Continued. 273

r

!*=£

be

©-lhank - ful un - - to him, be thankful, be, &c.

thank - ful un to him, be thank * ful ' un - to him, be, &c.

to him, and speak good of his name, be thank - fu), be _thank - ful un-

I-' ~> ^ „ G© i S P—--,

be thank - ful 1111 - to him, be, &c, 5 6536 3 63 h 7

6 7 - §6 h§

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To him and good of his name, speak good, speak good of his name.

-Q. .a

S £

iii;_^_^.-6

Ha OC Ho

*6 5 6 6 74

89

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Tenor. Largo. TRIO.ANTHEM. Continued.

i

For the Lord is gra - clous, For, &c.

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Base.

gra - cious, the Lord is gra - cious, his

gra - cious, For the Lord is gra - cious, For the Lord is gra -cious, the Lord is gra - cious,

^f±^jia==5===t====s=db=S4, a For the Lord 6 5 -6 5 7 65 his

* 3 "- 5 4> 5 4 rr ~"" u fi

5 S — 5 75

2 2

6 5 his** — t|6

, ^S~??£~§ZZ^l3

mer - cy, his mer - cy, his mer - cy, his mer - cy is ever last - ing, last - ing.

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li§iiilEl^liaiiiiliP|=PM=!5s||=J^is:

mercy is ever

s:b:za::sr»~

last ing, his mer - cy, his mer - cy is last - ing.

Gt~5 6J_-"' ~6 fig 3 -Sfi — 6trB4-,-j --4 4^:3 #-* ——

;

i.

9-

3 -" 6 5 64.

ANTHEM. Continued. S7o

And his

^==!=fegzQil^iiiEIrulh en - - dur - eth, his truth, his truth en - dtir - eth from gene-

""Jl^i, _Q O x p -jf.Q -

And his truth en 3ur - eth, his truth en dur - eth, his truth en - dur - eth,

And his truth, and his truth, his truth en - dur - eth,+- - 6 — 5 — 65 — 6 3 65 6 tr s^ 4 3 4. 3 — 4> #

ra - tion to gen - e - ra tion to gen - - e -

from gen - e - - ra - tion to gen - e - ra - tion, from gen - e-

from gen - e - ra - tion to gen - e - - ra - tion, from gen - e - - ra - tion to

3 5^6 3 6 - tj 6 6 5^6 3 6 5 6 5 3 7 6gen54)

5 7

276 • ANTHEM. Continued.

ff^rirzzzz-zzzzzzzzzzzzzr-T »-

ra - tion, from gen - e - - ra - tion, from gen - e - ration to gen - e - - ration.

^tezzj|zzgZ"~zz^zz^zgz^zzzzzzzzzzzzzzzq::z|~Z-pzzpzz|izzpzzpz|:ipzzpz^ —z:a

ra - tion to gene tion, from gen - e

:*?*

ration to gen - e - - ration.

zziizazzaz:?ra - tion, from gene - ra tion, from gen - e3 3 r, 6 7 7 ft 7

P66, oralis.Chorus. Alleerro.

ration to gen - e6 6 5

4 tr

ration.

e

—

A

Glory be to the Father, and to the Son, and to the Ho - ly Ghost

:

, Q A IQZZZZZ-i—

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(i 54. a 4.

34 #

ANTHEM. Continued. 277

bizSrSzizsziz^ziAs it was in the beginning1

, is now and ever shall be, now and ever shall

was in the be - ginning, is now and ever shall be, is now and ever shall be,now and ever shall now and ever

izizpzzszizpzzi

I -I

—

As it was in the be - ginning, is now, is now and

shall

izzrnz

shaif

z§:

be,

As it was in the be - ginning, is now, &c. 6 7 *S5 6 6—56 *

o

SSglworld without end, A . - men,

Z&ZZ-ZZHworld without

world without end. Amen, A - - men, A - - men, world without end, A - . men,

world without end, A - - men, A - men, world without end, Awuria wjiiwui unu, i\ - - uich, a - men, \hjiiu wituout end, a--------- men,|qji~~: 1 ""t—

—

T~P ZT—

5

a—T- 1——

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t~~—~~f~ —

r

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world without end, A - - me»,'

. 5 6 hi 6 6 3

278

I

A.NTHEM. Continued.

r:p

end, A men, world without end, A - - men, A - men, A - - men, A - men,

world without end, A men,

=il=iil§PliiiE=fey§yi!5world without end, A ----- - men, A - - - men,

world without end, A3-7 3 6 4. 6- 5 — 6 65 3 3 —

men, A - men, A - - - - men,6 h 7 37 7 34. ° 5 5 #

2

A - - - men,

4,-#Adagio.

men, Aworld without end, world without end, A - - - - men, A men, A - - men.

-y-p-p-p-t-F-F-Frr-f—r~F-^-f-rrr-pT-f-p-p-f^rr-—~~T~r~^~F^~I~E— "~±~- I'^Jl^world without end, world without end, A - men, A -

J^eeeeemen, men, A

world withoutworld wunout end, world v. ilhout end, A - - - men, _—_ A --. men, A - men.

world without end, A - - - men, A3 I I

3 " 6f

3 66 6 6 6 6men, A

It

•69.

Soprano.

THE LORD'S PRAYER. Dentnan.

Alto.

279

3

3dtrs

Tenor.

Base.

Poco Adagio, e sempre piano. « i-i-J- ' <*H""P^

0rgan-

. I. * 'Jl I 1 -•*-

r r

380

_*====_!==

THE LORD'S PRAYER. Continued.

^iiiSiiiiiiiiiiililSOur Father, who art in heav'n, hal-low-ed be thy name, Thy kingdom come, thy will be done, on

Our Father, who art in heat'n, hal-low-ed be thy name, Thy kingdom come, thy will be done,

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** » _ ~ L* :*: '

O $ 6£ % 5 <> 4 3 6 5 S 7 6 3b* 6*

J * J S 4 3 64 33

THE LORD'S PRAYER. Continued. 281

rp3iiiiiiipgiii?giE|^iiii|iiiiiE:iiiiiiearth as it is in heav'n ; Give us this day our dai - ly bread, and for - give us our tres-pass-es, as

^---«-—-u

—

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—:7Zb~te~E^zi5»~:Kz:\zz~r~zzj

earth as it is in heav'n j Give us this day our dai - ly bread, and for - give us our tres-pass-es, as

.SliMIlliliiliiiirfillilSJML^iliE^^]6 f 3 j- 6 5 66 5 6 3 7 . 8

3

H. & H. 36

283 THE LORD'S PRAYER. Continued.

f^^P^^g^^Ep^^gglgg^BE~g—~—

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we for - give them that ties - pass a - gainst us, and lead us not in - to temp - ta - tion, but de - liv - er us from

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-J—«—**—|^-.e—i-r—=--«*—^-Jwe for - give them that tres - pass a - gainst us, and lead us rot in - to temp - ta - tion, but de - fiv - er us frota

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THE LORD'S PRAYER. Continued. 283

^- Xr.

(r^S^i^^^^^^^^^g^^p^g^^^g=gE^|^^ae - vil, for thine is the kingdom, and the pow - er, and the glo - ry, for ev - er, and ev - er,

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e - vil, for thine is the kingdom, and the pow . er, and the glo - ry, for ev - er, and ev - er,

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384 THE LORD'S PRAYER. Continued.

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iftii;^piiililISliiipplpll|piI:i= • #i" -*- ^ 3

MOO.Con. Spirito.

ANTHEM. Kent. 285

Blessed, blessed be thou, Lord God of Is - ra - el, our Fa-ther, Blessed, blessed be thou, Lord

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God of Is - ra - el, our Father, for ev - er and ev - er, for ev - er and ev - er, blessed, blessed be ibou, Lord

Bless - - - ed. Bless - - ed,

o #

286 ANTHEM. Continued.

Bless - - - ed, bless - - - ed,

God of Is - ra - el our Father, tor ever and ever, for ever and ever, Blessed, blessed be ' theu, Lord

iiiiligiiiliPigliiisi^psi^iiiPilii

7 6 Bless - ed for ever and ever,

Sh"l3 ~6 5 "h*"li 3~ 3 33 3™~ 33° 28 b* 3 °2 8

•a for ev - er and ev - er, for ev - - - er,

God of Is - ra - el our Father,

:::bz-~Bless - - ed for ev - er and ev - er, for ever and

for ev - er and ev - er.

6i5»—# Bless

T, S. '- »—

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ed for ev - er and ev - er,

tl 3~ 3~~3 3

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ANTHEM Continued. 287

Bless

a:ed,

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for ev - er,

Bless • ed, Blessed art thou, for ev er and ev - er, for ever and ever.

for ev - er and ev - er,S=ifesslK^ll

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h 100. Two voices.

for ev - er, for ev - er, and6 33 3 3 3 3 3 3

ev - er, for ev - er,

3 3 3 6 66 5 -T* A 3

:IEi: P-?zpz« P-itee

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Thine, O Lord, O Lord, is the greatness. Thine, Lord, o Lord, is the greatness.

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Organ.

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283

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ANTHEM.

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Continued.

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Thine, O Lord, O Lord, is tbe greatness, and the pow'r, and the glory, and the victo - ry,

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and the - majes - y,

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and vie - to - ry and maj - es - ty. Thine, O Lord, thine, O Lord, is the

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Organ. Organ.

ANTHEM. Continued. 2S9

«:I:rL__:iz_t:i:t:t__?

greatness and the pow'r, is (he greatness and the pow'r, and the glory, and the victory, and the niujestv, the majesty, for all that

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For all that is in the heav'n,

6 5

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is in the heav'n, in the heav'n and the earth are thine : Thine is the kingdom, thine is the kingdom, O

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Organ, 6 54 3

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S90 ANTHEM. Continued.

UK °Ve ' all,

Ci.

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1 !- J- J~

t 1 11_ J.

1 1

J. J. J- J.

Lord, and thou art ex - alted as head over all, as head oyer all, as head, as head over all.

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Both riches and hon - our ceme of thee, come of thee, riches and honour come of thee.

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ANTHEM. Continued. 291

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And thou reignest, thou reignest, thou reignest over all ; and in tliine hand, in thine hand is

is pow'r,

iiiillliii^liiiiiliiililliliiilllX, S. —

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And in thine hand it is to make great, and to give strength un - to all.

pow'r and might

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And in thine hand it is to make great, to make great, and to give strength un - to all.

""" 6 5

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4 # 34. 36 * 3

2<js pioe.CHORUS. Presto.

ANTHEVI. Continued.

-0- -P-we thank thee, we thank thee, O God, and prai

Now therefore, our God, we thank thee, we thank thee, we thank thee, O God, we thank thee, O God,

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we thank thee, we tliank thee, O God,

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thank thee, and prai se thy glo

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thank thee, and

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prai se thy glo - - rious name, we,

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ANTHEM. Continued. 293

thy name, we thank thee, we thank thee and praise thy name, we thank thee and piaiprai ------- se thy name, we thank thee, we thank thee and praise thy name, we thank thee and piai - - - - -

name, we thank ihee and praise thy name,

thank thee and praise thy name, and praise thy name, and praise thy name,_Q P ,-e P-,

- - - - se thv name, we thank thee, we thank thee, we thank thee,3 6 - 6 6 5 #

6 54> #

we thank thee and6

thy thank thee, and

thank lliee an.' praise

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praise thy name, we thank thee, we thank thee, and praise thy glo - rious

we thank thee, we thank thee, and praise thy gio - rious name, we_ r q o

praiso thy r^aie, we thank th;e, we thank thee, we# 6 - «

291

I

ANTHEM. Continued.

r_Q_ p__ T_Q _

we thank thee, anil praise thy glo

. • _ mbpr-m fee- -e- ©prai se thy glorious name,

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&name, we thank thee, and prai se thy glorious

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thank thee,

1=)we thank thee,^ and praise thy glorious

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:v Slow. (•'80.

se thy6 —

name, thy glorious name, we thank thee, we thank thee, O God, we thank thee, we thank thee, O God, and praise thy glorious name.

ItliillillililiiiliiEililiiilli^iEiMiillt

—i^EzEE3:J:zEzE -Jiorzaif5zz?zzi:|:§~l—:^:|EE:i:i:E~i~i:|Ezzizzi:

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Allergetto.

EATON. L. M. 6 lines. Wyvill. 2Q3To accommodate tliose persons who prefer this tune as here written, it has been inserted again.

=£=:II^ ** Second Treble.

§SIzzzz±zzizz=brt=z*z±zEzztz^^^* Pill

A - wake our souls, a - way our fears, Let ev'ry trembling thought be gone ! A - wake, and run the heav'nly race,

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And put a cheerful courage on ! A - wake, and run the heav'nly race, And put a cheerful courage on

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396 ANTHEM. For three voices.

Lively.

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Counter.

Sing O heav'ns, Sing O heav'ns, and be joy - ful, be joy - ful, be joy - ful O earth,Tenor.

and be

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Sing heav'ns, and be joy - ful, be joy - ful, be joy • ful O earth,

Voice.

i".j:pzprg

Sing O heav'ns, and be

ipiiz:

§7 6 Sing O heav'ns, Sing O heav'ns,5 * 5 #6 6

3

ANTHEM. Continued. 297

FT- -— <—'I

' +" — ,—_——. _ _ — — i_ — — — — — —t—— —

—

—joy - ful, be joy - ful O e:irth,

*

bitak forth into singing1

, O mountains Sing O

joy - ful, be joy - ful O earth, break forth in - to singing, O mountains:

-e- -©- -p- -p- -©- -©- jp- (jp^ -^ _^TTi_ — -h

Voice. 8 7 6 5 break forth in - to sinring, O- mountains

:

0*3 i*6 62

Organ.

«rig^^^m^^^g^^g^gheav'ns, Sing O heav'ns, and be joy - ful, be joy - ful O earth, be joy - ful, be joy ful earth,^se^i^BU3S^

Sing heav'ns, and be joy - ful, be joy - ful O earth, be joy - ful, be joy - ful earth.

mzzzaz m

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joyful,

H. & H. 38

be42

joyful

:p=:_I_©—-.©—I _) p II P *P 1 u~

fzrth. Orphan. Voire. § 7 6 5O earth, Organ, Voice.

39S ANTHEM. Continued.

^iiizEEizlFzi^zz^be joyful, be joy - ful, O earth, the Lord hath

i=E==dE^iEs==lE^=ip!=M^i^^Ey=syEb^E]be joyful, be joy - ful, O earth, the Lord hath

ll^Ml-SBilfclii^iiil^i-Hiiiii^For the Lord hath com - fort - ed his people, be joyful, be joy - ful, O earth, Orean.

#3 #3 #3 6

comforted his people, be joyful, be joyful, earth, be joy - ful, the Lord hath com-forted his

i^ysEyyEi^^p|=^isi=s|=ysE|Epi^i|Eiiiicomforted his people, be joyful, be joyful, earlh, be joy - ful, the Lord li&th com-forted his

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the Lord liath comforted his people, Organ. the Lord hath com - forted hisVoice.

ANTHEM. Continued. 299

people, and will havef mercy, he will have mercy on his af - flict - ed.

E:wmmMm^m=^£^^mpeople, and will have mercy, he will have mercy his af - flict - ed.

people,

CHORUS!z::xzpz

and will have mercy,6 9 85 * 3

he will have mercy6 b7

his af43

flict - edt

|liSliiiilii^llP=ill^ll^i|lil^llil|Sing O heav'ns, and be joyful, be joyful O earth, break forth in - tommmmmmmmmmmmmm^mSing O heav'ns, and be joyful, be joyful O earth, break lbrth into singing mountains, break

Sing O heav'ns, and be joyful, be joyful O earth, break forth in - to sing - ing O

Sing O heav'ns, and be joyful, be joyful O earth,6

300 ANTHEM. Continued.

singing O mountains : the Lord hath comforted, hath comforted his

forth

u mountains, breafc torth in • to singing U mountains ; the Lord hath comtorted, hath comforted his

—4sa==g=zzr-irt=:cmountains : break forth in - to

" #"*" ~" 6~"

singing, breaK forth in - to singing, O mountains: the Lord hsth comforted, hath comforted his

singing tains, the Lord hath comforted, hath comforted his-e-

irth in - to singing O mountains : the Lord hath comforted, bath comforted hbreafc forth in

*singing

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O mountains : the Lord hath comforted, bath comforted his6 b 7

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people,:

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people,

he will have mer - cy, he will have mer - cy mercy on his af - flict - ed.In

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will have mercy

pi-f

llllflhis af - flict - ed.— i fi\-

he will have mer - cy, he will have mercy

he will have mer - cy, he will have mer - cy, mercy his af - flict - ed.

peopie, Organ. he will haveVoice. |

|

mer - cy, he will have meucy on his af . flict - ed.7 5 4. 6 6 6 75 3 3 5 4. «

ANTHEM.

P--

Keut. 301Verse, 2 Voices. .p. _ ,—.. ,*—-^

^lisgiiiii&iPiggiSIliiieiiiliPi

t

Thou O Lord, thou Lord art my defender, thou art my worship, and the lift - er up of my head,

Thuu O Lord, thou O Lord art my defender,e 6

thou art my worship,3 6 7

thou art my worship and ni\ de»S fi 5

4 3

• f\ fy

thou art my worship,

p|z||p§gE|E^±pSg^zg|E;jEEEj~g:i^=£:z^i:aZ^zezKj*z^i5q:=—--—?=§=:=-:3S

and the lifter up, the lifter up, lifter up, the lifter up of my head. Thou O

Fender,6

thou art myOrgan | 6

worship and the lifter up, the lifter up, the lifter up of my head.

q.w§:rfAzzpzzzzrfrt^pzezppzz—zzitoz^z:^^i^5z5zaz^z±zEz:Ez:pzfzz|z izzEzz!!ziiz: |-z:Ez:E:fzzzzzzpzz±:fzEzzppz}zzzzfz±zfzzzzlzzzzzz1izz:

Lord, thou art my worship, and the lifter up, the lift - er up of my head.

Thou O Lord, thou art my de - fend - er,

6and the jitter up, the lifter up of mv

6 6 4 3

302CHORUS.

ANTHEM. Continued.Verse.

?M^MMMmWm^mW^^m=&Wm^Sal - va - tion be - long - eth, be - long - eth unto the Lord, and thy blessing, and thy blessing is a-

.* .ft

"ar c Org. >*—«*

r^r^S-i^B-i*—

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=:f-i»-!p»Cho.

IffBi^iP^i^^ii^^liiligiiand thy blessing, thy

^gg§^g^^^gr#gfjg^pppi^=i^ i^mong thy peo - pie. Sal - va - tion be - long - eth, be - long - eth un - to the Lord, and thy bless-

and thy blessing, thyOTBi^W^g^S| ij Voice 6 -<*- 6

I

ANTHEM. Continued. 303

blessing,

m^mmmmmmimmmimMwmmsing, thy blessing is a - mong thy people And thy blessing, and thy blessing, and thy

And thy bless ----------- ing, thy

6 5~

6 6~ ~ " '

Org. -?- -f" -•- f~ Voice.4 3 s 6 b - 6 an , .. „and thr

blessing-, and thy blessing, and thy

#bless - - - ing, and thy blessing is among thy people, is among thy peo

e— T—

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pie.

f:

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blessing, and thy blessing-, thy6 e

iili^iiiii!iiii!iiiiil^lllll!llli6 G 6 5 6

4 3* 3

30* £80. O LORD, WE TRUST IN THEE ALONE. Chorus, from the Oratorio of Joseph. Handel._> Adagio. /-"—~—

>

*

alone in thee, alone in thee we trust,

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rt j» 2 Lort}' we trust al ,ne in thee, alone in thee, in thee, a - lone, a • lone ir. thee we trust,

EEIzzr:—sxz:

a - lone in thee, a - lone, alone in thee we trust,—T J rL~l*.

I

£ f I 3alone' &Cl 6 76"

in thee.in thee, O Lord,

66 66 6*6 43~66 43 43

as. I WAS GLAD WHEN THEY SAID UNTO ME, &c.1st Treble.

Dr. Callcott. 305

I was glad, I was glad, when they said unto me, We will go, we will go, we will go into the

-•- m -m- Voice. -»7l jns, -•_ -*- _

6 6 7 6 6 7 6

Duo. 1st and 2d Trebles

6 3-6 4. 6 6 4^3$i 62

uuo. ist ana aa Trebles. _j |!

house of the Lord. We will go in - to the house*

AccomptWe will go in - to the house,

6 5 — ' 5 6~ 7~

' ~#66~4b 6 66 567 7 * 6 643666* tl — #* S " 4, 5 34. 5 4 4

CHORUS.

iPPiipillflllsililiSigS^lliiiiliiaF. We will go into the house, We will go into the house, into, &c.

F. into the house of the Lord, We will go, --.-.-. . we willgo

tZ M-tJzJF Voice.

into the houseof die Lord, iulo the house of the Lord.

a a. a o n _ « y- ,. - - -

306 S9 ?-Solo. Tutti.1 WAS GLAD, &c. Continued.

Solo. Second Treble.Peace be with - in thy walls, Peace be within thy walls.

Tutt'.. Alto.

r^Z-Z-r^ziz^rrfzt^d^rfr^rr-zrT^rj-^f-^—

""rr-j:—5~f—-—4-——[^t-^^-o-^-^-P-t^"^-^-^Peace be within thy walls,

Solo.Peace be within thy walls, And plenteousness within thy palaces.

Tutti,

Peace be within thy walls,

Solo.

Peace be within thy walls,

Tutti.

It=6 - 6 4~ "6~—~ ' 6 ^6 '

—n* - •»_^_6_s-

^ 7

Solo. Second Treble. Tutti. Alto.

Peace be within thy walls, Peace be within thy walls, And plenteousness, and plenteousness within tby palaces. A - men, A - men.

* I2

£so.Tenor. Adagio

WE PRAISE THEE, O GOD ! Steibelt. 807

fe

the Lord,*• s» i* »

Second Treble.

We praise thee, O God ! we acknowledge thee the Lord! All the earth doth worship thee ! In - fi - nite Majesty! O

^C ^-^" ~ " m~7heLord!~

_ ^ »»

* 6 98 6 87 6 5 4—6 * G —3764 5 32— 3

«_ .<?\

God of Sa - ba olh ! Heav'n and earth are full of thee ! and of thy _glo_ Lord God of Sabaoth !

i^ziz^Siz3zg&

^_ m /•>

5 63 4 3

* 7 5-683333 5

303 f80. AUa Marc.

a> SONS OF ZION COME BEFORE HIM. Nauman.

m Sons of Zion come before him bring the

come be - fore him,Burn . ^l'iii^ ui. - miv mill)

11 Sym. Sh«- H—"I -*S 'I

Voice.

•S- Sons of Zion come before him bring the

^:-i:_:

" '' 5— ¥ 6 -*»~333 4 7

Sf|^izz?zizgz^|^lo! he's seated, he sits incymbal bring the harp, bring the cymbal bring the harp

bring the harp, bring the cymbal bring the harp, mmSym. | |S |>ym. ||S

| | rt-i ) n voice.

Higli in glory lo ! he's seated, see the King he sits in

Voice.

cymbal bring the harp, bring the cymbal bring the harp.

Sym.-S. -«.. _ -m- _ lo ! he's seated,... „ |fc_ .__.«-— — eft. |^. _.— ©.___________..,

he sits in

7 6 5 6 5 # *4 3 * 3

1h*=SONS OF ZION, &c. Continued. 309

iipiglpjrii^iiliissjii^iiii§iiia -f*~0m ^e

<&tne ^'nS 'ie 6'*s 'n state.

liiSiii^iEiiii^iiiisi^iiiiiiriiii^iiiEistate, see the King he sits in state.

a Sym

.

i

Sons of Zion come before him, sound the lute and strike the harp, sound the

Voice.Wi^M^M^I^See the King he sits in state

-•-I—

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Tasto.

6 6 54> #

Sym. -bbsmi. -J _j Voice. .- *_—

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t.-9**-*--iis—T—gz-i— 1 £—i—£-£

:ftl*-p;:

lute strike trie harp. , —

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Sons of Zion come before him, sound the

u, Sym. | J* -] I I -1 '

_Voice.

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:§: Sym. n33-4«- -***d Voice -

310

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SONS OF ZIO^, &c. Continued.

S^SaadfaiSBiEBisgil^l^ilute and strike the harp, sound the lute and strike the harp. Sound the lute and strike the harp. Sons of Zion come bei'ore him, sound the^a@a@M^n@

Sound the lute and harp. Sound the lute and harp.

sy=^yil^Eil^iii§^iiiiEil=il^pi^=s;:7 - 66 6 6 87

466 6 6

*

^IBiilii^MlilBillgiiiiilill^lHSound the lute and harp.

iliig^^iiiisiiiiiiiiiiiiipji^pilute and strike the harp, sound the lute and strike the harp, strike the harp—strike the harp, strike the harp.

—

r#-# !-_,_.^mgmw^m&^^mmggmmsound the lute and harp,

l^rtz="=p=EpFzr^—^zztSzffEEzg:1

>'"'

-'Voice. -U-^-i^.

8-;— 5 6 8733 3 4

« «1 -© voice.

T xP— ™ ™T"S T—T-f—#—«T-6»—©-T-W "ll—

8 7 7 -3?i:^

LORD, NOW LETTEST THOU THY SERVANT, &c. C. King. 311

gBmBBB^^g^aLord, now lettest thou thy ser - - vant de - part in peace, ac - cord - ing

. »ff~jE o=T=g—=ggl—g-—g~|—p—E|—1:=:-—:f

—

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—

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3

6 75-6 5 63 4

tl 6

F. For mine eves have seen, mine eyes have seen, thy sal - va - tion.

to thy word ; For mine eyes have seen, mine eyes have seen, have seen, thy sal - va - tion.

F.

For mine eyes, &c.For mine eyes have seeD, &c.

f s 6- 634

6 8 7 4

313 LOJtD, NOW LETTEST THOU, &c. Continued. ,*96.

e—e—~-

Which thou hast pre - pared before the face - of all peo - pie; To be a light to lighten the

# 6 3* 6 6 6 8K75 4 "3

6 6 4 3 6 6 65 65

-e- _qT^ ,—-v

Gentiles, And to be the g'ory, and to be the glory of thy peo - pie Is - ra - - el.

— 4 ^~\ — ^f _ ^Tj _* X*M^mi ^ *^— f^^j- 1 1|

i i mi I ^ ,M ^^ fc mt .

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6 5 4 54 3 2 3 3 "~3 3 3

6 6874

do. LORD, NOW LETTEST THOU, &c. Continued. 313

I

;feflt— Pi =1=

Glo - ry be to the Fa - ther, and to the Son, and to the Ho - ly Ghost ;

i

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5 6~ ~6~ " 6 6™ 5*6 S~7~ ~# **3* 6 5-

and ever shall be, world without end, A - men.

As it was in the be - ginning, is now, and ever shall be, world without end, A -men, A. - men.

and ever shall be, world without end, A men, A - men.

> and ever- shall be, world without end, A men.

H. & Ho 40

6 - 65 5 5-± a-

314 r<59. VESPER HYMN. Solo. Russian Air.

Ju - bi - - la - te,

Solo.

©-

A - men, A - men.

1. Hark! the vesper hymn is stealing, O'er the waters soft and clear; Nearer yet and nearer pealing, Now it bursts up - on the ear.Solo.

2. Now, like moon-light waves retreating, To the shore it dies along ; Now, like angry surges meeting, Breaks the mingled tide of song.Instrument. Voice. Solo.

Tutti. F. Solo. P.P.

Ju - bi - - la - te, A - men, A - men.56 6

"

4<

Tutti. F. Ju - bi - - la - te. A - men, A - men.- _j»- t%_ _-m- m_ -jm- ;§-£>_ j»; »~^ Sol°- pp - y—

v

Ju - bi - la - te, Ju - bi - la - te, Ju - bi - la - te, Amen. Farther now, now farther stealing, Soft it fades up - on the ear.

Tutti. F. Solo. P.P.

Hush ! again, like waves retreating, To the shore it dies along.Tutti. F. Solo. P.P.

*« 7 — 46 687 5 — 5— 6~^- 5 5 - 5 6" 6 5V - 3 - 5-3 ! - 5 6 n—*" «"—*

—

*—ta—.—te: A - - men. A - men.

'*£|*120, or ©GO. CHORUS. Hallelujah to the God of Israel. Haydn. 3

F. • =)- FT- L-l 1"^ • -•- S- I IF.Unison.

6 6 4. 6 73

6 4. 6 674 2

6 6 64

6 4 6 4 62 3 4 3

liiflpillPMiMiigiaii^iliiiliilSi

Hal - le - la -jali,

Voice.Hal - le - lu - jab, Hal - le - lu - jah, Hal - 1«

Sym. Voice.lu - jah to the God of Israel,

6 4 67 6 4 6 42 3

316 CHORUS. Continued.

He will save - - - » us in the day the day of fight.

lie will save us in the day, - - will save us in the day of fight. Hal-le - lu - jah, the Lord is our de-Voice. ,, N Sym. |

,Voice.

Sym.He will save us in the day, williave us in the day of fight.

Voice. Sym.-|«-T«. _ _p._.i.

1

Voice._Q-

6 3 — 7 6543

7 5 6 875

I I 5 6 7 6#454

fender, He will save us in the day, in the day of fight. F. God is great in battle, for he is the Lord of hosts.

Sym.j j Voice. Sym.

Sym'S

-- -*3-

Hi

1= 7f

6 &6 9A* I .6 £6 6!

CHORUS. Continued. 317

_P- _*[ -E-E - X ~P__"©- -e-~E~ '^bPP- - P-i''9- -p_p

tfe—b-h-+-' £flal-le - lu - jah, He is our refuge,

Voice. Sym. Voice,

I wilt praise him for ever, ever - more. Sym. Hal - le lu - jah,

fee- -®~ ©»- Voice.

p_zzii_:

.Q_ Sym. Voice.

b? * 6b*3 5 -

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'

_ forever

q eg- _j> a _&£" • ~r~ "P^" _"P" ~P~(** ~B.ZB.~- m.

I will praise Tiim. will praise him evermore, will praise him, will praise him, will praise him, will praise him for - ever,

-P-for-

forever

—-_ _ -_. - -^ _-_ _____ -. _?_.^__ ^ .*_ „

318 CHOKUS. Continued.

for - ever, forever. ever, ever more, forever, forever, forever, ever, ever more

ever,

zhzziEZZZi^r:for - ever, fur - erer, ever more, for - evar, for - ever, for - ever-, for - ever, ever more Synv.

forever, forever, i

iiliillSiiilliiliiiSforever, forever, ever, ever more Syraforever, ever, ever more, forever,

fi 6 55 4 3

6 54 3

fii=y=PISliiiIM^iiPliP^iiliiiPPiSyE^f

will praise him, will praise him, forever, ever more, will praise him, will praise him, forever, ever more.

Voice. Sjm. Voice. -*_^0.- -P-

Voice. -P. _ «- -El-ft- „ „ _Svm. Voice ..3. J*i $~f*- . . Sym -, o

6*

tjio D1RGE. 3t«JDead March in the Oratorio of Saul, by Handel.

5BpEiiii§ifp±-»:iE§z:§E;fEiEP. Solo. P. Sola. Tutti.

. -ftixzpip:

Unveil thy bosom faith - fill tomb, Take this new treasure to thy trust; And give these sacred relics room,

P. Solo. pTSolo. Tutti.

6 5 6 7 6434 5 4

8 766 544

5 6 h7-6 53 4 u 5 - * 3

3Repeat for the 2d and 3d verses.

• * m~^ ^ m m~~~^ p> Sol°" '"""~ ' ^ Tutti

* a "a" a '—v

To slumber in the silent dust. And give these sa - cred relics room, To slumber in the si - lent dust.

"*-'' s~~/ .*"—

"

P. Solo. ^

—

' N—"Tutti, -e-

8 7-6 - 5 — 8 — 7~6 7~6 "s"- 6 6 £ 7—65-4— 3t- 6 — 54 54 3 3 5-4 4 j 4 >

V. 2. Nor pain, nor grief, nor anxious fear Invade thy bounds. No mortal woes Can reach the lovely sleeper here, While angels watch the soft repose.

3. So Jesus slept;—God's dying Son Pass'd thro' the grave, and b'ess'd thebtd; P. est here, dear saint, till from his throne The morning break, ;.nd pjerce the shade.

320 Verse 4 th. DIRGE. Continued.

F. Dim. ,.——

^

P. Solo.

Break from his throne, illustrious morn ; Attend, O earth ! his sov' - reign word ; Restore thy trust,—a glorious form

—

I!

F. Dim. ^^ ^^^ "^^T P. Solo.~ '

^_^ F.F. Tutti. ^_ ~f fj ^^H H

^hrf-^l-F-—f-F-f'F'frFrr~" t>*i~f " t r~F~£"i~ ~~f'F-fFfr~Ej^~t~F~T~r~ETr^PT"*~ ~~v 'wXiv

^—* F.F. Tutti. v—

•

Vj^ -©- ^-^

tei fi A 7—3 *3

92. LO ! MY SHEPHERD IS DIVINE. From the Oratorio of Judah Haydn. 321

if-ffcgi~=i=~E4C===wm^^^mmmm^mm—4:

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6 7 6 «4

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Second Treble.

-fcfcfcr

Eig?igiglLo ! my Shepherd is divine, How can I want when he is mine,

Voice.

H. & H.

* 6 6 6 S2 4 3

41

5-C4. 766 6 53 3 5 4 S3

333 LO ! MY SHEPHERD, &c. Continued.

^^ii^felliR^piiSi^Mii^SSLo ! ray Shepherd is divine, How can I want when he is mine, when he is mine.

->

—

s 733333 3 36 t 65 6 6 6 5 6 66 *# 4 # 547 333 33 3 36

IfliiliiilPI^PIg^^IMgMiiiiil^ilHe leadeth me—He leadeth

By the stream that wanders slow, Thro' the meads where flow'rets grow,

Voice. J j j ( % ,f

- j

He leadeth me and there

voice. J i I J i ,. s^ v-#

.

--1-—^jr^diT'-1'!-!

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He leadeth

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6 —5 — 4 7

3 #6 —5 — 4 7

3 # 3 3 3 3 3

LO ! MY SHEPHERD, &c. Continued. 323

IPPpi^^^^^gi^lpg^ipp^PflpfEgi;^me and there I rest, In peace di - Tine - ly blest

I

there l rest In love and peace di - vine - ly blest, In love, In love and peace di - vine - ly blest. Sym.

me and there I rest, In peace di - vine - ly blest.

6 #6 #6666 65* 4 4 #3 3

6 #4 6 6 6 £

3

. . - Lo ! my

:^-t;i:fe-±ll <' "» c J n voice.

liglMMM^MIWHliilPLo ! my Shepherd is divine, How can I want

Voice

£ -P:_ £$£;* . £.• XjS!:

.

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324 LO ! MY SHEPHERD, &c. Continued.

Shepherd is divine, How can I want when he is mine. By - - the stream that wanders slow, that wanders

when

-»

mine. By - - - the stream that wanders slow, wan - - ders

^-— that wanders, wanders

is di - vine. How can I want when he is mine,. By the stream that wanders slow, wanders

3 3 3 3 3

-) 1~1 1-

4. 6 — 6 — 7 - 7 — 6 7 64 5 4*

glow, He lead ... eth me, he Ieadeth me andHe lead - - - eth, lead - - - - eth me and

•& « -w » T « »slov Thro' the meads where flow'

-a~w'rets grow. He lead eth me, He Ieadeth me, and there, and

slow, .I

s— —-* .- He Ieadeth me, Ieadeth me, Ieadeth me and

!*-£—-»-—e-JJ-e---*-!-- \—f-g—

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LO ! MY SHEPHERD, &c. Continued. 325

rA#rd--J-

^iiillLl^^iiil^iii^I^Epliiiiithere I rest, love and

^|i^^^pipi^ipii=^i|||||gii|=ithere I rest, In love and peace di - vinely blest, In love and peace di - vinely^B^S^Sn^^SKSthere 1 rest, in love . ar.d

»J*tt^""q, ^ T"^

1-—"-"~"*t J "rTjf J- r ~t""iJ

M-

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6 7 64 5 4

6 S4 3

#=ziEiI~^zI=lEei^=i?lEIEi3=ia=^=IE^=

SEEF3 ~3 3 3ggiraiB^^^a

peace.

In love and peace di - vinely blest. Sym.blest,

peace, J F !• I #» P #» • • * °*

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36 6 6 7 6 6-4, 43

6 —*4 5—* 4 54-#2 3—#j! —

326 ANTHEM. For two voices.Verse. Alto.

Kent.

#T^7EEEil^SB^^g^ggaB§O speak good, speak good erf the Lord, all ye works of his

Voice. -©-

Org. 6 6 6 7 6 6 O speak good, spSk good of the-3-6 6 -75 « -SfJ

pisgp; T-e T-isn^^i^iiEiiiiispeak good, O speak good, speak good of the Lord, speak good all ye works, all

—b-~Lo?ri,

ir£L Siiil^|g^^alg^iiiiall ye works

6his, O speak good of '"'the Lord,

6 6 7speak good all ye works, all

6 6

I

^^^^^^^mP4P=3F=©

P—a—arf~s~i3s ggii^pEgiall ye works, all, all ye works of bis in all places, in all places, all

all ye works, all 3 6 6 6 ;~3- ° « ospeak good)

j£'~~' """"" ~+~~" '"6 ~j^ allspeak good, #•

ANTHEM. Continued. 32?

li^iiiiiiilSe a T-P-i*-i»-»-r-

IliillMilPiiiplaces of his domin - ion, speak good of the Lord, speak good of the Lord, in all places, in all

56 6 6 5 # speak good of the Lord, speak good of thew Lord, in all6§ speak good of the Lord, speak good of the Lord, in all#6 6 6 6

:fe=ezg-feg"-gzizfg-gzz==i=ij-r-lT=--=: HHEgEgBiplaces of his do - min - ion, praise thou the Lord, praise thou the Lord, O my soul, praise the

yi^iiiiiisiipiiii^Eiiiigiii^6 6 # -, # praise thou the Lord, O my soul, O my soul, H

6 6 6 56

wmmmmm^^^^mmmmmLord, O my soul, praise the Lord, praise thou the Lord, O my soul, praise the Lord, O my soul praise the Lord.

6 6 % % praise thou the Lord, O my soul, O my soul, 5^6 6 6 0°5

328 ANTHEM. Continued.CHORUS.

rXE

fl^lliii^^miiiil=ll=i^iilirgiO speak good of -the Lord, all ye works of his in al!

"ft—®vfe-

O speak good,_ * « _ II .,lfi/-j-.f /-if l-iio H n_n all places of his do-

«^~ p~6 "" 7~ "

6"

7®6 "0rJ*" 7 "IP*

xb~

in all places of his do - minion, Qi___all place* of his dominion,

r-P_P-|8- •-*—r-a-Q-r —

se Ihou the*~"pfaces of his do* - minion,

' '

praise thou the Lord, o" my soul, "in ' all places of bUjlomimo^praisejh^

minion in=Sl places of his dominion, in all places of his do - minion, in all places of his dominion,

^**" e~"•"»"••"«! ;gr*' .J.•^•*" ^ O *Voice. in all ,

places of bis do • minion, of his dominion, Org.

ANTHEM. Continued. 359

Praise thou the Lord, O my soul, praise thou the Lord, O my soul, praise thou the Lord, O my

bfe

fcfcz,

Lord, O my praise thou the Lord, O my soul, praise thou the Lord, O my soul, praise thou

-PZ

If3

praise thou the Lord, O my soul, praise the Lord, O my soul, praise thou the Lord, O my

6 - 6 - 6 6 praise thou the Lord, O my soul, praise thou the

Voice.6 6 6

4

soul. . , ,

:hzzE~~z~-—iz-—&:.£.z£zxz&zfi~u s :uierprpizPz~zz=ii:^iztsrzri~:£±;?xi~z§:iz@igiaBZj:rQiM~

Lord. Praise thou the Lord, O my soul, praise thou the Lord, O m\ soul, praise thou the Lord, O my soul, my soul, praise the Lord.

soul, O my soul.

""Eord,^o7gT "voif- a- - - • - --y c_ .. _zj_p-zg_-"I=J

:

-o-|*- - -^- -

H. & H. 43

330Kecil

:

ASTHEM. That I may dwelt in the house of the Lord.

^^JEg^gE^g^Elaspii^^^^PgEigp^ia-#-*-

"t5»J

One thing have I de - sir - ed of the Lord, which I will re - quire,

hE:SSEE=^5EE^E|^S=E^E==^=^E=EE|=S|==fe^

,,g^B=Ei^===E=|SEE;pEiE=Eg=E=ijgi!p^EEP|Sym. Andante.

,—ku

slilliii^^igiiiiii^^ii^i^lll^it#*~rfj_—izzi zdzzzzjziz*. _^ zziz z —_z . i —%.

,

i . —i .-

-jz^-A~--^~--rn i i i m -m- i ^"4-T—•—»!—«-— T 1—

rfAfc*

ANTHEM. Continued. 331

53tfel

^yiEiiisiiiii^ieiigiisi^iii

I|^^l^l=llllIligi=iE|i|j?iiii;zz*;:

:S-^-h-That I may dwell, That I may dwell, That I may dwell in the house, in the house of the Lord, may

> 6 > + 62

:pz:5 I

4 3 -5-|3

6 — 5 564.6 6 56 7 434 — 3 2 5 34 5

« „ £ , a _.„. .

dwell in the house of the Lord all the days of my life. To be - hold the fair beauty of the Lord, To be-

6 #643

t> - 6 5 - <i - 6 8? 54 6; 4 3

333 ANTHEM. Continued.

hold the fair beauty of the Lord, and to visit, to visit his temple, to behold the fair beauty of the

11„-7 6 7 6 5 6 —1 4 3

#6 €5 6 — 5 6 — 6 54 3

6 565

fc*™riPiiii^i^illi^^ifliliiilLigli:#-;*rrar^rffzr:*~se^^^^^=|^g^^^p^=g^^^^|^

Lord, and to

*— ^F- 1 1 IT--

visit his temple, and to visit his temple. A - men.

65 - 6 —

?

4 3 -6 6 55 4 3

6 65 4

Largo.

LORD, FOR THY TENDER MERCIES' SAKE.

zz zza izdiZr_iz §!zi-d i—§—i §Lt__ ;

Farrant.

tzzDZ-Jzpz

333

Lord, for thy tender mer-cies' sake, lay not our sins to our charge; But for - give

3 „_T-P_«—• „_T J^_T-^©-

Lord, for thy tender mer - cies' sake, lay not our sins to our charge ; but for give

Lord, for thy tender mer-cies' lay not our sins to our charge ; but for - give

^riEH j T"1"

^ Zl I n —I T T w

Lord, for thy tender mer - cies' sake, lay not sins to our charge ; but for give

z^-zzzzzzzIzzzzzpizzbzzHzJzzizfzzrzzrfzszz3zzzzzzE::azz&z^Jz8zzlzIz3-dzIzzl=zIzzzzIz

-s--*- -©- -&

-e-

r3=a=£t^=Ei|=i=Q=Eg=§g:-e-

d-+-e- zz^zzizz"r*T

Largo.

V ~ ~! " S

r-0

zlzza:

EES3-e-

4 & 7 S 6

334. LORD, FOR THY TENDER MERCIES' SAKE. Contiuued.

-z~H_a:::i_;

that is past, and give us grace to a - mend our

r—b— ~~ -—-!' - •--- - - —

iiiPHlll^liliisI-&sin - ful Kfe; to de - cline from sin,

lUithat is past, and give us grace to a - mend our sin ful life; to de - cline from sin,

that past, and give us grace to a - mend our sin - ful life; to de - cline from sin,

that is past, and give us grace to a - mend our sin - ful life

;

to de - cline from sin,

-&• I

6" -e- -©, J. -il- -3

H:

-g. -«- -«- w^_ ._. -g:,-p3-~--^-

5 6 5 5 6~- """ -" "~6 5~ a "" "" ~* """*"6

3 3 3 '.

LORD, FOR THY TENDER MERCIES' SAKE. Continued. 335

and in - cline to vir - tue. That we may walk in a perfett

and in - cline to vir tue. That we may walk in a per - feet heart,

and in - cline to vir - tue. That we may walk in a per - feet heart, per - feet heart, that

iiigHsmii ac-d-

and in - cline to vir - tue. That we may walk in a per - feet heart, a per - feet heart, that

L^lrlif^lEEIrlrll^l^^zEg^S^^ll^l^iil,- r

-e-i m i ! o ii p'

ia - ^ i--»' d i i i />—

^

qEZZ=©±i|zT=|-©;i=?=^:d—d:M2zz|=§:izDzz*=z-iifz:*z:*:zi:i::d—zzzzzizqry? e E_I_pZZZ—I I _jj_i » E-JZIp.

5'

"

5""" :

' * 6 6 5 S3 3 3 3

336 LORD, FOR THF TEXDER MERCIES' SAKE. Continued.Repeat loud. 1

zzz~a~Tza—zzaheart, that we may walk in a perfect heart be - fore thee now and ev - er more.

1

that we may walk in a perfect heart be - fore thee now, and ev - er more.

_1__ _2

we may walk in a per - feet heart, in a perfect heart be - fore thee now, and ev - er more. That

1

we may walk in a per - feet heart, in a perfect heart be - fore thee now, and ev - er more. That

1 2

fZZ D I-fl— q—f—i

—

s~t~;o a _g_ _g_ w __. .e. _e. , o .e . .e.

l^=P=CTf=33325-3 3 3 3 °

66. CANON. Three ia *>ne. Dr. (x. K. Jackson. 337Attettuoso. :s: —P-

Hear roypray'r O Lord, and give ear unto my calling, O my God.

Si

Hear my prayer, O Lord, O

_ -§: p

Hear my prayer, O Lord, and give ear unto my calling, O my God,

:s:

Hear my prayer, O

iiii§yi=^iiE=ES=Hear my prayer, O Lord, and give ear unto my calling, O my God. » Hear my

Finis.

171

&~PLord, when I mourn, when I mourn, when I mourn,

rk=ra —aims:

my God, hear my prayer, O Lord, and give

Finis.-» :s:

Lord, O Lord,

==^=i^™=£=yz^^^=izrE^zfei=™r:i=S=tfera=i£twhen I mourn, when I mourn, when I mourn, O my God, Hear my prayer, O

Finis.

prayer, O Lord, O L-jrd, v when I mourn, when I mourn, when I mourn,JV. B. Te be sung twice fi om the repeat, :S: and end at the pause t

">

H. & H. 431 u rn

•

'

O my God, hear my

ALPHABETICAL INDEX.

ABINGTON

METRICAL INDEX.

Stamford

METRICAL iptDEX, Continued.

ChristmasClarendonClifford

ColchesterComptonDedhamDevizesDundeeDungeness"Kversley

ExeterFerryGenevaGreat MiltonHavannaHowardsHuddersfield

HullIrish

JordanLiverpool

LondonManchesterMearMedfieldMelodyNewtonNew-YorkNottinghamOrenburghOxfordPeterboroughRochesterSalemStamfordStephen's

SwaTiwickSt. Ann'sSt. David's

128144120122147

121

11813211114914211214898

11395

1511211449610512611912213

1210310211312411211612'

11791

10!

1109594

St. Gregory'sSt. James'St. John's

St. Martin's

St. Matthew'sTallis' ChantTempestVValneyWaltonWarehamWeston Favel

York

C. M. Minor.BangorBether

BurfordCarolinaCollinghara

CrowleElgin

Funeral HymnFuneral ThoughtHaseltonHymptonSt. Austin's

St. Bride's »St. Mary'sWalsalWantageWindsorWorksop

S. M. Major.AtholP.everidge

'•landenburg

ClpptonCroyden

1039410910097

101108126140106145129

135136133150141

134138135149139137138167134141136136139

158159163157163

DoverEastburnElysiumFairfield

FroomeInvocation

Mount Ephrairo.

MorningtonNorthamptonPelhamPeckhamPrincetonShirland

Silver Street

SuttonSt. Thomas'Thessalia

WatchmanWestminster

1-56

1571«0162169162155161164154168169158153159156161

165155

St. Helens'

Zion

17249

L. M. 6 line. Minor.

Leicester 82

L. P. M. Major.

Martin's Lane 171

C. P. M, Major.

Aithlone 176

Bizantium 177

Kew 174

Rapture 175

Redeeming Love 178

S. P. M. Major.

Dalston 179

Worship 180

S. M. Minor.Aylesbury 165

Dunbar 166

Little Marlborough 166

St. Bride's JS7

Yarmouth 167

L..M. 6 lines, Major.

Eaton 58

Boxgrove 170

Hamden 70

Milton 43

Morning Hymn 27

Music 90

NewcouTt 173

Owens 26

Poland 36

Waltham . 54

Westville 66

H. M. Major.

BethesdaDarwells

Shaftsbury

St. Philip's

TriumphTrumpetWeymouth

6's, & 4's. Major.

BermondseyItalian Hymn

7'

Alcester

AngolaBeneventoBernice

Easter Hymn

Major.

HotbamMiltonNaplesPilton

Pleyel's HymnTreveccaTurinVeniceWalesWorthing

189188193193190216192196191

197

185

186183181

182187184

7's, & 6's. Major.Amsterdam 213

7's. or 8$, Sc 7's. Major,Alsen 198AmboynJ 2G2Austria 200Bath Ah ey 201Sicilian ymn 194Sweden 198

!s. Major.

Goshen){Spring

Wanwolh

832233

194206195190222

219220220

8'sj& 7's. Major.

AthensAutumReubelSjanleJ

8] & 7's. Minor.Eastaiook

Calv

fs, or 8's, 7's, &Major.

204212204199

215

4's.

207

GangesGreeceGreenvilleHelmsleySeville

SmyrnaTamworthTrivola

WestboroughWicklowWilna

206211233205208209216214203218210

MPs. Major.

Savannah 221

10's, & ll's.

HavreLyonsMontagueSt. Michael's

Walworlh

Major.227228226229225

10's, & ll's. Minor.Hamilton 224Landaff 230

ll's. Major.HintonPortuguese HymnSt. Denis'

12's. Major.Scotland

Fugues. Major.AdventNewark

234223231

240

26857

yvwvi*vvvw*<^^vvvv«wvvvvvvvvviAVW*vv*vvvvvvMA^vvvin*wvvvvvvvvwvvv\v%vvw**v

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VILLAGE HAKMONY:SH,

YOUTH'S ASSISTANT TO SACHED MUSICILCONSISTING OP

Psalm Tunes and Occasional Pieces,SELECTED FROM THE WORKS OF THE

MOST EMINENT COMPOSERS.TO WHICH IS PREFIXED

A CONCISE INTRODUCTION TO PSALMODY."—WWW )£VWVW—

THIRTEENTH EDITION, CORRECTED AND ENLARGED.

s*#^N#0##*<^<

JfEWBURYPORT :

Fpblkhed b* E. LITTLE VCo. and sold at their respective Bookstores in JVewbun/port & Portland: sold also by C. Norms & Co. Bxeter ; Epihuim Kijtgsbubt,

Haverhill, JV. H. ; Cujcmings & Hu,uabb, Boston ; and by all the principal Booksellers in the United States.

C. NORRlS & Co. Printers.

**%

ftI*

if

1sirJsP

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fip^r^Ppiflr%'iff w ^^&S^S^^iwA\^S!^^mm!^^'^^.v!msfS!si

«* -* * t-^r» I»

MEW-HAMPSHIRE DISTRICT.BE IT REMEMBERED, that on this twenty-fifth day of December, in the thirty-seventh

vear ofthe Independence of the United States of America, Charles Nonius and Company, of

,E> eter, in said District, have deposited in this office the title ofa Book, whereof they claim th.e

right as Proprietors, in the following words, to toit

:

" The Village Harmony : or, Youth's Assistant to Sacred Musick. Consisting of Psalm Tunes and- Occasional Pieces, selected from the works of the most eminent composers. To which is pre-«' fixeo a Concise Introduction to Psalmody. The eleventh Edition, corrected and enlarged."

In conformity to the Act of the Congress of the United States, entitled, " An Act for the en-

couragement of Learning, by securing copies of Maps, Charts and other Books, to the Authors

and Proprietors therein mentioned j and an Act for the encouragement ofLearning, by securing

copi -s of Maps, Charts, and other Books, to the Authors and Proprietors therein mentioned, and

exte-juing the benefit thereof to the arts of designing, engraving, and etching historical and other

prints.

it. CUTTS SHANNON, Clerk.

A true copy of Record.Attest, R. CUTTS SHANNON, Clerk.

57

ADVERTISEMENT.»«©"#-**£**«* a

THE present edition of the VILLAGE HARMONY is offered to the publick, in full confidence, that refined and

judicious lovers of psalmody will find it essentially improved. Many of the light and frivolous pieces of former editions

have been expunged, to make way for such as are more solemn and interesting, and better adapted to the sanctuary of the

Most High. It is scarcely necessary to mention, that almost the entire contents of this work have been selected from the

best writers, ancient and modern—writers, whose simplicity, correctness, delicacy and elegance, claim the approbation of

all, who are respectably informed as to the nature and uses of sacred musick.

While the proprietors have spared no personal exertions, they have solicited and obtained the advice and assistance of

many gentlemen of skill and accuracy in the art and science of musick. To those gentlemen the proprietors 2re happy to

embrace this opportunity of acknowledging their obligations ; and of presenting to them their sincere thanks for the lively

interest they have taken in the reputation and success of this work.

If competent judges should think there is need of still further amendment, we doubt not they will admit the present to

be nearly as great an improvement upon former editions, as could be effected with due regard to the progressive improve-

ment of the publick taste. With respect to the typography, it may be truly said, no pains have been spared to render it

neat and correct ; if however, within the compass of so large a work, several inaccuracies should be discovered, we trust the}

will find an apology in candid and judicious minds.

With sentiments of gratitude for the ample patronage hitherto afforded, the proprietors dismiss this advertisement with

their sincere hopes, not only that such patronage may be continued to their well-intended efforts ; but that this work mayprove happily instrumental in exciting and gratifying a refined relish of classical psalmody, and in warming and purifying

the devotions of such as engage in the worship and praise of the Divine Being.

Exeter, October 1816.

A Dictionary of Musical Terms.

ADAGIO, for Ado.) slow.

Affettuow, or Con Affetto, tenderly.Allegretto, a little brisk.

. Wegro, for Alio.J brisk.

Allegro ma non troppo, brisk, but not too fast.

Alto, or Alius, the Contra Tenor.. Indante, distinct, exact.

.fndaniino, very exact and slow.

Amoroso, see Aflettuoso.

Anthem, a portion of Scripture set to Musiek.Bis, signifies a repeat.

Canon, a regular and exact fugue, in either the uni-son, fifth, or eighth. In these pieces one singerbegins aloQe, and when he comes either to the end«f his part, or to a repeat, if written on one stave,

a second begins, then a third in like manner, andso of the rest.

Cadences are closes in Musick, similar, in effect to stopsin reading.

(.Uinta, or Cantus, the Treble.Oapella, a chapel or church, as, Alia Capella, in church

style.

('hums, full, all the -voices.

(Jantibile, in a graceful and melodious style; an extremecadence made by the principal performer wh ijitherest stop.

f'on, as Con Spirito, with spiri t.

Crescendo, for Cres.J to swe lithe sound.{'on Lameiifo, in a melancholy style.

E, and, as Moderaio e Miestoto, moderate and ma-jestick.

Da Capo, for D. C.J to repeat and conclude with thefirst part.

Decani and Cantoris, the two sides of a choir..

Diminuendo, to diminish the sound.Dolce, sweet and soft.

Duo, Duetto, for two voices or instruments.Del Signo, for D. S-J from the sign.

Fagotto, the Bassoon part.

Fine, the end of a piece or book.Forte, for For.J loud.

Fortissimo, for F. F. ) very loud.

Fuga, or Fugue, a piece in which one or mf«e flares read,

and the others follow in regular intervals.

Grazioso, gracefully with taste.

Grave, the slowest time.

Larghetto, pretty slow.

Largo, Lentemente or Lento, very sidy/.

Ligature, a slur.

Mtestoso, slow, firm, and bold.

Moderato, moderately.Motteito, a kind of Latin Anthem.Mezzo, moderately, rather, as Mezzo Forte, inaderately

loud, Mezzo Piano, rather soft.

Organo, the Organ part.

Piano, ( or Pia. ) soft.

Pianissimo ,for P. P. ) very soft.

P pefticed tcanother word increases its force.

}Poet, the contrary of Pia.-

J Presto, quick.

\ Prestissimo, very quick.

JPrima, the first part.

< Pianissimo, fPianis, or P. P. J vary soft,

| Pomposo, iu a grand or pompous style/

5 Recitative, kind of musical recitation between speaking;

< and singing.

? PitornelUt, see symphony.3 Secondo, the second part.

i Semi Chorus, half the voices. _

(

\ Siciliano, a slow, graceful movement Ki Compound

|Time.

|Solo, for a single voice or instrument.

{ Soprano, the Treble.

|Spiritoso, or Con Spirito, with spirit.

5 Stoccato, very distinct and pointed.

jSotto Voce, middling strength of voice.

4 Symphony, a passage for instruments.

|Tempo, time ; as, A Tempo, or Tempo Giaisto, in true

jtime, &c.

t Trio, a piece in three parts.

.

5 Tempo di Marda.i Tatto, when all join after a solo.

i Thorough Bass, the instrumental BasSj with figures for

1 the Organ.

i Verse, one voice to a part.

J Vivace, with life and spirit.

J VoJfi Subito turn over quick.

INTRODUCTION TO THE GROUNDS OF MUSICK. \

MUSICK combines melody, air, harmony, and measure. Mehdy is a series of simple sounds. Air is the spirit and style of melody. Jlar-rnony is the consonance of two or more sounds, either natural or artificial. JVhtural harmony is produced by tke cemmon chord. Artificial har-fQony is a mixture of concords and discords, bearing relation to the common chord.

THE DIATONIC OR NATURAL SCALE OF MUSICK.The notes of the diatonic or natural scale of musick are seven, whose distances or degrees are measured by tones and semi or half tones.

The seven first letters of the alphabet are applied to the notos, in the following order—A, B, C, D, E, F, G ; when fhere is occasion for an eighthletter, the first is repeated. These letters comprehend a system of degrees, called an octave, from which proceeds the variety of harmony.

THE GAMUT OR SCALE OF MUSICK.

Space aboveFifth Line-

ar Bass-B j Space above

5 Pifthl.ii

Fourth Space ' VFoui-th Line ^ft-Fouith LineThird Space ~~—Third Line

—

==-

Seeond SpaceSecond LineFirst SpaceFirst LineSpace belew

G O Sol-F—O—Faw—B O Law

Fifth Line-

,

—

d_o_jSol-C O Faw

B—O—Mi-A O Law

-G—O—Sol-

Fourth Space

|Fourth Line—

5 Third Space$ Third Line ;a Second Space -

5 Second Lin*-:-—

j

1 First Space *

I First Line**

For Tenor, Counter and Treble.

G Sol

F—O—Faw-B O Law

£ Space above5 Fifth 1

For Counter.

—D—O—Sol-

C O FawB—0~Mi-

A O Law-G-O—Sol-

Space below D

Fifth Line

I Fourth Spacei Fourth Line—

;

|Third Space .

|Third line —

'

i Second Spaee'

I Second Line—|

First Space

f First Lane—

—

5 Space below

A, G—O—Sol-

F O FawE—O—Law

D O Sol

-C—O—Faw-B O Mi

A—O—Law-G O Sol

Musical Characters Explained.Examples. t

The Bass Cliff h placed on the fourth line, ry—-— J ! The Counter Clffh placed on the third line,

and called the F Cliff, and is used only in Bass. S3:-jj 5 and called the C 5iiff, -d is used in Counter.

The Tenor and Treble Cliff is placed on the •»;

"~""§"! A StalFis ^ ve lines with their spaces, where-

second line, and called the G Cliff, and is usedffo

—-J 5 on notes and other characters are written.

in Tenoy and Treble, and in Counter, !§£„____ _3 j

Ji.xamp.les.

INTRODUCTION.

Ledger Lines are used when notes ascend or ~~* "~"

descend beyond the compass of the staff. _—-._____

A Brace shows how many parts are sung to>

-gether. 111!?

A Slur shows what notes are sung to one

syllable : but when the notes are tied at the

bottom, the slur is unnecessary.

f * t

Stoccato Marks should be performed distinct- ***~~"~"~ "~~~~~|

ly ; when dots are introduced, they must be

sung soft and distinct.

A Sharfi set before a note raises it one semi- —ZZ____T '

tone. ____] _jO 2

A Flat set before a note sinks it one semi- •—-tone. —£- Z.

Either a S/iar/i or Flat set at the beginning of a tune has influencethrough it, unless contradicted by a natural.

A Natural restores a note, made flat or sharp, ——- —1

;o its primitive sound. §S D J

Observe., that Sharps, Flats, and Naturals affect the sound of no let-ters but those on which they are set.

A Refieat shows what part of a tune is to be —— —i

sung over again.

Figures 1, 2, signify that the note under fig-ure 1 is to be sung before repeating, and thenote under figure 2 at repeating; if tied, bothare to be sung.

urn

A Point of Addition adds to a note one half ———nrits original length. When set after a Semibreve, it makes it equal to three Minims ; whenset after a Minim, it makes it equal 10 three Crotchets, &c

It qt T—2~_];-rFF—Eiil^J

A Hold signifies that the notes, over whichit is set, may be continued at the pleasure of

the performer.

m

A Figure 3', placed over or under any three

notes, reduces them to the time of two of the

same kind.

Choosing A'otcs are placed in a direct line,

one above another, either of which, or both

may be sung.

A Ligature or Tie, comprehends two or morenotes upon the same line, or space, lied with

a slur, which must be sung with one name, and

as one sound.

A Single Bar divides the time according to —the measure note. —

iilfe

INTRODUCTION. 5

A Measure JVbte is that which fills a bar. ZI~S—IZI0—3 I 5th. The Semiquaver - - E which contains 2 Demisem.iquay.ers.

^SRgS^^^^w^a |gEgfj|:| 1 *• TheDemisemiquaver, - | which is the shortest note used.

A Double Bar shows the end of a strain manOF RESTS.

A Cfose shows the end of a tune."""

'

—-jj| |RESTS require the same time as the notes they represent.

, 5 A Semibreve Rest - - ""™~ *s equal in time to a Semibreve.

OF NOTES.|

III- SIX Notes are used in vocal musick, which are of different forms j

A Minim Rest - - - Z±E is e<*ual in tirae t0 a Miainl -

f^and lengths, viz: „

|

—

—

1st. The semibreve - - - £5 which contains 2 Minims.|A Crotchet Rest - - - HP— is equal in tirae to a Crotchet.

2d. The Minim . - - -J3 which contains 2 Crotchets. I A Quaver Rest - - - —J- is equal in time to a Quaver.

3d. The Crotchet - - - - K which contains 2 Quavers. 1 A Semiquaver Rest « - —-*— is equal in time to a Semiquayej.

4th. The Quaver . - - - C which contains 2 Semiquavers. ; A Demisemiquaver Rest —%— is equal in time to a Demisemiquaver.

« INTRODUCTION.SCALE SHOWING THE PROPORTION OF NOTES. > OF TIME.

£THERE are three divisions of Time, viz. : Common, Tripplc, and

t Semibreve •« -e- contaios * Compound.

\

COMMON TIME is measured by even numbers, as, 2, 4, &c. andhas four Marks.

sr 4,

or 8

16

mm- Minims, \ The First Mark 22 has a Semibreve for its measure note, and is

jperformed in four

, seconds ; accented on the first and third partl of the bar, and thus beaten ;

J 1st. Let the ends of the fingers fall,

2d Let the heel ef the hand fall,

3d. Raise the heel of the hand,4th. Raise the ends of the fingers, which completes the bar.

Crotchets,

ill-Examfile.

.- - Quavers, J i^^Lfe^LLEzEzgazldduu1234

ddIS

uua-4>

d

t

u3

«

4

-« Semiquavers, 5

The Second Mark {j? has a Semibreve for its measure note, and

Iis performed one 4th tit faster ; accented and beaten as in the first.

»r 32 AI

Example.

p> The above scale ought to be well understood, otherwise the learn" ,|w will_continua11y lie at loss. -3

dduumi

ddIf

u3'

V*

wrINTRODUCTION.

The Third Mark 23 or j5 has a SemibreVe for its measure note

and is performed in ___ 1 two seconds ; accented on the first part

of the bar, and is beaten thus;

1st. Let the ends of the fingers fall,

2d. Raise the ends of the fingers, which completes the baF.

Example.

The First Mark jj£ called three, to two, has a pointed Semibreve for

its measure note. 2[ Three Minims fill a bar, or six Crotchets, &c.

accented on the first, and faintly on the third parts of the bar; each

Minim to be sounded in a second of time.

Example.

5ili!=fii=£=SS^du12

u2

The Fourth Mark ^- has a Minim for its measure note, and is per-

formed one 4th faster IE than the third ; also accented and beaten as

in the preceding Mark-

Examjde.

du d u d12 1 2 1

Note. The First Mark has 4 beats in a bar.

The Second M^rk has 4 b^ats in a bar.

The Third M.a'k has 2 beat- in a bar.

The Fourth Mark has 2 beats in a bar.

TRIPLE TliViE is measured by odd numbers, as 3, &c. and hasthree Marks, which are all beaten in the same manner, thus,

1st. Let the ends of the fingers fall,

2d. Let the heel of ihe hand fall,

3d. Raise the ends of the fingers, which completes the bar.

ddu d d u d d r

1S3 1 2 3 1 2 3

The Second Mark ^ called threefrom four, has a pointed Minimfor it sin = asu re note, fe Three Crotchets, or six Quavers fill a bar,

accented as in the first Mark, and performed one 4lh faster.

Example.

ddu d (T~ u d d u123 12 3 1 2 3

The Third Mark -^-called threefrom eight, has a pointed Crotchet

for its measure note. !S Three Quavers, or six Semiquavers fill a bar

;

accented as in the first Mark, t-nd performed about one quarter faster

than the second.

~±Z

8 INTRODUCTION.COMPOUND TIME has two Marks. OF THE MODES, OR KEYS.

The First Mark XI called six to four, has either two pointed Min-ims, two Minims zfc and two Crotchets, or six Crotchets in a bar ;

three sung with the hand down, and three with it up in the time oftwo seconds, accented on the first and third part.

Example.

The Second Mark E called sixfrom eight, has either two point-ad Crotchets, two Si Crotchets and two Quavers, or six Quaversin a bar ; two beats, one down and one up, and performed one 4thfaster. Accented as before.

Example. \

dud u d u I12 12 1 2J

frZP> The figures refer to the number of beats in a bar ; the letters f

d and u, for down and up beats. |

Note. Sacred Mustek, under the two preceding Marks, should S

never be sung in a rapid manner, for that destroys all solemnity, *.id \

is absolutely inconsistent with that kind of movement required when\

set to sacred subjects. The mathematical difference between the I

foregoing Marks of Time, is here omitted. The performing of Mil- i

sick slower or faster, iu the different Marks, is left to directive terms, |

in general use, and to the judgment of the performer. >

THERE are but two Modes or Keys, the Major, or Sharp Key,and the Minor, or Flat Key.The learner may distinguish the Modes by the last note in the

Bass, which note, if it be Faw, is the Major mode, and if it be Law, it

is the Minor.The principles of the two Mode's must be explained by an Instructor.

OF NAMING THE NOTES.WHEN a tune has neither sharps nor flats at the beginning, mi is

in B.

If there be 1 Sharp, Mi is in F.2 Sharps, Mi is in C.

If-there be 1 Flat, Mi is in E.2 Flats, Mi is in A.—— r „

;„„ „ .„ — — , — .„ .„ „,

5 •••• 3 Sharps, Mi is in G.\

3 Flats, Mi is in D4 Sharps, Mi is in D. 5 • • • • 4 Flats, Mi is in G.

Above Mi are faw, sol, law, faw, sol, law, and then comes Mi.Below Mi are law, sol, faw, law, sol, faw, and then comes mi.

Between Mi and Faw—and Law and faw, there is but a semitone ;

between the rest are whole tones.

IC?" THE learner ought to commit most cf the preceding rules

to memory, before he attempts to call the notes ; a neglect of this is

one of the principal causes of the inaccurate performance, whichat present exists in maay choirs of singers. Many persons, having agood musical ear, are very apt to trust to that, rather than confine

themselves to rules, and afterwards biame their Instructors for their

own negligence. Instructors ought to insist that their pupils p«y a

particular attention to the principles, and in no case to suffer them to

neglect them,

INTRODUCTION.When the learner has acquired a ready acquaintance with the

rules, he ought to attend to the Lessons for Timing the Voice, onwhich depends his future progress, and he ought riot to attempt atune till he can sound the several intervals in the octave' readily.

Many schools have begun upon tunes, when they could scarcely

have given a letter upon the scale, which is another cause that there

are so many half singers. The learner may be sure that the morethoroughly he understands the principles, when he ought to attend to

them, the more swift will be his progress afterward.

Schools then ought to be solicitous that their instructors be well

qualified, for how can they instruct others when they are ignorant

themselves ? Learners, in that case, are led to suppose that they haveimproved, when they really have not, and consequently their time andmoney are both spent to no manner of purpose.

good tune performed without any variation, will be dull and insipid.

In a company of singers it would have a good effect for some of the

performers, on each part, to be silent, when passages marked Soft

occur ; the additional strength of their voices in the Loud, which gen-

erally succeeds the 'So/if, would mark the contrast more strongly, and

give peculiar force and energy to the performance.—A becomingmanner of conduct in a collection of singers, will greatly increase the

agreeable sensations, which naturally arise frorn good performances.

The graces and ornaments of musick, such as Holds, Trills, Afi-

fioggiatures, Transitions, i3"c. must be acquired by great practice and

attention ; the learner had better omit them, till his knowledge and

judgment dictate when and where to apply them.

GENERAL OBSERVATIONS.WHEN a tune is well learnt by note, it may be sung in words.

Pronounce every word as distinctly as possible. Singers generally

fail in this point, by which means half the beauty of the musick is

lost, the words not being understood. /

In assigning voices to the several parts, the Teacher must be thejudge. For if a voice which is suitable only for Bass, be put upon the

Tenor, it will hang as a weight upon that part, and have a tendencycontinually to lower the pitch.

Never sing through the Nose, fur that will spoil the voice, make the

musick disagreeable, and have a disgusting effect upon the hearer-

High notes should generally be sung softer than the low. Thesubject ought however to regulate the strength of voice. The tone

of the Bass should be full and majestic ; of the Tenor, bold and man-ly ; of the Counter, soft yet firm ; of the Treble, smooth and delicate.

Suitable attention should always be paid "to the Directive- terms. A

|C7* PASSAGES, where Syncopation takes place, are better ex-

plained by the Instructor, than by words ; for this reason, an explana-

tion is here emitted.

LESSONS FOR TUNING THE VOICE.

WHEN learning the following lessons for tuning the voice, be

careful to give every note its proper sound, and pay particular atten-

tion to the situation of the Semitones Let the motion of the hand,

in keeping the time, be even and exact; always remembering that

the hand must fall at the beginning of a bar, and rise at the close.

The more time you allow for the practice of the lessons, the ea-

sier you will learn a tune afterward. Should you neglect them whol-

ly, you cannot read musick hereafter with any firmness and certainty

of tone.

10 LESSONS FOR TUNING THE VOICE.

FIRST LESSON, hi the Major Octave.

Tenor, t?c. d u d u d u d u d u d u d u d u

SECOND LESSON, in the iWnar Octave,

dudududu d u d u d u d u

Bass. Faw sol law faw sol Jaw mi raw, Law mi faw sol law faw sol law,

!^EpeEp|p3fEi;==izi=hTZ3^:

dudududu d u d u d u d u

THIRD LESSON.

dudududu dududu du

5fhs, rising & fallinjr.

c!u du du ciu

FOURTH LESSON,._£_ ft., --«..•.__.___.*_ _ft.|

L|

^.T-~l£.-Z-rP-£-

LESSONS, £$c. continued.

8fh?> vising and faliina-

11

FIFTH LESSON

du du du du

;[lz[:lzz:ifiztiazz^

SIXTH LESSON..

FtitzZttzHrizz^zl^

SEVENTH LESSON..ft—.—

e

.1 Lr 9-—--

~3~frfr3~"Fr±Ef-i:i.frr^lr|=Erir^tr3=r^Mit=E=tt=:fr±z£—pzirfcfezpz^iriEIGHTH LESSON.

Rising; 5th, and Falling 4th. Rising 4th, and filing 5th.

:

2zs~-zj—£—I—E—

1

"TTy~~g~7"~ !—ZZ+ZZ!ZZZIZt33:

Rising 3d, and fa'lma: 6ih. Rising fi'b, and falling 3d.

> fir ^*J r*** * k«^ —j.:i:

I: II:3:

-*--33—i" :-e— J

-5i-J8- "gzzzizzzrlzzbzzzf:

13

Tenor orTreble 12 3 4 12 3 4

LESSON, IN HARMONY OF TWO PARTS.

Common time, first mark—a Semibreve the Measure note.

15 3 4 12 3 4 12 3 4 12 3 4 12 1 2 4 1234

-Bass- 12 3 4 1234 12 34 123 4 12 34 12 1 2 12 3 4 1234

The figures refer to the several beats in the first mark of Common Time.

THE SAME LESSON, IN FOUR PARTS.Treble.

Coitvter. #tej^Behold the morning sun, Begins his glorious way, His beams thro' all the nations run, And life and light convey.

Suss. a

. :&i_±. . -£=£zt.. ~T~~f"~T -T m-

(fcj"- Give as much time to the several rests, as to the notes, they represent ; and be careful, that you make but one sound of

ihe pointed minims, sounding them smoothly without jerking the voice.

THE

VILLAGE HA'RMONY.

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OLD HUNDRED. L. M. m M, Luther

Air. Be thon, O God, exulted high, And as thy glory fills the sky. So let it be on earth display'd, Till thou art here as there obey'd.

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14

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MEAR. C. M. i .1 Williams- Coil.

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Our tribe s

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IAlR ' ° 'lwas a J°y rul sou r'd to hear, Our tribes devoutly say, ifp, Israel, to tin. tw.pic haste, Arid keep the festal day

m,-e._—

.

LITTLE MARLBOROUGH. S. M. fa 3. Williams' Coll.

\l

:z3r-;z~:i-;j|.r

Air. Welcome, sweet day of lest, That saw the Lord arise ; Welcome to this reviving breast, And these rejoicing eyes-

PSALM 34tli. CM. * J. Stephenson. 15-

The praises of my God shall

B A M ^B <P* a^^

(*^ a F' C? ' K_/ Bj A A A I

Am. Through all the changing scenf of life, In trouble and m joy, The praises of my

-e-The praises of my God shall stifl, The

"^ The praises of my God shall still, TheThe praises of my God shall

still, The praises, Sec.e praises, Sec. My hetu-t, My heart, &c

God, The praises of my God shall still, My heart an ' tongue employ, My heart and tongue employ.

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praises of my ' God shall still. My hetrt, &c.+__+_z£_zp e-»-F -P

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16Moderate.

ELGIN. C. M. fe

P°:1:~=T=^T~PTn^^f-P=^n-T==:

O "»

moaii, To thee I breathe my sighs ; When will the tedious night be gone, And when the dawn arise ?

Am. Hear, gracious God, my humble moan, To thee I breathe my sighs j When will the tedious night be gone, And when the dawn arise ?

Adagio. WINDSOR. C. M. h G. Kirby.

es haste, When I must stand before my judge, And pass the solemn test.Am. That awful day will surely come, Th' appointed hour makes haste, When I must stand before my judge, And pass the solemn test.

„izr£itiEi~3_i*§-Jibii-'

—

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SHOEL. L. M. s Shod. 17

Air. To thee, my God and Saviour I, By day and night address my cry, Vouchsafe my

mournful voice to hear; To my distress incline thine ear. x 3.

J8 WATCHMAN. S. M. m Leach.

-%£%.-, -m.m.^P^™Am. Ah, when shall I awake From sin's soft soothing pow'r, The slumber from my spirit shake, And rise to fall no more >

"

"-58*-'

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LIMERICK. L. M. ii

Air.

•xa) <

Deep in our hearts let. us record The deeper sorrows of the Lord

:

Behold the rising

LIMERICK continued. lit

m

o - ver - whelm his righteous soul

!

billo\YS roll, To over - whelm his righteous soul ! To

~Jrp:

D. Read.LISBON. S. M. m£ „ ._ _ 0S.

, _ p

Welcome, &c.

\iH. Welcome, sweet day of rest, Tliat saw the Lord arise: Welcome, to this reviving- breast, And these re - joicin<» eyes.

Welcome, &.c.

Welcome, &c,

go CHELMSFORD. CM. h

^EE=I5alEiI=5=l=F=T5=^=H

Air.

Long have I sat beneath the sound Of thy salvation, Lord ; But stilrhow weak my faith is found, And knowledge of thy word !

HADDAM. S. M. h

j

™*_^__ ^ 2 ^ __ ___ ^ pv__ -^ -s^

Air. When overwhelm'd with grief, My heart within m- dies : Helpless, and far from ail relief, To heav'n I lift mine eyes.

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m^wmmsmkm^^^WSWS^MMMASHLEY. 0. M. m St

A.K.

Come, O ye saints, your voices raise To God in grateful songs ; And let the mem'ry of his grace Inspire your hearts and tongues..

CHINA. L. M. 2

Am. Now to the Lord, who makes us know The wondersof his dying love, Be huniMe honours paid below, Be humble honours paid below, And strains of nobler praise above.

pipsiliiiisof^? i" t Li °= 1

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m.

23 ARCHDALE, C. M. x

When God revcal'd his gracious name, Arid chang'd my mournful stare, My rapture seem'd a pleasing dream ;

Pia.

~The g~ce appeared so great. The world beheld the glorious change, And did thy Land confess, My tongue broke out in

^ _e_/~\ /~\ '

ARCHDALE continued.

For.

unknown strains, And sung surprising grace ; My tongue broke out in unknown strains, And sung surprising grace.

Moderate. FUNERAL THOUGHT. C. M. fc J. Smith.

fl-7^

iE£EzcrJiitez:Ez

. Am. Hark ! from the tombs, a doleful sound

;

Mine ears attend the cry

—

Ye living' men, come, view the ground Where you must shortly lie.

_ % A * — —

24Moderate.

WINDHAM. L. M. t D. Read.

li^HSiiiPii lilll|l||i[»_*-§-._.

fE-^z!

Am. Broad is the road that leads to death, And thousands walk together there, But wisdom shows a narrow path, With here and there a traveller.

WINTER. C. M. 1 D. Read.

jieE±E3§:

Air.

_:g-_p_ :©f -£_ z§z—p~ e_p :§: -

fetters bound.His noary frost his fleecy snow, Descend and clothe the ground ; The liquid streams forbear to flow, In ici

—zzdIi=z[:J=Ert±==EEi:d±E:^p /^~\ - -» £-> __ /r>

Moderate.NORWICH. H. M. m

S3i

Dr. Green. 25

=SESS£S^Sfeasi^«£isfisfci^S5EHEEffi3

,t-e-

Aih. Give thanks to God on high, The universal Lord,

-©-

His pow'r and grace Are still the same

;

The sov" reign King of kings; And be his name ador'd. And let his name Have endless praise.

USTICK. S. M. h

Air.

Lord, what a feeble piece, Is this our mortal frame ! Our life how poor a trifle 'tis, That scarce deserves the name,

26

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:dzi

WANDSWORTH. CM. x

3Se=PSSg3£*3ra=a3-e il

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Dr. Madan.

Air-&--

:ix;-?3=E

O Sun of righteousness, arise, With healing in thy wings; To my diseas'd, my fainting soul Thy light salvation brings.

YORK. CM. z J. Milton.

u-T—_nz"_igr_£-i—

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& .(.-*.

Happy the heart where graces reign, Where love inspires the breast ; Love is the brightest of the train, And strengthens all the rest.

ft. Williams. %7ROCHESTER. C. M. 3=

iiR. God, my supporter and my hope, My help forever near; Thine arm of mercy held me up, When sinking in despair.

PLYMOUTH. C. M. fc J^7

! Tansur.

_ _p Q_it» __._ _.__ _ _C _Q -_ . _ ^ —Q_ :zp-piiD3zp:iarEiDzpisi

II-

mAir. With rev'rence let the saints appear, And bow before the Lord ; His high commands with rev'rence hear, And tremble at his word.

1-2- c

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28 Tuckey.PSALM 97th. L. M. x

Aih. Darkness and clouds of awful shade, His dazzling glory shroud in state ; Justice and truth his guards are made, And fix'd by i>is pavilion wait.

<—

N

tnzziz: F5:|e¥sJ?:Pj:SEE

ROCKINGHAM. CM. is Dr. Burney.

AlR - ^ ^ ^He is a God of sovereign love, That promis'd hcav'n to me ; And taught my tho'ts to soar above, Where happy, where happy, where happy spirits be.

3|:3£i§2iixD:§i~:-xz3spi§ft

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29

1HIQ*—

-

:E:EIE:E:EI=:EEE3W

O praise ye llie JjOid, Prepare your glad voice, His praise in the great Assembly to sing; In their great Creator, Letall men rejoice, And heirs of salvation Be glad in their King.

3-:3:r:zdi±q:piz:|

BARBY. C. M. z . W. Tansur.

^:l:fc:z:_TEEE_EilE_:±^rPEr3E_il:fS

Air. Long as I live I'll bless thy name, My King, my God of love ; My work and joy shall be the same In the bvight world above.

3fc.«.3I~

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so ARMSGATE. CM. h

^lmllM^MMWM§SS§MMWM^^^^dlllAir.

Life is a span, a fleeting hour, How soon the vapour flies ! Wan is a tender, transient flow'r, That in the blooming dies, Tliat in the blooming dies.

BGtfLSTON. C. M.

^—-at—

Air. Father of mei cies, in thy word What endless glury shines ! Forever be thy name ador'd, For these celestial lines.__$£_ — _ __ _

ANTIGUA. L. M. x 31

mm G\

*3&=Z&a£B=?zz &&=&££Air.

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Thus the Eternal Father spake To Christ the Son, "ascend and sit At my rig-lit hand, 'till I shall make Thy foes submissive at thy feet."

^-^' _W V

IRISH. C. M. x Jl. Williams.

Air. Now shall my inward joys arise, And burst into a song ; Almighty love inspires my heart, And pleasure tunes ray tongue.

£3EHE

3a EAGLE STREET. H. M. z /. Smith.

Air. Join all the glorious names Of wisdom, love, and pow'r, That ever mortals knew, That angels

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ever bore ; All are too mean To speak his worth, Too mean to set my Saviour forth.

St. HELEN'S. L. P. M. 1 Jennings. 33

i—1*+

—

Air. I'll praise my Maker with my breath ; And when my voice is lost in death, Praise shall employ my nobler pow'rs ;

-e-

-©-

My days of praise shall ne'er be past, While life, and thought, and being- last; Or immor - tali • ty endures.

;zo: I

^eeIeeei

64 DORSET. C. M. iz Dr. Burney.

/-> _ /^>

Air.

Hear, gracious God, my humble moan ; To thee I breathe my sighs ! When will the tedious night be gone ? And when the dawn arise ?

3EI?§ :a.

Mj' God ! O could I make the claim, My Father and my friend ! And call thee mine, by ev'ry name On which thy saints depend.

WEYMOUTH. H. M. xPia.

B, Harrison.For.

m

Air.

Jesus, our great high priest, Offer'd his blood and d-y'd ; My guilty conscience seeks No sacrifice beside.

?SSmitzziia:

His pow'rful blood Did otice atone, And now it pleads Before the throne, His pow'rful blood Did once atone, And now it pleads Before the throne.

36

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ARMLEY. L. M. h T. William? Coll.

Air.

)-%—

PE1E£—S-

Thou, whom my soul admires above All earthly joy, and earthly

~szro:

love,

1

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T~r" iiliS

Tell me, dear shepherd, let me know, Where do thv sweetest pastures grow.

Ii!

NEWCOURT. L. M. mPia.

H.E. 37For.

Air. ——— A *

Blood has a voice to pierce the skies ; Revenge ! the blood of Abel cries, Revenge ! the blood of Abel cries;

Pia. For.

«~d—*~*v-«-

_^i \ *_ ,_*__ , ,

But the dear stream, -when Christ was slain, Spoke peace as loud from ev'ry vein, Spoke peace as loud from ev'ry vein..

38 AMHERST. H. M. £ W. Billings.

Ye boundless realms ofjqy, Exalt your Maker's fame; His praiseyour songs employ, Above the starry frame ; Your voices raise, Ye cherubim and seraphim, To sing his praise.

bH:i:EtJEE_l§iE:Ets~\(E-~I23-^Pi;i-TniP-r*---T-*-P-i"»::F-^*P^Tai35i:

MARLBOROUGH. C. M. & W. Shrubsole.

Allegro Moderato. Pia. For.

Air.

m^mmas"t?:*i3zEl±:z3Er±(=f=fr

All hull tlie pow'r ofJesas' name, Let angels prostrate full ; Bring forth the royal diadem, And crown liirn, crown him, crown him, crown him Lord of all.

BRISTOL. C. M. mPia.

Dr. Madan.

For.

39

Air

While shepherds watch'd their flocks by night, All seated on the ground, All seated on the ground

;

Pia. For.

zSd^^M^iM^^Ml^^^mlwBW=MMW!———.—a— | —P—I—t—P—E-—I———J—t—

I

p_p_I_p_p_|Z_P_I__| J_t__I_"__P_P_I-P-f_«_f-—[-—L —

The angel of the H,ord came down, And glory shone

m

l

—

around, And glory

mshone around.

40 BICESTER. L. M. £Moderato-

B. Milgrove.

Air. P*aiK

Jesus, my all, to heav'n is gone, He whom I fix'd my hopes upon, His track I see, and I'll pursue The narrow

His track I see, and I'll pursue The

DOXOLOGY.

Praise, praise him, praise him, Praise, praise Irim, praise him all, all,

For.

way tUl him I view. Praise God from whom all blessing's flow, Praise, praise him, praise him, Praise, praise him, praise him, Praise him all, all,

narrow way till bum I view Praise, praise him, praise him. Praise, praise him, praise him all, all.

BICESTER continued. 41

All creatures here below. Praise him above, ye heav'nly host, Praise Father, Son, and Holy Ghost.

be1

BATH. L. M. A. Williams' Coll.

:z:2:z:z:l±s

SizisliE^sEMEE&IEIElEezIsEjIzI©^:|=±

zrfWIII

Air. Life is the time to serve the Lpi-d, The time t' insure the great reward ; And while the lamp holds out to burn, The vilest sinner may return

r-a—

£

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CE^ZS™IZlpXZZZlZZZIZZZIZZZ3ZpZIQZ~IZZpiZZZIZZZ3ZZZIZZZiXZZZlZZ^I~I3ZpZIZ_ZI IZ~ZI'ZZS"I'~

42 GREEN'S lQOtli. L. M. m Dr. Green.

Am. Sweet is the work, my God, my King-, To praise thy name, give thanks and sing ; To shew thy love by morning light, And talk of all thy truth at night.

WANTAGE. C. M. iz A. Williams^ Coll,

& ±-

Am.

'Twas in the watches of the night, I thought upon thy pow'r, I kept thy lovely face insight, Amidst the darkest hour.

BETHESDA. H. M. z G. Green. 43

—a»—y"~—"»T!"~~~~T~~~~**T~~""T~~'"—T""**'~~l~T~'*1~n ' ^~T~~~*

Lord of the worlds above, Hew pleasant and how fairAir The dwellings of thy love, Thy earthly

temples are ! To thine abode My heart aspires, With warm desires ' To see my God.

-d™^ 1—ZaTTtfftl—ZZ—I—ZZ—I Z~IZZC3ZZ~£ZIZ'—

t!3zz}— 3ziZZZ~Z*I£Z~lZZZZZZIZZ:ZIi3~

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' NEW 50th. 10's. m Br. Arm.

Air.. Not to our names, thou only just and true, Not to our worthless names is glory due ; Thy pow'r and grace, thy truth and justice claim

Immortal honours to thy sov'reign name. Shine thro' the earth from heav'n thy blest abode, Nor let the heathen say, " And where's your God?"

QUERCY. L. M-. w 45

/ -K-*-?rz5:"Z"Z"ziz~Zji~::zi—3--,-JL-§i©-3i—i±~:^:z:z:tizzi±a>§± :siz§:

Air-8fc-

EiEI

Witli all my pow'rs of heart and tongue, I'll praise my Maker in my song ; Angels shall hear the notes I raise, Approve the song, and join the praise.

E*3E=isHErE

PSALM 35th. S. M. h

(be-

/

F-i

Q-;

:K=jzzpjs^jJi=i=qM=

GiUet.

SSB§L4--I- BEEEEEB3

1 lift my soul to God, My tru st is in his name; Let not my foes, that seek my blood, Still triumph in my shame, Still triumph, kc.

_-__jLZL.g:z±icz:tz±z_J:_:pi:p:t-P---idzU 4*^

46 WALWORTH. 10's. 1 J. Wainwright.

Air.

The Lord, the Sov'reign, sends his summons forth, Calls the south nations, and awakes the north ; From east to west the sounding orders spreadj.

Thro' distant worlds, and regions of the dead ! No more shall atheists mock his long delay ; His vengeance sleeps no more ;• behold the day !

:ZI.f=

PSALM 46th. L. P. M. m Bull. 47

\p^EJEfz

Am. I'll praise my Maker with my breath, And when my voice is lost in death, Praise shall employ my nobler pow'rs :

My days of praise shall ne'er be past, While life, and thought, and being last, Or immortal - ity endmes. f

48 LYDD. C. M. Dr. Arnold.

iz?3^5-—2r—

^t.-B-J-—U- _U» FP--++

::*:3~:r:

~:S:----Pe-

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gigitesirDis:

Am. Come, let us join our cheerful song-s With angels round the throne ; Ten thousand thousand arc their tongues, But all their jovs arc one.

-*-

ADDISON. C. M. mPia.

::zxor.-z

For. Pia. For.

Air. See Israel's geptle shepherd stand, With alUengp.ging charms ; Hark ! how he calls the tender Iambs, And folds them in his arms, And folds them in his arms.

"

OLD 50th, on LANDAFF. 10's $ It's, h E. Blancks. 49

Am. The God g-lory sends his summons forth, Calls the south nations, and awakes the north ; From east to west his sov'reign orders spread,

Thro' distant worlds and regions of the dead. The trumpet sounds ; hell trembles, heav'n rejoices; Lift up your heads, ye saints, with cheerful voices.

50 JORDAN. C. M. .z TV. Billings.

--38-

::x: tlEIXili llstefssll

Am. There is a land of pure delight,' Where saints immortal reign: Infinite day excludes the night, And pleasures banish pain.

ili^SipllSSIiliiiiiSi^iiiiiEiiili

Pia. For.

So to the Jews old Canaan stood, While Jordan roll'd between.

Sweet fields, bejond the swelling flood, Stand dress'd in living; green j

p= p~§ls£» £»-£* -P- £r*~P-r*fr P-e ~-~»W H I- ^ -G- — -C^J^- O * _

BRANDYWINE. 8, 7, 4. l Dr. Rogerson. 51

—--'.- -p- - ' ~yT ~, t~~ •^ r" ^

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-:4:

Am. Most triumphant, greatly glorious, He from death and hell arose, In hhn all his church victorious, Triumph'd o'er their

Hal -le - r'ht^- jah,' "«•••* ft fc< ft

'

dreadful foes. Hallelujah, Hallelujah, Glory, glory, Lord, be thine.

Hallelujah, Halle - - lu - jah,

52 St. MATTHEW'S. C. M. X Br. Croft.

Air. With songs and honours sounding loud, Address the Lord on high; Over the heav'ns he spreads his cloud, And waters veil the sky.

1ncz3:ZjLr3itz ij-pit: :§z|

i—j_{_.-i—P-i-u-p-l-^3r^ztrt±ipipri~trpri-t-J_tr±:prp:±ztr_riz

—

He sends his show'rs of blessings down, To cheer the plains below ; He makes the grass the mountains crown, And corn in vallies grow.

Andante.

DUNSTAN. L. M> x Dr. Madan.Phi.

53

Airt—

*

Glory and honour be to thee, Thou self-ex - istent

^_• «? _• _-£_

De - i - - ty : Thee we revere, and

fee

For.

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thee adore, In mercy in - fi - - nite, and pow'r, In mercy in - fi nite, and pow'r.

54

EEEEAir.

-*

—F-F

MITCHAM. C. M. fc /far. Sacra, Minor.

lElr

lfesfeiiEiSgEEil=y

Some seraph, lend your heav'nly tongue, Or harp of golden string, That I may raise a lofty song, To our eternal King.

—pri-is:?

—

t-Wjl-^zt—fitirf:_t'_:_c5rfilr^_

—

iirg_l—prjEiEtEfc—-prpl_*za^_jrHi_^_r_;ii_

Thy names, how infinite they be, Great Ever - lasting One! Boundless thy might and majesty, And unconfin'd thy throne.

1 " ^^^•» ^»»» *^| »^^^^- £— —*.|^» v* ** *^ fc*- *^ f^ ' ' I ™* ^f ^^ f-• " m ' *^ ^^"^^^^ "^^^^^^ •* ^»^» **^^"* fc^** ^ f***—

- ^— *^V*TM^ ^»^**«^ ^^*^»«^1 ^*" p"^, -J* ^^ W" »**»^rf^^M^ ** f^^^ ""

LITTLETON. 8, 7, 4. A Williams.

'Midst ten thousand saints and angels

55

Hallelujah, Welcome,

Lo, he coraeth ! countless trumpets Blow before the bloody sign;

ZB&

See the crucified shhie ! Hallelujah, Hallelujah, welcome, bleeding Lamb '.

mAlto.

*=r*r—m-=T

—

"t-^P^tqJJ

CHARMOUTH. C. M. x

33B=SSEf aTenor.

(fi*~~«\ /'"N j^S ff> ^__^

- My Saviour, my almighty Friend, When I begin thy praise, Where will the growing numbers end, The numbersAir. Solemn.

s—s o\ r~\ r^ r-\ s~~\ s—

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f\ *—-s

of thy grace.

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56 OPORTO. L. M. x A Portuguese Hymn.

Air.

Exalted Prince of Life, we own

—3Sf—:a—P-^--i-+--j—-i-t-r—-r-t- rrr i_

asThe royal honours of thy throne

;

'Tis fix'd by

- —4-- - — 4 -4 4- —4- 4- —4. ^-j}~ —4-4% - —• 4- _g_

God's almighty hand, And seraphs bow at thy command, And seraphs bow at thy command.

!_fz±ra--a*

F-F-^-fc-

™3E^

MORNING HYMN. L. M. m 57

-F-+-e-i

Air.

i

?E3EH

A - wake, my soul ; a - Avake, mine eyes ; Awake, my

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e

drowsy fac - ul - ties

;

__ _ _'^__ .p„aTZ~"\. __ **"j- _p_I§!^_p_ _Q_ _D_ p p «_ IEI p p Q Q -.—

wake, and see the new-born light, Spring from the

5z±=t!=c:

dark - some womb of night.

t-or:i i

58 VIRGINIA. L. M. h

Air.

ill

Har. Sacra.

B§=i

Go, worship ft in • manuel's feet, See in his face what wonders meet ! Earth. is too narrow

iiPi-S*"Os

to express Hi's worth, hi,s glory, ©r his grace, His worth, bis glory, er his grace.

CAMBRIDGE. C. M. h T. Ravenscroft.

Air.

With earnest longings of the mind, My God, to thee I look ; So pants the hunted hart to find And taste the cooling brook.

"*""TT

"—T"A. Williams.DALSTON. S. P. M. m

Air. How pleas'd and blest was I, To hear the people cry,

K"«f—I T IT^.

Yes, with a cheerful zeal, We haste to Zior.'s hill,

r m -.—ix —t«5-

" Come, let us seek our God to day ;" And there our vows and honours pay.

60 GRANTHAM. L. M. m A. Williams.

-_:fc:i._.x-^w..Q_..J :z2±zdrar±:a:I^>

--ft—earth is all the Lord's, And men, and worms, and beasts, and birds ; He rais'd the building on the seas, And gave it for a dwelling place.

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|E|p~p§EgpfpIp|pl§giBut there's a brig-liter world on high, Thy palace, Lord, abnve the sky ; Who shall ascend that blest abode, And dwell before his maker Gcd ?

IpEcSsil^llsiS

St. DAVID'S. C. M. X /. Milton, 61

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p§rgzi*^_3i_i-Bi}frE:

t-trtif§-eH feffcd:

Air..

Arise, O King of grace, arise, And enter to thy rest .' Lo ! thy church Avails with longing eyes, Thus to be own'd and blest.

QJl*lZ3ZI~f

WELLS. L. M. Holdrayd.

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:EE±zrbrbAik. Sing to the Lord, who loud proclaims His various and his saving names ; O may they not be heard alone, But by our sure experience k' own.

6S HARLINGTON. L. P. M. is

Air. As lost in lonely grief I tread The silent mansions of the dead, Or to some throng'd assembly go;

—2~~:

Thro' all alike I rove alone, Forgotten here, and there unknown ; The change renews my piercing wo.

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WESTON FAVEL. C. M. 1 W. Knapp. 63

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Air, Come, let us join our cheerful songs, With angels round the throne ; Ten thousand thousand are their tongues,

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But all their joys are one, Ten thousand thousand are their tongues, But all, but all their joys are one

64 A. Williams'* Coll.STANES. C. M. s

Air. To thine almighty arm we owe The triumphs of the day ; Thy terrors, Lord, confound the foe, And melt their strength away.

ROCHDALE. L. M. x

Aib. There is a glorious world on high, Resplendent with eternal day; Faith views the blissful prospect nigh, And God's own word reveals the way.

(Zl eft .C^l I 5 Q ^ /~"\ /^> /^\ 1 .__^r^T_rQT ,

BISHOPSGATE. C. M. fe Har. Sacra. 65

~*~~r"^~~jT~—~T~~2iT—j—Jt~'* 1~~I—

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Lord, where shall guilty souls retire, Forgotten and unknown ? In hell they meet thy dreadful ire, In heav'n thy glorious throne.

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BEDFORD. C. M. m W. Wheall.

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Air. Sing to the Lord Jehovah's name. And in his strength rejoice ; When hiB salvation is our theme, Exalted be our voice.

66

f

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CUMBERLAND. L. P. M. m H. Carey.

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Air.

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The Lord myHis presence

rpi r=F=P'_Pza_ccP-ip=£^-E-IpzBzE_i_iSjzarii___i_3jpasture shall prepare,,

shall my wants supply,

And feed meAnd guard me

with a

with a

«3¥shepherd's care

;

watchful eye:

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ilililllllSiigiSililiglPiliiEiili!My noonday

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walks he shall attend,

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And all my midnight .hours defend*.

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SUNDAY. C. M. z/->

Har. Sacra, 67/--\ ^

Am.

The Lord of Sabbath let us praise, In concert with the blest, Who, joyful in harmonious lays, Employ an endless reit.

A1THLONE. C. P. M. xfi.il _\,

These eyes, which once abus'd the light, Now lift to God their watery sight, And weep a lent flood,

L_.| :;tlT=- PS=£

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These hands are rais'd in ce&'jek-ss pray'r, O wash away the stains they wear, In pure re - deciding blood.

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68 BKOOKFIELD. L. M. fc W. Bill

Air.

SHU-2r

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Shall the vile race « of flesh and blood Contend with their ere God?

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Shall mortul worms presume to be More holy, wise, just than he ?

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CHELSEA. C. M. h Dr. Bumey. 69

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Air.

With joy we meditate the grace Of our High Priest above : His heart is made of tenderness ; His bowels melt with love.

ALL SAINTS. L. M. % W. Tansur.

Q.asp. q TonPT-o-§-T-

s-E -i:~*§"iQT"_l§^"§I"S"ETE^£l?3"£l^£Fx£^"PT---^ :fc- :Sl~"

Air. From all that dwell below the skies, Let the Creator's praise arise; Let the RedeemerVnair.e be sung Thro' ev'ry land, by ev'ry tongue

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BRENTFORD. L. M. m Har. Sacra.

IllililliiillipiiiliiiiiElllililiPAir.

/-n

Bury'U in shadows of the night, We lie, till Christ restores the light ; Wisdom descends to lie.il the hlind, And chase the darkness oflbe mind.

RYLAJXD. S. M. ik -

Tenor.

Cl_ O— O m C2l _ 'I

s — —

O blessed soul* are the}', Whose f ois are cover'd «'cr ; Divinely blest, to whom tiie Lord, Imputes their guilt no more, Divinelv blest, to whom the Lord. &.e.

AIH. /—\ / s /• -s. r~\ KA /*-\ /—*N FOA ' « _ s -y

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BUCKINGHAM. C. M. h A. Williams. 71

Air. Lord, thou wilt hear me when I pray ; I am ferever thine, I fear before thee all the day, Nor would I dare to sin.

P-J*-e—T—

n

ARUNDEL. C. M. m A. Williams? Coll.

liliiillgiiili!

Air. All glory be to God on high, And to the earth be peace ; Good will henceforth, from heav'n to men, Begin and never cease.

"iO

72 St. ASAPH's C. M. *Andante.

B. Milgrove.

Air.

ifer.g[zzijirzz:iz"

Jesus, our Lord, ascend thy throne, And near thy father sit

:

In Zion shall thy pow'r be known, And make thy foes submit.

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What wanders shall thy gospel do ! Thy converts shall surpass The num'rous drops, the num'rous drops ofmorning dew, And own thy sov'reign grace.

ENFIELD. C. M. *S S. Chandler ys

Air. Before the rosy dawn of day, To thee, my God, I'll sing ; Awake, my soft and tuneful lyre, Awake, each charming string.

Awake, and let thy flowing strains Glide thro' the midnight air, While higli amidst her silent orb, The silver moon rolls c|,ear.

t t:

7,4 RINETON. C. M. s A. Williams.

Am. The Lord appears my helper now, Nor is my faith afraid

=—SS-

Of what the sons of eai'th can do, Since heav'n affords me aid.

:-E:tbJL^«rit:p-xi§~3J

Pia. For.

'Tis safer, Lord, to hope in tfoec, And have my God my friend, Than trust in men of high degree, And gii ttlcir truth depend.

BANGOR. C. M. fe W. Tamur. 73

S5:;sii

111*Am. Stoop down, my tho'ts, that us'd (o rise, Converse awhile with death: Think how a gasping mortal lies, And pants away his breath.

-l^- -m-

Cl"3~3'— J£ 1 C" 1 K~£ t 3 1j t

St. MARTIN'S. C. M. 1 7T. Tansur.-*

—

-

T-0—e- T-Q—^-t P-t©-e—x -.__-,_,.——tc a x

Alii. I'o our al - -'- mighty Maker, God, New honours be address'd ; His great sal - vation shines abroad, And makes the nations blest.

76

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DOVER. S. M. m

zaz

T. Williams' Coll.

Air.

Great is the Lord our God, And let his praise be great ; He makes the church his blest abode, His most delightful seat.

MOUNT-EPHRAIM. S. M. m B. Milgrovc.

.WrflflHtid :

3:-didrafcJ+di-ti^^tEftIFfcrtEE11!~±-W-zlz: :&t - ' zzPzPFW+zhWzth

Air.

Your harps, ye trembling saints, Down from the willows take ; Loud to the praise of Christ, our Lord, Bid every string awake.

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Ml

WELLS ROW. L. M. 1Con Spirita.

Addington's Coll. 77

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—

KCmP—•* •**

Air.

Lord I will bless thee all my days, Thy praise shall dwell upon my tongue ; My soul shall glory in thy grace, While saints rejoice to hear the song.

-***?+

Pia. For. Pia. For.___ m _ _ —m—im_ _ft.i»._BLJC-)E— — . - _ (B,_fi._C __ _ —

Hal - lelujah, hal - lelujah, hal - lelujah, hal - lelujah, hal - le - lu - - jah-.

7S CHAPEL. C. P. M. fc Har. Sacra.

Am

Almighty King of heav-n above, E -- ternal source of truth and love, And Lord of all below, With rev'rence

and re - - ligious fear, Permit thy suppliants to draw near, And at thy feet to bow, And at thy feet to bow.

GENEVA. L. M. fe 7$

Am.

&=5!S=ira=3?SF^p$ja^q£3|HJ_

When I survey the wond'rous cross On which the Prince of glory died, My richest gain I count but loss, And pour contempt on all my pride.

£Te

—

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BROOMSGROVE. C. M. h W. Knapp.

as DrtT-e-p=ID3:p-Q-rr>T-n-BT-m-Pi P*s-P-rQ-F

5-^-:r:si?~r?i*©iriPrE^I521:aJz--E~JE~E""n+;s

±Qr 4

Air. Save me, O God ! the swelling floods Break in upon my soul: I sink, and sorrows o'er my head Like mighty waters roll.

e-

i:csi

li

so ISLE op WIGHT. C. M. fe

Air.^~N f~\ n\ tn

Why do we mourn departing friends ? Or shake at death's alarms ? 'Tis but the voice that Jesus sends To call them to nis arms.

_ _«i _g J* j_ __ ._ ST^ _m _ . p_g ___

FARNHAM. S. M. s J. Playford.

Air. Behold, the morning sun Begins his glorious way ! His beams thro' all the nations run. And life and light convey.

t—— —-— -.—I^^-CI-—.-(11-—-J-*—~1,.-CI=-=._.!.-—-J-_»L.f.I.«»-!.--PI-——J-ig-I—__-X v-.I_3_JJ,.

WARWICK. L. M. h T. Walters Coll 8i

Air.

:E3E£

The God we serve maintains his throne Above the clouds, beyond the skies ; Thro' all the earth his will is done, He knows our groans, he hears our cries.

WALLINGFORD. C. M. h Jl. Williams^ Coll,

Air. Wait on the Lord, ye trembling saints, And keep your courage up ; He'll raise your spirit when it faints, And far exceed your hope.

82 GERMANY. S. M. x G. F. Handel.

Am. And make a joyful noise j Let Israel hear his voice.

Sing- to the Lord aloud, Sing to the Lord aloud, And make a jnyful noise, God is our strength, our Saviour God,

ELIM. C. M. x Grigg.Alto. ^_

< _g_

Air. With joy we medi - tate the grace Of our High Priest above ; His heart is made of tenderness, His bowels melt with love.

CARTHAGE. C. M. z T. Williams' Coll. 83

Andante.

Air.

^zHEpE::E-J

There is a fountain HUM with blood, Drawn from Inimanuel's veins ;And sinners plung'd beneath that flood,

Pia. For_a . —

-<T| .1

• And sinners plung'd beneath that flood, Lose all their guilty stains, Lose all their guilty stains.

>_ Q ZC.~-m.s-a.- -«- -~

6-i SYDENHAM. C. M. X A. Williams'' Coll.

I'TTr^:

Air.

K *Behold the glories of the Lamb, Amidst his father's throne : Prepare new honours for his name,

bzrfcz

fj""^-

=^^^fe^^^mEB0afi^^^s=s^sS^sl

And

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-tz

songs before unknown, Prepare new honours for his name, And songs before unknown.

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MILBANK. L. M. sPia.

Dr. Bumeij.

j—p^

—

m—

Air.

T—mmi—m i«q-

fcrl

85

:*z—3

iin/

Of him who did sal - va - tion bring, Lord, may we ever think and sing,

For. Pia. For. Pia.

W^Si$=WMMW^S3^MArise, ye guilty, he'li forgive

:

A - rise, ye needy, he'll re - lieve.

86 PELHAM. S. M. x F. Giardini.

"*"TTf"*"~fYg~

ZZ£Zj£E?jsZ.p_ ZI

EzJESAir.

pi=!=p-i.rpia^==rairj

My soul repeat his praise, Whose mercies are so great ; Whose anger is so slow to rise, So ready to abate.

Pia. For. Pia. For.

m

High as the heav'ns are rais'd Above the earth we tread, So far the riches of his grace Our highest thoughts exceed, Our highest thoughts exceed.

ORANGE. S. M. fc A. Williams' Coll. 87

Air.

Let sinners take their course, And choose the road to death ; But in the worship of my God I'll spend my daily breath.

*S-¥-F-F--l

CHESHUNT. 5 "«j 6. £ A. Williams.

'*— a-.IS.

etfcs

B. Come, sinners, attend, And make no delay

;

Good news of salvation Come now and receive

;

Good news from a friend I bring you to day, There's wo condemnation to them who believe.

88 FEVERSHAM. 6 § 9. S

Come, let us ascend, My companion and friend', To a taste of the banquet above

;

If thine heart be as

For.

mms&ms^^mmine. If for J^bus it pine, Come up into

.*S_ T__—

the chariot into

-flt

the chariot of love.

2 Who in Jesos confide,

They a:'e bo!d to outride

The storms ofaffliction beneath;Wit', the prophet ih-\ soar

To that heavenly shor--,

And outfly all the arrows ofdeath.

T-e—--of love, Come up

3 By foith we are comeTo our permanent hotne

;

By hope we the rapture improve ;

By love we still rise,

A nd look i!o« a 0:1 the skies,

For »he heaven of heavens is love !

4 Who on earth can conceiv^

How happy we live

In the city of Go<l the great Hing

!

What a concert of praise,

When our Jesus's grace

The whole heavenly compan 4 sing '.

5 What a rapturous song,

When the glorify'd throng

In the spirit of harmony join !

Join all the glad choirs,

Hearts, voices, and lyres,

And the burden is mercy divine !

6 Hallelujah, thev ery,

To the King ofthe sky,

To the great everlasting I AM !

To the Lamb that was slain,

And livtth again :

Hallelujah to God and the Lamb i

.

r\ /-n /-n

COMPLAINT. L. M. fc 89*S» /^"N

ii i*tiztzt

^c_c^_A?:ip_pis.

IAm. Hear, O my God, with pity hear, My humble, supplicating moan ; In mercy answer all my prayer, And make thy truth and goodness known.

—F+*€

RICKMANSWORTH. L. M. s j2. Williams' Coll,

;:_:3:fCf=—ieiziazf

:ztiHJzI

-s»-

Am. Great God, attend, while Zion sings, The joy that from thy presence springs; To spend one day with thee on earth, Exceeds a thousand days of mirth.

90 LEEDS. L. M. x Br. Madan.Andante.

:M^MMl^Bi^^MMM^^^SSUBW^O^Air.

/~\ _ /~N /*> /*~\ 3 ff\

Jesus, thy blood and righteousness My beauty are, my glorious dress ! 'Midst flaming worlds, in these array'd, With joy shall I lift up my head.

SHARON. S. M. s

e-T

Join in a song with sweet accord, And thus sun ound his throne,

Aib. Come, \e uiat lova ihe Lord, And let your joys be known; Join in a song with sweet accord, And thus surround his throne.

Join iu a song with sweet accord, And thus surround his throne,

_ <2 _ **~^ c^ -- - _.,. ~? t _-« _, O,,.iC~~l ._ 0.»t"pr_j _ _

TUNBRIDGE. C. M. fc J. Kimball. 91

^-> v_ ^=s *f«-— v—

•

v^ v^_ ^sjr ** --^ v->Air.

^-\ C-\..____„__Our sins, alas ! how strong they be I Arid like a raging flood, They break our duty, Lord, to thee, And force us far from God.

Pia. For.

The waves of trouble how they roll I How loud the tempest roars, But death shall land our weary souls, Safe on the heav'nly shores.

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eg

a-..—TURIN. 7's. x F. Giarduu.

Pia.

Air.

Son of God, Thy blessing gi'ant, Still supply my ev'ry want ; Tree of life, thine influence shed,

Pia. For.For.

With thy sap my spirit feed, With thy sap my; spirit feed, With thy sap my spirit feed.

£____E—-B.

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MUNICH. L. M. hPia. For.

German. 93

'^^^S^EiWi^MW^^EU&liSulM^M^Air

'Tisfinish'd! 'tis finfsh'd! so the Saviour cry'd, And meekly bow'd his head and dy'd; 'Tis finish'd. !' yes, the- race is run, The battle's futight, Aevict'ry won.

~srpfcBgBEBfezE&EF:B=t=ffi

EGYPT. S. M. fe

Air. Our days are as the grass, Or like the morning flow'r ; When blasting winds spread o'er the field, It withers in an hour.-

94 FONMON. S. P. M. * Har. Sicra.

Air.

—^M^r^Mi^^^^^^lThe Lord Je - hovah reigns, His throne is built on high ; The garments, he assumes,

Are light and majesty. His glories shine with beams so btight, No mortal eye can bear the si^ht.

St. GILES'. S. P. M. M A. Williams' Coll. 95

Air. Like fruitful show'rs of rain, That water all the plain, Descending from the neighb'ring hills

;

I

Such streams of pleasure roll Thro' ev'iy friendly soul, Where love like heav'hfy dew distills.

I ,1 , p \ymm/" • L T _ -__j»I „. —_J ~ **•

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13

96 EVENING HYMN. C. M. h A. Williams.

Air.

Dread Ssv'reign, let my ev'ning song, Like holy incense rise ; Assist the ofF'riiig..s of my tongue To reach the lofty skies.

^2^:i:pi?zF:IpE§zilr=§IE:E:E^ :P:fe::P:f=:

::?:TP::eT:e

WINCHESTER. L. M. x M. Luther,

CD^gig-ii:S~&x:?:n . e^p^rQ-'SLQ

Aia. My God accept my early vows, Like morning incense in thine house ; And let my nightly worship rise, Sweet as the evening sacrifice.

TRURO. L. M. * T. Williams' CollAndanie.

97

II'

Air.

Now to the Lord a noble song, Awake, my soul, awake, my tongue, Hosannah to th' Eternal Name, And all his boundless love proclaim.

-rF+-»-

SUTTON. S. M. z A. Williams'1 Cdl.

Air. Behold, the lofty sky Declares its maker, God, And all the starry works on high,. Proclaim his pow'r abroad.

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—

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,

'ZZXZ"~Z3Z'""ZlQZpi.§Z—IiZ—ZZZZIIZZZjJZ~Z!lZZZZ~,'TZZZT.ZZZM~

98 DEPTFORD. 7's. ar C. Lockhart.

f3£_^.__—

,

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Father, Son, and Holy Ghost, One in Three, and Three in One, As by the celestii.1 host. Let thy -will on earth be done,

Pi'a.

•

Let thy will on earth be done. Praise by all to thee be giv'n, Glorious Lord of earth and heav'n,

~^ :3~~I~EH^b" ^±« Etii^uE^

DEPTFORD continued.

For.

99

Glorious Lord of earth and heav'n, Praise by all to thee be giv'u, Glorious Lord of earth and heav'n.

WOHSHIP, or EVENING HYMN. L. M. fe J. Clan':./

-PieI

—

Air.

?leep, downy sleep, come clo€e my eyes, Tir'd w.lh beholding- vanities : Welcome, sweet sleep, that driv'st away The toils and follies of the day.

fC"^~-- •* . ._. __* "§- "§ip_e- _ ._ £^ ._ ,..-

n-a—

J

S^feteS2 Qn thy soft bosom let me lie,

Forget the world, and learn to die

;

O, Israel's watchful Shepherd, spreadThy guardian angels round my bed.

Let not the spirits of the air,

Whilst I repose, my soul ensnare ,

But guard thy suppliant free from harms,

Cla&p'd in thy everlasting-arms.

100

IVivace.

LITCHFIELD. L. M. m

creature rise and bringAir. Let ev'ry and bring Pe - cu - liar honours to our King

;

r*\ /->. _Cl--J^Ht— . ./">

, ,Q__ »^-T T T YM~

Angels descend with songs a - gain, And earth repeat the loud amen.

LONDON NEW, CM. z Dr. Croft. 10 i

:&zj5.:z:~~-,:t:-Z3:.

Air. Let ev'ry tongue thy goodness speak, Thou sovereign Lord of all ; Thy strength'nimr hands uphold the weak, And raise the poor' that fall

.

:g:*:iz4:±:o_±f:_ro:-«--©:EJr;

GUILDFORD. S. M. i* J". Arnold.

Am. How gloriouawas the grace When Christ sustain'd the stroke ! His life and blood the Shepherd pays, A ransom for the flock.

102 Har. Sacra.SACRAMENT. 3 5s, % 1 £1. £_

i«q"^Air.

Ah, tell us no more The spirit and pow'r Of Jesus, our God, Is not to be found in this life giving food.

J

ii

2 D'u1. Jesus or>hin

His supper in vain,

And tarnish ^ feast

For none but his earliest servants, to taste ?

5 'Tis God, we believe,

Who cannot deceive ;

Tht- witness of GodI* present, and speaks in the mystical blood

3 Nay, but this is his will,

f V\ e know it. and feel)

That wesitoutd partake

The banquet, for all he so freely did make.

4 In rapturous bl ss

lip. bids us do 'his;

The joy, it imparts,

Hath witnessed Ids gracious design in our hearts.

6 deceiving the bread,

On Jesus we feed;

It doth not appear,

His mannttt' of working, but L?csiis is bT4j,

SHIRLEY. 8. M. hModerate*.

'm^SSB^^wBi^^MmlWmBM^M

from lowest depths of wo, To God I send my cry ; Lord, hear my supplicating voice. And graciou.,'y reply.

i

BERWICK. O. M. z Dr. Madan. 108

Air.

^I|yiiiHipi^ipMppii=i^iiiiyieiig3Thou dear Redeemer, dying Lamb, We love to hear of thee ; No musick like thy charming

'-— - -LD ~>»_I> ""• ~ —*—4~ ~^_ ~ ~^_J> ' ~ O-^ "w-bd

name, Nor half, nor half so sweet can be, Nor half, nor half so sweet can be.

r*

104 HARTFORD. C. M. X Dr. Heighhigton.

j"air.

^==""c-& - ^B?

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The Lord sup - plies his people's peed, Je - ho - yah is his name; In j-.stures •

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Fifresh he makes them feed, Be - side the

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liv - - ing stream, Be -. side the liv - ing stream.

TROY. II. M. A. Williams. 105

Rejoice, the Lord is King ! Your Lord and King adore : Mortals, give thanks and sing, And triumph evermore. Lift up your

fT\

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heart, Lift up your voice, Rejoice, again I say, rejoice, Rejoice, Rejoice. again I say, rejoice.

106 WAYBRIDGE. CM. X Dr. Madan.

i^^^^^^piS^S^^iAir.

'iEiEiiElilipSBii^lS^iliiipigEilLord, where shall guil - ty souls re - tire, For - gotten and unknown ? In hell they meet thy

vengeful In hcav'n thy glorious throne, In heav'n thy glo - rious throne.

WALTHAM. C. M. X Dr. Green. 107

Air. _*] __. _ __ , -r-1-i—-^^iJ-22ff:z:^:=^T^i=T=rq|:r:

V_/ v_y

Lord, at thy temple we appear, As happy Simeon came, And hope to meet our Saviour here ;O make our joys the same.

AYLESBURY. S. M. h J. Chetham.

Air. The Lord my shepherd is, I shall be well supply'd : Since he is mine, and I am his, What can I want beside?

108 W. Wood,WAINFLEET. 6 8, 8 $ 6. z

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Air.

Begin my scul th' exalted lav, Let each enrp.ptur'd thought obey And praise th' Almighty name ; Lo, heav'n and earth and seas and skies

•

Sym •

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iz£2E=S £In one melodious concert rise, In one melodious concert 'rise, To swell th' inspiring theme.

NAMWRE. C. M. z A. Williams? Coll. 109

TH T--1--1—r--F-©-

Am. There the great Monarch qf the skies His saving pow'r displays, And light breaks in upon our eyes, 'With kind and quick'n'mg rays

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WENDOVER, or STANDISH. CM. fa W. Tansur^s Colh

Air.. Lord, what is man, poor feeble mai;, Born of the earth at first ! His life a . shadow, light and vain, Still hastening to the dust.

no WINDSOR. C. M. X Dr. Madan.Andante.

The Lord of Sabbath let us praise, In concert with the blest, Who, joyful in harmo - nious lays, Employ an

P^^pgl^^^^riEli^sMiiEiPllil

i^ieSlllilsllllii^ili^iEiiSillllendless rest, Employ an endless rest, Who, joyful in harmonious lays, Employ an endless rest.

YORKSHIRE. L. M. z G. F. Handel, ill

^^^^^fes^^^^s^S^^feAir. Why do my foes insult and cry, Fly, like a tim'rous, trembling d«ve, To distant woods or mountains fly ?

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My refuge is the God of love

;

"Why do my foes insult and cry, To distant woods or mountains fly,

liSIiiililgiiiililllliliiiilElipllCONTRITION. L. M. h IF. Wood.

Am. Shew pity, Lord ; O Lord, forgire, Let a repenting- rebel live ; Are not thy mercies large and free ?' May not a sinner trust in thee ?

15 '

'

113 BROCKMER. C. M. m. Har. Sacr*.

Air."* ^ZTZZZZIZt

m?£^mmGod of atl grace, and majesty, Supremely grsat, and good,

If I have favour found with thee, Thro' the a - ton - ing blood ;

The guard of all thy mercies

Ci 3_.i.ft T t

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give, And to my pardon join A fear, lest I should ever grieve The gracious Spirit divine.

DEDICATION. 6 7>s. s Har. Sacr*. lis

Air.

e ce * les - tial host,

_^.T .9.1_q_.p.T.q_.p^=_=_;. .,.s_„_T.s=:^re—rp.T^|Father, Son, and holy Ghost, One in Three, and Three in One, As fey th

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Let thy will an earth be

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;Praise by all to thee be giv n, Glorious Lord of earth and heav'n.

rt—t-F szizg:

2 If so poor a worm, as I,

May to thy great glory lire

;

All ray actions sanctify,

All my moivIs and thoughts receive ;

Claim .me for thy service, claim

AW I have, and all I am.

Take my soul and body's powers,Take my raem'ry, mind, aud will,

All mv goods, and all my hours,Aii I k tow, and aJI I fcefc

AH I think, H!id speak, and do;Take my heart ; but make it new.

114 KINGSTON. C. M. x Dr. Madan.

Air. - ™

Hail, boly, htAy, holy I>ord! Be -endless praise, praise to thee! Supieme, essential One, ailor'd In co - eternal Three !

. Pin- For.

liliili'pillSiEiilliiliiiiiliiiiiiiii^Enthron'd in erer - last - Jng state, Ere time its round began, Who join'd in council to create The dlgni - ty of man, The digni - ty of man.

PENITENT. C. P. M. zModerate.

Dr. Burney. 115-

Air.

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When, with mjr mind devoutly press'd, Dear Saviour, my revolving breast Would past offences trace;

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E!fegE£KE£ESEE3EEEEHEEEEEH3E5E3iiiiiililllilliB^Trembling, I make the black review ; Yet pleas'd, beheld, admiring too, The power, the power, the power «f changing grace !

116 KNIGHTSBRIDGE. C. M. £ Br. Madan.

Air.

. ^I

. . o d_/^. OJZl ^ ^-f^ i-

Almig-hty God of truth and love, In me tliy p»w'r exert The mountain from ray soul remove, The hardness of my heart:

s~-\ /—\ /s f\ S~*> /"-"\ r~\ /-^

My most obdurate heart subdue, In honour of thy Son, And now &e gracious wonder shew, AmI take away the stone, And take away the stone.

STADE. C. M.HYMN OP THANKSGIVING FOR DELIVERANCE IN A STORM.

If

I. Burney. 117

Am.

-SK-

Our little bark, an boist'rous seas, By cruel tempe.it tost, Without one cheerful beam

S We t® the. Lord in bumble pvay'p 3 Willi pitying eyes, the Prince of Graee 4 The stormy minds did cease to blow,Bfeath'd out oar sad distress

; Beheld our helpless grief; -The waves no more did roll ;

ThouglVjfecble, yet with contrite hearts. He saw, a id (O amazing love !) And soon again a placid seaWe begg'd return ot' peace. lie came to our relief. Spoke comfort to each soul.

5 Oh ! may our grateful, trembling hearts 6 Let us preclaim to all the world,.

,• Sweet hallelujahs sing With heart and voiee, again,

.. . To him who hath our lives preserv'd, And tell the wonders he hath doneOiu- Saviour aud oiu-.I<ing. _ For us, the sons of men.

118 DIRGE. 10's. m. &. F. Handel.

Adagio-.—

*

Pia.

S=tt=K=dAir.

=fl==

Few are our days, those few we dream away, Sure is eur fate, to moulder ia the clay.

For. Pia. For. Pia.

;J32_E3iE

Rise, immortal soul, Above thine earthly fate, Time yet is thine, but soon it i*. too., laie.

m

2 Lo midnight's gloom invites die pensive mind,

Pale is the scene, but shadows there you'd Sid;

Rise, immortal soul, shun g'.vims, pursue thy flight.

Lest hence thy late .be .like the gloomy night.

S Hark from the grave, oWmnn's doleful tones,

There shall rair nanit-s Se mooider'd tike our bones.

P.is.-, i in mortaV soul, tii:'t hence thy tame mxf t*i»er

Time Hies smt- ends, rtonwtt is »hkie.

ITALY. L. M. l Sacchhii. 119

Amoroso.:±:~r:zq

Am.

s~\ r~\ v-nMine int'rest in his heav'nly love,

/—s /—\ /*-\

Exceeds the blessings of the(

vine.

Q.-«..L_

Let him embrace my soul, and provj The voice that tells me thou art mine,

.„.lE@plOn thee th' anointing

Pia. For.f~\ (ft (ft /~s

And spread the savour of his namei

f\ f~\ /~*\ /ft

Draws virgin souls to meet thy face,

r-\ S~\

spirit came, That oil of gladness, and of. grace Draws virgin souls to meet thy face.

4<f~

420 St. ANN'S. C. M. £ Dr. : Croft.

gp|pp|p||E|p§|pAir.

zllltzl

My God, my portion, and my love, My everlasting all ! I've none but thee in heav'n above, Or on this earthly ball.

--SSE-

ARNHEIM. L. M. % S. Holyoke.

Am. All ye bright armies of the skies, Go, worship wheve your Saviour lies ; Angels ami kings before him bow, Those Gods en high, and Cods below.

/->> /-~\

-Q—Q.-Q-C

Moderalo. GEORGIA. CM. fa 131

.in. How vain are all th'uig-s here below, How false and yet how fair ! Each pleasure has hs poison too, And ev'ry sweet a snare.

PUTNEY. L. M. fa /. Smith./~\ *

S—ltz^iz^tllBz^^b^EiiBS?:^^31' «3"i~D

—£EldjSos*3iEE£"c£i— c~idssQEli

I Am. Man has a soul of vast desires j He burn3 within with restless fires ; Tost to and fro, his passions fly, From vani - ty to vanity.

1&2 ISLINGTON. L. M. s A Williams' Coll.

f1~*Air.

•fczrz: ttrf:

This life's a dream, an empty show

;

But the bright world to which I go, Hath joys sub-

stan - rial aad sin - cere ; When shall I wake, When shall I wake, and find me there ?

WHITCHURCH. H. M. s C. Lockhart. 123

Air.

Lord ef the worlds above, How pleasant and how fair The dwellings of thy love, Thine

-

earthly temples are I To thine abode, My soul aspire With warm desire, To see thy God.

.'.—*»=——f—(i-i-g—_^~t-_i-u—rt—-rp^_rprirC™t-P——-£»!—i^t-E-' ««*»»ra^»*"" m^m

424< HABAKKUK. L. M. z Har. Sacra.

For.Fia. For.

Air.

^^^^^^^^^^^^^PS^^^S^I^^^^^Away, my un - believing fear ! Let fear in me no more take place ; My Saviour doth not yet appear, He hides the brightness of his face j

Pia. For.

iisliiil ipzpzifcS

. -_ m J* __^_.3E5EQJBEPx-zr—r—-Tr-

But shall I therefore "let him go, And basely to the tempter yield > No, in the strength of Jesus, no! I never will give up my shield.

3Ei=EB35|

Pia.

HABAKKUK continued.

For.

125

Pia. For.

Altho' the vine its fruit deny, Altho' the olive yield no oil, The with'ring fig-tree droop and die, The field illude the tiller's

t _ * _,-3 i_i

_mJ 2. .1

toil, The empty stall no herd afford, And perish all the bleating race ! Yet will I triumph in the Lord, The God of my salvation praise.

136 MORETON. L. M. £

z^EiEzz

Air.

J". Arnold.

izezizb:

O may thy church, thy turtle dove, Mournful, vet

h-e-.

3

3f5--2r-

chaste, thy pity move :

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£

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Tc birds of prey expose her r.ot. ; Tho' poor, too dear, tho' poor, too dear to he fol jot.

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mi

PARADISE. L. M. 0. Holden. 127

BEppp^p=ffJkii^JEE^

iiiiiiiiiiiirtgiigi^iiiiiii^iiiiiiaAir. Now to the shining realms above, I stretch my hands and glance my eyes : O for the pinions of the dove, To bear me to the upper skies.

illpSPpiliilil^iSiliiliiiiiH

There from the bosom of my God Oceans of endless pleasure roll ; There would I fix my last abode, And drown the sorrcw3 of my soul.

iiiigiiiiiSiilSil^ililw

138

5—*

—

Air.

-*-

WAREHAM. C. M: * _^-Dr. Arnold,

How large the promise, how divine, To Abrah'm and his seed ; I'll be a God to thee and thine,

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Supply all their need, I'll be a God to ' jb_ee_ahd thine, Supply - ing all their need.ing

MIDDLETON. 7's. Bull. 129

Christ, awhile to mortals g-iv'n,

Am. Hail the day that sees him rise, Ravish'd from our wishful eyes:

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Ueascends his native hcav'n

— _••— —— A- (fc— ——

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iiiliiiiiiESElSlSEilfiillli_^_ « „•.„£. -fi- A- -A- •— A- —A- # -*-

A

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There the pompous triumph waits, Lift up your heads, eternal.

gates, Wide unfold the radiant scene, Take the King pf glory

11!

SI*

I

130 St. CLEMENT'S. 6 $ 4. 1tea A. Williams.

I£i3^£illiSSiililpiilliilpPiii^iiggiliiHiiiililiiiSiiipiiEiipiiiiigi^

Ant. Come, thou Almighty King, Help us thy name to sing, Help 113 to praise, Father all glorious, O'er all vie - to - rious, Come, and rei»n o?er us, Ancient of davs.

Andante. ANNIVERSARY. C. M. X

:^^M^MIimM^^^M^MMMiMiMS~\ f~\

AlB. I athtr, how wide thy glories shine ! How high thy wonders rise ; K. own thro' the earth by theusand signs, By ihousantk thro' the skies, By thousands, thousands thro' the skies.

, «. ^i s-Z «._<?> ____W

BBSSte^^^s^xa^Sy iheusandB thro' tke sfcies;

PORTSMOUTH. H. M £ G. F. Handel 491Moderato

iilliigiiHilpEiliB^iii Ifeiiffi

Ani, Ye boundless realms of jov, Exalt your Maker's fame, His praise your songs employ, His praise your songs employ, Above the starry Frame,

W^UMMmUmmW^M^Ml^^^^S^Above the starry frame. Your voices raise, Ye cherubim And seraphim, To sing his praise, Your voices ra.se, Ye cherubim And seraphim, To sing his praise

_3:~TX^r-T T~ M ie

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",*ECHC

132

Modercdo

St. SEBASTIAN'S. C. M. &

Pin.

T. Williams- Coll

For.

^^B^^&S=^=M=W^^^^S^MW:Ain. Willi all thy quick'ning pow'rs, Come, shed abroad a Saviour's love, And that shall kindle ours.

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§§§Come, holy spirit, heav'nly dove, Come, shed abroad a Saviour's love,

~±:S££^rB£ElE|!S

Co»ie, shed abroad a Saviour's love,

EROOME. S. M.Pirn.

/.. Husband.For.

Air.v^ ^^

- ~ Am- ' - ' -' 1 "S"^" -U-ttZlCXC—ClL-H

—tiisyii*

Shall wisdom cry aloud, And not her speech be heard ? 1 he voice of God's eternal word, Deserves it no regard ? Deserves it no regard >

- O p ^__ jT^ £V

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Moder&to.

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CANA. C. M. zPia.

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— 'rv—3 T IJ3~~I— Zi—3""— ""T

H. Hepstinstalli

For.

133

Air.

From thee, my God, my joys shall rise, And run eternal rounds, Beyond the limits of the skies, And all created bounds.

Efefczi:2Zizfzc

itz-3zi3-jHP-rfE-tffc«ifc^

Pia. For.

The holy triumphs of my soul Shall death itself outbrave. Leave dull mortality, behind, And fly- beyond the grave*

184 SEAMAN'S SONG. L. M. X T. William? Coll.

Air.pn^i^Bp^s^iWould you behold the works of God, His wonders in the world abroad, Go with the mari-

fc=HiHIlFor.

^^3i3MSMIiEiiiiiiii^r§i^p^SiirSliiiiaMrs and trace The unknown regions of the seas, The unknown region* »f the seas,

German. 135Pi*.

^h^feE3fcH:E=£E |&=Efcl==l

-it—/5V—

1

ZELL. S. M. fc

Adagio.

LE£ESSEEEfeEfe£5EAir

Shall we go on to 6in, Becaus* thy grace abounds ? Or eruci - fy the Lord .a - gain.

For.

yiillilil

And open all his wcrnnds ? Or cru - ci - fy tl%e Lord again, And open all his wounds ?

186. Adagio.

BROMLEY. L. M. X /. Broderip..

:z*znz :g;^zpi£-i:izpz:ft=i:E-zip

Ai». Awake, eur souls, away ou» fears, Let erty trembling thought be gone, Let cv'ry trembling thought be gone ; Awake, and run the heartily

Pia. For.

And put a cheer - ful courage on.

race, And put a cheer - - ful "courage on, Awake, and run the heartily race,. And put a cheerful courage on.

And put a •heerfuj courage on,

NEWARK. C. M. 2 Dr. Avne. 137

Ai». The God of mercy be adorM Who calls our seuls f. om death, Who saves by his redeeming w»rd And new creating breath.

To praise the Father, and the Son, and Spirit all divine, The One in Three, and Three in One, Let saints and angels join.

""ej"*'

a-

1S8 NANTWICH. L. M. X Dr. Madan.Andante.

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Air.'n—' * •- jnr

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w" **"«#HH

My God, how endless is thy lave ! Thy gifts are ev'ry evening new, And mornimg mercies

.PiVt. For.

L ^from above, Gently dis - til like ear dew, Gently tls til like ealy dew.

Ut Treble. Moderati"3s -~*~

t—,—l-^j r~i'~T—v?

LORRAIN. L. M. s 189

dTrtble. Salvation is forever nigh The souls that-fcar and-trust the Lord;

-£-*+"— &w--—

•- jo-

And gjracs descending from on high, Fresh hopes of gljry shall afford.

v_-* ^-^

Mercy snd trull: on earth are met, Since Christ the Lord came down from heftv'n ; By his obedience i>o complete, Justice is ploas'd; and peace is giv'n.

140 SOUTHBURY. H. M. I

Air. Rejoice, the Lord is King! Your Lord and King adore; Mortals, give tha»ks and sinjj, And triumph evermore.

_ Pi'ff. For.

Lift up y^ur heart, Lift up your voice, Rejoice, again I suy, rejoice, Rejoice, again I say, rejoice.

WALTON. S. M. fc

Pia.

Air.

-._.w , -»4«———

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{?. Breillat.

For.

141'

5^3*-3^uSr-f-£!£--t-t*—jL:j.i:j:*:_::ai_—±J««i_3ij: gi:aIpprp±rg_~^j~fg_ij»_*

How heavy is the night, That hangs «pon our eyes, 'Till Christ with his reviving light Over cur souls arise!

BLENDON. L. M. m F. Giardini.

AlK.

Lord, .when thou -didst ascend on high, Ten thousand angels SU'd the sky : Those heav'nly guards around the wait Like chariots that attend thy state.

442 QUINCY. L. P. M. 2 Dalmer.Moderal*.

e££Emmmmm.vy—

lAir. Yet a few years, or days, perhaps, Or moments, pass in siient lapse, And lirse to me shall be no more : No more the sun these

.A.-Iir. Yet a few years

I

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Largo.

j5" ~ t "*' *~ _ _ ~ _ _ "_" ~_~" ~

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1 eyes shall view, Earth o'er these lin»bs her dust shall btrew, l>er dust shall strew, And life's delusive dream be o'er.

Vivace.

gt£rte:rte

Angels roll tlie roek away,

HAMPTON. 7*s. 2 B. Milgrave. 143

llgipililllAir

mmmwmAngels roll the roek a'

B:|:lz3E3|3E^|ezi:

Death, yield up tliy nighty prey

;

See ! he rises from the tomb, Glowing with immor - tal bloom.

CHORUS.Pi a. For. Pia. For.

Hallelujah, praise the Lord,

2 'Tis the Saviour, angels, raise

Vour triumphant song of praise

;

Let the heav'ns remotest boundHear the joy inspiring sound.

Hallelujah, praise the Lord, Praise, praise, praise, praise, Hal - le - lujah, praise the Lord.

3 Now, ye saints, lift up your eyes, 4 Heav'n displays her crystal gate ;

Now, to glory see h'un rise

;

Enter in thy royal state

;

Mark his progress through the sk)^ King of glory, mount thy throne,

To tl»e radiant world on high. 'Tis thy Father's and thy own.

19

5 Praise him, all ye heav'nly choirs,

Strike with awe, your golden lyres,

Shout, earth, in rapt'rons song,

Let the strains be loud and stmng.

144 INVOCATION. S. M. £Pin.

C. Lockhart.

For.

Air.W ~-^ - - - —^ ------ -

CTQ&E:a:J:zrd:±:crt

v^ w \s v^>Come, holy Spirit, come, Let thy bright beams arise ; Dispel the darkness from our minds, And open all our eyes.

ARLINGTON. C. M. m Br. Arne.

AlH ' Jesus, with all thy saints above, My tongue would bear her part, Would sound aloud thy saving love, And sing thy bleeding heart.

BECKWITH. L. M. * Dr. Madan. 145

Air.

_"P £"N y^^ ^\ •*—N. /c p>

Bury'd in shadows of the night We lie, till Christ restores the light ; Wisdom de - scends to

heal the blind, And chase the darkness of the. mind, And chase the darkness of the mind.

146 DENBIGH. L. M. x Br. Madan.

Z3! ~pipr^iiii§zfi__a=i~^±grfi-:

Pia.

~i ^J I^J )| , | ^.3^_ft! a. a. • j»

Air.

From all that dwell belo.v the skies Let the Cre - a - tor's praise arise ; Let the Redeemer's name be

ft ~E~ -—s.

"^ft HU

Tj««j

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l^""! _

ev ly

sung Through ev' - ry land, by ev' - ry tongue. E - ternal are thy mercies, L6rd ; E - ternal

by ev' - ry toigue.

DENBIGH continued.

Pia.

147Pianis.

thy word ; Thy praise shall sound from shore to shore, 'Till suns shall rise and set no more.truth attends

For. Pia. Dim. For.

'Till suns shall rise and set no more, 'Till suns shall rise and set no more.

m m " ._T.,^p._p_P-

448 BUXTON. S. M. 8 Dr. Madan.Andante.

Air.

Awake, and sinj the s<»ng Of Moses and the Lamb ; Wake ev'ry heart and ev'ry tongue,

I

iiiySiiEiEyiEi=iiiife^piilEiiEliIili. ^ »__

To praise the Saviour's name, Wake ev'ry haart and ev'ry tongue, To praise the Saviour's name.

PLYMPTON. C. M. fa Dr. Arnold.Plaintive.

149

Air.

Now let our drooping hearts revive, And all our tears be dry ; Why should these eyes be drbwn'd in grief, Which view a Saviour nigh,

EDGGOMBE. CM. * Br. Buriiey.For.Pia. For.

Air.

iMmumtssmsmsm mmMy drowsy pow'rs, why sleep ye-so ? Awake, my sluggish soul : Nothing has half thy work to do ; Yet nothing's half se dull ! Ye nothing's halfso dull.

_ -e-

150 KINGSBRIDGE. L. M. fa liar. Sacra.

'^Md^^M^M^^^^^^^s^M^i^lM^MMlAir.

Lord of the earth, and sea, and skies, All nature owns thy sov'reign pow'r

;

At thy command the tempests rise, At thy command the thunders roar.

zic~i:z:_:iz~._zizzb~:z:inri

CHRISTMAS. C. M. x G. F. Handel

V J V J ' \ * V J V ^ V ^

Air-v-> v>» v-/ v-/

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151

f:Ep|p§i

Awake, my sou), stretch cv'ry nerve, And press with vigour on : A heav'nly race demands thy zeal, And an immortal crown, And an immortal crown.

liimiii-e- -©- -s- -3- :e- '

~" ~*

WALSAL. C. M. fc A. Williams'1 Coll.m

mmm^MM^^wi^mmiiAie. Lard, in the morning1 thou shalt hear My voice ascending high : To thee will 1 direct my prayV, To thee lift up miae eye.

.

m^jEpL80

K5ES33ESiSS^it^ii :rttnj3_

152Adagio e messa -piano.

FUNERAL HYMN. C. M. fe

...» _(*_.. _ JH. "ElO

Dr. Miller,Mcssa forte. Pia.

r\p. p " __ __

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Air.

The righteous souls, that take their flight Far from this world of pain, In God's paternal bosom blest, Forever shall remain.

I

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GERMAN HYMN. L. M. wLargo.

J. Pleyel.

An?.' So fades the lovely blooming flow'r, Frail, smiling solace of an hour

!

So soon our transient comforts fly, And pleasure only blooms to die !

:z:iif:=:=:t±Ezzd

POLAND. C. M. h Swan, 153

_„)jsss__ P-t-°—P-t Q -h-l—=S3HEHfe=E£Air. God of my life» look gent - iy

e—e--+—©-

down, Behold the pains I feel

;

But dumb be - fore thy throne, Nor dare dis pute thy will.

IZTZl

154 HYMN FIFTH. 7 $ 6. z & Milgrove.

Air.

Praise the Lord who reigns above, And keeps his courts belowj

Praise the holy God of love, And all his greatness show :

Praise him for his noble deeds, Praise him for his matchless pow'r ; Him, from whom all good proceeds, Let heav'n and earth adore.

:HrsbizjzFzE:Ez3gpSfcigg2 Publish, spread to all around

The £ieut Emanuel's Rame ;

Let'tiie Crumpets martial soundllim Lord of hosts proclaim.

zsmPra.se h ;m, ev'ry tuneful string,

AH' the reach of heav'nly art,

All the pow'rs of musxk bring,The niusick of the heart.

3 Him, in whom We live and move,Let ev'ry creature sing

;

ftlory to their Maker give,

And homage to their HinSf.

Hallow'd be his name beneath,

As ih heav'n 6r. earth ador'd :

Praise the Lord ia ev'ry breath,

Let all things praise the Lord

-FALMOUTH. 7»s. s Dr. Madan. 155

Lord, we come before thee now, At thy feet we humbly bow : O do not our suit disdain ! Shall we seek thee, Lord, in vain ? Lord, on

For. Pla.

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:±t:s]

"T~ JT~

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thee bur souls depend

;

In compassio» now descend ; Fill our hearts with thy rich grace, Tune our lips to sing- thy praise, Tune our lips to sing- l!

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3 In thine Own appointed way.Now we seek thee, here we stay

;

Lord, we know not how to go,

"

'Till a blessing thou bestaw.

4 Send some message from thy word,That may joy and peace afford ;

Let thy sp.nt now impartFull salvation to eaeh heart.

5 Comfort t!.ose who wjep arid mourn, 6 Oraat that all may seek, ami findLet the time of joy

|.-turn •. Thee a gracious <io;l, and kind ;

Those who are cast down lift up ; Ileal the sick, the captive in e'

Make them strong in fault and hope. Let 'us ii\ rtjoc in ill .

156Adagio Mcesloso.

Air.

HYMN FIFTEENTH. L. M. S B. Milgrove.

fcSpfcs bea

He comes, he comes, the j udge severe, The seventh trumpet speaks luiu near; His lightnings flash, his thunders

\roll,

CHORUS. ...Allegro.

He's welcome to the faithful soul. Welcome, welcome, welcome, welcome, Welcome to the faithful soul.

From ieav'n th' angelick voices sound,See the Almighty Jesus crown'd

;

Girl with omnipotence and grace,And glory decks the Saviour's face.

Glory, glory, glory, glory,

Glory decks the saviour's face

3 Shout, all the people of the sky,

And all the saints of the Most High,Our God, who now his right maintains,

Forever and forever reigns ;

Ever, ever, ever, ever.

Ever and forever reigns.

4 The Father praise, the Sen; adore,The Spirit bless forevermore,Salvation's glorious work is done,We weloome thee, great Three in Ons.

Welcome, welcome, welcome, welcome,Welcome Thee, great Three in One.

Dr. Worgan.REDEEMING LOVE. 7's. £ Dr. Worgan. 157For. Pia. For.

Air.

Now, begin the heav'nly theme, Sing aloud in Jesus' name, Sing aloud in Jesus'

EEL"'

For.

Ye, who Jesus' kindness prove, Triumph in redeeming love, Triumph in redeeming love.

2 Mourning souls dry up your tears,

Banish all your guilty fears ;

See your guilt and eurse remove,Cancell'd by redeeming love.

3 Welcome, all by sin opprest,

Welcome to his sacred rest

;

Nothing brought h'.m from above,

Nothing but redeeming lqve.

4 Hither, then, your musick bring,

Strike aloud ?ach joyful string,

Mortals,jo!n the host above,

Join to praise redeeming love.

158 HOTHAM. 7's. a Br. Madan.

'^m^Wmm^MM^^mwm^mfMAir.

Jesus, lover of my soul, Let me to thy bosom fly, While the nearer waters roll, While the tempest still is high, Hide me, O iny

Pil^li^Eilil^i^Pi^iSill

Saviour, hide, 'Till the storm of life is past ; Safe into the haven guide, O receive, r«ceive, O receive my to-A at last.

liiiyiiigiiiiiiiiii^igli^ii^;2 Other refuge have 1 none,

1 langs my helpless soul on thee ;

Leave, ah ! Leave me not alone,

Still support and comfort me

:

All my trust on thee is stayM,All my help from thee I bring.

Cover my defenceless headWith the shade*' cf tiiv wing.

3 Tnou, O Christ, art all I want,

More than all in thee I find

!

Raise the fallen, cheer the faint,

Heal the sick, and lead the blind ;

Just and holy is thy name ;

I am all unrighteousness :

False and full of sin 1.am,Thou art full of truth and grace.

4 Plenteous grace with thee is found,

Urace to cover all ray sin ;

Let the healing slreams abound

:

Make and kuep me pure within.

Thou of life the fountain art.

Freely let rae t^ke of thee.

Spring thou up within my hearty

Rise to all eternity.

0mmAir.

PORTUGAL. L. M. X7*

T— 3-

T. Thorley. 15§

Row lovely, how divinely sweet, O Lord, thy sacred courts appear ! Fain would my longing passions meet The glories of thy presence there.

Andante.

Air.

HUDDERSFIELD. C. M. X Dr. Madan.

EEEEBEEIEE ill

My hiding place, my refuge, tow'r, And shield art thou, O Lard ; I firmly anchor all my hopes On thy unerring word, On thy unerring word.

160 TIVERTON. L. M. mAdagio.

ci2rs:"iri"iiiJ"jTq!T;inT=!^-T t—hhb-*—.- ».t—t-»-

Dr. Bann.

Airl^gS^^^s^^s I

1Shall I forsake that heav'nly friend, On whom my noblest hopes depend? Forbid it that, forbid it that my wand'ring heart From thee, my Saviour, should depart.

BRIDGEWATER. L. M. h Leach.s~\ /-~\ n

ours alone ; From flesh and sense I would be free, And hold communion, Lord, with- thee.Air. Far from my thoughts, vain world, be gone, Let any religious hours alone ; From flesh and sense I would be free, And hold communion, Lord, with- thee.

•^""N q f~^ /*"\ f-\ « /•—n. •" x *—^J"^ _ > "*_ — B.J&B.JB. I

From flesh and sense,

From flesh, &c.

Lq-jl

HEIGHINGTON. C. M. x Dr. Heighington. lGi

HHZT^L 1H!S^ C1 - _ - O M!!KZ5_ .-. /'~N ''T^ ^- —Zli —*.

Air.

v^

3:

Sal - va - tion ! O the joy - ful sound ! What pleasure to our ears ! A sov'reign balm for cv' - ry

Pieb. For.

s—~^ !•»«« ^--^ ^"^"^^2tssem

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wound, A cor - dial for our fears,. A sov' - reign balm for ev' - ry wound, A cordial for our fears.

1-pa—rT-

162 SHELDON. C. M. £ Lock Hospital Colt.

Air.

Hap - py the heart where grac - es reign, Where love in spires the breast

;

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-er

Love the blight - est

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of

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the train, And per - fects all the' rest.

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KNIBB's. C. M. fe Rippm3s Coll. 163

AlR.

To God 1 cried with mournful voice, I sought his gracious ear, In the sad day when troubles rose, And fill'd my hear: with fear.

OLD GERMAN, 2 5's^ ill. fa Har. Sacra.

Air.

All glory and praise To the antient of days, Who was born, and was slain, to redeem a lost race.

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rr.

,=±Salvation to God,Who carried oar load,

And purchaa'd our lives "with the price of his blood3

And shall he not haveTfyc lives, which he gave

S*ch an infinite rausoia, forever to save f

Yes, Lord, we hfc thiue,

Arid gladly resign

Our souls, to he fiit'J with the fulnesa ditjnG.

5

How, when it shall be,

We cannot fbrcsur ;

Cut, 0, let us live, let as die unto thet

164 COLCHESTER. S. M. 1

Air.

Dr. Maian.

i

:±:E=±zf=5r?^=?^tiit =r _ftfejEgi=:~xzr=zi==r:g2zz--ziH~zrr-3

Th* extent of Jesus' love Whatheart can comprehend ! A breadth whose distance none can prove, A length without an end !

^^^^^^^^&^^^^^^^^^^^^^^^^^^^

The first born seraphs try The myst'ry to explore ; They cannot find it out, for why > The curse they never bore, The curse they never bore.

-m»—W~m—\ m

BREDBY. L. M. xVivace.

Air.

~qT T.__,_-._T e.

LocA: Hospital Coll. 165

Now to the pow'r of God supreme Be everlasting, everlasting honour giv'n : He saves from

-ft ' -*£ _ftl

I __pi^_.__^___«-I!.T_»i__tf r _^T_n»^«M^_^__>«<«»l

hell, (we bless his name ;) He calls lost, wandering souls to heav'n, He calls lost, wand'ring souls to heav'n.

-p.

I6i5

I

CHILTON. C. P. M. x /. Burney.

&£-.Thou God of srlorious

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majesty, To thee, against myself, to thee, A worm of earth, I cry

;

—:bir.2rz:

An half a - wakcn'd child of man, An heir of endless bliss or pain, A sinner bom to die.

Largo.MUSICK. L. M. Dr. Arne.

Pia.m

Air.

And didst thou, Lord, for sinners bleed ? And could the sun behold the deed ? No, he withdrew his sick' ning

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ray, And darkness veil'd the mourning day. No, he withdrew his sick'ning ray, And darkness veil'd the mourning day.

18 WESLEY, or WALSAL. 5 «j 6. fe Har. Sacra.

Bless God, O my soul, Rejoice in his name ; And let my glad voice Thy greatness proclaim ;Surpassing in honour,

mAir

Do-

i

The sky we behold,

A curtain displsy'd,

Thy chambers of'hep.v'n

On waters are laid.

The clouds are a chariot

Thy glory to beap,

On winds thou art waftad,

Thou ridest on air.

3 As rapid as fire,

Thy angels on high

Convey thy commands,Thy ministers fly.

The earth on its basis

Eternal susfain'd,

Is fix'd in the station

Thy wisdom crdain'd.

i The world, when at first

Of chaos compos'd,

Was void, without-form,

In waters enclos'd ;

Thy voice, how majestick,

In thunder was heard,

The water subsided !

The mountains appear'd

!

MARTIN'S LANE. L. P. M. %

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Air.

I'll praise my Maker with my breath ; And when my voice is lost in death, Praise shall employ my nobler pow'rs : My

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days of praise shall ne'er be past, While life, and thought and being last, Or immor '- tal - i - ty endures.

ZZ3_XZ_ii-J=?-e=¥i

170 PARMA. C. M. x Italian.

Air.

33= r>3

Behok. the glories of the Lamb Amid his father's throne ! Prepare new honours for his name, Prepare new honours for his name, And sotsgs before unknown.

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:*i;=»S fe£Let elders worship at his feet, The church adore around, With vials full of odours sweet, With vials full ol'oJours sweet, And harps of sweeter sound, And, &c.

mr:

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ALDREDGE. C. M. fe Har. Sacra. 171

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Air.

When I with pleasing wonder stand, And all my frame survey; Lord, 'tis thy work, I own thy

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\ hand, Lord, 'lis thy work, I own thy hand, That built my humble clay, That built my humble clay,

172 St. MARY's C. M. h B. Stabbs.

Air.

-as-m -.^e-—

'

Why does jour face, ye humble souls, Those mournful colours wear ? What doubts are these which waste your faith, And nourish your despur.

WILDERNESS. L. M. b Leach.

Am. Who is 'this fair one in distress, That travels from the wilderness ? And prest with sorrows and with sins, On her beloved Lord she leans.

J;l!

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BECONSFIELD. C. M. A. Williams. 17 3

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Air. My soul, Low pleasant the place, To which thy God lesorts !

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'Tis heav'n to his smiling- face, Though in his eaTthly courts.

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174 MESSIAH. CM. £Largo e Cantabile. —

^

Am

G. F. Handel.

reQ

The Lord, who made boili heav'n and earth, Arid all that they contain, Will never quit his stedfast truth, Nor make his promise vain.

HYMN to the TRINITY. 6 $ 4. m F. Giardini.

:iiiiliiiigiiiiipi§giiiigiiiipiigiiAir. k „—

.

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Come, thou Almighty King, Help us thy name to sing, Help us to praise ! Father all glorious, O'er all vie- tovious, Come, and reign over us, Ancient of days.

Si:*;3iL_i:z:ti5ijj-p£:J_+i--f~P+^

2 Jesus, cur Lord, arise,

Scatter our enemies,

And make them fall '.

T .et thy Almighty aid,

Our sure defence be made,Our souls on thee be stay'd .

1 ard, hear our call'

3 Come, thou incarnate Word,Gird on thy mighty sword,

Our pray'r attend !

Come, and thy people bless;

And give thy word success;

Spirit of holiness,

On us descend !

4 Come, holy Comforter,Thy sacred witness bear

In this glad hour

!

Thou who Almighty art,

Now rule in ev'ry heart,

And ne'er from us depart,

Spirit of pow'r

!

5 To thee great One in ThreeEternal praises be,

Hence, evermore

!

His sov'reign MajestyMay we in glory see,

And to eternity,

Love and adore !

k-

Andanle. HALIFAX. L. M. I

mDr. Madan. 175

li-E^liA— ~w _ w • w- *p -- —

Ho ! ev'ry one that thirst's, draw nigh;('Tis God invites the fallen race;) Mercy and free salvation buy ; Buy wine, and milk, and gospel grace.

" j* -c-f£ _

NEW-YORK. C. M. fa Har. Sacra.

.qx x__uj.x__u._w_j *____ _d__e .

Eternal Sire ! enthron'd on high ! "Whom angel hosts adore

;

Who yel to suppliant dust art nigh, Thy presence I emplore.

O guide me down the steep of age, And keep my passions cool

;

Teach me to scan the sacred page, And practice ev'ry rule.

2 My flying years, Time urgfs on, Ah! no—then smooth the mortal hourWhat's human must decay, On thee ray hope depends :

My friends, my youth's companion's gone, Support me -with Almighty power,Can [ expect to 6tay ? While dust to dust descends.

S3

Then wing my soul ! O ! gracious God \

While angels guard the way;Admitted to the blest abode,

*

I'll endless anthems pay.

Thro' hcav'n, howe'er remote the boundThy matchless love proclaim,

And join the choir of saints, that sound.Their dear redeemer's name.

176 RICHMOND. L. M. 2Andante.

—*-

Dr. Madan.

Air."""

_

®" "> *

When I sur - vey the wond'rous cross, On which the Prince of glo - ry dy'd, my richest

_-£-,-_, -3--T-1- ——S- - - =

For -

gain I count but loss, And pour contempt on all tny pride, all my pride.

GERMAN. L. M. fa Lock Hospital Coll j i

Air.

G come, thou wounded Lamb of God ! Come, wash us in thy cleansing blood

:

-•.-4.

iili^maSiiiiiiE&IMypiiBiiiiili

i

Give us to know thy love, then pain Is sweet, and life or death is gain.

178 SICILIAN MARINER'S HYMN. L. M. z Italian.

Moderala.

llSiiiiliiilliiSiPliililliiSllgilSiil!Air

'^MiSSiWi&^&WMMlfBSM^mSMMO turn, great liulcr of the sties, Turn from my sins thy searching eyes ; My mind from ev'ry fear release, And soothe my troubled thoughts to peace.

K—2-~M±±t±±ztztzi

Lento.

Air.

fes

KENT. L. M. S G. Green.

z:z:_is:s:•*

Where sliall we go to seek and find A habi - ta - tion for our God, A dwelling for th' Eternal Mind, Among the sons of flesh and blood ;

JgiiiEeȣ

fes- P — -P^i- s-

I—h+—

CARTHAGE. L. M. fe Dalmer. 179

ttZhZZj£ZttZ$ZTZ3ZZ

Air.

Father of all, omniscient mind, Thy wisdom who can comprehend ? Its highest point what eye can find, Or to its

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lowest depths descend ? Its highest point what eye can find, Or to its lowest depths descend?

180 TRIUMPH. H. M. s C. Lockhart.Con Spirito. Pia.

Air.

iiiiiSi^ililiaiillSPSSlli^SRejoice, the Lord is king; Your Lord and King adore : Mortals, give thanks and sing, And triumph

For. Sym.

-f—i

ever more. Lift up your hearts, lift up your voice ; Rejoice, again I say, rejoice

Pomposo.TAMWORTH. 8 § 7- * C. Lockhart.

Pia. For.

4 8*

Air.

Guide me, O thou great Jehovah, Pilgrim thro' this barren land

:

I am weak, but thou art

Pia. For.

'— -j— — —W—t— — — — — — - — - W™ — —#. — — ' — -fa ~ — ~J0— — — — — —

mighty, Hold me in thy pow'rful hand ; Bread of heav'n, Bread of heav'n, Feed me, 'till I want no more.

2 Open, Lord, the crystal fountainWhence the healing streams do flow

;

Let the fiery cloudy pillar

Lead me all my journey through ;

Strong Deliv'rer,

Be thou still my strength and shield.

3 When 1 tread the verge of Jordan,

Bid my anxious fears subside ;

Death of death, and hell's destruction,

Land me safe on Canaan's side ;

Songs of praises

Twill ever give to tliee.

iSS DRESDEN. L. M. 1 Har. Sacra.

He dies, the heav'nly lover dies ) The tidings strike a dolaful sound On my poor heart strings ; deep He lies In the cold caverns of the ground.

Come, saints, and drop a tear or two Or the dear bosom of your God j He shed a thousand drops for you, A thousand drops of richer blood.

IliilipEiiiipyigiilBiiiiiilPiiPliyilB!2 Here's love and grief beyond degree,

The Lord of glory dies for men

;

But lo, what sudden joys I see !

Jesus the dead revives again.

The rising God forsakes the tomb.Up to His Father's court He flies

;

Cherubic legions guard Him home,And-shout Bita, welcome to the skie6.

3 Break off your tears, ye 6aints, and tell,

How high our great Deliv'rer reigns

;

Sing, how He spoil'd the hosts of hell,

And led the monster Death in chains.

Say, Live forever, wond'rous King,

Born to redeem, and strong to save ;

Then *6k the monster, Where's thy sting;

And wbere's thy vict'ry, boasting Grave f.

CASTLE STREET. L. M. AddingtonH Coll. 183

EElfezErl ———_—X——l—L—_--—————•*————__.J_l__l___J__.l_L-—|__J———_—l___.l_ __!.___.!___[_.I___.

Air. Lord, in thy great, thy glorious name, I place my hope, my on - ly trust ; Save me from sorrow, guilt and

shame, Thou ever gracious, eve* just, Thou ever gracious, ev - ep just.

_ • _£_« £!£_£_ _ ___I

_,_ _ _ __!_:

§4 ,.....•"' "1

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184 LOVE DIVINE. 8 *j 7. ^ Lock Hospital Coll.

Air.

Love divine, all love excelling ! Joy of heav'n to earth come down ! Fix in us thy humble dwelling- ; All thy faithful mercies crown.

•.•£:£_. "£__ O— t^i|> 0__ _«.,«.•£:£.,. ~p . _ . O -p'"™^; £$

mm ilia

Jesus, thou art all compassion I Pure, unbounded love thou art

!

Visit us with thy salvation, Enter

s— -f. s*~ •% ••££ "E _ /""N '—"

ry trembling1 heart.

2,Bi:eathe, O breathe thy loving Spirit

Into ev'ry troubled breast

!

Let us all in thee inherit,

Let bs find thy promis'd rest.

Take away the pow'r of sinning,

Alpha and Omega be,

End of faith, as its beginning,

Set our hearts at liberty.

3 Come, Almighty to deliver,

Let us all thy life receive !

Suddenly return, and never,

Never more thy temples leave !

Thee we would be always Messing,.

Serve thee as thine hosts above,

Pray, and praise thee without ceasing,

Glory in thy precious love.

4 Finish, then, thy new creation ;

Pure unspotted may we be !

Let us see thy great salvation,

Perfectly restor'd by thee

!

Chang'd from -glory into glory,

'Till in heav'n we take our place ;

'Till we cast our crowns before thee,

Lost is wonder, love, -..-•A praise.

COOKHAM. L. M. x liar. Sacra. 185

Air.

Sing to the Lord, exalt him high,. Who spreads his clouds all round the sky ; There he prepares the fruitful rair., Nor lets the drops descend in vain.

TRINITY. C. ]ML z King Ja7iies.

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Am. Let children hear the mighty deeds, Which God perform1d of old ; Which in eur younger years we saw, And which our fathers told.

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186 DUNKENFIELD. CM. k R. Harrison.

Air.

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Thee, we adore, e - ternal name, And humbly own to thee, How feeble is our mortal frame ; What dying worms are we

!

COLCHESTEH. C M. z—7T -;i

5~2r 11

j9. Williams.

Am- Long as I live I'll bless' thy name, My King, my God of love ; My work and joy shall be the same, In the bright world above.

UPLAND. C. M. h W. Tansur 187

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Behold thy waiting .servant,.Lord, Devoted to thy fear : Remember and confirm thy word, For all my hopes are there.

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St. THOMAS". S. M. z G, F. Handel.

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High as the heav'ns are rais'd Above the ground we tread, So far the riches of his grace Our highest tho'ts exceed.

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BRAY. C. M. x A. Williams' Coll.

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Awake, my heart, arise my tongue, Prepare a tuneful voice ; In God the life of all my joys, Aloud >vill I rejoice. Aloud will I rejoice.

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I"CZEIICE

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How shall the young secure their hearts, And guard their lives from sin ; Thy word the choicest rules imparts, To keep the conscience clean

GOSPORT. S. M. z T. Husband. 189>

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Well, the Redeemer's gone, T' appear before our God, To sprinkle o'er the flaming throne, With his

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atoning blood.

K1BWORTH. S. M. x Addingtotfs Coll.

Air.

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Let sinners take their course, And choose the road to death; But in the worship of my Gcd 111 spend my daily l>reath~

10 HELMSLEY. 8 £j 7. a £^ Hospital Coll.

Pia.

Air. ^ _i»m «

Lo, He comes with clouds descending, Once for favour'd sinners slain! Thousand thousand saints attending,

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Swell the triumph of his train. Hal - le - lujah, Hal - le - lujah, Hal - le - - lujah, Hal - le - lujah, Amen.

2 Ev'ry eye shall now behold him,Rob'd in dreadful majesty ;

Those who set at nought and sold hina,

Pierc'd and nail'd him to the tree,

Deeply wailing,

Stall the true Messiah see,

3 Ev'ry island, sea, and mountain,

Heav'n and earth, shall flee away

;

All who hate him must, confounded,

Hear the trump proclaim the day;

Come to judgment,C#me t<* judgment, come away.

4 Now redemption, long espected,

See in solemn pomp appear

!

All his saints, by man rejected.

Now shall meet Mm in the air.

Hallelujah.

Sue the day of God appear

!

GLOUCESTER. L. M. mPia.

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Lir. Jesus ! we bow before thy feet

;

Thy table is di - vinely stor'd '. Thy sacred flesh our souls have eat,

For.

'Tis living bread ; we thank thee, Lord I Thy sacred flesh our souls have eat, 'Tis living bread; we thank thee, Lord !

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G. F. Handel.192 STRATFORD. 10-s $ li's. K

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Jehovah reigns ; let ev'ry nation hear, And at his footstool bow with holy fear ; Let heav'ns high arches echo with his name,

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193STRATFORD continued.

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murmurs sounding. Then send it down to hell's deep glooms resounding, Thro' all her caves in dreadful murmurs- sounding.

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Blessed are the sons of God, They are bought by Christ's own blood ; They are ransonTd from the grave ; Life eternal they shall have. "With them numberd may we be^ Here and in e - ter m - ty.

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E|IE£ itlieiiiiiiiiiGod did love them in his Son,Long before the world begun

;

They the seal of this receive,

When on Jesus thev believe.

With them, &c."

3 They arc justify'd by grace,

They enjoy a solid peace;

All their sins are wash'd away ;

Thev shall stand in God's great day.

With them, Sec.

tE:3=pith^EEEEE4 They produce the fruits of grace,

In the works of righteousness;

They are harmless, meek, and mild,Holy, humble, undefil'd;

With them, &c.

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5 They are sights upon the earth,

Children of an heav'nly birlh,

One with God, with Jesus one,

Glory is in them begun.With them, &c.

19-i WESTMINSTER. C. M. Dr. Nares.

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Sweet majesty and awful love Sit smiling on his brow. And all the glorious ranks above At humble distance bow-

MARTYRS. C. M. fc M. Luther

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Tlie year roils round and steals away, The breath that first it gave; Whate'er we do, whate'er we be, We're trailing to the grave.

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LEINSTER. L. M. x Dr. Madan.

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Ho ! ev'ry one tbat thirsts, draw nigh;('Tis God invites the fallen race ;) Mercy and free salvation buy, Buy wine, and milk, and g-ospe! gT^ct.

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Come Lo the living waters, come : Sinners, «bey your Maker's call ; Return, ye weary, wand'rers, home, And find my grace, And find my grace reach'J out to ;-':>.

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CONDOLENCE. H. M. fc JT. JS&Mjfflr.

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My life's a shade, my clays Apace to death incline; My Lord is life, he'll raise My dust_

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PEWSEY. 6 $ 7. M Dr. Madan." 197

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Thou, Jesus, art our King ! Thy ceaseless praise we sing ; Praise shall our glad tongue employ, Praise o'cr-

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198Tempo di Marcia.

MARGATE. 7^6. S C. Lockhart.

Air.

O Lord, how great's the favour, That we such sinners poor, Can thro' thy blood's sweet savour Approach thy mercy's door.

Pia. For.

And find an open passage Unto the throne of grace ; There wait the welcome message That bids us go in peace.

32 Lord, we arc helpless creatures,

Full of tlie deepest need

;

Throughout defii'd by nature,

Stupdi, and inly dead.

Our strength is perfect weakness.And all we have is sin

;

Our hearts are all uncleanness,

A den of thieves within.

3 In this forlorn condition,

Who shall afford us aid ?

Where shall we find compassionBut in the church's Head i

Jesus, thou art all pity !

O take us to thine arms,

And exercise thy mercy,To save us from all harms.

KEW. C. P. M. £ Dr. Randall. 199

Am.

The joyful morn, my God, is come, That calls me to thy * honour'd dome, Thy presence to adore

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My feet the summons snail attend, With willing steps thy coerts ascend, And tread the hallow'd floor.

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Soon as the morn salutes your eyes, And from sweet sleep refresh'd you rise, Think on the Author cf the light,

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Brings health of body, peace oi mind.

M;.ke not, at night, the least repose,

'Ere you to Heav'n your S'.ml disclose

;

Consider how you've spent the day,

And for divine protection pray:

For you no blessing can expect,

If you to ask it should neglect.

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SSIHosanna to the Prince of light, Who cloth'd himself in clay : Enter'd the iron gates of death, And tore the bars away.

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Repeat Forte.

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feSsE^^Death is no more the king of dread, Since our Immanuel rose ; He took the tyrant's sting away, And spoil'd our hellish foes.

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203 OLD 148th. H. M. z 6. Kirby.

Am. With heav'n, and earth, and seas, To your Creator's praise. Of Angels bright,

Ve tribes of Adam join And offer notes divine, Ye holy throng In worlds of light: Begin the song.

FLINTSHIRE. S. M. i

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My Saviour and my King, Thy beauties are divine; Thy lips with blessings overflow, And ev' - - ry grace is thine.

UXBRIDGE. L. M. *

Air

Dr. Ante,

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201

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How sweetly, along the gay mead, The daisies and cowslips are seen! The flocks as tliey carelessly feed, Rejoice in the beautiful green.

The vines that encircle the bow'rs, The herbage that springs from the sod, Trees, plants, cooling fruits, and sweet flow'rs, All rise to the praise of my God.

204« FOUNTAIN. L. M. x Leach.

Air.

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Shall I forsake that heav'nly Friend, On whom my noblest hopes depend ? Forbid it, that my wand'ring heart From thee, my Saviour, should depart.

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St. JAMES'. C. M. Km

R. Courteville.

Air.

Mistaken souls! that dream of heav'n, And make their empty boast Of inward joys, and sins forgiv'n, While they are slaves to lust.

Bepeat Pia. For.DOXOLOGY. G. M. 1 T. William? Coll. 205

glg^llAir. Be glory ever-

To Father, Sen, and Holy Gho3t, One God whom we adore

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Be glory as it was, is now, And shall be evcr-

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as it was, is now, And shall be evermore.

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206Texor.

HYMN FIRST. C. M. 1 @ostelloxv>

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When rising from the bed of death, O'erwhelm'd with guilt and fear, I see my Maker face to face, O how shall I appear.

I

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If yet while pardon may be found, And mercy may be sought, My heart with inward horror shrinks, And trembles at the thought.

Tenor.HYMN SECONB. G. M. * J. Pleyel. *07

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While thee I seek, protecting pow'r, Be ray vain wishes still'd ; And may this consecrated hour With bet - ter hopes b<. fill'd.

Pla. For.

Thy love the pow'r of tho'l bestow'd, To thee my tho'ts would soar, Thy mercy o'er my life has fiow'd, That mer - cy I adore.

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208 HYMN THIRD. L. M. z G. F. Handel.Pi*.

Air.

The spacious firmament on high, With all the blue etherial sky, And spangled heav'ns, a shining- frame, Their great orig - in - al proclaim.

For.

ZEZl mTh* unwearied sun from day to day Does his Cre - a - tor's pow'r display, And publishes to ev'ry land The work of an almighty hand.

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SOUTHAMPTON. L. M.Pia.

I. Smith. %Q%For.

Air.

Pia.

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Give t» our God im - mortal praise ' Mercy and truth are all his ways ; Wonders of grace to God belong1

, Repeat his mer-

For. Pta. For.

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cies in your song, Repeat his mercies in your song-.' Give to the Lord of lords renown, The King of kinjs with

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SOUTHAMPTON continued.

For. Pia. For.

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glo - ly crown. His mercies ever shall endure, When lords and kings are known no more, When lords and kings are known bo more.

Har. Sacra.CANTERBURY. C. M. m-**-

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Air. Wliy do we mourn departing friends,. Or shake at death's alarms ? 'Tis but the voice that Jesus sends, To call them to his arms

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NINETY-EIGHTH PSALM TUNE. C. M. S /for. Sacra. §i±

Air

Begin the high eeleslial strain, My ravish'd soul, and sing A solemn hymn of grateful praise To heav'n's Almighty King.

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Ye circling fountains, as ye roll Your silver waves along, Whisper to all your verdant shores The subject of my song.

§13 SILVER STREET. S. M. z J. Smith.

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Come, sound his praise abroad, And hymns of glory sing ;Jehovah is the sov'reign God, The u - niversal King.

CHORUS.Pla. For. Pia. For. Allegro. Adagio.

Praise ye the Lord, Hallelujah, Praise ye the Lord, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Praise ye the Lord.

PECKHAM. S. M. £

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I. Smith. 213

Air.

The Lord declares his will, And keeps the world in awe ; Amidst the smoke on Sinai's hill, Breaks our his fiery law.

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My shepherd will supply my need, Jehovah is his name ; In pastures fresh he makes me feed, Beside the living stream.

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*!4 SHAFTESBURY. H. M. kPia.

Bi\ Burney.

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Rejoice, the Lord is King; Your Lord and King adore: Mortals, give thanks and sing, ' And triuniph

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evermore: Lift up your hearts, Lift tip your yoice ; Rejoice, again I say, rejoice,

Air.

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EVENING PSALM. C. M. J. W. Callcott. 215

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Lord, thou wilt hear me, when I pray ; I am for - ever thine ; I fear before thee all the day, Nor would I dare to sin.

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A.nd while I rest my weary head, From cares and bus'ness free, 'Tis sweet conversing on my bed With my own heart and thee.

28 " "~~*~~

S16 Andante. TORBAY. G. M. s Br. Madan.

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Out of the depth of self-despair Help us, O Lord, to cry; Our mis'ry mark, attend our pray'r, And bring salvation nigh, And bring salvatjon nigh.

tP-~t—\—\~t—ffli^SBSH^SRONDEAU.

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FINE* Sweet is, &c,

I

Sweet is, &«.

jF. Giardini.

Sweet is the mem'ry of thy grace ; My God, my heav'nly King ! Let age to age thy righteousness In songs of glo - ry sing.

2 God reigns on high but not confines 3 "With longing eyes thy creatures -wait

His goodness to the skies : On thee, for daily food ;

Sweet is the mem'ry ofthy grace

!

Sweet is the mem'ry of thy grace !

Through the whole earth his goodness shines, Thy lib'ral hand provides them meat,

And ev'ry want supplies! . . And fills thair mouths with good.

Sweet is the mem'ry of thy grace ! Sweet is the mem'ry 'sf thy %raee !

4 How kind are thy compassions, Lord

!

How slow thine anger moves !

Sweet is the mem'ry of thy grace !

But soon lie sends his pard'ning word,To cheer the soul he loves

Sweet is the mem'ry of thy grace ;

5 Creatures, with all their endless race,

Thy pow'r and praise proclaim :

Sweet is the mem'ry ofthy grace !

May w e who taste thy richer grace,

Delight to bless thy name.Sweet is the mem'ry of thy grace !

MORDEN. L. P. M. l Di\ Madan.

Andante-

317

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Jesus, we hangup - on the word Our faithful souls have heard of thee; Be mindful of thy promise, Lord,

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Thy promise made to all, and me, .Thy foll'wers, who thy steps pursue, And dare believe that God is true.

218 STEPNEY. S. M. 2 JR. Taylor.

Air Symi-

Haik ; hark, how the watchmen cry ! Attend the trumpet's sound ; Stand to your arms, the foe is nigh, The pow'rs af hell surround. Sym.

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The day of battle is at hand, The day of battle is at hand, Go forth, go forth to ylor'ous

Who bow to Christ's command, Your arms and hearts prepare

;

The day of battle is at hand, The day of battle is at hand, Go forth toglor'ous

Your arms and hearts prepare; The day of bsttle is at hand, The day of buttle is at hand. Go forth, go fort!) to g-'.or'otis

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Sym.219

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war, Go forth to glor'ous war.

Con Spirito.

DEVIZES. C. M. sPifl.

Cuzzens.For.

/->. s~\^^gp^^pll^^^^iAib. Behold the glories of the Lamb, Amid his Father's throne, Prepare new honours for his name And songs before unknown, And sorijfs before unknown.

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220 CORSICA. L. M.Moderalo t Masloso.

&. F. Handel.

Air.

IiiiSlSllgPiSPi^^l;

Loud hallelujahs to the Lord, From distant worlds where creatures dwell ! Let heav'n begin the solemn word, And sound it

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dreadful down to hell, Let heav'n begin the solemn word, And sound it dreadful down to hell. The Lord, how abs©-

CORSICA continued. 221Vivace.

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lute he reigns; Let ev'ry angel bend the knee ! Sing of his love in heav'nly strains, And speak how fierce his terrors be. High on a.

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throne his glories dwell, An awful throne of shining bliss : Fly thro' the world, O sun, and tell How dark thybeams compur'd to his..

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222 PLAYFORD. S. M. h Hav. Sacra.

Air. ^^^

C< me ye, that love the Lord) And let your joys be known, Join in a song with sweet accord, While ye, while ye surround his throne.

A HYMN roR EASTER DAY. 7's. * H. Carey.

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Air. Christ, the Lord, is ris'n to day, Hal - - le - - lujah, Our triumphant holy day, Hal - - le - - lujah.

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HYMN for EASTER DAY continued,

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Who so lately on the cross,

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le lujah, Sufi'er'd to redeem our loss, Hal - le - lujah.

2 Hymns of praises let lis sing-, Hallelujah.

Unto Christ, eur heav'nly King-, Hallelujah.

Who endur'd the cross and grave, Hallelujah.

Sinners to redeem and save, Hallelujah.

3 But the pains which lie endur'd, Hallemjah.Our salvation has procur'd. Hallelujah.Now he reigns above tkeskyj Hallelujah.

Where the angels ever cry, Hallelujah.

Animato. EVENING HYMN. L. M. *

4-*"f3ET 5251

liilraSiiiisiiPPliElililiiiliiPgiiaMy God, permit me not to be A stranger to myself and t&ee, Amid ten thousand thoughts I rove, Forgetful of my highest love.

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£24 HYMN SIXTH. 7's. h for the epiphaky. Har. Sacra.

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Sons ef men, behold from far, Hail the long expected Star j Jacob's Star, that gilds the night, Guides bewilder'd nature

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righWFear not hence that ill should flow, Wars or pestilence below : Wars it bids and tumults cease, Ush'ring in the Prince of Peace.

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2 Jlild he shines on all beneath, Nations all, far off and near,Piercing through the shades of death, Haste, to sea your God appear

!

Scatt'ring error's w ide-spread night, Haste, for him your hearts prepare,Kindling darkness into light, Meet him -manifested there.

3 There behold the Day-spring rise,

Pouring eye-sight on your eyes

;

God in his own light surrey,Shining to the perfect day.

Sing, ye morning stars, again,

God descends, on earth to reign ;

Deigns for man his life t' employ ;.

Shout, ye sons of God, for joy.

Grave.

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We bless, &c.

LONBONDERRY. L. M. S

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Who fills, Sec.

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Batlishill. 225

Who pours, &c. _ And loads, &o

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We bless the Lord, the jast and good, Who fills our hearts with joy and food ! Who pours his blessings from the skies, And loads our days -with rich supplies.

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St. SIMON'S. S. M. s

Ami loads, See.

A. Williams' Coll.

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Air. Where shall the man be found, That fears t'offend his God ; That loves the gospel's joyful sound, And trembles at his rod.

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226 HAMILTON. L. M. I

Air.

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Lord, I will bless thee all my days, Thy praise shall dwell up - on my tongue

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My soul shall glory in thy grace, While saints rejoice to hear the song, While saints rejoice to hear th» song.

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XETER. L. P. M. x Lock Hospital Coll. 227

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Ye saints and servants of the Lord, The triumphs of his (same record, His sacred name forever bless $• Where'er the circling

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sun displays His rising beams or setting rays, Due praise to his great name address.

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§28 St. BRIDGE'S.Adagio piano e con Lamento.

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Br. Horvard.

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From lowest depths of woe, To God I send my cry ; Lord, hear my supplicating

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voice, And graciously reply.

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POOL. L. M. iz /far. Sacra.

Air.

52r

What equal honours shall we bring- To Thee, O Lord, our God, the Lamb ? Since all the notes, that angels sing-, Are far in - ferior to thy name.

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Har. Sacra.BUILTH. 6^9. S 229

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Come, let us attend, My companion and friend, To a taste of the banquet above; If thy heart be as mine, If for Jesus it pine, Come up

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in - to the chariot of love. If thy heart be as mine, If for Jesus it pine, Come up into the chariot of love ; Come up in - to the chariot of love.

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2 Who in Jesus confide,

We are bold to outride

The storms of affliction beneath ;

With the prophet we soar

To that heavenly shore,

And outfiv all the arrows of deatfe.

5 By faith we are comeTo our permanent home,

By hope we the rapture improve;

By love we still rise,

And look down on the skies

;

Eer the heaven ef heavens is love.

S3t St. GEORGE'S. C. Har. Sacra.

The glorious armies of the sky To Thee, O mighty King, Tri - umphant an - - thems

con - - se - - orate, And Hal - ie - lu - jahs sing. But still their most ex - altcd flights

Fall vastly short, of Thee ; How distant then mast human praise From thy perfections be

!

By T. Purday. 231Pomposo. ANTHEM. HYMN 77, B. 2. Watts.

Stand up, my soul, shake off thy fears, And gird the gospel armour on, March to the gates of endless joy, March to the gates of endless joy,

Air.

Stand up, my soul, shake off thy fears, And gird the gospel armour on, March to the gates of endless joy, March to the gates of endless joy,

S-*-7T-F-b-g-r"-EE*!J zp&m -*• —»i.

Where thy great Captain Saviour's gone. Hell and thy sins re- - - - sist thy course ; But hell and sin are vanquish'd foes; Thy Je - sus nail'd the

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Where thy great Captain Saviour's gone. Hell and thy sins re- - - - sist thy course ; But hell and sin ore vanquish'd foes ; Thy Je - sus nail'd them

ass

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ANTHEM continued. Solemn.

to his cross, Aad sung- the triumph, sun the triumph, sung the triumph when he rose. What tho' the prince of

;. What tho' the prince of

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mph, sump^ the triumph, sung the triumph when he rto his cross, And sung the trium

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darkness rage, And waste the fury, the fury of his spite i Eternal chains confine him down, To

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And waste the Jury, the fury trf his spit Eternal chains confine him down, Te

Andante. ANTHEM continued. Tivace. £33

fiery deeps and endless night, To fiery deeps and endless night. Tlle/i let my soul march boldly on, Press forward to the heav'nly gate

;

fiery deeps and endless night, To fiery deeps and endless night. Then let my soul march boldly on, Press forward to the heav'nly gate ;

There peace and joy e- - ternal reign, And glitt'ring robes for conq'rors wait, glitt'ring robes for conq'rors wait, And glitt'ring robes for

—* J

There peace" and joy e- - ternal reign, And glitt'ring robes for conq'rors wait, glitt'ring robes for conq'rors wait, And glitt'ring robes fur

234 Moderato Piano. Crescendo. Forte.ANTHEM continued.

conq'rors wait. There shall I wear a starry crown. And triumph in almigh- - ty grace, triumph, triumph, triumph in almighty grace,

conq'rors wuit. There shall 1 wear a starry crown, And triumph in almigh- - ty grace, triumph, triumph, triumph, triumph, triumph in almighty grace,

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triumph, triuhiph, triumph in almighty grace, Triumph, triumph, triumph in almighty grace j Wh.le ail the armies of the skies, While all the armies

v88

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t. u uph, triumph, triumph in almighty grace, Triumph, triumph, triumph in almighty grace ; While all the armies of the skies, While all the armies

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ANTHEM continued. A dag ie. 235

ftf thp cTcips. Join in mv crlnrinns leader's nr.lisp. .Thin in mv frlnrinns IpanVr'.-! nrais?. Jnin in mv trlnfinn- l^.-Tf^-' s praise Join in my E?I6rioUS leader's praise.of the skies, Join in my glorious leader's praise, Join in my glorious leader's praise, Join in my gloriovu leader's praise, Join in my glorio'.-.s leader's praise.

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of the skies, Join in my glorious leader's praise, Join in my glorious leader's praise, Join in my glorious leader's praise, Join in my glorious leader's praise.

ANGELS' HYMN. L. M. x TV. Tansur.

Am. H :jrh in the heav'ns, eternal God, Thy goodness in full glory shines ; Thy truth shall break thro' evVy cloudy Th.it wils and darkens thy designs.

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536 DENMARK. L. M. sAndante. 3Taslo3o.

--8S

Di\ Madan.

awful throne, Ye nations bow with sacred joy ; Know that the Lord is God alone ; He can create, nd he destroy,.Air. Before Jehovah's

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Before Jehovah's awful throne, Ye nations bow with sacred joy ; Know that the Lord is God alone ; He can create, and he destroy,

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He can create, and he destroy. His sov'reign pow'r without our lid Made us ofclay, and form'd us men : And when like wand'ring sheep we

asaae?;He can create, and lie destroy. His sov'reign pow'r without our aid Made us of clay, and form'd us men : And when like wand'ring sheep we

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DENMARK continued.

For.237

Fia.

strand, He brought us to His fold again, He brought us . to his fold again. We'll erow'd thy gates with thankful songs, High as the heav'ns our

stray'd, He brought us to His fold again, He brought us to his fold again. We'll crow'd thy gates with thankful songs, High as the heav'ns our

For. Pia. For. Pia. For.

voices_raise ; And earth, and earth with her ten thousand, thousand tongues, Shall fill thy courts with sounding praise, Shill £11 thy courts v.ith sounding praise,

voices raise ; And earth, and earth with her ten thousand, thousand tongues, Shall fill thy courts with sounding praise, Shall fill thy courts with sounding praise,

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338 DENMARK continued.

?hall fill, shall fill thy courts with sounding' praise. Wide, wide as the world is thy command ; Vast as eternity, eternity, thy love ; Firm as a rock thy

tr I »

Shall fill, shall fill thy courts with sounding praise. Wide, wide as the world is thy «ommand ; Vast as eternity, eternity, thy love j Firm as a rock thy

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truth must stand, When rolling y ars shall cease to move, shall cease to move, When rolling years shall cease to move, When rolling years shall cease to move.

irtruth must stand, When rolling years shall cease to move, shall cease to move, When rolling years shall cease to move, When rolling years shall cease to move.

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AMSTERDAM. 7 § 6. « Har. Sacra, S3 9

Air. Rise, my soul, and stretch thy wings, Thy better portion trace ; Rise from transitory things, Tow'rds heav'n, thy native place.

Sun, and moon, and stars decay, Time shall soon this earth remove ; Rise, my soul, and haste away To seats prepar'd above.

31

240 EASTER. L. M. Dr. Madan.Andante e Affettuoso.

:z:fc::E:Hp!He dies! the friend of sinners dies! Lo, Salem's daughters weep around! A solemn darkness veil's the skies, A sudden

He dies ! the friend of sinners dies ! Lo, Salem's daughters weep around ! A solemn darkness veil's the skies, A sudden

Pia. For. Pia. For.

fc=P=ft=l

trembling shakes the ground.

--38

Come, saimts, and drop a tear or two For him who groan'd beneath your load; He shed a thousand drops

^glifelSiilpPlpSlseB^illP^trembling shakes the ground. Come, saints, and drop a tear or two For him who groan'd beneath your load ; He shed a thousand drops

EASTER continued. 241Pia. «, Affettuoso.

for you, A thousand drops of richer blood. Here's love and grief beyond degree ! The Lord of glory dies for men '

for you, A thousand drops of richer blood. Here's love and grief beyond degree ! The Lord of glory dies for miai !

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Bu lo, what sudden joys we see, Jesus the dead revives again ! The rising- Gcd forsakes the tomb ; In vain the tomb for-

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But lo, what sudden joys we see, Jesus the dead revives again! The rising God forsakes the tomb ; In vain tiie tomb for-

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342 EASTER continued.

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bids his rise: Cherubic legions gaard him home, And shout him welcome to the skies. Brest off your tears, ye saints, and tetl

bidj his rise: Cherubic legions guard him home, And skout him welcome to the skies. Bieak off your tears, ye saints, and tell

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How high our great D^lir'rer reigns; Sing how lie spoil'd the host of hell, And led the monster, Death, in chains!

How high our great Deliv'rer reigns

;

Sing how he spoil'd the host of hell, And led the monster, Death, in ahalns !

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EASTER eentinued. 843Pia.

Say, live for - ever, wond'rous King1

! Born to redeem, and strong to save ; .Then ask the monster,

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Say, )ive for - ever, wond'rous King ! Bom to rsdeem, and strong to save ; Then ask the monster,

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Fortissimo.

where's thy sting. ? And where's thy victory, boasting gr.iv* ? And where's thy victory, boasting grave ?

IT

where's thy sting ? And Where's thy victory, boosting grave ? And where's thy victory, bo.istii grave !

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244 BATH. L. M. Dr. Madan.Affettuoso.

A in. Deal' Objeet of our strong desire, How long protracted is thy day, When bursting forth in vivid fire, Thy trembling glories tlioul't displavl

Doer Object of our strong desire, How long protracted is thy day, When bursting forth in vivid fire, Thy trembling glories tlioul't display.

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With vanOus ills eneompass'd round, Maintaining still dis - puted ground,

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a silent maid, By hope in azure robe array'd.

With various ills encompass'd round. Maintaining still dis - puted. ground, Lo, p*tience waits! a silent maid, By hope in azure robe arrayM.

BATH continued.

• 'It III WW 9~\She waits

;for sure not distant far The day that all our mis'ry heals j Methinks I hear thy rattling car, The thunder ofthy burning wheels ! The trumpet sounds the c

245

—~—1—T 1*—

I

IPtili.•umpet sounds, the dead arise, the dead arise !

a* SigSliisi^iiliig§J-ltB- "<* _

She waits;for sure not distant far The day that all our mie'ry heals ; Methinks I hear thy rattling car, The thunder ofthy burning wheels ! The t,

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ruinpet sounds, the dead arise, the dead arise !

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Jesus triumphant through the skies Descends, his kingdom to maintain, And pour the gl

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zrzzjr^smmmmms&^m^m^ms^mus triumphant through^ the skies Descends, his kingdom to maintain, And pour the glorie. of his reign, And pour the glories of his reign.

S46 OUNDELL, L. M. * Har. Sacra,

Air.

Happy soul, thy days are eniedj All thy returning days below ; Go, by angel guards attended,

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i To the sight of Jesus go- Hal - le - lujdh, Hal - le - lujah, Hal - lc - tujah, Hal - le - lujah, Amen.

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Pia e Andante.

Br. Maclan, 247WORCESTER. 8's $ 7's.

In this world ef sin and sorrow, Compass'd round with many a care; From e - - terni - - ty we borrow Hope, that can ex-

In this world of sin and sorrow, Compass'd round with many a care; From c - - terni - - ty we borrow Hope, that can cx-

Vivace.

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elude despair

;

Thee, triumphant God and Saviour, In the glass of faith I see ; O assist each faint en-

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elude despair Thee, triumphant God and Saviour, tn the glass of faith 1 see ; O ass :

st each faint en-

248Andante.

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WORCESTER continued.

Sym. Pia. For.

deavour, Raise our earth born souls to thee. place that awful

iMlSii^igiiiiSiiS^PiiiiSdeavour, Raise our earth born souls to thee. Place that awful

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scene before us Of the last tremendous day, When to life thou wilt restore us; Ling'ring ag - es haste a-

scene before us Of the last tremendous day, When to life thou wilt restore us ; > Ling'ring ag - es haste a-

WORCESTER continued.

For. Pia. For.

249Pia. For. Pia. For. Vivace.

way, haste a - - way, haste, haste, haste a - way ; Then this vile and sinful nature Incorrup 'ion shall put

way, haste a - - way, haste, haste, haste a -way; Then this vile and sinful nature Incorruption shall put

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Sym.

on ; Life renewing, glorious Saviour, Let thy glorious will be done, Let thy glorious will be done.

^^H^^^^y^S^^^^^^^^^S^^^^SIglon ; Life renewing, glorious Saviour, Let thy glorious will be done, Let thy glorious will he done.

:*::1:33:11i8

350 Adagio Mcestoso. CAMBRIDGE. C. M- F. Giardini.

Air. ff>_ _^_ Vi _ _t _.

. <_ _ .,__,_ _ •"•—•

Father, Father, how wide thy glory shines ! how high thy wonders rise ! Known thro' the earth by thousand signs, By thousand

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thro! the skies. Those mighty orbs proclaim thy pow'r, Those motions speak thy skill ; And on the wings of ev'rv hour We read thy patience still.

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CAMBRIDGE continued. 251Andante Grasiese.

, Ci._ d_ ^m-~^ - - O. ^©--^"

But when we view thy great design, To sare rebellious worms, Where vengeance ond com - pas r tier, join, In their di - - vin - est forms;

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Here the wjjale

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whole d< . is known j Nor dares ihe creature guess VVhich of the glories brightest shone, The justice or the grace.

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i

252i. Siciliano Andante

CAMBRIDGE continued.

Now the full glories of the Lamb Adorn the heav'nly plains ; Bright seraph's learn Immaouel's name, And try their choicest stra.ns. O may J

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Tasto SoloRepeat For.

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bear some humble part, In that immortal song

;

Wonder and joy shall time my hewt. And love command my tongue.

LITTLE CHESHUNT. L. M. With two 7's.

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Har. Sacra. 253-

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* --jWhile o'er th^ mountain tops he bounds; Jle flies exulting o'e

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Am, The voice of my beloved sounds, While o'er th^ mountain tops he bounds; He flies exulting o'er the hills, And

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all my soul with transport fill's. The voice of my beloved sounds, While o'er the mountain tops he bounds; llefles exulting,—rw^T^ 1»«._ tiPsm*-*- ~kx~3m~~3il?:*fff!ir ffrp;rTrg_::r.nTrlqT.~inr"!5;l

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LITTLE CHESHUNT continued.

^-SSP^i5?=3^S3^^Ss^^^^^^^^^^pSra1^^^^^=^^^^^^^o'er llie hills, And all my soul with transport fills. He flies exulting- the hills, And all my soul with

E3=Efc?3M tzSaiz«:_

transport fills. Gently doth he chide my stay : Rise, my soul, and corse away,

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LITTLE CHESHUNT mitimml

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- me a - - way. Gently doth he chide my stay-, R;se, my love, and come away.

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LUDHAM. L. M. m Har. Sacra.

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Jcsas, 4hou ev - er - lasting King, Accept the

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tribute, which vc bring ; Accept thy well ckscrv'd renown3 And wear our praises, «s iUj crows.

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256 CHESHUNT. L. M. Br. Arnold.

Am. Our Lord is risen from the dead, Our Jesus is gone up on high ; The pow'rs of hell are captive led, Dragg'd to the portals ,

;

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Our Lord is risen from the dead, Our Jesus' is gone up on high ; The povr'rs of heft are captive led, Dragg'd to the pcrtals

of the sky, The pow'rs of hell are captive led, Dragg'd to the portals of the sky, Dragg'd to the portals of the sky."

of the sky, The pow'rs of hell arc captive led, Dr«.gg'd to the portals of the sky, Dragg'd to the portals o the sky.

3E

Sum.

GHESHUNT otmtiuued.

Tuttiforle.

loj

There his triumphal chariot waits, And angels chant the solemn lay,

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There his triumphal chariot waits, And angels chant the solemn lay,

Lift up your heads, ye heav'nly gates ! Ye ev - er - last - ing doors, give way ! Lift up your heads, ye

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Lift up your heads, ye heav'nly gates ! Ye er - er - last - ing doors, give way ! Lift up your heads, ye

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CHESHUNT G07rihmed,

Sym.

lieav'nly gates ! Ye ev - crlasting doors, give way !

hcav'nly gates ! Ye ev - erlasling doors, give way !

SOLO.

-ft

Loose your bars of massy light, And wide unlold th* ethereal scene ; He claims these mansions as his right; Receive the

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King of glory in ! He claims these mansions as his right ; Receive the King of glory in ! Receive the King »f glory m !

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GHESHUNT continued. 259

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39Loose yevir bars of massy light, And wide unfold th' ethereal scene ; He

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claims these mansions as his right ; Receive the King of glory in ! He claims these mansions as his

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right, Receive the King of gi^ry in ! Receive the King of glory in I

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§60 CHESHUNT continued.

,. Tulli Forte.

Who is the King of glory ? Who ? Who ? Who is the King of glory ? Who ? The Lord, that all his foes o'ercame, The world, sin,

Who is the King of glory ? Who ? Who ? Who is the King of glory ? Who ? The Lord, that all his foes o'ercame, The world, sin,

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death, and hell o'erthrew ; And Jesus is the Conqu'ror's name, And Jesus is the Conqu'ror's name, And Jesus is the

death, and hel! o'erthrew ; And Jesus is the Conqu'ror's name, And Jesus is the Conqu'ror's name, And Jesus is th<

t

CHESHUNT continued.

Si/m.261

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Conqu'ror's name Lo ; his triumphal chariot waits, And angels chant the solemn 1ay,

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Conqu'ror's name. Lo ! his triumphal chariot waits, And angels chant the solemn lay,

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Lift up your heads, ye heav'nly gates ! Ye eT - erlasling floors, give way ! Lift up your heads, ye heav'my gates ! Ye

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363

I

©HESHUNT continued.

er - cr - lasting doorg, give way? Who is the King of glory? Who? Who?

ev - er - lasting doors, give way? Who is the King of glory? Who ? Who ?

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Who ? Who is the King of glory ? Who ? The Lord of glorious pow'r posscss'd, The King of

Who ? Who is the King of glory ? Who ? The Lord of glorious pow'r possess'd, The King of

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CHESHUNT continued. 36

g

saints, and angels too, God over all, for - ever blest, God o - ver all, for - ev - - er

saints, and angels too, God over all, for - ever blest, God o - ver all, for - er - - er

blest, God over all, for - ev - er blest, God over all, forev - er blest, forev - er blest.

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blest, God over all, for - ev - er blest, God ovei" all, forev - er blest, forev - er blest.

264 THE DYING CHRISTIAN., Largo. Mes. Pia

RippoiVs Coll,

Air. Vital spark of heav'nly flame, Quit, quit this mortal frame, Tremb'ling, hoping, ling'ring, flying, O the pain, the bliss of dying,

Vital spark of heav'nly flame, Quit, O qnit this mortal frame, Tremb'ling, hoping, ling'ring, flying, O the pain, the bliss of dying,

r.-- .___-»-•.

Affettuoso.

Cease, fond nature, cease thy strife, And let me languish into life. Ha»k, Hark, they whisper, angels

Cease, fond nature, cease thy strife, And let me languish into life. Hark, they whisper, angels say, they whisper, angels

THE DYING CHRISTIAN continued.

For. Pia.

2Q5For.

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sa)', they whisper, angels say, Hark, they whisper, angels say, Sister spirit come away, Sister spirit come away.

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say,

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Hark, Hark, they whisper, angels say, Sister spirit come away, Sister spirit come away.

»

Hark, they whisper, Angels say,

Pia. Cres. ^ Pia. Cres.

"What is this absorbs me quite, Steals my senses, shuts my sight, Drowns my spirit, draws my breath, Tell me 7ny soul, cr.n this be

What is this absorbs me quite, Steals my senses, shuts my sight, Drowns my spirit, draws my breath, Tell me my soul, can. this be

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For.

THE DYING CHRISTIAN eontinued.

Pia. Pia. Andante. Cres. For. Dim. Cres.

death ? Tell me, my soul, can this be death ? The world recedes, it disappear, Heav'n opens on my eyes, My ears with sounds ser - a - phlc ring.

death ? Tell me, my soul, can this be death ? The world recedes, it disappears, Heav'n opens on my eyes, My ears with sounds ser - a - phic ring1

.

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Vivace For.

I>?i:d, lend your wings, I mount, 1 fly, O grave where is thy victory ? O grave where is thy victory ? death, where is thy sting, O grave where is thy

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J^er.d, lend your wings, I mount, I fly, O grave where is thy tictory ? O grave where is thy victory ? death, where is thy sting, O gTave where is thy

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THE DYING CHRISTIAN mntinuei. 26?

Pia.

victory, O death, where is thy sting ? Lend, lend your "wings, I mount, I fly, O grave where is thy victory ? thy victory t O grave where is thy victory ? thy victory ? Q

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victory, O death, where is thy sting ? Lend, lend your wings, I mount, I fly, grave where is thy victory ? thy victory ? O grave where is thy victory ? thy victory ? O

Adagio.

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death where is thy sting ? O death where is thy 6ting ,? Lend, tend your wings, I mount, I fly, O grave where is thy victory ? thy victory r O death, OcUath where is thy sting ?

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death where is thy sting ? O death where is thy sting? Lend, lend year wings, I mount, I fly, O grave where is thy vietory ? thy victory ? O death, O death where is tky sting r

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368

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ANTHEM. Psalm cxvii. A. Williams.—Chorus by Dr. Miller.SpiritoSo. Larghetto e Affettuosi.t

O praise the Lord, all ye heathen, praise the Lord, all ye nations, praise him, praise him, praise him, all ye people ; For his merciful

O praise the Lord, all je heathen, praise the Lord, all ye nations, praise him, praise him, praise him, all ye people » For his merciful

.-"SI «.-.

kindness is ever - more, and more toward us, And the truth of the Lord endureth forever, And.the truth of the Lord endureth forever.

kindness is ever - more, and more toward us, And the truth of the Lord endureth forever, And the truth of the Lord endureth forever.

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ANTHEM continued.

CHORUS. Con Spirito.

269

iillllihallelujah, hallelujah, hallelujah, hallelujah, forever and ever, forever and

Forever hallelujah, and ever hallelujah, Forever hallelujah, and ever hallelujah, forever and ever, forever and

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ever, forever and ever, forever and ever, hallelujah, hallelujah, forever and ever, for-

ever, forever and ever, forever and ever, forever hallelujah, and ever hallelujah, forever and ever, for-

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279 ANTHEM continued.

mmsmmmmmmmmMmmwmiever and ever, hulls - - lujah, halle - lujah, halle - lujah, halle - - lujah, halle - lujah, halle-

:1

ever and ever, for - • ever, halle - - lujah, and ever, halle - lujah, halle - lujah, halle - - lujah, halle - lujah, halle-

\-pr-Adagio.

lujah, halle - - lujah, halle - - lujah, halle - - lujah, halle - - lujah, A -

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A - - - men, men.

lujah, halle - - lujah, halle - - lujah, halle - * lujah, halle - - lujah, A - men.

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ANTHEM. Revelations xiv. By J. Waters. 87*

I heard a vo":ce from heav'n, I heard a voice from he:

I heard a voice from he.iv'n, I heard a voice from heav'n, saying unto me, saying unto me* write, write, write from henceforth, write from henceforth,

blessed are the dead, which die in the Lord. Even so, even so, saith the spirit, for Uiey rest, for they rest, for they rest

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blessed are the dead,I I „ „

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wh'.cli die in the Lord. Even so, even so, saith, the spirit, for they rc^t, for they rest, for they rc:;t

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27S ANTHEM continued.

from their labours, from their labours, from their labours, from their labours, and their works do follow them, their works do fol - low them.

from their labours, from their labours, from their labours, from their labours, ar.d their works do follow them, their works do fol - low them.

X^-K • P Pt 7Z W

Glory be to the Father and to the Son and to the Holy Ghost, and to the Holy, Holy Ghost. As it was in the beginning,

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Glory be to the Father and to the Son and to the Holy Ghost, and to the Holy, Holy Ghost. As it was in the beginning,

ANTHEM continued. »73m n\

is now and ever shall be, world without end, world without end, world without end, world without end. HaNelujah, Amen, Amen.

is now and ever shall be, world without end, world without end, world without end, world without end. Hallelujah, Amen, Amen.

FAREHAM. C. M. h

Air.

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Author of good ! to thee I turn ; Thy ever watchful eye Alone, can all my wants discern, Thy har.d alone supply.

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S74 ANTHEM. Luke xix. By Clark § Green.

Tell ye the Daughters of Jerusalem, bcl"Tell ye the Daughters of Jerusalem, behold the King1 cometh meekly,

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—tf-h-Tell ye the Daughters of Jerasa ...... lem, behold the King- cometh meekly,

Even at the descent of the mount of Ol - ives, Even at the descent of the mount of 01 - ives.

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TIili! the whole multitude be - gun to rejoice and Jjraise God with loud voices For all the

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ANTHEM continued. 57 a

reigh ty works, for all the mighty, mighty, mighty works, they had seen, saying, Blessed is he that com-

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eth in the name of the Lord, Hosannah, Hosannah, thou King of glory, thou King of glory, peace, peace in heav'n,

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276 ANTHEM continued.

For.

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:lujah, hallelujah, hal - le - lu - jah, Amen.Glo - ry, glo - vj, glory in the highest ; hallelujah, hallelujah, hal - le - lu - jah, Amen

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hallc - lujah, halle - Jujah A -------------------- men, Amen.

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HERALD ANGELS. 7's. Dr. Arnold. 277

'^^M^WMIMMM^^^^^^^^^^^^^MAir. Hark ! the herald angels sing-, Glory to the new-born King,

Hark! the herald angels sing, Glory to the new-born King, Peace on earth and mercy mild,

God and sinners reconcil'd,

God and sinners reconcil'd Join the triumph of the skies, Christ is born at Bethlehem. Hark ! the herald

Joyful all ye nations risej With the angelic host proclaim, Hark ! the herald angels-sing,

1878

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HERALD ANGELS continued.

Fin is.

^^^^^^^&t!^^^^^^^^^=^^^^^^^^^^Angels sing, Glory to the new-born King,

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Glory to the new-born King. Christ by highest heav'n ador'd,

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Christ by highest heav'n aclor'd, Christ the everlasting Lord,"

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Late in time behold him come, Offspring of a virgin's womb, Kail, hail th' incarnate

Christ the everlasl-fis Lord. Offspring of a virgin's womb, Veil'd in flesh, the Godhead sec,

HERALD ANGELS continued. B. S.

From t/ie repea tnf.nis.

279

<T\

'^mMM&l^WMM^^i^^lMMMmWMM¥M'iDeity, Hail til' incarnate Deity. Jesus our Immanuel here, Jesus our Immanuel here, our Immanuel here, our lnmanuel here.

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i;leas'd as man with man appear, Jesus our Immanuel here,

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DUNCHURCH. C. M. I W. Tansur.

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Air. Long as I live I'll bless thy name, My King, my God of love ; My work and joy shall be the same In the bright world above.

280 AMESBURY. Dr. Arnold.

s^^piCome, let us anew our journey pursue, Eoll round with the year. Roll round with the year, And never stand still Till our Master appear, And

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never stand still Till our Master appear.'

His adbr - able will Let. us gbdly fulfil, And our talents improve, Our

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AMESBURY continued. £81

talents improve, By the patience of hope And the labour of love, By the patience of hope And the labour of love, The patience of hope And the

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liiiPPiiliiilliiiiSrlabour of love. Our life is a dream. Our Dime, as a s;.\.am, Glides swif-ly a - way, Glides

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^82 AMESBURY continued.

&iswiftly away, And the fugitive moment Refuses to stay, The arrow is flown, The moment is gone, The miUenni - a! year Rushes

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on to our view. And e - - termty's here, e - - temity's here, The nil - - lenni - al year Rushes on to our view, And e-

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AMESBURY continued. 8ym . 283

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ternity's here, e - - ter - ni - ty's here, e - - ter - ni - ty's here, e - - ter - ni - ty's here.

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O that each in the day of hib coming may say, I have fought my v. ay through, Have fought my way through ;

— S»

I have fmish'd the work thou didst give me to do, Have finish'd the work thou didst give me to do.

:zi:

281 AMESBURY continued.

E-^fc=£zr§:O that each from the Lord May rece.ve the glad word, Well and faithfully done! faithfully done ! Enter into my joy, And sit

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down on my tlirone, Enter into my joy, And sit down on my throne, Enter into m_\ joy, And sit down on my throne, And sit down on my thrune.

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ANTHEM.—Luke ii. A. Williams. 285

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Behold, I bring you glad tidings, glad tidings of joy, which shall be to all people,

Behold, I bring you glad tidings, glad tidings of

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For unto you, unto you is burn this day, In the city of David, In the

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joy, which shall be to all people. 2 In the

I 2 For unto you, unto you is born this day. In the city, In the

i486 ANTHEM continued.

city of David, A Sav;our, who is Christ the Lord, A Saviour, who is Christ_ the Lord. Glad tidings,tidings,

»__—

,

Glad•1

ii^iiiiiiiiiiiiliiii^iii^iipiEiii^piiGi^d tidings, Glad tidings ut j >v,

Glad diiigk, glad tidings of joy, Glad tidings which shall be to all people.

Glad tidings Gi..d tidings of joy,

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tidings, GUd l.dmgs, Glad tjd:i gs, Giud ud>ng*5

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ANTHEM continued.

You shall see the babe.' wrapt in swadling clothes, ly - - ing in a m.in-

this shall be a sign- ,m . to you,

"

5» ~~*t~

Vivace.

And suddenly there was with the angel a multitude of the heav'n ly, heav'nly, heav'nly host.

ger, ly . ing in a manger. ' And suddenly there was with the angel a multitude of the heav'nly, heav'nly, heav'nly host.

And suddenly there was with the angrl a multitude of the heav'nly host.

And suddenly there was with the angel a multitude of the heav'iilv host.

288 ANTHEM continued.

4--_-i

Glory to God in the highest, <Slory to God in the highest, and on eai'lh peace.

r»..„;<. : /i„.i i . :

—

^ "^Prais -........-.-. ing God and saying,

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peace, good will toward men. Hallelujah, hallelujah, hallelujah, hallelujah,- hallelujah, halle - lujah, halle - lujah, halle - In - jah.

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ANTHEM. Psalm Xxiv. A. Williams. 289

Lift up your heads, O ye gates, ye gates, and be ye lift up, ye

Lift up your heads, O ye gates, and be ye lift up, ye.

and be ye lift up, ycLift up your heads, O ye gates,

ev - er - lasting doors; and the King of glory shall come in.

mcv - er - lasting doors ; aitd the King of glo - ry, of glory shall come

'ev - er - lasting doors^

and the King of glo - ry, and the King of glory shall c.ume

290 ANTHEM continued.

And the King of glo - - ry shall come in, - shall eome in, and the King of

And the King of glo - ry shall come in, and the King of

And the King of elo - - ry shall come in, and the King of

mcome in, and the King of

glory shall come It is the Lord, strong -

glovy shall come in. It is the Lord,

_.i . . _ "V iT " :.. tvi,,. ;.. «ki<^ir; r,n. „r «.i., ...- ? t. :.. .u„glory shall come tu Who is thi»-King of glo - ry ? It is the

ANTHEM continued. 291

B^azpcfcfcfSH

the Lord, strong and mighty, mighty in

I

battle, and tri -- al of the sword.

strong and mighty, mighty in battle, and tri - - al of the sword.

Lord, strong and mighty, mighty in

3ESEbattle, and tri - - - - al of the sword,.

llii

m

The earth is the Lord's and ali that therein is, the compass ©f the world, and all that dwell therein.

293 ANTHEM continued^

For he hath founded it upon the seas, and prepar - ....... ed it upon the floods.

|-f-+

For he hath founded it upon the seas, and prepar .... --....-..._____ e(jj t upon the floods.

Vioi re e For. Adagio.

Halle - lujah, Hallelujah, Hallelujah, Amen, Amen, Amen, A men, Amen.

— p.

Halle - lnjah, Hallelujah, Hallelujah, Amen, Amen, Amen, A

-#

men, Amen.

ORPHAN'S HYMN. Bland «j Costellow's Coll. 29a

AlB-

Attune the song to , mournful strains, Of wrongs and woes the song complains, An

Orphan's roice essays to swell The notes that tears by turns repel, The notes that tears by turns repel.

2 Left on the world's wide bleak forlorn, 3 Alone, amidst surrounding strife,

In sin cenceiv'd, in sorjpw bom, And naked to the storms of life;

No guide, the devious mane to tread. Despair looks round with aching eyes,

Above, no friendly shelter spreuci. And sinking nature groans and dies.

294 ORPHAN'S HYMN continued.

l

*itSEsa

Friends of the fatherless and saint, Where shall I lodge my deep complaint. Where but with thee whose open door, Invites the helpless

and the poor, Invites the helpless and the poor. Poor, tho' I am despis'd, forgot, Yet God, my God, forgets me not, And

ORPHAN'S HYMN continued;. 205

^^MMzmmmhe is safe and must succeed, For whom the Lord, vouchsafes to plead, For whom the Lord vouchsafes to plead.

A SONG FROM HANBEL's ORATORIO OF SAUL.Recitative.

z*.*zvz^-?.zf-MH =crEZ5^ffxi i --fIP^p—^-»-~f."P! rij.tzrjHAlready see t&e daughters of the land, In joyful dance, with instruments of musick, Come to congratulate the victory

296 SONG continued.

Welcome, welcome, mighty king ; Welcome, all who conquest bring ; Welcome, David, warlike boy, Author of our present joy.

Pia. For.{

Adagio.

Welcome to thy friends again Ten thousand praises' are his due, Ten thousand praises, are his due.

Saul, who hast thy thousands slain, David his ten thousand slew, Ten thousand praises, are his due.

elsBEL

1 en thousand praises arc his uue.

MSS^^HIS^^^^H

) Andantz.GREENWICH. L. M. Dr. Madan.

2d. Valta For.rT"-T-rtr-ffT^

397

Air...Piung'd in a gulf of dark despair, We wretched, wretched sinners lay, Without one cheerful beam of hope, Or spark of

*-«--r-*-S ^2

Plung'd in a gulf of dark despair, We wretched, wretched sinners lay, Without one cheerful bcani of hope, Or spark of

PlO.

glimm' - ring day. With pitying eyes, the Prince of grace Beheld our helpless, help - less grief; He saw, and (O

I"

glimm' - ring day. With pitying eyes, the Prince of grace Beheld our helpless, help - less grief; He saw, and (O !

_«. .p. .p. .p. .p. ,—s

298 GREENWICH continued.

—*

—

|"2-t—I

—

It #

a - mazing love !) He came, He came to our relief, Down from the shining seats above, With joyful, jdv - ful

a - mazing love !) He came, He came to our relief, Down from the shining seats above, With joyful, j,oy - ful

:p-£~.CHORUS. Vivace.

»-*-»

feieEiiiiiiiiiii§i|^haste he fled ; Enter'd the grave in mortal flesh, And dwelt, and dwelt, and dwelt among the dead. Oh ! Oh ! for this

/~\ s~\ ^&haste he fled ; Enter'd the grave in mortal flesh, And dwelt, and dwell, ar.d dwelt among the dead. Oh! Oh! for this

GREENWICH continued. 299Andante-

r __<. „ i . z __— —__ - . — ———I— - —.—

lovo let rocks and hills Their lasting silence break, Their lasting silence break, Their silence break, And all harmonious hu - - man

Ida

Jove let rocks and hills Their lasting silence break, Their lasting silence break, Their silence break, And all harmonious hu - - man

_-£-£-__ -m- - - -frrP-E- -"P"—"F-

CHORUS.

tongues The Saviour's praises speak Oh ! Oh ! for this love let rocks and hills Trieir lasting silence break, Their lasting silence

tongues The Saviour's praises speak ! Oh ! Oh ! for this love let rocks and hills Their lasting silence break, Their lasting silence

300 GREENWICH continued.Phi. For.

brcuk, Their silence break. Angels, assist our migh - ty jcys ; Strike all your harps, your harps of gold ; But when you

break, Their silence break. Angels, assKt our migh- ty joys; Strike all your harps, your harps of gold ; But when you

Phi. For. Adagio ad Lib.

raise your highest notes, your highest notes, His love, his love, His love can ne'er be lokl, His love can ne'er be told,

raise your highest notes, your highest notes, His love, his loye, His love can ne'er be told, His love can ne'er be told.

SEEE-EGgi

UPTON. S. M. Dr. Arnold. 301

Not all the blood, Not all the blood of beasts, - On Jewish altars, On Jewish altars slain, Could give the g-uiliy conscience peace, Or

I

a /—N

wash, or wash away,

the stain. way the stain. But Christ, But Christ, the heav'n - ly Lamb, Takes all our sins, our,

E==HiEH3E3EiEEEIE25EHEi.

; Takes

303 UPTON continued.

A sacrifice of nobler name, And richer blood than they.

= sins a - way; A sae - ri - fice of nobler name, And richer, richer blood than the}-.

all our sins a - wav; A sacrifice of nobler name, And richer blood than they.

Sym.

FEEE=E£

SOLO.

!«££&&._ ~zzT^zrz;zz

ORGAX. My faith would lay its hand On that dear head of thine, While Eke a. penitent I stand, AnA

3^z3_::._ir ~g^:|pz£ze|S^

UPTON continued. SOS

there eonfess my a'm.~ c,' My soul looks back to"" see The burden Uiou didst bear, When

hanging on the accursed tree, And hopes. And hopes her guilt was there. Sym.

CHORUS— Vivace.

Believing, we rejoice To see the curse remove, Believing, we rejoice To see the curse remove, We bless the Lamb with cheerful voice, Ami

~~3

e-Ej.il?

.

n t

~r~rT.ptd""r*"j r~~~[ \""*"

" "P*^p-p^[-"F"pVT^-r-^-'-(-tP—--P" 1- -^

39

30*f

UPTON continued.

z^zB-ziSzLzblH^ 3z±SznxqELd .|_,.F Ige..^. Lp _q. 1

/'~\ /-> .~^'

e-Fz!zlzpz|§pQ

sing, And sing his bleeding- love. We bless the Lamb with cheerful voice, And sing, And sing his bleeding love. Beil'teving, we rejoice To

-a- b,-±^» _"§!_._ ~£:~ m.P- FP - *** -P~~i- - ~^: 5.*--*.- p.-

fEzKzifizfzp1z¥p55zclpzfezf zj|zf=| E^izj|:|zfz^|zi:lzps:Eai:i^zS|zpz^zJi S^1^—^--^-iF^tp-F—

<<~\ /^"\ /^\

see tlie curse remove, Believing, we rejoice To see the curse remove, We bless the Lamb with cheerful voice, And sing, And sing his

-0- -S-

UPTON continued. 305Adagio.

£^N _ £^N /^>> ^> '""^

bleedmg love, We bless the Lamb with cheerful vo ; ce, And sing, And sing- his bleeding- love, Hi; bleeding luve.

._.-1-4—e—i -8— 4-- Jit

MARTYR'S AIR. C. M. h

- — ------| — _ _ _^_ -Q^o -©. J—

Air.

Hear, O my Godj in mercy hear, Attend my plaintive cry, Be thou my gracious helper near, And bid my sorrows fly.

506 HARVARD COLLEGE.Alleorro. Mezsa Voce. Poco Fortt

Zsdkz

W. Shield.

Forte.

Air. Nations, join in sacred song, Tune with angels holy throng, Tune with angels holy throng,

Nations, join in sacred song, Tune with angels holy throng, Tune with angels holy throng,

Pia.

Nations, join in sacred song, Tune with angels holy throng, Tune with angels holy throng,,

Proclaim, HeavVs arches echo with his fame,Praise Jehovah's name !

Praise Jehovah's name ! Proclaim, his fame, In seraph's purest joys, In

» » I I \ I— l^ j__j L.—L__ m. .p_i. _, ^ji_

All nature's works his praise proclaim, ki* feme,

HARVARD COLLEGE continued. 307Pia.

—F—

his glory is the theme. But Gabriel's keenest tho'ts are lost In our Redeemer's praise, With awe he bids the

cherub's loudest voice, His glory is the theme. But Gabriel's keenest tho'ts are lost In our Redeemer's praise, With awe he bids the

Crescendo. Expressivo e Forte. Dolce e Zemorzato.

heav'nly host, Their tuneful voices raise. O gracious, gracious, gracious Lord, Be thou a

O gracious, gracious Lord, Be thou a -heav'nly hos', Their tuneful voices raise.

O gra - • eious Lord,

308 HARVARD COLLEGE continued.

Mesza Voce. Poco For Forte.

dor'd

!

Nations, join in sacred song, Tune with ar.gtls holy throng, Tune with angels

Nations, join in sacred song, Tune with angels holy throng, Tunc with angelsdor'd

!

to Pia.

Nations, join in sacred

Ores.

Tune with angels holy throng, Tune with

Forte.

holy throng, Praise Jehovah's name

to

Praise Jehovah's name ! Praise Jehovah's name

!

Praise Jehovah's name ! Praise Jehovah's name Iholy throng,. Praise Jehovah's name! Praise Jehovah's

»no-AU hrAv tiimiiu. Praise Jehovah's name !

ANTHEM. FOR TWO TOICES. /. Kent. 309

First Treble.. Sym••ll at, -i/ei/ie. . yjyiti* 0,

rddiifc:

Second Treble.

hear, hear my pray'r, my pray'r, O11

Instrumental Bass.

Hear, hear my pray'r, hear, hear my pray'r, my pray r, O

Sym. & ^

God. hear, hear my pray'r, my pray'r, O

—§—-5sg—ig^:s?»"»s -Q-"- t -ee-r- -d- --^-^Hcav, hear my pray'r, hear, h^-ar my pray'r, my pray'r, O

310 ANTHEM continued.

sijmu £^L> _,- ,„-y_, „._. I— _._._._f9.

God, and hide not, hid* not thyself from my petition.

b- e- ^,tl:^:^:^J3T|:3ir_:_t

;J:a:_±:_z_i_-d::

Hear my pray'r, hear my pray'r, O

lilllllliland hide, Sec.

God, hear my pray'r, O God, a.id hide not thyself, and hicje not thyself, and hide not thyself from my petition.

V <^>

ggi====3 J-4-—©-= .©i +-S--+

SOLO. Sytri.

ANTHEM continued. Ui

Andante. ^

Take heed unto me and hear me,

::EL:r£f:EE reijzgS: rr=^[£§§§1f=l2?l|Pf-5-

Sj/nu

Take heed unto me and hear me, Take heed unto me and hear me,- how I mourn, how I mourn, how I mcurn in my

aefisp.— 4t=t*~-

40

31S ANTHEM continued.

pray'r and am vexed, how I mourn, I mourn in my pray'r, I mourn in my pray'r, and am vexed, howl mourn, I mourn in my

mtlEEE-BiSfEKSpqrip:E^EEEfEEE1EEE11?—&Ef-tE ±E ~35|EEi:2™EEEEE3

Pia.

~i—*-m

pray'r, I mourn in my pray'r, and am vex - - ed.

—^-i--f-

ANTHEM continued. 313

Recitative

My heart is disquieted within me, try heart, my heart is disquieted within me, and the fear of death is fall'n, is fall'n upon me.

E

lE|ii||i^|HiEiiThen I said, then I said, I said, O that I had

j-«—-2-—-- I-+-© £-e-?

i—p-a3E3EEE-e-d

314 ANTHEM CQ?itinued.

wings, O that I had wings like a dove, O that I had wings, had wings like a dove, then would I flee a-

to=*

.i_r_rpi____—p-i-t——i—_,_..i__ _-_—i.

—

~~—~tz— l—r_-i__c—

j

way, then would I flee a - way, and be at r^st,

-*

-*

—

flee away, and be at rest;

ANTHEM continued. 315

Treble. CHORUS.

O that! had wings, had wings like a dove, then would 1 flee a way, and be at rest, would flee a -

Oounter.

Tenor. _2<* Treble

O that I had wings, had wings like a dove, then would I flee away, then would I flee a - way, would flee

Org. -S-

wav, and be at rest, then would I flee away, v. ould flee away, and be at rest.

^ _ ^ ^ N^^ V^/ ^-/ Vvvv ^° ' ^J \_J~0»* ^then would I flee away, would, &c.

316Treble. CHORUS. ANTHEM continued.

Counter. Then would 1 flee a - way, _aiwf^ °e at re;,;, fleejaway, and be at rest, then would I flee away, ~nd"

Penon. Then would I flee a - way, would flee away, and be at rest,

Then would I flee a - way, awav, and be at rest, be at rest, Then would I flee a-

fhen would I flee away, and be at rest, be at rest, then would I flee a-

be • at rest, would 1 flee away, flee a - way, then would 1 flee a - way, would flee away, and be at rest!

would I flee a - way, would flee a - way, and be at rest, would flee away, and be at rest.

way, then would I flee a - way, flee a - way, and be at rest, and be at rest, be at rest.

way,-St

would I 9ee away, and be at rest, would flee away, and be at rd-

ANTHEM Psalm xlvi. /. Waters. 317And ante. Affeltuoso

b^h_siz=___El_:_-j---:.

God is our hope and shield, God is our hope and shield, a very present help, a very present he_lp in trouble

God is our hope and shield, God is our hope and shield, a very present help, a very present help in trouble.

INSTRUMENTAL BASS. 12Spiriioso

Therefore we will not fear, therefore we will not fear, tho' the earth be moved, and tho' tlie hilis be carried into the depths of the sea.

_ '

Therefore we will not fear, therefore we will not fear, tho' the earth be moved, and tho' the lulls be tarried into the depths of the sea

-±i:4.:i:_c_p±:;zErtTb_fitzpipEzzE:-.p±j-E_Efe=:3E_iEzE±_____!-j_!_p : t-br 4__p_fcfecz, -i_z_b Kt:di\\—_:_x-_—pi„_t^p—it_p__p__£-£_£_* t±l-—-E--fcz!-i i__t-_L._:-Q__!_:—i—Cspt pit.na

218 ANTHEM continued.

Tho' the waters thereof rage and swell, andtho' the mountains shake - - ..... at the tempest of the same.

iiiiiiPp^iciEiippspi^ipiiiiifmum'l")>o' the waters thereof rage and swell, and tho' the mountains shake at the tempest of tiie same.

Andante. Vivace.

5EIE^?:?:±f£i£=£ippEtf|::£=t^

The rivers of the flood, the rivers of the flood shall make glad, shall make glad the city of our God. God is in the midst of

l—3T-

—

zw^z+ZMZ-zxzzvjfe&Q;^^ £ltj- jj££ £-JThe rivers of the flood, the rivers of the flood shall make glad, shall make glad the city of our God. God is m the m.d=.t of

ANTHEM continued. 319

her, God is in the midst of her, therefore she shall not be re - moved, therefore she shall not be le -moved.

IpfPilSrlliiiiliP!s;.all not be re - moved, therefore she shall not be re - moxed,

Pia.

her, God is in the midst of

Modtrato

Hallelujah, hallelujah, hallelujah, halle - Hi - -. jah, hallelujah, hallelujah, a - men.

ll_ &te32hsi*a&=±Hallelujah, Hallelujah, hallelujah, halle - - lu - jah, hallelujah, amen, hallelujah, hallelujah, a - men.

41

330

?'—

—Pia.

WORMS. 8 $7. I M. Luther.

jj e-1*- ~ - -m^ *C*~: e-O O

Glorious things of thee are spoken, Zion, city of our God ; He whose word cannot be broken, Form'd thee for his own abode :

For. Pia.

MFor.

•d -g; "I

On the rock of ages founded, What can shake thy sure repose, With salvation's walls surrounded, Thou may'st smile at all thy foes, Thou may'st smile, &c.

-fc

SWANWlCK. C. M. 4 Lucas. 331Pia.

Air.

,Sweet is the mcm'ry of thy- grace, My God, my heav'nly King; Let ev' - ry

For.

mmage thy righteous - ness la songs of glory sing, In songs of glory sing-

^^— ^v« —«»^^^™. ^^—*- ^-—i i i J- i. ^b m-av"I— 1 '

J-.i««i "• ""•j—^+^1 ™ " Pfc"*^fcj^**^^*T~^^^—'"^

*

' ""^"!T1

'^ "l~^^""^^—"^""^H^ "j~^" ^

"*— ^*j '*** "^ \***~ "**

"l"^*" '

*f~' ' ^~^^™""""^B"bB

822 HEAVENLY JOY. G. M. x J. Cole.

—*e—i

Am. Oh the delights, the heav'nly joys, The glories of the plaee, Where .,esus sheds the brightest

beams Of his overflowing grace ! Where Jesus sheds the brightest beams Of his o'er - flowing grace.

—T—1-^^T-T*te^a t—ktzizF—

I

iiii

CAMBRIDGE. C. M. s 323Dr. Randal.

IPiiiiiUllPiilSA cordial for our fears, - A. cordial for our fears.

Am, Sajvation ! the joyful sound! 'Tis pleasure to our ears ; A sov'reign balm for ev'ry wound,

—b 7J7—

"o'iTZ"

—

lP~ETZ"l~'m'WZT lT"~"T~"3>"»Tw~~TP~6~

A cordial fcr our fears, A cordial for our fears.

; p_ £-£- - P-f-P- •- -£-~-— £• -

CHINA. C. M. w Swan.

l#1

Am. Why do we mourn imparting- friends ?" Or'-shake at death's alarms ? 'Tis but the voice that Jesus sends To call them to his arms.

ANTHEM. Joel ii. T. Purday.

tp_t_p_pl—is—E^Gfzt-P—P^-—I-P--P—i-EES—u-b»-B3S

—

*-*-*;he trumpet, blow .--..--- the trumpet, blow ye the trumpet in

Blow. blow the trumpet,

B==rEE:f»tSH=£OTBlow r-N- - ,

- ther trumpet, blow - -- - ---- - the trumpet, b

Ulow - - - - the trumpet, " '"ret

' * "1

the trumpet, blow ye the trumpet in

Zi - on. Sutuxl an alarm, Sound an alarm, - Sound an alarm, an alarm in my ho - ly, ho - ly, ho - ly mountain.

mpp- ; r*i

Zi - on. Sound an alarm, Sound an alarm, S.und an alarm, an aWm in my ho 4 ly, ho - ly, ho - ly mountain.

ANTHEM' continued. 3S5

Recitative.—Slow.

siiliilii ft!

—

l

Let all the inhabitants ofthe earth tremble, tremble, trc.nble, for the day of the Lord cometh, ft is nigh at hand, it is nigh at hand, it is nigh at hand.

-©-:ar.

Second.—Grave.

efc?- r:nl^-jbgr^&ffiEicaairi lillillSP^ii^illlPiilThe earth shall quake before him, shall quake before him, and the he»v'ns shall tremble, tlie sun and the moon shall be dark,

AfK.

The earth shall quake before him, shall quake before him, and the heav'ns shall tremble, the sun and the moon shall be dark,

336 ANTHEM continued.

and the stars shall' withdraw their shining', shall withd- aw their shining-, for the day of the Lord is great and very

ami the stars shall withdraw their shining, shall, withdraw tjieir shining-, for tlie day uf the Lord is great and very

terrible, and very terrible, and who may bide the -day of his coming-, -the day of his coming.-

ten-ible, and very terrible, and who may a * bide the day of his coming, the day of his coming.

ANTHEM continued. 327Spiritese.

513Slow and Solemn*"^jf""

—.VV ^/w.^.*.- ^ -

Blow the trumpet, blow the trumpet, blow the trumpet in Zion. Sanctify a fast, call a solemn assembly, call a solemn assembly.

Blow the trumpet, blow the trumpet, blow the trumpet in Zion. Sanctify a fast, call a solemn assembly, call a solemn assembly.

1st VOICE.—Affettuoso.

33

Andante.

*** o ..~ -.3 jf * a T ~ "n""n "jtf *

_i 7 ~i"i ""H- —

r

~**~fiilliliipllllppiil2d VOICE.

Let the priests, the minister* of the Lord, weep, *"eep, And let them say.

^^3&3&0^&g&^^^mm0£mmLet the priesta, the ministers of the Lord, weep, weep, Anil let them say,

* A" — v ~

3S8 ANTHEM continued.

and let them say, spare thy people, O Lord, spare thy people, O Lord, spare thy people, O Lord.

and let them say, spare thy people, O Lord, spare thy people, O Lord,-spare thy people, Lord.

Vivace. Diminuendo.» i

Then will the Lurd be jealous for his land, and pitv, and pity his people.

Then will the Lord be jealous for his land. and pity, and pity his people.i r

E=£

ANTHEM continued. 329

Fear not, O land, fear not, O land, Fear not, O land, fear not, fear not, fear not,

Fear not, O land, Fear not, O land, fear not, O land,

INSTRUMENTAL BASS.Fear njt, O land, fear not, fear not, &ar not, be

=±

be glad, be

[Eilpiipsppiglad, be glad, and rejoice, rejoice, for I am the Lord your

glad, be glad, be glad, and rejoice, rejoice, fir I tm the Lord your

===cn===nan__J K I 4-1—Uw.J_L_.iS -4-—. i.nJ-A.Ccs:«:

330 ANTHEM continued.

Adagio.

God, I am the Lord your God, lam in the midst of Israel, and my people neTer, never, never shall be ashamed, never shall be ashamed.

God, I am the Lord your God, lam in the midst of Israel, aud my people never, never, never shall be ashamed, never shall be ashamed.

Vivace.

iililisBe glad, be glad, be glad then,, ye . children of Zion, be glad, be glad, be glad, rejoice in the Lord, rejoice in the

-™

—

L*ta mBe glad, be g! ad, be glad then, ve children of Zion, be gUd, be glad, be glad, rejoice in the Lord, rejoice in the

_^ ip.t_jt_ '.

-Tfc _ _ _"t zE. _ _ 1 -£~pL _k "tfC

ANTHEM continued.

rd yoiGod, rejoice in the Lord your God, rejoice in the Lord your God, forever and for - ever, for . ever

""""iw

ft ft a.^ •.'"*. "£ ft ft

Lord, rejoice in the Lord youSod, rejoice in the Lord your God, rejoice in the Lord your ood, forever and for • ever, for - ever

Adagio.

9—i

and forever, forever and fore-, forevermore. Hallcluj:.h, hallelujah, hallelujah, hallelujah, hallelujah, hallelujah.

and forever, forever and foieve forevermore. Hallelujah, liallelujah, hallelujah, hallelujah, hallelujah, hallelujah.

Hal - le - lu - jail, kt.

ALPHABETICAL INDEX.

ADDISONAithloneAldridgeAll Saints

AmherstAmsterdamAngel's HymaAntiguaAnniversaryAshleyArmsgateArchdaleArlingtonArmleyArnheimArundelAylesburyBangorBarbyBathBeckwithBeconsfield

BedfordBerwickBethcsdaBicester

BishopsgateBoylstonBuilth .

BlendonBrandy-wineBrayBredbyBrentford

BridgewaterBristol

liiomleyBroomsgroveBroekmerBrookficla

69 i

4S67

17169Si

239|

235 >

31 5

130 i

21 5

30 J

22 \144 |

36 J

120 I

107 \

75 i

oq »

* I145 {

173 5

65 5

103 i

43 i

40 i

30 I

229 i

141|

51 J188 \165

J70 \160

J39 5

136J

79{

112 i

68 J

BuckinghamBurfordBuxtonCambridgeCambridgeCanaCanterburyCarthageCarthageCastle Street

ComplaintContritioa

ChapelChinaCharmouthChelmsfordChelseaClK'shunt

ChinaChiltonChristmasColchesterColchesterCondolenceCookhamCorsicaCumberlandDalston

DedicationDenbighDenmarkDevizesDepti'ord

DirgeDorsetDoverDoxologyDresdenDunchurohDunkcnfield

7118814859

32313321083

179183

89111

782155206987

323166151164-

1861961852200659

1131462362199811«

34. 76205IK2

279186

DunstanEagle Street

EcigecombeEgyptElimElginEnfield

Eyenin!

EveninHymnHymn

Evening PsalmExeterFalmouthFaruhainFarnrttin

FareharaFeversham.FinedonFlintshire

FountainFonmonFroomeFuneral HymnFuneral ThoughtGenevaGeorgiaGermanGerman HymnGermanyGloucesterGosportGranthamGreen's lOOthGuilford

HabakkukHaduamHalifax

HamiltonHaro£tou JHarlnigton, .

HarfcfoyJ *•

53 J32 5

149|

93 5

82 |16 5

73I

96|

223 5

215 i

227 S

155 I80

|213 J273 |88 ?

193 >

202 |204 >

94 i

132|

152 I

23 i

79 5

121 5

177 5

152 I82 \191 J

189|

60 J42

|101 I

124 >

20 *

175 t

226 5

143 5

62 |104 5

Heavenly Joy

ALPHABETICAL INDEX, continued.

Seaman's Song

TunbridgeUplandWallingfordWalsaTWantageWendoverWindsor

LONG METRESAllSah^ Ky\Antigiia '

Angel's H)mnArnheimBathBeckwithBicester

BlendonBredbyBrentfordB*x>mlevCastle StreetContrition

CookhamCorsicaChinaDenbighDenmarkDresdenD -nstan

Evening Hymn' ountain,

German Hvmn-ester"

I91

>187 |

151 i

42 i

lu9 |Id

I

I

I6931

235 ,

120 I41 *

H540141

165 |

136 |183 Imi185 i

220 |

31 |146 5

23(5 |

182 5

53 $223 |

21)4 I

1S2 |

191 16c I J42 I

Italy

KentLeedsLeinster

Litchfield

LondonderryLorrainLadham-MabankMorning HymnMoretonMusickNaiitwichNewcomtOld HundredOportoOitndell

ParadisePortugalPsalm 97thQuercyRichmondRickmansworthRochdaleSeaman's Son"ShoelSicilian Mar r*..™Southampton,1 H-eiton

TruroUxbrid»eWells

~

'

Wells Hnw*} iiichester

^ orkshire

METRICAL INDEX, continued.

'utney

Virginia

"WarwickWildernessWindhamWorship or E. Hymn

179

89

7917715018

93328121

5881

1782499

Sutton 97Watcjimaa / 18

SHORT METRES.Ftat^lCey.

Aylesbury

LONG METRESFlat A', i/.

SHORT METRES.Sharp Key.

Buxton 148Colchester 164Dovsr 76Egypt 93Famhain 80'lintshire 202oome 132•rmany 82sport 189ocation 144worth 189

Lisbon 19M«unt 1 iphraimPeckham 213Pelham 86Rj'Iand \ 1 I 70Sharon , 90St. Simon's 225St. Thomas' 187Silver Street ] 212Stopntw f 21 *'

GuilfordHaddamLittle MarllOrangePlayford

Psalm 25th/

St. Bridge's

Shirley

UstickWaltonZell

iroogh

107101

201487

22245

22810225

141

135

19 >76 *

, Hymn 5tb

gMargate

|8's&,

5 Helmsley

J Love Diviue

|Tarnworth

|Worms

i 6'si

i Pewsey

|5'sl

> Cheshunt

|St. Michael's"

stvmxs.Dedication *,«Deptford

"'Falmouth

]5SFinedon »n-

."^Pfon 143

f Motham ,c t

IHymn 6th ^J

I H?™? for Easter Day 222i Aiidrtleton j.»

IRedeeming Lave 157

IIu"n

92

Wainfieet' PS| SHORT P. METRES

6L ; Ualston ,

HaiibhTjaii Methes.Sharp Zey.

Amhei-st 88Bethcsda 43Eagle Street 32Norwich 25

Old 148th

PortsmouthShaftesbury

Soutilbury

TriumphTroyWeymoatii_Witcliurch

F'-a Key.Condolence

Sharp Kt"j.

C's &c 4's.

Hymn to the Trinity

St. Clements

202131

21414018010535

123

195

174130

Builth

Feversham5':

Sacrameutj

LONGCumberlExeterMartin's]

MordenMorning

J

Psalm 46/QuincySt Helej

229

102

> Foumon

ISt. Giles'

5994

95

COMMON P. METRES

6622716921720047142

16619911567

7's & 6's.

Am beldam 439

Stratfoj

BrandLiKlei

192

51

i

!

*

I _\ LONG P. METRES.J Harhngtoa g2J KJ's Sell's.

I Old 50th or Landaff 4*.

JCOMMON P. METREChapel 7g

ChiltonKewPenitentAithlone

Flat Key.5's & 6'a.

Wesleys&lls'.

Old German

16?

163

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