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Final Thesis_Parcours durable.03
perspective.02
Final T
hes
isFinal T
hes
is..03
2008
_200
9
p_05
2008
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9
The challenge was to design a buil-ding symbol of the car industry revi-val, and make It at the same time a sustainable facility with a formal approach By using the lexical field of car design (dynamic shapes and materials used in car production), I have tried to mold this architecture to the new idea of mobility.
Construction principlesection bb'
section aa'
Perspective.03
Public equipment_Media Library in Ivry.01
Fo rth
yea
rMed
ia L
ibra
ry in Ivry.01
20
05_2
006
. This project is part of an urban problematic. The physical barrier re-presented by the ring road of Pa-ris gives birth to inequalities and fractures between the city and its suburbs. This new Media library which is a part of a new urban fa-bric project of Ivry, creates a physical and cultural bridge between Paris and its surroundings.
p_06
Elevations
Second level planPerspecective.01
situation plan
2005
_200
6
Master plan
View from the top
Public equipment_Media Library in Ivry.02
The building design refers to a Ma-levich work. Built in steal, the idea was to create a free interior by ma-king easier the architectural route and the incoming of the users.
p_07
Construction details
Ground level plan Ground level plan Forth y
ear
Med
ia L
ibra
ry in Ivry.02
20
06_2
007
2006
_200
7
Public equipment_Conference center
Forth y
ear
Confe
rence
cen
ter
2006
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7
This conference center is the star-ting point of my initiation concer-ning "Green architecture". With basic knowledge and a few techniques, my first intention was to anchor this building in its urban context close to the Seine and secondly it was giving the building a green facade.
p_08
Section aa' Section bb'
Ground floor plan
aa'
bb'
2006
_200
7
Master plan
Perspective.01
Perspective.02
Public equipment_Pelota center
Third
yea
rPe
lota
cen
ter
2005
_200
6
Located not far from the east outs-kirts of Paris, the formal research for this sports complex was the main point of interest in the project. The plan design and the building�s sha-pes were also treated in a sculp-tural way to give this equipment the dynamic lines that it apparently needs. .
Perspective 1
p_09
Elevations
View from the tennis court
Groundfloor plan
View from the top
Situation plan
First level plan
2005
_200
6
Master plan
Sections
Housing_Mixity in Sartrouville.01
Forth y
ear
Mixity
in S
artrou
ville
.01
2005
_200
6
Housing projects represent the har-dest topics for a student in archi-tecture. The main difficulty was to handle the program itself. Mixing housings, shops and offices in a restricted perimeter of construction created a certain complexity, that taught me how to manage urban density.
p_10
Elevations
Elevation south
Situation plan
Elevation north
2005
_200
6
Master plan
Current floor plan
Third
yea
rMixity
in S
artrou
ville
.02
2005
_200
6
Interior perspecitve
Penthouse perspective
Penthouse plans
Housing_Mixity in Sartrouville.02
The penthouse is the masterpiece of housing project. It gives the users a double space leveled area and double outdoor terraces with two different orientations: North-east for the private spaces like the bedrooms, and a south-west exposure for the common areas..
2005
_200
6
Penthouse perspective
Penthouse plans
p_11
Housing_Five appartements in Paris
Seco
nd
year
Five
app
arte
men
ts in P
aris
2004
_200
5
Located in the 12th district of Pa-ris, this new building, surrounded by old constructions represents a new impulse in the street Emile Duployé. The architectural project has the sin-gularity of merging with its context by modernizing some aspects of the average Parisian housing unit.
Perspective 1
p_12
Elevationsperspective.01
Section aa' Floors plans
Situation plan
2004
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5
Current floor plan
City plan. & Landscape_Sustainable park
Eras
mus
yea
rSu
tainab
le p
ark
2007
_200
8
Supervised by Cino Zucchi 60 archi-tecture students from more than ten countries were involved in this project as part of international workshop for sustainable energies. it allowed me to see how an international com-petition works and how to treat a large scale landscape project..
p_13
Garden perspectives
Pictos: Urban principles
Master plan
Garden section
2007
_200
8
City plan. & Landscape_Workshop in Malia
Forth y
ear
Wor
kshop
in M
alia
2006
_200
7
During one month for a Workshop in Malia, the task was to record measures for patrimonial buildings in Bamako and for some vernacu-lar dried earth constructions (called concession) in the Sahel desert. I have had the chance to discover an intriguing culture and a new way to comprehend construction.
p_14
Perspectives from the soils construction
Concession master plans
Country map of Malia
Concession situation plan
2006
_200
7
City plan. & Landscape_Saturn garden
Seco
ond
year
Satu
rn g
arde
n
2004
_200
5
The topic was to create the sixth garden in the pre-existing "Jardin André Citroën" in west Paris. The lat-ter is composed by small theme parks. The idea was to fit with the actual park design by creating at the same time a new garden proposal which refered to the sixth day in the bible genesis
p_15
Master plan
Longitudial section
Trees essences
2004
_200
5
Perspective.02
Interior Design_Wellness center lobby
Eras
mus
Yea
rW
ellnes
s lobb
y ce
nte
r20
07_2
008
Defining materials, construction sys-tem and furniture all at once in a project is unusual. Interior design al-lows it. For this Wellness center lob-by, the water theme has been my leitmotiv. From the reception walls to the ground floor bar, the water falls down from the top of the lobby reception to the outside space.
Functional principles sketchs
Perspective.01
Perspective.03
p_16
Perspective.02
y20
07_2
008
Gd.floor plan
Materials used
Interior Design_Hostel room in Milan
+ =Around the ground floor and the cei-ling, an existing frieze has constraint the architectural design. Not to in-terrupt this design, i have decided to hang the bedroom up in the air, floating above the floor. The Purple box and the L bed created a single piece of furniture.
Perspectives.01
Perspectives.02
p_17
Eras
mus
Yea
rHos
tel ro
om in M
ilan
2007
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8
Room working principles
2007
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8
3D picto
Interior Design_Artist Studio
First ye
arArtist
stu
dio
2003
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4
The challenge was to maximize the natural sunlight in a space in which only two sides could catch the light. Made for an artist, it gives the user the capacity to work in a double height free space with a nor-thern orientation. The constraint of the height forced me to play with split levels which became a way to separate the various uses.
Picture.02
Section bb' Groundfloor plan
First floor plan
p_18
2003
_200
4
Picture.01
Frontal scketch
Conceptual work_20x20 square
First ye
ar20
x20
squa
re
2003
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4
v
The very first project I have made during my architecture studies, was a work about abstraction: How to create tension and give sense to six abstracts volumes in a 20x20 square centimeter area adaptable to various scales (from object to urban size)
Hand sketchs
Perspective.01
Perspective.02 Perspective.03
p_19
Elevations
2003
_200
4
Master plan
Conceptual work_corridor deconstruction
In architecture we usually consider a corridor as a straight line. This plas-tic work gives it a new definition. Journey become journeys by the de-construction of shapes. This corridor becomes multiple.
Perspective 1
p_20
Seco
nd
year
Corridor
dec
onstru
ction
2004
_200
520
04_2
005