3 LAPUTA 2:26
5  BORDERLINE WITH MY ATOMS 6:02 
6  BREATHING UNDERWATER 5:44
15  THE LUNG 4:54
17  MOLASSES 4:50
 
< SHAOLIN MONK MOTHERFUNK > Follow my love follow my love Drop into Drop into Drop into this or I’ll be swinging it solo The lines on your palm cry out to be cloaked with the steady compass of my own, my constellations burn to be strung to yours, our mighty dot to dot
So drop into this So drop into this So drop into this or I’ll be swinging it solo So drop into this honey help me swim right through this so drop into this or I’ll be swinging it solo
In this heat don’t doubt Eye on the hour White ochre shower Howling as it falls to find the form of dust once more
As time fleets don’t tire your hands in mine as time fleets don’t tire your hands in mine
So drop into this So drop into this So drop into this or I’ll be swinging it solo So drop into this honey help me swim right through this so drop into this or I’ll be swinging it solo
< LAPUTA > Graphite to paper a saga born hand drawn artisan dreamer graphite to paper a saga born and hand drawn artisan dreamer Miyazaki frontier a crystal clear picture of illumininom seeker this view from here is airborne
Mystic catacomb creeper who whispers stone cold and as the mind follows deeper a relic a teacher
A talisman in the hand Navigate to seek up above Laputa (miss you) Laputa (how I miss you) Laputa (how I miss your) Floating castles in the sky (miss you) Laputa Young one hear this be fearless I’ve been running running but a riot hunts for you you you you for you
I can hear the timeless corridor of your meadows of your meadows I can hear the timeless corridor of your meadows of your meadows
Laputa, Laputa, Laputa
< BORDERLINE WITH MY ATOMS > Melt into the other world Melt Melt He saw my eyes turn gold and reptile I dream tonight bare and baptised, bear and baptised,
Coyote bones flex the muscle of animal spirit old
A bond so simple Borderline with my atoms borderline with my atoms borderline with my atoms borderline in time it alkalines
After the coal has settled deep beneath ash resting quiet as silk the remedy tampers the willing
A ripe submergence of the highest order no borders
After the coal has settled deep beneath ash resting quiet as silk the remedy tampers the willing
A ripe submergence of the highest order No borders Borderline with my atoms borderline with my atoms borderline with my atoms borderline with my atoms
< BREATHING UNDERWATER > The words in water Matter slowly unwinds as I leave feathers behind (for your love, for your lover to find) Warm hands wrapped in blue linen from Tuareg sands (for your love, for your lover to find)
Wild rose Jericho sewn arid as stone (for your love, for your lover to find)
Aorta, tattoo the artery with acute artistry (for your love, for your lover to find)
Breathing underwater breathing underwater I could breathe you underwater Pleasure melting a snowflake of lace down your face (for your love, for your lover to find)
I could call your demons inside soak them in chamomile (for your love, for your lover to find)
Breathing underwater breathing underwater I could breathe you underwater For your love, for your lover to find Breathing underwater I want you to breathe it in, The words in water
 
A toothless grinned swamp thing is lurking come get you
Come close dear I could hold you safe in the water where the pressure crush you like pestle and mortar
Kiss your fever sleep forever To sleep forever Forever Forever...
< FINGERPRINTS > Broken memories they taught me like a bird   caged by scorched wings Puzzle pieces missing The grubby fingerprints that kissed the walls have vanished
Like the wind without her whisperings and the colours wept from all the tapestries would be left nothing but sullen imagery
The uncertainty of forgotten things The phoenix she dies with her wings burning she sinks from the sky to the earth returning but she will rise through ashes singing
With new wisdom she flies to a new beginning
< JEKYLL > Dr. Jekyll that mister been buggin’ out my Hyde again
If he come and rapping on my door I’m not gonna answer it
I’ve been grieving old fashioned at the seed my
seam is fraying Silk once rushed this thrust has rusted dry Slip your flux right past your fortress we all are born to die we all are born to die
Lease this here now sweet piece of mind awake this light
Lease this here now sweet peace of mind Always in flight
< PRINCE MINIKID > Diamond of a boy docile and wide-eyed and small in size stay warm tranquil a hymn of vermillion
Prince minikid I feed you water and seed from my lips
Sleeps through the day drunk on the fruit of symmetry sleep in my hair, a nest, your labyrinth
Lapse of myth I found a babe to keep warm and safe I found a babe to keep warm and safe
< ATARI > Out over the edge you’ll find beads of laser fly Out over the edge of time Armada of mirrors A flint to strike down with weather and combat in full force eternal
Atari sight Abrasive the static The grain of pixel equation erase speed
And forced heat In 2D Atari sight Out over the edge you’ll find beads of laser fly Out over the edge of time
< BY FIRE > Direct to the old Navajo by the fire Wish we were burn your design Suede and hawk feather entwine me to the time Arizona in due mind
A bell that rings in the chest of story told meet you in this future bold
Sage at key point lead me to his funeral a man lost young and old
Regret less the knot yes I give you the end to hold
And through darkness and earth wet I seek through the land to mould a woman that rests night and day,
Sweat and tears unfold to undress the burdens that caress the blessed
I’m told
< THE LUNG > Cool it out by Koolabah overrun from the mouth
Stone A flare cold undercoat bare An apple over head
Swift courage shoot it down Fill the lung that loves the phosphorescent absorbent time spent on few and all of you
I’ll offer myrrh and murder the preferred method of doubt that sways about heavy and unsound I offer this smoke from you
Overrun from the mouth You The truth overrun from the mouth Stone A flare cold undercoat bare An apple over head Swift courage shoot it down Cool it out by Koolabah Quick Quick to Quick to loose Quick to loose your Quick to loose your furrowed brow Quick to loose your furrowed brow
< ONLY TIME ALL THE TIME > Only time all the time
< MOLASSES > Might not get Might not get any better You the born hunter relic with an armoured heart
Colour of sulphur banished to a single arc
 
Porcelain smoulders and don’t forget your state-of-the-art buried deep in the soil selfless or daft
It could be a compass rare and so bountiful it could be the opposing opinion
It could be the point of traction bound to all It could be the point of letting it go Running with my eyes closed blinding the lens with focus running with my eyes closed finding omens in the woodwork icicle cold Braille mechanical and frail
How do I tessellate to filter the rage You the born hunter relic with an armoured heart
Colour of sulphur banished to a single arc Porcelain smoulders and don’t forget your state of the art
Buried deep in the soil selfless or daft might not get any better
It could be a compass rare and so bountiful it could be the opposing opinion
It could be the point of traction bound to all It could be the point of letting it go
< BUILDING A LADDER > Free range of the mind maps the fire coasting the sidelines contact with an ease tarnish point of the supreme
Is it the strength of your fearless over throwing your pain
You’ll see new heights you’ll be reaching
Is it today that you will find your new release and in your wake ripples your sweet fate
In the death of the grip of the mask that’s covering your simple love for the part of your soul so warm and vast and I can hear the hinges struggle to last rusting feel my feathers rush from the past
Building a ladder of love to you and I hope that love you build one too and then we fly away
Hand in hand we fly away Hand in hand
hiatuskaiyote.com sonymasterworks.com
 
Paul Bender, bass, guitar, keyboards, programming 
Simon Mavin, keyboards, vocoder, percussion 
Perrin Moss, drums, percussion, programming, keyboards, bass 
Produced by Hiatus Kaiyote
Executive Producer: Salaam Remi
Track 2, additional percussion by Phil Binotto, Salvador Persico + Adam King > Track 10 additional percussion by Phil Binotto + Salvador Persico > Track 5 trombone by Bryce Gilhome >
Track 15 strings and string arrangement by Miguel Atwood-Ferguson
All songs written, produced, engineered and mixed by Hiatus Kaiyote
Tracks 1, 13 additional engineering by Phil Noy (drums) > Track 2 co-produced by Phil Noy; additional engineering by Phil Noy (drums, percussion) + Damien Charles > Track 5 additional engineering by Damien Charles > Track 6 co-produced by Phil Noy; additional engineering by Nick Herrera + Phil Noy; vocal recording engineered by Gleyder “Gee” Disla + Ryan Evans > Tracks 8, 9 co-produced by Phil Noy; additional engineering by Phil Noy > Track 10 co-produced by Phil Noy;
additional engineering by Phil Noy; vocal recording engineered by Gleyder “Gee” Disla + Ryan Evans > Track 12 additional engineering by Phil Noy (drums); outro produced by Simon Mavin > Track 15 additional engineering by Phil Noy (drums);
strings recorded by Benjamin Tierney > Tracks 17, 18 additional engineering by Phil Noy (drums) + Damien Charles
Recorded and mixed at Willow Grove Studios, Melbourne, Australia; Headshell Hideout, Melbourne, Australia; Ghost Oak Studios, Mornington Peninsula, Australia; Oakland Studios, Melbourne, Australia;
Sound Park Studios, Melbourne, Australia; Instrument Zoo, Miami, USA
Mastered by Andre Eremin at Jack the Bear Studios, Melbourne, Australia
A&R: Salaam Remi  > Photography: Wilk > Art Director: Roxanne Slimak  > Graphic Design: Federico Ruiz Cover Artwork: Laneous “Lame-boy” The Lunchboxer  > Cover Design + Formatting: Laura Christoforidis
Copper Leafing: Nai Palm  > Product Development: Laura Kszan + Jennifer Liebeskind Project Manager: Kim Lumpkin
Management: Si Jay Gould + Scott Barkham  > Legal Representation: Evan Krauss
Business Management: Tom Harris + Jeremy Furze  > Published by Downtown Music Publishing (BMI/APRA)
THANK YOU: Si Jay Gould + Scott Barkham > Phil Noy > Silentjay, Lorry + Jace XL >  Salaam Remi > Chuck Mitchell > Angela Barkan > DProsper > Kim Lumpkin, Sara Gil
+ Flying Buddha > Evan Krauss > Bogdan Roscic > All our families > All the Melbourne Fams > Arron Light, Nick Delaney and the rest of the Willow Grove crew > Headshell Studio
Crew > Aime Lou > James “Lame Boy” Laneous > Maddie Stephenson + Wondercore Island > Jeremy Yohai, Jedd Katrancha, Justin Kalifowitz + Downtown Music Publishing >  Cara Lewis, Jenn Mulvihill + CAA > James Wright + The Agency Group > James Browning + Niche > Jeremy Furze, Tom Harris + White Sky > Amy Gittleman Blom + PS Business
Management > Our Sony Masterworks USA family: Laura Kszan, Mark Cavell, Beth Miller, Josh Lerman, Scott Farthing, Steve Schoen, Cathleen Murphy, Jenn Liebeskind,
Larissa Slezak, Elisa Peimer, Lynn Lendway > Tim Pithouse, Steve Holcroft + Sony Australia > Penny Axtens + Sony Germany > Dorothee Meyer + Sony Netherlands > 
Aurelien Lovelente + Sony France > Brandon Haas + BMI > Milly Petriella + APRA >  Nick Herrera > Rob Webster > Damien Charles – Ghost Oak Studios > Soundpark Studios >  Miguel Atwood-Ferguson > Bryce Gilhome > Phil Binotto > Salvador Persico > Adam King
> Nick Mulhall > Jim Moody > Erica McDaniel + Universal Audio > Yamaha Drums  > James Sajeva + Korg USA > Joe Testa + Vic Firth > Stefan Christian Trawbridge + Steinberg > Chris Mayes-Wright + Novation/Focusrite > Gilles Peterson + Worldwide/ 
Brownswood > Maurice Bernstein + Giant Step > Bradley Zero Phillip + Boiler Room >  Jonathan Rudnick > Eric Tucker > Jason Bentley, Anthony Valadez, Jeremy Sole, Aaron Byrd, Rachel Reynolds + KCRW > Dan Petruzzi, Ginny Suss + Okayplayer
> Meghan Stabile + Revive Music > Red Bull > Marc Bajoras > Dun Mina >  Christopher Boots > Mishka > Tommy Faith > Maria Jose Gallo > Amie Turnbull > 
Cosima Pey > Aimie Lou > Jim Moody > Lena The Dog > Charlie Parker The Bird > Bennie The Cat > Studio Owl > Matt Witney for the guitar > Kimberly Aviso for the electric blue