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7/28/2019 Comment Magazine, 2010
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2010
For the love o
LARPin
page 1
2010
Boston Universitys policies provide for equalopportunity and affirmative action in employmentand admission to all programs of the University.0410 100805
www.bu.edu/com/comment
Manuel Morcano shows o his latest masterpiece. photo by Johannes Hirn
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Dean o the College o
Communication
Tom Fiedler
The CommentSta
Faculty Advisor
Susan Blau
Faculty Editor
Cynthia Anderson
Student Editor
Aviv Rubinstien
Design and Production
BU Creative Services
Sta Writers
Drew FitzGerald
Samantha Gennuso
Teresa Gorman
Lauren Keiper
Aviv Rubinstien
Katie Ryan
Eric Hal Schwartz
Contributing Photographers
Vincent Bancheri
Johannes Hirn
Vikesh Kapoor
Cover Photo
Vincent Bancheri
2010 by the College o
Communication
Boston University
The Commentsta zeroed in on a themeidentityquickly this
year. We had little trouble reaching consensus ater someone asked,
What makes us who we are? Is it our jobs, our amilies and our
cultural contexts, the hardships weve endured, the secrets we keep?
One answer is suggested in the photograph below by Johannes
Hirn. We think it says much about engineer-turned-hairdresser Manuel
Morcano, who opened his Boston-area barbershop ater almost dying
o a perorated colon several years ago. At the shop, Morcanos
customers can view an array o autographed images o music legends
and choose rom such books as The 9/11 Commission Reportand The
Denitive Book o Body Language.Written works in the 2010 Commentalso explore identity
individual and collective. Lauren Keiper proles women who have let
their jobs in nance, voluntarily or not, in the atermath o the credit
crisis. Drew FitzGerald limns the w orld(s) o libertarian Free Staters in
New Hampshire, Samantha Gennuso ollows a lm crew on its journey
to raise awareness or muscular dystrophy and Katie Ryan shadows
Frank Warren o PostSecret ame.
We have personal explorations too. Teresa Gorman describes the
tribulations o being the ninth o ten kids, and Aviv Rubinstien comes
clean as a storytellerhe hopes. In Apes at Sea, Eric Hal Schwartz
takes us on a student cruise to Norway, likening the voyage to a
large-scale social experiment. Even when disguised by ancy clothes
and good manners, Schwartz writes, our primate essence comes
through.
Several other articles and essays round out our oerings, which
you can view in expanded orm online at www.bu.edu/com/comment.
We hope you enjoy our work.
Aviv Rubinstien, Student Editor
Happy reading.
Editors LetterThe Man Behind the Curtain
Katie RyanWhat Its Lik
Your Name
Samantha Ge
Apes at Sea
Eric Hal Schw
Will Box or Johannes Hi
Ryan Gosling
Aviv Rubinst
Finding Our F
Lauren Keipe
Number Nin
Teresa Gorm
A Granite State o Mind
Drew FitzGerald
LARP Me Good
Eric Hal Schwartz
Layups and LipstickKatie Ryan
Destiny USA:
The Story o a Mega-Mall
and a City
Teresa Gorman
(Re)Balancing Act
Lauren Keiper
His Wheels Keep Spinnin
Samantha Gennuso
8
14
22
24
30
33
2 6
12
18
28
32
36
Manuel Morcanos identity surely shows on
the walls o his shop.
photo by Johannes Hirn
Front cover: A masked Live
Action Role Player strolls the
grounds at Camp Denison,
Mass., as part o a story line.
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The Wizard
o Oz lives in
Germantown,
Maryland.
To the
members o the
insular community
hes created, he is
omniscient. People
turn to him or guidance,
or to express their most
undamental needs: brains,
heart, courage, a home. His ame
stems rom what he is rumored to have
provided, yet as an individual he remainsshrouded in mystery.
Frank Warren, 45, is the great and
powerul Oz behind the collaborative
art project PostSecret. He collects
about a thousand anonymous
conessional postcards rom
strangers around the world each
week, redistributing a selection
o the once-private divulgences in
blog installations every Sundaya
routine thats earned his website close to
300 million hits over the last ve years.
HarperCollins, the publisher o Warrens
ve books, has dubbed him the most trusted
man in America. But thats his public persona.
Pay no attention to the man behind the
curtainor, in this case, the man behind
the website.
Somewhere Over the Rainbow
Like any good revelation, the idea or
PostSecret came to Warren in a lucid dream.
It was December 2003 in Paris, and
Warren, having checked into his hotel room
or the evening, placed three souvenir
Te Man
Behind
Te Curtain
postcards in a drawer beore retiring. As he
slept, he dreamed that the three postcards
had been altered. The rst message read,
unrecognized evidence, rom orgotten
journeys, unknowingly rediscovered, writes
Warren on his PostSecret Community blog.
[T]he second message was about a reluctant
oracle postcard art project, and the last I
could not understand at the time.
When he awakened, he immediately
manipulated the postcards in the drawer to
resemble his vision. What I did not know
was that those three remade postcards
would . . . set me on an unimaginable journey,he says.
It was just the escape he needed. Warren,
an Illinois native who holds a degree in social
science rom the University o Caliornia,
Berkeley, had moved to the Washington, D.C.,
area ater graduation. There hed begun a
business called Instant Inormation Systems
yet it was passionless work. It was a tedious,
monotonous job, but thats what inspired these
creative projects, Warren explains. Theres
a great deal o value in a boring job because
it makes you want to work harder and nd
something to make you happysomething
that matters more.
The heady combination o career
dissatisaction and a prophetic dream ignited
something in Warren. He adopted a kind
o creative superhero persona, embodyingthe unassuming career man by day and the
enigmatic alter ego by night. He was realizing
the second stage o his vision.
Warren certainly thrived as a sel-
appointed oracle, although he threw himsel
into the project so wholeheartedly that his
reluctance is debatable. Adopting a secret
persona he called Hobby Horse, he spent
the summer o 2004 crating several bottled
messages to be set adrit in Clopper Lake in
Marylands Seneca State Park. The bottles,
clear glass and the size o wine bottles,
contained photographed hands on postcards
that hung suspended rom the corks. These
postcards were stamped, and incorporated
cryptic messages on the back such as Your
question holds more than its answer.
The story o the mysterious HobbyHorse and his bottles garnered widespread
attention. The Washington Postcompared
the postcards to ortune cookies rom the
dark. In its investigation o the anonymous
artistic litterings, the Postconsulted Kerry
McAleer-Keeler, a printmaking instructor at
the Corcoran College o Art and Design, who
[Katie Ryn]
suggested that it could be a joke
that everyone is struggling to gu
To Warren, perhaps it was a b
Deciding what would go into eac
like designing a scene, Hobby H
the Post. What evidence to expo
to hide? How to show clues with
meanings? How to display an airt
tale? . . . Allowing the pieces to be
created more possibilities . . . The
view me as provocateur or pollut
criminal.
By September, Warren was re
begin phase three o his prophetireluctant oracle delivered a na
in-a-bottle: You will nd your an
secrets o strangers.
That next Sunday, the PostSe
movement began.
Not in Kansas Anymore
Warrens dream-inspired relat
with the postcard and newound
or public involvement with his ar
cornerstones on which he built hi
City. Armed with 3,000 sel-addre
postcards, Warren appealed to th
o D.C., asking them to be part o
endeavor: write an anonymous se
back o a postcard and mail it to h
You are invited to anonymou
contribute a secret to a group art otherwise-blank cards read. You
be a regret, ear, betrayal, desire
or childhood humiliation. Reveal
long as it is true and you have nev
with anyone beore. Be brie. Be l
creative.
I knew that i I could nd a w
strangers to trust me with these
would be special or me, says W
About a hundred postcards o
way to his mailbox, enough or an
monthlong D.C. art estival, or w
suspended the secrets rom the c
wire. The event was well receive
Warren assumed the project had
new postcards kept coming, now
and rom distant states and count
Warren took this as a sign o things. PostSecret started as a l
even a prank, he says. But the s
taken on more gravity and more m
as times gone on. Once it becam
that the movement had gone vira
established a blog to display som
secrets. He managed the secretsCourtesy: HarperCollins
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despite their excitement, people a
respectul. There are audience me
weeping, literally overcome by the
to meet Warren.
In Hebrew, the word secret m
closer, says Warren. I think that
people send me a secret . . . I think
searching or grace.
Theres No Place Like Home
His publishers say hes the mo
man in America; his ans call him
parents call him sel-indulgent; an
daughter, hes just Dad. Everyone Warren is to themits when he t
identiy himsel that things get a l
I eel like a lm editor, taking
peoples lives and knitting them to
making connections between them
the scenes to talk to us and to eac
says. Sometimes, I eel like an id
secrets: Sometimes when Im buil
or the week Ill hear a secret calli
rom the week beore or one Ive s
and I go searching so I can nd th
harmony.
All o which is somewhat less
concrete. Hows this? Frank Warre
husband, a ather; hes been an en
artist, art collector. He could den
number o ways.
Id say more than anything elan explorer o hidden landscapes,
thoughtully.
And what does this hidden lan
Five best sellers, nearly 300 millio
the website, a thousand postcards
ardent reception o his artistic vis
awards. And hundreds o thousan
raised in the name o suicide prev
Warrens sel-description is in
but perhaps its legitimate. At the
yellow brick road paved with year
public appreciation lies his Emera
empire built on sel-ullling prop
city whose brilliance is not an inne
a refection o its inhabitants. War
simply an explorer o this hidden l
he is the Wizard behind its creatio
L. Frank Baums Wizard o Oz dhimsel precisely: Im really a ver
but Im a very bad Wizard.
Perhaps Frank Warren is too.
engrossed through the entire presentation
laughing when he laughs, quiet when hes
quiet. Everything and everyone in the room
ebbs and fows on his cue: emotions, volume,
even actions. He asks people to take a break
rom his speech and introduce themselves to
those around them, oering a sign o greeting
and peace. The postcards illuminated by
the overhead projector are multicolored and
illuminate Warrens ace, almost as stained
glass. The auditorium is transormed into a
house o worship, with Warren as spiritual
leadermaybe even as deity.
Its not much o a stretch. Hours earlier,beore the audience was even permitted into
the auditorium, people were preparing or
a religious experience. I dont know what
Ill do when I see him, said Anne Harris, a
student at Assumption College in Worcester,
Massachusetts. You dont understandhesGod. Another girl greets Warren ater his
presentation. Ive met God, she declares as
she descends the stage steps. She turns back
and aces Warren. You are God!
Warren is aware o the religious
implications his project can have
PostSecret: Conessions on Lie, Death, and
Godis ull o proessions o aith, or a lack
thereo. These particular secrets in the new
book are very soulul. I wanted to capture
that, says Warren. These are ull-rontal
conessions on how we really eel about
stu we cant share at the church, or the
synagogue or the mosque.
And though Warren, the sel-appointed
reluctant oracle, doesnt have a theological
background or any o the Big Answers, he can
relate to what his ollowers are experiencing.This project has made my own aith evolve;
Ill put it that way.
Ater his presentation is over, the crowd
moves en masse to greet Warren and have
him sign their books. The event sta corrals
the excited audience into more manageable
groups o eight or visitation with Warren;
notwithstanding, legions o ans are waiting.
The event is sold out. People have been lined
up at the auditorium or hours, beore even
the event sta arrived.
While the Dorothies mill around the lobby
clicking their heels in anticipation, Warren
is onstage, prepping his presentation. His
appearance is meticulous, almost calculated:
His green dress shirt looks proessional; the
un-tucked shirttails make him seem more
accessible. He wears pressed black pants
and black shoes. His hair is trimmed close;
wire-rimmed glasses rest between a urrowed
orehead and aint laugh lines on his cheeks.Warren ocuses on the silver Mac on
his podium, testing the volume and asking
staers about the turnout. He takes a ew
sips rom a water bottle, shakes his hands
out, walks briskly across the stage and ducks
behind a curtain, building adrenaline or his
entrance.
Forty minutes ater the sta opens the
foodgates, the man o the hour emerges. The
crowd erupts in thunderous applause. Warren
grins widely. Hes playing to another packed
house.
Himy names Frank, and I collect
secrets! The crowd cheers voraciously.
And so it goes. Anything Warren says is
golden; they cant get enough. He talks about
the most trusted label hes been given
and how supportive his wie and 15-year-olddaughter are o this mission hes undertaken.
In contrast, however, his parents call
PostSecret diabolical and sel-indulgent.
Maybe it is, Warren ponders aloud.
He plays a message that his mother let
on his wies voice
mail: I dont really
want one o Franks
books, she had
said. Forget about
sending me one.
The audience
laughs nervously.
People are looking
around right now
wondering, Is this
unny? Is this sad ?
notes Warren,although that seems
to be the reaction he
hoped to elicit. This
project is one o
those ideas where
youre waiting or
one person to have
that crazy aith that their parents might not
understand.
And suddenly, the audience is in cahoots
with him. The event isnt about Warrens path
to PostSecret or the other artistic endeavors
that never made it quite as big; tonight, the
artist becomes the actor, playing the simple
servant o his ollowersthe condante, the
riend. His parents may not understand, but his
audience does.
He gazes at the crowd. This project
doesnt make my secrets go away, but it
makes the burden easier. The statement is
an acknowledgement o sel-indulgencehe conesses to what his parents have
suggestedbut somehow the act o his
admission is more compelling than any private
secret he could divulge. Hes orged a bond
with the 500-plus people in the room; they
accept him unconditionally.
And to reciprocate, Warren is
complimentary o them.
I think young people are more alive than
adults; theyre more involved in trying to
understand whats legitimate and real and less
caught up in who theyre supposed to be, he
oers.
It doesnt hurt that hes such a compelling
orator. His voice carries, yet its still sot,
lilting, with almost a Kermit-the-Frog quality.
He sits with condent, relaxed body language:
one oot on the wheels o his chair and theother on the foor. He gestures with open
palms. The audience is rapt.
Warren continues to chat conspiratorially,
although many o his anecdotes are recycled.
The stories he tells in Boston are lited almost
verbatim rom the stories he told at an event in
New York several days earlier. He is a rock star
in his deliveryHello(insert name o city)! I
love you!
The biggest secret o the night may be how
well rehearsed Warren is.
Yet he can have it all memorized, because
his audiences are similar: all enthusiastic, all
excited to see the same never-beore-seen
secrets, all asking the same questions when
the time comes. Does Warren think any o
the secrets are made up? The actual basis o
the secret isnt what matters, he assertsater all, every postcard is art. [Each one is]
beautiul, Warren says. Whether the cards
bear legitimate secrets doesnt matter; artists
need not necessarily experience what they
depict: The very act o sharing a secret, the
process is transormative I youre truly
open to the secrets, theres a kernel o truth in
the bottles: hand-selected or their meaning,
arranged privately and broadcast to the public
once a week. Each Sunday he would select
10 postcards and add them to his site. Soon,
it became 20 cards a week. Hits to the site
increased.
Oshoots o the popular blog emerged
on social-networking websites like Facebook,
Twitter and, most notably, the PostSecret
Community orums, where ans gather online
to react to the weeks secrets and talk about
the impact the site has had on their lives.
There are those ans, or instance, who
connect so strongly to a particular secret thatthey have the message or design tattooed
on their bodies; a whole section o the orum
is dedicated to pictures o and comments on
resh, PostSecret-inspired ink.
Publisher HarperCollins has taken the
movement mainstream, producing ve
PostSecret-inspired books authored by
Warren; the most recent o these, PostSecret:
Conessions on Lie, Death, and God, debuted
at No. 1 on The New York Timesbest-seller
list in October 2009. The website shows the
immediacy o the secrets, but the books tell
the stories, says Warren.
And hes not necessarily looking to
stop there: Were looking to explore
new territorieseither TV or lm. In the
meantime, Warren sets o rom his Emerald
City to speak to the Munchkins at collegecampuses across the country.
O to See the Wizard
Its a cold, rainy October night when
Warren arrives at Boston University. Weather
there that speaks to all o us.
The most common secret? I pee in the
shower. A secret hell never post? Warren
describes a card eaturing a amily portrait,
inscribed, My brother doesnt realize his
ather is not our ather. None o the aces are
disguised, and should the brother or any o his
riends see the postcard on the site, he would
be immediately identiable. Secrets like that
dont belong to us, Warren says.
But one secret does belong to everyone,
Warren tells the crowd: Suicide is Americas
secret.
The mood shits, the joviality replaced by acollective deep breath o concern.
In this room o 500, 85 o us will think
about committing suicide, and 30 o us will
try, Warren says quietly. Students shit in
their seats and look down their rows with a
blend o suspicion and concern. Who will it be?
Warren uses the attention to talk about
Hopeline, a suicide-prevention center in
Washington, D.C., that PostSecret has aligned
with in an eort to raise awareness and unds.
Warren tells the audience that hes lost both
a close riend and a amily member to suicide,
and that when he came up with the idea or
PostSecret, he was working as a volunteer at
one o Hopelines call centers.
I wont say that theres a direct connection
between having secrets and suicide, but I think
those considering it are a lot o times weighteddown with them, he says.
For Warrens eorts, his PostSecret project
received a special award at the National Mental
Health Associations annual meeting in 2009 or
moving the cause o mental health orward.
With such a large reader base, Id rather
use the PostSecret platorm or suicide
prevention [than or commercial purposes],
he says. Ive never taken a dollar or
advertisements, but PostSecret readers have
raised hundreds o thousands o dollars or
Hopeline and suicide prevention. I think the
site has a higher purpose than ad revenue, and
I hope the readers eel that way too. I think
they do.
A Horse o a Dierent Color
Maybe they love him or his dedicationto suicide prevention, or maybe its the
voyeuristic appeal o knowing other peoples
secrets. Maybe its cathartic to send him a
postcard, or maybe checking his website has
become part o a Sunday routine. Whatever it
is, people adore Warren.
In Boston, his audience has been
If yure ruly pen he secres, heres kernel f ruh inhere h speks
ll f us.
One o the thousands o PostSecrets sent to Frank Warren.
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I watched mysel stutter or the frst time in June 2001. On
the TV monitor, my ace contorted, my eyes looked down and my voice
staggered and stumbled. I elt ashamed. As a 15-year-old girl embarking on
college applications and the boys o summer, I was horried that this thing
Id tried to stife had a name but no specic cure. What I didnt know, sitting
in the clinic watching that video, was that asking a person who stutters to
slow down and relax was like asking a blind person to squint a little to see.
I even had trouble with my nameespecially with my name. Youd behard-pressed to nd a person who stutters who doesnt have trouble with
her name. Her address and phone number trigger anxiety as well. Its said
that the general populations number-one ear is public speaking, rankedeven higher than death. But to a person who stutters, I can assure you,
death seems like a picnic.
My rst memories o st uttering are seemingly random episodes thatI dont like to recall. Fearing to raise my hand in class. Required public
speaking. Sitting in English class waiting or my turn to read aloud,knowing that the jerk behind would mimic me just low enough or our
teacher not to hear.
I started stuttering when I was 6 years old. My parents never madea big deal about it. Yet eventually I realized I was constantly substituting
words and worrying about whether I would be able to say things. The
teasing and my conusion as to why I could not read aloud began to take anemotional toll.
How can a seemingly small disability maniest so largely? Imagine
walking into a party. The host comes over, extends his hand, asks yourname. Hey, Im Ssss-ssss-sss Whoa, this girls drunk! he laughs.
Yeah, me and the 3 million other people in this country who stutter.
Still, when my mother suggested we look into an intensive programat the American Institute or Stuttering in New York City, I vehemently
reused. I didnt want to acknowledge that there was anything wrong with
how I talked. Fortunately, she persisted, and nally I agreed. I walked intothe rst session o the program terried o being exposed; Id tried to hide
my stuttering or so long and had never met anyone else who stuttered
beore.Stuttering took many orms that day. It was the 16-year-old boy next
to me, head down, reusing to look up as he attempted to speak. Theoverbearing mother who mouthed her 14-year-old sons words as he tried,
to no avail, to introduce himsel. I clutched my mothers arm, desperate to
leave this place where, at the time, it seemed I could not possibly belong.I was not this severe, I thought. I knew how to say my own name. It didnt
matter that in order to do so, I would pretend to be distracted, or stomp
my oot, or blink my eye a certain way. When push came to shove, I couldsay it.
During the rst week o the program, I was orced t o come to terms
with things I hadnt understood. Foremost among t hem: Stuttering iscaused by a genetic disorder, however ar back in the amily tree, that
results in a misre between the brain and vocal cords (or vocal olds).
Instead o the olds opening to produce speech, as they do in fuentspeakers, they slam shut, causing all sorts o desperate secondary
behaviors, which range rom acial contortions to pen-clicking to strange
sounds and breathing patterns. Its as natural or a stutterer to experienceblocked speech as it is or a fuent speaker to talk normally. Try to talk
without letting any air out. Thats the beginning. Now try deliberately to
stutter. Thats how it eels or me to speak fuently: weird and unnatural.The AIS program required us to speak without secondary behaviors
rom the rst day, which is like asking a righty to write with his let hand.
In my case, I was accustomed to using the ller word um, to lookingupwards as I spoke to eign that I was t hinking (and thus draw attention
rom the act that I was struggling) and to subtly stamping my oot. I wasno longer allowed to do any o this. Once, when it took me 40 seconds to
say the word condence, I won a prize. Stuttering was rewarded here
because we were nally conronting the demon. We had to le
with it. I we were araid to stutter, there was no hope o contTo hack away at the mental component o stutteringten
in the vocal cords is increased by stresswe used desensitiz
techniques. We sat in cubicles with a phone book and called ebakery, doctors oce and gym in the city, asking what time th
Sometimes we were told to stutter on purpose; other times wprolongation techniques or reormatted breathing. The group w
and holler in applause i someone got a hang-up. All that matt
that we were doing the very thing that terried us.For so long I had cringed at things any normal speaker wo
without thinking (such as the aorementioned name, number a
Oh God, i I stutter at all, this person is going to think Im craz
challenged. Although the severity o stuttering alls on a spect
almost luckier i youre more severe. I someone asks your addstart tossing your head back and rolling your eyes, youre morea sympathetic response than i youre silent, praying you can g
without looking like youve orgotten where you live.
The AIS program helped me enough that the next summeror the annual conerence o the National Stuttering Associati
There I met people who had never experienced eective thera
rst time outside o a therapy atmosphere that many o us elto stutter openly. I saw fuent speakers patiently waiting minu
people could nally say their names. At AIS, wed been encou
the techniques we learned to generate fuency. Here, it was nto stutter.
Ive gone back to the NSA conerence every summer sinceworkshops, seminars and mixers. When I was 18, I started the
College Transition Workshop as preparation or high schoole
entered my twenties I was let in on NSA jokes, such as One ttequila, three tequila . . . Fluency! There is a sense o humor a
disorder that stutterers embrace to lighten things up. My stutt
and I requently joke about the inevitable silences that occur o
because its hard to tell when someone is silently blocking. Opatiently or each other when indeed no one is stuttering at al
Even with the AIS program and the NSA seminars, my stubrought challenges. A signicant one was introducing mysel t
o non-stuttering ellow classmates at New York University. U
point Id managed some combination o coughing, looking at thleaving the room to pull mysel through the dreaded swamp. B
the AIS-induced awareness and NSA sel-improvement and su
I had to ace the demon. I could no longer be in denial, lettingmy shame as I reused to make eye contact. Instead I stood in
the class, heart bursting, and looked at the eager aces beore
name is Ssssamantha G-G-Gennuso. No, I havent orgotten mI am indeed a p-p-person who st-st-stutters. To my amazeme
finched. I nished my introduction and sat down in an intoxica
relie and pride.The tools and techniques Ive learned require constant dil
they are not a cure. But Ive let my stuttering outopenly struname at parties and on job interviews, knowing the reaction th
will come, only to crush it with condence and a smile.
This isnt to imply Ive got it all gured out. Every stuttererbut one in particular stays with me. Its the mantra o a riend
my rst days at AIS, Bob K. Bobs stuttering was so severe tha
the commitment to practice or hours every day until he achievfuency. He let his old lie o insecurity and sel-hatred behind
I asked him i there was anything he missed, he said, My stu
because its a part o me. I thought he was crazy when I rst that, but Im starting to understand what he meant.
WhatIts
Liketo
ForgetYour
Name[Samantha Gennus]
c
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assertion that Free State newcom
sometimes disagree. The project
power over people other than to b
to the state, he said, ater which t
on their own. In any case, the pro
a political party, just a medium to
people around the same liberty m
Indeed, with reedom o though
it ollows that the newcomers hold
visions o what they hope the town
just want be let alone. Others, lik
Dale Everett, a Quaker rom Georg
invisible hand o the markethe d
a strip called Anarchy in Your Hea
believe that Keene has the opport
become what San Francisco was i
mint leaves to make their statement. I really
dont understand what their point is, the
chie said.
Meola said he doesnt think the groups
camera-heavy tactics will work in the end.
In act, he sees some people mellowing as
they spend more time living in their adopted
hometown and even paying property taxes
as much as they protest the aront when they
visit the local tax oce. He said he views the
more vocal newcomers in Keene as causing
a rit within the Free State Project, between
young anarchists and working adults, anning
the fame wars that occasionally erupt on
FreeKeene.coms own message boards.
Freeman takes no issue with Meolas
8 thecmmen 2010 9 thecm
As sites or protests go, this one didnt
seem to offer much potential: a sidewalk
on a quiet lane in Keene, New Hampshire,
population 22,000, where a handul o
activists stood across rom the quaint red
home o the Cheshire County Superior Court.
Past the courts drab side entrance, the
cases on the docket were not precedent-
setting. At 1:30 in the aternoon, a man
named Wallace Nolen was suing the city o
Keene or ailing to give him the municipal
employee data hed requested in the computer
ormat he wanted. The city was stalling,
saying it needed more time.
The real show was in the lobby right
outside the courtroom, where three sheris
guarded the door against Sam Dodson, a
documentary lmmaker whod already spent
58 days in jail ater reusing to turn o his
camera in the district-courthouse lobby. While
Dodson, camera held to his shoulder, asserted
his right to be there, the attorney inside was
bloviating about the minutiae o e-mailing
dierent computer le ormats.
A gaunt-aced riend o Dodsons
named Ian Freeman appealed to the deputy.
Honestly, i youd just let him in, it wouldnt
have made or a very interesting lm, he said
sarcastically. Its just boring lawyer talk.
The deputy didnt budge. Cameras
are not allowed unless a judge grants a
request, which in this case had been led
only minutes ago. As an open-government
advocate, Dodson saw the extra hoop as just
another means o making citizens beg their
government or access. The ocer and his
antagonist debated the ner points o the
policy while behind two sets o heavy wooden
doors the hearing petered out.
Ater the hearing, Dodson, Freeman and
others ollowed the parties through the lobby,
lming everything as they shufed down
the stairs. Later that day, Freeman posted
online the ootage he had recorded rom his
BlackBerry under the headline Armed Gang
Assaults Sam.
Such conrontations have become
commonplace in Keene since the launch
o the Free State Project, a libertarian
initiative conceived in 2001 to concentrate
enough people unhappy with their current
government to try to establish a new system
in a new state. They took their name rom the
abolitionists who settled in Kansas beore the
Civil War with an eye to making it a ree state.
Ater an online vote in 2003, the projects
constituents picked New Hampshirea
state sparse in population but kindred enough
in sentiment, they believed, that newcomers
might actually make an impact on the
electorate.
Ater six years, the projects website
counts more than 800 pioneers who have
made the move, toward an eventual goal
o 20,000. The new residents hail rom all
corners o the country, work in a range o
proessions and, aside rom their common
distaste or bureaucracies, oten hold very
dierent belies.
Then theres Keene, a southwestern
New Hampshire town whose claim to ame
until recently was its huge annual Pumpkin
Festival, which last year boasted 29,762
lighted pumpkins. Although many Free State
migrants have ended up in large cities like
Manchester and on the states coast, the
newcomers to this small valley town might be
the best at getting their message across
using blogs, orums, radio shows and videos
o events posted minutes ater they happen
to ght their notion o state tyranny.
Free Staters in other parts o New
Hampshire have already assumed local
elected oces, but working within the
system is not most Keene Free Staters
modus operandi. Manchester has more o
a political-activist scene, explained Free
State Project president Varrin Swearingen.
Keene is more o an anarchist, civil-
disobedient crowd.
What Keeners new neighbors lack in
political clout they compensate or in visibility.
Theres no ocial roster o Free Staters, but
those who stay active on FreeKeene.com
which hosts orums where everything to
do with local civil disobedience plays out
onlinehave proven savvy at spreading
their message via public demonstrations and
through adept use o new media.
I would say its the liberty media capital
o the country, i not the whole world, said
Freeman, who co-hosts Free Talk Live, a
libertarian talk show that beams out to 61
stations nationwide. No caller is screened
or turned away, he said.
In addition to Freemans show, the
members o the online orums o
FreeKeene.com boast a newspaper, a
syndicated comic strip, a public-access cable
television show and a TV production company.
Theyve also made their presence elt
at the local level. From marijuana smoke-
outs in the towns main square to the
public fouting o more obscure government
regulations such as license requirements or
A Granite Stateof Mind
manicurists, Keenes newest residents have
combined creativity and a erce dedication to
their ideals to gain notoriety. Their protests
have gotten them coverage in the local Keene
Sentinel, The Concord Monitor, The New
Hampshire Union Leaderand The Boston
Globeas oten as theyve landed them in jail.
It seems that the Keene area is attracting
a set o people who are o the outside-the-
system mind-set, said Freeman, who has
a git or unolding the details o his most
passionate belies with unending politeness.
I think the outside-the-system stu has
ar more potential or return on investment,
rankly. Yes, it has high risk, but high risk
yields high reward.
Freeman risked much himsel by moving
rom Florida to the relative unknown o
southwestern New Hampshire. He now lives in
an unassuming duplex with a cozy living room,
padded with sound dampeners, that serves as
the broadcast headquarters or his talk show.
His studio gets busy in the evening as co-host
Mike Edge, a wide range o guests and even
the occasional house cat stop by or a visit.
Although Free Staters constitute only a
handul o Keenes population, the transplants
have created a community Freeman admits
he kind o antasized about in Florida. With
everything thats going on, it can be hectic.
You have to be choosy . . . because theres
so much going on and you can only be in one
place at one time, he said. Thats never
anything I encountered down South.
Freemans antasy is Keene police chie
Kenneth Meolas perennial headache. For
every time the Free State migrants violate
ordinances by reusing to stand or a judge or
by causing a disturbance at a tax oce, they
also nd a way to antagonize ocers without
breaking the law. At one pro-marijuana
demonstration, or instance, protesters held
[DrewFizGerld]
Dodson reused to bring tyranny to A merica any urther.
Ian Freeman in theFree Talk Live studio, his living room.
Te Keene re isrcing se f
peple wh re f heuside-he-sysem
mind-se.
photos by Vikesh Kapoor
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10 thecmmen 2010 11 thecm
according to new resident Richard Onley, who
said he was there to see it.
Despite their dierences, I theres
drama, it really exists on the Internet, where
people sit behind their computers and dont
really get to sit ace-to-ace, Freeman said.
Most people get along very well.
The courts are a dierent story. Although
no arrests were made, a January hearing
over a Free State activists drivers license
was packed with bailis in anticipation o a
ray. The move was not without precedent:
In his two years as clerk or Keenes district
court, Larry S. Kane said he has seen activists
repeatedly heckle, disparage and disobey
local judges. We know when theres
someone coming in here whos a member o
the Free State Project, Kane said. Everycase where there is a Free State Project
person involved, the camera issue comes
up . . . Its not something that we need to deal
with at any other time.
Dodson, or his part, said he does not
regret bringing his camera into the courtroom,
then reusing to give his name to authorities.
One judge has a dictatorship over the
town, Dodson said; he views his nearly
two-month stint in jail ater the incident as a
demonstration o principles.
Those same principles were at work in
Dodsons choice to move to Keene in the rst
place. Like many o the newcomers, he set
upon an uncertain path, rom a high-paying
corporate job to a risky business venture he
runs out o his new home. In 2008 he was
working in Dallas or a telecommunications
company as an electrical engineer. But the
position did not sit well with him: Homeland
Security would come in all the time with
requests to query our data, he said. I realized
I was helping bring tyranny to America.
Dodson said it was newly acquired
knowledge o how to broadcast inormation
himsel that prompted him to move. Hed been
campaigning or Texas libertarian Ron Pauls
presidential bid and making public speeches
o his own when a riendly audience member
approached him. Somebody came up and
said, Do you know what a podcast is? I had
no idea.
Dodson learned, and ound a voice
through his newound skills. Having mastered
videography, he began making political
shorts with a libertarian message. Feeling
increasingly rustrated with a system he
saw as unsalvageable, he decided to take
the money hed saved up in Texas to buy a
green clapboard house a stones throw rom
Keenes central square. He started recording
public meetings and compiling video rom
a computer on the second foor o his new
home.
Dodsons girlriend, Meg McLain, who
taught him many o his multimedia skills, said
her views about government changed more
gradually. The Oregon native said coping with
a period o homelessness let her seeing the
government as inept. At rst I thought the
law could be used to help people, [but] theres
Keene Mayor Dale Pregent says the
newcomers have yet to make a large impact.
so much abuse and so [little accountability]
that you cant really prevent people rom
getting hurt, she said.
With an outt called Obscured Truth
Network, Dodson and McLain make videos
o ways to dey the system, such as fying
domestically without carrying any orm o
ID. Like Freemans brand o libertarianism,
Dodsons holds little aith in any medium o
mainstream political change. Politicians can
make minor course corrections, but I think
were moving in the wrong direction, he said.
I think the systems grown out o control, and
I dont think theres any stopping it. The lens,
not the lawmaker, is now Dodsons preerred
tool or society-wide change.
Both men said they ound out about the
Free State Project on the Internet but took thenal step to move based on the reputations
o other like-minded pioneers. In contrast
with the clear distaste they show or police
ocers, judges and other ocials, Dodson
and Freemanlike many o their ellow
Free Statersregard the movements early
movers with reverence, even when they
disagree over certain means o protest.
The reason I chose [the Free State
Project] was because people I respected
chose it, Freeman said. Some o his riends
said the same thing o him.
Friendship, in this case, oten derives
rom online acquaintance. Almost all Free
State newcomers make adept use o the
Internet. Freeman said Keene is particularly
overrepresented by libertarians who
at some point worked with inormation
technology.
That sentimento the value o the
Internet as a means o communication and
communityis shared by Free Staters both
in oces and on the streets. [Keene is] a
center o activism in New Hampshire, as
ar as Internet advertisement is concerned,
said another transplant as he stood outside
the courthouse holding a cardboard Honk
or reedom sign. The protester, who would
only give his name as Stone, wore a navy
hoodie and jeans duct-taped around his bike-
pedaling leg. His current job, he said, is to
manuacture and distribute cigarettes.
Stone isnt the only Free Stater with an
alias. Some ellow Free Keeners even reer
to each other by their online monikers. Other
members, like Freeman, who was born Ian
Bernard, answer to a pseudonymor more
accurately, a chosen name. Dodson, who once
went by the name Miller, said the decision
was more than just sel-styling. I eel like my
legal name has been usurped by the state,
he said.Stone moved to Keene rom Virginia in
September, leaving his riends and amily
behind. He does not regret the choice,
embracing the newound reedom he ound
wholesale. People are smoking out in the
square, gardening here [on government land]
and giving manicures without a license.
As Stone stood with his sign, some drivers
honked, and others ignored him. One woman
rolled down her window to question what
it was all about. Freedom rom what? she
asked, in a not-so-riendly manner.
Exactly! Stone said, emphasizing
how much he approved o the disapproving
question. Both were silent or a second beore
the driver recited: Freedom isnt ree.
Exactly!
A sot-spoken elderly man suggested
an addition to the sign. How about and
responsibility? he asked, to which Stone
conceded he thought exactly the same thing.
A ruddy-aced truck driver slowed his
vehicle. You guys are part o the 4:20
[cannabis] crowd, right?
Stone asserted they were.
You do some great work, guys, the
trucker said, pumping his st.
Keene residents have reacted by turns
indierently, supportively and angrily to their
new neighborsin ways that are as much a
unction o the locals own attitudes as o the
migrants actions.
Paige Beauregard, a cashier at The Corner
News convenience store on Main Street,
typies the stance many locals have taken
toward the out-o-towners, who are easy to
spot even in a place where odd characters are
common. New Hampshires pretty lenient,
said Beauregard. We dont really judge
people unless they make us judge them.
In this case, some Free Staters actions
have given Beauregard cause to judge. As
or the smokers on the Common . . . I think
they really could have done it a better way.
The way you need to change the law is to go
to the law, not by going out in public with an
illegal substance, she said.
Keene mayor Dale Pregent shares
Beauregards skepticism o the way Free
Staters sometimes go about doing things,
although he too stressed that they have the
right to their belies. I doubt theyve had the
impact on the city that they want to have,
Pregent said o the newcomers. As small as
this post-industrial county seat m
to outsiders, the mayor noted tha
dozen people are going to be hard
change the minds o nearly 25,00
residentsespecially in a place a
Keene. Keene is a very, very Dem
region, said Pregent, whose oc
nonpartisan, as are all local ocia
very progressive city, very environ
riendly.
Other locals ear what may re
the Free Stater presence. At Lindy
a greasy-spoon establishment tha
Fluernutter sandwiches along w
typical breakast and lunch are, r
librarian John Blomquist expresse
reservations. A resident o nearby
Blomquist regrets how his once-phas been choked by the surge o
and said he eared the same or K
Blomquist also seemed somewha
I suppose you have to look at it t
Theyre going to do it anyway, h
Stone would agree. I believe
in my lietime, he said. Im read
out i this is possible. The 800-a
Free Staters have rallied under th
battle cry, and or many the starti
is this small town in the oothills
Hampshire. FreeKeene.com procl
place the world destination or p
civil disobedience and noncooper
will tell. Meanwhile, Stone will f
passing motorists with his handhe
and Freeman will host his radio sh
will keep showing up at court, cam
shoulder, hopingor maybe not
powers that be will let him in. c
Every cse where
here is Free SePrjec persn
invlved, he cmerissue cmes up.
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12 thecmmen 2010 13 thecm
o the second day. What point this narrative was supposed
puzzles me still. I didnt ask, though. In my experience, tho
awkward questions tend not to be invited to parties. I neve
storytelling game, but I suspect that those who do are lyin
exaggerating. Otherwise I dont believe they would still be
least without a dozen illegitimate children.
Meanwhile, the courtship game continued. All around m
on the ship were engaged ina wonderul euphemism
up. What hooking up exactly m eans varies in denition rom
to person, but vocabulary was the least o what some were
Although in retrospect it seems inevitable, I was still surpr
sheer number o people who ound someone special, i on
hours. The negative aspect o being in such a small commu
that there was little space should riction develop post-rom
way to avoid people ater the mind cleared. Confagrations
tears were all too common. Ater careully considering the
I decided to pursue riendship instead. From the rumors tha
around the ship aster than the
sea birds we sailed by,
others came to that
conclusion ar too
late. Rationally,
Im glad I didnt
get sucked into it, but
96 percent o me could have
swung my decision in another direction.
It wasnt until I sat at breakast the morning we sailed
I realized that or all my internally aloo analysis, I was justin this group as anyone. My very involvement had delayed
that the social aspects o the trip were now much more en
to me than I could ever have imagined. Four percent may b
distinguishes human rom chimpanzee DNA, but I choose t
is a compliment to chimps, rather than a slur to humanity.
thought, I nished my banana.
his shadowing o the brunette near him was eective in gaining her
admiration, or was he perhaps oblivious to how he looked? It took
some eort to silence these kinds o thoughts, but or once I didnt
nd them more interesting than actually participating. To the
contraryI encouraged my inner chimp to strangle the pedantic
lecturer in my head.
To adapt to lie on the ship, some chose a dierent kind o
gameless transparent but oten with stricter rules. To take part, the
participants wore nice dresses, button-down shirts and suit jackets. Im
pretty sure I even saw someone in a tie. Together they headed or Pub
Night, a ew hours o overpriced beer and overblown expectations.
Not even the most ardent o us literal game-players were unaware
o this other way that college-age people play. Sometimes the og o
hormones was thick enough to make me dizzy. Actually, that might have
been rom walking into a pole when a particularly pretty girl walked
by, wating perume as she passed. A multitude o dents would have
marked the passage o some students had the ship been made o
less durable material. For those who were singleand or some who
were notthe week oered an unrivaled opportunity to preen, strut
and otherwise parade themselves to an essentially captive audience.
Even i this posturing was not done consciously, the methodically
questioning part o me could not help but see the chimpanzees in their
ght or hierarchy and the rewards o being on top.
The most common on-board struggle or dominance took the orm
o storytelling, ultimately just a more civilized version o pung out
the chest, screeching and throwing sticks in the air. No matter how
crazy or outlandish the tale told, someone else sitting with the group
attempted to top it and thereby usurp the tellers dominance.
At one point, a ellow traveling scholar told us about how he
had drunk an entire bottle o vodka by himsel one night and had
barely elt sick the next morning. No sooner did the echoes o his
tale o sel-abuse die away than a girl jumped in with an account
o how shed gone on a two-day bender, drinking bottle ater bottle
o liquor. The only noticeable eect: her complete lack o memory
Four percent o my DNA is all that stands between me
anda chimpanzee.Despite humanitys intellectual and technical
accomplishments, only a ractional dierence in genetic identity
separates looking or lie on Mars rom looking or lice on a
neighbors ur.
I remember watching Discovery Channelspecials on chimpanzees
and their entertaining antics, but what always struck me about those
shows was what they said about chimpanzee society. Chimpanzees
and other great apes apparently live a social lie complex enough to
be understood only by a dedicated genius like Jane Goodallor by
someone who really likes soap operas.
The same, o course, is true or
humans. Even when disguised by ancy
clothes and good manners, our primate
essence comes through. Indeed, while I
pride mysel on my analytical nature, it
only took one week in the summer o 2008
to make a monkey out o me. I spent that
summer traveling Europe on an academic
cruise program called Semester at Sea.
When I boarded the ship, I had no real expectations or the rst week,
the one that would take me and 600 other college students rom Nova
Scotia to Norway. I was ocused on what would happen once the ship
docked in port. The onshore explorations and academic aspects o the
summer loomed larger than any social consideration. I assumed that
rst week would be dull and I would spend most, i not all, o my time
alone. I crammed my iPod with movies and packed books ( Moby Dick
and 20,000 Leagues Under the Sea) to keep me busy.
What I had ailed to oresee was how very m uch this rst part
o the trip w ould be like a psychological experimentor, to be more
precise, a chemistry one. Take one cruise ship; add college students
with an exciting summer ahead o them. Make sure that most o
them have never met beore. Grant them a maximum o ree time by
ensuring that all mundane chores are taken care o. Remove nearly all
supervision. Add a dash o alcohol, and shake well on an empty ocean
or eight days. Use caution when examining contents, as the blast
o hormones could strip away the inhibitions and common sense o
anyone without proper protective gear.
The moment the ship began to move, there was a sense o
uncertainty about how we might get to know one another in this
strange, unstructured environment. Lacking lice to groom, we turned to
play in much the same way young chimps mightto bond and engage
with our peers.
Everyone brought out the games, songs and jokes they knew rom
childhood. Swept up in the ervor, I dredged up memories o summer
camp and kindergarten or the things I
used to do with my riends beore we
had video games. The sentence-orming
hodgy-podgy was a particular avorite.
The videographer o the voyage even
lmed us, teen or so college students
sitting in a circle holding hands as we
passed a clap to the nonsensical rerain.
All the chairs in the room were occupied
by people laughing at the ridiculousand requently risqu
sentences we would compose to the rhythm o clapping hands and
slapping knees. O course, ailing to nish a sentence (and we usually
ailed) made us laugh even more. The zenith o the night came when
we all decided to play a variant o hide-and-seek called sardines, in
which only one person hides and everyone else has to search or him or
her. Not as intimate as eating parasites and bits o dead skin o each
others backs, but certainly a cleaner orm o bonding.As much un as I was having, the logical part o my brain still
kept clicking away, ling observations, comparing phenomena and
attempting both to explain and predict the behavior o those around
me. Was the enthusiastic girl encouraging us all to play really excited
about the game, or did she just want to be the center o attention?
Did the giggling ellow bouncing like a concussed kangaroo think c
Apes at Sea[Eric Hl Schwrz]
I nly k ne week in hesummer f 2008 mke
mnkey u f me.
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14 thecmmen 2010 15 thecm
The barbarian warrior shouts a battle
cry as he brings his twin swords down. The
man beore him alls. Chest heaving, the
warrior steps back rom the now-prone gure.
Turning, he issues a command to his ellows
and sprints past the dueling swordsmen and
allen bodies that ll the woods. The red sash
on his tunic fares behind him. Out o sight o
the battleground, behind a lodge, he removes
his glasses and wipes them clean, careul not
to smudge the tribal paint on his ace. Ryan
Cohen may be a warlord at the moment, but
he wont be able to do much rampaging the
rest o the weekend i he cant see. And as a
game director or the Steam and Cinders live-
action role-playing game, he has more than
marauding to do.
Fortunately, Cohen is not the onlyone coordinating the our dozen players
spending the weekend at Camp Denison,
in Georgetown, Massachusetts. Fiteen
staers together try to ensure that players are
continually involved in exciting adventures.
Indeed, the two-year-old Steam and Cinders
and its parent company, Be Epic, can be
counted a success thanks largely to their
eorts and those o Cohen and Be Epic
president Mike Kanarekall in the context
o the rising popularity o Live Action Role-
Playing games and the many participants
(LARPers) in New England.
LARPing is a combination o antasy
tabletop games, historical reenactment and
improvisational acting. Game creators render
everything rom accents to the very laws o
physics in as much detail as possible, andplayers work to make their characters come
alive. Ultimately, those involved create a
shared world.
Kanarek has been LARPing since he was
16 and, like many o the players and sta
at Steam and Cinders, has been involved in
several ongoing games, oten simultaneously.
In that sense, hes a true LARP veteran.
Today, comortable in his ake acial hair and
military uniorm, the 28-year-old calmly sends
out his team to deal with crises, checks on
dinner (prepared by the wie o a player) and
otherwise parlays his years o experience
into running what to an uninormed observer
appears to be a madhouse with a costume
budget. You get good at pre-empting res,
he says. And while both Kanarek and Cohen
currently work ull time (Kanarek as a quality
assurance tester or the online Lord o the
Ringsvideo game and Cohen as a manager or
a medical-device company), they both want
to grow Be Epic as a business, involving more
people and eventually starting more games.
They are even using the LARP as a way toapply or business school.
Steam and Cinders epic journey began in
July 2007 ater a barbecue during w hich ve
LARPing riends conceived a new game, one
they could run together. While they enjoyed
the games they were in, Kanarek says, they
wanted something newsomething dierent
rom the typical magic realms. We were
sick o the antasy genre, Kanarek says.
So the group decided to go or steampunk,
an entirely dierent realm o the antastic.
Steampunk takes the world o the nineteenth
century and asks, What i we had ollowed
the visions o Jules Verne and H.G. Wells,
creating mechanical computers, steam-driven
machine guns, and all the other extrapolations
o the uture based on then-current society
and technology? Steampunks rising popularityin books, games, movies and comics led the
group to use the constructs and themes o the
genre, situated on a new world named Tellus
in a rontier town called Iron City.
The group started sharing visions and
ideas, attempting to tame the wild notions
LARP[Eric Hal Schwrz]
Lieutenant and Lady Weathersby
in their heads. We were ranting
ideas while nobody else listened,
remembers. Id say 99 percent o
had at that point got scrapped by
Ater a month o twelve-hour mee
maniacal rule- and world-making,
was ready to test its intricate crea
nest LARP tradition: War Day. I
a horrible train wreck, Kanarek s
at memories o the event. Cohen
was a lot o un, he says. But he
playing is generally less stressul
a game, especially an untested on
In any event, the group persev
though the beta testing had not g
as hoped. The ounders, along wit
riends, continued to rene the ru
with the mundane necessities o place to play and arranging insura
and everything else. They settled
Denison, which had plenty o spa
isolated enough that the game
get noisywouldnt bother neigh
in April 2008, the team was ready
rst real event.
It took only casual marketing a
promotion to draw people to the c
that inaugural game. We relied m
word-o-mouth, Kanarek says, ad
the Internet was useul in coordin
weekend was not without growin
misunderstood rules, along with u
about the tone and structure o th
but the sta had expected that.
way its supposed to work and the
work, Cohen says. But the 40 or that rst game gave enough posit
to keep the game alive, and enco
sta to dream even bigger.
Steam and Cinders is now pla
six times a year: three games in th
three in the spring, with a ew ext
In character: Sir Alcock and Mrs. Cragswagger
photos by Vincent BancheriMe Good
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in like a winter east and small-group summer
events. Kanarek and Cohen arent araid to get
their hands dirty, either, actively participating
whenever possible. You can do more good
out in the game, Kanarek says. You cant
just wait or problems to come to you.
Up at the camp, players wander through
the woods or sit at picnic tables discussing
their latest exploits, always in character, until
sucked into a new storyline by sta members.
The plots range rom baroque political
schemes to a straight battle against raiders,
most o whom are junior staersor, as they
are ondly called, crunchies. Theyll play
bandits or things that are pretty disposable,
and then they go crunch, Kanarek says by
way o explanation. Bruises and aches are not
uncommon, but there havent been any serious
injuries.
Near the picnic tables set up
in a clearing, an elaborate, brightly
colored tent beckons. Inside, Brit
Knowlesor Sanura, as she is
known around Iron Citycareully
puts together alchemical grenades
(beanbags or four wrapped in
tissues), while explaining the utility
o these and other instruments. Her
characters accent, a mix o Russian
and Arabic, adds mystique to the
tea-scented space.Commerce in Steam and Cinders
is possible thanks to the gold coins
designed by the sta and sold or
the game. Each coin displays a coat
o arms on one side and the prole
o the queen (actually one o the staers) on
the other. One o our goals in this game was
to not need suspension o disbelie, Kanarek
says. We want it to eel real. To achieve
that level o verisimilitude, Kanarek, Cohen
and the rest o the sta create elaborate
props, like period newspapers and ocial
notices, storing them and other equipment in
the nearby sta center, known as the Mine
Oce.
The inside o the Mine Oce looks
like the result o a high-speed collision
o a Renaissance air with a comic-bookconvention and historical-reenactment society.
Heaps o swords and shields lie piled next to
racks o costumes, while tables o guns await
the next battle and pseudo-parchment posters
issue admonitions to the people o Iron City.
The edged weapons are all heavily padded or
made o sot plastic, and the guns are mainly
A stockpile o weapons in the Mine Oce.
Ner weapons, painted and modied to look
like brass and steel, evoking a technology
that never was. The mix o styles is an
absinthe addicts dream o the Wild West,
Victorian England and pure antasy. But its
the row o cabinets orested with taped-on
sheets o colored paper that commands the
attention o most o the sta in the room.
Each sheet lists a story or activity and all the
sta and equipment needed, and each one
advances either the narrative o Tellus or the
development o individual characters.
Running a Steam and Cinders event is
urther complicated by ongoing shits in the
roster o players. Theres a lot o turnover
in the game, Kanarek says. People leave
and come back a lot. The sheets lining the
wall o the Mine Oce are really just the
tip o the creative iceberg necessary to keep
things afoat. Happily or Cohen and Kanarek,
the sta is more than up to the challenge.
When Kanarek calls over several people to
organize a raid, he can count on them to ollow
the elaborate tactics and the subtle story
underlying the attack (in this case, the crash
o an airship). A risson o excitement moves
through the room as a ew staers intently
pack a crate with weapons, ammunition and
other goodies or players to discover. We
have just as much un as the players, Cohen
says. The players themselves oten are old
hands, participating in several ongoing gamesat once. College students and recent graduates
make up a majority o the population. Some
participants are sta members o other LARPs
who come to Steam and Cinders just to play.
They tend to be some o the best, Kanarek
says. They understand that I poured my heart
into this thing.
For those looking or a LARP, New England
oers one o the largest such extended
communities in the country. More than a
hal-dozen venues oer everything rom war
games with minimal character development to
LARPs like Steam and Cinders with elaborate
histories and multiarious cultures. Settings
range rom ctional-but-realistic to Tolkien-
esque with diverse species as characters.
Knowles compares LARPs to romantic
prospects. LARPing is a lot like dating, she
says. Some are xer-upper boyriends, and
some really have everything together. You get
dierent things out o dierent games.
Occasionally LARP romance is more than
metaphor. Knowles hersel met her boyriend
at her rst game, when she played a savage
barbarian. He was dressed as a spirit
who sent me out to the w oods to die, she
remembers. Kanarek, the boyriend
in question, simply laughs when
questioned about the incident.
Actually, there are many
couples playing the game, including
some sets o husbands and wives,
although their characters do
not always refect the real-lie
relationship. Men outnumber
women at Steam and Cinders,
though less overwhelmingly than
in other LARPs. In most LARP
games, there is a ve-to-one ratioo males to emales, Kanarek says,
but Steam and Cinders comes
out to about a two-to-one ratio o
guys to girls. Not that such gender
imbalance really matters with so
many costumes and wigs lying around. At
every LARP you go to, at some point in the
course o the season theyre going to put a
guy in a wig and a dress, Cohen says, and
the emale sta dont hesitate to go the other
way when called on.
While there are plans to make Be Epic
protable, right now the reward or the
weekend is the experience itsel. Its a
real labor o love, Cohen says. Ater a
weekend o running around ensuring that 50
people are having un, dealing with crises
both in-game and out and sleeping almostnot at all, sometimes he and Kanarek ask,
Why do we keep doing this to ourselves?
But even as they leave, ideas or new plots
and new adventures start to percolate, and
excited e-mails begin to fy back and orth in
preparation or the return to Tellus. c
The Savage Circle in Iron City.
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WillBxforAn Olympic Drive to Become a United States Citizen
Tamerlan Tsarnaev is a boxer from Chechnya whocurrently trains at the Wai Kru Mixed Martial ArtsCenter in Boston, Massachusetts. Tsarnaev entersnational Golden Gloves competitions in hopes that hemight be selected for the next U.S. Olympic team andbecome a naturalized American.
1. Tsarnaev works out at the Wai Kru MixedMartial Arts Center.
2. Though hes lived in the U.S. or ve years,Tsarnaev says, I dont have a single Americanriend. I dont understand them.
3. Tsarnaev, who studies at Bunker Hill CommunityCollege in Boston and wants to become anengineer, took the semester o rom school totrain or the competition.
4. Tsarnaevs amily fed Chechnya in thbecause o the confict there. He livebeore coming to the United States a
5. In the absence o an independent ChTsarnaev says he would rather compU.S. than or Russia.
6. Tsarnaev stops to answer a call whilhis boxing practice.
7. Im dressed European style, Tsarna
1 3
4 6
2 5 7
[Johannes Hirn]
PaSSPoRt:
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108
9 13
8. Tsarnaev says he loves the movie Borat, even though some o thejokes are a bit much.
9. When you start kicking, it gets dirty. Thats what I think, saysTsarnaev. O kickboxers, he says, They dont know how to move.
10. Tsarnaev says he doesnt generally remove his shirt when amongwomen at the gym.
11. Tsarnaev, a Muslim, doesnt drink or smoke. God said no alcohol,he says.
12. Tsarnaev demonstrates a way o walking to strengthen the ankles.In Russia, we used to train like this, he says. Here nobody doesit. I dont know why!
13. Tsarnaev takes a break rom his boxing practice.
11
12
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Eye shadow still gives me trouble. My hair is perpetually in its
ponytail. My closet is ull o shorts not skirts, sneakers not stilettos.
I could probably use a little help.
When I got to middle school, I laid down my Barbies and picked up
a basketball. A decade o sports and two reconstructive knee surgeries
later, I still dont know how to put curlers in my hair, still keep my nails
short, still wake up and unconsciously dress or a basketball practice
I havent gone to in years.
Its not an easy transition rom emale athlete to . . . emale. The
admission eels like the catharsis o a twelve-step group in a church
basement, but AA doesnt stand or Athletes Anonymous.
Hi, Im Katie, and Im a ormer basketball player.
It wasnt always like thisI wasnt born to be an athlete. Onceupon a time, I categorized basketball as a boy sport; I used gym class
to study the intricacies o French-braiding hair rom the saety o the
sidelines. But the beautiul girls in th grade were beloved by boys and
upperclassmen alike, and many
o those girls were stars on the
basketball team. With inallible
tween logic, I determined that
all I had to do to be embraced by
the middle-school hierarchy was
to be good at basketball, too.
So I sauntered into my
rst team practice, wearing
new jeans and cute shoes. I
was ill-prepared to see my
once-precious classmates
transormed: grosgrain
headbands replaced with
dripping sweatbands, well-coordinated outts traded or
mens undershirts and gym shorts. My mind raced. What world
was this?
Things worsened once I stepped onto the hardwood foor. I got
winded running the laps around the gym and stopped, pretending to
retie my now tragically un-cute shoes. My oul shots ell hopelessly
short o the rim; hard passes bounced o my ngertips.
I learned several lessons in those 90 minutes o sport: Actually
participating in gym class can make middle-school girls astonishing
athletes; crying is a punishable oense (more laps, less oxygen,
more tears, repeat); I was going to need a completely new wardrobe;
basketball is, most assuredly, not simply a boy sport.
I wont lie: For a long time, I was the worst one on the team. My
dad and I would go to our basement every night, turn on the NBA
(maybe Id improve via osmosis), and pass the basketball to each other
or as long as itd take me to catch twenty in a row.
Some nights were embarrassingly long.
Eventually, though, Id catch m ore than Id drop. I learned the names
o the Knicks starting lineup and could parrot the announcers (Did you
see that zone deense? Van Gundys out o his mind!). I shoved T-shirtsadorned with fowers deep into the recesses o my closet and bought
boys basketball sneakers. I stopped crying.
Its a delicate balance, growing up as both a girl and an athlete.
Truly dedicated players dont wear earrings or necklaces with their
baggy T-shirtsthose are telltale signs o the inexperienced, the
wannabes. A well-put-together outt is key or a trip to the mall with
your riends; match your shirt to your shorts at practice, and you look
like youre trying too hard. M akeup? Nail polish? Your mother may have
nally relented, but what would your coach think?
High school brought new challenges. The adolescent identity crisis
is never more pronounced. Teens wander the halls trying to understand
who they are by sorting their peers according to what they do. Those
destined or the Ivy League read about high school rom the saety o
the library. Up-and-coming Tony winners sing and dance as i the Great
White Way were lined with lockers. I carried my basketball with me
everywhere, and so I was happily dened as an athlete.
This is not to say that I orsook my high-school emininity entirely.
I was excited to be the Spice Girls with my riends at Halloween; itwas simply understood that Id be Sporty Spice. I pored over issues
o Cosmo, Seventeenand Sports Illustratedwith equal enthusiasm.
A good night o television was fipping between Sex and the Cityand
SportsCenter.
Those small indulgences were all I allowed mysel. Its an unspoken
rule o emale athletes: Be girly, or be the best, because you cant be
both. You have to choose whats more important to you: letters rom
Division I college-basketball coaches or a date to your senior prom? (I
nabbed a last-minute date to mine: a riends cousin, who borrowed my
cell phone halway through to call his girlriend. Awkward.)
Some girls try to straddle the line, but they get weeded out; i you
didnt go on to play in college, that was nebut it was because you
didnt want it badly enough. As girls my age detly wielded kohl pencils
to practice eyeliner application, I had a Sharpie in hand to perect my
signature; I would be ready or the throngs o little girls who would one
day swarm around me with their Ryan jerseys and WNBA regulation
basketballs.
But my dreams o a uture in the pros were dimmed ater some
substantial injuries. Blowing out ligaments in one knee has been
enough to derail the careers o several proessional athletes; I hadreconstructive surgeries on both o my kneesone a year beore
the other, both beore I graduated high school. Somehow, though,
I couldnt give up. Id worked so hard
on this identity. Who was I, without
my basketball?
Even with the surgeries, I was still
recruited by some colleges to play, and
so I only applied to schools where I
could be on the basketball team. But my
collegiate career was short-lived; my
bionic knees couldnt hold up, and I let
the team ater my reshman year.
The morning ater I stepped down, I rose at 6 a.m. ready or the
team run, and realized I could simply turn over and go back to bed.
But how could I sleep? Id awakened to discover that Id become an
amputee: Had anyone seen the mass that was once attached to my
right hand? Twenty ounces or so, bright orange, answers to Spalding?
Just like that, I was back to square one. For m ore than ten years, Ihad dedicated my lie to sports, shunning anything that would not get
me closer to my goalseven outward signs o my own emaleness.
And what had it gotten me? Joints that snap, crackle and pop more
than my bowl o cereal in the morning, a closet ull o sweatpants and
little idea who I was when I looked in the mirror.
And the beautiul, sporty girls o th grade had now evolved into
beautiul women, with manicured nails, silk blouses and high-school
sweethearts. How had I missed the priority
shit? We had once scoed at girls who
breathed anything other than basketball; when
did we become them, I wondered?
I had some catching up to do. I w ent through
tubes o liquid eyeliner and bottles o nail polish. I
bought heels and blouses and blazers. I even threw
away my prized team sweatpants.
Becoming a girl was soon part o my m orning routine
emininity became another layer to apply. I still woke up an
hoodie, but Id police mysel and return it to the closet or a
There was time in my scheduleater brushing my teeth b
my coeespecially slotted or makeup application. Id evhouse without a ponytail holder so Id have no way to sabo
in the middle o the day.
Yet somehow, I elt like a a
But a ake what, exactly? No
long it may take me to master m
or how many days I sneak past m
a hoodie (i I didnt see it, it didn
the girl who French-braided hair
sidelines is the same girl who ra
boys basketball sneakers.
Lets ace it: Its hard enough
up at all. We spend our youths c
ourselves to our peers, jockeying or position. Eventually w
morning to a dawning maturity, and wonder whom our pee
emulating while weve been so busy emulating them. May
up means simply accepting who you are, even i youre not
who that is.
Although Im coming to terms with the unconventionalemininity has taken, my closet is the nal rontier, where t
schizophrenic vestiges remain. High heels Ill only wear to
lie dormant next to sneakers Ill only wear on hardwood co
are sequins, and there are sweatpants. I I could gure out
them together, I probably would.
What can I say? My wardrobe, my emininity, meits
progress.
Lipstickand[Katie Ryn]
Layups
c
Smehw, hugh, I culdngive up. Id wrked s hrd
n his ideniy. Wh ws I,wihu my bskebll?
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Desiny USa:Te Story of a Mega-Mall and a City
The gates o wonderland opened. Buses
drove past a man-made lake with so many
trout that they could be pulled out by hand.
Hunters o the transported wildlie at the
reserve waved as the buses passed on their
way to a mansion-sized log cabin.
To the 200 people who gazed at Savannah
Dhu through the buses tinted windows, the
landscape must have seemed wholly
unamiliar, a world much arther away rom
their hometown o Syracuse, New York, than
the hours drive would suggest. It was October
2005, and the men and women on board the
buses were there to be shown that they too
could be part o a antasy, as the same man
who had created Savannah Dhu planned
to transorm an aging Syracuse mall into a
mega-mall that would rival any in the nation.
It sounded almost too good: The simple
Carousel Center that had been around since
1990 would morph into Destiny USAa
rival o the Mall o America and maybe even
o Disney World, i the advertisements in
the current mall were rightwhich in turn
would transorm the struggling city. The men
and women on the buses had been hired as
the workorce to execute a plan that some
were calling grand and others w ere calling
grandiose.
Already artists renderings had made the
project look like an elaborate science-ction
conglomeration o commerce, entertainment
and luxury. There would be a replica o the
Erie Canal, 400 stores, rock-climbing walls, an
aquarium, two gol courses, 1,300 hotel rooms
and an arena. More than 122,000 jobs would
be created, and $12.5 billion allegedly would
course throughout the state as a direct result
o the tourism destination.
The workers must have been hopeul as
they listened to Savannah Dhus owner, Robert
Congel, speak about how he came rom humble
beginnings like many o them, and how Destiny
USA would become a reality. Destiny USA
would change the lives o Syracusans by giving
a living wage to those who had been working
at ast-ood joints and gas stations, providing
opportunities, and enhancing the citys collective
well-being. The workers werent the only ones
who would hear Congelthe magnate behind
Pyramid Companies, owner o Carousel and the
largest private developer o shopping malls in
the United Statesgive his pitch. Politicians
and infuential citizens were also bused to
Savannah Dhu to hear the Destiny USA pep talk,
including how Congel had begun his empire in
1970 right there in Syracuse.
Little did the employees know that within
three months most o them would be laid
o. Hal a decade later, the only sign o the
abulous development is a 900,000-square-
oot gray appendage to the side o Carousel
mall, built by contractors rom out o state.
There are no tenants or the new structure,
and the high hopes and tax dollars residents
invested in the process are stymied.
It sounded too good to be true. Maybe
it was.
The city o Syracuse is known more
or snow accumulation than as any kind o
tourism mecca. But even though its won the
Golden Snowball Award (a competition among
upstate New York cities or which has the
most snowall in a given season) every year
since 2002, there is much more to their city,
residents say. Syracuse University and other
colleges are within the city limits. Many parts
o the city are inviting places in which to live.
The countryside is a teen-minute drive away.
Yet none o these attributes alters the
economic reality that Syracuse has aced
in the past ew decades as a poster child
or post-industrial decline. A city with deep
blue-collar roots, rom Erie Canal commerce
to manuacturing, Syracuse has not recovered
rom the departure o its largest employers.
General Electric is gone, and the Carrier
Corporation, a once-stable core o the
economy, is just a hazy memory let behind
as a moniker on Syracuse Universitys Carrier
Dome stadium. Over time, the Rust Belt has
tightened around Syracuse, taking much o
its vitality with it. Empty storeronts have
accumulated downtown. The population has
dwindled rom 221,000 in 1950 to roughly
140,000 today.
It was to this compromised, once-proud
city that Congel made his pitch, according
to local developer Bob Doucette. Doucette,
who is also a proessor at LeMoyne College,
describes the situation as he sees it rom
his oce in the middle o Armory Square, a
downtown neighborhood that he has been
instrumental in reviving. The King o Armory
Square, as Doucette is sometimes called, says
[eresa Grmn]
the instability o Syracuse made it
to accepting any leadership or mo
People are willing to grab anythin
looks like a lieline, Doucette, say
orward. I it bears some resemb
preserver, they grab or it.
Destiny USA wasnt the rs
Congel had tried to alter the land
hometown. In the 1980s, he won
politicians to his plan to have Pyr
mall in Syracuse. The mall would
generate revenue. The clincher w
promise to build on top o part o
toxic dump on the shores o Onon
which had earned a reputation as
polluted lake in the nation. The n
acres occupied by nine active oil
were surrounded by 700 more ac
decrepit buildings.
Pyramid spent millions cleani
contamination on the 75-acre ma
dedicated more to the dump surr
it. Carousel Center opened in 199
concerns that such a thing w as n
Can a Mall at a Toxic Dump Rev
Syracuse? asked a New York Tim
on October 17, 1990. The econom
not occur to the extent the city ha
the condos and oces supposed
the mall never appeared, but Pyra
continue to clean up the area.
People who credited Congel w
the Syracuse economy the rst tim
were more likely to be on board t
time. Syracuse Common Council P
Robinson, or one, says the Oil C
and mall development were a bo
To expand it would only have ma
he says in retrospect. Though Van
was elected in 2006, sixteen yea
original mall opened, he ran unsu
the council in 1987 and would ha
an expanded plan then, he says.
rom all over to shop here, Van R
says. They come rom Canada, t
tour buses. More would come i D
was built.
Perhaps Congel, who was not
an interview, heard those echoes
and they will come, though Pyram
more than a eld in mind when th
project was rst presented. In 20
drew about 17 million visitors. By
plans called or Destiny USA to d
million people in a year. The price
$15 billion with all phases compl
A enced-in construction area o Arendi, the rst phase o Destiny USA, near a
parking lot o Carousel Center. The Lord & Taylor has been in Carousel Center since
1993, three years ater the shopping mall opened.
24