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Drawing 300
Resource and Image Bibliography
By Kevin Dykstra
Student ID# 4566505
March 2nd, 2004
DRAW 300 – Section AA
Professor: Janice Flood Turner
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Bibliography for Drawing Techniques
Brommer, Gerald F. Drawing Ideas, Materials and Techniques. Davis Publications, Inc., 1978
Constance, Diane. Complete life drawing course, Sterling Publishing Co., Inc., 2001
Edwards, Betty. The new Drawing on the Right side of the Brain. Penguin Putnam Inc., 1999
Entice, Wayne and Peters, Melody. Drawing - Space, Form and Expression. Prentice Hall Inc., 1996
Franck, Frederick. Zen Seeing, Zen Drawing – Meditation in action. Bantam Books, 1993
Gair, Angela. Artist’s Manual – A Complete Guide to Painting and Drawing Materials and Techniques, Chronicle
Books, 1996
Malins, Frederick. Drawing Ideas of the Masters – Artists techniques compared and contrasted. Phaidon Press
Ltd., 1981
McDaniel, Richard. The Drawing Book – Materials and Techniques for Today’s Artists. Watson-Guptill
Publications, 2001
Mendelowitiz, David M. A Guide to Drawing. Holt, Rinehart and Winston, 1976
Parramon. Barron’s Art Handbooks – The Nude, Barron’s Educational Series Inc., 2001
Smith, Ray. The Artist’s Handbook, Alfred A. Knopf, Inc., 1987
Watson, Lucy. Life Drawing Class, Georgetown Publications Inc., 2003
Bibliography for Source of Inspiration (see Image Bibliography)
Acquavella Galleries, Inc. Edgar Degas. Acquavella Galleries, Inc., 1978
Brown, Christopher. Van Dyke Drawings. Harry N. Abrams, Inc., New York, 1991
Cabanne, Pierre. Rembrandt. Konecky and Konecky, 1997
Glenn, Constance W. Jim Dine Drawings, Harry N. Abrams, Inc., New York, 1985
Hubert, Robert L. Seurats’s Drawings, Shorewood Publishers Inc. New York, 1962
Mathey, François. Les Impressionnistes et Leur Temps. Hazan, 1992
Metropolitan Museum of Art, New York. Daumier Drawings. Metropolitan Museum of Art, New York, 1992
Rewald, John. Renoir Drawings. H. Bittner & Company, New York, 1946
Royal Museum of Fine Arts, Antwerp. P.P. Rubens – Paintings - Oil sketches – Drawings. Drukkerij Excelsior,
Antwerp, 1977
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Schneider, Pierre. The World of Watteau. Time Incorporated, New York, 1967
Simmons, Seymour and Winer, Marc S. A. Drawing - The Creative Process, Prentice Hall Inc., 1977
Société des Espositions du Palais des Beaux-Arts de Bruxelles. Ingres et Delacroix, Dessins et aquarelles. Société
des Espositions du Palais des Beaux-Arts de Bruxelles, 1986
Wilson-Bareau, Juliet. Goya – Drawings from his private albums, Hayward Gallery, 2001
Bibliography for Source Material the 1st Semester
Lomis, Andrew. Figure Drawing For All It’s Worth, The Viking Press, New York, 1946
Tulchin, Lewis. Photographing the nude, A.S. Barnes & Company, Inc, New York, 1964
Yeager, Bunny. How I photograph nudes A.S. Barnes & Company, Inc, London, 1964
Bibliography for Source Material the 2nd Semester
The Noble Prize Internet Archive. Female Nobel Prize Laureates. http://almaz.com/nobel/women.html
Nobel e-Museum, Heroines of Peace. http://almaz.com/nobel/women.html
Welcome to Daw Aung San Suu Kyi’s pages, http://www.dassk.com/
1000 Women for the Nobel Peace Prize 2005. http://www.1000peacewomen.org/eng/html/
Famous and Inspirational Women. http://www.geocities.com/Wellesley/6533/women.html
200 Famous Women, http://famouscreativewomen.com/women-atoz.html
Women Who Have Made History, http://www.geocities.com/Wellesley/3059/fullhist.html
Image Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Lawrence R. Brullo, untitled, Watercolor
washes of various hues and ink, Courtesy
of the Artist
Gustave Courbet, Self-Portrait (The man
with the pipe), c. 1849. Charcoal, 11 ½ x 8
¾ in. Wadsworth Atheneum, Hartford
Daurmier, The Thieves and the Ass, vers
1845. Black Chalk, 340 x 255 mm.
Musée du Louvre, Paris
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Daurmier, A Woman and Child Crossing a
Bridge, vers 1855. Black chalk, pen and
ink with wash, 290 x 220 mm. André
Bromberg Collection, Paris
Daurmier, A Woman Nursing a Child,
vers 1855. Black chalk, wash and conté
crayon, 163 x 143 mm. Private Collection
Daurmier, A Painter’s Studio, vers 1870.
Stumped charcoal, pen and ink, and wash,
311 x 460 mm. José Mugrabi Collection
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Edgar Degas, Femmes se poignant, c.
1875-76. Oil on paper mounted on canvas,
12.25 x 17.75 in. The Phillips Collection
Edgar Degas, Danseuses au Repos, 1878.
Pastel on paper, 24 x 22 in
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Edgar Degas, Trois danseuses dans les
coulisses, c. 1880-85. Oil on canvas,
21 x 25 in. Acquavella Galleries, Inc
Edgar Degas, Danseuse attachant son
chausson, .1887. Pastel and pencil on
paper, 16 1/8 x 15 ¾ in. Acquavella
Galleries, Inc
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Edgar Degas, Femme prenant un tub,
c. 1886. pastel on paper, 28 3/8 x 22
in. Acquavella Galleries, Inc
Edgar Degas, Danseuse vue de face, le
bras gauche leve, 1887. Pastel on
paper, 18 ¾ x 11 ¾ in. Kimbell Art
Museum
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Lorenzo di Credi, Saint Bartholomew,
c. 1510. Pencil, white and red chalk on
brown paper, 15 3/16 x 10 5/8 in.
Louvre, Paris
Delacroix, Trois études de nu, vers
1850. Graphite and ink, 265 x 413
mm. Musée du Louvre, Cabinet des
dessin, Paris
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Jim Dine, Untitled, 1977. Charcoal,
60 x 40 in. Private collection
Jim Dine, The Thin Model, 1976.
Charcoal, oil and crayon, 45 ½ x 31 ½
in. Private collection
Jim Dine, The Early Sitter, 1975.
Charcoal and pastel, 40 ½ x 31 in.
Museum of Fine Arts, Boston
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Jim Dine, The Blond Runner #2, 1978.
Charcoal and pastel, 45 ½ x 31 ¾ in.
Corman, Beverly Hills, California
Jim Dine, Jessie with a Shell XIV,
1982. Mixed mediums, 43 x 30 ½ in.
Collection Mr. Clement Stone, Lake
Jim Dine, Venus Outlined in Blue,
1983. Mixed mediums, 60 x 44 ¾ in.
Private collection, New York
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Goya, Young woman arranging her
hair as another rests on a bed, 1796.
Brush and Indian ink, 172 x 101 mm.
Private collection, Sanlucar Album
Goya, Young woman pulling up her
stocking, 1796. Brush and Indian ink,
172 x 100 mm. Private collection,
Sanlucar Album
Francis de Erdely, The Banjo Player,
no date. Balsa stick and ink on brown
paper, 29.5 x 24 in. The Snow
Gallery, San Marino, California.
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Ingres, Etude draperie, vers 1824.
Graphite and white chalk, 335 x 358
mm. Musée des Beaux-Art, Lille.
Ingres, Mlle Henriette Ursle Claire,
1816. Graphite, 304 x 221 mm. The
Gemeente Museum, Den Haag
Ingres, Louise Gonin, 1821.
Graphite, 208 x 153mm. Musée d’Art
et d’Histoire, Cabinet des dessins,
Genève.
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Renoir, Bather rubbing her foot,
1885-90. Sauguine heightened with
white, 14 3/8 x 11 in. César de Hauke
Collection
Valerie Love, Figures, no date. Ball
point, 16 x 10 in., Courtesy of the
Artist
Dan Leary, Self-Portrait, no date.
Pastel and powder pigment on paper,
22 ½ x 17 ½ in. Printworks Gallery,
Chicago
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Renoir, Portrait of Gabrielle, c. 1906.
Sanguine heightened with white, 23 ¼
x 18 ¼ in. Musée du Louvre, Paris.
Renoir, The Flowered Hat, 1893.
Pastel, 25 x 20 in. unknown location
Renoir, Bather, 1882-90. Pastel, 23
¾ x 17 ¾ in. , unknown location.
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Peter Paul Rubens, Male nude seen
partially from behind,, Black chalk
heightened with white, 315 x 367 mm.
The Ashmolean Museum, Oxford.
Peter Paul Rubens, Two Figures from
‘The Adoration of the Shepherds’ at
Fermo, Pen and brown ink and brown
wash, 140 x 151 mm. Historisch
Museum, Amsterdam.
Peter Paul Rubens, Crouching man
seen from behind – study for the
Raising of the Cross, 1610-1611.
Black chalk heightened with white and
reworked with Chinese ink on faded
yellow paper, 465 x 320 mm. Mr. C.P.
van Eeghen, Amsterdam.
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Seurat, The Black Bow, 1882-83.
Conté crayon, 31 x 23 in. Private
collection
Seurat, Nude, 1879. Conté crayon,
59.1 x 44.8 in. Courtauld Institute of
Art, London
Seurat, The Artist’s Mother, 1882-83.
Conté crayon, 32.7 x 24 in. The
Metropolitan Museum, New York
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Seurat, Au Divan Japonais, 1888.
Conté crayon, 20.5 x 23 in. Baron
Gourgaud
Seurat, Woman Seated, Umbrella
Raised, study for the “Grande Jatte”,
1884-85, Conté crayon, 30.2 x 18 in.
A. Dunoyer de Segonzac, Paris
Seurat, Study for Night Stroll, 1887-
88. Ink, 27.5 x 20.5 in. Dr. Eduard
Freiherr von der Heydt, Ascona
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Everett Shinn, Lovers, 1908.
Brown wash, red charcoal, and
Chinese white on tan paper, 10
3/16 x 12 7/8 in. Allen
Memorial Art Museum, Oberlin
College, Ohio.
Seurat, A Music Hall Artist, 1887-88.
Conté crayon, 30.5 x 23.3 in. Fogg Art
Museum, Harvard University
Charles Sheeler, Feline
Felicity, .1934. Conte crayon
on white paper, 559 x 457 mm.
The Fogg Art Museum,
Harvard
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Anthony van Dyck, The Carrying of the Cross, 1617-1618. Black chalk with pen
and brown ink and brown and grey washes,
203 x 107 mm. Museum of Art, Rhode
Island School of Design, Providence,
Rhode Island.
Anthony van Dyck, The crucifixion,,
c. 1627-30. Pen with brown ink and
brown wash, with highlights in white
body color on blue-grey paper, 271 x
195 mm. British Museum, London
Antoine Watteau, Reclining bacchante
holding a glass, no date. Red, white
and black chalk on paper
Bibliography
DRAW 300 – Section AA
by Kevin Dykstra
Charles White, untitled, Sepia wash
drawing, Courtesy of the artist
Marc Winer, Twisted nude No.4, pencil, fom the book The Creative Process
Fritz Wiegele,
Two young girls,
1935. Rubbed
pencil, 21 3/8 x 12
3/8 in. Collection
Count Antoine
Seilern, London