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EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

Date post: 18-Jan-2016
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EL LABERINTO DEL FAUNO Historia y Espectáculo
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Page 1: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

EL LABERINTO DEL FAUNO

Historia y Espectáculo

Page 2: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

FILM DIRECTOR: GUILLERMO DEL TORO

Page 3: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

HISTORICAL CONTEXT

Page 4: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

MAGICAL & REALISTICFANTASTICAL & POLITICAL

Page 5: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

MAGICAL & REALISTICFANTASTICAL & POLITICAL

Page 6: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

CONECTIONS WITH OTHER FILMSAlice in Wonderland

The Wizard of Oz

James and the Giant Peach.

Page 7: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

CONECTIONS WITH OTHER FILMS

Harry Potter

The Chronicles of Narnia

Page 8: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

SPANISH REFERENCESDon Quijote Goya Velazquez

Page 9: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

CONCLUSION

• “Del toro is perhaps suggesting that fantasy is somehow proportionate to or compensaory for the horror of the real.”

Paul Julian Smith

Page 10: EL LABERINTO DEL FAUNO Historia y Espectáculo. FILM DIRECTOR: GUILLERMO DEL TORO.

QUESTIONS FOR DISCUSSION

• 1) El laberinto del Fauno deals with a specific moment of Spanish history combined with fantasy elements which have consequences in the reality, to what extent these elements are confused?

• 2)Taking into consideration/ Keeping in mind that El laberinto del Fauno is a Spanish-Mexican co-production in which its actors, settings, themes and location are Spanish but its director and the key crew members are Mexican, can we consider that this film is a national or international production?

• 3) According to some critics as Janell Hobson or Laura Hubner this production provides quite positive feminist aspects, while others as Kim Edwards offer a more pessimistic view. After watching the film and reading the articles, what is your opinion about this? In which character’s behavior can we appreciate these points of view?


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